25:
444:
597:
461:
491:
410:
421:
318:
480:
920:
799:
886:
89:
333:
867:
659:
472:
809:
906:, and possibly was used by other OEMs, but was never sold to Ensoniq's customers directly. It was a Soundscape-like board, using the Ensoniq 5530/5535 OPUS multimedia sound chip, a chip that was only used on these OEM boards and essentially comprises an OTTO with back-then usual additional interfacing (Joystick, CD-ROM).
451:
Despite these strengths, early (1980s) Ensoniq instruments suffered from reliability and quality problems such as bad keyboards (Mirage DSK-8), under-developed power-supply units (early ESQ-1), or mechanical issues (EPS polypressure keyboard). Through the early and mid-1990s, much effort was focused
292:
for music and effects which were developed in house. While the core keyboard products were generally successful, there were some quality problems and increasing competition from Asian companies. An attempt to diversify into hearing aids was unsuccessful and put the company in financial peril. In the
431:
The company's heyday was in the early 1990s when the VFX synthesizers offered innovative performance and sequencing features (and terrific acoustic sounds), along with the ASR series of 16-bit samplers which also integrated synthesis, effects, and sequencer into a single-unit digital studio. The TS
308:
to form the E-Mu/Ensoniq division of
Creative. Over the next three years the Ensoniq operation in Pennsylvania was gradually dismantled and shut down. After releasing an entry-level E-mu MK6/PK6 and Ensoniq Halo keyboards in 2002 – essentially keyboard versions of the Proteus 2500 module – the
375:
Ensoniq products were highly professional. Strong selling points were ease-of-use and their characteristic "fat", rich sound (generally thought of as being an "American" quality, as opposed to the "Japanese" sound which was more "digital" and somewhat "cold"). After the Mirage, all
Ensoniq
933:
The AudioPCI was designed to be a low-cost, yet feature-rich audio solution, which could be integrated on computer motherboards as a value-added option. It consisted of little more than a small, host CPU driven audio chip (one of the following: S5016, ES1370, ES1371) and a companion
734:
Ensoniq also developed an effects DSP, ES5510 ESP, that was used in the machines from VFX on and the standalone FX units DP/2 and DP/4. OTTO-48 generation uses its greatly enhanced successor, ES5511 ESP V2. A combination of OTTO and ESP, ES5540 OTTOFX, was also developed and sold.
287:
Ensoniq grew rapidly over the next few years with the success of the Mirage and the ESQ-1. The plant in Great Valley, Pennsylvania employed nearly 200 people and housed the manufacturing facility. A number of successful products followed which all included the full-custom
380:) providing an all-in-one "digital studio production concept" instrument. These were often called "Music Workstations". Starting with the VFX synthesizer, high-quality effects units were included, in addition most synthesizer and all sampler models featured
880:
was
Ensoniq's high-end ISA offering. It offered the highest MIDI quality of any PC sound card they ever made, including the newer AudioPCI. The Elite was based mostly around the S-2000, with some additional features that set it far apart from its
909:
Ensoniq
Soundscape VIVO90 was Ensoniq's generational step forward from the Ensoniq Soundscape S-2000-based boards. It was first produced in 1996. VIVO90 had similar specifications to the older boards, but was built to cost less to
725:
Later engines, with 16-bit sample playback and internal digital filters, were ES5504 DOC-II (used in the EPS sampler) and ES5505 OTIS (used in the EPS16+ sampler and the VFX line of synthesizers featuring 21 voices). Finally,
730:
drove all subsequent 32-voice machines (SD-1/32, TS10/12, ASR-10/88) and the dual-OTTO machines (KT, MR, ZR). The latest incarnation, ES5548 OTTO-48, was used in the final line of
Ensoniq studio products (ASR-X, FIZMO).
946:(TSR) program Ensoniq developed to provide a reasonable level of legacy DOS compatibility without requiring any signals from the ISA bus, though the TSR could cause problems with games that relied on custom flavors of
388:
cards for storage. The manuals and tutorial documents were clearly written and highly musician-oriented, allowing the users to quickly get satisfactory results from their machines. In 1988, the company enlisted the
762:
also included the OTIS chip, though the product never reached series production. A dedicated version of OTTO, ES5530/35 OPUS, was developed for AT-bus sound cards, featuring built-in joystick and CD-ROM interface.
689:
395:
715:(Digital Oscillator Chip, marketed as "Q-Chip") used in the Mirage sampler (DSK-8, DSK-1, DMS-1), ESQ-1, ESQ-M and SQ-80 synthesizers, and SDP-1 piano module, was incorporated into the
304:
Ltd. for $ 77 million. The acquisition was focused on the sound-card technology of the
Ensoniq Audio-PCI. The musical products division, which was in financial trouble, was merged with
284:
canceled the project and
Commodore sued the new company, claiming that it owned the keyboard project. Renaming itself as Ensoniq, the new company instead designed a music synthesizer.
1612:
938:. Despite its small size and low cost, AudioPCI still offers nearly all of the audio capabilities and functionality of the Soundscape ELITE card. The AudioPCI line used an
402:
The company had much success with the SQ product line starting in the early 1990s. This was a lower-cost line that included the SQ-1 (61 keys), SQ-2 (76 keys) and SQ-R (
1637:
436:, effects engine, sample-loading capabilities and even better synth and acoustic sounds. The DP series of effects rack-mount units offered parallel processing and
560:
503:
683:
452:
on improving the reliability of the products. The company did not manage to reinvent its workstation concept in order to survive the mid and late '90s.
406:, with no keys or sequencer), as well as KS-32 with full 76-keys weighted piano-keyboard. Later versions were produced with 32 sound-generating voices.
712:
790:
acquisition of
Ensoniq, because Creative/E-MU was struggling with legacy compatibility at the time with their higher-performance PCI audio solutions.
652:
265:
261:
1194:
1172:
677:
643:
600:
590:
695:
622:
566:
1318:
1216:
1642:
1622:
1627:
786:
sound cards that was compatible with most contemporary IBM PC games. It is speculated that this was an important factor in
747:
521:
1286:
276:, and hoped to build another computer. To raise funds, Peripheral Visions agreed to build a computer keyboard for the
1311:
858:-compatible connector. It was based upon the S-2000 chipset but was without the digital sound effects section or any
783:
68:
46:
39:
1251:
903:
1483:
1257:
Prince, Bobby. "In Search Of The
Ultimate... Wavetable Daughtercard." Computer Gaming World Dec. 1994: 156-164.
779:
1254:
by
Ensoniq Corp., Multimedia Division Product Information and Support Pages, 1997, retrieved December 27, 2005
1248:
by Ensoniq Corp., Multimedia Division Product Information and Support Pages, 1998, retrieved December 25, 2005
1304:
377:
349:
237:
943:
935:
859:
1202:
1180:
1447:
1281:
1245:
817:
802:
309:
E-Mu/Ensoniq division was dissolved and support for legacy products was discontinued soon afterward.
212:
1070:
738:
The Ensoniq ES5505 OTIS/OTISR2, and ES5510 ESP (Ensoniq Signal Processor) were also used in various
1457:
1353:
1224:
877:
870:
281:
33:
1462:
1276:
896:
889:
1260:
Weksler, Mike & McGee, Joe. "CGW Sound Card Survey." Computer Gaming World Oct. 1993: 76-84.
1239:
Case, Loyd. "In Search Of The Ultimate... Sound Card." Computer Gaming World Dec. 1994: 138-148.
1036:
939:
851:
843:
829:
825:
433:
365:
50:
855:
190:
1012:
1632:
1617:
1532:
1452:
1424:
1371:
839:
727:
385:
345:
8:
1419:
1409:
1404:
1327:
381:
301:
202:
175:
1138:
432:
synthesizers followed the legacy of the VFX line, improving several aspects such as the
1429:
289:
233:
443:
1394:
1154:
1146:
1120:
1112:
1086:
1078:
1052:
1044:
988:
767:
755:
751:
1104:
1467:
1414:
1399:
980:
930:
833:
968:
216:
399:
which featured the band using the EPS sampler and SQ-80 cross wave synthesizer.
376:
instruments featured integrated sequencers (even their late '80s and early '90s
1568:
1366:
1291:
984:
947:
708:
609:
596:
509:
464:
424:
368:. Following the success of these products, Ensoniq established a subsidiary in
341:
253:
197:
460:
1606:
1578:
1563:
1386:
1361:
1340:
1158:
1150:
1124:
1116:
1090:
1082:
1056:
1048:
992:
900:
847:
787:
759:
671:
662:
615:
527:
515:
490:
437:
361:
357:
353:
257:
146:
1573:
775:
739:
637:
403:
305:
273:
179:
548:
542:
533:
494:
483:
413:
390:
241:
229:
821:
716:
409:
294:
277:
101:
1296:
420:
1583:
820:
The original Soundscape was Ensoniq's first direct foray into the PC
758:
sound cards for home computers. The design of the video-game console
440:
presets on a par with Lexicon's offerings, but at affordable prices.
317:
479:
232:
manufacturer, best known throughout the mid-1980s and 1990s for its
1542:
1376:
923:
919:
798:
1547:
885:
866:
774:
era supported the Ensoniq Soundscape either directly or through
658:
471:
332:
1488:
771:
88:
1236:
Ensoniq Corp., Dixie Dregs, "Off the Record", ENS-1000, 1988.
808:
369:
1271:
854:
daughterboard) upgrade for PCs with a sound card bearing a
743:
293:
mid-nineties, they developed a line of very cost-effective
862:. The SSDB would use the host sound card for final output.
312:
1493:
766:
Ensoniq's sound cards were popular and shipped with many
1613:
Synthesizer manufacturing companies of the United States
1242:
Ensoniq Corp. Soundscape S-2000 Manual, Ensoniq, 1994.
832:
audio card, equipped with a 2 MB Ensoniq-built
824:
market. It was a full-length ISA digital audio and '
702:
1604:
782:software audio emulation solution for their new
1638:Defunct computer companies of the United States
340:Ensoniq entered the instrument market with the
300:In January 1998, ENSONIQ Corp. was acquired by
1292:Archive of Ensoniq manuals at SynthManuals.com
348:1695 it cost significantly less than previous
1312:
967:Perry, Tekla S.; Wallich, Paul (March 1985).
455:
966:
344:sampling keyboard in 1985. At the price of
1319:
1305:
264:, Charles Winterble, David Ziembicki, and
1282:Ensoniq in the Internet Archive 2/14/1998
69:Learn how and when to remove this message
1515:
918:
884:
865:
807:
797:
707:In 1986, after making an agreement with
657:
595:
489:
478:
470:
459:
442:
419:
408:
331:
316:
32:This article includes a list of general
1339:
1326:
969:"Design case history: the Commodore 64"
690:Ensoniq PARIS Digital Audio Workstation
313:Musical instruments and digital systems
1605:
627:1994 – Ensoniq KT-76 and Ensoniq KT-88
1514:
1338:
1300:
960:
742:. They were all manufactured on the
393:in a limited edition promotional CD
18:
1643:Defunct computer hardware companies
754:card. In 1994, production began on
522:Ensoniq SDP-1 Sampled Digital Piano
13:
1287:Ensoniq AudioPCI S5016 User Manual
778:. In addition, Ensoniq devised an
698:(E-mu product using Ensoniq brand)
111:Musical instruments and technology
87:
38:it lacks sufficient corresponding
14:
1654:
1265:
16:American music technology company
1623:Creative Technology acquisitions
1201:. September 1997. Archived from
1111:. October 1990. pp. 64–69.
1043:. September 1986. pp. 8–9.
23:
1179:. December 1995. Archived from
1145:. August 1992. pp. 32–36.
178:(January 1998) and merged with
1272:Creative Labs : Home Page
1223:. January 1998. Archived from
1209:
1187:
1165:
1131:
1097:
1071:"Ensoniq EPS-M Sampler Module"
1063:
1029:
1005:
746:process. OTTO was licensed to
703:Sound cards and semiconductors
297:which sold millions of units.
1:
1628:1998 mergers and acquisitions
954:
793:
586:1992 – Ensoniq SQ-R+ 32-voice
580:1992 – Ensoniq SQ-1+ 32 voice
322:
219: (archived July 19, 1997)
583:1992 – Ensoniq SQ-2 32 voice
272:. The team had designed the
7:
944:terminate-and-stay-resident
914:
121:; 42 years ago
10:
1659:
985:10.1109/MSPEC.1985.6370590
456:Timeline of major products
247:
1556:
1525:
1521:
1510:
1476:
1438:
1385:
1352:
1348:
1334:
818:Ensoniq Soundscape S-2000
770:. Many games in the late
366:sample-based synthesizers
208:
196:
186:
170:
155:
133:
115:
107:
97:
86:
1277:E-MU / Ensoniq home page
1246:"Ensoniq Corp. Web Site"
1077:. May 1989. p. 14.
878:Ensoniq Soundscape Elite
282:video game crash of 1983
1037:"Ensoniq Sampled Piano"
897:Ensoniq Soundscape OPUS
364:, they began producing
252:In spring 1983, former
53:more precise citations.
926:
892:
873:
852:sample-based synthesis
830:sample-based synthesis
813:
805:
666:
604:
498:
487:
476:
468:
448:
428:
417:
337:
329:
92:
1227:on 24 September 2015.
1013:"The Amazing Ensoniq"
922:
888:
869:
811:
801:
661:
648:1997 – Ensoniq DP/Pro
599:
493:
482:
474:
463:
446:
423:
412:
335:
320:
191:Malvern, Pennsylvania
91:
1533:Cambridge SoundWorks
1516:Divisions and brands
1372:Ensoniq ES-5506 OTTO
840:Ensoniq SoundscapeDB
633:1995 – Ensoniq DP/4+
574:1991 – Ensoniq SQ-1+
571:1991 – Ensoniq SQ-R+
538:1989 – Ensoniq EPS-M
360:. Starting with the
336:Ensoniq ESQ-1 (1987)
1328:Creative Technology
722:personal computer.
630:1995 – Ensoniq DP/2
577:1991 – Ensoniq SQ-2
561:Ensoniq EPS 16 Plus
556:1990 – Ensoniq SQ-R
553:1990 – Ensoniq SQ-1
504:Ensoniq Pro-Cussion
302:Creative Technology
258:Robert "Bob" Yannes
234:musical instruments
203:Creative Technology
176:Creative Technology
83:
1217:"Ensoniq Paris II"
1143:Recording Musician
927:
893:
874:
814:
806:
768:IBM PC compatibles
667:
605:
499:
488:
477:
469:
449:
429:
418:
338:
330:
270:Peripheral Visions
93:
81:
1600:
1599:
1596:
1595:
1592:
1591:
1506:
1505:
1502:
1501:
1448:Soundscape S-2000
942:-based emulation
836:-based patch set.
803:Soundscape S-2000
752:Gravis Ultrasound
720:
684:Ensoniq ASR X Pro
223:
222:
79:
78:
71:
1650:
1523:
1522:
1512:
1511:
1458:Soundscape Elite
1350:
1349:
1336:
1335:
1321:
1314:
1307:
1298:
1297:
1229:
1228:
1213:
1207:
1206:
1191:
1185:
1184:
1169:
1163:
1162:
1139:"Parallel Lines"
1135:
1129:
1128:
1109:Music Technology
1101:
1095:
1094:
1075:Music Technology
1067:
1061:
1060:
1033:
1027:
1026:
1024:
1023:
1017:Keyboard Kountry
1009:
1003:
1002:
1000:
999:
964:
931:Ensoniq AudioPCI
899:This card was a
871:Soundscape Elite
842:The SSDB was a '
718:
327:
324:
228:was an American
166:
164:
129:
127:
122:
84:
80:
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
1658:
1657:
1653:
1652:
1651:
1649:
1648:
1647:
1603:
1602:
1601:
1588:
1552:
1517:
1498:
1472:
1463:Soundscape OPUS
1434:
1381:
1344:
1330:
1325:
1268:
1263:
1232:
1215:
1214:
1210:
1205:on 7 June 2015.
1193:
1192:
1188:
1183:on 8 June 2015.
1171:
1170:
1166:
1137:
1136:
1132:
1103:
1102:
1098:
1069:
1068:
1064:
1035:
1034:
1030:
1021:
1019:
1011:
1010:
1006:
997:
995:
965:
961:
957:
917:
890:Soundscape OPUS
796:
750:for use in the
748:Advanced Gravis
705:
653:Ensoniq E Prime
458:
325:
315:
250:
217:Wayback Machine
213:www.ensoniq.com
182:, now dissolved
162:
160:
151:
125:
123:
120:
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
12:
11:
5:
1656:
1646:
1645:
1640:
1635:
1630:
1625:
1620:
1615:
1598:
1597:
1594:
1593:
1590:
1589:
1587:
1586:
1581:
1576:
1571:
1569:Creative NOMAD
1566:
1560:
1558:
1554:
1553:
1551:
1550:
1545:
1540:
1535:
1529:
1527:
1519:
1518:
1508:
1507:
1504:
1503:
1500:
1499:
1497:
1496:
1491:
1486:
1480:
1478:
1474:
1473:
1471:
1470:
1465:
1460:
1455:
1450:
1444:
1442:
1436:
1435:
1433:
1432:
1427:
1422:
1417:
1412:
1407:
1402:
1397:
1391:
1389:
1383:
1382:
1380:
1379:
1374:
1369:
1367:Ensoniq ES1370
1364:
1358:
1356:
1346:
1345:
1332:
1331:
1324:
1323:
1316:
1309:
1301:
1295:
1294:
1289:
1284:
1279:
1274:
1267:
1266:External links
1264:
1262:
1261:
1258:
1255:
1249:
1243:
1240:
1237:
1233:
1231:
1230:
1221:Sound On Sound
1208:
1199:Sound On Sound
1195:"Ensoniq ASRX"
1186:
1177:Sound On Sound
1173:"Ensoniq DP/2"
1164:
1130:
1096:
1062:
1041:Sound On Sound
1028:
1004:
958:
956:
953:
952:
951:
948:protected mode
916:
913:
912:
911:
907:
883:
882:
864:
863:
837:
795:
792:
788:Creative Lab's
709:Apple Computer
704:
701:
700:
699:
692:
686:
680:
674:
656:
655:
649:
646:
640:
634:
631:
628:
625:
619:
612:
610:Ensoniq ASR-10
594:
593:
587:
584:
581:
578:
575:
572:
569:
563:
557:
554:
551:
549:Ensoniq VFX-SD
545:
539:
536:
530:
524:
518:
512:
510:Ensoniq Mirage
506:
457:
454:
396:Off the Record
321:Mirage DSK-1 (
314:
311:
266:Al Charpentier
262:Bruce Crockett
254:MOS Technology
249:
246:
236:, principally
221:
220:
210:
206:
205:
200:
194:
193:
188:
184:
183:
172:
168:
167:
157:
153:
152:
150:
149:
144:
143:Al Charpentier
141:
140:Bruce Crockett
137:
135:
131:
130:
117:
113:
112:
109:
105:
104:
99:
95:
94:
77:
76:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1655:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1611:
1610:
1608:
1585:
1582:
1580:
1579:Sound Blaster
1577:
1575:
1572:
1570:
1567:
1565:
1564:Creative MuVo
1562:
1561:
1559:
1555:
1549:
1546:
1544:
1541:
1539:
1536:
1534:
1531:
1530:
1528:
1524:
1520:
1513:
1509:
1495:
1492:
1490:
1487:
1485:
1482:
1481:
1479:
1475:
1469:
1466:
1464:
1461:
1459:
1456:
1454:
1451:
1449:
1446:
1445:
1443:
1441:
1437:
1431:
1428:
1426:
1423:
1421:
1418:
1416:
1413:
1411:
1408:
1406:
1403:
1401:
1398:
1396:
1393:
1392:
1390:
1388:
1387:Sound Blaster
1384:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1359:
1357:
1355:
1351:
1347:
1342:
1341:Sound Blaster
1337:
1333:
1329:
1322:
1317:
1315:
1310:
1308:
1303:
1302:
1299:
1293:
1290:
1288:
1285:
1283:
1280:
1278:
1275:
1273:
1270:
1269:
1259:
1256:
1253:
1252:"Ensoniq FAQ"
1250:
1247:
1244:
1241:
1238:
1235:
1234:
1226:
1222:
1218:
1212:
1204:
1200:
1196:
1190:
1182:
1178:
1174:
1168:
1160:
1156:
1152:
1148:
1144:
1140:
1134:
1126:
1122:
1118:
1114:
1110:
1106:
1105:"Ensoniq SQ1"
1100:
1092:
1088:
1084:
1080:
1076:
1072:
1066:
1058:
1054:
1050:
1046:
1042:
1038:
1032:
1018:
1014:
1008:
994:
990:
986:
982:
978:
974:
973:IEEE Spectrum
970:
963:
959:
949:
945:
941:
937:
932:
929:
928:
925:
921:
908:
905:
902:
898:
895:
894:
891:
887:
879:
876:
875:
872:
868:
861:
857:
853:
849:
848:daughterboard
845:
841:
838:
835:
831:
827:
823:
819:
816:
815:
810:
804:
800:
791:
789:
785:
781:
777:
773:
769:
764:
761:
760:Atari Panther
757:
753:
749:
745:
741:
736:
732:
729:
723:
721:
714:
710:
697:
693:
691:
687:
685:
681:
679:
678:Ensoniq ZR-76
675:
673:
672:Ensoniq Fizmo
669:
668:
664:
660:
654:
650:
647:
645:
644:Ensoniq ASR X
641:
639:
635:
632:
629:
626:
624:
620:
617:
616:Ensoniq TS-10
613:
611:
607:
606:
602:
598:
592:
591:Ensoniq KS-32
588:
585:
582:
579:
576:
573:
570:
568:
564:
562:
558:
555:
552:
550:
546:
544:
540:
537:
535:
531:
529:
528:Ensoniq SQ-80
525:
523:
519:
517:
516:Ensoniq ESQ-1
513:
511:
507:
505:
501:
500:
496:
492:
485:
481:
473:
466:
462:
453:
445:
441:
439:
435:
426:
422:
415:
411:
407:
405:
400:
398:
397:
392:
387:
383:
379:
373:
371:
367:
363:
359:
358:E-MU Emulator
355:
354:Fairlight CMI
351:
347:
343:
334:
319:
310:
307:
303:
298:
296:
291:
285:
283:
279:
275:
271:
267:
263:
259:
255:
245:
243:
239:
235:
231:
227:
226:Ensoniq Corp.
218:
214:
211:
207:
204:
201:
199:
195:
192:
189:
185:
181:
177:
173:
169:
158:
154:
148:
145:
142:
139:
138:
136:
132:
118:
114:
110:
106:
103:
100:
96:
90:
85:
82:Ensoniq Corp.
73:
70:
62:
52:
48:
42:
41:
35:
30:
21:
20:
1574:Creative Zen
1537:
1453:SoundscapeDB
1439:
1225:the original
1220:
1211:
1203:the original
1198:
1189:
1181:the original
1176:
1167:
1142:
1133:
1108:
1099:
1074:
1065:
1040:
1031:
1020:. Retrieved
1016:
1007:
996:. Retrieved
979:(3): 48–58.
976:
972:
962:
910:manufacture.
901:Gateway 2000
856:Wave Blaster
776:General MIDI
765:
740:arcade games
737:
733:
724:
706:
696:Ensoniq Halo
638:Ensoniq MR61
623:Ensoniq DP/4
567:Ensoniq SD-1
475:ESQ-M (1986)
467:DSK-8 (1985)
450:
430:
404:rack-mounted
401:
394:
374:
352:such as the
339:
306:E-mu Systems
299:
286:
274:Commodore 64
269:
251:
242:synthesizers
225:
224:
187:Headquarters
180:E-MU Systems
174:Acquired by
98:Company type
65:
56:
37:
1633:Sound chips
1618:Sound cards
1362:Yamaha OPL2
881:progenitor.
728:ES5506 OTTO
711:, the same
543:Ensoniq VFX
534:Ensoniq EPS
447:DP/2 (1995)
391:Dixie Dregs
382:disk drives
326: 1985
295:sound cards
230:electronics
51:introducing
1607:Categories
1022:2021-10-03
998:2011-11-12
955:References
822:sound card
794:Soundscape
713:ES5503 DOC
280:, but the
278:Atari 2600
256:engineers
147:Bob Yannes
102:Subsidiary
59:April 2009
34:references
1584:SoundFont
1526:Divisions
1159:264952514
1151:0966-484X
1125:483899345
1117:0957-6606
1091:483899345
1083:0957-6606
1057:925234032
1049:0951-6816
993:0018-9235
844:wavetable
826:wavetable
618:and TS-12
434:polyphony
372:in 1987.
1543:Sensaura
1477:Software
1468:AudioPCI
1415:AudioPCI
1377:E-mu 20K
924:AudioPCI
915:AudioPCI
717:Apple II
378:samplers
356:and the
350:samplers
238:samplers
108:Industry
1548:ZiiLABS
1538:Ensoniq
1440:Ensoniq
694:2002 –
688:1998 –
682:1998 –
676:1998 –
670:1998 –
651:1997 –
642:1997 –
636:1996 –
621:1993 –
614:1992 –
608:1992 –
589:1992 –
565:1990 –
559:1990 –
547:1989 –
541:1989 –
532:1988 –
526:1988 –
520:1986 –
514:1986 –
508:1985 –
502:1984 –
495:EPS-16+
384:and/or
268:formed
248:History
215:at the
209:Website
161: (
156:Defunct
134:Founder
124: (
116:Founded
47:improve
1557:Brands
1489:OpenAL
1425:Audigy
1343:-brand
1157:
1149:
1123:
1115:
1089:
1081:
1055:
1047:
991:
812:ESP DB
772:MS-DOS
665:(1998)
603:(1992)
497:(1991)
486:(1988)
465:Mirage
438:reverb
427:(1992)
425:ASR-10
416:(1989)
342:Mirage
198:Parent
36:, but
1420:Live!
1410:AWE64
1405:AWE32
663:Fizmo
601:KS-32
370:Japan
362:ESQ-1
346:USD$
1430:X-Fi
1354:DSPs
1155:OCLC
1147:ISSN
1121:OCLC
1113:ISSN
1087:OCLC
1079:ISSN
1053:OCLC
1045:ISSN
989:ISSN
744:CMOS
240:and
171:Fate
163:2002
159:2002
126:1982
119:1982
1494:A3D
1484:EAX
1395:Pro
981:doi
940:NMI
936:DAC
904:OEM
860:DAC
834:ROM
784:PCI
780:ISA
484:EPS
414:VFX
386:RAM
290:ICs
1609::
1400:16
1219:.
1197:.
1175:.
1153:.
1141:.
1119:.
1107:.
1085:.
1073:.
1051:.
1039:.
1015:.
987:.
977:22
975:.
971:.
846:'
828:'
756:PC
719:GS
323:c.
260:,
244:.
1320:e
1313:t
1306:v
1161:.
1127:.
1093:.
1059:.
1025:.
1001:.
983::
950:.
850:(
328:)
165:)
128:)
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
