425:. Electrical recording meant turning away from the funnel to the microphone, to electrical needle recording and the corresponding playback. The advantages of "electrical recording" were higher volume, lower noise, no "funnel sound" on the recording side, extended frequency response, less bass and excessively center-stressed ("squeaky"), so overall more natural. Whereas before a recording frequency range of only 600 to 2000 Hz was possible, it was now between 100 and 5000 Hz. The number of revolutions was set consistently at 78 / min. Today those recordings that were made with the funnel are called "acoustic" recordings, everything later than "electrical" recordings. The shellac records used were fragile, had a speed of 78 rpm and a maximum playing time of approx. 3 minutes per side for a diameter of 25 cm and 4 minutes for a 30 cm diameter. There were about 4 grooves with a minimum width of 0.15 mm for every 1 mm. There was a regular spiral from the outside in.
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moved from
Maarweg to Cologne's media centre - the Mediapark; the data centre followed in December 2002. Earlier in spring 2002 EMI Electrola was renamed EMI Music Germany GmbH & Co. KG. After the Munich location was closed in April 2004, the Virgin label was merged with the Berlin-based labels Mute and Labels. Since then, the company has been operating at the two locations in Cologne and Berlin. Initially, EMI Music Germany was based at three locations in Munich (Virgin), Cologne (
134:
318:. As a result, the most typical US jazz song "In the Mood" was no longer released. Recorded on 1 August 1939 it was released in the United States in September. During the Second World War, 80 per cent of the facilities in the German subsidiaries were destroyed, making it impossible to resume production immediately after the war. Electrola decided - not least because of the uncertain situation in Berlin - to move completely to Cologne.
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In
January 1994 another independent German company Intercord Tonträger was added, with which EMI was able to further expand its artist base, in 2000 the Intercord location in Stuttgart was closed, and the repertoire was mainly transferred to EMI Electrola GmbH & Co KG. In August 2000 the company
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On the site of the former
Atlantic Gummi-Werke Aloys Weyers KG in Cologne-Braunsfeld, Maarweg 149, an area that could be expanded was found. The company was founded here in Cologne by being entered in the commercial register on 13 February 1952; the official relocation to Cologne took place on 8
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Ltd. in
October 1979 but not acknowledged until 3 March 1980, the large corporation, represented in over 40 countries, was split in August 1996 into the two independently operating companies Thorn plc and EMI Group and listed on the British Stock Exchange. In June 1992, Thorn EMI bought the
342:, were produced. When the compact cassette came onto the market as a new sound carrier in 1965, an in-house music cassette (MC) production was also set up in 1966. This was the last investment by the Carl Lindström-Gesellschaft, which was merged into EMI Electrola GmbH on 30 November 1972.
401:(EC) gave its approval to the sale, UMG relocated the former EMI Music Germany from Cologne to Berlin later in December, with Electrola moved to Munich. However, the EC compelled UMG to divest itself of EMI Classics, which operated with other European EMI assets to be divested as the
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In the early days, Electrola recordings were often made at the
Singakademie Berlin. In 1927 the first electrical reproduction was possible in Germany; Electrola was already producing electrically recorded records in England from 1925, and in Germany from spring 1926.
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to form EMI, Electrola thus became the merged entity's German subsidiary. Around 300 publications per month allowed
Electrola's general catalogue to grow to 11,000 titles by 1934. At the end of 1939 Electrola - like the other German record labels - came under
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The energetic reconstruction in
Cologne is thanks to Ladislaus Veder, who served as managing director until 1969. Jazz and classical music fan Max Ittenbach was appointed artistic director in 1956.
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for jazz) and Berlin (Labels
Germany and Mute); Virgin Records was absorbed into Labels and Mute in 2004. The centre of the German record industry, however, was Hamburg with the record labels
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September 1953. A modern recording studio was opened in 1956 on
Maarweg in Cologne - where the records were also made - with all the associated technical rooms. In these studios all hits from
440:
Nils Nobach worked for
Electrola from 1953 as a producer and composer (often under the pseudonym Peter Ström), who became one of the most prominent hit producers of the time. He produced
491:, were created under his direction in 1962 the top seller of the year. Gietz left Electrola in 1965, but continued to produce Electrola performers as a freelance producer (including
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The company name "Electrola" is derived from the electrical recording process that was used for records from 1925 and is named after an electric record player from
670:"Zweiter Abschnitt. Von den göttlichen Eigenschaften, welche sich auf das Abhängigkeitsgefühl, sofern sich noch kein Gegensatz darin entwickelt, beziehen. §§64—69"
495:). In 1968 the Cornet label, owned by Gietz, released the first record with the title "Mer schenken dä Ahl e couple Blömcher" from the Kölsch dialect group
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founded Electrola GmbH in Nowawes near Berlin and received its record licence in December. In March 1931, through its parent company's merger with
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for a purchase price of US$ 957 million, ending intense competition for the company, which had many of the best-selling artists under contract.
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468:(1964). In November 1961 Nobach left Electrola and Heinz Gietz took over the position of production manager for pop.
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After Electrola and the rest of EMI's German operations were sold to
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620:"Warner Music Group Completes Acquisition of Parlophone Label Group"
588:"Parlophone Label Group's Kassler: 'We're effectively a mini major'"
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Faszination Schellack: Grammophone, Schellackplatten, Nadeldosen
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713:""Film ab!" Max von Allweyer und seine Schulfilm-Unternehmung"
479:" and "Lady Sunshine and Mister Moon" with Conny Froboess, "
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574:"UNIVERSAL MUSIC sichert Zukunft der EMI in Deutschland"
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in November 1961. Under his direction, the super hits "
576:(in German). Universal Music Group. December 5, 2012.
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After a merger of EMI Ltd. with the British company
676:, De Gruyter, pp. 188–225, December 31, 1980,
49:. Unsourced material may be challenged and removed.
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471:Its debut was the "Hämmerchen-Polka", sung by
776:Labels distributed by Universal Music Group
269:. Based in Munich, its roster has included
602:"Warner to buy the Parlophone Label Group"
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109:Learn how and when to remove this message
210:Gramophone Company (Carl Lindström A.G.)
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397:(UMG) on 21 September 2012, when the
483:" with Rex Gildo, "Motorbiene" with
452:(1957), the Nilsen Brothers (1958),
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354:previously independent record label
334:, but also the last recordings with
47:adding citations to reliable sources
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622:. Warner Music Group. July 1, 2013.
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771:Record labels established in 1925
711:Hertwig, Niklas (April 9, 2021).
556:"EMI: a giant at war with itself"
316:National Socialist administration
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634:"Die Literatur des Jahres 1951"
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311:Columbia Gramophone Company
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301:On 8 May 1925 the British
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509:List of record labels
477:Zwei kleine Italiener
395:Universal Music Group
267:Universal Music Group
177:Universal Music Group
761:German record labels
164:(1931–79, 1996–2012)
43:improve this article
608:. February 7, 2013.
562:. January 18, 2008.
399:European Commission
152:Carl Lindström A.G.
16:German record label
786:Jazz record labels
464:(March 1959), and
444:, Wolfgang Sauer,
407:Warner Music Group
340:Herbert Grönemeyer
303:Gramophone Company
265:and subsidiary of
148:Gramophone Company
740:978-3-948620-01-1
717:Urbane Kinokultur
691:978-3-11-087520-1
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41:Please help
36:verification
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489:Bill Ramsey
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271:Chumbawamba
58:"Electrola"
755:Categories
606:Gtamophone
515:References
442:Bibi Johns
423:RCA Victor
403:Parlophone
380:Telefunken
309:'s parent
248:.electrola
199:1925-05-08
69:newspapers
493:the Lords
462:Rex Gildo
433:Personnel
368:Blue Note
351:Thorn EMI
307:Lindström
259:Electrola
172:(1979–96)
169:Thorn EMI
156:(1925–31)
127:Electrola
99:June 2021
503:See also
291:Santiano
231:Location
697:June 9,
388:Philips
372:Polydor
364:Capitol
297:History
235:Cologne
226:Germany
218:Various
207:Founder
197: (
189:Founded
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376:Teldec
287:Höhner
283:Brings
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450:Conny
384:Decca
215:Genre
90:JSTOR
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536:ISBN
330:and
289:and
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