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Electrola

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425:. Electrical recording meant turning away from the funnel to the microphone, to electrical needle recording and the corresponding playback. The advantages of "electrical recording" were higher volume, lower noise, no "funnel sound" on the recording side, extended frequency response, less bass and excessively center-stressed ("squeaky"), so overall more natural. Whereas before a recording frequency range of only 600 to 2000 Hz was possible, it was now between 100 and 5000 Hz. The number of revolutions was set consistently at 78 / min. Today those recordings that were made with the funnel are called "acoustic" recordings, everything later than "electrical" recordings. The shellac records used were fragile, had a speed of 78 rpm and a maximum playing time of approx. 3 minutes per side for a diameter of 25 cm and 4 minutes for a 30 cm diameter. There were about 4 grooves with a minimum width of 0.15 mm for every 1 mm. There was a regular spiral from the outside in. 362:
moved from Maarweg to Cologne's media centre - the Mediapark; the data centre followed in December 2002. Earlier in spring 2002 EMI Electrola was renamed EMI Music Germany GmbH & Co. KG. After the Munich location was closed in April 2004, the Virgin label was merged with the Berlin-based labels Mute and Labels. Since then, the company has been operating at the two locations in Cologne and Berlin. Initially, EMI Music Germany was based at three locations in Munich (Virgin), Cologne (
134: 318:. As a result, the most typical US jazz song "In the Mood" was no longer released. Recorded on 1 August 1939 it was released in the United States in September. During the Second World War, 80 per cent of the facilities in the German subsidiaries were destroyed, making it impossible to resume production immediately after the war. Electrola decided - not least because of the uncertain situation in Berlin - to move completely to Cologne. 25: 361:
In January 1994 another independent German company Intercord Tonträger was added, with which EMI was able to further expand its artist base, in 2000 the Intercord location in Stuttgart was closed, and the repertoire was mainly transferred to EMI Electrola GmbH & Co KG. In August 2000 the company
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On the site of the former Atlantic Gummi-Werke Aloys Weyers KG in Cologne-Braunsfeld, Maarweg 149, an area that could be expanded was found. The company was founded here in Cologne by being entered in the commercial register on 13 February 1952; the official relocation to Cologne took place on 8
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Ltd. in October 1979 but not acknowledged until 3 March 1980, the large corporation, represented in over 40 countries, was split in August 1996 into the two independently operating companies Thorn plc and EMI Group and listed on the British Stock Exchange. In June 1992, Thorn EMI bought the
342:, were produced. When the compact cassette came onto the market as a new sound carrier in 1965, an in-house music cassette (MC) production was also set up in 1966. This was the last investment by the Carl Lindström-Gesellschaft, which was merged into EMI Electrola GmbH on 30 November 1972. 401:(EC) gave its approval to the sale, UMG relocated the former EMI Music Germany from Cologne to Berlin later in December, with Electrola moved to Munich. However, the EC compelled UMG to divest itself of EMI Classics, which operated with other European EMI assets to be divested as the 428:
In the early days, Electrola recordings were often made at the Singakademie Berlin. In 1927 the first electrical reproduction was possible in Germany; Electrola was already producing electrically recorded records in England from 1925, and in Germany from spring 1926.
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to form EMI, Electrola thus became the merged entity's German subsidiary. Around 300 publications per month allowed Electrola's general catalogue to grow to 11,000 titles by 1934. At the end of 1939 Electrola - like the other German record labels - came under
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The energetic reconstruction in Cologne is thanks to Ladislaus Veder, who served as managing director until 1969. Jazz and classical music fan Max Ittenbach was appointed artistic director in 1956.
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for jazz) and Berlin (Labels Germany and Mute); Virgin Records was absorbed into Labels and Mute in 2004. The centre of the German record industry, however, was Hamburg with the record labels
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September 1953. A modern recording studio was opened in 1956 on Maarweg in Cologne - where the records were also made - with all the associated technical rooms. In these studios all hits from
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Nils Nobach worked for Electrola from 1953 as a producer and composer (often under the pseudonym Peter Ström), who became one of the most prominent hit producers of the time. He produced
491:, were created under his direction in 1962 the top seller of the year. Gietz left Electrola in 1965, but continued to produce Electrola performers as a freelance producer (including 421:
The company name "Electrola" is derived from the electrical recording process that was used for records from 1925 and is named after an electric record player from
670:"Zweiter Abschnitt. Von den göttlichen Eigenschaften, welche sich auf das Abhängigkeitsgefühl, sofern sich noch kein Gegensatz darin entwickelt, beziehen. §§64—69" 495:). In 1968 the Cornet label, owned by Gietz, released the first record with the title "Mer schenken dä Ahl e couple Blömcher" from the Kölsch dialect group 775: 305:
founded Electrola GmbH in Nowawes near Berlin and received its record licence in December. In March 1931, through its parent company's merger with
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for a purchase price of US$ 957 million, ending intense competition for the company, which had many of the best-selling artists under contract.
573: 770: 765: 619: 738: 689: 539: 601: 587: 555: 89: 61: 653: 468:(1964). In November 1961 Nobach left Electrola and Heinz Gietz took over the position of production manager for pop. 108: 68: 46: 760: 674:
Der christliche Glaube nach den Grundsätzen der evangelischen Kirche im Zusammenhange dargestellt (1821/22)
75: 785: 346: 310: 42: 57: 409:(WMG). The EC approved the deal in May, and WMG took control of EMI Classics on 1 July, ceding it to 306: 151: 492: 35: 480: 529: 508: 476: 394: 266: 176: 339: 488: 8: 398: 496: 406: 302: 147: 82: 734: 685: 649: 535: 449: 367: 724: 677: 641: 335: 457: 453: 331: 465: 445: 410: 387: 371: 363: 323: 290: 669: 355: 327: 278: 681: 405:
Label Group (PLG). In February 2013, UMG sold PLG, including EMI Classics, to
754: 472: 383: 274: 780: 633: 315: 262: 645: 484: 422: 270: 723:. Institut für Sächsische Geschichte und Volkskunde, Dresden: 230–243. 441: 402: 379: 133: 729: 712: 487:, and another of his own compositions, "Mimi Never Goes to Bed" with 461: 393:
After Electrola and the rest of EMI's German operations were sold to
350: 168: 620:"Warner Music Group Completes Acquisition of Parlophone Label Group" 588:"Parlophone Label Group's Kassler: 'We're effectively a mini major'" 286: 24: 234: 531:
Faszination Schellack: Grammophone, Schellackplatten, Nadeldosen
375: 282: 713:""Film ab!" Max von Allweyer und seine Schulfilm-Unternehmung" 479:" and "Lady Sunshine and Mister Moon" with Conny Froboess, " 245: 160: 574:"UNIVERSAL MUSIC sichert Zukunft der EMI in Deutschland" 475:
in November 1961. Under his direction, the super hits "
576:(in German). Universal Music Group. December 5, 2012. 345:
After a merger of EMI Ltd. with the British company
676:, De Gruyter, pp. 188–225, December 31, 1980, 49:. Unsourced material may be challenged and removed. 752: 471:Its debut was the "Hämmerchen-Polka", sung by 776:Labels distributed by Universal Music Group 269:. Based in Munich, its roster has included 602:"Warner to buy the Parlophone Label Group" 728: 109:Learn how and when to remove this message 210:Gramophone Company (Carl Lindström A.G.) 710: 527: 753: 397:(UMG) on 21 September 2012, when the 483:" with Rex Gildo, "Motorbiene" with 452:(1957), the Nilsen Brothers (1958), 416: 354:previously independent record label 334:, but also the last recordings with 47:adding citations to reliable sources 18: 622:. Warner Music Group. July 1, 2013. 13: 14: 797: 771:Record labels established in 1925 711:Hertwig, Niklas (April 9, 2021). 556:"EMI: a giant at war with itself" 316:National Socialist administration 132: 23: 634:"Die Literatur des Jahres 1951" 34:needs additional citations for 766:1925 establishments in Germany 704: 662: 626: 612: 594: 580: 566: 548: 521: 366:with pop and EMI Classics and 1: 514: 638:Astronomischer Jahresbericht 432: 7: 502: 347:Thorn Electrical Industries 311:Columbia Gramophone Company 10: 802: 590:. News168. March 27, 2011. 301:On 8 May 1925 the British 296: 682:10.1515/9783110875201.188 534:(in German). Battenberg. 240: 230: 222: 214: 206: 188: 140: 131: 126: 528:Fischer, Martin (2006). 194:; 99 years ago 646:10.1515/9783112314692 640:. December 31, 1954. 509:List of record labels 477:Zwei kleine Italiener 395:Universal Music Group 267:Universal Music Group 177:Universal Music Group 761:German record labels 164:(1931–79, 1996–2012) 43:improve this article 608:. February 7, 2013. 562:. January 18, 2008. 399:European Commission 152:Carl Lindström A.G. 16:German record label 786:Jazz record labels 464:(March 1959), and 444:, Wolfgang Sauer, 407:Warner Music Group 340:Herbert Grönemeyer 303:Gramophone Company 265:and subsidiary of 148:Gramophone Company 740:978-3-948620-01-1 717:Urbane Kinokultur 691:978-3-11-087520-1 541:978-3-86646-008-9 417:Technical aspects 338:up to the era of 256: 255: 223:Country of origin 119: 118: 111: 93: 793: 745: 744: 732: 730:10.25366/2021.19 708: 702: 701: 700: 698: 666: 660: 659: 630: 624: 623: 616: 610: 609: 598: 592: 591: 584: 578: 577: 570: 564: 563: 552: 546: 545: 525: 336:Marlene Dietrich 252: 249: 247: 241:Official website 202: 200: 195: 192:May 8, 1925 181: 173: 165: 157: 136: 124: 123: 114: 107: 103: 100: 94: 92: 51: 27: 19: 801: 800: 796: 795: 794: 792: 791: 790: 751: 750: 749: 748: 741: 709: 705: 696: 694: 692: 668: 667: 663: 656: 632: 631: 627: 618: 617: 613: 600: 599: 595: 586: 585: 581: 572: 571: 567: 560:Telegraph.co.uk 554: 553: 549: 542: 526: 522: 517: 505: 481:Speedy Gonzales 446:Fred Bertelmann 435: 419: 411:Warner Classics 390:and Metronome. 324:Fred Bertelmann 299: 244: 198: 196: 193: 184: 179: 171: 163: 155: 122: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 799: 789: 788: 783: 778: 773: 768: 763: 747: 746: 739: 703: 690: 661: 654: 625: 611: 593: 579: 565: 547: 540: 519: 518: 516: 513: 512: 511: 504: 501: 497:De Bläck Fööss 434: 431: 418: 415: 356:Virgin Records 328:Conny Froboess 298: 295: 279:Helene Fischer 254: 253: 242: 238: 237: 232: 228: 227: 224: 220: 219: 216: 212: 211: 208: 204: 203: 190: 186: 185: 183: 182: 180:(2012–present) 174: 166: 158: 144: 142: 141:Parent company 138: 137: 129: 128: 120: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 798: 787: 784: 782: 779: 777: 774: 772: 769: 767: 764: 762: 759: 758: 756: 742: 736: 731: 726: 722: 718: 714: 707: 693: 687: 683: 679: 675: 671: 665: 657: 655:9783112314692 651: 647: 643: 639: 635: 629: 621: 615: 607: 603: 597: 589: 583: 575: 569: 561: 557: 551: 543: 537: 533: 532: 524: 520: 510: 507: 506: 500: 498: 494: 490: 486: 482: 478: 474: 473:Chris Howland 469: 467: 463: 459: 458:Gitte Hænning 455: 454:Angèle Durand 451: 447: 443: 438: 430: 426: 424: 414: 412: 408: 404: 400: 396: 391: 389: 385: 381: 377: 373: 369: 365: 359: 357: 352: 348: 343: 341: 337: 333: 332:Gitte Hænning 329: 325: 319: 317: 312: 308: 304: 294: 292: 288: 284: 280: 276: 275:Matthias Reim 272: 268: 264: 260: 251: 243: 239: 236: 233: 229: 225: 221: 217: 213: 209: 205: 191: 187: 178: 175: 170: 167: 162: 159: 153: 149: 146: 145: 143: 139: 135: 130: 125: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 720: 716: 706: 695:, retrieved 673: 664: 637: 628: 614: 605: 596: 582: 568: 559: 550: 530: 523: 470: 439: 436: 427: 420: 392: 360: 344: 320: 300: 263:record label 261:is a German 258: 257: 121:Record label 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 489:Bill Ramsey 485:Benny Quick 271:Chumbawamba 58:"Electrola" 755:Categories 606:Gtamophone 515:References 442:Bibi Johns 423:RCA Victor 403:Parlophone 380:Telefunken 309:'s parent 248:.electrola 199:1925-05-08 69:newspapers 493:the Lords 462:Rex Gildo 433:Personnel 368:Blue Note 351:Thorn EMI 307:Lindström 259:Electrola 172:(1979–96) 169:Thorn EMI 156:(1925–31) 127:Electrola 99:June 2021 503:See also 291:Santiano 231:Location 697:June 9, 388:Philips 372:Polydor 364:Capitol 297:History 235:Cologne 226:Germany 218:Various 207:Founder 197: ( 189:Founded 83:scholar 737:  688:  652:  538:  376:Teldec 287:Höhner 283:Brings 85:  78:  71:  64:  56:  466:Adamo 450:Conny 384:Decca 215:Genre 90:JSTOR 76:books 735:ISBN 699:2021 686:ISBN 650:ISBN 536:ISBN 330:and 289:and 62:news 781:EMI 725:doi 678:doi 642:doi 386:), 349:to 326:to 250:.de 246:www 161:EMI 45:by 757:: 733:. 719:. 715:. 684:, 672:, 648:. 636:. 604:. 558:. 499:. 460:, 456:, 448:, 413:. 374:, 293:. 285:, 281:, 277:, 273:, 154:) 743:. 727:: 721:2 680:: 658:. 644:: 544:. 382:/ 378:( 201:) 150:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"Electrola"
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Gramophone Company
Carl Lindström A.G.
EMI
Thorn EMI
Universal Music Group
Cologne
www.electrola.de
record label
Universal Music Group
Chumbawamba
Matthias Reim
Helene Fischer
Brings
Höhner
Santiano
Gramophone Company
Lindström
Columbia Gramophone Company

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