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Eclecticism in architecture

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previously only seen in the aristocratic architecture of European countries such as Britain and France, contributing to a richer sense of culture and history within the USA. In the case of Hunt and many other eclectic architects, his 'typically eclectic viewpoint' enabled him to make stylistic choices based on whatever suited the particular project or the client. This flexibility to adapt, and to blend freely between styles gave eclectic designers more appeal to clients.
254: 36: 590: 923: 335: 482:, trained students in a rigorous and academic manner, equipping them with skills and professional prestige. Teachers at the École were some of the leading architects in France, and this new method of teaching was so successful, that it attracted students from across the globe. Many of the graduates went on to become pioneers of the movement, and used their 544:
At a similar time, such vessels were being used to transport colonists to undeveloped areas of the world. The colonisation of such areas, further spread the Eclectic architecture of the western world, as newly settled colonists built structures commonly featuring Roman classicism and Gothic motifs.
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and other large public spaces such as churches, courthouses, city halls, public libraries and movie theatres, meant that eclectic design was no longer only for members of high-society, but was also accessible to the general public. While some of these buildings have since been demolished (including
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Whilst the practise of this style of architecture was widespread (and could be seen in many town halls constructed at the time), eclecticism in Europe did not achieve the same level of enthusiasm that was seen in America – as it was assumed that the presence of old, authentic architecture, reduced
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Eclecticist architecture came into practice during the late 19th century, as architects sought a style that would allow them to retain previous historic precedent, but create unseen designs. From a complete catalogue of past styles, the ability to mix and combine styles allowed for more expressive
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approach back from Europe, which was said to be the cornerstone of eclectic architecture in North America. At a time of increasing prosperity and commercial pride, many eclectic buildings were commissioned in large cities around the USA. The style thrived, as it introduced historical features,
705:. Publishing the lavish interiors of these magnificent homes helped to spread the eclectic style to the middle classes, and less extravagant imitations or the incorporation of similar decorative elements became a desirable feature in domestic decoration. 420: 737:
and historical styles are loosely described as "eclectic" though references to eclectic architecture within literature and media are usually about buildings constructed within the eclectic movement of the late 19th-early 20th century period.
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The rise in eclectic architecture created a need for interior specialists who had the skill, understanding and knowledge of past historical styles, to produce suitable accompanying interiors. This resulted in the emergence of
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As a style that offered so much creative freedom, and no guiding rules, the risk of creating an unsuccessful design was apparent to all. Projects that failed to harmoniously blend the different styles were subject to
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motifs and forms found in the natural world, resulting in a structure that was distinctive and original. Although it was designed during the peak of the eclectic period (1883–1926), it remains under construction
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began to decline in the 1930s and eclecticism was phased out in the curriculums of design schools, in favour of a new style. The shift towards
53: 100: 72: 568:, to essentially Western forms of public buildings and palaces, was an inherently eclectic style. Most of the architects were British. 374: 365: 79: 173:
Eclectic building. Street Alfonso VIII. Burgos, Spain (1922). Note the mix of neogothic with art nouveau and neoclassical styles
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as a regarded profession. Prominent interior designers in this era (between the late 19th and early 20th century) include
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To a lesser extent, Eclecticism appeared across Asia, as Japanese and Chinese architects who had trained at American
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The end of the 19th century saw a profound shift in North American Architecture. Architects educated at the
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freedom and provided an endless source of inspiration. Whilst other design professionals (referred to as '
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influenced schools, returned to produce eclectic designs across Asia such as the Bank of Japan (1895) by
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in a variety of styles according to the wishes of their clients, or their own. The styles were typically
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Eclectic architecture first appeared across continental Europe in various countries such as France (
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and the new technology and materials being produced at the time allowed for greater
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of elements from previous historical styles to create something that is new and
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the original Pennsylvania station and the first Madison Square garden—both in
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Some of the most extreme examples of eclectic design could be seen onboard
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The term is also used of the many architects of the 19th and early
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from professionals (particularly those who opposed the movement).
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In contemporary society, styles that draw from many different
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preferences varied from region to region across America, with
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Hamlin, T, 1952. "The Rise of Eclecticism in New York."
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and many others were likely to be treated more freely.
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and there was a desire for the designs to be original.
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the appeal of historical imitation in new buildings.
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Residence of Bukovinian and Dalmatian Metropolitans
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"Creative Eclecticism." 830: 828: 605:, featuring some characteristics of the 588: 275: 252: 168: 131: 860: 858: 856: 854: 852: 850: 848: 846: 844: 807: 728: 560:, which added details from traditional 14: 936: 741: 437:(now State Bank of Vietnam) building, 825: 571: 841: 679:, Francis Elkins, Surie Maugham and 58:adding citations to reliable sources 29: 558:Indo-Saracenic Revival architecture 400:Indo-Saracenic Revival architecture 24: 657: 510:were responsible for bringing the 25: 960: 915: 441:, Vietnam, by Felix Dumail, 1929. 156:in architecture. Elements of the 921: 493: 419: 392: 373: 349: 334: 315: 34: 366:Queen Anne Revival architecture 342:Church of St. Clare, Horodkivka 45:needs additional citations for 898: 885: 871: 719:American Colonial architecture 13: 1: 879:"Eclecticism in architecture" 800: 615:Spanish colonial architecture 329:), "Moorish" and other styles 69:"Eclecticism in architecture" 866:A History of Interior Design 404:Kuala Lumpur Railway Station 7: 773: 228:Gothic Revival architecture 178:Eclecticism in architecture 10: 965: 620:Enthusiasm for historical 584: 296: 288:(1900–12), UK, in a quasi- 790:Neo-eclectic architecture 713:styles being favoured in 532: 446: 286:University of Birmingham 152:is a notable example of 758:William Rutherford Mead 753:Alexander Jackson Davis 453:Beaux-Arts architecture 218:centuries who designed 891:Cruickshank, D, 1996. 617: 457:Victorian architecture 412:Arthur Benison Hubback 381:Palácio das IndĂşstrias 293: 273: 174: 166: 944:Eclectic architecture 928:Eclectic architecture 592: 435:Banque de l'Indochine 279: 256: 172: 135: 18:Eclectic architecture 949:Architectural styles 930:at Wikimedia Commons 908:, 12 (4), pp. 15–18. 729:Contemporary context 675:, Nancy McClelland, 508:Charles Follen McKim 500:École des Beaux-Arts 471:École des Beaux-Arts 54:improve this article 818:Whittick, A, 1974. 763:Richard Norman Shaw 742:Eclectic architects 702:Ladies Home Journal 611:Norman architecture 595:Mar del Plata style 566:Mughal architecture 562:Indian architecture 504:Richard Morris Hunt 266:Chernivtsi, Ukraine 185:architectural style 180:is a 19th and 20th 27:Architectural style 838:, 11 (2), pp. 3–8. 780:Eclecticism in art 717:, and elements of 642:Streamline Moderne 618: 572:Critical reception 502:in Paris, such as 364:in a style called 362:Eureka, California 294: 274: 268:, with a basis in 175: 167: 926:Media related to 785:Historicism (art) 721:being popular in 677:Elsie Cobb Wilson 665:interior designer 160:were merged with 130: 129: 122: 104: 16:(Redirected from 956: 925: 909: 902: 896: 889: 883: 882: 875: 869: 864:Piles, J, 2005. 862: 839: 832: 823: 816: 690:House and Garden 556:. The so-called 520:The creation of 439:Ho Chi Minh City 423: 396: 377: 353: 338: 319: 284:building at the 125: 118: 114: 111: 105: 103: 62: 38: 30: 21: 964: 963: 959: 958: 957: 955: 954: 953: 934: 933: 918: 913: 912: 903: 899: 890: 886: 877: 876: 872: 863: 842: 833: 826: 817: 808: 803: 776: 744: 731: 696:House Beautiful 660: 658:Interior design 587: 574: 535: 496: 459:) and Germany ( 449: 442: 427:French colonial 424: 415: 397: 388: 378: 369: 354: 345: 339: 330: 323:Lille Synagogue 320: 299: 205:interior design 142:Sagrada FamĂ­lia 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 15: 12: 11: 5: 962: 952: 951: 946: 932: 931: 917: 916:External links 914: 911: 910: 897: 884: 870: 840: 824: 805: 804: 802: 799: 798: 797: 792: 787: 782: 775: 772: 771: 770: 768:Stanford White 765: 760: 755: 750: 748:Daniel Burnham 743: 740: 730: 727: 681:Dorothy Draper 669:Elsie De Wolfe 659: 656: 626:Late Modernism 586: 583: 573: 570: 534: 531: 495: 492: 448: 445: 444: 443: 425: 418: 416: 398: 391: 389: 379: 372: 370: 358:Carson Mansion 355: 348: 346: 340: 333: 331: 321: 314: 298: 295: 128: 127: 42: 40: 33: 26: 9: 6: 4: 3: 2: 961: 950: 947: 945: 942: 941: 939: 929: 924: 920: 919: 907: 901: 894: 888: 880: 874: 867: 861: 859: 857: 855: 853: 851: 849: 847: 845: 837: 831: 829: 821: 815: 813: 811: 806: 796: 793: 791: 788: 786: 783: 781: 778: 777: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 745: 739: 736: 726: 724: 720: 716: 712: 708: 704: 703: 698: 697: 692: 691: 686: 682: 678: 674: 670: 666: 655: 653: 649: 648: 643: 639: 635: 631: 630:Postmodernism 627: 623: 616: 612: 608: 604: 600: 599:Mar del Plata 596: 591: 582: 580: 569: 567: 563: 559: 555: 554:Tatsuno Kingo 551: 546: 542: 540: 530: 528: 527:New York City 523: 518: 515: 514: 509: 505: 501: 494:North America 491: 487: 485: 481: 477: 473: 472: 466: 464: 463: 458: 454: 440: 436: 432: 428: 422: 417: 413: 409: 405: 401: 395: 390: 386: 382: 376: 371: 367: 363: 359: 352: 347: 343: 337: 332: 328: 324: 318: 313: 312: 311: 309: 305: 291: 287: 283: 278: 271: 267: 263: 259: 255: 251: 249: 245: 241: 240:Palazzo style 237: 233: 229: 225: 221: 217: 212: 210: 206: 202: 198: 194: 190: 186: 183: 179: 171: 163: 159: 155: 151: 147: 143: 139: 134: 124: 121: 113: 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: â€“  70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 19: 905: 900: 892: 887: 873: 865: 835: 819: 732: 700: 694: 688: 685:publications 673:Rose Cumming 661: 645: 619: 575: 549: 547: 543: 539:ocean liners 536: 519: 511: 499: 497: 488: 483: 469: 467: 460: 455:), England ( 450: 300: 270:Brick Gothic 262:Josef Hlávka 232:Neoclassical 213: 201:architecture 177: 176: 158:Gothic style 150:Antoni GaudĂ­ 148:designed by 116: 107: 97: 90: 83: 76: 64: 52:Please help 47:verification 44: 723:New England 647:avant-garde 522:skyscrapers 462:GrĂĽnderzeit 429:style with 304:revivalists 189:eclecticism 162:Art Nouveau 154:eclecticism 938:Categories 801:References 715:California 699:, and the 652:innovation 550:Beaux-Arts 513:beaux-arts 484:Beaux-Arts 433:elements: 282:Aston Webb 248:Romanesque 244:Jacobethan 224:revivalist 80:newspapers 707:Aesthetic 634:Brutalism 622:imitation 603:Argentina 597:house in 579:criticism 564:, mostly 431:Angkorian 385:SĂŁo Paulo 308:nostalgia 290:Byzantine 220:buildings 209:countries 146:Barcelona 774:See also 735:cultural 687:such as 638:Art Deco 408:Malaysia 387:, Brazil 264:, 1882, 197:original 138:Basilica 110:May 2022 711:Spanish 607:cottage 585:Decline 480:schools 297:History 236:Baroque 193:mixture 182:century 140:of the 94:scholar 613:, and 533:Spread 447:Europe 414:, 1910 327:guttae 292:style. 165:today. 96:  89:  82:  75:  67:  476:Paris 410:, by 260:, by 199:. 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Eclectic architecture

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Basilica
Sagrada FamĂ­lia
Barcelona
Antoni GaudĂ­
eclecticism
Gothic style
Art Nouveau

century
architectural style
eclecticism
mixture
original
architecture
interior design
countries
20th

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