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Dream vision

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122: 513: 162:. The dream, which forms the subject of the poem, is prompted by events in their waking life that are referred to early in the poem. The ‘vision’ addresses these waking concerns through the possibilities of the imaginative landscapes offered by the dream-state. In the course of the dream, the narrator, often with the aid of a guide, is offered perspectives that provide potential resolutions to their waking concerns. The poem concludes with the narrator waking, determined to record the dream – thus producing the poem. The dream-vision convention was widely used in 25: 690: 418: 379:. Russian writer Alexander Pigin, who in his book "Visions of the Other World in Russian Handwritten books" cites a whole body of texts that indicate that the genre of visions in the Russian handwritten tradition does not die in the XIX—XX centuries, and also draws attention to the lack of knowledge of the genre. Defining the subject of the Old Russian visions, he speaks of "small 315:). All this results in periodic visions. On the other hand, the form of visions is taken over by courtly chivalrous poetry in folk languages: visions here acquire a new content, becoming a frame of love-didactic allegory — such as, for example, "Fabliau dou dieu d'amour" (the Story of the God of love), " Venus la déesse d'amors" ( 336:
The genre of visions was one of the typical genres of Old Russian literature, in addition, its individual elements could penetrate into the structure of other genres of Old Russian works. For example, Nikolai Prokofiev discovered the features of the genre of visions in stories, walks, lives, signs,
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In the book "Medieval Latin visions", Russian philologist Boris Yarkho explores the genre of dream visions, defining it in terms of form and content. To the formal aspects of the genre, the researcher refers, first, the didacticism of the genre of visions itself, which should reveal some truths to
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Yarkho pays attention to the internal structure of visions, distinguishing two types — "one-vertex" visions and "multi-vertex" (eschatological) visions. The structure of the second type of vision can be "archaic", "classical", or " complexly systematized».
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The composition of the traditional Old Russian vision is as follows: the plot begins with a prayer that precedes psychophysiological states, which are accompanied by visions. Then the hero sees otherworldly forces, which, showing the visionary a
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is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state. While dreams occur frequently throughout the history of literature,
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tells of a dream vision in which the author joins a group of the damned on a vacation bus trip to heaven, where they encounter various figures from their own pasts who try to entreat them to come and join the company of those in
355:, which do not need interpretation, and symbolic or allegorical images of living nature (going back to the Old Russian pagan beliefs). Exploring the genesis of visions, Nikolai Prokofiev raises them to the genre of 345:", solve some question. The fear of the clairvoyant is described, after which the meaning of the "revelation" itself is revealed. In conclusion, these same forces call on the visionary to preach what he has seen. 240:. In addition, medieval visions can also be filled with topical content that is adjacent to the "eternal", that is, the afterlife, the otherworldly: socio-political contexts can penetrate into the visions, etc. 199:" (or visionary), which has two functions: "he must perceive the content of the vision purely spiritually" and "must associate the content of the vision with sensory images". Third, the formal aspects include 1235:
Alexander Pigin. Visions of the Other world in Russian handwritten books. - St. Petersburg, 2006. - p. 3-21. А. В. Пигин. Видения потустороннего мира в русской рукописной книжности. СПб.: Дмитрий Буланин,
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Nikolai Prokofiev. Vision as a genre in Ancient Russian literature / / Uchenye zapiski MSPI im. V. I. Lenin. - M., 1964. - Vol. 231: Voprosy stila khudozhestvennoy literatury. - p. 37-38
263:— there are original visions in folk languages. The most complete form of visions is represented in the Latin poetry of the clergy: this genre is closely related to 965: 158:
This genre typically follows a structure whereby a narrator recounts their experience of falling asleep, dreaming, and waking, with the story often an
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Pigin points out that visions as a genre have their roots in archaic animistic beliefs, and ideas about the "other world" are found in all peoples.
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since the Tenth century, the form and content of visions have provoked protest, often from the declassified layers of the clergy themselves (poor
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literature undergoes natural historical changes: visions are beginning to be used by authors as a means of transmitting
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depicts the conventions of dream-vision literature, though Dante specifically says that his vision is not a dream
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Some researchers conclude that the genre of visions gradually disappears from literature after the
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On the Genesis of medieval visions, Rosalia Shor writes in the Literary encyclopedia (1929-1939):
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The nature of the images in the Old Russian visions is twofold: they can be both characters of
1190: 1043: 833: 666: 283:", which can be called a detailed vision, based on its narrative and compositional features. 148: 1020: 893: 871: 815: 705: 559: 512: 82: 8: 876: 723: 717: 523: 516: 483: 324: 163: 1199: 1091: 782: 778: 742: 571: 428: 175: 167: 1156: 1077: 904: 887: 792: 672: 641: 395:, since all the interest in them is focused on the posthumous fate of the individual. 1025: 916: 774: 752: 746: 700: 693: 594: 537: 532: 320: 224:
The content of the genre of visions is based on the description of pictures of the
171: 1155:// Восток-Запад: Исследования, переводы, публикации. Вып. 4. — М.: Наука, 1989. — 979: 734: 636: 542: 453: 376: 319:— the goddess of love) and finally-the encyclopedia of courtly love-the famous " 936: 882: 770: 614: 499: 488: 264: 211: 1246: 922: 757: 738: 733:
features a dream vision in which the narrator falls asleep while reading the
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as a genre began to flourish suddenly, and is especially characteristic in
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In the course of evolutionary development, the genre of visions in
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The Romantic Dream: Wordsworth and the Poetics of the Unconscious
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The peak of the medieval vision genre is considered to be
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Paradise, Death and Doomsday in Anglo-Saxon Literature
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the reader; secondly, the presence of the image of a "
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The subject of the visions is "small" (or "private")
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religious literature and is close to Church preaching
331: 1131:Christine Kenyon, Jones, "Dreams and Dreaming," in 49:. Unsourced material may be challenged and removed. 1244: 1122:(Cambridge University Press, 2001, 2004), p. 78. 1074:Восток-Запад: Исследования, переводы, публикации 1047:, possibly a satire on the medieval dream vision 1165: 303:on topical circumstances. As R. O. Shor notes, 939:" (1939) consists of an immense cosmic dream. 363:The heroes of the Old Russian epic are often 1139:(University of Nebraska Press, 1993), p. 11. 557:, a 14th-century dream poem incorporated in 1219: 1217: 1215: 1133:Encyclopedia of the Romantic Era, 1760-1850 929:" (1865 ) is in the form of a dream vision. 1204:: CS1 maint: location missing publisher ( 1096:: CS1 maint: location missing publisher ( 367:, and this phenomenon is usually given in 536:, also translated into Middle English by 109:Learn how and when to remove this message 1212: 1194:] (in Russian). Moscow. p. 447. 688: 511: 416: 120: 1231: 1229: 1147: 1145: 287:The deformation of the genre of visions 190:Visions in medieval European literature 1245: 549:Legend of the Purgatory of St. Patrick 464:Commentary on Cicero's Dream of Scipio 1226: 1183: 1171: 1142: 773:allegorical narrative attributed to 402: 47:adding citations to reliable sources 18: 555:Le Chemin de Povreté et de Richesse 13: 986: 255:, all the visions were written in 14: 1264: 1153:«Средневековые латинские видения» 1069:"Средневековые латинские видения" 854: 767:William's Vision of Piers Plowman 763:Visio Willelmi de Petro Ploughman 684: 469: 359:, very popular in ancient times. 332:Visions in Old Russian literature 1151:Ярхо, Борис Исаакович. Из книги 1003:Alasdair mac Mhaighstir Alasdair 927:Alice's Adventures in Wonderland 412: 234:phenomena of otherworldly forces 23: 1059: 837:, a translation from the Latin 803:Parlement of the Thre [ 34:needs additional citations for 1177: 1125: 1112: 943: 797:The Cuckoo and the Nightingale 649: 482:Book One is an account of the 1: 1105: 785:divided into sections called 201:psychophysiological phenomena 1076:] (in Russian). Moscow. 1013: 781:. It is written in unrhymed 777:, one of the great works of 610:Seán "Clárach" Mac Domhnaill 443:De consolatione philosophiae 7: 1065: 951:The Tale of Igor's Campaign 625:Seán Gaelach Ó Súilleabháin 10: 1269: 1053:The Dream of Macsen Wledig 998:Scottish Gaelic literature 630: 589:Modern literature in Irish 605:Eoghan Rua Ó Súilleabháin 507: 503:("The Vision of Tundale") 186:, and other literatures. 1035: 745:in the dream briefly by 577: 567:Le Chemin de long estude 407: 337:and many other sources. 1118:Ananya Jahanara Kabir, 730:The Parliament of Fowls 620:Pádraig Phiarais Cúndún 1184:Shor, Rosalia (1939). 1008:Dòmhnall Ruadh Chorùna 866:The Pilgrim's Progress 737:and is ushered into a 696: 676:is the Cross on which 519: 424: 397: 373: 329: 273: 129: 1191:Literary Encyclopedia 1066:Boris Yarkho (1989). 1044:The Dream of Rhonabwy 978:And some Old Russian 966:About the whole thing 961:of Daniel the Immured 935:'s (Irish novelist) " 834:The Vision of Tundale 692: 667:The Dream of the Rood 515: 420: 389: 361: 305: 299:content, for writing 249: 149:early medieval Europe 124: 1253:Visionary literature 1021:Ukrainian literature 894:A Dream of John Ball 872:Percy Bysshe Shelley 816:Wynnere and Wastoure 769:) is an apocalyptic 706:Legend of Good Women 560:Le Ménagier de Paris 145:visionary literature 43:improve this article 877:The Triumph of Life 849:The Temple of Glass 789:(Latin for "step"). 724:Parliament of Fowls 718:Book of the Duchess 660:Vision of Drycthelm 524:Guillaume de Lorris 517:Guillaume de Lorris 377:Peter the Great era 325:Guillaume de Lorris 783:alliterative verse 779:English literature 697: 572:Christine de Pizan 520: 493:De planctu naturae 429:Augustine of Hippo 425: 313:goliard schoolboys 130: 905:The Great Divorce 888:News from Nowhere 793:Sir John Clanvowe 673:Dream of the Rood 642:The Divine Comedy 600:Aogán Ó Rathaille 403:Authors and works 119: 118: 111: 93: 1260: 1237: 1233: 1224: 1221: 1210: 1209: 1203: 1195: 1181: 1175: 1169: 1163: 1149: 1140: 1129: 1123: 1116: 1101: 1095: 1087: 1026:Taras Shevchenko 917:Hotel California 775:William Langland 753:William Langland 747:Scipio the Elder 701:Geoffrey Chaucer 694:Geoffrey Chaucer 595:Geoffrey Keating 538:Geoffrey Chaucer 533:Roman de la rose 497:Brother Marcus, 484:Peasants' Revolt 385:end of the world 321:Roman de la Rose 114: 107: 103: 100: 94: 92: 51: 27: 19: 1268: 1267: 1263: 1262: 1261: 1259: 1258: 1257: 1243: 1242: 1241: 1240: 1234: 1227: 1222: 1213: 1197: 1196: 1182: 1178: 1170: 1166: 1150: 1143: 1130: 1126: 1117: 1113: 1108: 1089: 1088: 1084: 1062: 1038: 1016: 989: 987:Scottish Gaelic 946: 857: 735:Dream of Scipio 687: 670:– the guide in 652: 637:Dante Alighieri 633: 580: 543:Marie de France 510: 472: 454:Dream of Scipio 415: 410: 405: 334: 289: 192: 115: 104: 98: 95: 52: 50: 40: 28: 17: 16:Literary device 12: 11: 5: 1266: 1256: 1255: 1239: 1238: 1225: 1211: 1176: 1164: 1141: 1124: 1110: 1109: 1107: 1104: 1103: 1102: 1082: 1061: 1058: 1057: 1056: 1048: 1037: 1034: 1033: 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480:Vox Clamantis 477: 474: 473: 465: 461: 458: 456: 455: 450: 447: 445: 444: 439: 436: 434: 430: 427: 426: 423: 419: 413:Ancient Roman 400: 396: 394: 388: 386: 382: 378: 372: 370: 366: 360: 358: 354: 351: 346: 344: 338: 328: 326: 322: 318: 314: 310: 304: 302: 298: 294: 284: 282: 281:Divine Comedy 278: 272: 270: 266: 262: 258: 254: 248: 245: 241: 239: 236:, as well as 235: 231: 227: 222: 220: 219: 214: 213: 208: 207: 202: 198: 187: 185: 181: 177: 173: 169: 165: 161: 156: 154: 150: 146: 141: 140: 135: 127: 123: 113: 110: 102: 99:December 2013 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 1189: 1185: 1179: 1167: 1136: 1132: 1127: 1119: 1114: 1073: 1068: 1060:Bibliography 1051: 1042: 1029: 971: 964: 956: 949: 903: 892: 886: 875: 864: 848: 845:John Lydgate 838: 832: 825: 814: 808: 802: 796: 786: 766: 762: 756: 729: 728: 722: 716: 710: 704: 671: 665: 659: 640: 565: 558: 554: 546: 531: 528:Jean de Meun 498: 492: 463: 452: 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Lewis 822:Pearl Poet 809:] Ages 743:chaperoned 476:John Gower 433:Soliloquia 343:revelation 269:apocryphal 251:Until the 69:newspapers 1200:cite book 1172:Shor 1939 1092:cite book 1030:The Dream 1019:See also 1014:Ukrainian 992:See also 980:letopises 583:See also 460:Macrobius 353:mythology 350:Christian 301:pamphlets 297:satirical 265:canonical 226:afterlife 128:in prison 1247:Category 749:himself. 741:. He is 438:Boethius 293:European 206:lethargy 164:European 160:allegory 126:Boethius 994:Aisling 958:Praying 909:heaven. 631:Italian 585:aisling 309:clerics 180:Gnostic 83:scholar 1186:Vision 1159:  1080:  787:passus 678:Christ 508:French 449:Cicero 422:Cicero 369:dreams 357:dreams 230:ghosts 218:dreams 184:Hebrew 176:Muslim 85:  78:  71:  64:  56:  1236:2006. 1188:[ 1072:[ 1036:Welsh 827:Pearl 578:Irish 570:, by 408:Latin 323:" of 317:Venus 277:Dante 257:Latin 139:visio 90:JSTOR 76:books 1206:link 1157:ISBN 1098:link 1078:ISBN 925:'s " 656:Bede 547:The 526:and 365:gods 311:and 279:'s " 267:and 261:13th 232:and 215:and 62:news 1028:'s 915:, " 806:sic 761:or 136:or 45:by 1249:: 1228:^ 1214:^ 1202:}} 1198:{{ 1144:^ 1094:}} 1090:{{ 996:, 902:, 891:, 885:, 874:, 863:, 847:, 824:, 795:, 755:, 727:– 721:, 715:, 709:, 703:, 658:, 639:, 587:, 545:, 530:, 491:, 478:, 462:, 451:, 440:, 431:, 387:: 228:, 221:. 209:, 182:, 178:, 174:, 170:, 166:, 132:A 1208:) 1174:. 1100:) 1086:. 982:. 919:" 841:. 765:( 591:. 371:. 341:" 327:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Boethius
early medieval Europe
Romanticism
allegory
European
Old Russian
medieval Latin
Muslim
Gnostic
Hebrew
clairvoyant
lethargy
hallucinations
dreams
afterlife
ghosts
eschatology
12th century

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