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broken pieces. More clearly present, perhaps, than in a completely coherent work. At least you aren't lulled into a sense of false security by some merely human, merely fabricated order. You have to rely on your immediate perception of the ultimate order. So in a certain sense disintegration may have its advantages. But of course it's dangerous, horribly dangerous. Suppose you couldn't get back, out of the chaos...'
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488:, one of the most forward-looking composers in the genre. Leonora was married to Gesualdo and moved with him back to his estate in 1597. In the meantime, he engaged in more than two years of creative activity in the innovative environment of Ferrara, surrounded by some of the finest musicians in Italy. While in Ferrara, he published his first book of madrigals. He also worked with the
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Gesualdo was an
Italian composer who, because of mental illness, murdered his wife and her lover, and wrote music in the 16th century that was so progressive and extreme that no one attempted to recreate his style until the 20th century... It wasn't until centuries later that he was rediscovered, and
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The evidence that
Gesualdo was tortured by guilt for the remainder of his life is considerable, and he may have given expression to it in his music. One of the most obvious characteristics of his music is the extravagant text setting of words representing extremes of emotion: "love", "pain", "death",
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from
Ferrara in 1595, he set up a situation similar to the one that existed in Ferrara, with a group of resident virtuoso musicians who would sing his own music. While his estate became a center of music-making, it was for Gesualdo alone. With his considerable financial resources, he was able to hire
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The day after the killing, a delegation of
Neapolitan officials inspected the room in Gesualdo's apartment where the killings had taken place, and interrogated witnesses. The delegation's report did not lack in gruesome details, including the mutilation of the corpses and, according to the witnesses,
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and an entire flock of
Neapolitan poets, eager to capitalize on the sensation. The accounts of his cruelty were expanded with apocryphal stories such as the alleged killing of an illegitimate child of Donna Maria and her lover, which according to one variant of the made-up story was "suspended in a
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psychosis working upon a late medieval art form, 'and yet it does not matter that he's all in bits. The whole is disorganized. But each individual fragment is in order, is a representative of a Higher Order. The
Highest Order prevails even in the disintegration. The totality is present even in the
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passages. The text is closely wedded to the music, with individual words being given maximum attention. Some of the chromatic passages include all twelve notes of the chromatic scale within a single phrase, although scattered throughout different voices. Gesualdo was particularly fond of chromatic
362:." His brother Luigi was to become the next Prince of Venosa, but after his untimely death in 1584, Carlo became the designated successor. Abandoning the prospect of an ecclesiastical career,, he married, in 1586, his first cousin, Donna Maria d'Avalos, the daughter of Carlo d'Avalos, prince of
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And a bridge they remained even while singing the most startlingly chromatic of the mad prince's compositions. Through the uneven phrases of the madrigals, the music pursued its course, never sticking to the same key for two bars together. In
Gesualdo, that fantastic character out of a Webster
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style popular in the period, which involved doubling and replacing voices with instruments. In addition to the works which he published, he left a large quantity of music in manuscript. This contains some of his richest experiments in chromaticism, as well as compositions in such contemporary
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and violent rhythmic contrast increase in the later books, with Books Five and Six containing the most famous and extreme examples (for instance, the madrigals "Moro, lasso, al mio duolo" and "Beltà, poi che t'assenti", both of which are in Book Six, published in 1611). There is evidence that
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If
Gesualdo had not committed such shocking acts, we might not pay such close attention to his music. But if he had not written such shocking music we would not care so much about his deeds. Many bloodier crimes have been forgotten; it’s the nexus of high art and foul play that catches our
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After the
Renaissance Gesualdo's life story and his music were largely forgotten until the 20th century: in 1926 Gray and Warlock published their book on Gesualdo. The life of Gesualdo provided inspiration for numerous works of fiction and musical drama, including a novel by
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at
Gesualdo, showing Gesualdo, his uncle Carlo Borromeo, his second wife Leonora, and his son, underneath a group of angelic figures; however, some sources suspect the painting was commissioned earlier, as the identity of the child is unclear.
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The relationship between Gesualdo and his new wife was not good; she accused him of abuse, and the Este family attempted to obtain a divorce. She spent more and more time away from the isolated estate. Gesualdo wrote many angry letters to
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melodrama, psychological disintegration had exaggerated, had pushed to the extreme limit, a tendency inherent in modal as opposed to fully tonal music. The resulting works sounded as though they might have been written by the later
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Gesualdo's published music falls into three categories: sacred vocal music, secular vocal music, and instrumental music. His most famous compositions are his six books of madrigals, published between 1594 and 1611, as well as his
171:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
335:, Southern Italy, in 1560. He was probably born on March 30, 1566, three years after his older brother, Luigi, though some sources have stated that he was born on March 8. Older sources give the year of birth as
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Gesualdo had these works in score form, in order to better display his contrapuntal inventions to other musicians, and also that Gesualdo intended his works to be sung by equal voices, as opposed to the
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604:, i.e., skeletal remains, of recently canonized uncle Carlo Borromeo, with which he hoped to obtain healing for his mental disorder and possibly absolution for his crimes. Gesualdo's late setting of
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The Conservatorio di Musica Carlo Gesualdo da Venosa ( Conservatory of Music Carlo Gesualdo do Venoza), Potenza, in the region of Basilicata, Italy, was founded in 1971 and named for the composer.
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1394:, Edizione critica a cura di Maria Caraci Vela e Antonio Delfino, testi poetici a cura di Nicola Panizza, con uno scritto di Francesco Saggio, prefazione di Giuseppe Mastrominico,
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Characteristic of the Gesualdo style is a sectional format in which relatively slow-tempo passages of wild, occasionally shocking chromaticism alternate with quick-tempo
1248:, in which the central character is in love with the music of Carlo Gesualdo, and with a plot that echoes his life. The score is influenced by part of Gesualdo’s motet
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daily by his servants, keeping a special servant whose duty it was to beat him "at stool", and he engaged in a relentless, and fruitless, correspondence with Cardinal
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1560 or 1561, but this is no longer accepted. A letter from Gesualdo's mother, Geronima Borromeo, indicates that the year is most likely 1566. Gesualdo's uncle was
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singers and instrumentalists for his own pleasure. He rarely left his castle, taking delight in nothing but music. His most well-known music was published in
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In his own lifetime, the salacious details of Gesualdo's killing of his first wife and her lover were widely publicized, including in verse by poets such as
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About a year after the gruesome end of his first marriage, Gesualdo's father died and he thus became the third Prince of Venosa and eighth Count of Conza.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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language not heard again until the late 19th century. He is also known for killing his first wife and her aristocratic lover upon finding them
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The first books of madrigals that Gesualdo published are close in style to the work of other contemporary madrigalists. Experiments with
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Mozart's C-Minor Piano Concerto was interrupted after the first movement, and a recording of some madrigals by Gesualdo took its place.
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1093:(1972) for Alto Flute, Bass Clarinet, Cello, Glockenspiel, Guitar, Harpsichord, Marimba, Mezzo-Soprano, Viola, Violin and Celeste by
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and swung to the point of death". Until the 1620s his music was imitated by Neapolitan composers of polyphonic madrigals such as
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288:(between 8 March 1566 and 30 March 1566 – 8 September 1613) was an Italian nobleman and composer. Though both the Prince of
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Content in this edit is translated from the existing French Knowledge article at ]; see its history for attribution.
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is common among madrigalists of the late 16th century, it reached an extreme development in Gesualdo's music.
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and shocking chromatic juxtapositions, especially in the parts highlighting text passages having to do with
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The fascination for Gesualdo's music has been fuelled by the sensational aspects of his biography. In 2011
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In 1600, Gesualdo's son by his second marriage died. It has been postulated that after this Gesualdo had a
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Italian Baroque Masters: Monteverdi, Frescobaldi, Cavalli, Corelli, A. Scarlatti, Vivaldi, D. Scarlatti
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Gesualdo, "Madrigali a 5 voci" Books 1-6 6 discs. Quintetto Vocale Italiano Newton Classics 8802136
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In a letter of June 25, 1594, Gesualdo indicated he was writing music for the three women in the
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Gesualdo going into the bedroom a second time "because he wasn't certain yet they were dead".
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Some years into her marriage with Gesualdo, Donna Maria began an affair with Fabrizio
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Carlo Gesualdo de Verona, "The Complete Madrigals" . 7 discs. Marco Longhini &
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and difficult portions of it were all written during his period of self-isolation.
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1203:: "Belta, poi che t'assenti", "Arditta zanzaretta" and "Moro lasso", published by
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1308:(1976) juxtaposes the life of Gesualdo with that of twentieth-century composer
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wrote and recorded the song "Gesualdo da Venosa" about him, for his 1995 album
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wrote an opera based on Gesualdo's life. Another Gesualdo opera was written by
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2467:"Variations on a Theme: Scored Music and Language in Julio Cortázar's 'Clone'"
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La terribile e spaventosa storia del Principe di Venosa e della bella Maria
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Il processo compositivo in Gesualdo da Venosa: un'interpretazione tonale
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2391:(October 1968). "Carlo Gesualdo and a Musical Correspondence of 1594".
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arranged several of Gesualdo's madrigals for an instrumental ensemble.
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The Gran Corte della Vicaria found Gesualdo had not committed a crime.
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to the source of your translation. A model attribution edit summary is
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2510:"Prince of Darkness: The Murders and Madrigals of Don Carlo Gesualdo"
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at the Ishibiashi Memorial Hall by countertenor Jake Arditti and the
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The Concise Edition of Baker's Biographical Dictionary of Musicians
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By 1594, Gesualdo had arranged for another marriage, this time to
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His music is among the most experimental and expressive of the
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Le voci sottovetro: Elaborazioni da Carlo Gesualdo da Venosa
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where she often went to stay with her brother. According to
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Salvatore La Vecchia, with a Preface by Ruggero Cappuccio.
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based on the latter part of the life of Gesualdo. In 1995,
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2736:. New York: Juwal Publications, 2020, ISBN 979-8671541731.
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in 2012. The quartet have continued to perform them since.
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Performed by MIT Chamber Chorus (William Cutter, director)
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Inventario – Centro Studi e Documentazione Carlo Gesualdo
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Other music inspired by Gesualdo or his music includes:
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third relations, for instance juxtaposing the chords of
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Carlo Gesualdo, Prince of Venosa: Musician and Murderer
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Carlo was most likely born at Venosa, then part of the
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Gesualdo died in isolation, at his castle Gesualdo in
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in 1603 and from the castle of Gesualdo (with printer
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La Stamperia del Principe Gesualdo (Gesualdo, Italy)
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La Giostra del principe: Il dramma di Carlo Gesualdo
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Madrigali a cinque voci (Libro Quinto – Libro Sesto)
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a machine-translated version of the French article.
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1635:Tenebrae Responsoria (Gesualdo) § Recordings
16:Italian prince, composer and murderer (1566–1613)
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2648:Carlo Gesualdo: il principe, l'amante, la strega
2356:. Monuments of Renaissance Music. Vol. 10.
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1221:(2015), album by experimental music collective
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2652:Napoli: Edizioni Scientifiche Italiane, 2004.
1624:. La Compagnia del Madrigale: Glossa GCD922801
189:accompanying your translation by providing an
151:Click for important translation instructions.
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2717:Carlo Gesualdo da Venosa: Per una biografia.
2432:Bulletin of the New York Academy of Medicine
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1526:. Gesualdo Consort Amsterdam: CPO 777 138–2
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986:Operas based on Gesualdo's life and music:
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2635:, 8th ed. New York, Schirmer Books, 1993.
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2771:International Music Score Library Project
2673:Carlo Gesualdo omicida fra storia e mito.
2618:. New York: W.W. Norton & Co., 1954.
2568:The Gesualdo Hex: Music, Myth, and Memory
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2343:Kegan Paul, Trench, Trubner & Co. Ltd
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1480:Learn how and when to remove this message
1229:The Prince of Venosa - for string quartet
974:Learn how and when to remove this message
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633:, three weeks after the death of his son
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109:Learn how and when to remove this message
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2574:. New York: W. W. Norton & Company.
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2133:Werner Herzog: Filmmaker and Philosopher
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1922:Free scores of Moro, lasso, al mio duolo
924:Music based on Gesualdo's life and music
826:Portrait of Carlo Gesualdo, Painting by
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2691:Atripalda (AV): Mephite Editore, 2010.
2667:. Avellino: Elio Sellino Editore, 2004.
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1509:Complete Sacred Music for Five Voices
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956:adding citations to reliable sources
927:
120:
47:adding citations to reliable sources
18:
3995:17th-century Italian male musicians
2353:The Madrigals of Michelangelo Rossi
2315:. History of Music. Prentice Hall.
1603:: ECM New Series. ECM 2175 476 4755
1503:(selection from madrigal books 4–6)
572:commissioned for the church of the
389:. In addition to Nenna, Gesualdo's
13:
2824:
2589:
2532:(1st ed.). London: Macmillan.
2150:
1501:: Harmonia Mundi France CD 901268
1396:La Stamperia del Principe Gesualdo
1109:. The song was remastered in 2008.
1106:L'ombrello e la macchina da cucire
663:
513:Return to Gesualdo and final years
476:. That year, Gesualdo ventured to
241:Portrait of Gesualdo, 16th century
14:
4006:
2740:
2548:(2nd ed.). Clarendon Press.
1578:. The Kassiopeia Quintet: GLO5226
1571:. The Kassiopeia Quintet: GLO5225
1564:. The Kassiopeia Quintet: GLO5224
1557:. The Kassiopeia Quintet: GLO5223
1550:. The Kassiopeia Quintet: GLO5222
1384:
1379:Trinity College Chapel, Cambridge
1369:in 2014 for a performance of the
1135:(1998) for voice and ensemble by
525:After returning to his castle at
296:, he is better known for writing
3965:Italian male classical composers
3913:
3904:
3903:
3439:Giovanni Pierluigi da Palestrina
2932:
2923:
2922:
2526:, ed. (1980). "Carlo Gesualdo".
1592:. La Venexiana: Glossa GCD920935
1585:. La Venexiana: Glossa GCD920934
1430:
1274:writes of Gesualdo's madrigals:
932:
700:Problems playing this file? See
682:
545:) in 1611. The most notoriously
463:
201:{{Translated|fr|Carlo Gesualdo}}
125:
23:
2542:Gesualdo: The Man and His Music
2229:
2204:
2183:
2123:
2109:
2092:
2067:. 19 February 2019. p. 10.
2057:
2033:
2007:
1915:
1857:.lastamperiadelprincipegesualdo
1843:
1653:Sacrae Cantiones Liber Secundus
1336:Gesualdo: Death for Five Voices
1126:(1997) for String Orchestra by
943:needs additional citations for
618:chant with pungently chromatic
34:needs additional citations for
3985:17th-century Italian composers
3975:16th-century Italian musicians
2426:Ober, William B. (July 1973).
2190:Ultimate Cult Heroes: Gesualdo
1205:University of York Music Press
592:in 1635, Gesualdo had himself
580:Late in life he suffered from
199:You may also add the template
1:
3960:Italian Renaissance composers
3182:List of Renaissance composers
2776:Free scores by Carlo Gesualdo
1663:
1646:Il cembalo intorno a Gesualdo
1414:Gesualdo's madrigals and his
1409:
1240:(2017), an opera composed by
1112:In 1997, Australian composer
336:
322:
2780:Choral Public Domain Library
2769:: by Carlo Gesualdo, at the
2490:10.1080/14753820.2013.810920
2440:New York Academy of Medicine
2264:. The New Grove. Macmillan.
1926:Choral Public Domain Library
1421:
1312:. In 1985 the French writer
817:
455:
415:, and the nobleman lutenist
317:
7:
3990:17th-century male musicians
2474:Bulletin of Spanish Studies
2358:University of Chicago Press
2311:; Stein, Louise K. (1999).
2136:. Bloomsbury. p. 190.
1648:, Paola Erdas (harpsichord)
1628:
1361:Gesualdo's name is used by
1116:paid homage to Gesualdo in
757:suffering, or the guilt of
422:
10:
4011:
3812:Petrus Phalesius the Elder
3627:English Virginalist School
2705:. Rome, IkonaLiber, 2012.
2606:Princeton University Press
2465:Roberts, Nicholas (2013).
2279:Bianconi, Lorenzo (2001).
2250:
1632:
1244:, written and directed by
1167:for voice and ensemble by
1099:Italian singer-songwriter
708:
509:styles, has not survived.
163:Machine translation, like
3883:
3835:
3762:
3701:
3655:
3602:
3594:Jan Pieterszoon Sweelinck
3477:
3364:
3276:
3188:
3179:
3123:
3082:
3074:Margherita Gonzaga d'Este
3061:
3025:
2988:
2918:
2895:
2868:
2841:
2832:
2733:Music, Murder and Madness
1902:"A Gesualdo Photojournal"
1608:Quinto Libro di Madrigali
1597:Quinto Libro di Madrigali
1590:Quinto Libro di Madrigali
1583:Quarto Libro di Madrigali
1256:
1191:Mexican/British composer
273:
261:
246:
234:
227:
140:the corresponding article
3053:Giulio Cesare Brancaccio
3011:Giulio Cesare Brancaccio
2616:Music in the Renaissance
2313:Music in the Renaissance
1850:Giovanni Giacomo Carlino
1639:
1622:Sesto Libro di Madrigali
1615:Sesto Libro di Madrigali
1149:, in collaboration with
761:in having betrayed him.
643:Church of the Gesù Nuovo
536:Giovanni Giacomo Carlino
286:Carlo Gesualdo da Venosa
3622:English Madrigal School
2877:Monumentum pro Gesualdo
2731:The Curse of Gesualdo:
2403:Oxford University Press
2375:Mullenger, Len (1998).
2291:Oxford University Press
2157:Herzog, Werner (2001).
1990:Gray & Warlock 1926
1886:Gray & Warlock 1926
1874:Gray & Warlock 1926
1741:Gray & Warlock 1926
1655:. Vocalconsort Berlin,
1267:The Doors of Perception
1219:Night of Your Ascension
1174:Sulla morte e la follia
1091:Tenebrae Super Gesualdo
1072:Monumentum pro Gesualdo
905:Monumentum pro Gesualdo
676:Moro lasso al mio duolo
395:included the composers
210:For more guidance, see
3464:Tomás Luis de Victoria
3268:Oswald von Wolkenstein
2719:Giuseppe Barile, 2014
2381:MusicWeb International
2260:; et al. (1984).
2082:"The Second Violinist"
1950:Brown & Stein 1999
1359:
1319:Le Témoin de poussière
1299:
1213:Arditti String Quartet
851:
831:
668:
657:Compositions and style
522:
3484:Transition to Baroque
3429:Pierre de Manchicourt
2394:The Musical Quarterly
2102:.conservatoriopotenza
2014:Death for Five Voices
1633:Further information:
1524:Madrigali Libri I-III
1371:Tenebrae Responsories
1354:
1276:
1223:Wrekmeister Harmonies
894:and a short story by
846:
825:
780:avant-garde forms as
667:
520:
435:and seventh Count of
331:, in what is now the
212:Knowledge:Translation
183:copyright attribution
3514:Girolamo Frescobaldi
3321:Cristóbal de Morales
3048:Vittoria Bentivoglio
2981:Concerto delle donne
2858:Tenebrae Responsoria
2835:List of compositions
2601:The Italian Madrigal
2518:. A Critic at Large.
2508:(12 December 2011).
2411:10.1093/mq/LIV.4.409
2350:Mann, Brian (2002).
2169:. pp. viii–ix.
1555:Madrigali, Libro III
1499:Les Arts Florissants
1454:improve this section
1418:are often recorded.
1416:Tenebrae Responsoria
1316:published the novel
1238:The Second Violinist
1207:, were premiered in
1095:Peter Maxwell Davies
1021:The Prince of Venosa
952:improve this article
880:Girolamo Frescobaldi
766:harmonic progression
738:Tenebrae Responsoria
499:concerto delle donne
491:concerto delle donne
472:, the niece of Duke
356:College of Cardinals
311:in flagrante delicto
278:List of compositions
43:improve this article
3632:Florentine Camerata
3604:Composition schools
3263:Gaspar van Weerbeke
2885:Luci mie traditrici
2715:Annibale Cogliano.
2676:Napoli: ESI, 2006.
2670:Annibale Cogliano.
2663:Annibale Cogliano.
2645:Annibale Cogliano.
2309:Brown, Howard Mayer
1576:Madrigali, Libro VI
1562:Madrigali, Libro IV
1548:Madrigali, Libro II
1294:Counter-reformation
1169:Salvatore Sciarrino
1163:(1999) music for l'
1137:Salvatore Sciarrino
1056:Marc-André Dalbavie
1037:Salvatore Sciarrino
1032:Luci mie traditrici
918:Salvatore Sciarrino
417:Ettorre de la Marra
333:Province of Potenza
3970:Madrigal composers
3955:People from Venosa
3827:Thomas Vautrollier
3807:Ottaviano Petrucci
3782:Pierre Attaingnant
3772:Hieronymus Andreae
3579:Michael Praetorius
3564:Claudio Monteverdi
3554:Giovanni de Macque
3549:Luzzasco Luzzaschi
3519:Alfonso Fontanelli
3409:Francisco Guerrero
3384:Antonio de Cabezón
3296:Thomas Crecquillon
3278:Middle (1470–1530)
3258:Johannes Tinctoris
3198:Alexander Agricola
3110:Claudio Monteverdi
3105:Luzzasco Luzzaschi
2286:Grove Music Online
2019:2015-12-22 at the
1569:Madrigali, Libro V
1541:Madrigali, Libro I
1398:, Gesualdo, 2013.
1333:directed the film
1306:Music to Murder By
1082:Omaggio a Gesualdo
995:Francesco d'Avalos
884:Sigismondo d'India
872:Giovanni de Macque
868:Michelangelo Rossi
832:
776:concerted madrigal
669:
651:earthquake of 1688
523:
521:Castle of Gesualdo
486:Luzzasco Luzzaschi
397:Giovanni de Macque
191:interlanguage link
3980:Italian murderers
3927:
3926:
3524:Giovanni Gabrieli
3351:Philippe Verdelot
3248:Johannes Ockeghem
3190:Early (1400–1470)
3173:Renaissance music
3139:
3138:
3090:Lodovico Agostini
3069:Alfonso II d'Este
3043:Leonora Sanvitale
3038:Isabella Bendidio
3033:Lucrezia Bendidio
2946:
2945:
2711:978-88-97778-06-6
2697:978-88-6320-063-8
2629:Nicolas Slonimsky
2482:Durham University
2300:978-1-56159-263-0
1601:Hilliard Ensemble
1490:
1489:
1482:
1404:978-88-906830-2-2
1250:Tristis anima mea
984:
983:
976:
830:, c. 18th century
828:Francesco Mancini
787:concerto di donne
687:
639:of Saint Ignatius
598:Federico Borromeo
409:Scipione Lacorcia
352:Kingdom of Naples
283:
282:
223:
222:
152:
148:
119:
118:
111:
93:
4002:
3917:
3907:
3906:
3787:Vittorio Baldini
3764:Music publishing
3539:Hans Leo Hassler
3494:Gregorio Allegri
3449:Cipriano de Rore
3424:Vicente Lusitano
3419:Orlando di Lasso
3374:Jacques Arcadelt
3341:Pierre de la Rue
3336:Josquin des Prez
3316:Clément Janequin
3311:Antoine de Févin
3301:Antonius Divitis
3243:Johannes Martini
3218:Guillaume Du Fay
3166:
3159:
3152:
3143:
3142:
3131:Vittorio Baldini
3095:Ippolito Fiorini
2973:
2966:
2959:
2950:
2949:
2936:
2926:
2925:
2850:Cantiones sacrae
2819:
2812:
2805:
2796:
2795:
2767:available scores
2759:
2756:
2754:
2585:
2559:
2533:
2519:
2501:
2471:
2461:
2451:
2422:
2389:Newcomb, Anthony
2384:
2371:
2346:
2326:
2304:
2289:(8th ed.).
2275:
2245:
2244:
2233:
2227:
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2224:
2222:
2216:The Gesualdo Six
2208:
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2161:Herzog on Herzog
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2065:"Pernambuco 156"
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1533:. Naxos 8507013.
1519:: Naxos 8.550742
1485:
1478:
1474:
1471:
1465:
1434:
1426:
1390:Carlo Gesualdo:
1363:The Gesualdo Six
1327:
1242:Donnacha Dennehy
1005:Alfred Schnittke
979:
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910:Alfred Schnittke
876:Scipione Dentice
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431:, third Duke of
401:Scipione Dentice
381:, he played the
338:
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169:Google Translate
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3817:Girolamo Scotto
3802:Antonio Gardano
3758:
3697:
3651:
3598:
3589:Heinrich Schütz
3584:Philippe Rogier
3534:Orlando Gibbons
3486:
3482:
3473:
3469:Giaches de Wert
3459:Christopher Tye
3414:Claude Le Jeune
3404:Claude Goudimel
3399:Nicolas Gombert
3394:Andrea Gabrieli
3389:Jacobus Clemens
3360:
3356:Adrian Willaert
3286:Martin Agricola
3272:
3208:Antoine Busnois
3203:Gilles Binchois
3184:
3175:
3170:
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3135:
3119:
3115:Giaches de Wert
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3016:Tarquinia Molza
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2891:
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2837:
2828:
2823:
2790:Mutopia Project
2751:
2743:
2701:Sandro Naglia.
2596:Alfred Einstein
2592:
2590:Further reading
2582:
2556:
2546:Igor Stravinsky
2469:
2368:
2323:
2301:
2272:
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2235:
2234:
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2220:
2218:
2212:"Meet the team"
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2184:
2177:
2167:Faber and Faber
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1513:Oxford Camerata
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1387:
1375:Maundy Thursday
1321:
1314:Michel Breitman
1259:
1178:Sergio Blardony
1101:Franco Battiato
1086:Jan van Vlijmen
1077:Igor Stravinsky
991:Maria di Venosa
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900:Igor Stravinsky
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3940:Carlo Gesualdo
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3889:Medieval music
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3291:Antoine Brumel
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2729:Joel Epstein,
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2564:Watkins, Glenn
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2534:
2524:Sadie, Stanley
2520:
2515:The New Yorker
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2108:
2091:
2070:
2056:
2032:
2006:
1994:
1982:
1966:
1954:
1952:, p. 350.
1942:
1930:
1914:
1890:
1878:
1863:
1842:
1830:
1828:, p. 300.
1818:
1790:
1788:, p. 636.
1778:
1757:
1753:Mullenger 1998
1745:
1733:
1731:, p. 297.
1721:
1706:
1704:, p. 635.
1687:
1667:
1665:
1662:
1661:
1660:
1649:
1641:
1638:
1630:
1627:
1626:
1625:
1618:
1611:
1604:
1593:
1586:
1579:
1572:
1565:
1558:
1551:
1544:
1537:
1534:
1531:Delitiæ Musicæ
1527:
1520:
1505:
1488:
1487:
1438:
1436:
1429:
1423:
1420:
1411:
1408:
1407:
1406:
1386:
1385:Score editions
1383:
1258:
1255:
1254:
1253:
1235:
1226:
1216:
1201:string quartet
1189:
1180:
1171:
1165:Opera dei Pupi
1158:
1139:
1130:
1121:
1110:
1097:
1088:
1079:
1064:
1063:
1060:Richard Millet
1049:
1039:
1028:
1018:
1008:
998:
982:
981:
940:
938:
931:
925:
922:
896:Julio Cortázar
892:Anatole France
841:The New Yorker
819:
816:
770:cross-relation
697:
691:
681:
673:
672:
671:
662:
661:
660:
658:
655:
570:large painting
514:
511:
470:Leonora d'Este
465:
462:
457:
454:
424:
421:
413:Ascanio Mayone
375:Pomponio Nenna
341:Carlo Borromeo
324:
321:
319:
316:
300:and pieces of
294:Count of Conza
281:
280:
275:
271:
270:
269:(aged 47)
263:
259:
258:
248:
244:
243:
240:
232:
231:
229:Carlo Gesualdo
228:
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135:
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117:
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31:
29:
22:
15:
9:
6:
4:
3:
2:
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3938:
3937:
3935:
3920:
3916:
3912:
3910:
3902:
3901:
3898:
3897:
3896:Baroque music
3891:
3890:
3882:
3874:
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3803:
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3798:
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3783:
3780:
3778:
3777:Andrea Antico
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3660:
3658:
3656:Musical forms
3654:
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3585:
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3580:
3577:
3575:
3572:
3570:
3569:Thomas Morley
3567:
3565:
3562:
3560:
3559:Luca Marenzio
3557:
3555:
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3462:
3460:
3457:
3455:
3454:Thomas Tallis
3452:
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3427:
3425:
3422:
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3410:
3407:
3405:
3402:
3400:
3397:
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3390:
3387:
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3382:
3380:
3377:
3375:
3372:
3371:
3369:
3367:
3363:
3357:
3354:
3352:
3349:
3347:
3346:John Taverner
3344:
3342:
3339:
3337:
3334:
3332:
3331:Jacob Obrecht
3329:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3297:
3294:
3292:
3289:
3287:
3284:
3283:
3281:
3279:
3275:
3269:
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3259:
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3017:
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3007:
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2999:
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2911:
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2901:
2900:
2898:
2894:
2887:
2886:
2882:
2880:(1960 ballet)
2879:
2878:
2874:
2873:
2871:
2867:
2860:
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2855:
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2806:
2801:
2800:
2797:
2791:
2787:
2784:
2781:
2777:
2774:
2772:
2768:
2764:
2763:List of works
2761:
2758:
2753:carlogesualdo
2750:
2748:
2745:
2744:
2735:
2734:
2728:
2726:
2725:9788885425828
2722:
2718:
2714:
2712:
2708:
2704:
2700:
2698:
2694:
2690:
2686:
2683:
2682:88-495-1232-5
2679:
2675:
2674:
2669:
2666:
2662:
2659:
2658:88-495-0876-X
2655:
2651:
2649:
2644:
2642:
2641:0-02-872416-X
2638:
2634:
2630:
2627:
2625:
2624:0-393-09530-4
2621:
2617:
2613:
2612:Gustave Reese
2610:
2607:
2604:
2602:
2597:
2594:
2593:
2583:
2581:9780393071023
2577:
2573:
2570:. Preface by
2569:
2565:
2561:
2557:
2555:9780198162162
2551:
2547:
2544:. Preface by
2543:
2539:
2535:
2531:
2530:
2525:
2521:
2517:
2516:
2511:
2507:
2503:
2499:
2495:
2491:
2487:
2484:: 1011–1034.
2483:
2479:
2475:
2468:
2463:
2459:
2455:
2450:
2445:
2441:
2437:
2433:
2429:
2424:
2420:
2416:
2412:
2408:
2404:
2400:
2396:
2395:
2390:
2386:
2382:
2378:
2373:
2369:
2367:9780226503387
2363:
2359:
2355:
2354:
2348:
2344:
2340:
2336:
2332:
2328:
2324:
2322:9780134000459
2318:
2314:
2310:
2306:
2302:
2296:
2292:
2288:
2287:
2282:
2277:
2273:
2271:9780333382356
2267:
2263:
2259:
2258:Arnold, Denis
2255:
2254:
2242:
2238:
2237:"Discografia"
2232:
2217:
2213:
2207:
2200:
2191:
2186:
2178:
2176:0-571-20708-1
2172:
2168:
2163:
2162:
2153:
2145:
2143:9781350091665
2139:
2135:
2134:
2126:
2120:
2118:
2112:
2105:
2095:
2088:. 2018-01-08.
2087:
2083:
2077:
2075:
2066:
2060:
2046:
2042:
2036:
2029:
2026:arthaus-musik
2022:
2018:
2015:
2010:
2003:
1998:
1991:
1986:
1979:
1975:
1970:
1964:, p. 85.
1963:
1958:
1951:
1946:
1939:
1938:Bianconi 2001
1934:
1927:
1923:
1918:
1903:
1897:
1895:
1888:, p. 51.
1887:
1882:
1876:, p. 43.
1875:
1870:
1868:
1860:
1851:
1846:
1839:
1834:
1827:
1822:
1807:
1801:
1799:
1797:
1795:
1787:
1782:
1775:
1770:
1768:
1766:
1764:
1762:
1754:
1749:
1743:, p. 18.
1742:
1737:
1730:
1725:
1718:
1713:
1711:
1703:
1698:
1696:
1694:
1692:
1685:, p. 15.
1684:
1679:
1677:
1675:
1673:
1668:
1658:
1654:
1650:
1647:
1644:
1643:
1636:
1623:
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1573:
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1559:
1556:
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1542:
1538:
1535:
1532:
1528:
1525:
1521:
1518:
1514:
1510:
1506:
1504:
1500:
1496:
1492:
1491:
1484:
1481:
1473:
1470:February 2022
1463:
1459:
1455:
1449:
1448:
1444:
1439:This section
1437:
1433:
1428:
1427:
1419:
1417:
1405:
1401:
1397:
1393:
1389:
1388:
1382:
1380:
1376:
1372:
1368:
1364:
1358:
1353:
1351:
1347:
1346:
1340:
1338:
1337:
1332:
1331:Werner Herzog
1328:
1325:
1320:
1315:
1311:
1310:Peter Warlock
1307:
1303:
1302:David Pownall
1298:
1295:
1290:
1288:
1282:
1279:
1275:
1273:
1272:Aldous Huxley
1269:
1268:
1262:
1251:
1247:
1243:
1239:
1236:
1234:
1230:
1227:
1224:
1220:
1217:
1214:
1210:
1206:
1202:
1198:
1194:
1193:Hilda Paredes
1190:
1188:
1184:
1181:
1179:
1175:
1172:
1170:
1166:
1162:
1159:
1156:
1152:
1148:
1144:
1140:
1138:
1134:
1131:
1129:
1128:Scott Glasgow
1125:
1122:
1119:
1115:
1111:
1108:
1107:
1102:
1098:
1096:
1092:
1089:
1087:
1083:
1080:
1078:
1074:
1073:
1069:
1068:
1067:
1061:
1057:
1053:
1050:
1047:
1043:
1040:
1038:
1034:
1033:
1029:
1026:
1025:Scott Glasgow
1022:
1019:
1016:
1012:
1009:
1006:
1002:
999:
996:
992:
989:
988:
987:
978:
975:
967:
957:
953:
947:
946:
941:This section
939:
935:
930:
929:
921:
919:
915:
911:
907:
906:
901:
897:
893:
887:
885:
881:
877:
873:
869:
865:
864:Antonio Cifra
861:
856:
850:
845:
843:
842:
837:
829:
824:
815:
813:
809:
808:C-sharp major
805:
801:
796:
791:
789:
788:
783:
778:
777:
771:
767:
762:
760:
756:
752:
748:
744:
740:
739:
732:
730:
726:
721:
719:
718:word-painting
712:
705:
703:
679:
677:
654:
652:
648:
644:
636:
632:
627:
625:
621:
617:
613:
612:
607:
603:
599:
595:
591:
588:, writing in
587:
583:
578:
575:
571:
566:
564:
563:Peter Warlock
560:
556:
550:
548:
542:
537:
533:
528:
519:
510:
508:
504:
500:
495:
493:
492:
487:
483:
479:
475:
471:
464:Ferrara years
461:
453:
450:
446:
444:
443:
438:
434:
430:
420:
418:
414:
410:
406:
402:
398:
394:
393:
388:
384:
380:
376:
371:
369:
368:Don Emmanuele
365:
361:
357:
353:
348:
346:
342:
334:
330:
315:
313:
312:
307:
303:
299:
295:
291:
287:
279:
276:
272:
264:
260:
257:30 March 1566
249:
245:
238:
233:
226:
213:
209:
206:
198:
192:
188:
184:
180:
176:
173:
170:
166:
162:
159:
156:
155:
149:
143:
141:
136:You can help
132:
123:
122:
113:
110:
102:
99:December 2021
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
3894:
3887:
3858:Architecture
3792:Jacob Bathen
3528:
3509:John Dowland
3379:William Byrd
3253:Leonel Power
3099:
3026:Predecessors
3006:Livia d'Arco
3001:Anna Guarini
2989:Core members
2979:
2907:
2888:(1998 opera)
2883:
2875:
2856:
2848:
2825:
2782:(ChoralWiki)
2730:
2716:
2702:
2688:
2672:
2664:
2647:
2632:
2615:
2600:
2567:
2541:
2527:
2513:
2477:
2473:
2435:
2431:
2398:
2392:
2380:
2352:
2338:
2312:
2284:
2261:
2240:
2231:
2219:. Retrieved
2215:
2206:
2185:
2160:
2152:
2132:
2125:
2116:
2111:
2094:
2085:
2059:
2048:. Retrieved
2044:
2035:
2009:
2002:Roberts 2013
1997:
1985:
1969:
1957:
1945:
1933:
1928:(ChoralWiki)
1917:
1905:. Retrieved
1881:
1845:
1833:
1826:Watkins 1991
1821:
1811:February 28,
1809:. Retrieved
1781:
1748:
1736:
1729:Watkins 1991
1724:
1717:Newcomb 1968
1683:Watkins 2010
1659:: HMC 902123
1652:
1645:
1621:
1614:
1607:
1596:
1589:
1582:
1575:
1568:
1561:
1554:
1547:
1540:
1523:
1508:
1502:
1494:
1476:
1467:
1452:Please help
1440:
1415:
1413:
1391:
1360:
1355:
1343:
1341:
1334:
1317:
1305:
1300:
1291:
1283:
1280:
1277:
1265:
1263:
1260:
1249:
1237:
1228:
1218:
1197:countertenor
1187:John Pickard
1182:
1173:
1160:
1154:
1143:Italian jazz
1132:
1123:
1117:
1104:
1090:
1081:
1070:
1065:
1058:, lyrics by
1051:
1041:
1030:
1020:
1015:Franz Hummel
1010:
1000:
990:
985:
970:
964:October 2016
961:
950:Please help
945:verification
942:
914:Franz Hummel
903:
888:
852:
847:
839:
833:
792:
785:
774:
763:
736:
733:
722:
714:
699:
675:
628:
609:
579:
567:
551:
524:
498:
496:
489:
467:
459:
451:
447:
442:in flagrante
440:
426:
390:
372:
364:Montesarchio
349:
345:Pope Pius IV
326:
309:
302:sacred music
285:
284:
267:(1613-09-08)
187:edit summary
178:
145:
137:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
3950:1613 deaths
3945:1566 births
3848:Renaissance
3843:Early music
3739:Netherlands
3719:Elizabethan
3574:Jacopo Peri
3544:Alonso Lobo
3504:John Cooper
3366:Late (1530)
3326:Jean Mouton
3238:Jean Japart
3228:Walter Frye
3018:(uncertain)
2909:O vos omnes
2786:Free scores
2755:.altervista
2442:: 634–645.
2405:: 409–436.
2331:Gray, Cecil
2241:Paola Erdas
2221:29 December
2117:Radio Times
2086:OperaVision
1962:Arnold 1984
1322: [
725:Renaissance
539: [
383:harpsichord
304:that use a
3934:Categories
3873:Philosophy
3868:Literature
3836:Background
3702:Traditions
3678:Magnificat
3668:Intermedio
3612:Burgundian
3083:Associates
2869:Depictions
2506:Ross, Alex
2341:. London:
2050:2021-09-01
1976:, p.
1838:Sadie 1980
1664:References
1657:James Wood
1651:Gesualdo,
1620:Gesualdo,
1613:Gesualdo,
1606:Gesualdo,
1595:Gesualdo,
1588:Gesualdo,
1581:Gesualdo,
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1567:Gesualdo,
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1553:Gesualdo,
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1539:Gesualdo,
1522:Gesualdo,
1507:Gesualdo,
1493:Gesualdo,
1410:Recordings
1350:Anna Calvi
1287:Schoenberg
1246:Enda Walsh
1231:(2016) by
1185:(2008) by
1114:Brett Dean
1075:(1960) by
1054:(2010) by
1044:(2003) by
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1013:(1998) by
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993:(1992) by
806:, or even
751:dissonance
745:, a form (
709:See also:
702:media help
616:monophonic
600:to obtain
586:Campanella
582:depression
559:Cecil Gray
507:concertato
474:Alfonso II
323:Early life
253:1566-03-30
69:newspapers
3688:Offertory
3617:Colorists
3479:Mannerism
2045:Pitchfork
1974:Mann 2002
1786:Ober 1973
1774:Ross 2011
1702:Ober 1973
1495:Madrigaux
1441:does not
1422:Madrigals
1367:Cambridge
1348:musician
1233:Caio Facó
1046:Bo Holten
916:in 1996.
838:wrote in
836:Alex Ross
818:Reception
759:St. Peter
641:, in the
624:tessitura
620:polyphony
574:Capuchins
547:chromatic
456:Successor
392:accademia
318:Biography
306:chromatic
298:madrigals
205:talk page
142:in French
3909:Category
3886: ←
3749:Portugal
3673:Madrigal
3647:Venetian
2928:Category
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2540:(1991).
2498:53021224
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1183:Tenebrae
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1141:In 1998
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1042:Gesualdo
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1001:Gesualdo
860:bassinet
795:diatonic
755:Christ's
747:Tenebrae
729:tonality
635:Emanuele
631:Avellino
611:Miserere
608:51, the
527:Gesualdo
482:madrigal
423:Homicide
181:provide
3899:→
3729:Germany
3709:British
3124:Printer
3062:Patrons
2896:Related
2788:at the
2778:in the
2608:, 1949.
2458:4575970
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2251:Sources
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1147:Bergamo
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360:Naples
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2470:(PDF)
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437:Ruovo
274:Works
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2757:.org
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