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album to give each release a distinct feel or concept. The music is often heavily electronic and strongly rhythmic (sometimes including live studio percussion), though tempos can vary from very fast to slowly driving and almost ambient, making frequent use of gradually changing structures or melodic motifs. Critic Ned
Raggett reviewed a number of Muslimgauze albums for Allmusic.com, noting the diverse styles of Jones's recordings:
383:(1991) a formalised agreement was reached with Extreme Records, which helped fund professional studio recordings, designed attractive packaging, and used a more extensive distribution network. Though pleased at first, Jones was frustrated with Extreme's one-release-a-year policy and in 1993 signed with then-sibling labels Soleilmoon and Staalplaat, which offered a more frequent release schedule. 1993 saw the release of
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Jones resumed live performance in 1995 at the behest of record store owner and DJ Simon Scott. Part of Jones's apprehension with live performance was in trying to figure out how to present the music. He concluded the best way was refrain from vocals with lyrics and instead play live percussion atop a
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Since Bryn Jones's death in 1999 at the age of 37, his music under
Muslimgauze has continued to be released. He often inundated labels and collaborators with music, and consequently the latter had to be selective of what was eventually put out. Labels, including Soleilmoon and Staalplaat, continue to
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Muslimgauze's music is often difficult to describe due to sheer volume, content diversity and often singular stylings; Jones never produced any hit albums or songs. However, it's possible to describe common features of his music as he tended to use many of the same strategies, modified from album to
652:
Jones: Yes, one can do that. It is music. Music with serious political facts behind it. There are no lyrics, because that would be preaching. It is music. It is up to you, to find out more. If you don't want that, it is up to you. You can listen to only the music or you can preoccupy yourself more
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Jones additionally released material on nearly any small label that approached him. A drawback with releasing on so many labels was gratuitous editing by producers and, through design or circumstance, no royalties. Extreme cited betrayal by distribution networks that were unscrupulous or filed for
336:
gangsters—common-or-garden low-level vicious thugs (years before the species was romanticized by Lock Stock and Mona Lisa)—unable to control our unlicensed trade in alcohol and other illicits, firebombed the building one night and attacked the crew on a regular basis. (Many of the new pressings of
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guerrillas stationed in South
Lebanon. This event inspired Jones to research the conflict's origins, which grew into a lifelong artistic focal point, and he became a staunch supporter of the Palestinian cause, and often dedicated recordings to the Palestinian Liberation Organization or a free
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Jones released over 90 original albums on 32 different record labels, creating nearly 2,000 original compositions. Many of his pieces were inspired by political facts or events. Many of his releases have been re-pressed as, after 1994, most of his albums were released in limited editions of
355:
The deal with
Recloose was that we paid 50 percent of the profits to the artist and 50 percent went to the label, which was a pretty good deal, especially since we didn't sell that much. We put a lot of energy into marketing, and most of the artists signed to the label sold off the back of
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At this time, distributors
Soleilmoon, Staalplaat, and Extreme Records transitioned to becoming labels with the advent of the compact disc format, which became less expensive to produce and ship than vinyl over time and gradually became a physical staple of the Muslimgauze catalogue.
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backing track. He also did DJ sets that consisted of exclusively his own material. Contrary to his 1986 experience, Jones did enjoy doing live shows and frequently did them in his last years in diverse places such as the UK, throughout mainland Europe, and even Japan.
44:
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living off Arab land and water is not a tourist attraction. To have been in a place is not important. So you can't be against apartheid unless you have been in South Africa? You cannot be against the Serbs killing
Muslims in
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publish unreleased albums, as well as releases of demos, his own reworked tracks, and abandoned full-length tapes. Jones' posthumous discography is known for including many studio variations of nearly all his music.
594:, Iran, and Iraq. He concluded that Western interests for natural resources and strategic-political gain were root causes for many of these conflicts and should Western meddling halt, said regions would stabilise.
256:. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the
290:
Jones first released music in 1982 as E.g
Oblique Graph on Kinematograph, his own imprint, and the independent co-op label Recloose, run by Simon Crab. E.g Oblique Graph came from the do-it-yourself (
305:, put out by Recloose the same year. Since then, Jones roughly released an album a year, given scarce financial resources until 1988, when he began making inroads with then-emerging labels
690:. At the behest of Bourbonese Qualk, of the Recloose label, Jones performed a half-hour set. The show consisted of Jones singing to a backing track while Simon Crab then members of
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When asked what he would do if conflicts in the Muslim world were peaceably resolved, Jones replied his music would champion other conflict regions such as China's occupation of
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added instrumental accompaniment. By all accounts the show went reasonably, but Jones was traumatised by the experience enough to swear off live performance until the 1990s.
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reissuing early albums originally released by
Product Kinematograph, Recloose Organisation, and Jones' own Limited Editions. Each LP includes bonus tracks taken from period
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By the late 1980s, Jones ran out of funding to self-release, and other labels that did put out
Muslimgauze releases such as Recloose and Permis De Construire (which put out
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bankruptcy and could not pay—though they also claimed to have eventually remunerated Jones. Lack of due royalties was a source of ongoing stress throughout Jones's career.
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Interviewer: Do you believe it is absolutely necessary, to take these political aspects into account? Or can one also uncouple the politics and music from each other?
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Releases at the time were occasionally on cassette, more often vinyl EPs and LPs; the longest-running of Jones' label monikers, Limited
Editions, started with
294:) ethos of the time and was musically composed of electronic/experimental drone with occasional synth-melodic hooks and use of radio broadcast samples.
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References in dedications, album, and track titles suggest Jones had researched the conflict regions in the Middle East, as well as
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601:. He said in a 1994 interview, "I don't think you can visit an occupied land. It's the principle. Not until it's free again."
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532:(1996) blended atmospheric sounds and vocal samples that "almost turns the album into a soundtrack for a non-existent film."
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in Manchester with a rare fungal infection in his bloodstream, for which he had to be heavily sedated. He contracted
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Jones once stated that he never had time to listen to other people's music, although in a 1992 interview with
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324:) did not pay promised royalties. Recloose head Simon Crab cited lack of sales and damaged records from
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anyway. He assumed we sold loads of albums but we didn't even cover the costs.
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Color Climax organised by Blue Room (Edinburgh) & Sonora (Glasgow)
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stored in the Recloose offices were destroyed during this attack).
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Khider, Ibrahim (Spring–Summer 2006). "Equations of Eternity".
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Jones frequently netted criticism for never having visited the
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Jones originally claimed Muslimgauze was formed in response to
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1272:"Muslimgauze 10-LP boxset on the way from Vinyl-On-Demand"
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1344:"Hamas Arc - Muslimgauze | Songs, Reviews, Credits"
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I would never go to an occupied land, others shouldn't.
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Erik, Bennedorf; Picicci, Annibale (February 1997).
1083:""Live Series 2" & the London Ambulance Station"
949:"Muslimgauze Songs, Albums, Reviews, Bio & More"
263:Despite his project name, Jones never converted to
248:who was influenced by conflicts and history in the
1123:Assimilate: A Critical History of Industrial Music
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512:(1991) featured layered percussion and "a muted
1171:"Bryn Jones, 38, Musician Known as Muslimgauze"
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1483:Richard Gehr, Village Voice (28 October 1994)
497:Muslimgauze: Chasing the Shadow of Bryn Jones
267:. The name Muslimgauze is a play on the word
1432:Richard Gehr Village Voice (28 October 1994)
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416:on the label has been critically acclaimed.
332:The neighbouring Thomas a Becket pub run by
240:(17 June 1961 – 14 January 1999), a British
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481:Chasing the Shadow of Bryn Jones 1983–1988
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1632:Muslimgauze: The Messenger Facebook group
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551:unless you have been there? I think not.
455:On 30 December 1998, Jones was rushed to
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1126:. Oxford University Press. p. 243.
48:Image taken by Martin Parker from D.O.R.
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975:"Muslimgauze - Biography - AllMusic"
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631:, Afghanistan, India, Pakistan, and
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2003:White Band Speak with Forked Tongue
1569:"Bourbonese Qualk and Muslim Gauze"
1522:"Muslimgauze: Bryn Jones Interview"
1301:
1025:Sahlén, Mårten (21 February 1999).
1002:. 18 September 2004. Archived from
575:Palestinian Liberation Organization
24:
2109:Anti-Zionism in the United Kingdom
1081:Gehr, Richard (28 November 2008).
801:Staalplaat Sonderangebot Festival
25:
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1442:Gehr, Richard (28 October 1994).
1169:Strauss, Neil (28 January 1999).
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495:written by Ibrahim Khider titled
2079:Deaths from pneumonia in England
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273:(a type of gauze) combined with
252:, often with an emphasis on the
236:was the main musical project of
2064:British people of Welsh descent
1780:Hussein Mahmood Jeeb Tehar Gass
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1387:Ayers, Nigel (September 1990).
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1242:"Unreleased Muslimgauze Albums"
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410:on Staalplaat. His 1998 record
2094:20th-century English musicians
2049:British experimental musicians
1198:Khider, Ibrahim (March 2005).
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1000:"disinformation | muslimgauze"
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721:'s-Hertogenbosch, Netherlands
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567:Operation Peace of the Galilee
299:Hunting Out with an Aerial Eye
13:
1:
1573:V2_Lab for the Unstable Media
1520:O'Rama, Link (7 March 1998).
1412:"Industrial Nation interview"
1219:"Industrial Nation interview"
1150:Crumby, Mark (January 2000).
934:
463:and died on 14 January 1999.
1796:Bass Communion V Muslimgauze
1225:(print) (20). Archived from
1154:. Manchester. Archived from
1052:Bryn Jones (February 2007).
844:OĂdo de los Mundos Festival
841:Plaza de Toros de Algeciras
569:, Israel's 1982 invasion of
280:
254:Israeli–Palestinian conflict
7:
1418:(print) (9). Archived from
1120:Reed, S. Alexander (2013).
887:Nursery Injection Festival
828:MS Stubnitz/Rostock Harbor
743:, Edinburgh College of Art
700:
379:It was with the release of
27:British electronic musician
10:
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2084:Third Mind Records artists
1027:"Muslimgauze in Stockholm"
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18:Coup D'Etat/Abu Nidal
2069:British ambient musicians
2059:Musicians from Manchester
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1600:(in Spanish). 1 July 1997
1505:, Germany. Archived from
869:Club Shibuya on Air West
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1955:Revenge of the Mozabites
1544:"Muslimgauze live dates"
1389:"Network News interview"
1363:"Chain D.L.K. Interview"
1361:Urselli-Schaerer, Marc.
450:
2089:Political music artists
2054:Extreme Records artists
1928:Professor Stanley Unwin
1686:considered for deletion
1594:"Noticias mĂşsica indie"
1452:(print). Archived from
1240:Powne, Charles (1999).
928:Ballroom International
900:The Monastery of Sound
1471:6 October 2008 at the
673:Bryn Jones discography
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510:United States of Islam
381:United States of Islam
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54:Background information
1217:Kinney, Rick (2004).
1204:Perfect Sound Forever
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573:to stem attacks from
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246:experimental musician
2104:Suns of Arqa members
1528:(20). Archived from
1509:on 25 February 2009.
1495:"Artefakt interview"
1456:on 27 February 2009.
1422:on 15 February 2008.
1410:Rena (Summer 1994).
1399:on 27 February 2009.
1373:on 10 February 2016.
1304:"Gun Aramaic review"
1229:on 27 February 2009.
1158:on 15 February 2008.
1006:on 18 September 2004
391:and a re-release of
375:Later musical career
286:Early musical career
1369:(5). Archived from
1152:"Impulse Interview"
301:(1984) followed by
223:www.muslimgauze.org
2074:Soleilmoon artists
1878:John Cooper Clarke
1532:on 31 August 2009.
1252:on 4 February 2012
1175:The New York Times
1033:on 7 December 2008
892:?? September 1998
881:Stockholm, Sweden
489:compilation albums
395:on Soleilmoon and
242:ethnic electronica
133:ethnic electronica
2099:British activists
2021:
2020:
1987:Ark of the Arqans
1806:
1805:
1788:Lo-Fi India Abuse
1444:"Beyond the Veil"
1416:Industrial Nation
1280:. 17 January 2014
1223:Industrial Nation
1055:Bryn Jones Speaks
932:
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919:2? November 1998
895:Normandy, France
838:Algeciras, Spain
825:Rostock, Germany
765:18 February 1996
734:3 September 1995
682:Live performances
536:Political beliefs
437:Throbbing Gristle
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74:E.g Oblique Graph
16:(Redirected from
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1971:Wadada Magic
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1908:Prince Far I
1887:
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1840:Suns of Arqa
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1732:Muslimgauze
1731:
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1602:. Retrieved
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1551:. Retrieved
1547:
1538:
1530:the original
1526:AmbiEntrance
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1371:the original
1367:Chain D.L.K.
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1004:the original
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911:The Cockpit
884:MS Stubnitz
855:The Duchess
815:Brainticket
785:The Duchess
779:26 May 1996
771:The Duchess
729:Artitexture
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174:Years active
165:sample discs
159:drum machine
104:(1999-01-14)
89:17 June 1961
29:
2044:1999 deaths
2039:1961 births
2034:Muslimgauze
1918:Damon Reece
1898:Marcel King
1893:Chris Joyce
1772:Mullah Said
1741:Discography
1692:Muslimgauze
1666:Muslimgauze
1661:MusicBrainz
1657:Muslimgauze
1643:Muslimgauze
1598:MondoSonoro
1310:11 November
1010:14 November
973:John Bush.
958:14 November
925:VolksbĂĽhne
741:Wee Red Bar
688:Netherlands
678:200–1,000.
667:Discography
599:Middle East
584:Afghanistan
556:Bryn Jones
530:Gun Aramaic
413:Mullah Said
326:firebombing
322:Coup d'Etat
234:Muslimgauze
147:Instruments
36:Muslimgauze
2028:Categories
2011:Jaggernaut
1938:Colin Wood
1888:Bryn Jones
1851:Angel Eye
1578:15 October
1553:15 October
1306:. AllMusic
1284:15 October
1256:15 October
984:9 December
935:References
908:Leeds, UK
852:Leeds, UK
809:Leeds, UK
782:Leeds, UK
768:Leeds, UK
754:Leeds, UK
365:Simon Crab
311:Soleilmoon
307:Staalplaat
238:Bryn Jones
200:Soleilmoon
195:Staalplaat
153:percussion
109:Manchester
85:1961-06-17
64:Bryn Jones
60:Birth name
1756:Abu Nidal
1684:is being
1065:7 January
1037:7 January
812:Le Phono
757:Cafe Mex
661:interview
633:Indonesia
580:Palestine
560:interview
518:Hamas Arc
493:biography
479:released
461:pneumonia
349:blog post
281:Biography
178:1982–1998
1764:Deceiver
1677:template
1499:Artefakt
1469:Archived
1348:AllMusic
1330:AllMusic
979:AllMusic
953:AllMusic
659:Artefakt
656:—
653:with it.
625:Chechnya
592:Chechnya
588:Pakistan
544:Zionists
522:Godflesh
516:pulse",
408:Betrayal
363:—
344:—
334:East End
204:Recloose
1647:Discogs
1639:fansite
1637:Arabbox
1548:Arabbox
1246:Arabbox
1180:16 June
1087:Stalker
629:Kashmir
571:Lebanon
528:", and
485:box set
457:A&E
347:Stalker
219:Website
190:Extreme
123:Ambient
92:Salford
2014:(1989)
2006:(1989)
1998:(1987)
1990:(1985)
1982:(1984)
1979:India?
1974:(1983)
1966:(1983)
1958:(1979)
1799:(1999)
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1783:(1999)
1775:(1998)
1767:(1996)
1759:(1987)
1696:Curlie
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1681:Curlie
1604:19 May
1503:Berlin
1130:
713:Event
618:(1992)
610:city.
608:Kuwait
549:Bosnia
514:techno
467:Legacy
443:, and
313:, and
275:Muslim
270:muslin
183:Labels
116:Genres
1995:Seven
1675:‹The
1501:(2).
1059:(MP3)
710:Venue
644:Tibet
616:Zul'm
526:Scorn
451:Death
445:Faust
429:India
398:Hamas
265:Islam
258:noise
156:synth
1606:2023
1580:2017
1555:2017
1312:2010
1286:2017
1277:FACT
1258:2017
1182:2015
1128:ISBN
1067:2009
1039:2009
1012:2023
986:2014
960:2023
707:City
704:Date
441:Wire
406:and
393:Iran
244:and
162:tape
99:Died
79:Born
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1107:E/I
524:or
433:Can
400:Arc
292:DIY
128:dub
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1688:.›
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