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Courtly love

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1227: 1576:, as well as the writers of lays. Texts about courtly love, including lays, were often set to music by troubadours or minstrels. According to scholar Ardis Butterfield, courtly love is "the air which many genres of troubadour song breathe". Not much is known about how, when, where, and for whom these pieces were performed, but we can infer that the pieces were performed at court by troubadours, trouvères, or the courtiers themselves. This can be inferred because people at court were encouraged or expected to be "courtly" and be proficient in many different areas, including music. Several troubadours became extremely wealthy playing the fiddle and singing their songs about courtly love for a courtly audience. 1636: 1239: 2024: 184: 31: 3305: 1473:(1987), in 11th-century Spain, a group of wandering poets appeared who would go from court to court, and sometimes travel to Christian courts in southern France, a situation closely mirroring what would happen in southern France about a century later. Contacts between these Spanish poets and the French troubadours were frequent. The metrical forms used by the Spanish poets resembled those later used by the troubadours. 1987:. These were supposed courts made up of tribunals staffed by 10 to 70 women who would hear a case of love and rule on it based on the rules of love. In the 19th century, historians took the existence of these courts as fact, but later historians such as Benton noted "none of the abundant letters, chronicles, songs and pious dedications" suggest they ever existed outside of the poetic literature. Likewise, 1482:
endorse this view value courtly love for its exaltation of femininity as an ennobling, spiritual, and moral force, in contrast to the ironclad chauvinism of the first and second estates. The condemnation of courtly love in the beginning of the 13th century by the church as heretical, is seen by these scholars as the Church's attempt to put down this "sexual rebellion".
1708:" toys with the idea that human romantic love is a symbol for God's love when two people love each other so fully and completely that they leave each other for God, separating and moving to different religious environments. Furthermore, the main character's first wife leaves her husband and becomes a nun so that he can marry his new lover. 1218:
include "uncourtly" texts, and argues that there is no clear way to determine "where courtliness ends and uncourtliness starts" because readers would enjoy texts which were supposed to be entirely courtly without realizing they were also enjoying texts which were uncourtly. This presents a clear problem in the understanding of courtliness.
1165:(1294). The two relationships are very different — Lancelot and Guinevere are secret adulterous lovers, while Dante and Beatrice had no actual romantic relationship and only met twice in their whole lives. Nonetheless, the manner in which the two men describe their devotion to and quasi-religious adoration of their ladies is similar. 1725:. In it, a man becomes enamored with an individual rose on a rosebush, attempting to pick it and finally succeeding. The rose represents the female body, but the romance also contains lengthy digressive "discussions on free will versus determinism as well as on optics and the influence of heavenly bodies on human behavior". 2114:
This analysis is heavily informed by the Chivalric–Matriarchal reading of courtly love, put forth by critics such as Thomas Warton and Karl Vossler. This theory considers courtly love as the intersection between the theocratic Catholic Church and "Germanic/Celtic/Pictish" matriarchy. For more on this
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in the Bible. Some medieval writers thought that the book should be taken literally as an erotic text; others believed that the Song of Songs was a metaphor for the relationship between Christ and the church and that the book could not even exist without that as its metaphorical meaning. Still others
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However, other scholars note that courtly love was certainly tied to the Church's effort to civilize the crude Germanic feudal codes in the late 11th century. It has also been suggested that the prevalence of arranged marriages required other outlets for the expression of more personal occurrences of
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It is difficult to know how and when these songs were performed because most of the information on these topics is provided in the music itself. One lay, the "Lay of Lecheor", says that after a lay was composed, "Then the lay was preserved / Until it was known everywhere / For those who were skilled
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was a satire poking fun at doctors and theologians. In that work, Capellanus is supposedly writing to a young man named Walter, and he spends the first two books telling him how to achieve love and setting forth the rules of love. However, in the third book he tells Walter that the only way to live
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These points of multiple meaning and ambiguity facilitated a "coquetry of class", allowing the male troubadours to use the images of women as a means to gain social status with other men, but simultaneously, Bogin suggests, voiced deeper longings for the audience: "In this way, the sexual expressed
1904:
It is the pure love which binds together the hearts of two lovers with every feeling of delight. This kind consists in the contemplation of the mind and the affection of the heart; it goes as far as the kiss and the embrace and the modest contact with the nude lover, omitting the final solace, for
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are so vague and flexible that its utility for purposes of definition has become questionable." John C. Moore called it "a term used for a number of different, in some cases contradictory, conceptions" and called it "a mischievous term which should be abandoned". Roger Boase admitted the term "has
1870:
A point of ongoing controversy about courtly love is to what extent it was sexual. All courtly love was erotic to some degree, and not purely platonic—the troubadours speak of the physical beauty of their ladies and the feelings and desires the ladies arouse in them. However, it is unclear what a
1583:
Period examples of performance practice, of which there are few, show a quiet scene with a household servant performing for the king or lord and a few other people, usually unaccompanied. According to scholar Christopher Page, whether or not a piece was accompanied depended on the availability of
1507:
of courtly love became more complicated, the knight might wear the colors of his lady: where blue or black were sometimes the colors of faithfulness, green could be a sign of unfaithfulness. Salvation, previously found in the hands of the priesthood, now came from the hands of one's lady. In some
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Richard Trachsler says that "the concept of courtly literature is linked to the idea of the existence of courtly texts, texts produced and read by men and women sharing some kind of elaborate culture they all have in common". He argues that many of the texts that scholars claim to be courtly also
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created for the entertainment of the nobility, but as time passed, these ideas about love spread to popular culture and attracted a larger literate audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an
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The historic analysis of courtly love varies between different schools of historians. That sort of history which views the early Middle Ages dominated by a prudish and patriarchal theocracy views courtly love as a "humanist" reaction to the puritanical views of the Catholic Church. Scholars who
1995:
wrote in 1910 that, secrecy being "among the lover's first duties" in the ideology of courtly love, it is "manifestly absurd to suppose that a sentiment which depended on concealment for its existence should be amenable to public inquiry". According to Diane Bornstein, one way to reconcile the
1996:
differences between the references to courts of love in the literature, and the lack of documentary evidence in real life, is that they were like literary salons or social gatherings, where people read poems, debated questions of love, and played word games of flirtation.
2015:
his life correctly is to shun love in favor of God. This sudden change is what has sparked the interest of many scholars, leading some to regard the first two books as satirizing courtly love and only the third book as expressing Capellanus' actual beliefs.
1974:
drawn from courtly love to incite his nobles to swear to participate in an anticipated crusade, while well into the 15th century numerous actual political and social conventions were largely based on the formulas dictated by the "rules" of courtly love.
1956:(c. 1405), which expresses disapproval of courtly love, the convention was being used to justify and cover up illicit love affairs. Courtly love probably found expression in the real world in customs such as the crowning of Queens of Love and Beauty at 1930:
Within the corpus of troubadour poems there is a wide range of attitudes, even across the works of individual poets. Some poems are physically sensual, even bawdily imagining nude embraces, while others are highly spiritual and border on the platonic.
1837:, for example, shows Romeo attempting to love Rosaline in an almost contrived courtly fashion while Mercutio mocks him for it; and both in his plays and his sonnets the writer can be seen appropriating the conventions of courtly love for his own ends. 1486:
romantic love, and thus it was not in reaction to the prudery or patriarchy of the Church but to the nuptial customs of the era that courtly love arose. In the Germanic cultural world, a special form of courtly love can be found, namely
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Allegory is common in the romantic literature of the Middle Ages, and it was often used to interpret what was already written. There is a strong connection between religious imagery and human sexual love in medieval writings.
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By refusing to disclose his lady's name, the troubadour permitted every woman in the audience, notably the patron's wife, to think that it was she; then, besides making her the object of a secret passion—it was
1939:
A continued point of controversy is whether courtly love was purely literary or was actually practiced in real life. There are no historical records that offer evidence of its presence in reality. Historian
1315:
of the lady. The troubadour's model of the ideal lady was the wife of his employer or lord, a lady of higher status, usually the rich and powerful female head of the castle. When her husband was away on
84:. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love was originally a 1503:, a far-away princess, and some tales told of men who had fallen in love with women whom they had never seen, merely on hearing their perfection described, but normally she was not so distant. As the 1881:
doctrines which rejected the pleasures of the flesh and that they were metaphorically addressing the spirit and soul of their ladies. Rougemont also said that courtly love subscribed to the code of
1178:
which popularized the term "courtly love". He defined it as a "love of a highly specialized sort, whose characteristics may be enumerated as Humility, Courtesy, Adultery, and the Religion of Love".
1458:, notions of "love for love's sake" and "exaltation of the beloved lady" can be traced back to Arabic literature of the 9th and 10th centuries. The ennobling power of love is overtly discussed in 1831:(as well as the continuing influence of Ovid), the themes of courtly love were not confined to the medieval, but appear both in serious and comic forms in early modern Europe. Shakespeare's 1885:, and therefore a knight's loyalty was always to his King before his mistress. Edmund Reiss claimed it was also a spiritual love, but a love that had more in common with Christian love, or 1857:
princess who is threatened by the Nazis, acts towards her in strict accordance with the maxims of courtly love and finally wins her after fighting a duel with her aristocratic betrothed.
1288:(1124–1204) brought ideals of courtly love from Aquitaine first to the court of France, then to England (she became queen-consort in each of these two realms in succession). Her daughter 1819:
the social and the social the sexual; and in the poetry of courtly love the static hierarchy of feudalism was uprooted and transformed to express a world of motion and transformation."
1905:
that is not permitted for those who wish to love purely.... That is called mixed love which gets its effect from every delight of the flesh and culminates in the final act of Venus.
2004:
Theologians of the time emphasized love as more of a spiritual rather than sexual connection. There is a possibility that writings about courtly love were made as a response to the
1697:
claimed that the book was written literally about sex but that this meaning must be "superseded by meanings related to Christ, to the church and to the individual Christian soul".
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class, for only those who were noble could engage in courtly love. This new kind of love saw nobility not based on wealth and family history, but on character and actions; such as
1849:
depicts a Romantic modern American consciously seeking to model himself on the ideal medieval knight. Among other things, when finding himself in Austria in the aftermath of the
1320:
or elsewhere she dominated the household and cultural affairs; sometimes this was the case even when the husband was at home. The poet gave voice to the aspirations of the
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Trachsler, Richard (2006). "Uncourtly Texts in Courtly Books: Observations on MS Chantilly, Musee Conde 475". In Busby, Keith; Kleinhenz, Christopher (eds.).
1580:
musicians / On viol, harp and rote / Carried it forth from that region…" Scholars have to then decide whether to take this description as truth or fiction.
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found no documentary evidence in law codes, court cases, chronicles or other historical documents. However, the existence of the non-fiction genre of
1871:
poet should do: live a life of perpetual desire channeling his energies to higher ends, or physically consummate. Scholars have seen it both ways.
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instruments and people to accompany—in a courtly setting. For troubadours or minstrels, pieces were often accompanied by fiddle, also called a
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Courtly Arts and the Art of Courtliness: Selected Papers from the Eleventh Triennial Congress of the International Courtly Literature Society
1891:. On the other hand, scholars such as Mosché Lazar claim it was adulterous sexual love with physical possession of the lady the desired end. 1652: 1200:
been subjected to a bewildering variety of uses and definitions", but nonetheless defended the concept of courtly love as real and useful.
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Finoli (1999). "Andreas Capellanus. I. Theorien über Verfasser und Werk" [Andreas Capellanus. I. Theories about author and work].
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covert romance—by making her his lord he flashed her an aggrandized image of herself. She was more than "just" a woman: She was a man.
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are roughly contemporary treaties on love. Ibn Arabi and Ibn Sina both weave together themes of sensual love with divine love.
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Courtly love was born in the lyric, first appearing with Provençal poets in the 11th century, including itinerant and courtly
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On the other hand, continual references to beds and sleeping in the lover's arms in medieval sources such as the troubador
1674:'s court. This was a literature of leisure, directed to a largely female audience for the first time in European history. 3565: 1436: 3525: 3435: 3198: 3086: 3064: 2957: 2918: 2883: 2547: 2148: 2576:
Dove, Mary (1996). "Sex, Allegory and Censorship: A Reconsideration of Medieval Commentaries on the Song of Songs".
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The literary convention of courtly love can be found in most of the major authors of the Middle Ages, such as
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Paris used it as a descriptive phrase, not a technical term, and used it interchangeably with the phrase
692: 17: 1608: 767: 662: 335: 275: 183: 125: 1401: 2930: 1670:, included many examples of courtly love. Some of them are set within the cycle of poems celebrating 746: 1231: 3550: 2985: 2811: 1992: 1828: 1537: 1455: 672: 270: 113: 3247: 1701: 1415: 1301: 741: 736: 714: 2972: 1612: 502: 2641: 3545: 3173: 1966: 1957: 1027: 760: 280: 40: 3364: 3314: 3074: 1918: 1466: 1102: 814: 3054: 1799:, flattering her by addressing her as his lord and also serving as an ambiguous code-name. 1285: 1273: 1174: 726: 584: 441: 253: 105: 34: 1894:
Many scholars identify courtly love as the "pure love" described in 1184 by Capellanus in
43:, 1900: a late Victorian view of a lady giving a favor to a knight about to go into battle 8: 3378: 3242: 2967: 2058:
Moans of approaching death from unsatisfied desire (and other physical manifestations of
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Potkay, Monica Brzezinsky (1994). "The Limits of Romantic Allegory in Marie de France's
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Through such routes as Capellanus's record of the Courts of Love and the later works of
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and spiritual attainment, "a love at once illicit and morally elevating, passionate and
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at the end of the eleventh century. In essence, courtly love was an experience between
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The Knight, the Lady, and the Priest: the Making of Modern Marriage in Medieval France
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In 1964, Mosché Lazar differentiated three separate categories within "courtly love."
3521: 3492: 3470:(1990). "Marginal Men, Marcabru, and Orthodoxy: The Early Troubadours and Adultery". 3453: 3431: 3296: 3194: 3082: 3060: 2953: 2914: 2879: 2543: 2144: 1541: 1277: 315: 109: 101: 823:("fine love") which appears frequently in poetry, as well as its German translation 3386: 3370: 3140: 2735:
Reiss, Edmund (1979). "Fin'amors: Its History and Meaning in Medieval Literature".
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cases, there were also women troubadours who expressed the same sentiment for men.
641: 614: 157: 128:". The topic was prominent with both musicians and poets, being frequently used by 85: 59: 51: 1238: 3445: 3163: 1983:
A point of controversy was the existence of "courts of love", first mentioned by
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The tradition of medieval allegory began in part with the interpretation of the
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There is an art to it, it has rules, in the same vein as chivalry or courtesy.
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Courtly vignettes on an ivory mirror-case, first third of the 14th century (
1325: 1148:. Nonetheless, other scholars began using it as a technical term after him. 3427: 3419: 3382: 3341: 3282: 3208: 3129:
Moore, John C. (October 1979). "'Courtly Love': A Problem of Terminology".
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The male lover is in an inferior position and the woman in an elevated one.
1084: 991: 731: 427: 351: 305: 211: 3401: 3211:(1883). "Études sur les romans de la Table Ronde: Lancelot du Lac, II: Le 1776: 1759: 3467: 3299: 3049: 3033: 2945: 1671: 1647: 1261: 1230:
Court of Love in Provence in the 14th century (after a manuscript in the
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One theory holds that courtly love in Southern France was influenced by
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1181). In his article, Paris outlined four principal characteristics of
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Benton, John F. (1961). "The Court of Champagne as a Literary Center".
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ideas about love. Many scholars believe that Andreas Capellanus' work
1336:, thus appealing to poorer knights who saw an avenue for advancement. 1296:'s court. Courtly love found expression in the lyric poems written by 30: 2528:. Liverpool: University of Liverpool, Department of French, 1999. 67. 2515:. Ed. Mark Everist. Cambridge: Cambridge University Press, 2011. 209. 1927:
imply at least in some cases a context of actual sexual intercourse.
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Scholars debate whether "courtly love" constitutes a coherent idea.
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Courtly Love, the Love of Courtliness, and the History of Sexuality
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The Arabic Role in Medieval Literary History: A Forgotten Heritage
2760:(1962). "The Evidence for Andreas Capellanus Re-examined Again". 1971: 1317: 628: 413: 1948:
is perhaps evidence for its practice. For example, according to
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The Young Dante and the One Love: Two Lectures on the Vita Nova
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Amour courtois et "fin'amors" dans le littérature du XII siècle
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is a treatise on love which emphasizes restraint and chastity.
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Monson, Don A. (2007). "The Problem of 'Midons' Revisited".
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Allegorical treatment of courtly love is also found in the
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in which courtly love conventions can be found include the
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The term "courtly love" appears in only one extant source:
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The man does quests, tests, or trials in the woman's name.
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literary conception of love that emphasized nobility and
2493: 2491: 3395:] (in Old French). Translated by Charles Dahlberg. 3042:
Courtly love and "fin'amors" in 12th century literature
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Three old French narrative lays: Trot, Lecheor, Nabaret
1427:
is a collection of love poetry. Outside of Al-Andalus,
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Renewed wooing with oaths of virtue and eternal fealty
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Much of its structure and its sentiments derived from
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Endless adventures and subterfuges avoiding detection
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The modern use of the term "courtly love" comes from
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The Oxford Guide to Arthurian Literature and Legend
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A Distant Mirror: the Calamitous Fourteenth Century
2690: 2663: 2509:Butterfield, Ardis. "Vernacular poetry and music". 2447: 2398: 2396: 2288: 2251: 2249: 2247: 2234: 2232: 1383: 848: 3246: 3186: 3081:. Philadelphia: University of Pennsylvania Press. 2971: 2929: 2906: 2648: 2315: 2276: 2266: 2264: 2459: 2354: 2327: 2300: 2157: 1774:part is alternatively interpreted as coming from 1603:This French tradition spread later to the German 3537: 3363:] (in Latin). Translated by John Jay Parry. 2393: 2244: 2229: 2065:Heroic deeds of valor which win the lady's heart 1304:(1071–1126), one of the first troubadour poets. 626: 3264:. Cambridge, MA: D.S. Brewer. pp. 679–692. 2261: 2043:Attraction to the lady, usually via eyes/glance 1206:criticized its usage as a technical term as an 3313: 3193:. Albany: State University of New York Press. 2948:(1980). "Courtly Love: A New Interpretation". 2927: 2752: 2750: 2601: 2599: 2524:Burgess, Glyn S.. "C'est le Lay dou Lecheor." 2223: 1786:, though the meaning is unchanged regardless. 1260:The practice of courtly love developed in the 559: 550: 541: 3497:Love, Marriage, and Family in the Middle Ages 2468: 2408: 1877:said that the troubadours were influenced by 1653:The Story of the Champions of the Round Table 768: 411: 402: 27:Medieval European literary conception of love 3520:. Chicago: The University of Chicago Press. 3377: 3044:] (in French). Librairie C. Klincksieck. 2952:. New York: W.W. Norton & Company, Inc. 2417:The Cambridge Guide to Literature in English 2178:The Cambridge Guide to Literature in English 2169: 1661: 1496: 1471:The Arabic Role in Medieval Literary History 1357:"Marriage is no real excuse for not loving." 1292:(1145–1198) brought courtly behavior to the 1143: 1116: 1088: 824: 589: 573: 425: 141: 133: 2913:. Manchester: Manchester University Press. 2747: 2737:Journal of Medieval and Renaissance Studies 2596: 2141:Music & Poetry in the Early Tudor Court 1781: 1769: 612: 603: 2845:. Bullough & Brundage. pp. 33–50. 2627: 2625: 775: 761: 3503: 3400: 3340: 3259: 3241: 3232: 3178:Origins and Sources of the Courts of Love 3152: 3119: 3096: 3007: 2984: 2966: 2795: 2773: 2540:Voices and Instruments of the Middle Ages 2497: 2441: 2387: 2375: 2348: 1619:of Italian vernacular poetry, as well as 1248:on an ivory mirror-back, possibly Paris, 1076:Formation of the modern usage of the term 3444: 3277: 2840: 2473:. Eleanorofaquitaine.net. Archived from 2143:. New York: Cambridge University Press. 2022: 1860: 1634: 1349:had codified the rules of courtly love. 1237: 1225: 29: 3515: 3172: 3073: 3016: 2928:Boase, Roger; Bornstein, Diane (1983). 2638:Digital Library of Medieval Manuscripts 2622: 2453: 2415:Ousby, I., ed. (1995). "Courtly Love". 2294: 2282: 2176:Ousby, I., ed. (1995). "Courtly Love". 2138: 1366:"When made public love rarely endures." 1363:"No one can be bound by a double love." 1125:The love is illegitimate, furtive (ie. 14: 3538: 3491: 3482: 3324:Lancelot, le Chevalier de la charrette 3184: 3105: 2909:The Origin and Meaning of Courtly Love 2855: 2810: 2804: 2781: 2756: 2657: 2605: 2190: 2163: 2000:Courtly love as a response to religion 1934: 1511: 1074: 124:, humiliating and exalting, human and 3466: 3331:] (in Old French). Translated by 3207: 3128: 3048: 3032: 3026:The lyrical poetry of the troubadours 2980:. New York: Norton. pp. 154–163. 2944: 2904: 2734: 2696: 2684: 2669: 2512:Cambridge Companion to Medieval Music 2429: 2414: 2363: 2336: 2321: 2309: 2255: 2238: 2175: 2116: 1465:According to an argument outlined by 792: 71: 58: 3418: 3349: 3161: 2575: 2537: 2402: 2270: 1399:In contemporary Andalusian writing, 1360:"He who is not jealous cannot love." 1195:said, "the connotations of the term 1053: 1035: 1017: 999: 981: 3270: 2631: 1741:poetry is associated with the word 1572:such as the French troubadours and 1155:applied the term "courtly love" to 24: 3411: 2049:Declaration of passionate devotion 1822: 182: 89:enriching and improving practice. 25: 3577: 3248:"Some Medieval Doctrines of Love" 3022:La poésie lyrique des troubadours 2634:"History and Summary of the Text" 2542:. London: J. M. Dent & Sons. 1978: 1307:Poets adopted the terminology of 787: 3329:Lancelot, the Knight of the Cart 3303: 3291:] (in Latin). Translated by 3185:Newman, Francis X., ed. (1968). 2940:. Vol. 3. pp. 667–674. 1846:The Adventures of Hiram Holliday 1384:Andalusian and Islamic influence 1108:Lancelot, the Knight of the Cart 829:. Provençal also uses the terms 321:Passionate and companionate love 3132:Journal of the History of Ideas 3057:: A Study in Medieval Tradition 2995:Journal of Near Eastern Studies 2868: 2849: 2834: 2728: 2715: 2702: 2569: 2556: 2531: 2518: 2503: 2108: 2068:Consummation of the secret love 844: 806:in a late 12th-century poem by 3499:. Canada: Broadview Press Ltd. 2897: 2471:"The Practice of Courtly Love" 2132: 2052:Virtuous rejection by the lady 1495:At times, the lady could be a 1280:, from around the time of the 980: 13: 1: 2937:Dictionary of the Middle Ages 2126: 2046:Worship of the lady from afar 1660:The vernacular poetry of the 1302:William IX, Duke of Aquitaine 1249: 1112: 3430:. New York: Pantheon Books. 3162:Mott, Lewis Freeman (1896). 2822:. Vol. CVI. p. 357 1865: 1290:Marie, Countess of Champagne 1184: 7: 3561:Interpersonal relationships 3487:. Oxford: University Press. 3189:The Meaning of Courtly Love 3059:. Oxford: Clarendon Press. 2874:Tuchman, Barbara Wertheim, 2841:Brundage, James A. (1996). 2723:The Two Gentlemen of Verona 2075: 1789:Troubadours beginning with 1684:Allegory in the Middle Ages 1677: 1476: 1311:, declaring themselves the 1245:Siege of the Castle of Love 1075: 978: 10: 3582: 3566:Cultural history of Europe 3165:The System of Courtly Love 3114:(499/500 (3/4)): 283–305. 2973:"The Myth of Courtly Love" 2892: 2538:Page, Christopher (1987). 2224:Boase & Bornstein 1983 1793:would address the lady as 1681: 1630: 1609:Walther von der Vogelweide 1343:' highly influential work 1221: 813:It is associated with the 663:Color wheel theory of love 336:Queerplatonic relationship 276:Interpersonal relationship 92:Courtly love began in the 3516:Schultz, James A (2006). 3509:Love in the Western World 2878:(New York: Knopf, 1978). 2018: 1954:Book of the Three Virtues 1728: 1615:. It also influenced the 1421:The Translator of Desires 1339:By the late 12th century 747:Triangular theory of love 94:ducal and princely courts 3052:(1936). "Courtly Love". 2858:Lexikon des Mittelalters 2816:"The Lady of the Castle" 2721:William C. Carroll ed., 2469:O'Siodhachain, Deirdre. 2101: 1563: 1538:Gottfried von Strassburg 1456:Gustave E. von Grunebaum 1159:'s love for Beatrice in 851: 673:Biology of romantic love 271:Interpersonal attraction 114:Norman Kingdom of Sicily 3393:The Romance of the Rose 3366:The art of courtly love 2590:10.1093/litthe/10.4.317 2578:Literature and Theology 1911: 1795: 1749: 1743: 1730: 837: 831: 819: 802: 742:Physical attractiveness 528: 519: 510: 501: 492: 483: 474: 465: 456: 447: 3174:Neilson, William Allan 2710:The Wandering Scholars 2562:Dorothy Sayers trans, 2139:Stevens, John (1979). 2032: 1907: 1816: 1782: 1775: 1770: 1763: 1758: 1662: 1657: 1613:Wolfram von Eschenbach 1497: 1487: 1257: 1235: 1232:Bibliothèque Nationale 1144: 1117: 1089: 825: 627: 613: 604: 590: 574: 560: 551: 542: 426: 412: 403: 188: 187:Red-outline heart icon 142: 134: 68: 55: 44: 3483:Lupack, Alan (2005). 3213:conte de la charrette 2950:The Women Troubadours 2905:Boase, Roger (1977). 2864:. Stuttgart: 604–605. 2612:Medieval Perspectives 2566:(1971) p. 260 and 279 2026: 1967:Feast of the Pheasant 1917:and romances such as 1902: 1861:Points of controversy 1801: 1638: 1353:lists such rules as: 1242:Warfare imagery: the 1241: 1229: 1028:William Allan Neilson 186: 41:Edmund Blair Leighton 33: 3253:A Preface to Chaucer 3243:Robertson, D. W. Jr. 3055:The Allegory of Love 2988:(1952). "Avicenna's 2986:Grunebaum, G. E. von 2968:Donaldson, E. Talbot 2820:The Atlantic Monthly 2762:Studies in Philology 1650:'s illustration for 1407:The Ring of the Dove 1286:Eleanor of Aquitaine 1175:The Allegory of Love 727:Mere-exposure effect 73:[amuʁkuʁtwa] 3505:Rougemont, Denis de 3452:. Temenos Academy. 3388:Le roman de la rose 3379:Guillaume de Lorris 3075:Menocal, María Rosa 2992:and Courtly Love". 2978:Speaking of Chaucer 2812:Putnam, Emily James 2584:(4): 317, 319–320. 1970:in 1454, relied on 1935:Real-world practice 1719:Guillaume de Lorris 1512:Literary convention 1499:princesse lointaine 1204:E. Talbot Donaldson 1193:D. W. Robertson Jr. 1145:amour chevaleresque 1087:. He used the term 296:Love at first sight 3493:Murray, Jacqueline 3351:Andreas Capellanus 3319:Godefroi de Leigni 3315:Chrétien de Troyes 3293:Henry Thomas Riley 3168:. Athenaeum Press. 3028:] (in French). 2037:Barbara W. Tuchman 2033: 1993:Emily James Putnam 1985:Andreas Capellanus 1950:Christine de Pizan 1875:Denis de Rougemont 1757:phrase "my lord", 1700:Marie de France's 1658: 1534:Chretien de Troyes 1467:María Rosa Menocal 1433:Book of the Flower 1416:Tarjumān al-Ashwāq 1341:Andreas Capellanus 1294:Count of Champagne 1258: 1236: 1153:Lewis Freeman Mott 1103:Chrétien de Troyes 1010:Lewis Freeman Mott 793:Contemporary usage 360:Unconditional love 217:Compassionate love 189: 60:[finaˈmuɾ] 45: 3459:978-0-9564078-8-7 3297:Project Gutenberg 2843:Sex and Canon Law 2687:, pp. 49–50. 2632:Walters, Lori J. 2432:, pp. 65–66. 1952:'s courtesy book 1791:Guilhem de Poitou 1264:of four regions: 1081: 1080: 1070: 1069: 1052: 1051: 1034: 1033: 1016: 1015: 998: 997: 974:1940 — 964:1935 — 954:1930 — 944:1925 — 934:1920 — 924:1915 — 914:1910 — 904:1905 — 894:1900 — 884:1895 — 874:1890 — 864:1885 — 854:1880 — 785: 784: 78:medieval European 16:(Redirected from 3573: 3531: 3512: 3500: 3488: 3479: 3463: 3446:Frisardi, Andrew 3441: 3426:. Translated by 3406: 3404: 3374: 3371:Internet Archive 3346: 3344: 3310: 3308: 3307: 3271:Medieval sources 3265: 3256: 3250: 3238: 3236: 3217:tale of the cart 3204: 3192: 3181: 3169: 3158: 3156: 3125: 3123: 3102: 3100: 3070: 3045: 3029: 3013: 3011: 2990:Risâla Fîʾl-ʿišq 2981: 2975: 2963: 2941: 2933: 2924: 2912: 2887: 2872: 2866: 2865: 2853: 2847: 2846: 2838: 2832: 2831: 2829: 2827: 2808: 2802: 2801: 2799: 2779: 2777: 2754: 2745: 2744: 2732: 2726: 2719: 2713: 2706: 2700: 2694: 2688: 2682: 2673: 2667: 2661: 2655: 2646: 2645: 2644:on May 21, 2023. 2640:. Archived from 2629: 2620: 2619: 2603: 2594: 2593: 2573: 2567: 2560: 2554: 2553: 2535: 2529: 2522: 2516: 2507: 2501: 2495: 2486: 2485: 2483: 2482: 2466: 2457: 2451: 2445: 2444:, p. 233-4. 2439: 2433: 2427: 2421: 2420: 2412: 2406: 2400: 2391: 2385: 2379: 2373: 2367: 2361: 2352: 2346: 2340: 2334: 2325: 2319: 2313: 2307: 2298: 2292: 2286: 2280: 2274: 2268: 2259: 2253: 2242: 2236: 2227: 2221: 2194: 2188: 2182: 2181: 2173: 2167: 2161: 2155: 2154: 2136: 2120: 2112: 1916: 1834:Romeo and Juliet 1814: 1798: 1785: 1773: 1752: 1746: 1737:Courtly love in 1733: 1714:Roman de la Rose 1668:courtly romances 1665: 1518:Geoffrey Chaucer 1502: 1460:Risala fi'l-Ishq 1445:Treatise of Love 1441:Risala fi'l-Ishq 1251: 1147: 1120: 1114: 1092: 1059: 1054: 1041: 1036: 1023: 1018: 1005: 1000: 987: 982: 975: 970: 965: 960: 955: 950: 945: 940: 935: 930: 925: 920: 915: 910: 905: 900: 895: 890: 885: 880: 875: 870: 865: 860: 855: 849: 840: 834: 828: 822: 808:Peire d'Alvernhe 805: 777: 770: 763: 642:Mamihlapinatapai 632: 618: 609: 595: 579: 565: 556: 547: 533: 524: 515: 506: 497: 488: 479: 470: 461: 452: 431: 417: 408: 163: 162: 158:Geoffrey Chaucer 147: 139: 86:literary fiction 75: 62: 21: 3581: 3580: 3576: 3575: 3574: 3572: 3571: 3570: 3551:Heterosexuality 3536: 3535: 3534: 3528: 3460: 3438: 3414: 3412:Further reading 3409: 3302: 3289:The Art of Love 3273: 3268: 3227:(48): 459–534. 3201: 3145:10.2307/2709362 3089: 3067: 3018:Jeanroy, Alfred 2960: 2921: 2900: 2895: 2890: 2873: 2869: 2854: 2850: 2839: 2835: 2825: 2823: 2809: 2805: 2758:Benton, John F. 2755: 2748: 2733: 2729: 2720: 2716: 2708:Helen Waddell, 2707: 2703: 2695: 2691: 2683: 2676: 2668: 2664: 2656: 2649: 2630: 2623: 2604: 2597: 2574: 2570: 2564:Dante:Purgatory 2561: 2557: 2550: 2536: 2532: 2523: 2519: 2508: 2504: 2496: 2489: 2480: 2478: 2467: 2460: 2452: 2448: 2440: 2436: 2428: 2424: 2413: 2409: 2401: 2394: 2386: 2382: 2374: 2370: 2362: 2355: 2347: 2343: 2335: 2328: 2320: 2316: 2308: 2301: 2293: 2289: 2281: 2277: 2269: 2262: 2254: 2245: 2237: 2230: 2222: 2197: 2189: 2185: 2174: 2170: 2162: 2158: 2151: 2137: 2133: 2129: 2124: 2123: 2113: 2109: 2104: 2078: 2029:Musée du Louvre 2021: 2002: 1981: 1937: 1868: 1863: 1825: 1823:Later influence 1815: 1812: 1753:comes from the 1735: 1686: 1680: 1663:romans courtois 1633: 1617:Sicilian School 1566: 1544:. The medieval 1530:Marie de France 1514: 1479: 1402:Ṭawq al-Ḥamāmah 1386: 1254:Musée du Louvre 1224: 1187: 1157:Dante Alighieri 1077: 1066: 1057: 1048: 1039: 1030: 1021: 1012: 1003: 994: 985: 976: 973: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 946: 943: 941: 938: 936: 933: 931: 928: 926: 923: 921: 918: 916: 913: 911: 908: 906: 903: 901: 898: 896: 893: 891: 888: 886: 883: 881: 878: 876: 873: 871: 868: 866: 863: 861: 858: 856: 853: 847: 795: 790: 781: 752: 751: 715:Religious views 705:Valentine's Day 693:in Christianity 658: 650: 649: 378: 370: 369: 365:Unrequited love 244:Falling in love 197: 28: 23: 22: 15: 12: 11: 5: 3579: 3569: 3568: 3563: 3558: 3553: 3548: 3533: 3532: 3526: 3513: 3501: 3489: 3480: 3464: 3458: 3442: 3436: 3415: 3413: 3410: 3408: 3407: 3375: 3347: 3311: 3274: 3272: 3269: 3267: 3266: 3257: 3239: 3205: 3199: 3182: 3170: 3159: 3139:(4): 621–632. 3126: 3103: 3087: 3071: 3065: 3046: 3030: 3014: 3002:(4): 233–238. 2982: 2964: 2958: 2942: 2931:"Courtly Love" 2925: 2919: 2901: 2899: 2896: 2894: 2891: 2889: 2888: 2867: 2848: 2833: 2803: 2746: 2727: 2714: 2701: 2689: 2674: 2662: 2647: 2621: 2595: 2568: 2555: 2548: 2530: 2517: 2502: 2498:Rougemont 1956 2487: 2458: 2446: 2442:Grunebaum 1952 2434: 2422: 2419:. p. 214. 2407: 2392: 2388:Trachsler 2006 2380: 2376:Donaldson 1970 2368: 2353: 2349:Robertson 1962 2341: 2326: 2314: 2299: 2287: 2275: 2260: 2243: 2228: 2195: 2193:, p. vii. 2183: 2180:. p. 213. 2168: 2156: 2149: 2130: 2128: 2125: 2122: 2121: 2106: 2105: 2103: 2100: 2099: 2098: 2093: 2086: 2077: 2074: 2073: 2072: 2069: 2066: 2063: 2056: 2053: 2050: 2047: 2044: 2035:(Adapted from 2020: 2017: 2001: 1998: 1980: 1979:Courts of love 1977: 1946:courtesy books 1942:John F. Benton 1936: 1933: 1867: 1864: 1862: 1859: 1843:'s 1939 novel 1824: 1821: 1810: 1734: 1727: 1682:Main article: 1679: 1676: 1632: 1629: 1565: 1562: 1513: 1510: 1478: 1475: 1429:Kitab al-Zahra 1385: 1382: 1368: 1367: 1364: 1361: 1358: 1278:ducal Burgundy 1223: 1220: 1186: 1183: 1140: 1139: 1136: 1133: 1130: 1118:amour courtois 1090:amour courtois 1079: 1078: 1072: 1071: 1068: 1067: 1062: 1060: 1050: 1049: 1046:Alfred Jeanroy 1044: 1042: 1032: 1031: 1026: 1024: 1014: 1013: 1008: 1006: 996: 995: 990: 988: 979: 977: 972: 967: 962: 957: 952: 947: 942: 937: 932: 927: 922: 917: 912: 907: 902: 897: 892: 887: 882: 877: 872: 867: 862: 857: 852: 846: 843: 794: 791: 789: 788:Origin of term 786: 783: 782: 780: 779: 772: 765: 757: 754: 753: 750: 749: 744: 739: 734: 729: 724: 723: 722: 712: 707: 702: 697: 696: 695: 685: 683:Love of Christ 680: 675: 670: 665: 659: 656: 655: 652: 651: 648: 647: 646: 645: 635: 634: 633: 621: 620: 619: 610: 598: 597: 596: 582: 581: 580: 568: 567: 566: 557: 548: 536: 535: 534: 525: 516: 507: 498: 489: 480: 471: 462: 453: 444: 442:words for love 434: 433: 432: 420: 419: 418: 409: 397: 392: 391: 390: 379: 376: 375: 372: 371: 368: 367: 362: 357: 356: 355: 343: 338: 333: 328: 323: 318: 313: 308: 303: 298: 293: 291:Love addiction 288: 283: 278: 273: 268: 267: 266: 261: 256: 246: 241: 240: 239: 234: 224: 219: 214: 209: 204: 198: 195: 194: 191: 190: 179: 178: 172: 171: 110:ducal Burgundy 69:amour courtois 26: 9: 6: 4: 3: 2: 3578: 3567: 3564: 3562: 3559: 3557: 3554: 3552: 3549: 3547: 3544: 3543: 3541: 3529: 3527:0-226-74089-7 3523: 3519: 3514: 3510: 3506: 3502: 3498: 3494: 3490: 3486: 3481: 3477: 3473: 3469: 3465: 3461: 3455: 3451: 3447: 3443: 3439: 3437:0-226-16768-2 3433: 3429: 3425: 3421: 3420:Duby, Georges 3417: 3416: 3403: 3398: 3394: 3390: 3389: 3384: 3380: 3376: 3372: 3369: at the 3368: 3367: 3362: 3358: 3357: 3352: 3348: 3343: 3338: 3334: 3333:Burton Raffel 3330: 3326: 3325: 3320: 3316: 3312: 3306: 3301: 3298: 3294: 3290: 3286: 3285: 3280: 3276: 3275: 3263: 3258: 3254: 3249: 3244: 3240: 3235: 3230: 3226: 3223:(in French). 3222: 3218: 3214: 3210: 3209:Paris, Gaston 3206: 3202: 3200:0-87395-038-0 3196: 3191: 3190: 3183: 3179: 3175: 3171: 3167: 3166: 3160: 3155: 3150: 3146: 3142: 3138: 3134: 3133: 3127: 3122: 3117: 3113: 3109: 3104: 3099: 3094: 3090: 3088:9780812213249 3084: 3080: 3076: 3072: 3068: 3066:0-19-281220-3 3062: 3058: 3056: 3051: 3047: 3043: 3039: 3035: 3034:Lazar, Mosché 3031: 3027: 3023: 3019: 3015: 3010: 3005: 3001: 2997: 2996: 2991: 2987: 2983: 2979: 2974: 2969: 2965: 2961: 2959:0-393-00965-3 2955: 2951: 2947: 2943: 2939: 2938: 2932: 2926: 2922: 2920:0 7190 0656 2 2916: 2911: 2910: 2903: 2902: 2885: 2884:0-394-40026-7 2881: 2877: 2871: 2863: 2860:(in German). 2859: 2852: 2844: 2837: 2821: 2817: 2813: 2807: 2798: 2793: 2789: 2785: 2776: 2771: 2767: 2763: 2759: 2753: 2751: 2742: 2738: 2731: 2724: 2718: 2712:(1968) p. 311 2711: 2705: 2699:, p. 56. 2698: 2693: 2686: 2681: 2679: 2672:, p. 50. 2671: 2666: 2659: 2654: 2652: 2643: 2639: 2635: 2628: 2626: 2617: 2613: 2609: 2602: 2600: 2591: 2587: 2583: 2579: 2572: 2565: 2559: 2551: 2549:0-460-04607-1 2545: 2541: 2534: 2527: 2521: 2514: 2513: 2506: 2499: 2494: 2492: 2477:on 2008-08-20 2476: 2472: 2465: 2463: 2455: 2450: 2443: 2438: 2431: 2426: 2418: 2411: 2404: 2399: 2397: 2389: 2384: 2377: 2372: 2365: 2360: 2358: 2350: 2345: 2338: 2333: 2331: 2323: 2318: 2311: 2306: 2304: 2296: 2291: 2284: 2279: 2272: 2267: 2265: 2257: 2252: 2250: 2248: 2240: 2235: 2233: 2225: 2220: 2218: 2216: 2214: 2212: 2210: 2208: 2206: 2204: 2202: 2200: 2192: 2187: 2179: 2172: 2165: 2160: 2152: 2150:0-521-29417-7 2146: 2142: 2135: 2131: 2119:, p. 75. 2118: 2111: 2107: 2097: 2094: 2092: 2091: 2087: 2085: 2084: 2080: 2079: 2070: 2067: 2064: 2061: 2057: 2054: 2051: 2048: 2045: 2042: 2041: 2040: 2038: 2030: 2025: 2016: 2013: 2012: 2007: 1997: 1994: 1990: 1986: 1976: 1973: 1969: 1968: 1963: 1962:Philip le Bon 1959: 1955: 1951: 1947: 1943: 1932: 1928: 1926: 1925: 1920: 1915: 1914: 1906: 1901: 1899: 1898: 1892: 1890: 1889: 1884: 1880: 1876: 1872: 1858: 1856: 1853:, he saves a 1852: 1848: 1847: 1842: 1838: 1836: 1835: 1830: 1820: 1809: 1807: 1800: 1797: 1792: 1787: 1784: 1779: 1778: 1772: 1767: 1766: 1762: 1761: 1756: 1751: 1745: 1740: 1732: 1726: 1724: 1720: 1716: 1715: 1709: 1707: 1703: 1698: 1695: 1694:Song of Songs 1690: 1685: 1675: 1673: 1669: 1664: 1655: 1654: 1649: 1645: 1641: 1637: 1628: 1626: 1622: 1618: 1614: 1610: 1606: 1601: 1599: 1595: 1591: 1587: 1581: 1577: 1575: 1571: 1561: 1559: 1555: 1551: 1547: 1543: 1542:Thomas Malory 1539: 1535: 1531: 1527: 1523: 1519: 1509: 1506: 1501: 1500: 1493: 1491: 1490: 1483: 1474: 1472: 1468: 1463: 1461: 1457: 1454:According to 1452: 1450: 1446: 1442: 1438: 1434: 1430: 1426: 1422: 1418: 1417: 1412: 1408: 1404: 1403: 1397: 1395: 1391: 1390:Arabic poetry 1381: 1379: 1378: 1373: 1365: 1362: 1359: 1356: 1355: 1354: 1352: 1348: 1347: 1342: 1337: 1335: 1331: 1327: 1323: 1319: 1314: 1310: 1305: 1303: 1299: 1295: 1291: 1287: 1283: 1282:First Crusade 1279: 1275: 1271: 1267: 1263: 1255: 1247: 1246: 1240: 1233: 1228: 1219: 1215: 1213: 1209: 1205: 1201: 1198: 1194: 1190: 1182: 1179: 1177: 1176: 1171: 1166: 1164: 1163: 1162:La Vita Nuova 1158: 1154: 1149: 1146: 1137: 1134: 1131: 1128: 1124: 1123: 1122: 1119: 1110: 1109: 1104: 1100: 1096: 1091: 1086: 1073: 1065: 1061: 1056: 1055: 1047: 1043: 1038: 1037: 1029: 1025: 1020: 1019: 1011: 1007: 1002: 1001: 993: 989: 984: 983: 850: 842: 839: 833: 827: 821: 816: 811: 809: 804: 800: 778: 773: 771: 766: 764: 759: 758: 756: 755: 748: 745: 743: 740: 738: 735: 733: 730: 728: 725: 721: 718: 717: 716: 713: 711: 708: 706: 703: 701: 698: 694: 691: 690: 689: 686: 684: 681: 679: 676: 674: 671: 669: 666: 664: 661: 660: 654: 653: 644: 643: 639: 638: 636: 631: 630: 625: 624: 622: 617: 616: 611: 608: 607: 602: 601: 599: 594: 593: 588: 587: 586: 583: 578: 577: 572: 571: 569: 564: 563: 558: 555: 554: 549: 546: 545: 540: 539: 537: 532: 531: 526: 523: 522: 517: 514: 513: 508: 505: 504: 499: 496: 495: 490: 487: 486: 481: 478: 477: 472: 469: 468: 463: 460: 459: 454: 451: 450: 445: 443: 440: 439: 438: 435: 430: 429: 424: 423: 421: 416: 415: 410: 407: 406: 401: 400: 398: 396: 393: 389: 386: 385: 384: 381: 380: 374: 373: 366: 363: 361: 358: 354: 353: 349: 348: 347: 344: 342: 339: 337: 334: 332: 329: 327: 326:Platonic love 324: 322: 319: 317: 314: 312: 309: 307: 304: 302: 301:Love triangle 299: 297: 294: 292: 289: 287: 284: 282: 279: 277: 274: 272: 269: 265: 262: 260: 257: 255: 252: 251: 250: 247: 245: 242: 238: 235: 233: 230: 229: 228: 225: 223: 222:Conjugal love 220: 218: 215: 213: 210: 208: 205: 203: 200: 199: 196:Types of love 193: 192: 185: 181: 180: 177: 174: 173: 169: 165: 164: 161: 159: 155: 151: 146: 145: 138: 137: 131: 127: 123: 119: 118:erotic desire 115: 111: 107: 103: 99: 95: 90: 87: 83: 79: 74: 70: 66: 61: 57: 53: 49: 42: 38: 37: 32: 19: 3546:Courtly love 3517: 3508: 3496: 3484: 3475: 3472:Medium Aevum 3471: 3468:Gaunt, Simon 3449: 3428:Barbara Bray 3423: 3392: 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S. 3041: 3037: 3025: 3021: 2999: 2993: 2989: 2977: 2949: 2935: 2908: 2875: 2870: 2861: 2857: 2851: 2842: 2836: 2824:. Retrieved 2819: 2806: 2787: 2783: 2765: 2761: 2740: 2736: 2730: 2725:(2004) p. 31 2722: 2717: 2709: 2704: 2692: 2665: 2642:the original 2637: 2615: 2611: 2607: 2581: 2577: 2571: 2563: 2558: 2539: 2533: 2525: 2520: 2510: 2505: 2479:. 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S. Lewis 1064:C. S. Lewis 832:verai'amors 688:Love of God 678:Love letter 668:Bhakti yoga 623:Portuguese 237:troubadours 144:Minnesänger 130:troubadours 122:disciplined 18:Courtliness 3540:Categories 3402:jj.3716014 3361:About Love 2946:Bogin, Meg 2826:16 October 2697:Bogin 1980 2685:Bogin 1980 2670:Bogin 1980 2481:2010-01-18 2430:Boase 1977 2364:Moore 1979 2337:Lazar 1964 2322:Lewis 1936 2310:Lewis 1936 2256:Paris 1883 2239:Boase 1977 2127:References 2117:Boase 1977 1991:historian 1739:troubadour 1607:, such as 1522:John Gower 1394:Al-Andalus 1300:, such as 1127:adulterous 826:hohe Minne 737:Similarity 710:Philosophy 700:Love magic 395:Patriotism 331:Puppy love 311:Lovestruck 249:Friendship 36:God Speed! 3385:(1995) . 3353:(1941) . 3321:(1997) . 3281:(1885) . 2271:Mott 1896 1964:, in his 1866:Sexuality 1851:Anschluss 1813:Meg Bogin 1644:Guinevere 1574:trouvères 1570:minstrels 1505:etiquette 1437:Ibn Dawud 1425:Ibn Arabi 1334:gallantry 1309:feudalism 1274:Champagne 1266:Aquitaine 1212:neologism 1185:Criticism 1168:In 1936, 1151:In 1896, 1099:Guinevere 838:bon'amors 815:Provençal 799:Provençal 485:Philautia 388:Free love 383:Anarchist 346:Self-love 286:Limerence 254:cross-sex 232:courtship 202:Affection 136:trouvères 106:Champagne 98:Aquitaine 3507:(1956). 3495:(2001). 3478:: 55–71. 3448:(2013). 3422:(1983). 3356:De amore 3245:(1962). 3234:45041910 3176:(1899). 3121:45039194 3077:(1987). 3036:(1964). 3020:(1934). 2970:(1970). 2814:(1910). 2784:Speculum 2403:De amore 2096:Dulcinea 2083:Cicisbeo 2076:See also 2011:De amore 1989:feminist 1972:parables 1924:Lancelot 1919:Chrétien 1897:De amore 1883:chivalry 1855:Habsburg 1811:—  1678:Allegory 1640:Lancelot 1621:Petrarch 1558:allegory 1556:and the 1477:Analysis 1449:Ibn Sina 1411:Ibn Hazm 1351:De amore 1346:De amore 1326:devotion 1322:courtier 1284:(1099). 1270:Provence 1234:, Paris) 1095:Lancelot 820:fin'amor 657:Concepts 570:Islamic 399:Chinese 281:Intimacy 259:romantic 168:a series 166:Part of 154:Petrarch 112:and the 102:Provence 82:chivalry 76:) was a 56:fin'amor 3221:Romania 3219:]. 3154:2709362 3108:Romania 2893:Sources 2797:2856785 2775:4173386 1888:caritas 1765:dominus 1631:Romance 1588:, or a 1554:romance 1318:Crusade 1222:History 1058:← 1040:← 1022:← 1004:← 986:← 969:– 959:– 949:– 939:– 929:– 919:– 909:– 899:– 889:– 879:– 869:– 859:– 637:Yaghan 629:Saudade 615:Caritas 538:Indian 422:French 414:Yuanfen 341:Romance 316:Passion 207:Bonding 52:Occitan 3524:  3456:  3434:  3399:  3339:  3231:  3197:  3151:  3118:  3095:  3085:  3063:  3009:542686 3006:  2956:  2917:  2882:  2794:  2780:; and 2772:  2618:: 135. 2608:Eliduc 2546:  2147:  2090:Domnei 2019:Stages 1879:Cathar 1806:always 1796:midons 1768:. The 1750:Midons 1744:midons 1731:Midons 1706:Eliduc 1656:(1905) 1598:flutes 1586:vielle 1552:, the 1546:genres 1435:) by 1313:vassal 1172:wrote 600:Latin 592:Chesed 585:Jewish 562:Maitrī 553:Bhakti 521:Storgḗ 512:Pragma 503:Philos 494:Philia 65:French 3397:JSTOR 3391:[ 3359:[ 3337:JSTOR 3327:[ 3300:47677 3287:[ 3229:JSTOR 3149:JSTOR 3116:JSTOR 3093:JSTOR 3040:[ 3024:[ 3004:JSTOR 2792:JSTOR 2790:(4). 2770:JSTOR 2768:(3). 2102:Notes 1913:albas 1755:Latin 1666:, or 1625:Dante 1594:viols 1564:Lyric 1550:lyric 1526:Dante 1489:Minne 1447:) by 1423:) by 1409:) by 1330:piety 817:term 530:Xenia 476:Mania 467:Ludus 449:Agape 437:Greek 150:Dante 3556:Love 3522:ISBN 3454:ISBN 3432:ISBN 3279:Ovid 3195:ISBN 3083:ISBN 3061:ISBN 2954:ISBN 2915:ISBN 2880:ISBN 2828:2022 2544:ISBN 2145:ISBN 1777:meus 1760:mihi 1721:and 1642:and 1623:and 1611:and 1596:and 1590:harp 1540:and 1439:and 1372:Ovid 1276:and 1097:and 606:Amor 576:Ishq 544:Kama 458:Eros 264:zone 176:Love 156:and 140:and 3141:doi 3112:125 2610:". 2586:doi 1921:'s 1783:mia 1780:or 1717:by 1702:lai 1646:in 1469:in 1392:in 1374:'s 1210:or 1105:'s 1101:in 405:Ren 96:of 39:by 3542:: 3476:59 3474:. 3381:; 3335:. 3317:; 3295:. 3251:. 3225:12 3147:. 3137:40 3135:. 3110:. 3091:. 3000:11 2998:. 2976:. 2934:. 2862:10 2818:. 2788:36 2786:. 2766:59 2764:. 2749:^ 2739:. 2677:^ 2650:^ 2636:. 2624:^ 2614:. 2598:^ 2582:10 2580:. 2490:^ 2461:^ 2395:^ 2356:^ 2329:^ 2302:^ 2263:^ 2246:^ 2231:^ 2198:^ 2039:) 1960:. 1900:: 1771:mi 1747:. 1627:. 1600:. 1560:. 1536:, 1532:, 1528:, 1524:, 1520:, 1492:. 1462:. 1396:. 1380:. 1332:, 1328:, 1272:, 1268:, 1250:c. 1214:. 1129:). 1121:: 1113:c. 841:. 835:, 810:. 170:on 160:. 152:, 132:, 108:, 104:, 100:, 67:: 63:; 54:: 3530:. 3511:. 3462:. 3440:. 3405:. 3373:. 3345:. 3309:. 3255:. 3237:. 3203:. 3180:. 3157:. 3143:: 3124:. 3101:. 3069:. 3012:. 2962:. 2923:. 2886:. 2830:. 2800:. 2778:. 2743:. 2741:8 2660:. 2616:9 2592:. 2588:: 2552:. 2500:. 2484:. 2456:. 2405:. 2390:. 2378:. 2366:. 2351:. 2339:. 2312:. 2297:. 2285:. 2273:. 2258:. 2241:. 2226:. 2166:. 2153:. 2062:) 2031:) 1704:" 1443:( 1431:( 1419:( 1405:( 1256:) 1111:( 776:e 769:t 762:v 50:( 20:)

Index

Courtliness

God Speed!
Edmund Blair Leighton
Occitan
[finaˈmuɾ]
French
[amuʁkuʁtwa]
medieval European
chivalry
literary fiction
ducal and princely courts
Aquitaine
Provence
Champagne
ducal Burgundy
Norman Kingdom of Sicily
erotic desire
disciplined
transcendent
troubadours
trouvères
Minnesänger
Dante
Petrarch
Geoffrey Chaucer
a series
Love
Red-outline heart icon
Affection

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