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371:, inserted into the top of the small bore. Unlike the bassoon it normally has a flared bell, sometimes made from a separate piece of timber. This bell can sometimes be muted, the mute being either detachable, or built into the instrument. The outside of the instrument can also be covered in leather, like the
432:
The instrument seems to have been in wide use by the middle of the sixteenth century. A set of instruments in various sizes exist in
Brussels: these have a maker's mark of "Melchor" and are thought to be Spanish. Another well known example is a slightly later instrument in Linz, leather covered and
378:
Although the bass in F is the most common size, the dulcian comes in many other sizes: tenor (in C), alto (in F or G) and soprano (in C). There are also examples of a "quart bass" dulcian in C and contrabass in F. The range of each instrument is two and a half octaves, centred on the range of the
355:, it flourished between 1550 and 1700, but was probably invented earlier. Towards the end of this period it co-existed with, and was then superseded by, the baroque bassoon. It was played in both secular and sacred contexts, throughout northern and western Europe, as well as in the New World.
429:. It has been argued the dulcian displaced the bass shawm, on account of its more convenient size, but it has also been argued that the two co-existed and that the bass shawm appeared at about the same time as the bass dulcian.
441:
1700, which also has a built in mute. Modern copies of the Linz instrument have a smoother sound and reach the high notes more easily, this is even more the case for modern copies of the Denner instrument.
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367:, with the bores being drilled and reamed first, and then the outside planed to shape. The reed is attached to the end of a metal
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The dulcian is a flexible instrument, capable of being loud enough to play in outdoor bands, quiet enough for
411:. At the time it first appeared, other double reed instruments either had the reed fully enclosed, like the
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of the city watch, chamber music, and the grand polychoral repertoire from Venice and
Germany, such as
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The reed on the dulcian is fully exposed, allowing the player to control the sound and intonation by
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Soprano, G-alto, F-alto, tenor and bass dulcians from the
Brussels collection
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Curtal, Dulcian, Bajón – A History of the
Precursor to the Bassoon
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corresponding singing voice: for example, the bass ranges from C
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with a built-in mute. The latest commonly copied example is by
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Dulcians in
Theatrum Instrumentorum (Michael Praetorius, 1620)
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466:. There are explicit dulcian parts in the sonatas by
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The dulcian is generally made from a single piece of
98:. Unsourced material may be challenged and removed.
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197:but its sources remain unclear because it lacks
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61:Learn how and when to remove these messages
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533:
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246:Learn how and when to remove this message
228:Learn how and when to remove this message
158:Learn how and when to remove this message
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14:
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258:Renaissance predecessor of the bassoon
569:and sextuple reeds; does not include
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515:, Maggie Kilbey's comprehensive book
296:. Equivalent terms include English:
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96:adding citations to reliable sources
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26:
24:
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42:This article has multiple issues.
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31:
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267:Museu de la Música de Barcelona
83:needs additional citations for
50:or discuss these issues on the
351:The predecessor of the modern
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1:
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419:, or partially enclosed by a
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288:woodwind instrument, with a
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608:Cor anglais (English horn)
565:(also includes those with
1039:Early musical instruments
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507:Hans Mons' excellent site
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391:(the G above middle C).
183:This article includes a
1034:Double-reed instruments
446:Function and repertoire
212:more precise citations.
521:, many useful articles
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1001:American traditional
920:European traditional
486:. Kahn and Averill.
92:improve this article
770:African traditional
593:Piccolo heckelphone
480:Waterhouse, William
383:(two octaves below
687:European classical
643:Semi-contrabassoon
579:European classical
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185:list of references
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796:Asian traditional
505:Dulcian Home Page
460:Giovanni Gabrieli
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16:(Redirected from
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452:chamber music
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292:and a folded
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109: –
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103:Find sources:
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87:
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81:This article
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69:
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62:
55:
54:
49:
48:
43:
38:
29:
28:
19:
911:Zurna/Surnai
756:Rauschpfeife
725:
701:Baroque oboe
689:(historical)
668:Sarrusophone
603:Oboe d'amore
588:Piccolo oboe
511:
483:
449:
431:
420:
406:
377:
362:
359:Construction
350:
294:conical bore
281:
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242:
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204:Please help
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121:
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90:Please help
85:verification
82:
58:
51:
45:
44:Please help
41:
901:Taepyeongso
653:Contraforte
618:Heckelphone
558:instruments
556:Double reed
484:The Bassoon
425:, like the
290:double reed
286:Renaissance
210:introducing
1028:Categories
992:Surma-horn
858:Nadaswaram
843:Kèn đám ma
706:Bassanello
474:References
409:embouchure
342:Portuguese
218:April 2021
148:April 2021
118:newspapers
47:improve it
823:Hichiriki
711:Cornamuse
673:Rothphone
613:Bass oboe
567:quadruple
422:pirouette
395:Evolution
107:"Dulcian"
53:talk page
1008:Chirimía
982:Tárogató
952:Dulzaina
906:Tangmuri
736:Kortholt
721:Crumhorn
716:Cromorne
678:Tromboon
633:Tenoroon
623:Lupophon
581:(modern)
571:bagpipes
482:(2003).
456:sackbuts
413:crumhorn
385:middle C
330:dulciana
322:dulciaan
314:douçaine
972:Piffero
967:Musette
942:Bombard
937:Birbynė
882:Sundari
878:Shehnai
838:Kèn bầu
818:Gyaling
803:Balaban
777:Algaita
751:Rackett
726:Dulcian
638:Bassoon
417:bagpipe
415:or the
387:), to G
373:cornett
353:bassoon
334:Spanish
326:Italian
306:Dulzian
282:dulcian
206:improve
132:scholar
18:Dulzian
977:Sopila
962:Gralla
957:Graïle
932:Bifora
891:Sralai
853:Mizmar
848:Kuzhal
782:Rhaita
746:Pommer
490:
435:Denner
346:baixão
340:, and
310:French
302:German
298:curtal
134:
127:
120:
113:
105:
987:Zurna
927:Aulos
896:Suona
886:Sorna
808:Duduk
787:Zukra
761:Shawm
696:Aulos
427:shawm
369:bocal
365:maple
338:bajón
318:Dutch
284:is a
191:, or
139:JSTOR
125:books
873:Piri
863:Ottu
813:Guan
598:Oboe
519:IDRS
488:ISBN
462:and
280:The
111:news
833:Kèn
828:Hne
94:by
1030::
868:Pi
470:.
439:c.
437:,
375:.
348:.
344::
336::
332:,
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