220:. It is one of nine basic dancing genres (the other being Tsamikos, Syrtos in 3 steps, Syrtos in 2 steps, Pogonisios, Zagorisios, Kleftes, Fezodervenagas, Berati) of Epirus. The Osmantakas dancing genre has its distinct dancing style, it's exclusively danced in the correspondent song and it's not to be confused with any other dancing genre in Epirus. Apart from the traditional 8-measure motif, today it is also performed in a 4-measure motif, very similar to the Pogonios. In the typical fashion in the music of Epirus the specific song may sometimes be interrupted at the end and end up in Syrtos or Tsamikos rhythm. A general classification of the dancing genres in
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474:...άλλοι ρυθμοί της Ηπείρου είναι αυτοί που απαντώνται σε μεμονωμένους χορούς πχ Κλέφτες, Σαμαντάκας.", Ενώ παλιότερα στην Ήπειρο χρησιμοποιούνταν συχνά ιδιόμορφα ρυθμικά σχήματα", "Σήμερα και οι ίδιοι οι μουσικοί τα έχουν απλοποιήσει. Έτσι ο Σαμαντάκας που είναι σε οκτάσημο ρυθμό (παλιές εκτελέσεις), σήμερα από τους περισσότερους μουσικούς παίζεται σε τετράσημο (πωγωνήσιο) ρυθμό.
164:
his stomach. The dancers hold each other from the hands, bend 90 degrees upwards at the elbows. It takes a sturdy hand, especially if you are supporting the first or last person of the line. This symbolizes the strength and centrality of the lead dancer as he forms a bridge with his body for the other men to cross over.
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meter with steps "slow-quick-quick". The dance is a row dance, with a lead dancer performing skillfully executed steps. He then drops to his knees, arches his back and extends his chest upward, forming a bridge. The other dancers then step forward onto the lead dancer's stomach and dance on top of
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and was sentenced to death. When he was asked to give his final wish, he wanted to dance. The folk tradition says that his dance was so beautiful that the local
Albanian gendarmes of the Ottoman army, did not execute him. After some days he was caught again and was killed in
426:"In the case of a dance known in Southern Albania as "dance of Osman Taka" and in northern Greece as "Tsamiko. "... Footnote " In some parts of northern Greece also termed "Osman Taka" and Samantaka."; p. 375.
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region of Epirus can classify
Osmanatakas, as well as the Berati, Kleftes, Perdikomata, as variations of Tsamiko. This dance is supposed to have been the dance of the
105:, a 19th-century Muslim Cham Albanian guerilla fighter who fought against Ottoman forces. It is a famous variation from the Albanian Cham repertoire of the older
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in
Albania. The Dance of Osman Taka is a Cham dance well known throughout Albania and has been performed at some number of national occasions.
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page/number/track: 58/36/13, 64/219/2, 65/223/5, 71/214/13, 76/242/27 , p. 178= "Γύρισμα και κλείσιμο σε τσάμικο.
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408:"Whose is the song? Fieldwork views on multipart singing as expression of identities at South Albanian border"
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Anamali, Skënder and Prifti, Kristaq. Historia e popullit shqiptar në katër vëllime. Botimet Toena, 2002,
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The dance follows a strict tempo with emphasis in the "attitude, style and grace" of the dancer. It is a
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alongside vocals. It is famous variation from the
Albanian Cham repertoire of the older
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Albanian
Traditional Music: An Introduction, with Sheet Music and Lyrics for 48 Songs
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97:) is a traditional dance in Albania and Greece. In Albania it is mainly danced by
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In Greece the dance is called "Osmantakas" or "Samantakas" and it is danced in
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340:. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 14–16.
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Balkan border crossings: First annual of the
Konitsa Summer School
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The dance is performed alongside instrumental accompaniment of
464:. Work published in the 18th World Meeting in Dancing Research
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458:"Μουσική και χορός - Αναφορά στους ρυθμούς της Ηπείρου"
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488:"Η Ρυθμική Συγκρότηση της Μουσικής της Ηπείρου"
1114:Settlements inhabited by communities known as
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492:Technological Educational Institute of Epirus
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132:while fighting against Ottoman authorities .
642:Cham Albanian Resistance during World War II
380:. Folk Dance Enterprises. pp. 207–208.
230:https://dmpp.org/the-dance-of-osman-taka/%7C
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45:. Please do not remove this message until
681:Anti-Fascist Committee of Cham Immigrants
659:Cham Albanian collaboration with the Axis
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65:Learn how and when to remove this message
714:Party for Justice, Integration and Unity
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41:Relevant discussion may be found on the
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172:The dance is part of the repertoire of
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304:Shetuni, Spiro J. (10 January 2014).
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724:Bilal Xhaferri Cultural Association
520:Sokratis, Pappas (1 January 2013).
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739:Party for Justice and Integration
719:Democratic Foundation of Chameria
709:Chameria Human Rights Association
410:. In Nitsiakos, Vassilis (ed.).
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280:. Dora Stratou Theater Database
228:. The dance of Osman Taka |url=
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101:. The dance bears the name of
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374:Jaffé, Nigel Allenby (1990).
337:A Journey of the Vocal Iso(n)
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619:Albanian Committee of Janina
528:. p. 20. Archived from
486:Ηλίας, Λένης (2 July 2014).
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744:Party for Justice and Unity
686:Liberation Army of Chameria
676:Expulsion of Cham Albanians
414:. Lit Verlag. p. 371.
406:Pistrick, Eckehard (2008).
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123:Osman Taka was jailed in
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87:Vallja Çame e Osman Takës
647:4th "Ali Demi" Battalion
95:Οσμαντάκας or Σαμαντάκας
609:Catastrophe of Zalongo
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760:Cham Albanian dialect
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704:"Çamëria" Association
669:Paramythia executions
526:ΤΕΙ of Ionian Islands
176:in Greece and of the
168:In Albania and Greece
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1137:Albanian folk dances
778:Song of Marko Boçari
652:"Chameria" Battalion
604:Souliote Confederacy
377:Folk dance of Europe
278:www.dance-pandect.gr
979:Azis Tahir Ajdonati
788:Dance of Osman Taka
773:Song of Çelo Mezani
614:Assembly of Preveza
532:on 23 February 2017
498:on 23 February 2017
79:Dance of Osman Taka
34:of this article is
804:Krahu i shqiponjës
595:Pashalik of Janina
334:Koço, Eno (2015).
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462:Κόνιτσα Ιωαννίνων
456:Bellos, Giannis.
347:978-1-4438-7578-3
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274:"Osmantakas"
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1054:Shahin Dino
1034:Abedin Dino
1024:Rexhep Demi
1004:Refo Çapari
972:Individuals
933:Pandalejmon
898:Mousiotitsa
893:Parapotamos
888:Thesprotiko
858:Igoumenitsa
816:Settlements
536:22 February
502:22 February
468:22 February
284:18 February
136:Performance
1131:Categories
1094:Osman Taka
1079:Teme Sejko
1059:Veli Gërra
1049:Rasih Dino
1039:Ahmed Dino
1029:Tahir Demi
1019:Niazi Demi
999:Thoma Çami
994:Qamil Çami
989:Hamdi Çami
963:Karvounari
938:Mavronoros
883:Derviziana
863:Katavothra
848:Paramythia
799:Magazines
260:References
198:tambourine
178:Cham music
119:Osman Taka
113:Background
103:Osman Taka
32:neutrality
1116:Arvanites
1014:Musa Demi
984:Aziz Çami
953:Margariti
923:Kanallaki
600:Souliotes
226:Souliotes
43:talk page
1044:Ali Dino
1009:Ali Demi
918:Anthousa
853:Filiates
832:Konispol
828:Konispol
823:Chameria
664:Këshilla
624:Këshilla
238:See also
202:clarinet
130:Konispol
83:Albanian
36:disputed
948:Perdika
903:Sagiada
753:Culture
587:History
244:Tsamiko
208:dance.
184:Albania
109:dance.
958:Kastri
908:Syvota
878:Kranea
873:Louros
868:Fanari
841:Janjar
836:Markat
784:Dance
764:Music
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222:Zagori
218:Epirus
212:Greece
194:violin
125:Yanina
943:Vrinë
928:Parga
913:Xarrë
634:Issue
206:Çamçe
200:with
107:Çamçe
91:Greek
538:2017
504:2017
470:2017
437:ISBN
416:ISBN
382:ISBN
342:ISBN
312:ISBN
286:2017
190:lute
77:The
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
