92:, continuing his duties at St. Peter's. Beginning in 1603, there appears some irregularity in his signing for his payment, from the Capella Giulia. Nicolo Pasquini, possibly a son, signed from time to time from September 1603 over the next two years. During the summer of 1605, his payments were signed by the
38:(1521?-1589). He was described by Agostino Superbi (1620) as a most clever and excellent musician and organist. "He had a very nimble hand; and sometimes played so splendidly that he enraptured the people and truly amazed them." In the 1580s, Pasquini took over the musical instruction of the daughters of
99:, and in November and December, the attendant of the hospital, where Pasquini was being treated, signed. On 19 May 1608, Pasquini was dismissed from his post for "just causes." In an account by Agostino Faustini in 1646, Pasquini died insane in Rome.
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About thirty pieces for the keyboard have been preserved in manuscript copies. No autographs have survived and none were published during his lifetime. Among the items which have come down to us are 6 toccatas, 2
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and
Eleonora d'Este which took place in Ferrara the following year (1594). Upon the death of Bevilacqua, Pasquini apparently returned to Ferrara, where he succeeded
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James L. Ladewig: "The
Origins of Frescobaldi's Variation Canzonas Reappraised", ed. Alexander Silbiger. (Durham, NC, Duke University Press, 1987).
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Of his vocal works, only five were published during his lifetime or shortly afterward. The madrigal
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Raffaella
Aleotti: Sacre Cantiones, Quinque, Septem. Octo, & Decem Vocibus Decantandae
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as organist of the
Accademia della Morte. He was succeeded in this position by
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22:(ca. 1560 – between 1608 and 1619) was an Italian composer and organist.
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On 6 October 1597, Pasquini was elected organist to the
Capella Giulia at
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9 or 10 canzonas, 5 sets of variations, 3 dances, and an intabulation of
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Anthony
Newcomb: "Frescobaldi's Toccatas and Their Stylistic Ancestry",
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in a Passau collection. Two motets, including the impressive ten-voice
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57:, in Verona. While he held these positions, he wrote and published a
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184:, ed. Alexander Silbiger. (Durham, NC, Duke University Press, 1987).
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C. Ann
Clement, Massimo Ossi, Thomas W, Bridges: "Introduction" to
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W. Richard
Shindle: "The Vocal Works of Ercole Pasquini",
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65:(Verona, 1593) in anticipation of the wedding of Don
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199:The New Grove Dictionary of Music and Musicians
145:were included in a publication by his student,
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273:Italian male classical composers
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49:of Mario Bevilacqua and of the
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248:16th-century Italian musicians
229:Free scores by Pasquini Ercole
219:Free scores by Ercole Pasquini
149:in 1593. A spiritual madrigal
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151:M'empio gli occhi di pianto,
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293:17th-century male musicians
263:Italian classical organists
161:for four voices and organ.
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278:Italian Baroque composers
143:Quem viditis pastores?,
129:Mentre che la bell'Isse
90:Santo Spirito in Sassia
40:Giovan Battista Aleotti
283:Musicians from Ferrara
131:of 1591, appears as a
118:Ancor che co'l partire
55:Santa Maria in Organo
36:Alessandro Milleville
30:Pasquini was born at
159:Jesu decus angelicum
82:St. Peter's Basilica
75:Girolamo Frescobaldi
258:17th-century deaths
182:Frescobaldi Studies
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242:Categories
133:contrafact
233:loumy.org
61:entitled
51:Olivetian
26:Biography
110:durezze,
53:church,
225:(IMSLP)
221:at the
177:, 1966)
122:Durezze
47:ridotti
32:Ferrara
136:motet
86:Rome
231:on
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