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Stylistically, Soriano's music is much like
Palestrina's, but shows some influence from the progressive trends prevalent around the turn of the century. He adopted the
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court there; but in 1586 he moved back to Rome where he spent the rest of his life working as choirmaster at three separate churches, including the
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166:; they are set in a restrained but dramatic style, with some attempt at characterization. In some ways they are a predecessor of the
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127:, and he had a liking for homophonic textures, which generally made it easier to understand the sung text.
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170:, mixing solo voice, chorus, and non-acted character roles, but in a style more related to
158:. His Passion settings are significant predecessors of the more famous settings from the
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according to each of the four gospels (Matthew, Mark, Luke, and John),
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The New Grove
Dictionary of Music and Musicians, ed. Stanley Sadie
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138:(some for eight voices), psalms (one collection, published in
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42:. He was one of the most skilled members of the
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69:, became a priest in the 1570s and by 1580 was
250:International Music Score Library Project
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188:. London: Macmillan Publishers. 1980.
65:in Rome with several people including
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77:, also in Rome. In 1581 he moved to
104:in accordance with the needs of the
63:Basilica di San Giovanni in Laterano
286:People from the Province of Viterbo
142:in 1616, is for 12 voices and
108:; this work was left incomplete by
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214:. New York: W.W. Norton & Co.
119:style, while retaining the smooth
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38:) was an Italian composer of the
296:Italian male classical composers
256:Free scores by Francesco Soriano
246:Free scores by Francesco Soriano
236:Free scores by Francesco Soriano
46:in the first generation after
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291:Italian Renaissance composers
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240:Choral Public Domain Library
162:era, for instance, those by
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81:, taking a position at the
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174:than to anything Baroque.
210:Music in the Renaissance
154:, and several books of
301:Roman school composers
93:. He retired in 1620.
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184:"Francesco Soriano".
75:S. Luigi dei Francesi
61:. He studied at the
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100:to revise the Roman
96:Soriano worked with
53:Soriano was born at
146:), settings of the
106:Counter-Reformation
71:maestro di cappella
34:– 19 July 1621, in
32:Soriano nel Cimino
30:(1548 or 1549, in
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28:Francesco Soriano
23:Francesco Soriano
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262:early music site
260:VistaMare Musica
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152:Marian antiphons
16:Italian composer
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230:External links
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204:Reese, Gustave
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144:basso continuo
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276:1540s births
242:(ChoralWiki)
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44:Roman School
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281:1621 deaths
91:St. Peter's
40:Renaissance
270:Categories
178:References
172:Palestrina
125:Palestrina
121:polyphonic
117:polychoral
110:Palestrina
67:Palestrina
48:Palestrina
164:J.S. Bach
156:madrigals
130:He wrote
206:(1954).
168:oratorio
252:(IMSLP)
248:at the
238:in the
160:Baroque
148:Passion
102:Gradual
83:Gonzaga
59:Viterbo
57:, near
55:Soriano
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192:
140:Venice
136:motets
132:masses
79:Mantua
258:from
216:ISBN
190:ISBN
36:Rome
89:at
73:at
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134:,
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198:.
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