Antonín Dvořák - Knowledge

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writing. Throughout the piece, Dvořák uses skipping rhythms, high register of the first violin, and unified key relationships among all movements except for Lento. There is less shaping in thematic material, heavy uses of repetition, and less attention was paid to the development. Shortly after the composition of Op. 96, Dvořák composed his E-flat Major String Quintet, Op. 97. This piece was distinguished from his prior chamber works due to the instrumentation of two viola parts. The influence that Native American folk music had on Dvořák's work was also apparent in Op. 97; there is a common drum rhythm in Native American music presented throughout all of the movements except the Larghetto.

324: 366:. Anna and František married on 17 November 1840. Dvořák was the first of 14 children, eight of whom survived infancy. Dvořák was baptized as a Roman Catholic in the village's church of St. Andrew. Dvořák's years in Nelahozeves nurtured his strong Christian faith and the love for his Bohemian heritage that so strongly influenced his music. In 1847, Dvořák entered primary school and was taught to play violin by his teacher Joseph Spitz. He showed early talent and skill, playing in a village band and in church. František was pleased with his son's gifts. At the age of 13, through the influence of his father, Dvořák was sent to 558:. It seems that Brahms had only recently joined the jury, as he was not on it during the calendar year of 1874, according to Hanslick. Hanslick had first-hand knowledge, as a continuing member of the jury (from at least 1874 to 1877). Nevertheless, Brahms had time and opportunity to appreciate Dvořák's 1874 submission. Botstein says that the jury's purpose was "to award financial support to talented composers in need" in the Austro-Hungarian Empire. The jury received a "massive submission" from Dvořák: "fifteen works including two symphonies, several overtures and a 1368: 879:, offered Dvořák an annual salary of $ 15,000 – an incredibly lavish sum for the era (equivalent to $ 508,667 in 2023), twenty-five times what he was paid at the Prague Conservatory. Emanuel Rubin describes the Conservatory and Dvořák's time there. Thurber, a wealthy and philanthropic woman, made it open to women and black students as well as white men, which was unusual for the times. Dvořák's original contract provided for three hours a day of work, including teaching and conducting, six days a week, with four months of vacation each summer. The 186: 1103: 612: 2619: 2257: 1743: 1438: 511:, but the full opera with the original score was performed once in 1929, and not heard again until a concert performance in September 2019 at the Dvořák Prague International Music Festival. Clapham says Dvořák realized he had gone to "extremes in attempting to follow the example of Wagner". In 1873–74, he reset "the King and Charcoal Burner libretto entirely afresh, in a totally different manner", without using "anything from the ill-fated earlier version". The alternate opera, called 775:, in a concert on 27 August. He had arrived a week early to conduct rehearsals of the chorus of 500 voices and orchestra of 150. The performance was "a greater triumph than any" Dvořák "had had in his life up to that time...following this phenomenal success, choral societies in the English-speaking countries hastened to prepare and present the new work." Dvořák visited Britain at least eight times in total, conducting his own works there. In 1887, Richter conducted the 2707: 8201: 7208: 8211: 2340:, Op. 77 from early 1875, is noteworthy for the use of a double bass. This quintet was written towards the end of the composer's transitional phase, incorporating a thematic density to his works. This quintet is characterized by delicate operetta style uncommon in his instrumental work. The extension of a variation to all section is reminiscent of his symphonic literature. It was written for a chamber music competition sponsored by the 475:(1862) his Opus 2, although the chronological Burghauser Catalogue numbers these as B.6 and B.7, showing five earlier compositions without opus numbers. In the early 1860s, Dvořák also made his first symphonic attempts, some of which he self-critically burned. The manuscript of a symphony in C minor without opus number, B.9, composed in 1865, was preserved. This symphony has come to be numbered as Dvořák's First (see under " 5806:, notes in German and English. Bibliography co-edited by Dr. John Clapham and Dr. W. Pfannkuch, and a Survey of Life and Work. If there is a reference to one edition and the reader has access only to another edition, the catalogue numbers such as B.178 for the New World Symphony will be more useful than page numbers. In the chronology of Dvořák's life, one may search by year (and date) rather than page number. 8708: 378: 479:"). His first composing attempts passed without critical reception or public performances. His compositions up through 1870, according to the Burghauser Catalogue either had no known premieres, or were premiered in 1888 or later. For example, the Third String Quartet, B.18, was written in about 1869 but first published posthumously in 1964 and premiered in 1969. In 1870, he composed his first opera, 1095:. Brahms said he had no dependents and "If you need anything, my fortune is at your disposal". Clapham writes "Dvořák was deeply moved and tears came to his wife's eyes, but it was quite impossible for him, a Czech, to contemplate leaving Bohemia." Brahms himself had little time left to live, as he died 3 April 1897. Also, Brahms hoped to gain an ally in Vienna to "counterbalance the influence of" 8696: 1003: 653:, who had also been on the juries awarding the prizes. The letter not only notified Dvořák that he had again won the prize, but made known to him for the first time that Brahms and Hanslick had been on the jury. The letter conveyed an offer of friendly assistance of the two in making Dvořák's music known outside his Czech motherland. Within the month December 1877, Dvořák wrote his 1601:, Op. 95, is B.178. Scholars today often refer to Dvořák's works by their B numbers (for Burghauser), partly because many early works do not have opus numbers. References to the traditional opus numbers are still common because of their historical continuity with earlier scores and printed programs. The opus numbers remain more likely to appear in printed performance programs. 1771: 8732: 42: 631: 1825: 8720: 1807: 1789: 851:, cello. It is said that Nedbal and Suk had been two of Dvořák's "most promising" students at the Conservatory and took the initiative in founding the Quartet. As of 1891 Dvořák had written 11 string quartets, six of which had been premiered, and these were available as part of the repertory of the Quartet on tour, as were the two quartets of 423:, who engaged the whole orchestra in the Bohemian Provisional Theatre Orchestra. Dvořák played viola in the orchestra beginning in 1862. Dvořák could hardly afford concert tickets, and playing in the orchestra gave him a chance to hear music, mainly operas. In July 1863, Dvořák played in a program devoted to the German composer 864: 1456: 2376:

In the 1880s Dvořák made a list of his destroyed compositions, including string quartets in B-flat, D and E minor of 1868–70. Dvořák destroyed these compositions during his "mad period" only after copies had already been printed. The number of errors in the parts makes it unlikely that they were ever

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Brahms continued to try to "clear a path for" Dvořák, "the only contemporary whom he considered really worthy". While Dvořák was in America, Simrock was still publishing his music in Germany, and Brahms corrected proofs for him. Dvořák said it was hard to understand why Brahms would "take on the very

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and the String Quintet in E-flat, Op. 97 (B180). Dvořák composed this work in three days after he and his family reunited in Spillville, Iowa. He drew inspiration from the freedom he felt in the countryside of America. This piece is distinguishable from his other quartets due to the simplicity of it

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Two months before leaving for America, Dvořák had hired as secretary Josef Jan Kovařík, who had just finished violin studies at the Prague Conservatory and was about to return to his home in the United States. There he continued to serve as Dvořák's secretary and lived with the Dvořák family. He had

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in London and Vienna to great acclaim (they had been written ten years earlier and Dvořák had allowed them to languish after initial lack of interest from his publishers). Richter wrote to Dvořák of the London performance, "at the hundreds of concerts I have conducted during my life, no new work has

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published a review of the Moravian Duets and Slavonic Dances in the Berlin "Nationalzeitung", saying that the "Dances" would make their way "round the world" and "a heavenly naturalness flows through this music". "There was a run on the German music shops for the dances and duets of this hitherto...

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music since 1857. Late in life, he said that Wagner "was so great a genius that he was capable of doing things that were beyond the reach of other composers". Wagner especially influenced Dvořák's operas, but also some orchestral pieces. According to Clapham, the theme of the Andante Sostenuto from

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Dvořák's main goal in America was to discover "American Music" and engage in it, much as he had used Czech folk idioms within his music. Shortly after his arrival in America in 1892, Dvořák wrote a series of newspaper articles reflecting on the state of American music. He supported the concept that

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became a better known composer. Dvořák also took an additional language course to improve his German and worked as an "extra" violist in numerous bands and orchestras, including the orchestra of the St. Cecilia Society. Dvořák graduated from the Organ School in 1859, ranking second in his class. He

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with Franz Hanke, who encouraged his musical talents even further and was more sympathetic. At the age of 16, through the urging of Liehmann and Zdenĕk, František allowed his son to become a musician, on the condition that the boy should work toward a career as an organist. After leaving for Prague

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In 1873 Dvořák married Josefina's younger sister, Anna Čermáková (1854–1931). They had nine children – Otakar (1874–1877), Josefa (1875–1875), Růžena (1876–1877), Otýlie (1878–1905), Anna (1880–1923), Magdalena (1881–1952), Antonín (1883–1956), Otakar (1885–1961) and Aloisie (1888–1967). Otýlie, a

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On leaving the National Theater Orchestra after his marriage, Dvořák secured the job of organist at St. Vojtěch, also called St. Adalbert's, Church in Prague under Josef Foerster, his former teacher at the Organ School. The job paid "a mere pittance", but it was "a welcome addition for the young

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Clapham gives the official report for the 1874 prize, saying Dvořák was a relatively impoverished music teacher who "has submitted 15 compositions, among them symphonies, which display an undoubted talent...The applicant... deserves a grant to ease his straitened circumstances and free him from

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was a huge success in Bohemia and Moravia, sung at events in Dvořák's honor in 1901 and 1904. The piece had considerable success in England in October 1886, with an audience on the 15th "in raptures... the critics praised the music in the warmest terms", and on the 29th, there was a "large and

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preferred to represent budding composers as being well established by giving early works much higher opus numbers than their chronological order would merit. In other cases, Dvořák deliberately assigned lower opus numbers to new works to be able to sell them outside contract obligations to his

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said of the work: "Had I known that one could write a cello concerto like this, I would have written one long ago!" Agreeing with Schonberg, the cellist and author Robert Battey wrote "I believe it to be the greatest of all cello concertos...an opinion shared by most cellists". A compiler of

918:, to tumultuous applause. Clapham writes that "without question this was one of the greatest triumphs, and very possibly the greatest triumph of all that Dvořák experienced" in his life, and when the Symphony was published it was "seized on by conductors and orchestras" all over the world. 2532:, Op. 114, which contains the well-known aria "Měsíčku na nebi hlubokém" ("Song to the Moon"), is played on contemporary opera stages with any frequency outside the Czech Republic. This is attributable to their uneven invention and libretti, and perhaps also their staging requirements – 1762: 1221: 216:. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them," and Dvořák has been described as "arguably the most versatile... composer of his time". 389:

and introduced him to the composers of the time; Dvořák had much regard for Liehmann despite his teacher's violent temper. Liehmann was the church organist in Zlonice and sometimes let Antonín play the organ at services. Dvořák took further organ and music theory lessons at

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The Mass in D major (first numbered Op. 76, then Op. 86) was originally intended for organ, solo voices and small choir. The work was finalized in 1892 when, in response to a request from the Novello publishers of London, Dvořák arranged his Mass for a symphony orchestra.

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Despite Dvořák's newfound success, a February 1888 performance of Stabat Mater in Vienna fell victim to more anti-Czech feeling and what the composer called "destructive criticism". He heartily thanked Richter for his "courage and devoted sympathy". In 1890, influenced by

1816: 1823: 697:. In December, he dedicated the piece to Joachim and sent him the score. The next spring the two discussed the score and Dvořák revised it extensively, but Joachim was still not comfortable with it. The concerto was premiered in Prague in October 1883 by the violinist 2205:. Wihan and others had asked for a cello concerto for some time, but Dvořák refused, stating that the cello was a fine orchestral instrument but completely insufficient for a solo concerto. Dvořák composed the concerto in New York while serving as the Director of the 2397:('Hey, Slavs!') in a variation style. The quartet in E minor is a single movement, including a slow, 63 bars on an F# pedal point. The single movement from the E minor quartet was used five years later in his second string quintet Op. 77, as a second movement named 1805: 1564:, which Dvořák did not want to sell to Simrock, and had published with Schlesinger as Op. 39 instead of Op. 52. This led to the same opus number being given to more than one of Dvořák's works; for example, the opus number 12 was assigned successively to the opera 1798: 1787: 1770: 2637: 545:

When Dvořák turned age 33 in 1874, he remained almost unknown as a composer outside the area of Prague. That year, he applied for and won the Austrian State Prize ("Stipendium") for composition, awarded in February 1875 by a jury consisting of the critic

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African-American and Native American music should be used as a foundation for the growth of American music. He felt that through the music of Native Americans and African-Americans, Americans would find their own national style of music. Here Dvořák met

1824: 1806: 439:. Dvořák was making about $ 7.50 a month. The constant need to supplement his income pushed him to give piano lessons. It was through these piano lessons that he met his future wife. He originally fell in love with his pupil and colleague from the 2301: 2283: 1780: 883:, a severe economic depression, depleted the assets of the Thurber family and other patrons of the Conservatory. In 1894, Dvořák's salary was cut to $ 8,000 per year and moreover was paid only irregularly. The Conservatory was located at 126–128 223:

in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted scores of symphonies and other works to German and Austrian competitions. He did not win a prize until 1874, with

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In a 1904 interview, Dvořák claimed that opera was 'the most suitable form for the nation'. If this nationalist sentiment was at the heart of his opera compositions, he struggled to find a style straddling Czech traditional melody and the

1125:. In the same year, Dvořák visited Brahms on his deathbed and attended his funeral on 6 April 1897. In November Dvořák was appointed a member of the jury for the Viennese Artists' Stipendium. He was informed in November 1898 that Emperor 1454: 1028:. Dvořák's first love and later sister-in-law, Josefina Kaunitzová, née Čermáková, died in May 1895. He and she had maintained friendly relations over the years. After her death, he revised the coda of his Cello Concerto in her memory. 719:, intending to premiere it in December 1880. However, Dvořák later discovered that, despite this intention, members of the orchestra objected to performing works by the composer in two consecutive seasons, due to "anti-Czech feeling". 492:

In 1871, Dvořák left the Provisional Theatre orchestra to have more time for composing. Up through 1871 Dvořák only gave opus numbers up to 5 among his first 26 compositions. The first press mention of Antonín Dvořák appeared in the

2668:(one piano, four hands), but Dvořák then orchestrated the entire set, completing it the same year. The second book, Op. 72 (also composed originally for piano four hands), composed eight years later, includes forms native to other 2167:

described "an attractive Piano Concerto in G minor with a rather ineffective piano part, a beautiful Violin Concerto in A minor, and a supreme Cello Concerto in B minor". All the concerti are in the classical three-movement form.

759:. The success "sparked off a whole series of performances in England and the United States", a year ahead of appreciation in Germany and Austria. Dvořák was invited to visit Britain where he appeared to great acclaim in 1884. The 1641:

tradition; but, as Taruskin suggests, the difference was Dvořák's use of cyclic form, especially in his later symphonies and concertos, where he "occasionally recycled themes... to a degree which lent his works a tinge of secret

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of 1877. Orchestral variations on an original theme, composed as a freestanding work, were a rather unusual genre. Originally unsuccessful and revived only after ten years, it has since established itself in the repertoire.

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Antonín Dvořák composed his Requiem in 1890, at the beginning of the peak period of his career. Dvořák was deeply religious, and this work reflects his faith and spirituality. The premiere took place on 9 October 1891 in

2393:. The second, third, and fourth quartets illustrate Dvořák's progress as a composer. He demonstrates understanding of highly developed musical language in his D major quartet, shaping the melody of the Slav freedom song 2221:. Dvořák attended at least two performances of Herbert's cello concerto and was inspired to fulfill Wihan's request for a cello concerto. Dvořák's concerto premiered in London on 16 March 1896, with the English cellist 2111:

it was greeted, belatedly, in 1901: "The Vienna performance in March 1901 was a triumph of Dvořák's music, as if the Viennese public wished thereby to make up for their earlier, sometimes cool reception of his works."

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During Dvořák's final years, he concentrated on composing opera and chamber music. In November 1895, he resumed his professorship at the Prague Conservatory. Between 1895 and 1897, he completed his string quartets in

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were performed in Prague, but Dvořák was away in Vienna; then in November 1901 came the "postponed official birthday party... In many towns all over Bohemia and Moravia, the Czech people celebrated his birthday."

930:, where his father Jan Josef Kovařík was a schoolmaster. Dvořák decided to spend the summer of 1893 in Spillville, along with all his family; he referred to it as his "summer Vysoka." While there he composed the 807:

as professor of composition and instrumentation. At first he refused the offer, but then later accepted; this change of mind was seemingly a result of a quarrel with his publisher Simrock over payment for his

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in 1891, when the composer accepted a position as director of her school. Te Deum is more intimate than the Stabat Mater and Requiem. It was premiered at Dvořák's first concert in New York on 21 October 1892.

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as director of the Prague Conservatory from November 1901 until his death. Dvořák's 60th birthday was celebrated as a national event. First, around the actual date, six of his operas and the oratorio

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In 1899 Franz Joseph had decreed that the Czech language could no longer be used in local administration or law courts. This was much resented, and he hoped to placate the Czechs by the appointments.

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Once each in 1884, in October 1886, and in April 1990, twice each in 1885, March to May and later in August, in 1891 June and later in October, and lastly in March 1896: Burghauser 1960 or later ed.

2462:. The Bagatelles are cyclical and similar to a suite, echoing Czech bagpipe melodies. Dvořák wrote two waltzes for string quartet, and arranged set of 12 love songs for the string quartet entitled 682:

unknown composer." The dances were played in 1879 in concerts in France, England, and the United States. Later Simrock requested further Slavonic Dances, which Dvořák supplied in his Op. 72, 1886.

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There is speculation by Dvořák scholars such as Michael Beckerman that the second movement of his Symphony No. 9 "From the New World", was adapted from studies for a never-written opera about

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Dvořák with his family and friends in New York in 1893 - from left: his wife Anna, son Antonín, Sadie Siebert, Josef Jan Kovařík (secretary), mother of Sadie Siebert, daughter Otilie, Antonín.

2300: 2282: 1572:(1873), the Furiant in G minor for piano (1879), and the Dumka in C minor for piano (1884). In other cases, a work was given as many as three different opus numbers by different publishers. 963:, Op. 104, B. 191, completed in February 1895. However, due to homesickness, his partially unpaid salary, and increasing recognition in Europe – he had been made an honorary member of the 8882: 1628:. After Dvořák's death, research uncovered four unpublished symphonies. The manuscript of the first one had even been lost to the composer himself. This led to the situation in which the 967:

in Vienna – he decided to return to Bohemia. He informed Thurber that he was leaving. Dvořák and his wife left New York before the end of the spring term, with no intention of returning.

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was disappointed that none of his music was performed.) "Seventy-six choral associations" from all over Bohemia gathered in Prague, and "sixteen thousand singers" sang Dvořák's oratorio

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equally enthusiastic audience, and once again the critics were full of praise", but the libretto's translation from Czech into English was "regarded on all sides as unsatisfactory".

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In 1991, the New York City Council was petitioned by Beth Israel Hospital to permit the demolition of a small row house at 327 East 17th Street, once the home of Antonín Dvořák.

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lands Serbia, Poland and Ukraine, although some "merge characteristics of more than one dance". Dvořák did not use actual folk tunes, but created his own themes in the style of

597:. He again entered but this time did not win the Austrian State Prize. He did win it in 1876, and finally felt free to resign his position as an organist. In 1877, he wrote the 534:, Op. 5, was performed in Prague, by a "splendid team of players" organized by Procházka. It was his first piece played in a concert. In March 1873, his Czech patriotic cantata 2213:, who was also teaching at the Conservatory, had written his Second Cello Concerto, Op. 30 and presented it several times that year, including its successful premiere with the 1856:. Dvořák wrote it between January and May 1893, while he was in New York. At the time of its first performance, he claimed that he used elements from American music such as 8892: 8887: 2503:, which he experienced as lead viola player in the orchestra of Prague's Provisional Theatre between 1862 and 1871, and whose influence is evident in his works such as 3660: 435:

district with five other people, who also included violinist Mořic Anger and Karel Čech, who later became a singer. In 1866, Maýr was replaced as chief conductor by

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and orchestra based on the text of an old church hymn with the same name. The inspiration for creating this piece was the death of the composer's daughter, Josefa.

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Place. It was in this house that both the B minor Cello Concerto and the New World Symphony were written within a few years. Despite protests, from Czech President

2405:. These show a stronger sense of form and include three separate arrangements: for orchestra (B47), for violin and piano (B48A), and for piano four hands (B48B). 1354:. As the article was specifically on Schubert, three years in advance of the centennial of his birth, it seems Dvořák had a special predilection toward Schubert. 354:, and was the eldest son of František Dvořák (1814–94) and his wife, Anna, née Zdeňková (1820–82). František worked as an innkeeper, a professional player of the 2057: 6399: 1429: 2733: 693:, who with others premiered it in November of that year. Joachim became a "chief champion" of Dvořák's chamber music. In that same year, Dvořák also wrote his 443:, Josefína Čermáková, for whom he apparently composed the song-cycle "Cypress Trees". However, she never returned his love and ended up marrying another man. 2324:

A viola player himself, Dvořák had a natural affinity for string instruments. Over a period of thirty years, Dvořák composed over forty chamber music works.

542:) to a warm response from both audience and critics, making it an "unqualified success". Dvořák's compositions were first coming to be recognized in Prague. 507:

was returned to Dvořák from the Provisional Theatre and said to be unperformable. Its overture was premiered in 1872 in a Philharmonic concert conducted by

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was one of several pieces performed in a Japanese internment camp on Sumatra by a vocal orchestra made up of female prisoners of war on 27 December 1943.

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in December of that year. Twice later, Joachim was scheduled to play the concerto, but both times the arrangements fell through and he never did play it.

677:, but when requested by Simrock, also in an orchestral version. These were an immediate and great success. On 15 December 1878, the leading music critic 574:

anxiety in his creative work." It says he had not yet owned a piano. Before being married, he had lodged with five other men, one of whom owned a small "

8822: 2577:, Op. 99, B. 185, was written in March 1894. Around that time Dvořák was informed of the death of the famous conductor, and his close personal friend, 1338:

models". To be more specific about "classical models," in 1894 Dvořák wrote an article in which he said the composers of the past he admired most were

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residence for people with AIDS. In 2017, this residence was converted into a homeless shelter. To honor Dvořák, a statue of him was erected in nearby

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premiered more of Dvořák's symphonies than anyone else. He conducted the first performances of Nos. 2, 5 and 6; the composer premiered Nos. 7 and 8;

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commissioned Dvořák to conduct concerts in London, and his performances were well received there. In response to the commission, Dvořák wrote his

6859: 2628: 848: 307: 1309:, a traditional Slavic and Polish genre. His major works reflect his heritage and love for his native land. Dvořák followed in the footsteps of 6394: 5314: 1425: 290:

in Czech and were intended to convey the Czech national spirit, as were some of his choral works. By far the most successful of the operas is

102: 8247: 2155:, Op. 69, B. 135, performed in 1885 at the Birmingham, England, Musical Festival, was the greatest success to that point in Dvořák's career. 8837: 1728:, Op. 88, is characterized by a warmer and more optimistic tone. Karl Schumann (in booklet notes for a recording of all the symphonies by 1289:, Op. 46, which first brought him a wide reputation, and Op. 72, include at least one of each of these forms. He also wrote an orchestral 427:, who conducted the orchestra. Dvořák had had "unbounded admiration" for Wagner since 1857. In 1862, Dvořák had begun composing his first 7079: 5867: 2292: 2274: 219:

Dvořák displayed his musical gifts at an early age, being a talented violin student. The first public performances of his works were in

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From other works that show the influence of Czech folk rhythms and melodic shapes, perhaps the best known examples are the two sets of

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was the first of three concerti (for solo instrument and orchestra) that Dvořák composed, but is perhaps the least known of the three.

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originally published as No. 5, was later known as No. 8, and then renumbered as No. 9 in the critical editions published in the 1950s.

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because of illness. The first Czech Musical Festival, in April 1904, had "a programme consisting almost entirely" of Dvořák's music (

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tedious job of proofreading. I don't believe there is another musician of his stature in the whole world who would do such a thing."

872: 250: 8907: 8797: 8772: 7244: 2581:. A month earlier, he had been grieved to hear that his father was near death, far away in Bohemia. Dvořák consoled himself in the 1656:, in reference to the time Dvořák spent in the village of Zlonice, and in the church there, between the age of 13 and 16. Like the 385:

Dvořák took organ, piano, and violin lessons from his German-language teacher Antonín Liehmann. Liehmann also taught the young boy

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applied unsuccessfully for a position as an organist at St. Henry's Church, but remained undaunted in pursuing a musical career.

303: 238:, Op. 46. The sheet music's high sales and critical reception led to his international success. A London performance of Dvořák's 3541: 2364:, Op. 97, with a second viola added, was written near the end of his American period in 1893, when he spent a summer holiday in 2107:

30 November 1892: "the composer was frequently applauded between numbers and given a most enthusiastic ovation at the end.". In

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Dvořák created many other songs inspired by Czech national traditional music, such as the "Love Songs", "Evening Songs", etc.

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played. Dvořák kept the manuscripts of these quartets but did not give them opus numbers. They are noted to have numbers

242:

in 1883 led to many other performances in the United Kingdom, the United States, and eventually Russia in March 1890. The

8912: 8857: 6918: 6913: 6904: 6899: 6879: 4800: 2409: 1043: 1033: 931: 821: 272: 228:

on the jury of the Austrian State Competition. In 1877, after his third win, Brahms recommended Dvořák to his publisher,

6033:Šourek, Otakar; Bartos, František; Hanuš, Jan; Berkovec, Jiři; Čubr, Anton; Pokorný, Antonín; Šolc, Karel, eds. (1976). 1137:, the ceremony taking place before an audience in June 1899. On 4 April 1900 Dvořák conducted his last concert with the 8847: 8842: 8812: 6957: 6952: 6947: 6874: 6869: 6864: 6854: 6849: 6844: 6839: 6828: 6823: 6669: 6647: 6615: 2681: 2386: 2382: 2378: 2355: 2337: 2333: 1569: 1507: 1084:

became the most popular of all Dvořák's ten operas and gained an international reputation (below under Works, Operas).

935: 777: 739:. Richter did eventually conduct the piece in London in 1882 and always retained an interest in Dvořák's compositions. 654: 599: 594: 582: 472: 468: 5194: 8922: 8897: 8877: 8862: 8852: 8240: 8184: 7111: 7056: 7051: 7029: 7024: 6635: 6601: 6287: 5490: 5465: 4977: 4155: 2434: 2430: 2422: 1411: 1389: 531: 166: 2401:, making this initially a five-movement composition. He later withdrew the second movement and reworked it into the 1382: 527:

couple". Despite these circumstances, Dvořák still managed to compose a substantial body of music around this time.

6745: 4854: 2452: 518: 4272: 4242: 253:

in New York City. While in the United States, Dvořák wrote his two most successful orchestral works: the Symphony

8817: 8787: 6929: 6587: 4959: 4087: 2468: 1916: 1553:, but not always in the order in which they were written or published. To improve sales, some publishers such as 982:

amongst others who wanted the house preserved as a historical site, it was demolished in 1991 to make room for a

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by the London Philharmonic. Also in 1896, Brahms tried to persuade Dvořák, who had several children, to move to

1018:

Dvořák returned from the United States on 27 April 1895 with his wife and Otakar Berger. After a performance of

8872: 8867: 8565: 7004: 6999: 6994: 6983: 5716:

Beckerman, Michael (1 December 1992). "Henry Krehbiel, Antonín Dvořák, and the Symphony 'From the New World'".

5147: 2442: 590: 334: 7663: 7180: 4995: 4795: 2643:

Arranged for viola and piano by Elias Goldstein, performed by Elias Goldstein (viola) and Monica Pavel (piano)

1666:, Op. 4, also in 1865, despite touches of originality, it did not remain in the standard symphonic repertory. 7101: 7073: 6793: 6740: 6704: 6015: 5747:

The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvořák, Mahler, and Selected Contemporaries

5013: 4908: 4890: 2479: 2473: 2265: 2179: 2061: 1704:, a vivid Czech dance. This was the symphony that made Dvořák internationally known as a symphonic composer. 964: 945: 895:, who later became one of the earliest African-American composers. Burleigh introduced Dvořák to traditional 694: 451:

in 1898, but died only seven years later. Otakar wrote a book about his father in 1960, just before he died.

8087: 7185: 8233: 7943: 7237: 6735: 6725: 6558: 6553: 6548: 6543: 6538: 6533: 6528: 6523: 6513: 4341: 4310: 3818: 2829: 2723: 2198: 2187: 2172: 1845: 1751: 1725: 1707: 1693: 1689: 1683: 1669: 1657: 1649: 1634:

has successively been called the 5th, 8th and 9th. The modern chronological numbering system is used here.

1630: 1621: 1614: 1322: 1298: 1194: 1088: 960: 949: 907: 809: 764: 712: 698: 646: 586: 567: 563: 440: 399:, theory with František Blažek, and organ with Joseph Foerster. The latter was not only a professor at the 260: 255: 243: 7333: 8146: 7106: 7096: 6337: 4926: 2483: 2438: 2426: 2402: 1025: 896: 686: 649:. He did not learn the outcome until December. Then, he received a personal letter from the music critic 562:". Brahms was "visibly overcome" by the "mastery and talent" of Dvořák. The two symphonies were Dvořák's 17: 4944: 4839: 1637:

With their lyrical style and accessibility to the listener, Dvořák's symphonies seem to derive from the

538:

was performed by the Prague Hlahol Choral Society of 300 singers (conducted by his friend and supporter

370:

to live with his uncle Antonín Zdenĕk in order to learn the German language. His first composition, the

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the last five symphonies were not published in order of composition, explaining why, for example, the

8560: 8010: 7328: 7136: 6594: 1904: 1719: 1620:

During Dvořák's life, only five of his symphonies were widely known. The first one published was the

1560: 1146: 298: 7918: 7743: 7084: 6777: 6424: 5033: 2141: 1696:, Op. 60, are largely pastoral in nature. The Sixth, published in 1880, shows a resemblance to the 1625: 1376: 1335: 1189: 1172: 1160: 792: 708: 702: 503: 6190: 5634: 5595:

The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II

8473: 8204: 7813: 7230: 5608: 1697: 971: 884: 800: 751:, was premiered in Prague in 1880. However, after it was performed and very well received at the 404: 8601: 7523: 396: 8700: 8570: 8448: 8214: 8156: 8131: 7963: 7538: 7283: 6799: 6168:(in Czech, German, English, and French). Šourek, Otakar (preface). Prague: Editio Bärenreiter. 2332:

In 1860, just after he completed his education at the Prague Organ School, Dvořák composed his

2151: 1393: 772: 657:

in D minor and dedicated it to Brahms. Both Brahms and Hanslick had been much impressed by the

8418: 8338: 7994: 7833: 7708: 7698: 5755: 3997: 2021: 1053: 7753: 7633: 7588: 7568: 7483: 7142: 7116: 6788: 6641: 6629: 6622: 6244:

Dvorák to Duke Ellington: A Conductor Explores America's Music and Its African American Roots

5019: 5001: 4983: 4965: 4948: 4932: 4914: 4896: 4878: 4860: 4843: 2214: 2053: 1861: 1306: 1282: 903: 813: 7528: 2585:. The resulting work, considered the finest of his song cycles, is based on the text of the 1327: 1164: 8762: 8757: 8453: 8413: 8353: 8168: 8114: 7953: 7408: 7318: 6488: 6416: 2746: 2540: 2342: 2103:, conducted by Dvořák himself, and was "very successful". It had an outstanding success in 1122: 1076: 1007: 975: 840: 448: 8283: 7913: 2664:. The first book, Op. 46 (1878), is predominantly Czech in form. It was created for piano 2408:

During his time in America in 1893, Dvořák composed two of his most popular quartets: the

1511:, and the majority of his songs. The echoes of such influence are also found in his major 1225: 1205: 1184: 1168: 1024:

at the National Theater on 19 May, Dvořák left the city for the family country cottage in

669:, Simrock commissioned Dvořák to write something of the same nature. Dvořák submitted his 8: 8641: 8256: 8163: 8081: 7783: 7618: 6448: 6432: 5963: 2164: 1197:. Dvořák himself was forced by illness to "take to his bed" and so was unable to attend. 804: 768: 716: 624: 400: 391: 8288: 7758: 7558: 7548: 7393: 6184: 4754: 420: 8611: 8373: 8076: 7923: 7858: 7763: 7693: 7678: 7658: 7513: 7363: 7191: 6472: 5733: 5225: 5059: 4247: 2728: 1893: 1138: 1064: 732: 363: 279:. While he remained at the Conservatory for a few more years, pay cuts and an onset of 8525: 8273: 7868: 6332: 3502:, B.1 through B.26, with Op. 1 assigned both to a string quintet B.7 and to the opera 3066:

Clapham 1966, p. 295; also gives further partial ascending and descending family trees

1950: 1700:

of Brahms, particularly in the outer movements, but not so much in the third-movement

1310: 1209: 852: 508: 436: 213: 8606: 8591: 8478: 8468: 8423: 8210: 8093: 7973: 7958: 7898: 7878: 7838: 7823: 7803: 7738: 7728: 7723: 7718: 7703: 7688: 7683: 7458: 7453: 7358: 6267: 6248: 6242: 6227: 6208: 6202: 6169: 6141: 6122: 6087: 6068: 6049: 6043: 6019: 5982: 5949: 5915: 5873: 5853: 5835: 5827: 5815: 5782: 5763: 5702: 5673: 5486: 5461: 5079: 4151: 3392: 3382: 2738: 2673: 2500: 2242: 2128: 2088: 1924: 1857: 1594: 1274: 1242: 987: 876: 752: 616: 209: 8530: 7428: 5866:——— (1980), "Dvořák, Antonín (Leopold)", in Sadie, Stanley (ed.), 5263: 3814: 3610:, is B.27 in the Burghauser (1960) Catalogue. Dvořâk did not give it an opus number. 3183: 2765: 2578: 2238: 1980:. Dvořák wrote five symphonic poems, all in 1896–1897 with sequential opus numbers: 1928: 1920: 1729: 795:, Dvořák also visited Russia, and conducted performances of his music in Moscow and 412: 8724: 8666: 8520: 8495: 8368: 8098: 8050: 7938: 7893: 7888: 7828: 7643: 7598: 7443: 7413: 7383: 7323: 6690: 6608: 6580: 6456: 6327: 6306: 5725: 5669: 5665: 5434:. English language version of a Czech site including details of all Dvořák's works. 4781: 3993: 2761: 2586: 2552: 2511: 2365: 2028:

is based on a program of Dvořák's devising and is believed to be autobiographical.

2006: 1982: 1526: 1498: 1294: 1020: 927: 828: 674: 666: 662: 268: 116: 8636: 8510: 7773: 7478: 5425: 1722:, it is among the greatest and purest examples in this art-form since Beethoven". 1652:, Op. 3, was written in 1865 when Dvořák was 24 years old. It was later subtitled 1102: 611: 310:

is a major series of concerts held annually to celebrate Dvořák's life and works.

8515: 8151: 8045: 8040: 8020: 8015: 7989: 7903: 7853: 7778: 7748: 7713: 7673: 7403: 7398: 7368: 7308: 7175: 7149: 6653: 6480: 6198: 6010:

Smaczny, Jan (2003). "Grand Opera Amongst the Czechs". In Charlton, David (ed.).

5943: 5925: 4238: 4095: 3967:, p. 82 "Dvořákova rodina s přáteli na dvoře domu v New Yorku v roce 1893 ." 2661: 2589:. Dvořák's father died 28 March 1894, two days after the completion of the work. 2528: 2230:

discographies of Dvořák's music wrote that his is the "king" of cello concertos.

2226: 1977: 1908: 1715: 1643: 1517: 1502: 1464: 1286: 1233: 1142: 1130: 1070: 670: 650: 555: 547: 395:

in September 1857, Dvořák entered the city's Organ School, studying singing with

351: 292: 234: 225: 91: 69: 8500: 7613: 7498: 1900: 1678:, Op. 10 (c. 1873), shows the impact of Dvořák's acquaintance with the music of 979: 497:

journal in June 1871, and the first publicly performed composition was the song

8661: 8458: 8443: 8393: 8383: 8358: 8343: 8323: 8141: 8055: 7948: 7933: 7908: 7848: 7843: 7808: 7668: 7648: 7638: 7593: 7573: 7553: 7533: 7518: 7508: 7493: 7473: 7378: 7338: 7303: 7293: 7253: 7155: 6765: 6683: 6659: 3202: 2828:

at the southeast corner of the intersection with Irving Place, a block east of

2669: 2573: 2516: 2390: 2210: 2201:

was the final concerto to be composed. He wrote it in 1894–1895 for his friend

2183: 1988: 1973: 1936: 1885: 1865: 1679: 1638: 1534: 1494: 1317: 1126: 1096: 923: 892: 836: 796: 690: 658: 642: 551: 489:

was first publicly performed as late as 1905, and the full opera only in 1938.

428: 424: 271:

in 1893, Dvořák also wrote his most famous piece of chamber music, his twelfth

264: 180: 8540: 7438: 6189:. Third Series: Modern Symphonies. Philadelphia: J. B. Lippincott Co. p. 2241:

in 1925–1929 produced a revised and orchestrated version. Dvořák's cataloguer

2202: 1932: 1912: 8746: 8651: 8621: 8433: 8328: 8313: 7928: 7863: 7798: 7653: 7608: 7353: 7348: 7343: 7288: 6697: 6440: 5976: 4052: 3736:

The quartet was Op. 34, B.75 and was revised in 1879: Burghauser 1960, p. 179

2857: 2844: 2815: 2802: 2546: 2505: 2067:

The Stabat Mater, Op. 58, is an extensive (c. 90 minutes) vocal-instrumental

2000: 1940: 1733: 1530: 1262: 1155: 1046:, and also worked on the cycle of symphonic poems inspired by the collection 880: 832: 756: 8490: 3396: 2466:(B152), taken from his set of 18 songs originally composed in 1865 entitled 1946: 863: 720: 641:

Dvořák entered the Austrian Prize competition again in 1877, submitting his

501:("Reminiscence", October 1871, musical evenings of L. Procházka). The opera 8736: 8712: 8671: 8656: 8631: 8555: 8550: 8403: 8303: 7873: 7793: 7788: 7768: 7733: 7583: 7578: 7563: 7543: 7503: 7488: 7468: 7298: 7278: 5905: 5847: 4736: 2789:

Brahms joined the jury, and the 1874 prize was awarded, only in early 1875.

2745:

has written a number of children's books based on some of Dvořák's operas.

2742: 2072: 2068: 2049: 1711: 1582:

the first four symphonies to be composed were published after the last five

1579:

they were initially numbered by order of publication instead of composition

1575:

To add to this confusion, the numbering of Dvořák's symphonies has varied:

1469: 1278: 1087:

In 1896 he visited London for the last time to conduct the premiere of his

844: 678: 416: 386: 280: 8463: 7418: 1258: 887:, but was demolished in 1911 and replaced by what is today a high school. 8136: 7883: 7818: 7623: 7603: 7448: 7423: 6464: 6316: 5948:. Vol. III: The Nineteenth Century Legacy. Oxford University Press. 2534: 2496: 2218: 1969: 1958: 1954: 1550: 1250: 1074:

in 1900, two songs and "Recitatives" in 1900–1901, and finally the opera

1058: 915: 771:

on 22 April 1885. On a visit later in 1885, Dvořák presented his cantata

665:, who published them with success. Having in mind Brahms's well-received 539: 432: 431:. In 1864, Dvořák agreed to share the rent of a flat located in Prague's 419:. The high professional level of the ensemble attracted the attention of 343: 328: 65: 5699:

New Worlds of Dvořák: Searching in America for the Composer's Inner Life

4815: 2706: 2389:

in the Burghauser catalog and show the strong influence of the music of

8298: 8025: 7628: 5762:. Vol. 3. Bloomington: Indiana University Press. pp. 410–36. 2652: 2316: 2100: 1837: 1554: 1481: 1302: 1246: 817: 559: 229: 197: 8225: 5737: 4476:"Austrian State Committee for Music", according to Hughes 1967, p. 229 4056: 3410: 2307:

Performed by Roxana Pavel Goldstein (violin) and Monica Pavel (piano).

1710:

of 1885, Op. 70, is highly regarded by critics and musicologists; Sir

1568:(1871), the Concert Overture in F (1871, derived from the opera), the 1334:

From 1873 on, Dvořák's style was "moving steadily in the direction of

7968: 7373: 7313: 3822: 2459: 2222: 1877: 1347: 1201: 723:

therefore conducted the premiere of the symphony at a concert of the

620: 6006:, ed. Alison Latham, Oxford University Press, 2002, pp. 391–92. 3049: 2346:(Artistic Circle), where it was unanimously awarded a prize of five 1880:

mission in 1969, and in 2009 it was voted the favourite symphony in

1493:

generally conform to classical models, but he also composed the new

1237:

and his large collection of songs, were directly inspired by Czech,

570:, both of which had been premiered in Prague in the spring of 1874. 415:'s orchestra, with whom he performed in Prague's restaurants and at 8060: 6155:Černušák, Gracián; Štědroň, Bohumír; Nováček, Zdenko, eds. (1963). 5729: 2560: 2421:

He also composed two piano quintets, both in A major, of which the

2120: 1522: 1490: 1351: 486: 463:

St. Adalbert in Prague, where Dvořák was organist from 1874 to 1877

287: 6347: 5372:

Yoell, John H., "Dvořák in America: A Discography", Appendix C of

4036:

Rubin, Emanuel, Chapter 6. Dvořák at the National Conservatory in

1899:

Many conductors have recorded cycles of the symphonies, including

447:

composer in her own right, married Dvorak's student, the composer

196:

composer. He frequently employed rhythms and other aspects of the

8035: 7222: 6352: 5826:(St. Martin's Press or Faber & Faber 1966, MacMillan reprint 5781:(in Czech). Prague: Bärenreiter Supraphon; Koniasch Latin Press. 5627: 4300:(concerning the circumstances under which the house was removed). 3542:"First recording of long-forgotten Dvořák opera King and Collier" 2978:

First performed in 1893 and published in 1894 as 'Symphony no. 5'

2124: 2116: 2076: 1976:, never employed by more conservative Romantic composers such as 1701: 1538: 1281:; and folk song forms of Slavic peoples, including the Ukrainian 1270: 1266: 1254: 1106:

Dvořák's funeral on 5 May 1904, an event of national significance

902:

In the winter and spring of 1893, Dvořák was commissioned by the

367: 359: 205: 6297: 6037:. Antonín Dvořák (composer) (Supraphon ed.). Prague: Artia. 4318: 3790: 3224:, Alison Latham, Ed., Oxford University Press, 2002, pp. 468–69. 2519:

also influenced his operas, evident in his extensive rewrite of

5285: 5283: 3661:"Admiration and emulation: the friendship of Brahms and Dvorák" 2696:

List of music students by teacher: C to F § Antonín Dvořák

2582: 2245:

made another orchestration and abridgement, published in 1975.

2191: 2123:

solo, choir and orchestra to the Latin text of the famous hymn

2108: 2104: 2016: 2011: 1512: 1343: 1092: 1048: 736: 635: 575: 355: 347: 220: 193: 87: 5248: 5126:"Why did Dvořák hold particular affections for this symphony?" 2942:

First performed 1879; first published 1888 as 'Symphony no. 3'

581:

In 1875, the year his first son was born, Dvořák composed his

377: 152: 140: 6342: 4547: 4545: 4484: 4482: 3515:

From a set, "Songs to words by Eliška Krásnohorská", B.23 in

2447: 2347: 2092: 2084: 1501:

rhythms and melodic shapes. Amongst them are the two sets of

1305:

is one of his best-known chamber works, and is named for the

1220: 143: 8707: 5379: 5280: 4527:, pp. 108–09, " management handled by... Karel Knittl." 4171: 4169: 4167: 3988:

Döge, Klaus (20 January 2001). "Dvorák, Antonín (Leopold)".

3564: 1245:. As the basis for his works, Dvořák frequently used Slavic 1002: 358:, and a butcher. Anna was the daughter of Josef Zdeněk, the 137: 8883:

Foreign members of the Serbian Academy of Sciences and Arts

8030: 6312: 4617: 4432: 4430: 4428: 3880: 3809:

Burghauser, Jarmil; Joachimová, Zoja (translation) (2003).

3421: 3419: 3227: 2665: 2080: 1873: 1339: 1159:. In April 1901, The Emperor appointed him a member of the 747:

Dvořák's first piece of a religious nature, his setting of

125: 6018:. Cambridge: Cambridge University Press. pp. 366–82. 5523: 5511: 5321: 5060:"Symphony No. 7 in D Minor, Op. 70, B141 | Antonín Dvořák" 4707: 4705: 4703: 4605: 4581: 4542: 4479: 4458: 4127: 4115: 3778: 3027:

Burghauser 1960 or later ed., "Survey of the life of" A.D.

603:, and Ludevít Procházka conducted its premiere in Prague. 485:, over the course of five months from May to October. Its 296:, premiered in 1901. Among his smaller works, the seventh 5970:(revised ed.). New York: W. W. Norton & Company. 5221:"Review/Music; The American Symphony Takes On a New Role" 4503:, p. 154 he calls the medal "an outstanding honour". 4413: 4386: 4374: 4164: 3897: 3895: 3858: 3856: 3768: 3766: 3720: 3718: 3691: 3618: 3616: 3345: 3343: 3341: 3304: 3302: 3287: 3153: 3117: 3030: 3008: 3006: 2969:

First performed and published in 1888 as 'Symphony no. 4'

2960:

First performed and published in 1885 as 'Symphony no. 2'

2951:

First performed and published in 1881 as 'Symphony no. 1'

2458:, for the unusual combination of two violins, cello, and 1889: 1593:

All of Dvořák's works were catalogued chronologically by

630: 155: 41: 6343:

Online catalogue of the Antonín Dvořák Museum collection

5354: 5295: 4557: 4506: 4425: 3868: 3457: 3416: 3251: 3165: 2679:

A work that does not fit in the other categories is the

5814:. London: Newton Abbot (England), David & Charles. 5535: 5499: 4717: 4700: 4629: 4530: 4103: 3829: 3688:, p. 36 is "certain" that these two were included. 3244: 3242: 1686:, Op. 13, except for the start of the second movement. 1515:

works. Dvořák wrote operas (of which the best known is

799:. In 1891, Dvořák received an honorary degree from the 5547: 5333: 5268:(Sleeve note). Karel Ančerl and the Czech Philharmonic 3928: 3916: 3892: 3853: 3763: 3751: 3739: 3715: 3703: 3628: 3613: 3588: 3576: 3552: 3481: 3372: 3370: 3355: 3338: 3314: 3299: 3263: 3141: 3105: 3069: 3003: 8684: 6105:. Boston: Northeastern University Press. p. 112. 5485:. Portland, Oregon: Amadeus Press. pp. 239–241. 5460:. Portland, Oregon: Amadeus Press. pp. 157–158. 4364: 4362: 4067: 3841: 3275: 2991: 2556:

need stages large enough to portray invading armies.

167: 158: 146: 3808: 3326: 3239: 3093: 3081: 2233:

In 1865, early in his career, Dvořák had composed a

2199:

Concerto for Cello and Orchestra in B minor, Op. 104

2180:

Concerto for Violin and Orchestra in A minor, Op. 53

2048:

To Dvořák's main choral works belong his setting of

1179:

On 25 March 1904 Dvořák had to leave a rehearsal of

689:. Simrock showed the score to the leading violinist 134: 119: 8893:

Members of the Serbian Academy of Sciences and Arts

6226:. Unlocking the Masters. Milwaukee: Amadeus Press. 5872:, vol. 5, London: MacMillan, pp. 765–92, 4833: 3367: 2737:focuses on Dvořák's love life. Dvořák is played by 2410:

String Quartet No. 12 in F, Op. 96 ("The American")

2173:

Concerto for Piano and Orchestra in G minor, Op. 33

286:All of Dvořák's ten operas, except his first, have 131: 8888:Honorary members of the Royal Philharmonic Society 4938: 4407:Battey, Robert, "Thoughts of home," Chapter 22 of 4359: 3955:Burghauser 1960 B.8, B.45, B.57, B.75, B.92, B.121 3506:, B.16; see "Works" about irregular opus numbering 3050:"Dvorak's Prague Festival (Dvorak Hall) in Prague" 2887:There was no autopsy, nor were the symptoms clear. 2710:Statue of Antonín Dvořák in Prague, Czech Republic 2235:Cello concerto in A major with Piano accompaniment 2010:, Op. 111. The first four of poems are based upon 1597:. As an example, in the Burghauser catalogue, the 997: 871:From 1892 to 1895, Dvořák was the director of the 6159:(in Czech). Prague: Státní hudební vydavatelství. 4743:. Vol. Two. London: Oxford University Press. 4292:"Topics of the Times, The New World at City Hall" 1313:, the creator of the modern Czech musical style. 259:, which spread his reputation worldwide, and his 8744: 5804:] (in Czech). Prague: Bārenreiter Supraphon. 4848: 4453:"Dvořákův pohřeb je opět i národní manifestací." 2727:is based on Dvořák's life. Dvořák was played by 974:, near the intersection of what is today called 944:. Back in New York that autumn, he composed his 875:in New York City. The Conservatory's President, 661:, and Brahms recommended them to his publisher, 5942:Raeburn, Michael; Kendall, Alan, eds. (1990) . 5869:The New Grove Dictionary of Music and Musicians 4796:"Search – Classic 100 Archive – ABC Classic FM" 4788: 2403:Nocturne for Strings in B major, Op. 40 (B. 47) 2052:(the longest extant setting of that text), his 1430:List of compositions by Antonín Dvořák by genre 6224:Dvořák: Romantic Music's Most Versatile Genius 5981:. London, New York: Marion Boyars Publishers. 5891:. Translated by Joseph Stein. New York: Knopf. 5246: 4653:, Vol. XLVIII, No. 3 (July 1894), pp. 341–46). 4442: 4098:, vol. I, Dram online, Liner note, CDR055 701:, who also played it in Vienna with conductor 306:" are also widely performed and recorded. The 8241: 7238: 6368: 6204:Dvořák in America: In Search of the New World 6032: 5289: 5007: 4979:Dvorak: Symphonies 1-9 & Orchestral Works 4953: 4920: 4902: 4866: 4602:, Appendix I pp. 179–80, by Dr. John Stephens 3448: 3446: 3381:(1st ed.). Příbram: Knihovna Jana Drdy. 3220:Smaczny, Jan, "Foerster, Josef Bohuslav", in 2753:about his life in America as Director of the 2676:, using the rhythms of original folk dances. 2472:. His works for violin and piano include the 2336:, Op. 1. Two more would follow, of which the 1489:Dvořák wrote in a variety of forms: his nine 1468:(1901). Performed in German by Czech soprano 403:, but also a composer for the organ; his son 338:Antonín Dvořák birth record 1841 (SOA Prague) 5084:: CS1 maint: multiple names: authors list ( 4989: 4047: 4045: 3983: 3981: 3979: 3977: 3975: 3973: 3958: 1549:A large number of Dvořák's works were given 1208:in Prague, beneath a bust by Czech sculptor 6135: 5195:"Antonín Dvořák, Symphony No. 1 in C minor" 4971: 4884: 4856:Dvorák: Complete Symphonies & Concertos 1888:in Australia. It has also been used by the 1448:Song to the Moon (Měsíčku na nebi hlubokém) 1231:Many of Dvořák's compositions, such as the 959:In the winter of 1894–95, Dvořák wrote his 606: 249:In 1892, Dvořák became the director of the 8248: 8234: 7245: 7231: 6375: 6361: 6002:Smaczny, Jan (2002), "Antonín Dvořák", in 5974: 5937:. Seattle: University of Washington Press. 5795: 5776: 5385: 5192: 4774:"Dvorak Symphony no 9: From the New World" 4695: 4611: 4587: 4551: 4488: 4464: 4448: 4419: 4380: 4175: 4020:"The Deal that Brought Dvorak to New York" 3964: 3570: 3528: 3516: 3499: 3475: 3463: 3452: 3443: 3437: 3425: 3257: 3233: 3159: 3135: 3123: 2933:First performed 1892; first published 1912 2924:First performed 1874; first published 1912 2915:First performed 1888; first published 1959 2906:First performed 1936; first published 1961 2523:in 1894, following its failure at Vienna. 2190:, who also gave its first performances in 1497:. Many of his works show the influence of 1193:. "Thousands of listeners celebrated" the 970:Dvořák's New York home was located at 327 308:Dvořák Prague International Music Festival 40: 8823:Academic staff of the Prague Conservatory 6292:International Music Score Library Project 6121:. Princeton: Princeton University Press. 6116: 6041: 5962: 5889:Johannes Brahms: His Work and Personality 5715: 5696: 5553: 5339: 5218: 5100:"Program Notes: Dvořák's Eighth Symphony" 4765: 4661: 4659: 4403: 4401: 4073: 4051: 4042: 3970: 3886: 3874: 3060: 2425:, Op. 81, is the better known. He left a 1613:Title page of the manuscript to Dvořák's 1412:Learn how and when to remove this message 948:. He also conducted a performance of his 914:, which was premiered under the baton of 755:in London on 10 March 1883, conducted by 522:Dvořák with his wife Anna in London, 1886 515:, B.42, was premiered in Prague in 1874. 372:Forget-Me-Not Polka in C (Polka pomněnka) 263:, one of the most highly regarded of all 251:National Conservatory of Music of America 7080:Serenade in D minor for Wind Instruments 6348:Antonín Dvořák's correspondence database 6197: 6154: 6100: 6062: 5845: 5809: 5749:. Bloomington: Indiana University Press. 5480: 5455: 5443: 5426:"en/string-quartet3 – antonin-dvorak.cz" 5412: 5360: 5327: 5301: 4723: 4651:The Century Illustrated Monthly Magazine 4635: 4623: 4599: 4563: 4512: 4500: 4436: 4392: 4339: 4281:(concerning when the house was removed). 4237: 4145: 4133: 4121: 4109: 4079: 3934: 3922: 3901: 3862: 3796: 3784: 3772: 3757: 3745: 3724: 3709: 3697: 3685: 3646: 3634: 3622: 3594: 3582: 3558: 3487: 3361: 3349: 3320: 3308: 3293: 3281: 3269: 3147: 3111: 3087: 3036: 3023: 3021: 3012: 2705: 2035: 1864:in this work, but he later denied this. 1848:, Op. 95, is also known by its subtitle 1608: 1375:This article includes a list of general 1325:"could almost have come directly out of 1219: 1101: 1001: 862: 629: 610: 517: 458: 454: 376: 333: 322: 8255: 6221: 6081: 6009: 5941: 5904: 5865: 5541: 5529: 5517: 5505: 5373: 5148:"Richard Wagner's Influences on Dvořák" 5034:"Antonin Dvorak: Symphony no. 2, op. 4" 5031: 4771: 4711: 4575: 4536: 4524: 4408: 4342:"Homeless Facility To Open In Gramercy" 4037: 4013: 4011: 4009: 4007: 3998:10.1093/gmo/9781561592630.article.51222 3171: 2997: 2771: 1014:("To dear miss Otilka Dvořáková"), 1894 742: 374:was written possibly as early as 1855. 192:; 8 September 1841 – 1 May 1904) was a 14: 8745: 6395:List of compositions by Antonín Dvořák 6240: 6163: 6012:The Cambridge Companion to Grand Opera 5932: 5895: 5812:Antonín Dvořák, Musician and Craftsman 5753: 5744: 5261: 5247:van der Velden, Hans (February 2011). 5032:Thought, Fugue for (20 October 2013). 4656: 4398: 4243:"Music; Czech Composer, American Hero" 4017: 3847: 3835: 3376: 3332: 3099: 3075: 2592:Another well known cycle is the seven 2441:; and four piano trios, including the 2416: 1426:List of compositions by Antonín Dvořák 283:led him to return to Bohemia in 1895. 103:List of compositions by Antonín Dvořák 8229: 7226: 6356: 6261: 6247:. New York: Oxford University Press. 6182: 6157:Československý hudební slovník I. A-L 5592: 5145: 5123: 4735: 3811:Dvořák: Symphonies 4–5–6 (sleevenote) 3534: 3018: 2515:. His later interest in the music of 179: 5574:Burghauser 1960 or later ed., B. 185 5397: 4759:DVOŘÁK AMERICAN HERITAGE ASSOCIATION 4085: 4004: 3987: 3658: 2225:. The reception was "enthusiastic". 1892:as the entrance music for superstar 1682:. This influence is less evident in 1361: 1163:, along with the leading Czech poet 803:, and was offered a position at the 181:[ˈantoɲiːnˈlɛopoldˈdvor̝aːk] 8838:Classical composers of church music 8104:Tchaikovsky and the Belyayev circle 6067:. Oxford: Oxford University Press. 6048:. Oxford: Oxford University Press. 5886: 5219:Rothstein, Edward (24 March 1992). 4874:Antonín Dvorák: Symphonies Nos. 7-9 4801:Australian Broadcasting Corporation 4368: 2694:For Dvořák's notable students, see 2689: 554:, director of the State Opera, and 232:, who commissioned what became the 24: 7252: 6895:String Quartet movement in F major 6382: 6110: 5701:. New York: W.W. Norton & Co. 5635:"Americké dopisy (TV film) (2015)" 5317:(in Czech). Nibiru-publishers.com. 4018:Cooper, Michael (23 August 2013), 2617: 2451:), Op. 90. He also wrote a set of 2427:Terzetto for two violins and viola 2371: 2327: 2315:Problems playing these files? See 2255: 1964: 1836:Problems playing these files? See 1741: 1436: 1381:it lacks sufficient corresponding 1153:, and Dvořák's own symphonic poem 1121:married his student, the composer 25: 8934: 8808:20th-century Czech male musicians 8803:20th-century classical violinists 8783:19th-century Czech male musicians 8778:19th-century classical violinists 6333:Antonín Dvořák, Bohemian composer 6281: 5798:Antonin Dvořák Thematický Katalog 4997:Dvorak: The Symphonies; Overtures 4273:"Dvorak's Homecoming, With Music" 4092:African Heritage Symphonic Series 2600:) B. 104, Op. 55 which includes " 1714:stated that "along with the four 1133:would award him a gold medal for 816:was premiered later that year in 273:String Quartet in F major, Op. 96 8793:20th-century classical composers 8768:19th-century classical composers 8730: 8718: 8706: 8694: 8209: 8200: 8199: 7207: 7206: 6303:Works by or about Antonín Dvořák 6045:The Symphony: A Listener's Guide 5975:Schönzeler, Hans-Hubert (1984). 5968:The Lives of the Great Composers 5662:Dictionary of Minor Planet Names 5653: 5601: 5586: 5577: 5568: 5559: 5474: 5449: 5437: 5418: 5406: 5391: 5366: 5345: 5307: 5255: 5240: 5212: 5186: 5161: 5139: 5117: 5092: 5051: 5025: 4808: 4747: 4729: 4689: 4641: 4593: 4569: 4518: 4494: 4470: 4340:McCarthy, Clara (30 June 2017). 2972: 2963: 2954: 2945: 2936: 2927: 2918: 2909: 2900: 2881: 2872: 2651:Problems playing this file? See 2633: 2297: 2279: 2248: 1821: 1803: 1785: 1767: 1480:Problems playing this file? See 1452: 1366: 1006:Portrait of Dvořák's son-in-law 858: 504:The King and the Charcoal Burner 246:was written for London in 1885. 115: 8908:Czech male classical violinists 8798:20th-century classical pianists 8773:19th-century classical pianists 6860:Andante appassionato in F major 6648:Serenade for Strings in E major 6086:. Portland, OR: Amadeus Press. 6065:Music in the Nineteenth Century 5935:Dvořák Symphonies and Concertos 5846:——— (1979b), 5796:——— (1960) . 5664:. Springer. 2003. p. 166. 5058:ú, Akademie klasické hudby, z. 4892:Dvorak: The Complete Symphonies 4772:Smithee, Alan (22 March 2006). 4333: 4303: 4284: 4265: 4231: 4206: 4181: 4139: 4030: 3949: 3940: 3907: 3802: 3730: 3679: 3652: 3640: 3600: 3522: 3509: 3493: 3469: 3431: 3403: 3214: 3195: 3177: 3129: 2834: 2792: 2755:National Conservatory for Music 2338:String Quintet No. 2 in G major 2334:String Quintet No. 1 in A minor 2044:, with signatures of performers 2031: 1570:String Quartet No. 6 in A minor 1062:in 1896, nothing in 1897, only 998:Return to Europe and last years 673:, Op. 46 in 1878, at first for 536:The Heirs of the White Mountain 6117:Beckerman, Michael B. (1993). 6082:Tibbets, John C., ed. (1993). 5697:Beckerman, Michael B. (2003). 5670:10.1007/978-3-540-29925-7_2056 5639:Czech and Slovak Film Database 5613:Czech and Slovak Film Database 5609:"Koncert na konci léta (1979)" 5597:. McFarland. pp. 258–259. 5413:Clapham (1966, reprinted 1969) 3478:, pp. 101–04, B.16a, B.16 3042: 2783: 2610: 2429:(Op. 74); two piano quartets ( 1732:) compares it to the works of 1558:publishers. An example is the 1316:Dvořák had been an admirer of 873:National Conservatory of Music 782:been as successful as yours." 767:and conducted its premiere at 318: 13: 1: 8903:Czech male classical pianists 8833:Catholic liturgical composers 6338:Antonín Dvořák Museum website 6288:Free scores by Antonín Dvořák 6266:. New York: Greenwood Press. 6016:Cambridge Companions to Music 5999:, Cambridge University Press. 5057: 4755:"African American Influences" 4279:(editorial), 7 September 1997 4150:. Amadeus Press. p. 84. 3606:This piece, sometimes called 2984: 1604: 1195:symphony "From the New World" 1012:"Drahé miss Otilce Dvořákové" 965:Gesellschaft der Musikfreunde 946:Sonatina for violin and piano 645:and other music—possibly his 208:, following the Romantic-era 8828:Burials at Vyšehrad Cemetery 6186:Symphonies and Their Meaning 6183:Goepp, Philip Henry (1913). 5193:beaverbase (26 March 2015). 4214:"Antonin Dvorak | Music 101" 3819:Czech Philharmonic Orchestra 2724:Concert at the End of Summer 1544: 1301:as "Scherzo (Furiant)". His 785: 711:asked Dvořák to compose his 313: 7: 8918:People from Mělník District 8147:Gothic Revival architecture 6042:Steinberg, Michael (1995). 5914:. London: Haus Publishing. 5777:Burghauser, Jarmil (2006). 5402:. New York. pp. 58–59. 5199:American Symphony Orchestra 4961:Dvorák: Symphonies Nos. 1-9 4928:Dvorák: The Nine Symphonies 4696:Burghauser 1960, 1966, 1996 3825:. p. 5. SU 3704-2 032. 3411:'Otilie Suková (1878-1905)' 2731:. The 2012 television film 2604:" (the fourth of the set). 2158: 2115:The Te Deum, Op. 103, is a 2040:Title page of the score to 1293:(1879). He named the third 956:in Chicago that same year. 897:African-American spirituals 761:London Philharmonic Society 530:In November 1872, Dvořák's 513:King and Charcoal Burner II 471:(1861) his Opus 1, and his 381:Dvořák aged 26 or 27 (1868) 212:example of his predecessor 10: 8939: 8913:Czech male opera composers 8858:Czech classical violinists 8088:Neue Zeitschrift für Musik 7263:List of Romantic composers 6741:Violin Concerto in A minor 6138:Dvořák, his life and times 6136:Butterworth, Neil (1980). 6103:Janáček: A Composer's Life 6063:Taruskin, Richard (2010). 5898:Dvorak: His Life and Music 5852:, New York: W. W. Norton, 5690: 4741:Essays in Musical Analysis 4086:De Lerma, Dominique-René, 3546:Radio Prague International 2894: 2714:Dvořák's "Largo" from the 2693: 1799:III. Scherzo: Molto vivace 1423: 1110:In 1897 Dvořák's daughter 984:Beth Israel Medical Center 476: 267:. On a summer vacation in 27:Czech composer (1841–1904) 8848:Czech classical organists 8843:Czech classical composers 8813:20th-century Czech people 8581: 8561:Charles Villiers Stanford 8263: 8179: 8124: 8069: 8003: 7982: 7269: 7260: 7202: 7168: 7129: 7065: 7044: 7017: 6976: 6940: 6816: 6809: 6757: 6736:Piano Concerto in G minor 6731:Cello Concerto in A major 6726:Cello Concerto in B minor 6718: 6677:The Golden Spinning Wheel 6572: 6506: 6499: 6408: 6390: 6298:Comprehensive Dvořák site 6264:Antonín Dvořák on Records 6004:Oxford Companion to Music 5754:Brown, A. Peter (2003b). 5745:Brown, A. Peter (2003a). 5593:Brown, Kellie D. (2020). 5400:Dvoràk His Life and Music 4311:"BRC Homeless Safe Haven" 4298:(editorial), 23 June 1991 4218:courses.lumenlearning.com 3222:Oxford Companion to Music 2768:, is named in his honor. 2701: 2602:Songs My Mother Taught Me 2489: 2356:String Quintet No. 3 in E 1995:The Golden Spinning Wheel 1846:Symphony No. 9 in E minor 1763:I. Adagio – Allegro molto 1726:Symphony No. 8 in G major 1708:Symphony No. 7 in D minor 1694:Symphony No. 6 in D major 1690:Symphony No. 5 in F major 1684:Symphony No. 4 in D minor 1650:Symphony No. 1 in C minor 1200:Dvořák had an "attack of 1089:Cello Concerto in B minor 961:Cello Concerto in B minor 934:(the "American") and the 685:In 1879 Dvořák wrote his 595:Serenade for Strings in E 469:String Quintet in A minor 304:Songs My Mother Taught Me 98: 76: 51: 39: 32: 8923:String quartet composers 8898:Male classical organists 8878:Czech Romantic composers 8863:Czech classical violists 8853:Czech classical pianists 8109:Tchaikovsky and The Five 7107:String Sextet in A major 7097:Violin Sonata in F major 6749:for violin and orchestra 6425:King and Charcoal Burner 6262:Yoell, Jćohn H. (1991). 6241:Peress, Maurice (2004). 6164:Dvořák, Antonín (2009). 6101:Zemanová, Mirka (2002). 5896:Hughes, Gervase (1967). 5760:The Symphonic Repertoire 3531:, pp. 106–08, B.21. 2776: 2629:Humoresque Op. 101 No. 7 2566: 2526:Of all his operas, only 2182:was written in 1878 for 2020:by the Czech folklorist 1868:took a recording of the 1566:King and Charcoal Burner 1357: 1215: 1167:. Dvořák also succeeded 822:Triennial Music Festival 793:Pyotr Ilyich Tchaikovsky 607:International reputation 532:Piano Quintet in A major 8474:Nikolai Rimsky-Korsakov 6222:Hurwitz, David (2005). 5933:Layton, Robert (1978). 5810:Clapham, John (1979a). 5481:Tibbetts, John (1993). 5456:Tibbetts, John (1993). 5249:"Stabat mater dolorosa" 5124:Eliza (28 March 2023). 5022:. Retrieved 2024-02-01. 5004:. Retrieved 2024-02-01. 4986:. Retrieved 2024-02-01. 4968:. Retrieved 2024-02-01. 4935:. Retrieved 2024-02-01. 4917:. Retrieved 2024-02-01. 4899:. Retrieved 2024-02-01. 4881:. Retrieved 2024-02-01. 4863:. Retrieved 2024-02-01. 4146:Tibbetts, John (1993). 3799:, p. 53; 71 in UK. 3379:Můj otec Antonín Dvořák 3377:Dvořák, Otakar (2004). 3189:Encyclopædia Britannica 1533:(including a number of 1396:more precise citations. 1161:Austrian House of Lords 972:East Seventeenth Street 926:-speaking community of 885:East Seventeenth Street 829:Bohemian String Quartet 801:University of Cambridge 735:) on 25 March 1881, in 405:Josef Bohuslav Foerster 327:Dvořák's birthplace in 8818:20th-century organists 8788:19th-century organists 8571:Ralph Vaughan Williams 8449:Alexander Dargomyzhsky 8132:Common practice period 7181:Antonín Dvořák Theatre 5997:Dvořák: Cello Concerto 5146:Eliza (5 April 2023). 5015:Dvorák: The Symphonies 4910:Dvorák: The Symphonies 4667:"About this Recording" 3649:, p. 36, footnote 3184:Josef Bohuslav Förster 2816:40.735694°N 73.98722°W 2711: 2674:traditional folk music 2622: 2587:Czech Bible of Kralice 2260: 2045: 1746: 1617: 1441: 1228: 1224:Dvořák's grave in the 1107: 1015: 868: 638: 627: 523: 464: 382: 339: 331: 111:Antonín Leopold Dvořák 8873:Czech Roman Catholics 8868:Czech opera composers 7186:Antonín Dvořák Museum 5995:Smaczny, Jan (1999), 5565:Clapham 1966, p. 294. 5430:www.antonin-dvorak.cz 5064:www.antonin-dvorak.cz 3248:Smaczny 2002, p. 391. 2858:40.73417°N 73.98250°W 2709: 2621: 2571:The song cycle of 10 2439:string sextet, Op. 48 2259: 2215:New York Philharmonic 2207:National Conservatory 2056:, his setting of the 2039: 1957:conducted No. 9; and 1862:Native American music 1817:IV. Allegro con fuoco 1745: 1612: 1440: 1223: 1147:"Unfinished" Symphony 1141:, performing Brahms' 1105: 1005: 904:New York Philharmonic 866: 731:, predecessor of the 633: 614: 583:second string quintet 521: 462: 455:Composer and organist 380: 337: 326: 8602:Antônio Carlos Gomes 8354:Carl Maria von Weber 8169:Romantic nationalism 8115:War of the Romantics 6670:Symphonic Variations 6518:The Bells of Zlonice 6313:"Discovering Dvořák" 6119:Dvořák and His World 5964:Schonberg, Harold C. 5583:Clapham 1966, p. 137 5262:Burghauser, Jarmil. 5173:www.carnegiehall.org 4241:(10 February 2002). 4057:"Seventeenth Street" 3946:Hughes, 1967, p. 147 2821:40.735694; -73.98722 2772:Notes and references 2734:The American Letters 2682:Symphonic Variations 2399:Intermezzo: Nocturne 2270:for violin and piano 2014:from the collection 1654:The Bells of Zlonice 1541:), and piano music. 1508:Symphonic Variations 1249:forms including the 954:Columbian Exposition 835:, was founded, with 778:Symphonic Variations 743:Reception in Britain 655:String Quartet No. 9 600:Symphonic Variations 473:First String Quartet 8642:Silvestre Revueltas 8566:Alexander Mackenzie 8419:Stanisław Moniuszko 8339:Camille Saint-Saëns 8257:Musical nationalism 8164:Musical nationalism 8082:Musical nationalism 7112:Terzetto in C major 7102:Sonatina in G major 6905:No. 12 in F major ( 6800:The Spectre's Bride 6636:Nocturne in B major 6602:Scherzo capriccioso 6449:The Cunning Peasant 6433:The Stubborn Lovers 5398:Dodd, Mead (1967). 5351:Smaczny, 1999, p. 1 4804:. 11 November 2017. 4784:on 4 December 2007. 3667:on 19 February 2014 2863:40.73417; -73.98250 2854: / 2812: / 2417:Other chamber works 2165:Harold C. Schonberg 2152:The Spectre's Bride 2022:Karel Jaromír Erben 1670:Symphony No. 3 in E 1658:Symphony No. 2 in B 1529:and wind ensemble, 1241:, and other Slavic 1135:Litteris et Artibus 1054:Karel Jaromír Erben 1010:, with dedication: 936:String Quintet in E 932:String Quartet in F 831:, later called the 805:Prague Conservatory 773:The Spectre's Bride 727:society (in Czech: 717:Vienna Philharmonic 441:Provisional Theatre 411:In 1858, he joined 401:Prague Conservatory 364:Prince of Lobkowicz 342:Dvořák was born in 8612:Heitor Villa-Lobos 8077:Indianist movement 7995:Romantic orchestra 7156:Suite in A major ( 7005:No. 4 in E minor ( 6747:Romance in F minor 6660:Suite in A major ( 6563:From the New World 6473:The Devil and Kate 6326:Recordings at the 5900:. London: Cassell. 5887:Gál, Hans (1971). 5802:Thematic Catalogue 5532:, pp. 378–80. 5520:, pp. 370–71. 5290:Šourek et al. 1976 5226:The New York Times 5104:www.orsymphony.org 4677:on 14 January 2022 4626:, pp. 172–73. 4296:The New York Times 4277:The New York Times 4248:The New York Times 4136:, pp. 119–20. 4124:, pp. 112–13. 4061:New York Songlines 4024:The New York Times 3990:Grove Music Online 3889:, pp. 140–41. 3787:, pp. 63, 68. 3573:, pp. 131–33. 3548:. 20 October 2019. 3413:, Donne Foundation 3039:, pp. 132–33. 2716:New World Symphony 2712: 2623: 2261: 2188:František Ondříček 2046: 1953:led Nos. 3 and 4; 1870:New World Symphony 1854:New World Symphony 1850:From the New World 1756:From the New World 1747: 1631:New World Symphony 1618: 1599:New World Symphony 1587:New World Symphony 1442: 1229: 1165:Jaroslav Vrchlický 1139:Czech Philharmonic 1108: 1065:The Devil and Kate 1016: 912:From the New World 869: 733:Czech Philharmonic 729:spolek Filharmonie 699:František Ondříček 639: 628: 524: 467:Dvořák called his 465: 383: 340: 332: 256:From the New World 8682: 8681: 8607:Francisco Mignone 8592:Alberto Ginastera 8479:Alexander Borodin 8469:Modest Mussorgsky 8424:Henryk Wieniawski 8223: 8222: 8094:New German School 7689:Felix Mendelssohn 7684:Fanny Mendelssohn 7220: 7219: 7192:Dvorak - In Love? 7125: 7124: 6914:No. 13 in G major 6900:No. 11 in C major 6714: 6713: 6616:In Nature's Realm 6588:Carnival Overture 6529:No. 3 in E♭ major 6524:No. 2 in B♭ major 6273:978-0-313-27367-4 6254:978-0-19-509822-8 6233:978-1-574-67107-0 6214:978-0-812-62681-0 6207:. Cricket Books. 6175:978-80-7058-008-0 6147:978-0-859-36142-2 6128:978-0-691-03386-0 6093:978-0-931340-56-7 6084:Dvořák in America 6074:978-0-19-538483-3 6055:978-0-19-506177-2 6025:978-0-521-64683-3 5988:978-0-7145-2575-4 5955:978-0-19-505372-2 5945:Heritage of Music 5921:978-1-904341-52-9 5879:978-0-333-23111-1 5859:978-0-393-01204-0 5840:978-0-312-04515-9 5834:or St. Martin's, 5832:978-0-333-23111-1 5821:978-0-7153-7790-1 5788:978-80-86791-26-5 5769:978-0-253-33488-6 5708:978-0-393-04706-6 5679:978-3-540-29925-7 5660:"(2055) Dvořák". 5483:Dvořák in America 5458:Dvořák in America 5388:, pp. 91–92. 5330:, pp. 81–82. 5038:Fugue for Thought 4395:, pp. 70–71. 4189:"Dvořák's family" 4148:Dvorák in America 3838:, pp. 30–31. 3813:(CD) (in Czech). 3700:, pp. 35–36. 3388:978-80-86240-78-7 3296:, pp. 21–22. 3236:, pp. 36–38. 3174:, pp. 14–16. 3078:, pp. 22–23. 3054:Prague Experience 2638: 2501:Giacomo Meyerbeer 2302: 2284: 2243:Jarmil Burghauser 1961:premiered No. 1. 1826: 1808: 1790: 1772: 1595:Jarmil Burghauser 1457: 1422: 1421: 1414: 1243:traditional music 1226:Vyšehrad Cemetery 1206:Vyšehrad Cemetery 1169:Antonín Bennewitz 988:Stuyvesant Square 877:Jeannette Thurber 843:, second violin, 753:Royal Albert Hall 634:Dvořák statue in 617:Stuyvesant Square 615:Dvořák statue in 108: 107: 16:(Redirected from 8930: 8735: 8734: 8733: 8723: 8722: 8721: 8711: 8710: 8699: 8698: 8697: 8690: 8667:Edward MacDowell 8521:Enrique Granados 8496:Alexander Moyzes 8289:Bohuslav Martinů 8250: 8243: 8236: 8227: 8226: 8213: 8203: 8202: 8099:Post-romanticism 7964:Vaughan Williams 7247: 7240: 7233: 7224: 7223: 7210: 7209: 7057:No. 2 in A major 7052:No. 1 in A major 7035: 7034: 7025:No. 1 in D major 7000:No. 3 in F minor 6995:No. 2 in G minor 6989: 6988: 6963: 6962: 6953:No. 2 in G major 6948:No. 1 in A minor 6924: 6923: 6885: 6884: 6875:No. 9 in D minor 6870:No. 8 in E major 6865:No. 7 in A minor 6855:No. 6 in A minor 6850:No. 5 in F minor 6845:No. 4 in E minor 6840:No. 3 in D major 6834: 6833: 6824:No. 1 in A major 6814: 6813: 6691:The Water Goblin 6642:Othello Overture 6609:Hussite Overture 6559:No. 9 in E minor 6554:No. 8 in G major 6549:No. 7 in D minor 6544:No. 6 in D major 6539:No. 5 in F major 6534:No. 4 in D minor 6514:No. 1 in C minor 6504: 6503: 6500:Orchestral music 6377: 6370: 6363: 6354: 6353: 6328:Internet Archive 6320: 6307:Internet Archive 6277: 6258: 6237: 6218: 6199:Horowitz, Joseph 6194: 6179: 6160: 6151: 6132: 6106: 6097: 6078: 6059: 6038: 6029: 5992: 5971: 5959: 5938: 5929: 5928:on 26 July 2020. 5924:. Archived from 5901: 5892: 5882: 5862: 5825: 5805: 5792: 5773: 5750: 5741: 5712: 5684: 5683: 5657: 5651: 5650: 5648: 5646: 5631: 5625: 5624: 5622: 5620: 5605: 5599: 5598: 5590: 5584: 5581: 5575: 5572: 5566: 5563: 5557: 5551: 5545: 5539: 5533: 5527: 5521: 5515: 5509: 5503: 5497: 5496: 5478: 5472: 5471: 5453: 5447: 5441: 5435: 5433: 5422: 5416: 5410: 5404: 5403: 5395: 5389: 5383: 5377: 5370: 5364: 5358: 5352: 5349: 5343: 5337: 5331: 5325: 5319: 5318: 5311: 5305: 5299: 5293: 5287: 5278: 5277: 5275: 5273: 5259: 5253: 5252: 5244: 5238: 5237: 5235: 5233: 5216: 5210: 5209: 5207: 5205: 5190: 5184: 5183: 5181: 5179: 5169:"Antonín Dvořák" 5165: 5159: 5158: 5156: 5154: 5143: 5137: 5136: 5134: 5132: 5121: 5115: 5114: 5112: 5110: 5096: 5090: 5089: 5083: 5075: 5073: 5071: 5055: 5049: 5048: 5046: 5044: 5029: 5023: 5011: 5005: 4993: 4987: 4975: 4969: 4957: 4951: 4942: 4936: 4924: 4918: 4906: 4900: 4888: 4882: 4870: 4864: 4852: 4846: 4837: 4831: 4830: 4828: 4826: 4812: 4806: 4805: 4792: 4786: 4785: 4780:. Archived from 4769: 4763: 4762: 4751: 4745: 4744: 4737:Tovey, Donald F. 4733: 4727: 4721: 4715: 4709: 4698: 4693: 4687: 4686: 4684: 4682: 4673:. Archived from 4663: 4654: 4645: 4639: 4633: 4627: 4621: 4615: 4609: 4603: 4597: 4591: 4585: 4579: 4573: 4567: 4561: 4555: 4549: 4540: 4534: 4528: 4522: 4516: 4510: 4504: 4498: 4492: 4486: 4477: 4474: 4468: 4462: 4456: 4446: 4440: 4434: 4423: 4417: 4411: 4405: 4396: 4390: 4384: 4378: 4372: 4366: 4357: 4356: 4354: 4352: 4337: 4331: 4330: 4328: 4326: 4317:. Archived from 4307: 4301: 4299: 4288: 4282: 4280: 4269: 4263: 4262: 4257: 4255: 4239:Horowitz, Joseph 4235: 4229: 4228: 4226: 4224: 4210: 4204: 4203: 4201: 4199: 4185: 4179: 4173: 4162: 4161: 4143: 4137: 4131: 4125: 4119: 4113: 4107: 4101: 4099: 4083: 4077: 4071: 4065: 4063: 4055:(13 June 2006), 4049: 4040: 4034: 4028: 4026: 4015: 4002: 4001: 3985: 3968: 3962: 3956: 3953: 3947: 3944: 3938: 3932: 3926: 3920: 3914: 3911: 3905: 3899: 3890: 3884: 3878: 3872: 3866: 3860: 3851: 3845: 3839: 3833: 3827: 3826: 3806: 3800: 3794: 3788: 3782: 3776: 3770: 3761: 3755: 3749: 3743: 3737: 3734: 3728: 3722: 3713: 3707: 3701: 3695: 3689: 3683: 3677: 3676: 3674: 3672: 3663:. Archived from 3659:Botstein, Leon. 3656: 3650: 3644: 3638: 3632: 3626: 3620: 3611: 3604: 3598: 3592: 3586: 3580: 3574: 3568: 3562: 3556: 3550: 3549: 3538: 3532: 3526: 3520: 3513: 3507: 3497: 3491: 3485: 3479: 3473: 3467: 3461: 3455: 3450: 3441: 3435: 3429: 3423: 3414: 3407: 3401: 3400: 3374: 3365: 3359: 3353: 3347: 3336: 3330: 3324: 3318: 3312: 3306: 3297: 3291: 3285: 3279: 3273: 3267: 3261: 3255: 3249: 3246: 3237: 3231: 3225: 3218: 3212: 3210: 3199: 3193: 3181: 3175: 3169: 3163: 3157: 3151: 3145: 3139: 3133: 3127: 3121: 3115: 3109: 3103: 3097: 3091: 3085: 3079: 3073: 3067: 3064: 3058: 3057: 3046: 3040: 3034: 3028: 3025: 3016: 3010: 3001: 2995: 2979: 2976: 2970: 2967: 2961: 2958: 2952: 2949: 2943: 2940: 2934: 2931: 2925: 2922: 2916: 2913: 2907: 2904: 2888: 2885: 2879: 2876: 2870: 2869: 2868: 2866: 2865: 2864: 2859: 2855: 2852: 2851: 2850: 2847: 2838: 2832: 2827: 2826: 2824: 2823: 2822: 2817: 2813: 2810: 2809: 2808: 2805: 2796: 2790: 2787: 2764:, discovered by 2690:Notable students 2640: 2639: 2620: 2598:Cikánské melodie 2443:Piano Trio No. 4 2366:Spillville, Iowa 2361: 2360: 2304: 2303: 2286: 2285: 2258: 2129:Jeanette Thurber 2119:for soprano and 1983:The Water Goblin 1828: 1827: 1810: 1809: 1792: 1791: 1774: 1773: 1744: 1720:Schubert's Ninth 1675: 1674: 1663: 1662: 1527:string orchestra 1499:Czech folk music 1459: 1458: 1439: 1417: 1410: 1406: 1403: 1397: 1392:this article by 1383:inline citations 1370: 1369: 1362: 1120: 1039: 1038: 941: 940: 928:Spillville, Iowa 839:, first violin, 769:St. James's Hall 675:piano four hands 667:Hungarian Dances 591:Piano Trio No. 1 421:Jan Nepomuk Maýr 269:Spillville, Iowa 244:Seventh Symphony 191: 190: 189: 183: 178: 171: 165: 164: 161: 160: 157: 154: 149: 148: 145: 142: 139: 136: 133: 128: 127: 122: 121: 83: 62:8 September 1841 61: 59: 44: 30: 29: 21: 8938: 8937: 8933: 8932: 8931: 8929: 8928: 8927: 8743: 8742: 8741: 8731: 8729: 8719: 8717: 8705: 8701:Classical music 8695: 8693: 8685: 8683: 8678: 8577: 8547:United Kingdom 8526:Joaquín Rodrigo 8516:Manuel de Falla 8414:Frédéric Chopin 8274:Bedřich Smetana 8270:Czech Republic 8259: 8254: 8224: 8219: 8196: 8192:Modernist music 8188: 8185:Classical music 8175: 8120: 8065: 8046:Romantic ballet 8041:Orchestral song 8021:Chorale prelude 8016:Character piece 7999: 7990:Romantic guitar 7983:Instrumentation 7978: 7814:Rimsky-Korsakov 7434:Ferdinand David 7271: 7265: 7256: 7251: 7221: 7216: 7198: 7176:Dvorak (crater) 7164: 7150:Slavonic Dances 7121: 7074:Romantic Pieces 7061: 7040: 7032: 7031: 7013: 6986: 6985: 6972: 6960: 6959: 6941:String quintets 6936: 6921: 6920: 6882: 6881: 6831: 6830: 6817:String quartets 6805: 6794:Mass in D major 6753: 6710: 6705:Tragic Overture 6654:Slavonic Dances 6568: 6495: 6404: 6386: 6381: 6311: 6284: 6274: 6255: 6234: 6215: 6176: 6148: 6140:. Midas Books. 6129: 6113: 6111:Further reading 6094: 6075: 6056: 6026: 5989: 5956: 5922: 5880: 5860: 5822: 5789: 5770: 5709: 5693: 5688: 5687: 5680: 5659: 5658: 5654: 5644: 5642: 5633: 5632: 5628: 5618: 5616: 5607: 5606: 5602: 5591: 5587: 5582: 5578: 5573: 5569: 5564: 5560: 5552: 5548: 5540: 5536: 5528: 5524: 5516: 5512: 5504: 5500: 5493: 5479: 5475: 5468: 5454: 5450: 5442: 5438: 5424: 5423: 5419: 5411: 5407: 5396: 5392: 5386:Burghauser 1960 5384: 5380: 5371: 5367: 5359: 5355: 5350: 5346: 5338: 5334: 5326: 5322: 5313: 5312: 5308: 5300: 5296: 5288: 5281: 5271: 5269: 5260: 5256: 5245: 5241: 5231: 5229: 5217: 5213: 5203: 5201: 5191: 5187: 5177: 5175: 5167: 5166: 5162: 5152: 5150: 5144: 5140: 5130: 5128: 5122: 5118: 5108: 5106: 5098: 5097: 5093: 5077: 5076: 5069: 5067: 5056: 5052: 5042: 5040: 5030: 5026: 5012: 5008: 4994: 4990: 4976: 4972: 4958: 4954: 4943: 4939: 4925: 4921: 4907: 4903: 4889: 4885: 4871: 4867: 4853: 4849: 4838: 4834: 4824: 4822: 4814: 4813: 4809: 4794: 4793: 4789: 4770: 4766: 4753: 4752: 4748: 4734: 4730: 4722: 4718: 4710: 4701: 4694: 4690: 4680: 4678: 4665: 4664: 4657: 4646: 4642: 4634: 4630: 4622: 4618: 4612:Schönzeler 1984 4610: 4606: 4598: 4594: 4588:Burghauser 1960 4586: 4582: 4574: 4570: 4562: 4558: 4552:Burghauser 1960 4550: 4543: 4535: 4531: 4523: 4519: 4511: 4507: 4499: 4495: 4489:Burghauser 1960 4487: 4480: 4475: 4471: 4465:Burghauser 1960 4463: 4459: 4451:, p. 105 ( 4449:Burghauser 2006 4447: 4443: 4435: 4426: 4420:Burghauser 1960 4418: 4414: 4406: 4399: 4391: 4387: 4381:Schönzeler 1984 4379: 4375: 4367: 4360: 4350: 4348: 4338: 4334: 4324: 4322: 4309: 4308: 4304: 4290: 4289: 4285: 4271: 4270: 4266: 4253: 4251: 4236: 4232: 4222: 4220: 4212: 4211: 4207: 4197: 4195: 4187: 4186: 4182: 4176:Burghauser 1960 4174: 4165: 4158: 4144: 4140: 4132: 4128: 4120: 4116: 4108: 4104: 4096:Cedille Records 4084: 4080: 4072: 4068: 4050: 4043: 4035: 4031: 4016: 4005: 3986: 3971: 3965:Burghauser 2006 3963: 3959: 3954: 3950: 3945: 3941: 3933: 3929: 3921: 3917: 3912: 3908: 3900: 3893: 3885: 3881: 3873: 3869: 3861: 3854: 3846: 3842: 3834: 3830: 3807: 3803: 3795: 3791: 3783: 3779: 3771: 3764: 3756: 3752: 3744: 3740: 3735: 3731: 3723: 3716: 3708: 3704: 3696: 3692: 3684: 3680: 3670: 3668: 3657: 3653: 3645: 3641: 3633: 3629: 3621: 3614: 3605: 3601: 3593: 3589: 3581: 3577: 3571:Burghauser 1960 3569: 3565: 3557: 3553: 3540: 3539: 3535: 3529:Burghauser 1960 3527: 3523: 3517:Burghauser 1960 3514: 3510: 3500:Burghauser 1960 3498: 3494: 3486: 3482: 3476:Burghauser 1960 3474: 3470: 3464:Schönzeler 1984 3462: 3458: 3453:Burghauser 1996 3451: 3444: 3438:Burghauser 1960 3436: 3432: 3426:Burghauser 1960 3424: 3417: 3409:Eleanor Kelly. 3408: 3404: 3389: 3375: 3368: 3360: 3356: 3348: 3339: 3331: 3327: 3319: 3315: 3307: 3300: 3292: 3288: 3280: 3276: 3268: 3264: 3258:Schönzeler 1984 3256: 3252: 3247: 3240: 3234:Schönzeler 1984 3232: 3228: 3219: 3215: 3201: 3200: 3196: 3182: 3178: 3170: 3166: 3160:Burghauser 1960 3158: 3154: 3146: 3142: 3136:Burghauser 1966 3134: 3130: 3124:Burghauser 1960 3122: 3118: 3110: 3106: 3098: 3094: 3086: 3082: 3074: 3070: 3065: 3061: 3048: 3047: 3043: 3035: 3031: 3026: 3019: 3011: 3004: 2996: 2992: 2987: 2982: 2977: 2973: 2968: 2964: 2959: 2955: 2950: 2946: 2941: 2937: 2932: 2928: 2923: 2919: 2914: 2910: 2905: 2901: 2897: 2892: 2891: 2886: 2882: 2877: 2873: 2862: 2860: 2856: 2853: 2848: 2845: 2843: 2841: 2840: 2839: 2835: 2820: 2818: 2814: 2811: 2806: 2803: 2801: 2799: 2798: 2797: 2793: 2788: 2784: 2779: 2774: 2747:Josef Škvorecký 2704: 2699: 2692: 2662:Slavonic Dances 2658: 2657: 2649: 2647: 2646: 2645: 2644: 2641: 2634: 2631: 2624: 2618: 2613: 2569: 2492: 2480:Violin Sonatina 2475:Romantic Pieces 2419: 2374: 2372:String quartets 2358: 2357: 2354:displayed. The 2343:Umělecká beseda 2330: 2328:String quintets 2322: 2321: 2313: 2311: 2310: 2309: 2308: 2305: 2298: 2295: 2289: 2288: 2287: 2280: 2277: 2271: 2267:Romantic Pieces 2262: 2256: 2251: 2161: 2062:Mass in D major 2034: 2004:, Op. 110; and 1967: 1965:Symphonic poems 1951:Bedřich Smetana 1909:Gustavo Dudamel 1905:Jiří Bělohlávek 1843: 1842: 1834: 1832: 1831: 1830: 1829: 1822: 1819: 1813: 1812: 1811: 1804: 1801: 1795: 1794: 1793: 1786: 1783: 1777: 1776: 1775: 1768: 1765: 1759: 1748: 1742: 1718:symphonies and 1672: 1671: 1660: 1659: 1644:programmaticism 1624:, dedicated to 1607: 1547: 1535:string quartets 1503:Slavonic Dances 1495:symphonic poems 1487: 1486: 1478: 1476: 1475: 1474: 1473: 1460: 1453: 1450: 1443: 1437: 1432: 1424:Main articles: 1418: 1407: 1401: 1398: 1388:Please help to 1387: 1371: 1367: 1360: 1323:fourth symphony 1311:Bedřich Smetana 1287:Slavonic Dances 1277:; the Yugoslav 1253:; the Bohemian 1234:Slavonic Dances 1218: 1210:Ladislav Šaloun 1143:Tragic Overture 1131:Austria-Hungary 1114: 1036: 1035: 1000: 950:Eighth Symphony 938: 937: 861: 810:Eighth Symphony 788: 745: 695:Violin Concerto 671:Slavonic Dances 651:Eduard Hanslick 609: 556:Johannes Brahms 548:Eduard Hanslick 509:Bedřich Smetana 457: 437:Bedřich Smetana 352:Austrian Empire 321: 316: 235:Slavonic Dances 226:Johannes Brahms 214:Bedřich Smetana 204:and his native 185: 184: 176: 169: 151: 130: 124: 118: 114: 94: 92:Austria-Hungary 85: 81: 72: 70:Austrian Empire 63: 57: 55: 47: 35: 28: 23: 22: 15: 12: 11: 5: 8936: 8926: 8925: 8920: 8915: 8910: 8905: 8900: 8895: 8890: 8885: 8880: 8875: 8870: 8865: 8860: 8855: 8850: 8845: 8840: 8835: 8830: 8825: 8820: 8815: 8810: 8805: 8800: 8795: 8790: 8785: 8780: 8775: 8770: 8765: 8760: 8755: 8753:Antonín Dvořák 8740: 8739: 8727: 8715: 8703: 8680: 8679: 8677: 8676: 8675: 8674: 8669: 8664: 8662:Horatio Parker 8659: 8654: 8648:United States 8646: 8645: 8644: 8639: 8634: 8626: 8625: 8624: 8616: 8615: 8614: 8609: 8604: 8596: 8595: 8594: 8585: 8583: 8579: 8578: 8576: 8575: 8574: 8573: 8568: 8563: 8558: 8553: 8545: 8544: 8543: 8535: 8534: 8533: 8531:Joaquín Turina 8528: 8523: 8518: 8513: 8505: 8504: 8503: 8498: 8493: 8485: 8484: 8483: 8482: 8481: 8476: 8471: 8466: 8461: 8459:Mily Balakirev 8451: 8446: 8444:Mikhail Glinka 8438: 8437: 8436: 8428: 8427: 8426: 8421: 8416: 8408: 8407: 8406: 8398: 8397: 8396: 8394:Bernard Zweers 8388: 8387: 8386: 8384:Giuseppe Verdi 8378: 8377: 8376: 8371: 8363: 8362: 8361: 8359:Richard Wagner 8356: 8348: 8347: 8346: 8344:Romain Bussine 8341: 8333: 8332: 8331: 8326: 8324:Leevi Madetoja 8318: 8317: 8316: 8308: 8307: 8306: 8301: 8293: 8292: 8291: 8286: 8281: 8279:Antonín Dvořák 8276: 8267: 8265: 8261: 8260: 8253: 8252: 8245: 8238: 8230: 8221: 8220: 8218: 8217: 8207: 8189: 8181: 8180: 8177: 8176: 8174: 8173: 8172: 8171: 8161: 8160: 8159: 8154: 8149: 8144: 8134: 8128: 8126: 8122: 8121: 8119: 8118: 8111: 8106: 8101: 8096: 8091: 8084: 8079: 8073: 8071: 8067: 8066: 8064: 8063: 8058: 8056:Symphonic poem 8053: 8051:Romantic opera 8048: 8043: 8038: 8033: 8028: 8023: 8018: 8013: 8007: 8005: 8001: 8000: 7998: 7997: 7992: 7986: 7984: 7980: 7979: 7977: 7976: 7971: 7966: 7961: 7956: 7951: 7946: 7941: 7936: 7931: 7926: 7921: 7916: 7911: 7906: 7901: 7896: 7891: 7886: 7881: 7876: 7871: 7866: 7861: 7856: 7851: 7846: 7841: 7836: 7831: 7826: 7821: 7816: 7811: 7806: 7801: 7796: 7791: 7786: 7781: 7776: 7771: 7766: 7761: 7756: 7751: 7746: 7741: 7736: 7731: 7726: 7721: 7716: 7711: 7706: 7701: 7696: 7691: 7686: 7681: 7676: 7671: 7666: 7661: 7656: 7651: 7646: 7641: 7636: 7631: 7626: 7621: 7616: 7611: 7606: 7601: 7596: 7591: 7586: 7581: 7576: 7571: 7566: 7561: 7556: 7551: 7546: 7541: 7536: 7531: 7526: 7521: 7516: 7511: 7506: 7501: 7496: 7491: 7486: 7481: 7476: 7471: 7466: 7461: 7456: 7451: 7446: 7441: 7436: 7431: 7429:Félicien David 7426: 7421: 7416: 7411: 7406: 7401: 7396: 7391: 7386: 7381: 7376: 7371: 7366: 7361: 7356: 7351: 7346: 7341: 7336: 7331: 7326: 7321: 7316: 7311: 7306: 7301: 7296: 7291: 7286: 7281: 7275: 7273: 7267: 7266: 7261: 7258: 7257: 7254:Romantic music 7250: 7249: 7242: 7235: 7227: 7218: 7217: 7215: 7214: 7203: 7200: 7199: 7197: 7196: 7188: 7183: 7178: 7172: 7170: 7166: 7165: 7163: 7162: 7153: 7146: 7139: 7133: 7131: 7127: 7126: 7123: 7122: 7120: 7119: 7114: 7109: 7104: 7099: 7094: 7087: 7082: 7077: 7069: 7067: 7063: 7062: 7060: 7059: 7054: 7048: 7046: 7045:Piano quintets 7042: 7041: 7039: 7038: 7027: 7021: 7019: 7018:Piano quartets 7015: 7014: 7012: 7011: 7002: 6997: 6992: 6980: 6978: 6974: 6973: 6971: 6970: 6955: 6950: 6944: 6942: 6938: 6937: 6935: 6934: 6927: 6916: 6911: 6902: 6897: 6892: 6877: 6872: 6867: 6862: 6857: 6852: 6847: 6842: 6837: 6826: 6820: 6818: 6811: 6807: 6806: 6804: 6803: 6796: 6791: 6786: 6781: 6778:Saint Ludmilla 6774: 6769: 6766:Moravian Duets 6761: 6759: 6755: 6754: 6752: 6751: 6743: 6738: 6733: 6728: 6722: 6720: 6716: 6715: 6712: 6711: 6709: 6708: 6701: 6694: 6687: 6684:The Noon Witch 6680: 6673: 6666: 6657: 6650: 6645: 6638: 6633: 6626: 6619: 6612: 6605: 6598: 6591: 6584: 6576: 6574: 6570: 6569: 6567: 6566: 6556: 6551: 6546: 6541: 6536: 6531: 6526: 6521: 6510: 6508: 6501: 6497: 6496: 6494: 6493: 6485: 6477: 6469: 6461: 6453: 6445: 6437: 6429: 6421: 6412: 6410: 6406: 6405: 6403: 6402: 6397: 6391: 6388: 6387: 6384:Antonín Dvořák 6380: 6379: 6372: 6365: 6357: 6351: 6350: 6345: 6340: 6335: 6330: 6324:Antonín Dvořák 6321: 6309: 6300: 6295: 6283: 6282:External links 6280: 6279: 6278: 6272: 6259: 6253: 6238: 6232: 6219: 6213: 6195: 6180: 6174: 6166:Biblické písně 6161: 6152: 6146: 6133: 6127: 6112: 6109: 6108: 6107: 6098: 6092: 6079: 6073: 6060: 6054: 6039: 6030: 6024: 6007: 6000: 5993: 5987: 5972: 5960: 5954: 5939: 5930: 5920: 5902: 5893: 5884: 5878: 5863: 5858: 5843: 5820: 5807: 5793: 5787: 5779:Antonín Dvořák 5774: 5768: 5751: 5742: 5730:10.2307/897884 5713: 5707: 5692: 5689: 5686: 5685: 5678: 5652: 5626: 5600: 5585: 5576: 5567: 5558: 5554:Beckerman 2003 5546: 5544:, p. 380. 5534: 5522: 5510: 5508:, p. 370. 5498: 5491: 5473: 5466: 5448: 5436: 5417: 5405: 5390: 5378: 5365: 5363:, p. 149. 5353: 5344: 5340:Schonberg 1980 5332: 5320: 5306: 5304:, p. 117. 5294: 5279: 5254: 5239: 5211: 5185: 5160: 5138: 5116: 5091: 5050: 5024: 5006: 4988: 4970: 4952: 4937: 4919: 4901: 4883: 4865: 4847: 4832: 4807: 4787: 4778:Crowndozen.com 4764: 4746: 4728: 4716: 4714:, p. 778. 4699: 4688: 4655: 4640: 4628: 4616: 4614:, p. 194. 4604: 4592: 4590:, p. 604. 4580: 4568: 4566:, p. 112. 4556: 4554:, p. 603. 4541: 4539:, p. 109. 4529: 4517: 4515:, p. 161. 4505: 4493: 4491:, p. 590. 4478: 4469: 4467:, p. 580. 4457: 4441: 4439:, p. 150. 4424: 4422:, p. 574. 4412: 4397: 4385: 4383:, p. 174. 4373: 4371:, p. 151. 4358: 4332: 4321:on 26 May 2020 4302: 4283: 4264: 4230: 4205: 4180: 4178:, p. 322. 4163: 4156: 4138: 4126: 4114: 4112:, p. 132. 4102: 4078: 4074:Beckerman 1992 4066: 4053:Naureckas, Jim 4041: 4029: 4003: 3969: 3957: 3948: 3939: 3927: 3915: 3906: 3891: 3887:Steinberg 1995 3879: 3877:, p. 140. 3875:Steinberg 1995 3867: 3852: 3850:, p. 373. 3840: 3828: 3815:Václav Neumann 3801: 3789: 3777: 3762: 3750: 3738: 3729: 3714: 3702: 3690: 3678: 3651: 3639: 3627: 3612: 3599: 3587: 3575: 3563: 3551: 3533: 3521: 3508: 3492: 3480: 3468: 3456: 3442: 3430: 3415: 3402: 3387: 3366: 3354: 3337: 3325: 3313: 3298: 3286: 3274: 3262: 3250: 3238: 3226: 3213: 3194: 3176: 3164: 3162:, p. 468. 3152: 3140: 3128: 3126:, p. 466. 3116: 3104: 3092: 3080: 3068: 3059: 3041: 3029: 3017: 3015:, p. 754. 3002: 3000:, p. 765. 2989: 2988: 2986: 2983: 2981: 2980: 2971: 2962: 2953: 2944: 2935: 2926: 2917: 2908: 2898: 2896: 2893: 2890: 2889: 2880: 2871: 2833: 2791: 2781: 2780: 2778: 2775: 2773: 2770: 2766:Luboš Kohoutek 2751:Dvorak in Love 2721:The 1980 film 2703: 2700: 2691: 2688: 2648: 2642: 2632: 2627: 2626: 2625: 2616: 2615: 2614: 2612: 2609: 2579:Hans von Bülow 2574:Biblical Songs 2568: 2565: 2517:Richard Wagner 2491: 2488: 2418: 2415: 2391:Richard Wagner 2373: 2370: 2329: 2326: 2312: 2306: 2296: 2291: 2290: 2278: 2273: 2272: 2264: 2263: 2254: 2253: 2252: 2250: 2247: 2239:Günter Raphael 2211:Victor Herbert 2184:Joseph Joachim 2160: 2157: 2033: 2030: 1989:The Noon Witch 1974:symphonic poem 1966: 1963: 1937:Witold Rowicki 1929:Václav Neumann 1921:Rafael Kubelík 1917:István Kertész 1886:ABC Classic FM 1866:Neil Armstrong 1833: 1820: 1815: 1814: 1802: 1797: 1796: 1784: 1779: 1778: 1766: 1761: 1760: 1752:Symphony No. 9 1750: 1749: 1740: 1739: 1738: 1730:Rafael Kubelík 1698:Symphony No. 2 1692:, Op. 76, and 1680:Richard Wagner 1615:Ninth Symphony 1606: 1603: 1591: 1590: 1583: 1580: 1546: 1543: 1477: 1461: 1451: 1446: 1445: 1444: 1435: 1434: 1433: 1420: 1419: 1374: 1372: 1365: 1359: 1356: 1217: 1214: 1149:, Beethoven's 1127:Franz Joseph I 1080:in 1902–1903. 1068:in 1898–1899, 999: 996: 922:come from the 908:Symphony No. 9 893:Harry Burleigh 860: 857: 837:Karel Hoffmann 797:St. Petersburg 787: 784: 765:Symphony No. 7 744: 741: 713:Symphony No. 6 691:Joseph Joachim 659:Moravian Duets 647:Piano Concerto 643:Moravian Duets 625:Ivan Meštrović 608: 605: 552:Johann Herbeck 456: 453: 429:string quartet 425:Richard Wagner 392:Česká Kamenice 320: 317: 315: 312: 302:and the song " 265:cello concerti 261:Cello Concerto 106: 105: 100: 96: 95: 86: 84:(aged 62) 78: 74: 73: 64: 53: 49: 48: 46:Dvořák in 1882 45: 37: 36: 34:Antonín Dvořák 33: 26: 9: 6: 4: 3: 2: 8935: 8924: 8921: 8919: 8916: 8914: 8911: 8909: 8906: 8904: 8901: 8899: 8896: 8894: 8891: 8889: 8886: 8884: 8881: 8879: 8876: 8874: 8871: 8869: 8866: 8864: 8861: 8859: 8856: 8854: 8851: 8849: 8846: 8844: 8841: 8839: 8836: 8834: 8831: 8829: 8826: 8824: 8821: 8819: 8816: 8814: 8811: 8809: 8806: 8804: 8801: 8799: 8796: 8794: 8791: 8789: 8786: 8784: 8781: 8779: 8776: 8774: 8771: 8769: 8766: 8764: 8761: 8759: 8756: 8754: 8751: 8750: 8748: 8738: 8728: 8726: 8716: 8714: 8709: 8704: 8702: 8692: 8691: 8688: 8673: 8670: 8668: 8665: 8663: 8660: 8658: 8655: 8653: 8652:Aaron Copland 8650: 8649: 8647: 8643: 8640: 8638: 8637:Carlos Chávez 8635: 8633: 8630: 8629: 8627: 8623: 8622:Claude Vivier 8620: 8619: 8617: 8613: 8610: 8608: 8605: 8603: 8600: 8599: 8597: 8593: 8590: 8589: 8587: 8586: 8584: 8580: 8572: 8569: 8567: 8564: 8562: 8559: 8557: 8554: 8552: 8549: 8548: 8546: 8542: 8539: 8538: 8536: 8532: 8529: 8527: 8524: 8522: 8519: 8517: 8514: 8512: 8511:Isaac Albéniz 8509: 8508: 8506: 8502: 8499: 8497: 8494: 8492: 8489: 8488: 8486: 8480: 8477: 8475: 8472: 8470: 8467: 8465: 8462: 8460: 8457: 8456: 8455: 8452: 8450: 8447: 8445: 8442: 8441: 8439: 8435: 8434:George Enescu 8432: 8431: 8429: 8425: 8422: 8420: 8417: 8415: 8412: 8411: 8409: 8405: 8402: 8401: 8399: 8395: 8392: 8391: 8389: 8385: 8382: 8381: 8379: 8375: 8374:Zoltán Kodály 8372: 8370: 8367: 8366: 8364: 8360: 8357: 8355: 8352: 8351: 8349: 8345: 8342: 8340: 8337: 8336: 8334: 8330: 8329:Jean Sibelius 8327: 8325: 8322: 8321: 8319: 8315: 8314:Rudolf Tobias 8312: 8311: 8309: 8305: 8302: 8300: 8297: 8296: 8294: 8290: 8287: 8285: 8282: 8280: 8277: 8275: 8272: 8271: 8269: 8268: 8266: 8262: 8258: 8251: 8246: 8244: 8239: 8237: 8232: 8231: 8228: 8216: 8212: 8208: 8206: 8198: 8197: 8194: 8193: 8187: 8186: 8178: 8170: 8167: 8166: 8165: 8162: 8158: 8155: 8153: 8150: 8148: 8145: 8143: 8140: 8139: 8138: 8135: 8133: 8130: 8129: 8127: 8123: 8116: 8112: 8110: 8107: 8105: 8102: 8100: 8097: 8095: 8092: 8090: 8089: 8085: 8083: 8080: 8078: 8075: 8074: 8072: 8068: 8062: 8059: 8057: 8054: 8052: 8049: 8047: 8044: 8042: 8039: 8037: 8034: 8032: 8029: 8027: 8024: 8022: 8019: 8017: 8014: 8012: 8009: 8008: 8006: 8002: 7996: 7993: 7991: 7988: 7987: 7985: 7981: 7975: 7972: 7970: 7967: 7965: 7962: 7960: 7957: 7955: 7952: 7950: 7947: 7945: 7942: 7940: 7937: 7935: 7932: 7930: 7927: 7925: 7922: 7920: 7917: 7915: 7912: 7910: 7907: 7905: 7902: 7900: 7899:J. Strauss II 7897: 7895: 7892: 7890: 7887: 7885: 7882: 7880: 7877: 7875: 7872: 7870: 7867: 7865: 7862: 7860: 7857: 7855: 7852: 7850: 7847: 7845: 7842: 7840: 7837: 7835: 7832: 7830: 7827: 7825: 7822: 7820: 7817: 7815: 7812: 7810: 7807: 7805: 7802: 7800: 7797: 7795: 7792: 7790: 7787: 7785: 7782: 7780: 7777: 7775: 7772: 7770: 7767: 7765: 7762: 7760: 7757: 7755: 7752: 7750: 7747: 7745: 7742: 7740: 7737: 7735: 7732: 7730: 7727: 7725: 7722: 7720: 7717: 7715: 7712: 7710: 7707: 7705: 7702: 7700: 7697: 7695: 7692: 7690: 7687: 7685: 7682: 7680: 7677: 7675: 7672: 7670: 7667: 7665: 7662: 7660: 7657: 7655: 7652: 7650: 7647: 7645: 7642: 7640: 7637: 7635: 7632: 7630: 7627: 7625: 7622: 7620: 7617: 7615: 7612: 7610: 7607: 7605: 7602: 7600: 7597: 7595: 7592: 7590: 7587: 7585: 7582: 7580: 7577: 7575: 7572: 7570: 7567: 7565: 7562: 7560: 7557: 7555: 7552: 7550: 7547: 7545: 7542: 7540: 7537: 7535: 7532: 7530: 7527: 7525: 7522: 7520: 7517: 7515: 7512: 7510: 7507: 7505: 7502: 7500: 7497: 7495: 7492: 7490: 7487: 7485: 7482: 7480: 7477: 7475: 7472: 7470: 7467: 7465: 7462: 7460: 7457: 7455: 7452: 7450: 7447: 7445: 7442: 7440: 7437: 7435: 7432: 7430: 7427: 7425: 7422: 7420: 7417: 7415: 7412: 7410: 7407: 7405: 7402: 7400: 7397: 7395: 7392: 7390: 7387: 7385: 7382: 7380: 7377: 7375: 7372: 7370: 7367: 7365: 7362: 7360: 7357: 7355: 7352: 7350: 7347: 7345: 7342: 7340: 7337: 7335: 7332: 7330: 7327: 7325: 7322: 7320: 7317: 7315: 7312: 7310: 7307: 7305: 7302: 7300: 7297: 7295: 7292: 7290: 7287: 7285: 7282: 7280: 7277: 7276: 7274: 7270:Composers and 7268: 7264: 7259: 7255: 7248: 7243: 7241: 7236: 7234: 7229: 7228: 7225: 7213: 7205: 7204: 7201: 7194: 7193: 7189: 7187: 7184: 7182: 7179: 7177: 7174: 7173: 7171: 7167: 7161: 7159: 7154: 7152: 7151: 7147: 7145: 7144: 7140: 7138: 7135: 7134: 7132: 7128: 7118: 7115: 7113: 7110: 7108: 7105: 7103: 7100: 7098: 7095: 7093: 7092: 7088: 7086: 7083: 7081: 7078: 7076: 7075: 7071: 7070: 7068: 7064: 7058: 7055: 7053: 7050: 7049: 7047: 7043: 7037: 7028: 7026: 7023: 7022: 7020: 7016: 7010: 7008: 7003: 7001: 6998: 6996: 6993: 6991: 6982: 6981: 6979: 6975: 6969: 6967: 6956: 6954: 6951: 6949: 6946: 6945: 6943: 6939: 6933: 6932: 6928: 6926: 6917: 6915: 6912: 6910: 6908: 6903: 6901: 6898: 6896: 6893: 6891: 6889: 6878: 6876: 6873: 6871: 6868: 6866: 6863: 6861: 6858: 6856: 6853: 6851: 6848: 6846: 6843: 6841: 6838: 6836: 6827: 6825: 6822: 6821: 6819: 6815: 6812: 6810:Chamber music 6808: 6802: 6801: 6797: 6795: 6792: 6790: 6787: 6785: 6782: 6780: 6779: 6775: 6773: 6770: 6768: 6767: 6763: 6762: 6760: 6756: 6750: 6748: 6744: 6742: 6739: 6737: 6734: 6732: 6729: 6727: 6724: 6723: 6721: 6717: 6707: 6706: 6702: 6700: 6699: 6698:The Wild Dove 6695: 6693: 6692: 6688: 6686: 6685: 6681: 6679: 6678: 6674: 6672: 6671: 6667: 6665: 6663: 6658: 6656: 6655: 6651: 6649: 6646: 6644: 6643: 6639: 6637: 6634: 6632: 6631: 6627: 6625: 6624: 6620: 6618: 6617: 6613: 6611: 6610: 6606: 6604: 6603: 6599: 6597: 6596: 6592: 6590: 6589: 6585: 6583: 6582: 6581:A Hero's Song 6578: 6577: 6575: 6571: 6564: 6560: 6557: 6555: 6552: 6550: 6547: 6545: 6542: 6540: 6537: 6535: 6532: 6530: 6527: 6525: 6522: 6519: 6515: 6512: 6511: 6509: 6505: 6502: 6498: 6491: 6490: 6486: 6483: 6482: 6478: 6475: 6474: 6470: 6467: 6466: 6462: 6459: 6458: 6454: 6451: 6450: 6446: 6443: 6442: 6438: 6435: 6434: 6430: 6427: 6426: 6422: 6419: 6418: 6414: 6413: 6411: 6407: 6401: 6398: 6396: 6393: 6392: 6389: 6385: 6378: 6373: 6371: 6366: 6364: 6359: 6358: 6355: 6349: 6346: 6344: 6341: 6339: 6336: 6334: 6331: 6329: 6325: 6322: 6318: 6314: 6310: 6308: 6304: 6301: 6299: 6296: 6293: 6289: 6286: 6285: 6275: 6269: 6265: 6260: 6256: 6250: 6246: 6245: 6239: 6235: 6229: 6225: 6220: 6216: 6210: 6206: 6205: 6200: 6196: 6192: 6188: 6187: 6181: 6177: 6171: 6167: 6162: 6158: 6153: 6149: 6143: 6139: 6134: 6130: 6124: 6120: 6115: 6114: 6104: 6099: 6095: 6089: 6085: 6080: 6076: 6070: 6066: 6061: 6057: 6051: 6047: 6046: 6040: 6036: 6031: 6027: 6021: 6017: 6013: 6008: 6005: 6001: 5998: 5994: 5990: 5984: 5980: 5979: 5973: 5969: 5965: 5961: 5957: 5951: 5947: 5946: 5940: 5936: 5931: 5927: 5923: 5917: 5913: 5912: 5907: 5906:Honolka, Kurt 5903: 5899: 5894: 5890: 5885: 5881: 5875: 5871: 5870: 5864: 5861: 5855: 5851: 5850: 5844: 5841: 5837: 5833: 5829: 5823: 5817: 5813: 5808: 5803: 5799: 5794: 5790: 5784: 5780: 5775: 5771: 5765: 5761: 5757: 5752: 5748: 5743: 5739: 5735: 5731: 5727: 5724:(2): 447–73. 5723: 5719: 5714: 5710: 5704: 5700: 5695: 5694: 5681: 5675: 5671: 5667: 5663: 5656: 5640: 5636: 5630: 5614: 5610: 5604: 5596: 5589: 5580: 5571: 5562: 5555: 5550: 5543: 5538: 5531: 5526: 5519: 5514: 5507: 5502: 5494: 5492:0-931340-56-X 5488: 5484: 5477: 5469: 5467:0-931340-56-X 5463: 5459: 5452: 5445: 5440: 5431: 5427: 5421: 5414: 5409: 5401: 5394: 5387: 5382: 5376:, p. 413 5375: 5369: 5362: 5361:Clapham 1979b 5357: 5348: 5341: 5336: 5329: 5328:Clapham 1979b 5324: 5316: 5310: 5303: 5302:Clapham 1979b 5298: 5292:, p. xi. 5291: 5286: 5284: 5267: 5266: 5258: 5250: 5243: 5228: 5227: 5222: 5215: 5200: 5196: 5189: 5174: 5170: 5164: 5149: 5142: 5127: 5120: 5105: 5101: 5095: 5087: 5081: 5065: 5061: 5054: 5039: 5035: 5028: 5021: 5017: 5016: 5010: 5003: 4999: 4998: 4992: 4985: 4981: 4980: 4974: 4967: 4963: 4962: 4956: 4950: 4946: 4941: 4934: 4930: 4929: 4923: 4916: 4912: 4911: 4905: 4898: 4894: 4893: 4887: 4880: 4876: 4875: 4869: 4862: 4858: 4857: 4851: 4845: 4841: 4836: 4821: 4817: 4811: 4803: 4802: 4797: 4791: 4783: 4779: 4775: 4768: 4760: 4756: 4750: 4742: 4738: 4732: 4726:, p. 74. 4725: 4724:Clapham 1979b 4720: 4713: 4708: 4706: 4704: 4697: 4692: 4676: 4672: 4668: 4662: 4660: 4652: 4648: 4644: 4638:, p. 31. 4637: 4636:Clapham 1979b 4632: 4625: 4624:Clapham 1979b 4620: 4613: 4608: 4601: 4600:Clapham 1979b 4596: 4589: 4584: 4578:, p. 257 4577: 4572: 4565: 4564:Zemanová 2002 4560: 4553: 4548: 4546: 4538: 4533: 4526: 4521: 4514: 4513:Clapham 1979b 4509: 4502: 4501:Clapham 1979b 4497: 4490: 4485: 4483: 4473: 4466: 4461: 4454: 4450: 4445: 4438: 4437:Clapham 1979b 4433: 4431: 4429: 4421: 4416: 4410: 4404: 4402: 4394: 4393:Clapham 1979b 4389: 4382: 4377: 4370: 4365: 4363: 4347: 4343: 4336: 4320: 4316: 4312: 4306: 4297: 4293: 4287: 4278: 4274: 4268: 4261: 4250: 4249: 4244: 4240: 4234: 4219: 4215: 4209: 4194: 4190: 4184: 4177: 4172: 4170: 4168: 4159: 4157:0-931340-56-X 4153: 4149: 4142: 4135: 4134:Clapham 1979b 4130: 4123: 4122:Clapham 1979b 4118: 4111: 4110:Clapham 1979b 4106: 4097: 4093: 4089: 4082: 4075: 4070: 4062: 4058: 4054: 4048: 4046: 4039: 4033: 4025: 4021: 4014: 4012: 4010: 4008: 3999: 3995: 3991: 3984: 3982: 3980: 3978: 3976: 3974: 3966: 3961: 3952: 3943: 3937:, p. 89. 3936: 3935:Clapham 1979b 3931: 3925:, p. 85. 3924: 3923:Clapham 1979b 3919: 3910: 3904:, p. 77. 3903: 3902:Clapham 1979b 3898: 3896: 3888: 3883: 3876: 3871: 3865:, p. 60. 3864: 3863:Clapham 1979b 3859: 3857: 3849: 3844: 3837: 3832: 3824: 3820: 3816: 3812: 3805: 3798: 3797:Clapham 1979b 3793: 3786: 3785:Clapham 1979b 3781: 3775:, p. 49. 3774: 3773:Clapham 1979b 3769: 3767: 3760:, p. 46. 3759: 3758:Clapham 1979b 3754: 3748:, p. 44. 3747: 3746:Clapham 1979b 3742: 3733: 3727:, p. 42. 3726: 3725:Clapham 1979b 3721: 3719: 3712:, p. 39. 3711: 3710:Clapham 1979b 3706: 3699: 3698:Clapham 1979b 3694: 3687: 3686:Clapham 1979b 3682: 3666: 3662: 3655: 3648: 3647:Clapham 1979a 3643: 3637:, p. 35. 3636: 3635:Clapham 1979b 3631: 3625:, p. 27. 3624: 3623:Clapham 1979b 3619: 3617: 3609: 3603: 3597:, p. 26. 3596: 3595:Clapham 1979b 3591: 3585:, p. 30. 3584: 3583:Clapham 1979b 3579: 3572: 3567: 3561:, p. 29. 3560: 3559:Clapham 1979b 3555: 3547: 3543: 3537: 3530: 3525: 3518: 3512: 3505: 3501: 3496: 3490:, p. 25. 3489: 3488:Clapham 1979b 3484: 3477: 3472: 3466:, p. 46. 3465: 3460: 3454: 3449: 3447: 3439: 3434: 3428:, p. 77. 3427: 3422: 3420: 3412: 3406: 3398: 3394: 3390: 3384: 3380: 3373: 3371: 3364:, p. 24. 3363: 3362:Clapham 1979b 3358: 3352:, p. 23. 3351: 3350:Clapham 1979b 3346: 3344: 3342: 3335:, p. 35. 3334: 3329: 3323:, p. 21. 3322: 3321:Clapham 1979b 3317: 3311:, p. 17. 3310: 3309:Clapham 1979b 3305: 3303: 3295: 3294:Clapham 1979b 3290: 3283: 3282:Clapham 1979a 3278: 3272:, p. 20. 3271: 3270:Clapham 1979b 3266: 3260:, p. 39. 3259: 3254: 3245: 3243: 3235: 3230: 3223: 3217: 3209:, Czech music 3208: 3204: 3198: 3191: 3190: 3185: 3180: 3173: 3168: 3161: 3156: 3150:, p. 12. 3149: 3148:Clapham 1979b 3144: 3137: 3132: 3125: 3120: 3114:, p. 23. 3113: 3112:Clapham 1979a 3108: 3102:, p. 24. 3101: 3096: 3089: 3088:Clapham 1979a 3084: 3077: 3072: 3063: 3055: 3051: 3045: 3038: 3037:Clapham 1979b 3033: 3024: 3022: 3014: 3013:Taruskin 2010 3009: 3007: 2999: 2994: 2990: 2975: 2966: 2957: 2948: 2939: 2930: 2921: 2912: 2903: 2899: 2884: 2875: 2867: 2837: 2831: 2825: 2795: 2786: 2782: 2769: 2767: 2763: 2758: 2756: 2752: 2748: 2744: 2740: 2736: 2735: 2730: 2729:Josef Vinklář 2726: 2725: 2719: 2717: 2708: 2697: 2687: 2684: 2683: 2677: 2675: 2671: 2667: 2663: 2656: 2654: 2630: 2608: 2605: 2603: 2599: 2595: 2590: 2588: 2584: 2580: 2576: 2575: 2564: 2562: 2557: 2555: 2554: 2549: 2548: 2543: 2542: 2537: 2536: 2531: 2530: 2524: 2522: 2518: 2514: 2513: 2508: 2507: 2502: 2498: 2487: 2485: 2484:Violin Sonata 2481: 2477: 2476: 2471: 2470: 2465: 2464:Echo of Songs 2461: 2457: 2455: 2450: 2449: 2444: 2440: 2436: 2432: 2428: 2424: 2414: 2411: 2406: 2404: 2400: 2396: 2392: 2388: 2384: 2380: 2369: 2367: 2363: 2353: 2349: 2345: 2344: 2339: 2335: 2325: 2320: 2318: 2294: 2276: 2269: 2268: 2249:Chamber music 2246: 2244: 2240: 2236: 2231: 2228: 2224: 2220: 2216: 2212: 2208: 2204: 2200: 2195: 2193: 2189: 2185: 2181: 2176: 2174: 2169: 2166: 2156: 2154: 2153: 2147: 2144: 2143: 2142:Saint Ludmila 2139:The oratorio 2137: 2133: 2130: 2126: 2122: 2118: 2113: 2110: 2106: 2102: 2096: 2094: 2090: 2086: 2082: 2078: 2074: 2070: 2065: 2063: 2059: 2055: 2051: 2043: 2038: 2029: 2027: 2026:A Hero's Song 2023: 2019: 2018: 2013: 2009: 2008: 2007:A Hero's Song 2003: 2002: 2001:The Wild Dove 1997: 1996: 1991: 1990: 1985: 1984: 1979: 1975: 1972:invented the 1971: 1962: 1960: 1956: 1952: 1948: 1944: 1942: 1941:Otmar Suitner 1938: 1934: 1930: 1926: 1922: 1918: 1914: 1910: 1906: 1902: 1897: 1895: 1891: 1887: 1883: 1879: 1875: 1871: 1867: 1863: 1859: 1855: 1851: 1847: 1841: 1839: 1818: 1800: 1782: 1764: 1757: 1753: 1737: 1735: 1734:Gustav Mahler 1731: 1727: 1723: 1721: 1717: 1713: 1709: 1705: 1703: 1699: 1695: 1691: 1687: 1685: 1681: 1677: 1667: 1665: 1655: 1651: 1647: 1645: 1640: 1635: 1633: 1632: 1627: 1623: 1616: 1611: 1602: 1600: 1596: 1588: 1584: 1581: 1578: 1577: 1576: 1573: 1571: 1567: 1563: 1562: 1556: 1552: 1542: 1540: 1536: 1532: 1531:chamber music 1528: 1524: 1520: 1519: 1514: 1510: 1509: 1504: 1500: 1496: 1492: 1485: 1483: 1471: 1467: 1466: 1449: 1431: 1427: 1416: 1413: 1405: 1395: 1391: 1385: 1384: 1378: 1373: 1364: 1363: 1355: 1353: 1349: 1345: 1341: 1337: 1332: 1330: 1329: 1324: 1319: 1314: 1312: 1308: 1304: 1300: 1296: 1292: 1288: 1284: 1280: 1276: 1272: 1269:; the Polish 1268: 1265:; the Slovak 1264: 1260: 1256: 1252: 1248: 1244: 1240: 1236: 1235: 1227: 1222: 1213: 1211: 1207: 1203: 1198: 1196: 1192: 1191: 1190:Saint Ludmila 1186: 1182: 1177: 1174: 1170: 1166: 1162: 1158: 1157: 1156:The Wild Dove 1152: 1148: 1145:, Schubert's 1144: 1140: 1136: 1132: 1128: 1124: 1118: 1113: 1104: 1100: 1098: 1094: 1090: 1085: 1083: 1079: 1078: 1073: 1072: 1067: 1066: 1061: 1060: 1055: 1051: 1050: 1045: 1041: 1029: 1027: 1023: 1022: 1013: 1009: 1004: 995: 991: 989: 985: 981: 977: 973: 968: 966: 962: 957: 955: 951: 947: 943: 933: 929: 925: 919: 917: 913: 909: 905: 900: 898: 894: 888: 886: 882: 881:Panic of 1893 878: 874: 865: 859:United States 856: 854: 850: 849:Otakar Berger 847:, viola, and 846: 842: 838: 834: 833:Czech Quartet 830: 825: 823: 819: 815: 811: 806: 802: 798: 794: 783: 780: 779: 774: 770: 766: 762: 758: 757:Joseph Barnby 754: 750: 740: 738: 734: 730: 726: 722: 718: 714: 710: 706: 704: 700: 696: 692: 688: 687:String Sextet 683: 680: 676: 672: 668: 664: 660: 656: 652: 648: 644: 637: 632: 626: 622: 618: 613: 604: 602: 601: 596: 592: 588: 584: 579: 577: 571: 569: 565: 561: 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Strauss I 7784:Rachmaninoff 7539:Gretchaninov 7463: 7190: 7157: 7148: 7141: 7091:Silent Woods 7089: 7072: 7006: 6965: 6930: 6906: 6887: 6798: 6784:Stabat Mater 6776: 6771: 6764: 6746: 6703: 6696: 6689: 6682: 6675: 6668: 6661: 6652: 6640: 6628: 6621: 6614: 6607: 6600: 6593: 6586: 6579: 6562: 6517: 6487: 6479: 6471: 6463: 6455: 6447: 6439: 6431: 6423: 6415: 6383: 6263: 6243: 6223: 6203: 6185: 6165: 6156: 6137: 6118: 6102: 6083: 6064: 6044: 6034: 6011: 6003: 5996: 5977: 5967: 5944: 5934: 5926:the original 5910: 5897: 5888: 5868: 5848: 5811: 5801: 5797: 5778: 5759: 5746: 5721: 5717: 5698: 5661: 5655: 5643:. Retrieved 5638: 5629: 5617:. Retrieved 5612: 5603: 5594: 5588: 5579: 5570: 5561: 5549: 5542:Smaczny 2003 5537: 5530:Smaczny 2003 5525: 5518:Smaczny 2003 5513: 5506:Smaczny 2003 5501: 5482: 5476: 5457: 5451: 5444:Clapham 1969 5439: 5429: 5420: 5408: 5399: 5393: 5381: 5374:Tibbets 1993 5368: 5356: 5347: 5335: 5323: 5309: 5297: 5270:. Retrieved 5264: 5257: 5242: 5230:. 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Retrieved 3665:the original 3654: 3642: 3630: 3607: 3602: 3590: 3578: 3566: 3554: 3545: 3536: 3524: 3511: 3503: 3495: 3483: 3471: 3459: 3433: 3405: 3378: 3357: 3328: 3316: 3289: 3284:, p. 5. 3277: 3265: 3253: 3229: 3221: 3216: 3206: 3197: 3187: 3179: 3172:Honolka 2004 3167: 3155: 3143: 3138:, pp. 49–50. 3131: 3119: 3107: 3095: 3090:, p. 3. 3083: 3071: 3062: 3053: 3044: 3032: 2998:Clapham 1980 2993: 2974: 2965: 2956: 2947: 2938: 2929: 2920: 2911: 2902: 2883: 2874: 2836: 2830:Union Square 2804:40°44′08.5″N 2794: 2785: 2759: 2750: 2743:Ian Krykorka 2739:Hynek Čermák 2732: 2722: 2720: 2715: 2713: 2680: 2678: 2659: 2650: 2606: 2597: 2593: 2591: 2572: 2570: 2558: 2551: 2545: 2539: 2533: 2527: 2525: 2520: 2510: 2504: 2493: 2474: 2467: 2463: 2453: 2446: 2420: 2407: 2398: 2394: 2375: 2351: 2341: 2331: 2323: 2314: 2266: 2232: 2196: 2194:and London. 2177: 2170: 2162: 2150: 2149:The cantata 2148: 2140: 2138: 2134: 2114: 2097: 2066: 2050:Stabat Mater 2047: 2042:Stabat Mater 2032:Choral works 2025: 2015: 2005: 1999: 1993: 1987: 1981: 1968: 1945: 1925:Zdeněk Mácal 1901:Karel Ančerl 1898: 1869: 1853: 1852:, or as the 1849: 1844: 1835: 1755: 1724: 1712:Donald Tovey 1706: 1688: 1668: 1653: 1648: 1636: 1629: 1626:Hans Richter 1619: 1598: 1592: 1586: 1574: 1565: 1559: 1551:opus numbers 1548: 1516: 1506: 1488: 1479: 1470:Emmy Destinn 1463: 1408: 1399: 1380: 1333: 1326: 1315: 1299:6th Symphony 1290: 1232: 1230: 1199: 1188: 1185:Leoš Janáček 1180: 1178: 1154: 1151:8th Symphony 1134: 1109: 1086: 1081: 1075: 1069: 1063: 1057: 1047: 1030: 1019: 1017: 1011: 992: 980:Václav Havel 969: 958: 920: 911: 901: 889: 870: 845:Oskar Nedbal 827:In 1891 the 826: 789: 776: 749:Stabat Mater 746: 728: 725:Philharmonia 724: 709:Hans Richter 707: 703:Hans Richter 684: 679:Louis Ehlert 640: 598: 587:5th Symphony 580: 572: 544: 535: 529: 525: 512: 502: 498: 494: 491: 480: 466: 445: 413:Karel Komzák 410: 397:Josef Zvonař 387:music theory 384: 371: 341: 297: 291: 285: 281:homesickness 276: 254: 248: 240:Stabat Mater 233: 218: 110: 109: 82:(1904-05-01) 8763:1904 deaths 8758:1841 births 8541:Hugo Alfvén 8369:Béla Bartók 8137:Romanticism 7919:Tchaikovsky 7854:R. Schumann 7849:C. Schumann 7834:Saint-Saëns 7729:Niedermeyer 7619:Leoncavallo 7589:Kalkbrenner 7364:Bortkiewicz 7195:(1988 film) 7137:Humoresques 7130:Piano music 6977:Piano trios 6919:No. 14 in A 6880:No. 10 in E 6758:Vocal music 6595:Czech Suite 6465:The Jacobin 6317:BBC Radio 3 5315:"Mše D dur" 5272:7 September 4315:BRC Website 3848:Brown 2003a 3836:Layton 1978 3333:Hughes 1967 3100:Hughes 1967 3076:Hughes 1967 2861: / 2819: / 2762:2055 Dvořák 2611:Other works 2594:Gypsy Songs 2535:The Jacobin 2497:grand opera 2445:(subtitled 2395:Hej Slovane 2219:Anton Seidl 2209:. In 1894, 2203:Hanuš Wihan 2163:The critic 2069:sacred work 1998:, Op. 109; 1992:, Op. 108; 1986:, Op. 107; 1970:Franz Liszt 1959:Milan Sachs 1955:Anton Seidl 1933:Libor Pešek 1913:Neeme Järvi 1876:during the 1639:Schubertian 1561:Czech Suite 1394:introducing 1173:St. Ludmila 1115: [ 916:Anton Seidl 812:. Dvořák's 540:Karel Bendl 344:Nelahozeves 329:Nelahozeves 319:Early years 210:nationalist 66:Nelahozeves 8747:Categories 8588:Argentina 8491:Ján Cikker 8299:Niels Gade 8125:Background 8026:Intermezzo 7959:Wieniawski 7939:Vieuxtemps 7904:R. Strauss 7829:Rubinstein 7754:Paderewski 7724:Mussorgsky 7719:Moszkowski 7694:Mercadante 7085:Bagatelles 7030:No. 2 in E 6984:No. 1 in B 6958:No. 3 in E 6829:No. 2 in B 6507:Symphonies 6400:(by genre) 5645:9 February 5641:(in Czech) 5619:9 February 5615:(in Czech) 5066:(in Czech) 4681:14 January 4254:3 November 4193:Classic FM 3821:. Prague: 3671:16 January 3440:, B.1–B.19 3203:"Foerster" 2985:References 2849:73°58′57″W 2846:40°44′03″N 2807:73°59′14″W 2653:media help 2482:, and the 2454:Bagatelles 2317:media help 2101:Birmingham 1947:Adolf Čech 1858:spirituals 1838:media help 1605:Symphonies 1555:N. Simrock 1491:symphonies 1482:media help 1402:March 2012 1377:references 1328:Tannhäuser 1303:Dumky Trio 1247:folk dance 818:Birmingham 721:Adolf Čech 560:song cycle 499:Vzpomínání 299:Humoresque 198:folk music 80:1 May 1904 58:1841-09-08 8725:Biography 8487:Slovakia 8464:César Cui 7739:Offenbach 7714:Moscheles 7709:Moniuszko 7704:Meyerbeer 7659:Marschner 7644:MacDowell 7459:Donizetti 7404:Cherubini 7394:Chaminade 7319:Beethoven 7304:Balakirev 7294:Atterberg 7272:musicians 6931:Cypresses 6772:Psalm 149 6719:Concertos 5446:, p. 163. 5415:, p. 167. 4816:"Gunther" 4671:naxos.com 3823:Supraphon 2760:Asteroid 2499:style of 2469:Cypresses 2460:harmonium 2237:, B. 10. 2223:Leo Stern 1878:Apollo 11 1781:II. Largo 1545:Numbering 1523:serenades 1348:Beethoven 1336:classical 1291:Polonaise 1285:. His 16 1275:polonaise 1259:sousedská 1202:influenza 1123:Josef Suk 1008:Josef Suk 906:to write 841:Josef Suk 786:1888–1891 621:Manhattan 578:" piano. 449:Josef Suk 350:, in the 314:Biography 288:librettos 8582:Americas 8454:The Five 8430:Romania 8365:Hungary 8350:Germany 8320:Finland 8310:Estonia 8295:Denmark 8205:Category 8182: ← 8061:Symphony 7924:Thalberg 7889:Spontini 7864:Sibelius 7859:Scriabin 7844:Schubert 7839:Sarasate 7804:Respighi 7799:Reinecke 7759:Paganini 7669:Massenet 7664:Masarnau 7649:Madetoja 7594:Kreisler 7584:Kalivoda 7529:J. 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