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815:,' Wegner created fascinating furniture with clean, organic and aesthetic lines, balanced by a minimalist and composed aspect. He was a modernist with emphasis on the practicality and elegance of each piece he crafted. He believed the versatility and usability of his designs were as vital for him as the looks of them. After graduating in architecture in 1938, he worked in Arne Jacobsen and Eric Møller's office before establishing his own office in 1943. Striving for functionality as well as beauty, he became the most prolific Danish designer, producing over 500 different chairs. His
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819:(technically Model 500) in 1949 was called "the world's most beautiful chair" before being labelled simply "The Chair" after Nixon and Kennedy used it in a 1960 televised debate. His Wishbone Chair, also 1949, with a Y-shaped back split and a curved back, was inspired by a Chinese child's chair he had seen. A work of simplicity and comfort, it is still made today by the Danish firm Carl Hansen & Son. Wegner's designs can now be found in several of the world's top design museums including New York's
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593:, he developed a unique approach to Functionalism. As a result of his fine craftsmanship and his search for simplicity, his steel-based furniture from the 1930s added a new dimension to the modernist movement. His later designs in wood still form part of classical Danish Modern, especially his three-legged stool and folding Egyptian coffee table (1940) originally produced by A. J. Iversen.
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which was centred on elegantly clean lines and attention to detail. Unlike many of his contemporaries, he worked essentially with steel, combining it with wood, leather, cane or marble. Kjærhom developed a close understanding with the cabinetmaker E. Kold
Christensen who produced most of his designs. Today a wide selection of his furniture is produced by
319:. This ultimately led to mass-production in the United States, too. From the beginning of the 1950s, American manufacturers obtained licenses for the mass production of Danish designs while maintaining high standards of craftsmanship. Later, the designs were altered to suit American tastes and American parts were introduced to reduce costs. When
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creating affordable furniture and household objects that were both functional and elegant. Fruitful cooperation ensued, combining Danish craftsmanship with innovative design. Initially, the furniture was handmade, but recognizing that their work would sell better if prices were reduced, the designers soon turned to factory production.
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lamp, known as the PH lamp. The curvature of the shades allowed his hanging lamp to illuminate both the table and the rest of the room. He went on to design many similar lamps, some with frosted glass, including desk lamps, chandeliers and wall-mounted fixtures. Although he died in 1967, many of his designs continue to be popular.
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produced are for the home, but many are designed for the workplace. In addition to its classic designs, Danish designer furniture benefits from a new generation of innovative players. As a result, Denmark has maintained its place as the world's leading furniture producer in relation to the country's population.
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worked briefly with Arne
Jacobsen. During the 1960s, he designed furniture, lamps and textiles with an imaginative combination of innovative materials, playful shapes and bold colours. Among his earliest designs were the Bachelor Chair and Tivoli Chair (1955), both produced by Fritz Hansen, but he is
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competition with her "He Chair" and "She Chair". With the help of furniture manufacturer Poul
Jeppesen, she went on to design simpler models with clear, comfortable lines, which became popular both in Denmark and the United States thanks to their competitive prices. Jalk also edited the Danish design
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As a result of the furniture school he founded at the Royal
Academy in 1924, Klint had an impact on Danish furniture, influencing designers such as Kjærholm and Mogensen. His carefully researched designs are based on functionality, proportions in line with the human body, craftsmanship and the use of
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After studying under Kaare Klint at the
Copenhagen School of Arts and Crafts and at the Royal Danish Academy of Fine Arts, Mogensen adopted Klint's approach to simple, functional furniture design. Taking an almost scientific approach to an item's functionality, most of his furniture is characterized
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Though he studied architecture at the Royal
Academy, Juhl was a self-taught designer of furniture. In the late 1930s, he created furniture for himself but from 1945 he became recognized for his expressively sculptural designs, placing emphasis on form rather than function, so breaking tradition with
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While the mass-produced works of Wegner, Juhl and
Jacobsen are still in demand, collectors are increasingly turning to limited production items from these and the other designers. In the United States, while prices have increased, they are still at reasonable levels compared to similar items of new
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In addition to an academic career at the School of Arts and Crafts and at the
Institute of Design at the Royal Academy, Kjærholm always took full account of the importance of place a piece of furniture had in surrounding architectural space. Functionality took second place to his artistic approach
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Inspired by Kaare Klint under whom he had studied, Wanscher later followed in his footsteps as professor of the Royal
Academy's furniture school. Particularly interested in 18th-century English furniture and in early Egyptian furniture, one of his most successful pieces was his delicately designed
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as cheaper substitutes, they started to decline in favor of
Mediterranean designs which became popular in 1966. In addition to changes in style preferences, customers' shopping habits had changed to favor affordable and lower-cost furniture over a single investment that would last their lifetime.
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in New York spread the notion of Danish Modern far and wide, paving the way for the international participation of his Danish colleagues. Two key pieces of furniture, in which the seat and backrest are separated from the wooden frame, are his 45-Chair, with its elegant armrests, and his Chieftain
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Poul Henningsen, an architect, with a strong belief in the functionalist way of thinking, was an important participant in the Danish Modern school, not for furniture but for lighting design. His attempt to prevent the blinding glare from the electric lamp bulb succeeded in 1926 with a three-shade
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organized a furniture exhibition in Copenhagen which was to be held every year until 1967. It fostered collaboration between cabinetmakers and designers, creating a number of lasting partnerships including those between Rudolph Rasmussen and Kaare Klint, A. J. Iversen and Ole Wanscher, and Erhard
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In the postwar years, Danish designers and architects believed that design could be used to improve people's lives. In the late 1940s, the growing middle class in Denmark began to show interest in Danish Modern and helped fuel further investment into the style. Particular attention was given to
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Employing some 15,000 people each year, Denmark's 400 furniture companies produce goods worth around DKK 13 billion (€1.75 billion). A highly productive sector, over 80% of the furniture produced is sold abroad making furniture Denmark's fifth most-important export industry. Most of the items
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However, a large amount of Danish furniture is now produced outside of Denmark. Production has been outsourced to aboard where costs are lower, mainly Baltic countries and eastern and southern Europe. Republic of Fritz Hansen, for example, has moved their production to
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975:(1960), the world's first one-piece moulded plastic chair. Sometimes referred to as a pop artist, unlike the majority of his colleagues, he continued to be successful in the 1970s, not only with furniture but with interior designs including lighting.
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by strong, simple lines and was designed for industrial production. Notable items include his oak-framed Hunting Chair (1950) with a strong leather back and seat, his light, open Spokeback Sofa (1945), and the low robust Spanish Chair (1959).
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modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions, and the requirements of the human body.
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trend of abandoning ornamentation in favour of form, he nonetheless maintained the warmth and beauty inherent in traditional Danish cabinet making, as well as high-quality craftsmanship and materials.
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Egyptian Stool (1960) crafted from luxurious materials. Another successful item was his Colonial Chair in Brazilian rosewood. He was awarded the Grand Prix for furniture at Milan's triennale in 1960.
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A number of Danish textile designers worked closely with furniture designers to help shape the look of Danish modernism, for example by creating textiles for cushions, sofas, and beds. These include
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with a one-piece plywood seat and back, bent in both directions. Collapsible chairs dating from the 1930s include Kaare Klint's Safari Chair and propeller stools which were also developed by
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A number of firms continue to be active in producing both classic Danish Modern designs and in introducing variants designed by a new generation of artists. They include Republic of
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Rasmussen and Børge Mogensen. From 1933, collaboration was reinforced as a result of the annual competition for new types of furniture, arranged each year prior to the exhibition.
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1121:. He emigrated to the United States in 1939 to study American design, working first as a textile designer and later as a freelance furniture designer. In 1941 he joined
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high quality materials. Notable examples of his work include the Propeller Stool (1927), the Safari Chair and the Deck Chair (both 1933), and the Church Chair (1936).
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helped bring about a thriving furniture industry from the 1940s to the 1960s. Adopting mass-production techniques and concentrating on form rather than just function,
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and the Swan, now international icons. His stackable, three-legged Ant Chair (1952) with a one-piece plywood seat and back and its four-legged counterpart, the
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Graduating from the Royal Academy in 1924, Jacobsen quickly demonstrated his mastery of both architecture and furniture design. With the completion of his
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Furniture exports from Denmark rose from DKK 9.8 million in 1953 to DKK 257.8 million in 1964. This was aided in part by Denmark's decision to copy the
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in 1993. In addition to the buildings themselves, Jacobsen designed almost all of the furniture, lighting, textiles and metalwork used on the site.
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which is awarded to designers, manufacturers or writers who have made a special contribution to the field of furniture design, especially chairs.
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and all its internal fittings and furniture in 1960, his talents became widely recognized, especially as a result of the chairs called the
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in Milan. Other significant producers include PP Møbler, Kjærholm Production and One Collection, formerly known as Hansen & Sørensen.
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encouraged the use of plywood. In the late 1940s, the development of new techniques led to the mass production of bent plywood designs by
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1269:(born 1937), notable for his small, light stool (1959) with beautifully shaped legs and for his seating in theatres and concert halls.
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441:. New types of Danish design companies have emerged with both national and international appeal in recent years. Normann Copenhagen,
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exerted a strong influence on Danish furniture making. Appointed head of the Furniture Department at the Architecture School of the
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Danish Modern Furniture inside a 1940's Mid Century Modern Residence in Pasadena by architect James V. Coane & Associates
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The development of modern Danish furniture owes much to the collaboration between architects and cabinetmakers. Cabinetmaker
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furniture. Licensed manufacturers have started reissuing key designs, while others have used Danish Modern for inspiration.
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entered the market, the Danes countered by producing new designs based on new materials. One of Wegner's works was used by
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Many other designers and cabinetmakers contributed to the Danish modern scene. Several worked in partnerships, including:
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1257:(1926–2009), a close friend and partner of Finn Juhl, his furniture sold particularly well in the United States.
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1239:(1919–1992), who experimented with materials and form, creating a number of items in his own distinctive style.
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206:, he encouraged his students to take an analytical approach, adapting design to modern-day needs. Adopting the
1263:(born 1932), architect and interior designer who created a successful series of office furniture in the 1960s.
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918:' moulded plywood designs, she began to develop her own boldly curved models in the 1950s. In 1963, she won a
393:", and the "new culture, for which only the shocking is chic". Many factories closed during this time and the
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contributed to the style's success. Additionally, minimalist Danish housewares such as cutlery and trays of
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1675:"Networks, Narratives, and New Markets: The Rise and Decline of Danish Modern Furniture Design, 1930-1970"
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429:, Fredericia Furniture, Carl Hansen & Søn and Normann Copenhagen, all of whom exhibited at the 2011
1245:(1923–2005), pioneering new materials and production techniques, also working with textiles and jewelry
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In 1931, another key institution in the development of Danish Modern formed; The Association of Arts (
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Sales peaked around 1963, but when American manufacturers introduced molded plastic and wood-grained
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in September 1949, which brought down the price of Danish goods drastically for American consumers.
49:
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1342:" House's interior design preferences (as well as his patient, George's) are called Danish modern.
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1230:(1912–1986), trained in Odense, designed furniture for ships and cinemas as well as for the home.
1218:(1903–1995), a versatile designer, maintaining the strict traditions of Klint's furniture school.
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1724:"Danish Design: From Its Famous Past to the Present; The Melancholy Fate Of Danish Modern Style"
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held its final event in 1966 after too few cabinetmakers remained in Copenhagen to sustain it.
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Often credited with having introduced Danish Modern design to America, Risom was a graduate of
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717:, just north of Copenhagen, has been preserved as he left it with the furniture he designed.
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article observed that Danish modern "went out of style" in the United States, due in part to
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Danish furniture exports grew from just DKK 0.8 million in 1939 to DKK 6.8 million in 1944.
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276:, both of whom produced chairs with a teak plywood seat and back on a beech frame. In 1951,
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Innovative design work is also encouraged by the Wilhelm Hansen Foundation with the annual
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2016:
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8:
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David Colman, "Obituary: Hans Wegner, groundbreaking designer of Danish Modern furniture"
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1224:(1906–1991), designed and built individual pieces on request, with his own special finish
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217:, who had successfully exhibited furniture from designs by architect Kay Gottlob at the
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2671:: "Jacobsen. Objects and Furniture Design", 2010, Barcelona, Ed. Poligrafa, 127 pages.
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1195:(c. 1900 – c. 1970), who designed models produced at his own workshop in Copenhagen
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1189:(1896–1957), famous for his FN Chair, who also produced the furniture he designed
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449:, Kähler are among new firms that carry Danish modern design principles forward.
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1620:"Step Onto the Modernist Campus of St. Catherine's College at Oxford University"
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1148:(1901–1982), both students of Kaare Klint, working with contrasting materials
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2651:, 2007, Copenhagen: Christian Ejlers, two volumes: 328 p. & 223 p.
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in its early years, expanded the Danish modern aesthetic beyond furniture.
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Da danske møbler blev moderne: historien om dansk møbeldesigns storhedstid
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1206:(1898–1992), remembered for his bookcases (1928) and folding chair (1932)
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A number of cabinetmakers also developed skills in design. They include:
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1129:, and together they toured the country promoting Risom's designs. A true
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1178:(1938–2007), demonstrating originality with their Horseshoe Chair (1962)
618:(1955), were particularly popular with worldwide sales in the millions.
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1158:(1907–1993), remembered for the Ax Chair (1950) and the X Chair (1960)
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1761:. Louisiana (museum) (Klubudgave ed.). : Louisiana. p. 84.
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162:
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Helge Vestergaard Jensen (1917–1987), who produced the Daybed (1955)
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and compiled an authoritative four-volume work on Danish furniture.
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Dansk møbelkunst gennem 40 år - 40 years of Danish furniture design
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2549:, 1984 (reprinted 2000), London: Thames & Hudson, 176 p.
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Morten Mandel Refskou, "BogFeature: Da danske møbler blev moderne"
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A largely intact, and comprehensive, example are the buildings of
2506:
Furniture boom : mid-century modern Danish furniture 1945-75
219:
International Exposition of Modern Industrial and Decorative Arts
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134:
40:
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2381:
1329:" the family house's den is referred to as being Danish modern.
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389:, "which would have none of the earnest establishment image of
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1592:"Landscape at St Catherine's College (Grade I) (1001388)"
1251:(1923–2001), remembered above all for his iconic Corona Chair.
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the Klint school. His successful interior design work at the
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2579:
Moderne dansk møbeldesign: tendenser, hammerslag og historie
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between 1960 and 1966, the buildings were given the highest
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2663:
The art of furniture: 5000 years of furniture and interiors
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movement, experienced a revival in international interest.
166:
2612:, 1987, Tåstrup: Teknologisk Instituts Forlag, 4 volumes:
2563:, 2006, Odense, Syddansk Universitetsforlag, 644 pp.
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Interest in Danish Modern in the United States began when
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1521:
Kat DeLong, "Danish Modern Design For Today's Lifestyles"
1886:"Ditte Hammerstrøm modtog Finn Juhl Arkitekturpris 2011"
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Several other individuals made important contributions:
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was also a keen furniture designer. Influenced both by
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in a 1960 televised debate and is now known simply as
241:) founded a permanent venue for arts and craft called
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in 1946, while receiving additional instruction from
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After training as a cabinetmaker, she studied at the
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and dinnerware such as those produced in Denmark for
2707:
Danish Modern Furniture, Decorative Objects, and Art
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Kunstindeks Danmark & Weilbachs kunstnerleksikon
1499:
1444:
1792:"Why Won't Midcentury Design Die? (Published 2016)"
1586:
1463:Lopes, Teresa da Silva; Duguid, Paul (2010-05-04).
405:In the late 1990s, Danish modern, and the broader
2598:, 2008, Salt Lake City: Gibbs Smith, 240 p.
1168:(1916–2000) working mainly with teak and rosewood
2937:
1063:PK0 chair, designed 1952 but first produced 1997
129:also known as Scandinavian modern is a style of
2189:
1978:
1816:
1212:(1938–1991), known for his Tip-Top lamp series.
1119:Copenhagen School of Industrial Arts and Design
729:Finn Juhl furniture at the Danish Design Museum
966:On graduating from the Royal Academy in 1951,
2727:
2107:, 6 February 2007. Retrieved 27 October 2011.
1422:
2661:Wanscher, Ole (translated by David Hohnen):
1516:
1514:
1409:
1307:(1967): The second novel of American writer
1043:. Kjærholm's work can be seen in New York's
2649:Danish furniture design in the 20th century
2581:, 2007, Copenhagen, Gyldendal, 329 p.
2319:Søren Sass, "Rigmor Andersen (1903 - 1995)"
2222:"1994 Reintroducing the 666 and 654 Chairs"
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527:PH Lamp (1925) variation with frosted glass
298:
2915:Copenhagen Cabinetmakers' Guild Exhibition
2734:
2720:
2537:: CS1 maint: location missing publisher (
2382:Bo Godt, "Klassisk, dansk møbelarkitektur"
1564:"The history of Mid Century Modern Design"
255:
2665:, 1968, London, Allen & Unwin, 419 p.
2547:Mid-century modern furniture of the 1950s
2442:Edith Rasmussen, "Når fortiden banker på"
1690:
1657:"The Modern Mama Had Scandinavian Modern"
1527:, 2 June 2008. Retrieved 26 October 2011.
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400:
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914:'s laminated bent-plywood furniture and
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1848:Jeppe Villadsen, "Hatched from The Egg"
1722:Huxtable, Ada Louise (21 August 1980).
1643:
1505:
1466:Trademarks, Brands, and Competitiveness
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581:In addition to his architectural work,
14:
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2312:
2117:Søren Sass, "Grete Jalk (1920 - 2006)"
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487:Table and chairs, Danish Design Museum
280:went even further with his sculptural
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630:Wooden-legged Grand Prix Chair (1957)
2489:, 1996, Århus: Systime, 157 p.
1832:"Danish furniture industry in short"
459:
2415:
1755:Holmsted Olesen, Christian (2006).
1618:Mindel, Lee F. (28 February 2014).
939:Grete Jalk: plywood GJ Chair (1963)
499:Library at the Danish Design Museum
417:The Danish furniture industry today
24:
2669:Solaguren-Beascoa de Corral, Félix
1597:National Heritage List for England
741:Poet Sofa in room at Copenhagen's
713:Chair (1949). Finn Juhl's home in
25:
2982:
2910:Royal Danish Academy of Fine Arts
2741:
2683:
2577:Hansen, Per H.; Petersen, Klaus:
2422:"Arne Vodders tidløse klassikere"
910:'s Furniture School. Inspired by
204:Royal Danish Academy of Fine Arts
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1325:Season 2, Episode 18 — in "
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431:Salone Internazionale del Mobile
264:The scarcity of materials after
189:Kaare Klint: Church Chair (1936)
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33:Selection of Danish Modern works
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2323:Dansk Kvindebiografisk Leksikon
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1338:Season 3, Episode 6 — in "
1011:Flowerpot Lamps (designed 1968)
395:Cabinetmakers' Guild Exhibition
1836:Møbel+Interiør brancheforening
1483:
1456:
1441:, 1996, Århus: Systime, p. 84.
1431:
1385:
756:Chair in Design Museum Danmark
344:St Catherine's College, Oxford
133:furniture and housewares from
13:
1:
2702:Danish Design Museum Database
2487:Dansk møbelindustri 1870–1950
2479:
2309:. Retrieved 10 November 2011.
2259:. Retrieved 10 November 2011.
1790:Kurutz, Steven (2016-09-30).
1439:Dansk møbelindustri 1870-1950
1378:
1304:The Cat Who Ate Danish Modern
971:remembered above all for his
666:Three-legged Ant Chair (1952)
311:purchased some items for the
2352:. Retrieved 10 November 2011
2211:. Retrieved 24 October 2011.
2186:. Retrieved 29 October 2011.
2170:. Retrieved 29 October 2011.
2137:Signe Brogaard, "Grete Jalk"
2091:. Retrieved 24 October 2011.
2075:. Retrieved 24 October 2011.
2059:. Retrieved 24 October 2011.
2033:Ida Haugsted, "Ole Wanscher"
2023:. Retrieved 24 October 2011.
2007:. Retrieved 24 October 2011.
1935:. Retrieved 24 October 2011.
1912:. Retrieved 24 October 2011.
1861:. Retrieved 28 October 2011.
1838:. Retrieved 28 October 2011.
1663:. Retrieved 28 October 2011.
1577:. Retrieved 25 October 2011.
1496:. Retrieved 26 October 2011.
1288:Danish Modern chairs at the
1146:Tove and Edvard Kindt-Larsen
1127:Hans Knoll Furniture Company
951:Grete Jalk's GJ Table (1963)
198:Between the two world wars,
7:
2472:Retrieved 10 November 2011.
2452:Retrieved 19 November 2011.
2432:Retrieved 16 November 2011.
2412:Retrieved 16 November 2011.
2392:Retrieved 16 November 2011.
2372:Retrieved 17 November 2011.
2329:Retrieved 16 November 2011.
2286:Retrieved 11 November 2011.
1679:The Business History Review
1346:
710:United Nations Headquarters
239:Forening for Kunsthaandværk
175:Dansk International Designs
145:embraced the principles of
10:
2987:
2147:Retrieved 8 November 2011.
2127:Retrieved 8 November 2011.
2043:Retrieved 27 October 2011.
1975:Retrieved 29 October 2011.
1955:Retrieved 29 October 2011.
1896:Retrieved 28 October 2011.
1554:Retrieved 25 October 2011.
1049:Victoria and Albert Museum
227:Danish Cabinetmakers Guild
180:
2902:
2851:
2840:
2751:
1575:Mid-Century Modern Online
1469:. Routledge. p. 87.
1099:Kjærholm's chairs in the
1023:Moon Lamp (designed 1967)
608:Royal Hotel in Copenhagen
352:Grade I designated status
193:
987:Heart Cone chairs (1959)
813:the Master of the Chairs
591:Ludwig Mies van der Rohe
346:in England. Designed by
299:The international market
141:movement. In the 1920s,
2971:20th century in Denmark
2594:Hollingsworth, Andrew:
1673:Hansen, Per H. (2006).
1075:Hammock Chair 25 (1965)
363:British 30% devaluation
256:Start of the Golden Age
2503:Dybdahl, Lars (2018).
1415:Andrew Hollingsworth,
1293:
401:Resurgence of interest
238:
190:
2859:Carl Hansen & Søn
2485:Andresen. Carl Erik:
2269:"Edvard Lindt-Larsen"
1419:, Gibbs Smith, p. 31.
1287:
1156:Orla Mølgaard-Nielsen
796:Spokeback Sofa (1945)
369:Decline in popularity
188:
2956:History of furniture
2920:Designmuseum Denmark
2679:/ 978-84-343-11834-8
2257:Danish-furniture.com
2209:Danish-furniture.com
2195:Hollingsworth, p. 58
2168:Danish-furniture.com
2089:Danish-furniture.com
2073:Danish-furniture.com
2057:Danish-furniture.com
2021:Danish-furniture.com
2005:Danish-furniture.com
1984:Hollingsworth, p. 64
1933:Danish-furniture.com
1910:Danish-furniture.com
1822:Hollingsworth, p. 10
1624:Architectural Digest
1494:Danish-furniture.com
1437:Carl Erik Andresen,
1309:Lilian Jackson Braun
1290:Danish Design Center
1045:Museum of Modern Art
900:Danish Design School
821:Museum of Modern Art
784:Spanish Chair (1959)
309:Museum of Modern Art
137:associated with the
1428:Hollingsworth, p. 1
1166:Aksel Bender Madsen
999:Panton Chair (1960)
850:Hans Wegner chair,
551:The PH5 Lamp (1958)
539:PH desk lamp (1941)
391:Scandinavian design
305:Edgar Kaufmann, Jr.
2695:2017-08-03 at the
2344:2011-07-06 at the
2301:2016-04-02 at the
2296:"Frits Henningsen"
2274:2011-06-12 at the
2251:2012-01-12 at the
2162:2013-06-06 at the
1999:2019-02-28 at the
1927:2006-08-13 at the
1853:2011-05-02 at the
1796:The New York Times
1728:The New York Times
1569:2011-11-23 at the
1548:historie-online-dk
1542:2011-11-27 at the
1368:Mid-century modern
1297:In popular culture
1294:
1210:Jørgen Gammelgaard
1137:Other contributors
836:The Wishbone Chair
678:The 7 Chair (1955)
407:mid-century modern
317:Frank Lloyd Wright
290:Jørgen Gammelgaard
191:
153:Designers such as
27:Style of furniture
2933:
2932:
2677:978-84-343-1183-1
2604:978-1-58685-811-7
2545:Greenberg, Cara:
2516:978-87-93604-12-4
2448:, 24 March 2008.
2446:Livsstil.guide.dk
2350:Antik&Auktion
2182:, Verner Panton,
1922:"Poul Henningsen"
1476:978-1-135-17733-1
882:The Peacock Chair
460:Main contributors
315:home designed by
16:(Redirected from
2978:
2966:Danish furniture
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2466:Den Store Danske
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1646:, p. 32-33.
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1373:Modern furniture
1327:Our Son, the Man
1193:Frits Henningsen
1174:(1931–1984) and
1172:Preben Fabricius
1164:(1917–1987) and
1154:(1916–1986) and
1101:Louisiana Museum
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1087:PK9 Chair (1960)
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2789:Poul Henningsen
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2647:Karlsen, Arne:
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1994:"Arne Jacobsen"
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1281:, among others.
1216:Rigmor Andersen
1176:Jørgen Kastholm
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1397:DANISH MODERN
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1363:Lunning Prize
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1358:Danish design
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584:
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573:Mogens Lassen
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127:Danish modern
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89:
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60:
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19:
18:Danish Modern
2903:Institutions
2869:Fritz Hansen
2799:Ole Wanscher
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2578:
2560:
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2465:
2457:
2445:
2437:
2425:
2417:
2405:
2397:
2385:
2377:
2365:
2357:
2349:
2339:"Peder Moos"
2334:
2322:
2314:
2306:
2291:
2280:Georg Jensen
2279:
2264:
2256:
2241:
2229:. Retrieved
2225:
2216:
2208:
2200:
2191:
2183:
2175:
2167:
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2120:
2112:
2104:
2096:
2088:
2080:
2072:
2064:
2056:
2048:
2036:
2028:
2020:
2012:
2004:
1989:
1980:
1968:
1960:
1948:
1940:
1932:
1917:
1909:
1901:
1889:
1881:
1874:Dybdahl 2018
1858:
1843:
1835:
1827:
1818:
1807:. Retrieved
1795:
1785:
1757:
1750:
1739:. Retrieved
1727:
1717:
1682:
1678:
1668:
1660:
1651:
1644:Dybdahl 2018
1639:
1627:. Retrieved
1613:
1601:. Retrieved
1595:
1582:
1574:
1559:
1547:
1532:
1524:
1506:Dybdahl 2018
1501:
1493:
1490:"Exhibition"
1485:
1465:
1458:
1451:Dybdahl 2018
1446:
1438:
1433:
1424:
1416:
1411:
1400:. Retrieved
1396:
1387:
1333:
1320:
1312:
1302:
1279:Vibeke Klint
1272:
1249:Poul Volther
1243:Nanna Ditzel
1198:
1181:
1162:Ejner Larsen
1140:
1116:
1041:Fritz Hansen
1037:
973:Panton Chair
965:
924:
920:Daily Mirror
897:
810:
770:
706:
692:
685:Ole Wanscher
605:
587:Le Corbusier
580:
565:PH Artichoke
513:
473:
451:
435:
430:
427:Fritz Hansen
424:
420:
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404:
382:
380:
372:
360:
341:
313:Fallingwater
302:
294:
266:World War II
263:
259:
232:
212:
197:
152:
126:
125:
2925:A. Petersen
2824:Arne Vodder
2784:Hans Wegner
2774:Mogens Koch
2764:Kaj Gottlob
2759:Kaare Klint
2590:(in Danish)
2573:(in Danish)
2498:(in Danish)
2470:(in Danish)
2450:(in Danish)
2430:(in Danish)
2410:(in Danish)
2406:Gravsted.dk
2390:(in Danish)
2370:(in Danish)
2366:Gravsted.dk
2327:(in Danish)
2284:(in Danish)
2180:"Biography"
2145:(in Danish)
2125:(in Danish)
2053:"Finn Juhl"
2041:(in Danish)
1973:(in French)
1953:(in Danish)
1894:(in Danish)
1890:Ordrupgaard
1552:(in Danish)
1353:A. Petersen
1335:House, M.D.
1275:Lis Ahlmann
1255:Arne Vodder
1204:Mogens Koch
1152:Peter Hvidt
1111:(1916–2016)
1051:in London.
1032:(1929–1980)
960:(1926–1998)
912:Alvar Aalto
904:Kaare Klint
892:(1920–2006)
817:Round Chair
805:(1914–2007)
803:Hans Wegner
765:(1914–1972)
701:(1912–1989)
687:(1903–1985)
600:(1902–1971)
575:(1901–1987)
508:(1894–1967)
468:(1888—1954)
466:Kaare Klint
325:Woolworth's
270:Hans Wegner
246: [
221:in 1925 in
200:Kaare Klint
159:Hans Wegner
143:Kaare Klint
2940:Categories
2864:FDB Møbler
2834:Jens Risom
2819:Grete Jalk
2525:1057784424
2480:Literature
2307:Denmark 50
1859:Denmark.dk
1809:2020-10-16
1741:2020-10-03
1685:(3): 481.
1629:3 December
1603:2 December
1525:Lifescript
1402:2024-06-13
1379:References
1261:Bodil Kjær
1237:Hans Olsen
1222:Peder Moos
1187:Jacob Kjær
1131:minimalist
1123:Hans Knoll
1109:Jens Risom
890:Grete Jalk
131:minimalist
2961:Modernism
2769:Finn Juhl
2752:Designers
2533:cite book
1949:By Lassen
1804:0362-4331
1777:474849564
1736:0362-4331
1701:0007-6805
923:magazine
699:Finn Juhl
612:Egg chair
337:The Chair
307:from the
282:Ant Chair
163:Finn Juhl
2884:Le Klint
2693:Archived
2342:Archived
2299:Archived
2272:Archived
2249:Archived
2246:"Others"
2160:Archived
2141:Bo Bedre
1997:Archived
1925:Archived
1851:Archived
1709:25097226
1567:Archived
1540:Archived
1347:See also
1047:and the
2462:"Bernt"
2231:20 July
1125:at the
925:Mobilia
906:at the
854:, Paris
381:A 1980
375:Formica
181:History
147:Bauhaus
135:Denmark
2874:Getama
2675:
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968:Panton
869:(1949)
838:(1949)
583:Lassen
439:Poland
235:Danish
194:Origin
2226:Knoll
1705:JSTOR
447:Muuto
321:Sears
250:]
223:Paris
2673:ISBN
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2638:ISBN
2636:and
2630:ISBN
2622:ISBN
2614:ISBN
2600:ISBN
2583:ISBN
2565:ISBN
2551:ISBN
2539:link
2521:OCLC
2511:ISBN
2491:ISBN
2233:2015
1800:ISSN
1773:OCLC
1763:ISBN
1732:ISSN
1697:ISSN
1631:2023
1605:2023
1471:ISBN
1277:and
589:and
563:The
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