271:, who briefly looks in on Gregor each day when she arrives and before she leaves, neglects to close his door fully. Attracted by Grete's violin-playing in the living room, Gregor crawls out and is spotted by the unsuspecting tenants, who complain about the apartment's unhygienic conditions and say they are leaving, will not pay anything for the time they have already stayed, and may take legal action. Grete, who is tired of taking care of Gregor and realizes the burden his existence puts on each member of the family, tells her parents they must get rid of "it" or they will all be ruined. Gregor, understanding that he is no longer wanted, laboriously makes his way back to his room and dies of starvation before sunrise. His body is discovered by the charwoman, who alerts his family and then disposes of the corpse. The relieved and optimistic father, mother, and sister all take the day off work. They travel by tram into the countryside and make plans to move to a smaller apartment to save money. During the short trip, Mr. and Mrs. Samsa realize that, despite the hardships that have brought some paleness to her face, Grete has grown up into a pretty young lady with a good figure and they think about finding her a husband.
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disarray out of spite. Her initial decision to take care of Gregor may have come from a desire to contribute and be useful to the family, since she becomes angry and upset when the mother cleans his room. It is made clear that Grete is disgusted by Gregor, as she always opens the window upon entering his room to keep from feeling nauseous and leaves without doing anything if Gregor is in plain sight. She plays the violin and dreams of going to the conservatory to study, a dream Gregor had intended to make happen; he had planned on making the announcement on
Christmas Day. To help provide an income for the family after Gregor's transformation, she starts working as a salesgirl. Grete is also the first to suggest getting rid of Gregor, which causes Gregor to plan his own death. At the end of the story, Grete's parents realize that she has become beautiful and full-figured and decide to consider finding her a husband.
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rotten. He spends much of his time crawling around on the floor, walls, and ceiling. Upon discovering Gregor's new pastime, Grete decides to remove his furniture to give him more space. She and her mother begin to empty the room of everything, except the sofa under which Gregor hides whenever anyone comes in. He finds their actions deeply distressing, fearing that he might forget his past as a human, and desperately tries to save a particularly loved portrait on the wall of a woman clad in fur. His mother loses consciousness at the sight of him clinging to the image to protect it. When Grete rushes out of the room to get some aromatic spirits, Gregor follows her and is slightly hurt when she drops a medicine bottle and it breaks. Their father returns home and angrily hurls apples at Gregor, one of which becomes lodged in a sensitive spot in his back and severely wounds him.
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451:, an escape into the disease or a symptom onset, an image of an existence which is defaced by the career, or a revealing staging which cracks the veneer and superficiality of everyday circumstances and exposes its cruel essence. He further notes that Kafka's representational style is on one hand characterized by an idiosyncratic interpenetration of realism and fantasy, a worldly mind, rationality, and clarity of observation, and on the other hand by folly, outlandishness, and fallacy. He also points to the grotesque and tragicomical, silent film-like elements.
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himself in a situation where he himself is in need of attention and assistance and in danger of becoming a parasite, he doesn't want to admit this new role to himself and be disappointed by the treatment he receives from his family, which is becoming more and more careless and even hostile over time. According to Sudau, Gregor is self-denyingly hiding his nauseating appearance under the sofa and gradually famishing, thus pretty much complying with the more or less blatant wish of his family. His gradual
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vocalizations. Gregor laboriously drags himself across the floor and opens the door. The clerk, upon seeing the transformed Gregor, flees the apartment. Gregor's family is horrified, and his father drives him back towards his room. Gregor is injured when he tries to force himself through the doorway (which is too narrow for him), but gets unstuck when his father shoves him through.
387:, noting that the story is not only about the metamorphosis of Gregor but also about the metamorphosis of his family and, in particular, his younger sister Grete. Straus suggested that the social and psychoanalytic resonances of the text depend on Grete's role as a woman, daughter, and sister, and that prior interpretations failed to recognize Grete's centrality to the story.
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responsibility. In the end â after the brother's death â the parents also notice that their daughter, "who was getting more animated all the time, had recently blossomed into a pretty and shapely girl", and they want to look for a partner for her. From this standpoint Grete's transition, her metamorphosis from a girl into a woman, is the subtextual theme of the story.
413:" (the hunger artist and the panther). Rieck views these pairs as parts of one single person (hence the similarity between the names Gregor and Grete) and in the final analysis as the two determining components of the author's personality. Not only in Kafka's life but also in his oeuvre does Rieck see the description of a fight between these two parts.
632:, but a beetle with wings under his shell, and capable of flight. Nabokov left a sketch annotated "just over three feet long" on the opening page of his English teaching copy. In his accompanying lecture notes, he discusses the type of insect Gregor has been transformed into. Noting that the cleaning lady addressed Gregor as "
431:(2005), the figure of the insect becomes a drastic expression of Gregor Samsa's deprived existence. Reduced to carrying out his professional responsibilities, anxious to guarantee his advancement and vexed with the fear of making commercial mistakes, he is the creature of a functionalistic professional life.
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Volker DrĂŒke (2013) believes that the crucial metamorphosis in the story is that of Grete. She is the character the title is directed at. Gregor's metamorphosis is followed by him languishing and ultimately dying. Grete, by contrast, has matured as a result of the new family circumstances and assumed
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Mrs. Samsa is Gregor's mother. She is portrayed as a submissive wife. She suffers from asthma, which is a constant source of concern for Gregor. She is initially shocked at Gregor's transformation, but she still wants to enter his room. However, it proves too much for her and gives rise to a conflict
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In 2007, Ralf Sudau took the view that particular attention should be paid to the motifs of self-abnegation and disregard for reality. Gregor's earlier behavior was characterized by self-renunciation and his pride in being able to provide a secure and leisured existence for his family. When he finds
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Mr. Samsa is Gregor's father. After the metamorphosis, he is forced to return to work in order to support the family financially. His attitude towards his son is harsh. He regards the transformed Gregor with disgust and possibly even fear and attacks Gregor on several occasions. Even when Gregor was
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Gregor suffers from his injuries and eats very little. His father, mother, and sister all get jobs and increasingly begin to neglect him, and his room begins to be used for storage. For a time, his family leaves Gregor's door open in the evenings so he can listen to them talk to each other, but this
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The charwoman is an old widowed lady who is employed by the Samsa family after their previous maid begs to be dismissed on account of the fright she experiences owing to Gregor's new form. She is paid to take care of their household duties. Apart from Grete and her father, the charwoman is the only
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What kind of bug or vermin Kafka envisaged remains a debated mystery. Kafka had no intention of labeling Gregor as any specific thing, but instead was trying to convey Gregor's disgust at his transformation. In his letter to his publisher of 25 October 1915, in which he discusses his concern about
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contradict each other. Diametrically opposed versions exist of Gregor's back, his voice, of whether he is ill or already undergoing the metamorphosis, whether he is dreaming or not, which treatment he deserves, of his moral point of view (false accusations made by Grete), and whether his family is
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In 1999, Gerhard Rieck pointed out that Gregor and his sister, Grete, form a pair, which is typical of many of Kafka's texts: it is made up of one passive, rather austere, person and another active, more libidinal, person. The appearance of figures with such almost irreconcilable personalities who
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father's debts. While trying to move, Gregor finds that his office manager, the chief clerk, has shown up to check on him, indignant about Gregor's unexcused absence. Gregor attempts to communicate with both the manager and his family, but all they can hear from behind the door is incomprehensible
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Grete is Gregor's younger sister, and she becomes his caretaker after his metamorphosis. They initially have a close relationship, but this quickly fades. At first, she volunteers to feed him and clean his room, but she grows increasingly impatient with the burden and begins to leave his room in
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Gregor is the main character of the story. He works as a traveling salesman in order to provide money for his sister and parents. He wakes up one morning finding himself transformed into an insect. After the metamorphosis, Gregor becomes unable to work and is confined to his room for most of the
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With Gregor's unexpected transformation, his family is deprived of financial stability. They keep Gregor locked in his room, and he begins to accept his new identity and adapt to his new body. His sister Grete is the only one willing to bring him food, which she finds Gregor only likes if it is
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meanings. Arguing against the popular father-complex theory, he observed that it is the sister more than the father who should be considered the cruelest person in the story, since she is the one backstabbing Gregor. In
Nabokov's view, the central narrative theme is the artist's struggle for
250:. Stuck on his back and unable to get up and leave the bed, Gregor reflects on his job as a traveling salesman and cloth merchant, which he characterizes as being full of "temporary and constantly changing human relationships, which never come from the heart". He sees his employer as a
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person who is in close contact with Gregor, and she is unafraid in her dealings with Gregor. She does not question his changed state; she seemingly accepts it as a normal part of his existence. She is the one who notices Gregor has died and disposes of his body.
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who destroy him step by step. Commenting on Kafka's style, he writes, "The transparency of his style underlines the dark richness of his fantasy world. Contrast and uniformity, style and the depicted, portrayal and fable are seamlessly intertwined".
642:), e.g., 'Come here for a bit, old dung beetle!' or 'Hey, look at the old dung beetle!'", Nabokov remarks that this was just her friendly way addressing him, and that Gregor "is not, technically, a dung beetle. He is merely a big beetle."
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argued in 2004 that no elucidating comments were needed to illustrate the story and that it was convincing by itself, self-contained, even absolute. He believes that there is no doubt the story would have been admitted to the canon of
468:. Another reason why Kafka opposed such an illustration is that the reader should not be biased in any way before reading. That the descriptions are not compatible with each other is indicative of the fact that the opening statement
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With a length of about 70 printed pages over three chapters, it is the longest of the stories Kafka considered complete and published during his lifetime. The text was first published in 1915 in the
October issue of the journal
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human, Mr. Samsa regarded him mostly as a source of income for the family. Gregor's relationship with his father is modelled after Kafka's own relationship with his father. The theme of alienation becomes quite evident here.
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Fernando
Bermejo-Rubio (2012) argued that the story is often viewed unjustly as inconclusive. He derives his interpretative approach from the fact that the descriptions of Gregor and his family environment in
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remainder of the story. This prompts his family to begin working once again. Gregor is depicted as isolated from society and often both misunderstands the true intentions of others and is misunderstood.
472:. If the reader isn't hoodwinked by the first sentence and still thinks of Gregor as a human being, he will view the story as conclusive and realize that Gregor is a victim of his own degeneration.
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literally means "unclean animal not suitable for sacrifice" and is sometimes used colloquially to mean "bug", with the connotation of "dirty, nasty bug". It can also be translated as "
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The phrase "ungeheuren
Ungeziefer", describing the creature into which Gregor Samsa metamorphoses, has been translated in at least sixteen different ways. These include the following:
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443:(which on the part of Gregor is unconscious and unsuccessful, on the part of his family not understood or ignored). Sudau also lists the names of selected interpreters of
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of Gregor. He argues that it is exactly this absence of a visual narrator that is essential for Kafka's project, for he who depicts Gregor would stylize himself as an
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rejected such interpretations, noting that they do not live up to Kafka's art. He instead chose an interpretation guided by the artistic detail but excluded any
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204:") and struggles to adjust to this condition. The novella has been widely discussed among literary critics, who have offered varied interpretations.
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happens less frequently once they rent a room in the apartment to three male tenants, since they are not told about Gregor. One day, the
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rendered it as "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect".
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Als Gregor Samsa eines
Morgens aus unruhigen TrÀumen erwachte, fand er sich in seinem Bett zu einem ungeheuren Ungeziefer verwandelt
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447:(e.g. Beicken, Sokel, Sautermeister and Schwarz). According to them, the narrative is a metaphor for the suffering resulting from
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Die Kunst des Lesens: Meisterwerke der europÀischen
Literatur. Austen â Dickens â Flaubert â Stevenson â Proust â Kafka â Joyce.
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tells the story of salesman Gregor Samsa, who wakes one morning to find himself inexplicably transformed into a huge insect (
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Bermejo-Rubio, Fernando: "Truth and Lies about Gregor Samsa. The Logic
Underlying the Two Conflicting Versions in Kafka's
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aspects, which see the Samsa family as a portrayal of general social circumstances, have also gained a large following.
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1109:, May 13, 2015, errs in stating that John R. Williams translates "ungeheuren Ungeziefer" as "large verminous insect".
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1150:"Giant Bug or Monstrous Vermin? Translating Kafka's Die Verwandlung in its Cultural, Social, and Biological Contexts"
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344:) or psychological interpretation. It has been particularly common to read the story as an expression of Kafka's
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Kafka konkret â Das Trauma ein Leben. Wiederholungsmotive im Werk als
Grundlage einer psychologischen Deutung.
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954:Ăbergangsgeschichten. Von Kafka, Widmer, KĂ€stner, Gass, Ondaatje, Auster Und Anderen VerwandlungskĂŒnstlern
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246:". He initially considers the transformation to be temporary and slowly ponders the consequences of his
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has been translated into
English more than twenty times. In Kafka's original, the opening sentence is "
1354:- Annotated text aligned to Common Core Standards. A subscription is required to view the annotations.
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as well as a writer and literary critic, concluded from details in the text that Gregor was not a
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and would quickly quit his job if he were not his family's sole breadwinner and working off his
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741:"The character of Grete Samsa in The Metamorphosis from LitCharts | The creators of SparkNotes"
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blameless or not. Bermejo-Rubio emphasizes that Kafka ordered in 1915 that there should be no
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between her maternal impulse and sympathy and her fear and revulsion at Gregor's new form.
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766:"The character of Father in The Metamorphosis from LitCharts | The creators of SparkNotes"
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This article is about the literary work by Franz Kafka. For the biological process, see
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Gregor Samsa wakes up one morning to find himself transformed into a "monstrous
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form couples in Kafka's works has been evident since he wrote his short story "
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Deutsche Vierteljahrsschrift fĂŒr Literaturwissenschaft und Geistesgeschichte
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Metamorphosis: The Game by Mito Studio, based on the story by Franz Kafka.
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at The Kafka project, translated by Ian Johnston released to public domain
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5202:
5193:
5009:
4932:
3973:
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3854:
3847:
3589:
3491:
3379:
3309:
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3123:
2989:
2849:
2807:
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2499:
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1952:
1763:
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1467:
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1333:
633:
512:
226:. The first edition in book form appeared in December 1915 in the series
170:
64:
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6141:
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2933:
2891:
2828:
2485:
1554:
853:, 14:3 (Spring 1989), The University of Chicago Press, pp. 651â67.
498:
494:
436:
353:
255:
1436:
614:
the cover illustration for the first edition, Kafka does use the term
6999:
5914:
5802:
5714:
5441:
5399:
5264:
4974:
4057:
3812:
3679:
3400:
3351:
3316:
2877:
2304:
1487:
629:
493:". In their 1933 translation of the story â the first into English â
357:
268:
251:
209:
1361:
849:
Straus, Nina Pelikan. "Transforming Franz Kafka's 'Metamorphosis'",
565:"a vile insect, one of gigantic proportions" (Philip Lundberg, 2007)
7034:
6719:
6684:
6126:
6070:
3281:
3148:
2506:
2467:
2451:
2437:
2328:
2011:
1384:
371:
341:
5908:
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3155:
2444:
2428:
2414:
448:
166:
98:
1406:
Lesson on the difficulties of translating the story into English
383:
In 1989, Nina Pelikan Straus wrote a feminist interpretation of
2362:
603:
367:
243:
201:
584:"some kind of monstrous bedbug" (Christopher Moncrieff, 2014)
6906:
2273:
1248:"Briefe und TagebĂŒcher 1915 (Franz Kafka) â ELibraryAustria"
1188:"BBC Radio 4 - Archive on 4, The Entomology of Gregor Samsa"
1127:. Munich: Deutscher Taschenbuch Verlag. 1993. p. 1486.
2835:
2369:
1214:"THE LAYOUT: NABOKOV AND FRANZ KAFKA'S "THE METAMORPHOSIS""
1424:
1101:"Kafka's Metamorphosis and its mutations in translation"
979:"Kafka's Metamorphosis and its mutations in translation"
479:
695:"Peter-André Alt, Franz Kafka. Der ewige Sohn. 2005"
4272:
A Sunday Afternoon on the Island of La Grande Jatte
568:"some kind of monstrous vermin" (Joyce Crick, 2009)
284:"Gregor Samsa" redirects here. For other uses, see
206:In popular culture and adaptations of the novella
7076:
587:"huge verminous insect" (John R. Williams, 2014)
424:even if we had known nothing about its author.
5562:
866:Königshausen & Neumann, 1999, pp. 104â25.
791:"The Metamorphosis: Mother Character Analysis"
590:"a kind of giant bug" (William Aaltonen, 2023)
561:"monstrous verminous bug" (Ian Johnston, 2007)
526:, 1993; Donna Freed, 1996; David Gildea, 2024)
508:"gigantic insect" (Willa and Edwin Muir, 1933)
6892:
5548:
2289:
1452:
952:DrĂŒke, Volker. "Neue PlĂ€ne FĂŒr Grete Samsa".
898:Franz Kafka: Der Ewige Sohn. Eine Biographie.
348:, as was first done by Charles Neider in his
6992:Insect Dreams: The Half Life of Gregor Samsa
5211:
5200:
2394:
2383:
2337:
2326:
1016:"On Translating Kafka's "The Metamorphosis""
488:
439:and "self-reduction" shows signs of a fatal
5694:Category:Translators of William Shakespeare
2465:
1280:. New York, New York: Harvest. p. 260.
194:
6899:
6885:
5555:
5541:
2296:
2282:
1459:
1445:
409:" (the country doctor and the groom) and "
49:
5808:Hans Jakob Christoffel von Grimmelshausen
1013:
976:
943:, Volume 86, Issue 3 (2012), pp. 419â79.
692:
547:"enormous bug" (Stanley Appelbaum, 1996)
2122:Letters to Family, Friends, and Editors
1799:Josephine the Singer, or the Mouse Folk
1466:
1272:
1125:Etymologisches Wörterbuch des Deutschen
1009:
1007:
832:Fischer Taschenbuch, 1991, pp. 313â52.
550:"gargantuan pest" (M. A. Roberts, 2005)
208:, the insect is commonly depicted as a
14:
7077:
5818:Christian Hoffmann von Hoffmannswaldau
1147:
972:
970:
924:Franz Kafka: Kurze Prosa / ErzÀhlungen
911:Franz Kafka: Kurze Prosa / ErzÀhlungen
356:approach, interpretations focusing on
350:The Frozen Sea: A Study of Franz Kafka
6880:
5536:
5137:Six Characters in Search of an Author
2277:
1440:
1328:, translated 2009 by Ian Johnston of
1211:
645:
572:"horrible vermin" (David Wyllie, 2011
1527:Shamefaced Lanky and Impure in Heart
1014:Bernofsky, Susan (14 January 2014).
1004:
673:The Transformation and Other Stories
652:The Metamorphosis in popular culture
610:have often rendered it as "insect".
480:Translations of the opening sentence
375:existence in a society replete with
6957:Franz Kafka's It's a Wonderful Life
2243:Franz Kafka's It's a Wonderful Life
1541:Wedding Preparations in the Country
967:
885:Kafka. Die Jahre der Entscheidungen
529:"giant bug" (J. A. Underwood, 1981)
405:) as well as in his short stories "
176:. One of Kafka's best-known works,
24:
4332:Nude Descending a Staircase, No. 2
693:Nitschke, Claudia (January 2008).
25:
7151:
5843:Anthony Ulrich, Duke of Brunswick
1287:
577:"some sort of monstrous insect" (
331:
7130:Short stories adapted into films
7125:German novels adapted into films
5613:Early New High German literature
5519:
5518:
2258:
2257:
1373:
1310:at DigBib.org (text, pdf, HTML)
977:Gooderham, W. B. (13 May 2015).
322:
1266:
1240:
1205:
1180:
1141:
1117:
1112:Metamorphosis and Other Stories
1093:
1073:
1061:
1041:
946:
929:
916:
903:
890:
877:
340:tends to be given a religious (
279:
5286:Grosvenor School of Modern Art
5279:Fourth dimension in literature
856:
843:
822:
801:
783:
758:
733:
686:
662:
536:, 1992; Richard Stokes, 2002;
295:
36:Metamorphosis (disambiguation)
13:
1:
5608:Middle High German literature
2303:
1606:Blumfeld, an Elderly Bachelor
809:Franz Kafka: Die Verwandlung.
656:
313:
286:Gregor Samsa (disambiguation)
274:
55:Front cover of a 1916 edition
7100:Short stories by Franz Kafka
5894:Friedrich Gottlieb Klopstock
1813:The Truth about Sancho Panza
1370:, translated by David Wyllie
1330:Malaspina University-College
1148:Barker, Andrew (July 2021).
1069:"Pest could also be vermin".
511:"monstrous kind of vermin" (
304:
7:
7090:Fiction about shapeshifting
7085:1915 German-language novels
6836:Adelbert von Chamisso Prize
5971:Annette von Droste-HĂŒlshoff
5899:Jakob Michael Reinhold Lenz
5379:List of avant-garde artists
4356:The Cabinet of Dr. Caligari
1718:The Knock at the Manor Gate
1383:public domain audiobook at
1080:Metamorphosis and The Trial
956:, Athena, 2013, pp. 33â43.
574:; unnamed translator, 2023)
336:Like much of Kafka's work,
27:1915 novella by Franz Kafka
10:
7156:
6021:Christian Friedrich Hebbel
5976:Marie von Ebner-Eschenbach
5911:(Friedrich von Hardenberg)
5879:Johann Christoph Gottsched
5874:Johann Wolfgang von Goethe
5823:Johann Michael Moscherosch
5745:Walther von der Vogelweide
5699:Reformation era literature
5603:Old High German literature
5564:German-language literature
5237:Classical Hollywood cinema
1869:The Conscription of Troops
1634:A Message from the Emperor
1593:"The Village Schoolmaster"
1154:Translation and Literature
926:. Klett, 2007, pp. 158â62.
913:. Klett, 2007, pp. 163â64.
649:
606:". English translators of
283:
29:
7053:
7026:
6983:
6948:
6929:
6920:
6811:
6728:
6530:
6119:
5938:
5925:Johann Gottfried Schnabel
5864:Barthold Heinrich Brockes
5856:
5785:
5707:
5666:
5570:
5500:
5178:
5019:
4887:
4727:
4476:
4465:
4308:Les Demoiselles d'Avignon
4262:
4088:
3648:
3131:
3122:
2999:
2783:
2525:
2516:
2311:
2253:
2156:
2138:
2083:
2067:The Blue Octavo Notebooks
2049:
2040:Description of a Struggle
1966:
1820:The Silence of the Sirens
1755:
1746:The Cares of a Family Man
1578:
1569:The Aeroplanes at Brescia
1534:Description of a Struggle
1518:
1511:
1479:
900:C. H .Beck, 2008, p. 336.
393:Description of a Struggle
131:
116:
104:
90:
80:
70:
60:
48:
6517:Fritz Zorn (Fritz Angst)
5930:Christoph Martin Wieland
5904:Gotthold Ephraim Lessing
5884:Johann Christian GĂŒnther
5765:Gottfried von Strassburg
5598:History of Liechtenstein
3093:The Master and Margarita
222:under the editorship of
7120:Works about cockroaches
6861:Leipzig Book Fair Prize
6821:Ingeborg Bachmann Prize
6743:Rudolf Christoph Eucken
5755:Albrecht von Johansdorf
5689:Swiss writers in German
5386:List of modernist poets
5272:Fourth dimension in art
4448:Meshes of the Afternoon
2169:Franz Kafka and Judaism
1998:The Great Wall of China
1862:The Problem of Our Laws
1778:Investigations of a Dog
1627:The Great Wall of China
1430:27 January 2021 at the
1411:18 January 2012 at the
1352:(subscription required)
553:"monstrous cockroach" (
237:
6076:Conrad Ferdinand Meyer
5981:Joseph von Eichendorff
5750:Wolfram von Eschenbach
5593:History of Switzerland
5470:Second Viennese School
5212:
5201:
3105:The Sound and the Fury
3009:In Search of Lost Time
2466:
2395:
2384:
2338:
2327:
2147:The Warden of the Tomb
2026:Parables and Paradoxes
1641:A Report to an Academy
1278:Lectures on Literature
683:, Belknap Press, 2024.
489:
185:
159:), also translated as
156:
34:. For other uses, see
7095:Existentialist novels
7027:Video game variations
6392:Christian Morgenstern
6277:Hugo von Hofmannsthal
6182:Rolf Dieter Brinkmann
5966:Adelbert von Chamisso
5760:Heinrich von Morungen
5684:Liechtenstein writers
5449:Reactionary modernism
5372:List of art movements
2212:Statue of Franz Kafka
2060:The Diaries 1910â1923
1834:The City Coat of Arms
1324:16 April 2016 at the
1212:Onder, Csaba (2018).
1166:10.3366/tal.2021.0463
1082:, Page Publications,
828:Nabokov, Vladimir V.
711:10.1515/arbi.2008.032
679:(tr.), Kafka, Franz,
671:(tr.), Kafka, Franz,
7140:Weird fiction novels
6851:Heinrich Heine Prize
6417:Erich Maria Remarque
6387:Friederike Mayröcker
6222:Friedrich DĂŒrrenmatt
5293:Hanshinkan Modernism
5149:The Threepenny Opera
5065:Pelléas et Mélisande
2164:Ottla Kafka (sister)
2094:Letter to His Father
2005:The Complete Stories
1306:7 March 2012 at the
532:"monstrous insect" (
518:"monstrous vermin" (
470:is not to be trusted
352:(1948). Besides the
6831:Sigmund Freud Prize
6826:Georg BĂŒchner Prize
6640:Emine Sevgi Ăzdamar
6352:Else Lasker-SchĂŒler
6217:Heimito von Doderer
6061:Heinrich von Kleist
6051:Friedrich Hölderlin
5889:Friedrich Hölderlin
5735:Reinmar von Hagenau
5648:Austrian literature
5351:International Style
5101:Afternoon of a Faun
4380:Battleship Potemkin
4284:Mont Sainte-Victoir
2204:Head of Franz Kafka
2186:Franz Kafka Society
2129:The Office Writings
2074:The ZĂŒrau Aphorisms
1620:The Hunter Gracchus
1587:In the Penal Colony
1394:by Vladimir Nabokov
1224:(1). Archived from
524:Joachim Neugroschel
466:omniscient narrator
71:Original title
45:
7135:1915 German novels
7019:(2014 short story)
6923:In popular culture
6841:Hans Fallada Prize
6422:Rainer Maria Rilke
6342:Siegfried Kracauer
6232:Marieluise FleiĂer
6147:Johannes R. Becher
6026:Johann Peter Hebel
5920:Friedrich Schiller
5667:Related categories
5588:History of Austria
5583:History of Germany
5230:Buddhist modernism
5187:American modernism
5113:The Rite of Spring
3081:The Sun Also Rises
3057:The Magic Mountain
2227:The Loves of Kafka
2181:Franz Kafka Museum
2175:Richard and Samuel
1939:The Married Couple
1806:A Common Confusion
1254:on 12 January 2008
896:Alt, Peter-André.
811:Diesterweg, 1993.
646:In popular culture
596:Middle High German
538:Katja Pelzer, 2017
219:Die weiĂen BlĂ€tter
162:The Transformation
43:
7115:Absurdist fiction
7072:
7071:
7008:Anxious Pleasures
6913:The Metamorphosis
6874:
6873:
6866:Nelly Sachs Prize
6753:Gerhart Hauptmann
6710:Wolf Wondratschek
6635:Sharon Dodua Otoo
6472:Berta von Suttner
6447:Arthur Schnitzler
6437:Ernst von Salomon
6227:Lion Feuchtwanger
6132:Ingeborg Bachmann
6046:E. T. A. Hoffmann
6016:Gerhart Hauptmann
6001:Franz Grillparzer
5996:Jeremias Gotthelf
5946:Bettina von Arnim
5869:Christian Gellert
5770:Dietrich von Bern
5725:Der von KĂŒrenberg
5623:Weimar Classicism
5530:
5529:
5258:Experimental film
5174:
5173:
5161:Waiting for Godot
4461:
4460:
3118:
3117:
3021:The Metamorphosis
2271:
2270:
2191:Franz Kafka Prize
2115:Letters to Milena
2101:Letters to Felice
1962:
1961:
1711:An Old Manuscript
1683:Jackals and Arabs
1676:A Visit to a Mine
1655:Up in the Gallery
1562:The Metamorphosis
1392:The Metamorphosis
1380:The Metamorphosis
1367:Project Gutenberg
1362:The Metamorphosis
1348:The Metamorphosis
1340:The Metamorphosis
1318:The Metamorphosis
1274:Nabokov, Vladimir
1088:978-1-64833-704-8
962:978-3-89896-519-4
872:978-3-8260-1623-3
675:, Penguin, 1992;
608:The Metamorphosis
485:The Metamorphosis
457:The Metamorphosis
445:The Metamorphosis
385:The Metamorphosis
338:The Metamorphosis
178:The Metamorphosis
174:published in 1915
148:The Metamorphosis
144:
143:
117:Publication place
16:(Redirected from
7147:
7105:Modernist novels
6984:Novel variations
6930:Film adaptations
6901:
6894:
6887:
6878:
6877:
6793:Elfriede Jelinek
6715:Feridun ZaimoÄlu
6705:Peter Wawerzinek
6650:Julya Rabinowich
6610:Christian Kracht
6585:Wladimir Kaminer
6575:Elfriede Jelinek
6337:Egon Erwin Kisch
6282:Ădön von HorvĂĄth
6262:Marlen Haushofer
6096:Adalbert Stifter
6056:Gottfried Keller
5956:Clemens Brentano
5838:Angelus Silesius
5813:Andreas Gryphius
5740:Hartmann von Aue
5730:Dietmar von Aist
5674:Austrian writers
5653:Swiss literature
5633:Literary realism
5571:Related articles
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5484:Underground film
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2260:
2108:Letters to Ottla
2019:The Penal Colony
1984:A Country Doctor
1704:The New Advocate
1697:The Bucket Rider
1669:The Next Village
1613:A Country Doctor
1516:
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1454:
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1261:
1259:
1250:. Archived from
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1233:
1228:on 22 April 2023
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1067:Roberts states,
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862:Rieck, Gerhard.
860:
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780:
778:
776:
762:
756:
755:
753:
751:
737:
731:
730:
690:
684:
681:Selected Stories
666:
622:Vladimir Nabokov
520:Stanley Corngold
492:
422:world literature
407:A Country Doctor
364:Vladimir Nabokov
196:
106:Publication date
53:
46:
42:
21:
7155:
7154:
7150:
7149:
7148:
7146:
7145:
7144:
7110:German novellas
7075:
7074:
7073:
7068:
7049:
7022:
6979:
6949:Film variations
6944:
6925:
6916:
6905:
6875:
6870:
6814:literary awards
6813:
6812:German-language
6807:
6738:Theodor Mommsen
6731:Nobel laureates
6730:
6729:German-language
6724:
6670:Clemens J. Setz
6600:Alexander Kluge
6590:Daniel Kehlmann
6550:Jenny Erpenbeck
6532:
6526:
6497:Josef Weinheber
6457:Kurt Schwitters
6442:Paul Scheerbart
6157:Thomas Bernhard
6115:
5986:Theodor Fontane
5951:Achim von Arnim
5934:
5852:
5781:
5720:Courtly romance
5703:
5662:
5618:Sturm und Drang
5578:German language
5566:
5561:
5531:
5526:
5517:
5509:
5496:
5489:
5482:
5477:Structural film
5475:
5468:
5461:
5454:
5447:
5440:
5433:
5428:New Objectivity
5426:
5419:
5414:Neo-romanticism
5412:
5407:Neo-primitivism
5405:
5398:
5391:
5384:
5377:
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5053:VerklÀrte Nacht
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2918:
2911:
2904:
2899:Lowell (Robert)
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1991:A Hunger Artist
1968:
1958:
1771:A Hunger Artist
1751:
1574:
1507:
1475:
1465:
1432:Wayback Machine
1413:Wayback Machine
1374:
1359:
1351:
1326:Wayback Machine
1311:
1308:Wayback Machine
1300:Die Verwandlung
1293:Online editions
1290:
1285:
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1062:
1058:, May 31, 2024.
1046:
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1005:
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993:
975:
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951:
947:
937:Die Verwandlung
934:
930:
921:
917:
908:
904:
895:
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883:Stach, Reiner.
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691:
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663:
659:
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648:
579:Susan Bernofsky
555:Michael Hofmann
482:
429:Peter-André Alt
411:A Hunger Artist
334:
325:
316:
307:
298:
289:
282:
277:
240:
228:Der jĂŒngste Tag
157:Die Verwandlung
121:Austria-Hungary
107:
75:Die Verwandlung
56:
39:
28:
23:
22:
18:Die Verwandlung
15:
12:
11:
5:
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6809:
6808:
6806:
6805:
6800:
6795:
6790:
6785:
6780:
6775:
6770:
6765:
6760:
6758:Carl Spitteler
6755:
6750:
6745:
6740:
6734:
6732:
6726:
6725:
6723:
6722:
6717:
6712:
6707:
6702:
6697:
6692:
6690:Ilija Trojanow
6687:
6682:
6677:
6672:
6667:
6662:
6657:
6652:
6647:
6645:Teresa PrÀauer
6642:
6637:
6632:
6627:
6622:
6617:
6612:
6607:
6605:Barbara Köhler
6602:
6597:
6592:
6587:
6582:
6580:Reinhard Jirgl
6577:
6572:
6570:Judith Hermann
6567:
6562:
6557:
6552:
6547:
6545:Thomas Brussig
6542:
6536:
6534:
6528:
6527:
6525:
6524:
6519:
6514:
6509:
6504:
6499:
6494:
6489:
6487:Kurt Tucholsky
6484:
6479:
6474:
6469:
6464:
6459:
6454:
6452:Helga Schubert
6449:
6444:
6439:
6434:
6429:
6424:
6419:
6414:
6409:
6404:
6399:
6394:
6389:
6384:
6379:
6374:
6369:
6367:Siegfried Lenz
6364:
6359:
6354:
6349:
6344:
6339:
6334:
6329:
6324:
6322:Hermann Kesten
6319:
6314:
6309:
6304:
6299:
6294:
6289:
6284:
6279:
6274:
6269:
6264:
6259:
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6249:
6244:
6239:
6234:
6229:
6224:
6219:
6214:
6209:
6204:
6199:
6197:Hermann Burger
6194:
6192:Arnolt Bronnen
6189:
6184:
6179:
6177:Bertolt Brecht
6174:
6169:
6164:
6159:
6154:
6152:Gottfried Benn
6149:
6144:
6139:
6134:
6129:
6123:
6121:
6117:
6116:
6114:
6113:
6108:
6103:
6098:
6093:
6088:
6086:Johann Nestroy
6083:
6078:
6073:
6068:
6066:Nikolaus Lenau
6063:
6058:
6053:
6048:
6043:
6038:
6033:
6031:Heinrich Heine
6028:
6023:
6018:
6013:
6008:
6003:
5998:
5993:
5991:Gustav Freytag
5988:
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5805:
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5780:
5779:
5776:Nibelungenlied
5772:
5767:
5762:
5757:
5752:
5747:
5742:
5737:
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5727:
5722:
5717:
5711:
5709:
5705:
5704:
5702:
5701:
5696:
5691:
5686:
5681:
5679:German writers
5676:
5670:
5668:
5664:
5663:
5661:
5660:
5658:German studies
5655:
5650:
5645:
5640:
5638:Weimar culture
5635:
5630:
5625:
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5605:
5600:
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5498:
5497:
5495:
5494:
5487:
5480:
5473:
5466:
5459:
5452:
5445:
5438:
5435:Poetic realism
5431:
5424:
5417:
5410:
5403:
5396:
5389:
5382:
5375:
5368:
5365:Late modernity
5361:
5358:Late modernism
5354:
5347:
5340:
5339:
5338:
5331:
5324:
5310:
5303:
5300:High modernism
5296:
5289:
5282:
5275:
5268:
5261:
5254:
5247:
5244:Degenerate art
5240:
5233:
5226:
5219:
5214:Ballets Russes
5208:
5197:
5190:
5182:
5180:
5176:
5175:
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5168:
5156:
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4040:
4033:
4026:
4019:
4012:
4005:
3998:
3991:
3984:
3977:
3970:
3963:
3960:Ray (Satyajit)
3956:
3953:Ray (Nicholas)
3949:
3942:
3935:
3928:
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3914:
3907:
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3180:
3173:
3166:
3159:
3152:
3145:
3137:
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3126:
3120:
3119:
3116:
3115:
3113:
3112:
3100:
3088:
3076:
3064:
3052:
3045:The Waste Land
3040:
3028:
3016:
3003:
3001:
2997:
2996:
2994:
2993:
2986:
2979:
2972:
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2033:Dearest Father
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1904:A Little Fable
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1160:(2): 198â208.
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1977:Contemplation
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354:psychological
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323:The Charwoman
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248:metamorphosis
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140:at Wikisource
139:
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137:Metamorphosis
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32:Metamorphosis
19:
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7014:
7006:
6998:
6990:
6973:Kuthiraivaal
6971:
6963:
6955:
6936:
6912:
6911:
6856:Kleist Prize
6846:Goethe Prize
6803:Peter Handke
6798:Herta MĂŒller
6788:GĂŒnter Grass
6660:Ingo Schulze
6655:Rafik Schami
6630:Herta MĂŒller
6625:Terézia Mora
6615:Monika Maron
6565:Peter Handke
6531:Contemporary
6522:Stefan Zweig
6512:Christa Wolf
6507:Franz Werfel
6477:Ernst Toller
6467:Anna Seghers
6462:W. G. Sebald
6412:Robert Musil
6407:Adolf Muschg
6397:Erich MĂŒhsam
6357:Kurd LaĂwitz
6332:Sarah Kirsch
6327:Irmgard Keun
6307:Ernst JĂŒnger
6292:Peter Huchel
6287:Ricarda Huch
6257:Peter Handke
6252:GĂŒnter Grass
6172:Volker Braun
6137:Hermann Bahr
6120:20th century
6106:Ludwig Tieck
5939:19th century
5857:18th century
5828:Martin Opitz
5798:Paul Fleming
5786:Early modern
5774:
5511:
5504:
5251:Ecomodernism
5159:
5147:
5135:
5123:
5111:
5099:
5089:The Firebird
5087:
5075:
5063:
5051:
5039:
5027:
4446:
4436:Citizen Kane
4434:
4425:Fallingwater
4415:Villa Savoye
4402:
4390:
4378:
4366:
4354:
4344:Black Square
4342:
4330:
4318:
4306:
4294:
4282:
4270:
4162:Le Corbusier
4090:Architecture
3103:
3091:
3079:
3069:Mrs Dalloway
3067:
3055:
3043:
3031:
3020:
3019:
3007:
2892:Lowell (Amy)
2242:
2234:
2225:
2219:Kafka's Dick
2218:
2210:
2203:
2173:
2145:
2127:
2120:
2113:
2106:
2099:
2092:
2072:
2065:
2058:
2038:
2031:
2024:
2017:
2010:
2003:
1996:
1989:
1982:
1975:
1918:First Sorrow
1890:The Helmsman
1739:A Crossbreed
1662:A Fratricide
1561:
1560:
1548:The Judgment
1500:
1493:
1486:
1418:
1417:
1399:
1398:
1391:
1379:
1360:
1346:
1339:
1317:
1299:
1292:
1291:
1277:
1268:
1256:. Retrieved
1252:the original
1242:
1230:. Retrieved
1226:the original
1221:
1217:
1207:
1195:. Retrieved
1191:
1182:
1157:
1153:
1143:
1124:
1119:
1111:
1106:The Guardian
1104:
1095:
1079:
1075:
1063:
1055:
1043:
1031:. Retrieved
1019:
994:. Retrieved
983:The Guardian
982:
953:
948:
940:
936:
931:
923:
918:
910:
905:
897:
892:
884:
879:
863:
858:
850:
845:
829:
824:
808:
803:
794:
785:
773:. Retrieved
769:
760:
748:. Retrieved
744:
735:
702:
698:
688:
680:
672:
664:
638:
624:, who was a
620:
615:
612:
607:
599:
593:
503:
484:
483:
474:
462:illustration
456:
453:
444:
433:
426:
417:Reiner Stach
415:
400:
397:The Judgment
389:
384:
382:
362:
358:sociological
349:
337:
335:
326:
317:
308:
299:
290:
280:Gregor Samsa
265:
261:
241:
230:, edited by
227:
217:
214:
177:
161:
160:
147:
146:
145:
135:
74:
40:
6908:Franz Kafka
6773:Nelly Sachs
6763:Thomas Mann
6680:Yoko Tawada
6665:Lutz Seiler
6540:Zsuzsa BĂĄnk
6502:Peter Weiss
6482:Georg Trakl
6432:Nelly Sachs
6427:Joseph Roth
6382:Thomas Mann
6312:Franz Kafka
6302:Uwe Johnson
6297:Ernst Jandl
6237:Erich Fried
6006:Jacob Grimm
5628:Romanticism
5506:Romanticism
5463:Remodernism
5344:Incoherents
5203:Avant-garde
5194:Armory Show
4801:Maeterlinck
4704:Villa-Lobos
4690:Szymanowski
4669:Stockhausen
4606:LutosĆawski
4324:(1909â1910)
3124:Visual arts
3097:(1928â1940)
3013:(1913â1927)
2536:Apollinaire
2500:Synchromism
2340:Art Nouveau
2245:(1993 film)
2237:(1991 film)
2230:(1988 film)
2221:(1986 play)
2050:Diaries and
1969:collections
1967:Short story
1953:On Parables
1946:Give It Up!
1883:The Vulture
1764:The Refusal
1732:My Neighbor
1725:Eleven Sons
1468:Franz Kafka
1390:Lecture on
1334:Nanaimo, BC
1312:(in German)
677:Mark Harman
634:dung beetle
542:Mark Harman
513:A. L. Lloyd
377:philistines
296:Grete Samsa
187:ungeheueres
171:Franz Kafka
132:Translation
65:Franz Kafka
7079:Categories
7062:Solo Piano
6748:Paul Heyse
6695:Jan Wagner
6377:Klaus Mann
6362:Gert Ledig
6347:Karl Kraus
6272:Georg Heym
6242:Max Frisch
6207:Paul Celan
6142:Vicki Baum
6041:Paul Heyse
5833:Hans Sachs
5793:Simon Dach
5393:Maximalism
5328:Literature
5003:Wiesenthal
4905:Cunningham
4898:Balanchine
4878:Witkiewicz
4850:Strindberg
4836:Pirandello
4808:Mayakovsky
4683:Stravinsky
4655:Schoenberg
4467:Performing
4392:Metropolis
4183:Mendelsohn
3988:Rossellini
3981:Richardson
3792:Fassbinder
3778:Eisenstein
3715:Cassavetes
3471:Modigliani
3345:Goncharova
3331:Giacometti
2725:Dos Passos
2527:Literature
2486:Surrealism
2397:Die BrĂŒcke
2086:and essays
1911:Homecoming
1848:Fellowship
1827:Prometheus
1792:The Burrow
1690:The Bridge
1555:The Stoker
1495:The Castle
1400:Commentary
1258:30 October
1134:3423325119
775:31 October
750:31 October
657:References
600:Ungeziefer
499:Edwin Muir
495:Willa Muir
437:emaciation
314:Mrs. Samsa
275:Characters
232:Kurt Wolff
190:Ungeziefer
95:Kurt Wolff
7000:Kockroach
5915:Jean Paul
5803:Hans Folz
5715:Minnesang
5442:Pulp noir
5400:Modernity
5265:Film noir
4989:St. Denis
4912:Diaghilev
4648:Schaeffer
4571:Hindemith
4543:Dutilleux
4515:Boulanger
4320:The Dance
4016:Tarkovsky
4009:Sternberg
3841:Hitchcock
3757:Dovzhenko
3673:Antonioni
3618:Stieglitz
3457:Metzinger
3408:Kokoschka
3387:Kandinsky
2801:Aldington
2794:Akhmatova
2711:Marinetti
2704:Mansfield
2655:Hemingway
2493:Symbolism
2312:Movements
2305:Modernism
2052:notebooks
1932:Advocates
1756:1917â1923
1579:1914â1917
1519:1902â1912
1488:The Trial
1232:3 January
1218:Americana
1174:0968-1361
1028:0028-792X
991:0261-3077
887:, p. 221.
795:LitCharts
770:LitCharts
745:LitCharts
727:162142676
719:0723-2977
699:Arbitrium
639:MistkÀfer
630:cockroach
372:allegoric
305:Mr. Samsa
269:charwoman
210:cockroach
199:monstrous
123:(now the
91:Publisher
7035:Bad Mojo
6720:Juli Zeh
6685:Uwe Timm
6127:May Ayim
6071:Karl May
5708:Medieval
5524:Category
5125:Fountain
5029:Don Juan
4968:Nijinsky
4864:Wedekind
4843:Piscator
4738:Anderson
4662:Scriabin
4578:Honegger
4232:Sullivan
4218:Saarinen
4211:Rietveld
4204:Niemeyer
4176:Melnikov
4106:Bunshaft
4037:Truffaut
4002:Sjöström
3946:Pudovkin
3918:Minnelli
3883:Kurosawa
3876:Kuleshov
3806:Flaherty
3632:Vuillard
3611:Steichen
3569:Rousseau
3534:Pissarro
3513:O'Keeffe
3478:Mondrian
3429:Malevich
3422:Magritte
3394:Kirchner
3338:van Gogh
3289:Doesburg
3268:Delaunay
3261:Delaunay
3184:BrĂąncuÈi
3170:Boccioni
3133:Painting
2983:Williams
2906:Mallarmé
2822:Cendrars
2732:Platonov
2690:Lawrence
2683:Koestler
2620:Flaubert
2613:Faulkner
2578:Bulgakov
2507:Tonalism
2468:De Stijl
2452:Lettrism
2438:Futurism
2329:Art Deco
2263:Category
2012:The Sons
1876:The Test
1855:At Night
1841:Poseidon
1428:Archived
1409:Archived
1385:LibriVox
1322:Archived
1304:Archived
1276:(1980).
522:, 1972;
368:symbolic
342:Max Brod
256:bankrupt
97:Verlag,
81:Language
7065:(album)
6533:writers
5909:Novalis
5179:Related
5041:Ubu Roi
4996:Tamiris
4982:Sokolow
4961:Massine
4829:Osborne
4822:O'Neill
4815:O'Casey
4773:Chekhov
4759:Beckett
4745:Anouilh
4729:Theatre
4676:Strauss
4634:Russolo
4613:Milhaud
4592:JanĂĄÄek
4564:GĂłrecki
4557:Feldman
4536:Debussy
4529:Copland
4487:Antheil
4225:Steiner
4148:Johnson
4127:Guimard
4120:Gropius
3967:Resnais
3869:Kubrick
3799:Fellini
3785:Epstein
3771:Edwards
3736:Cocteau
3722:Chaplin
3694:Bresson
3687:Bergman
3666:Aldrich
3659:Akerman
3604:Soutine
3576:Schiele
3527:Picasso
3520:Picabia
3450:Matisse
3324:Gauguin
3296:Duchamp
3254:Kooning
3233:Claudel
3226:Chirico
3219:Chagall
3212:CĂ©zanne
3205:Cassatt
3177:Bonnard
3163:Bellows
3156:Balthus
3033:Ulysses
2955:Stevens
2948:Seferis
2767:Unamuno
2606:Forster
2585:Chekhov
2550:Beckett
2479:Orphism
2445:Imagism
2429:Bauhaus
2415:Fauvism
2320:Acmeism
2157:Related
2084:Letters
1897:The Top
1648:A Dream
1502:Amerika
1419:Related
939:â. In:
581:, 2014)
557:, 2007)
544:, 2024)
515:, 1946)
449:leprosy
402:Amerika
167:novella
165:, is a
99:Leipzig
7046:(2020)
7038:(1996)
7011:(2007)
7003:(2007)
6995:(2002)
6976:(2021)
6968:(2000)
6960:(1993)
6941:(2012)
5165:(1953)
5153:(1928)
5141:(1921)
5129:(1917)
5117:(1913)
5105:(1912)
5093:(1910)
5081:(1905)
5077:Salome
5069:(1902)
5057:(1899)
5045:(1896)
5033:(1888)
5010:Wigman
4940:Graham
4933:Fuller
4926:Fokine
4919:Duncan
4871:Wilder
4857:Toller
4794:Kaiser
4766:Brecht
4752:Artaud
4711:Webern
4697:VarĂšse
4627:Partch
4599:Ligeti
4522:Boulez
4494:BartĂłk
4452:(1943)
4440:(1941)
4428:(1936)
4418:(1931)
4408:(1929)
4396:(1927)
4384:(1925)
4372:(1923)
4360:(1920)
4348:(1915)
4336:(1912)
4312:(1907)
4300:(1889)
4288:(1887)
4276:(1886)
4253:Wright
4239:Tatlin
4197:Neutra
4099:Breuer
4065:Welles
4051:Vertov
3974:Renoir
3925:Murnau
3911:Marker
3904:Lupino
3862:Keaton
3848:Hubley
3834:Godard
3820:Fuller
3764:Dreyer
3743:Dassin
3701:Buñuel
3597:Sisley
3590:Signac
3583:Seurat
3555:Renoir
3373:Hopper
3275:Demuth
3198:Calder
3191:Braque
3142:Albers
3109:(1929)
3085:(1926)
3073:(1925)
3061:(1924)
3049:(1922)
3037:(1922)
3025:(1915)
2976:Valéry
2962:Thomas
2927:Pessoa
2871:George
2864:Elytis
2857:Ăluard
2843:Desnos
2815:Cavafy
2785:Poetry
2746:Proust
2739:Porter
2641:Hamsun
2599:Döblin
2592:Conrad
2564:Breton
2543:Barnes
2363:Cubism
2206:statue
1480:Novels
1197:16 May
1172:
1131:
1086:
1033:16 May
1026:
996:16 May
989:
960:
870:
836:
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725:
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616:Insekt
604:vermin
252:despot
244:vermin
202:vermin
182:German
153:German
85:German
61:Author
7054:Other
5335:Post-
5321:Music
5020:Works
4975:Shawn
4954:Laban
4889:Dance
4787:Jarry
4780:Ibsen
4718:Weill
4641:Satie
4550:Falla
4508:Berio
4478:Music
4263:Works
4190:Nervi
4134:Horta
4113:GaudĂ
4072:Wiene
4044:Varda
4030:Trnka
3939:Pabst
3897:Losey
3855:Jones
3827:Gance
3750:Deren
3729:Clair
3708:Carné
3680:Avery
3562:Rodin
3548:Redon
3506:Nolde
3499:Munch
3492:Moore
3485:Monet
3436:Manet
3415:LĂ©ger
3380:Kahlo
3359:Grosz
3317:Ernst
3310:Ensor
3247:Degas
3000:Works
2990:Yeats
2969:Tzara
2941:Rilke
2934:Pound
2913:Moore
2885:Lorca
2878:Jacob
2850:Eliot
2829:Crane
2808:Auden
2774:Woolf
2760:Svevo
2753:Stein
2718:Musil
2676:Kafka
2669:Joyce
2662:Hesse
2648:HaĆĄek
2571:Broch
2406:Music
2235:Kafka
2139:Plays
1472:works
851:Signs
723:S2CID
705:(1).
4947:Holm
4620:Nono
4585:Ives
4501:Berg
4469:arts
4246:Mies
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2697:Mann
2634:Gide
2627:Ford
2557:Bely
2370:Dada
1260:2006
1234:2022
1199:2024
1170:ISSN
1129:ISBN
1084:ISBN
1035:2024
1024:ISSN
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987:ISSN
958:ISBN
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813:ISBN
777:2017
752:2017
715:ISSN
497:and
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6965:Rat
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