243:âwhich wrote songs about outsider youth and contemporary life in urban Australia. In response to Wallen's article, anonymous users of the site's message board came up with various tongue-in-cheek alternative labels, including "chillmate", "sharehouse-pop", and "dolewave", the last of which quickly eclipsed the others in popularity. "Once uttered, dolewave repeated like a meme, equal parts in-joke, insult and hash-tag shorthand," writes music journalist Shaun Prescott. Over the next year, musicians associated with the term engaged with it ironically, such as Dick Diver's lead singer, who called dolewave "a good gag" before vowing to destroy it. The term is said to have stuck because it "epitomised the downtrodden, affectless vocals and slack riffs and rhythms which dominated whatever was happening in the spotlit Australian underground."
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189:, dolewave is "characterised by a dry, drawling vibe tinged with a healthy touch of suburban sarcasm." Lyrics often contain local signifiers and other Australian pop cultural references, giving the songs a distinct sense of place that points both to the musicians' fondness for Australia, and their "intense need to scrutinise" it.
381:
Max Easton made a similar argument, saying that dolewave "is an attempt at reclaiming a cultural identity in a time where it is confused and diluted by the many conflicting ideas that surround everyone's idea of
Australia." He goes on to say: "You want to embrace the notion of the classic Australian,
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cited fellow music critic Shaun
Prescott's review of School of Radiant Living's 2013 self-titled LP as a turning point for dolewave, one where the "tossed-off phrase" became a legitimate genre once he " out in his own head as to what the word actually represented". Prescott praises the title track of
319:
was released that year to widespread acclaim in
Australia and overseas. Although she has distanced herself from the label, Barnett frequently names dolewave's Dick Diver as one of her favourite bands, and regards the scene as a strong influence on her music: "You just find yourself hanging around
267:
as a quintessential dolewave songâ"a paean to the years when artists and outsiders could exist without being âcreativesâ, when unprofitable, art-for-its-own-sake wasn't necessarily a contract with poverty." He also highlights "Bad
Decisions" (2012) by Bitch Prefect; according to
282:, Sydney's RIP Society, and Brisbane's Bedroom Suck. As dolewave gained wider exposure, terms for offshoots of the genre were invented, a non-serious example being "stadium dolewave" which blends dolewave's "homely, DIY trappings" with the "clean and accessible songwriting" of
382:
but you don't want to alienate the multicultural beauty of the people around you. Where does that leave you? Dolewave sits at the centre of all of this." The term itself has been described as "classist and mean" and "problematic" due to its link to financial status.
192:
Academic Ian Rogers writes that dolewave bands often choose to sound "rough-and-ready, and occasionally unskilled", and their recordings almost always have minimal production value. According to music critic
371:âDolewaveâ is a caustic riff on the few virtuous characteristics of white colonial Australia, the ones our politicians are adamant still remain, the ones we affectionately satirise, and the ones which no
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can relate to the song's feeling of "suburban boredom and the doldrums of working shitty jobs". A number of independent record labels became associated with dolewave, notably
Melbourne's
227:, a now-defunct Australian music website. That year, one of the site's journalists, Doug Wallen, coined the term "New Melbourne Jangle" to describe a range of jangly indie pop bands from
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Dolewave music has been described as "intrinsically depressed ... beautiful and poignant in an aggressively sad way, in a fashion we can only laugh along with." According to webzine
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In the years immediately after dolewave's popularisation, many of the genre's "unwilling flag-bearers" seemed to reject it by eschewing its signature jangly guitars and "
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can bring back to life. It's a satirical roleplay of an
Australia we once believed existed, but which no amount of suspension of disbelief can maintain.
1967:
197:, dolewave's "recalcitrant and ramshackle" sound mirrors the "makeshift venue culture" that many of the bands find themselves in: "underneath decrepit
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with the same people and you start making the same music by proxy. Like pet-owners look like their pets." Likewise, Melbourne singer-songwriter
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339:. Several artists have written songs in response to being classified as dolewave, including Beef Jerk's Jack Lee on "Same Thing" (2014) and
331:" references in favour of a "more mature, polished sound". More recently, a wider range of bands have been aligned with dolewave, including
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enjoys the sense of camaraderie in the scene, saying that he often collaborates with, and receives assistance from dolewave musicians.
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and other groups, the term has since been applied by music critics to a wider range of
Australian acts that share a
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that "supposedly supports artists' creative lifestyles". It was first used in 2012 as an "ironic in-joke" on
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found that the former genre is more pessimistic in its exploration of
Australian identity. Prescott writes:
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246:"Dolewave" remained in "jokey usage" until 2014, when music critics and mainstream publications such as
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in music", dolewave has become the focus of discussion and debate around topics related to
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552:"Courtney Barnett interview: The Melbourne singer-songwriter is the voice-of-a-generation"
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genre that emerged in the early 2010s. Initially used online as an in-joke to describe an
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curated a playlist titled "Best of Dole Wave", featuring, among others,
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Corporate
Strategic Communication: A General Social and Economic Theory
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This term is originally of
British origin, tracing back to the end of
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745:"Single of the Day: West Thebarton Brothel Party âDolewaveâ (2016)"
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and a "peculiarly and recognisably Australasian sound", such as
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460:"The Space Before Dolewave: School of Radiant Living reviewed"
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601:"Is Australian Music Identity Still Shaped Through Pub Rock?"
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and national identity. Comparing dolewave to 1970s and 1980s
516:"Joe Hockey killed dolewave music, though it barely existed"
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654:"Courtney Barnett Review: The point beyond hollow praise"
619:"Genre babies! 5 brand new Unearthed genres born in 2014"
586:"Flag-Burninâ, Rule-Breakinâ, Kochie-Fuckinâ Dick Diver"
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695:"After the Dole Rush: Beef Jerk and Modern Australia"
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430:"How dolewave put Australia's music writers to work"
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Sometimes I Sit and Think, and Sometimes I Just Sit
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711:"Rolling Blackouts Coastal Fever â Hope Downs"
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794:. Macmillan International Higher Education.
699:Collapse Board. Retrieved 24 December 2018.
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728:"Advance Stream: Jack Lee â âTrophy Lifeâ"
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1968:Australian fringe and underground culture
309:, and Melbourne-based singer-songwriter
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351:Described as "a case study example of
159:. Common influences include the 1980s
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693:Judge, Mitchell (21 September 2015).
588:, Medium. Retrieved 23 December 2018.
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652:Thompson, Kimberley (10 June 2018).
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458:Prescott, Shaun (15 February 2014).
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209:The term "dolewave" derives from "
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2004:
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343:on their 2016 single "Dolewave".
1930:
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1528:National Indigenous Music Awards
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496:"I still call this failure home"
475:Mayne, Chloe (13 January 2015).
1654:Tamworth Country Music Festival
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550:Quine, Oscar (29 August 2015).
337:Rolling Blackouts Coastal Fever
157:Rolling Blackouts Coastal Fever
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584:Cleland, Jake (10 July 2016).
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263:Dick Diver's 2011 debut album
241:Scott & Charlene's Wedding
1:
1548:South Australian Music Awards
751:. Retrieved 24 December 2018.
734:. Retrieved 25 December 2018.
726:Dayman, Lucy (25 June 2014).
717:. Retrieved 23 December 2018.
684:. Retrieved 23 December 2018.
678:"Darren Hanlonâs Savvy Seven"
676:Ansley, Liz (10 April 2015).
643:. Retrieved 23 December 2018.
627:. Retrieved 23 December 2018.
609:. Retrieved 23 December 2018.
560:. Retrieved 23 December 2018.
524:. Retrieved 22 December 2018.
502:. Retrieved 10 February 2019.
485:. Retrieved 21 December 2018.
466:. Retrieved 22 December 2018.
438:. Retrieved 22 December 2018.
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307:Eddy Current Suppression Ring
258:began examining it in-depth.
1649:St Jerome's Laneway Festival
1614:Big Pineapple Music Festival
709:Condon, Dan (18 June 2018).
667:. Retrieved 23 December 2018
482:Nothing but Hope and Passion
341:West Thebarton Brothel Party
186:Nothing but Hope and Passion
163:of Australian bands such as
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1978:Counterculture of the 2010s
771:Threadgold, Steven (2017).
514:Rogers, Ian (30 May 2014).
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2009:
1963:Australian styles of music
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1533:National Live Music Awards
965:Christian alternative rock
1988:21st-century music genres
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1993:Australian youth culture
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659:23 December 2018 at the
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167:, as well as the lo-fi "
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1677:(1992â1997; 1999â2014)
1644:Splendour in the Grass
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205:Etymology and history
1973:Culture of Melbourne
1937:Australia portal
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1126:New wave of new wave
392:Culture of Melbourne
313:, whose debut album
219:unemployment benefit
179:Influences and style
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1681:Byron Bay Bluesfest
1211:Alternative Airplay
1181:Neue Deutsche Härte
1039:Paisley Underground
931:Alternative country
637:"Best of Dole Wave"
603:(2 February 2016),
494:Mckenzie, Michael.
464:Crawlspace Magazine
361:Australian pub rock
171:" of New Zealand's
77:Typical instruments
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1862:Cities and regions
1325:Music of Australia
500:ABC Radio National
357:Australian culture
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215:Australian English
115:Music of Melbourne
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1701:(1996; 1998â2012)
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428:(28 March 2014).
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110:Australian Dream
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775:. Routledge.
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749:the AU review
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1983:Music scenes
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1815:
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1775:
1280:
1258:Lollapalooza
1233:Campus radio
1225:
1158:Slacker rock
979:
975:Dark cabaret
970:College rock
953:Post-Britpop
791:
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759:Bibliography
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435:The Guardian
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380:
372:
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333:the Goon Sax
326:
314:
296:
284:stadium rock
269:
264:
260:Everett True
253:
249:The Guardian
247:
245:
231:âamong them
222:
217:term for an
208:
195:Everett True
191:
184:
182:
124:
123:
97:Other topics
18:
1828:Triple J TV
1799:MTV Classic
1731:(1972â1975)
1725:(2003â2013)
1719:(2004â2015)
1713:(2008â2015)
1711:Stereosonic
1707:(2008â2011)
1695:(2006â2015)
1689:(2009â2018)
1683:(1990-2025)
1675:Big Day Out
1659:WOMADelaide
1624:Good Things
1574:ARIA Charts
1498:AWMA Awards
1483:APRA Awards
1414:Psychedelic
1253:Lo-fi music
1012:Post-grunge
995:Wizard rock
960:Chamber pop
907:Gothic rock
641:Apple Music
535:World War I
299:Apple Music
133:indie scene
105:Australiana
72:, Australia
1952:Categories
1911:See also:
1834:Video Hits
1811:Rock Arena
1723:Summadayze
1569:AIR Charts
1478:AIR Awards
1452:APRA AMCOS
1389:Aboriginal
1364:Indigenous
1176:Funk metal
1151:Post-metal
1136:Pagan rock
1092:Mangue bit
1080:Madchester
1029:Jangle pop
1024:Indie folk
1019:Indie rock
921:Styles and
897:Proto-punk
892:Noise rock
880:Riot grrrl
865:Avant-punk
855:Jangle pop
848:Precursors
398:References
303:Hockey Dad
237:Dick Diver
224:Mess+Noise
173:Flying Nun
161:jangle pop
145:Dick Diver
139:involving
51:indie rock
41:jangle pop
1884:Melbourne
1776:Countdown
1717:Soundwave
1599:Festivals
1359:Immigrant
1339:Classical
1243:Indie pop
1191:Rap metal
1146:Post-rock
1131:Noise pop
1112:Blackgaze
1102:Dream pop
1046:Math rock
990:Geek rock
902:Post-punk
860:Punk rock
732:Tone Deaf
624:Unearthed
329:true blue
297:In 2015,
229:Melbourne
149:DIY ethic
137:Melbourne
70:Melbourne
56:post-punk
36:Indie pop
1913:Timeline
1879:Canberra
1874:Brisbane
1869:Adelaide
1823:Triple J
1699:Homebake
1518:J Awards
1282:Category
1186:Nu metal
1107:Shoegaze
1056:Slowcore
1051:New rave
980:Dolewave
887:New wave
715:Double J
657:Archived
621:(2014),
386:See also
211:the dole
125:Dolewave
24:Dolewave
1607:Current
1369:Hip-hop
1344:Country
1221:Artists
1117:Nu gaze
948:Britpop
274:, most
68:2010s,
1899:Sydney
1783:Go-Set
1668:Former
1562:Charts
1471:Awards
1419:Thrash
1379:Reggae
1332:Genres
1216:Anorak
1007:Grunge
798:
779:
233:Twerps
213:", an
141:Twerps
127:is an
83:Guitar
1894:Perth
1743:Media
1399:Metal
1394:Indie
1354:Grime
1085:Baggy
1002:Grebo
764:Books
374:Kenny
89:drums
1805:Rage
1755:4ZZZ
1750:3RRR
1462:CMAA
1457:ARIA
1442:AGSC
1409:Punk
1384:Rock
1374:Jazz
1349:Folk
796:ISBN
777:ISBN
606:Vice
365:Vice
335:and
271:Vice
252:and
239:and
155:and
86:bass
1794:MTV
1789:Max
1765:CMC
1447:AIR
1426:Ska
1404:Pub
1227:C86
985:Emo
135:in
1954::
747:,
730:,
713:,
697:,
680:,
663:,
639:,
593:^
565:^
554:,
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443:^
432:,
406:^
363:,
305:,
286:.
235:,
143:,
1854:"
1850:"
1317:e
1310:t
1303:v
833:e
826:t
819:v
804:.
785:.
575:.
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