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After
Eleonora's death, however, the Valley of the Many-Colored Grass begins to lose its lustre and warmth. The narrator chooses to leave to an unnamed "strange city". There, he meets a woman named Ermengarde and, without guilt, marries her. Eleonora soon visits the narrator from beyond the grave and
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The passion which had for centuries distinguished our race... together breathed a delirious bliss over the Valley of the Many-Colored Grass. A change fell upon all things. Strange, brilliant flowers, star-shaped, burst out upon the trees where no flowers had been known before. The tints of the green
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Eleonora, however, was sick â "made perfect in loveliness only to die". She does not fear death, but fears that the narrator will leave the valley after her death and transfer his love to someone else. The narrator emotionally vows to her, with "the Mighty Ruler of the
Universe" as his witness, to
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in the beginning of the story, though he believes it has not been determined if madness is actually the loftiest form of intelligence. This may be meant facetiously, but it also may explain the excessively paradise-like description of the valley and how it changes with their love and, later, with
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The abrupt ending, with the narrator's new love only named in the third to last paragraph, is somewhat unconvincing if this is Poe's attempt at justifying his own feelings. Poe considered the tale "not ended so well as it might be". Perhaps, it is in the vagueness of the reason which will only be
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There are also sexual themes in the story. The narrator's name, Pyros, implies fire and passion. As he and
Eleonora grow, their innocent relationship turns to love with descriptions of the changing landscape being erotic or sexual â animal life and plant life sprouting forth and multiplying.
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The story follows an unnamed narrator who lives with his cousin and aunt in "The Valley of the Many-Colored Grass", an idyllic paradise full of fragrant flowers, fantastic trees, and a "River of
Silence". It remains untrodden by the footsteps of strangers and so they live isolated but happy.
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Eleonora's death serves as a symbolic end to ideal romantic love which is soon replaced with the less passionate married love for
Ermengarde. Eleonora embodies many typical traits in Poe's female character: she is young, passive, and completely devoted to her love.
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revealed in Heaven for permission to break his vow. Even so, compared to the endings of other Poe tales where the dead lover returns from beyond the grave, this is a "happy" ending, free of antagonism, guilt or resentment. In "
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Many biographers consider "Eleonora" an autobiographical story written for Poe to alleviate his own feelings of guilt for considering other women for love. At the time of the publication of this very short tale, his wife
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had just begun to show signs of illness, though she would not die for another five years. The narrator, then, is Poe himself, living with his young cousin (soon-to-be wife) and his aunt.
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that translates to "Under the protection of a specific form, my soul is safe." The original publication named the narrator Pyrros.
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Ruffner, Courtney J. and Jeff
Grieneisen. "Intelligence: Genius or Insanity? Tracing Motifs in Poe's Madness Tales" collected in
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Ruffner, Courtney J. and Jeff
Grieneisen. "Intelligence: Genius or Insanity? Tracing Motifs in Poe's Madness Tales" collected in
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grants her blessings to the couple. "Thou art absolved", she says, "for reasons which shall be made known to thee in
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After living like this for fifteen years, "Love entered" the hearts of the narrator and his cousin
Eleonora. The
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Eleonora's death. His admission of madness, however, excuses him from introducing such fantastic elements.
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A woman returning from beyond the grave to visit her former love is a device often used by Poe. See also "
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shrank away, there sprang up in place of them, ten by ten of the ruby-red
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The term "Valley of the Many-Colored Grass" was inspired by "
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It is unclear why the trio lived in isolation in the valley.
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never bind himself in marriage "to any daughter of Earth".
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The Gift: A Christmas and New Year's Present for 1842
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The Gift: A Christmas and New Year's Present for 1842
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The story was first published in the 1842 edition of
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The Gift: A Christmas and New Year's Present for 1842
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Weekes, Karen. "Poe's feminine ideal," collected in
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of "Eleonora" at the Edgar Allan Poe Society online
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Edgar A. Poe: Mournful and Never-ending Remembrance
178:carpet deepened; and when, one by one, the white
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1142:The Narrative of Arthur Gordon Pym of Nantucket
1042:The System of Doctor Tarr and Professor Fether
825:The Unparalleled Adventure of One Hans Pfaall
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1028:The Thousand-and-Second Tale of Scheherazade
515:. New York: Harper Perennial, 1991. p. 239.
494:. New York: Cooper Square Press, 1992: 129.
432:Poe and His Times: The Artist and His Milieu
359:Poe and His Times: The Artist and His Milieu
186:. And life arose in our paths; for the tall
452:Myths and Realities: The Mysterious Mr. Poe
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338:. New York: Checkmark Books, 2001. p. 78.
173:reflected the beauty of their young love:
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133:in Philadelphia in the literary annual
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304:praised "Eleonora" for being nearly a
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1385:Edgar Allan Poe: Once Upon a Midnight
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546:Edgar Allan Poe: A Critical Biography
412:Bloom's BioCritiques: Edgar Allan Poe
392:Bloom's BioCritiques: Edgar Allan Poe
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141:and has a relatively "happy" ending.
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492:Edgar Allan Poe: His Life and Legacy
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137:. It is often regarded as somewhat
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605:, original 1841 publication online.
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1335:Tales of Mystery & Imagination
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1150:The Journal of Julius Rodman
902:A Descent into the Maelström
253:The narrator readily admits
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1264:William Henry Poe (brother)
1095:The Philosophy of Furniture
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1056:The Cask of Amontillado
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1021:Some Words with a Mummy
846:The Devil in the Belfry
336:Edgar Allan Poe: A to Z
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544:Quinn, Arthur Hobson.
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1123:Eureka: A Prose Poem
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888:The Man of the Crowd
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511:Silverman, Kenneth.
274:Percy Bysshe Shelley
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702:The Haunted Palace
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1404:(2022 film)
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918:" (1841)
916:Eleonora
911:" (1841)
904:" (1841)
897:" (1841)
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883:" (1840)
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862:" (1839)
855:" (1839)
848:" (1839)
841:" (1838)
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827:" (1835)
820:" (1835)
813:" (1835)
811:Berenice
806:" (1833)
799:" (1832)
792:" (1832)
785:" (1832)
767:" (1849)
760:" (1849)
753:" (1849)
751:Eldorado
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732:" (1845)
725:" (1843)
718:" (1843)
711:" (1843)
704:" (1839)
697:" (1831)
690:" (1831)
688:To Helen
683:" (1829)
676:" (1829)
669:" (1827)
597:LibriVox
592:Eleonora
574:Eleonora
236:Virginia
229:Analysis
188:flamingo
184:asphodel
135:The Gift
119:Eleonora
69:Genre(s)
61:Language
1242:Related
818:Morella
797:Bon-Bon
737:Ulalume
723:Eulalie
290:Morella
288:" and "
270:Adonais
255:madness
244:Morella
180:daisies
121:" is a
73:Romance
64:English
53:Country
1234:(1849)
1226:(1844)
1218:(1839)
1199:(1835)
1180:(1840)
1172:(1827)
1153:(1840)
1145:(1837)
1134:Novels
1126:(1848)
1080:Essays
832:Ligeia
716:Lenore
552:
519:
498:
478:
458:
438:
418:
398:
365:
342:
310:Ossian
286:Ligeia
248:Ligeia
201:Heaven
171:valley
159:London
157:for a
1322:music
1302:Death
1207:Other
775:Tales
658:Poems
272:" by
1188:Play
550:ISBN
517:ISBN
496:ISBN
476:ISBN
456:ISBN
436:ISBN
416:ISBN
396:ISBN
363:ISBN
340:ISBN
131:1842
110:1842
203:."
30:by
1420::
350:^
327:^
276:.
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633:e
626:t
619:v
502:.
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