367:, where Byrne concludes with the following poem: The bells of heather/ Have ceased ringing their Angelus./ Sleepy June weather/ Has instilled a drug in us.// The cry of the plover/ Is hushed, and the friendly dark/ Has drawn a blue hood over/ The meadow lark.// We travel sleeping,/ Over heather hill and through ferny dale,/ To the Land of No Weeping,/ Of races, and piping and ale.// Hushenn! Hushoo!// The wind is hid in the mountain. The leaves/ are still on the tree./ The hawk is caged in the darkness. The field-/ mouse safe in the hay./ Now I am in my sleeping, and don't waken me./ Tha mee mo hulloo is na dhooshy may!/ Tha mee, Tha mee--/ Golden mammy!/ Tha mee mo hulloo is na dhooshy may!/ I am in my sleeping and don't waken me!// Quoted from the National Geographic version. (Vol. 51, no. 3, March 1927, page 316).
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130:, the student magazine. After graduation he continued his studies in Europe, hoping to join the British Foreign Office. It is related that he "turned down his PhD" when he learned that he would have to wear evening clothes to his early morning examinations, which he apparently felt that no true Irish gentleman would ever do. (The latter claim is shown by Bradley to be just one of Byrne's impossible, if entertaining, fantasies.)
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216:, though, that he began to identify himself with the traditional Irish storytellers, noting in his preface ("A Foreword to Foreigner's") that: "I have written a book of Ireland for Irishmen. Some phrase, some name in it may conjure up the world they knew as children." It is also in this novel that Byrne returns to his Irish nationalist ideas by alluding to the ongoing strife of the
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lived until his death in a car accident due to defective steering, in June 1928. A Kilbrittain man, Cornelius O'Sullivan, pulled him from the water and tried to revive him, but to no avail. He is buried in
Rathclarin churchyard, near Coolmain Castle. His headstone reads, in Irish and English: "I am in my sleeping and don't waken me."
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In 1906, when he was 14, Donn-Byrne went to an Irish
Volunteer Movement meeting with Bulmer Hobson and Robert Lynd of the London Daily News, where Lynd noticed him, a fair-haired boy, and wrote of his singing. It was through Hobson that Byrne acquired his taste for Irish history and nationalism. (The
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Despite both his wife
Dorothea's success as a playwright, and his own increasing popularity as an author, Byrne's financial straits forced his family to sell their house in Riverside, Connecticut, and return to Ireland. They later purchased Coolmain Castle, near Bandon in County Cork, where Byrne
122:"taste for nationalism" cited, is contested by Bradley. Many may confuse widespread interest in Irish Language and Byrne's excellence in the language, his prizes at feiseanna (festivals) with a more revolutionary political movement engaged in by Hobson and other associates). He attended
193:, however, the author seems to reinvent the saga style, as the prose breaks off into musical verse now and then as it tells the story of a blind poet wandering Ireland and avenging his wife's dishonor. A
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Byrne was firmly of the neo-romantic view of the mythical and pastoral beauty of Irish history. His writing evokes these images, sometimes seeming to want to preserve them. "It seemed to me," he says in
228:, "that I was capturing for an instant a beauty that was dying slowly, imperceptibly, but would soon be gone." His simple narrative style recalls the atmosphere of ancient oral epics such as
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Doherty, J. J. (1999). Donn-Byrne, Brian Oswald. In J. A. Garraty & M. C. Carnes (Eds.), American
National Biography (Vol. 6, pp. 724–725). New York, NY: Oxford University Press.
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magazine for $ 50, appearing in the
February 1914 issue. He sold more stories; some of these were anthologised in his first book,
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is a romantic novel of the sea. Both show some highly lyrical passages intermixed with the plain language of real life. With
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Some of the works were published in the United
Kingdom under different titles. These are noted after the American title.
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where, he claimed, his Irish parents were on a business trip at the time, and soon after returned with them to
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was published posthumously in 1929. His poems were collected into an anthology and published as Poems (1934).
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Doherty, John J. (1997). "Donn Byrne: An
Annotated Bibliography." Bulletin of Bibliography. 54(2): 101–105.
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Doherty, John J. (1997). "Donn Byrne: An
Annotated Bibliography." Bulletin of Bibliography. 54(2): 101–105.
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Wetherbee, Winthrop Jr. (1949). Donn Byrne: A Bibliography. New York: The New York Public
Library.
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Bannister, Henry S. (1982). Donn Byrne: A Descriptive
Bibliography, 1912–1935. New York: Garland.
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521:, provided by the Gaslight Discussion List and the Digital Reference Desk of Richard L. King.
126:, beginning in 1907, where he studied Romance languages and saw his own writing published in
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t (1919). He was a prolific novelist and short story writer from that point on. His novel
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He returned to New York in 1911, where he began working first for the publishers of the
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A Woman of the Shee, and Other Stories (1932), or Sargasso Sea, and Other Stories
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Macauley, Thurston. (1929). Donn Byrne: Bard of Armagh. New York: Century.
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tells the story of the Italian adventurer as told by an Irishman, and
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The early novels have been said to be quite mediocre, noted as "
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s magazine. His first short story, "Battle," sold soon after to
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Doherty, 1997, provides a complete index of the short stories.
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based on the novel was commissioned and broadcast by the
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His later novels invited comparison with Irish novelist
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The Wind Bloweth (1922) (illustrated by George Bellows)
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An Alley of Flashing Spears, and Other Stories (1934)
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Writers of historical fiction set in the Middle Ages
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Stories Without Women (And A Few With Women) (1915)
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O'Malley of Shanganagh (1925), or An Untitled Story
321:A Daughter of the Medici, and Other Stories (1935)
157:, 1915. He then began working on his first novel,
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550:Road incident deaths in the Republic of Ireland
118:, and was equally fluent in Irish and English.
324:The Hound of Ireland, and Other Stories (1935)
284:Field of Honor (1929), or The Power of the Dog
315:The Island of Youth, and Other Stories (1933)
287:A Party of Bacarat (1930), or The Golden Goat
403:Stories Without Women (and a Few with Women)
309:Rivers of Damascus, and Other Stories (1931)
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334:Ireland, The Rock Whence I Was Hewn (1929)
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86:; 20 November 1889 – 18 June 1928) was an
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269:Blind Raftery and His Wife Hilaria (1924)
492:Works by Brian Oswald Patrick Donn-Byrne
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60:of all important aspects of the article.
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56:Please consider expanding the lead to
406:. Hearst's International Library Co.
303:Changeling, and Other Stories (1923)
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365:Ireland: The Rock Whence I Was Hewn
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483:Works by Brian Oswald Donn-Byrne
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420:Sargasso Sea, and Other Stories
84:Brian Oswald Patrick Donn-Byrne
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257:The Stranger's Banquet (1919)
502:Works by or about Donn Byrne
354:New York Times, 20 June 1928
220:and fight for Independence.
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570:Writers from County Armagh
560:Irish historical novelists
555:Writers from New York City
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260:The Foolish Matrons (1920)
27:Irish novelist (1889-1928)
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263:Messer Marco Polo (1922)
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438:Author and Bookinfo.com
292:Short story collections
139:New Standard Dictionary
444:Works About Donn Byrne
275:Hangman's House (1926)
124:Trinity College Dublin
510:Google books listing
329:Poetry and Travelogue
159:The Stranger's Banque
155:Stories Without Women
135:Catholic Encyclopedia
575:People from Camlough
515:"Reynardine" Part 1
363:It first appears in
128:The National Student
474:Works by Donn Byrne
417:Donn Byrne (1932).
400:Donn Byrne (1915).
278:Brother Saul (1927)
306:Destiny Bay (1928)
143:Century Dictionary
478:Project Gutenberg
237:Epic of Gilgamesh
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66:January 2019
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45:lead section
540:1928 deaths
535:1889 births
518:and Part 2
378:Radio Times
529:Categories
496:Faded Page
342:References
179:potboilers
90:novelist.
80:Donn Byrne
18:Donn Byrne
205:in 1957.
151:Smart Set
94:Biography
50:summarize
498:(Canada)
234:and the
173:Writings
112:Camlough
504:at the
432:Sources
147:Harper'
108:Ireland
102:in the
252:Novels
137:, the
82:(born
247:Works
88:Irish
226:Wind
494:at
485:at
476:at
203:BBC
197:by
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