22:
107:, suggesting that Elizabeth may have received the ring as a gift from a Seymour. Alternatively, the phoenix was a common motif in Elizabeth's portraits and jewellry, and therefore may not have anything to do with the Seymours at all. It has since been suggested that the ring may have been gifted to the Queen by Robert Dudley, Earl of Leicester and her longtime favourite, in 1575.
138:, Elizabeth's mother, who was executed when Elizabeth was two years old. Elizabeth mentioned Anne very rarely, and the ring is sometimes claimed to be the evidence of her affection for the memory of her mother, or said to have reminded Elizabeth to be more prudent in politics than her mother.
141:
The identification of the younger woman as Anne Boleyn has been challenged, however. The red-gold hair of the woman in the portrait does not fit modern conceptions of Anne Boleyn, now widely conceived as bearing black hair, but this description is due to sources generally deemed historically
223:
O! those jewels! The pride and glory of this realm! Which have made it so far shining above all others! Would they were here, within the compass of these walls, to be viewed and seen by us and to be examined in this place. Their very name and memory have transported
146:), and a variety of portraiture none of which can be said with certainty to depict the Queen as she was in life ; much of which was painted by people who had never seen her, and all of which has suffered degradation due to
157:
Due to well known historical events of Boleyn's ending, it quickly became unfashionable, probably even dangerous, to exhibit or discuss authentic relics, artifacts and memories of this important figure.
40:
of
England. The mother-of-pearl ring, set with gold and rubies, includes a locket with two portraits, one depicting Elizabeth and the other traditionally identified as Elizabeth's mother
349:
187:
Or
Elizabeth's sister Mary I, who had light reddish hair in undarkened depictions of her, despite public mostly thinking of her as brunette also nowadays.
324:
233:
264:
508:
248:
57:
269:
207:
in
Scotland as a token of her death. Her jewellery collection was soon dispersed by the new king and queen, James I and
134:
Due to her portrait's juxtaposition with the cameo of
Elizabeth, the younger woman has traditionally been identified as
547:
472:
308:
228:
The ring is one of the few surviving pieces of jewellery worn by
Elizabeth I. It may have been presented by James I to
196:
131:
1535–1545. It is made of layers of enamel in an imitation of a cameo. There is a small diamond at the woman's breast.
408:
229:
518:
334:
374:
161:
Few if any other description imbues an understanding of her natural hair colour, or of her styling. We find
488:
251:. The ring is still housed at Chequers. It was loaned for the first time in 2002 to be exhibited at the
119:. Two women are depicted in the secret compartment. Elizabeth is the older one, portrayed in an enamel
169:. And sketch of Anne Boleyn,by Holbein, labelled thus by Sir John Cheke, shows hair matching the ring.
577:
252:
432:
350:"The Phoenix and the Pelican: two portraits of Elizabeth I, c.1575 - National Portrait Gallery"
212:
537:
462:
298:
572:
216:
176:, Elizabeth's red-haired stepmother. Elizabeth was unusually close to Catherine, who was her
26:
84:
and on the shoulders. White diamonds on the bezel form the letter E (for
Elizabeth), with a
567:
184:. Catherine later married into the Seymour family, which would explain the phoenix symbol.
8:
100:
300:
The
Feminine Dynamic in English Art, 1485–1603: Women as Consumers, Patrons and Painters
124:
543:
514:
468:
404:
330:
304:
81:
162:
143:
232:(c. 1566–1619), and it descended through the Home family until it was acquired by
199:, Elizabeth I's maternal relative, took the ring from her finger when she died at
208:
200:
123:
on the leaf of the jewel inset with a ruby. On the shank of the jewel there is a
120:
88:
69:
204:
173:
104:
45:
561:
244:
177:
151:
53:
95:, meaning queen) underneath. More rubies surround the letters, along with a
21:
437:
401:
Anne Boleyn & Elizabeth I: The Mother and
Daughter Who Changed History
533:
181:
135:
85:
41:
37:
73:
147:
240:
49:
255:, and went on public display for the first time in March 2003.
116:
77:
36:
is one of the few surviving pieces of jewellery worn by Queen
96:
375:"Teaching History with 100 Objects - A jewel of Elizabeth I"
215:
denounced this as a national loss, lamenting in a speech to
403:. Great Britain: Hodder & Stoughton. pp. 212–213.
490:
Memoirs of the Life of Anne Boleyn, Queen of Henry VIII
480:
243:
and its collection the
British nation, for use as the
154:, etc., over time. And could have possibly darkened.
99:. The back of the bezel is decorated with an enamel
68:The ring is tentatively dated to the mid-1570s. A
559:
493:. Vol. 2 (2nd ed.). pp. 212–13.
460:
326:Rings: Symbols of Wealth, Power, and Affection
16:Jewellery worn by Queen Elizabeth I of England
502:
500:
506:
322:
316:
497:
456:
454:
433:"Ring that could hold clue to Elizabeth I"
426:
424:
422:
420:
172:Possibly the portrait miniature depicts
20:
451:
430:
292:
290:
288:
286:
284:
234:Arthur Lee, 1st Viscount Lee of Fareham
560:
486:
417:
398:
464:Queens Matter in Early Modern Studies
296:
265:Portraiture of Elizabeth I of England
532:
526:
281:
249:prime minister of the United Kingdom
58:prime minister of the United Kingdom
270:Inventory of Elizabeth I of England
239:Lee presented his country house at
13:
48:. The ring is presently housed at
14:
589:
230:Alexander Home, 1st Earl of Home
513:, Tate Publication, p. 9,
44:, but possibly her step-mother
431:Kennedy, Maev (26 July 2002),
392:
367:
342:
115:The bezel is hinged to form a
63:
1:
542:, Random House, p. 237,
461:Riehl Bertolet, Anna (2017),
275:
128:
127:of a young woman dating from
510:Tudor and Jacobean Jewellery
165:, writing poetically of her
110:
80:, found on the sides of the
7:
507:Scarisbrick, Diana (1995),
323:Scarisbrick, Diana (1993),
258:
10:
594:
190:
467:, Springer, p. 159,
303:, Ashgate, p. 180,
297:James, Susan E. (2009),
253:National Maritime Museum
203:in 1603, and took it to
167:tress .. of crisped gold
399:Borman, Tracy (2023).
379:teachinghistory100.org
329:, Abrams, p. 45,
226:
29:
487:Benger, Miss (1821).
221:
195:According to legend,
72:hoop is mounted with
27:three-quarter profile
24:
539:Elizabeth, The Queen
76:set with table-cut
125:portrait miniature
30:
585:
578:Individual rings
553:
552:
530:
524:
523:
504:
495:
494:
484:
478:
477:
458:
449:
448:
447:
445:
428:
415:
414:
396:
390:
389:
387:
385:
371:
365:
364:
362:
360:
346:
340:
339:
320:
314:
313:
294:
163:Sir Thomas Wyatt
130:
103:, symbol of the
593:
592:
588:
587:
586:
584:
583:
582:
558:
557:
556:
550:
531:
527:
521:
505:
498:
485:
481:
475:
459:
452:
443:
441:
429:
418:
411:
397:
393:
383:
381:
373:
372:
368:
358:
356:
348:
347:
343:
337:
321:
317:
311:
295:
282:
278:
261:
209:Anne of Denmark
201:Richmond Palace
193:
113:
70:mother-of-pearl
66:
25:Chequers Ring,
17:
12:
11:
5:
591:
581:
580:
575:
570:
555:
554:
549:978-1446449004
548:
525:
519:
496:
479:
474:978-3319640488
473:
450:
416:
409:
391:
366:
354:www.npg.org.uk
341:
335:
315:
310:978-1351544603
309:
279:
277:
274:
273:
272:
267:
260:
257:
213:Sir John Eliot
192:
189:
174:Catherine Parr
112:
109:
105:Seymour family
91:letter R (for
65:
62:
46:Catherine Parr
15:
9:
6:
4:
3:
2:
590:
579:
576:
574:
571:
569:
566:
565:
563:
551:
545:
541:
540:
535:
529:
522:
516:
512:
511:
503:
501:
492:
491:
483:
476:
470:
466:
465:
457:
455:
440:
439:
434:
427:
425:
423:
421:
412:
410:9781399705080
406:
402:
395:
380:
376:
370:
355:
351:
345:
338:
332:
328:
327:
319:
312:
306:
302:
301:
293:
291:
289:
287:
285:
280:
271:
268:
266:
263:
262:
256:
254:
250:
246:
245:country house
242:
237:
236:(1868-1947).
235:
231:
225:
220:
218:
214:
210:
206:
202:
198:
188:
185:
183:
179:
178:mother figure
175:
170:
168:
164:
159:
155:
153:
152:air pollution
149:
145:
139:
137:
132:
126:
122:
118:
108:
106:
102:
98:
94:
90:
87:
83:
79:
75:
71:
61:
59:
55:
54:country house
51:
47:
43:
39:
35:
34:Chequers Ring
28:
23:
19:
573:1570s in art
538:
534:Weir, Alison
528:
509:
489:
482:
463:
442:, retrieved
438:The Guardian
436:
400:
394:
382:. Retrieved
378:
369:
357:. Retrieved
353:
344:
325:
318:
299:
238:
227:
222:
197:Robert Carey
194:
186:
171:
166:
160:
156:
142:unreliable (
140:
133:
114:
92:
67:
33:
31:
18:
568:Elizabeth I
182:adolescence
136:Anne Boleyn
86:cobalt blue
64:Description
42:Anne Boleyn
38:Elizabeth I
562:Categories
520:1854371584
336:0810937751
276:References
217:Parliament
74:sheet gold
384:9 January
359:9 January
219:in 1626:
180:in early
148:oxidation
111:Portraits
536:(2011),
259:See also
241:Chequers
50:Chequers
444:24 June
247:of the
205:James I
191:History
144:Sanders
101:phoenix
56:of the
546:
517:
471:
407:
333:
307:
117:locket
93:Regina
89:enamel
78:rubies
52:, the
121:cameo
97:pearl
82:bezel
544:ISBN
515:ISBN
469:ISBN
446:2018
405:ISBN
386:2024
361:2024
331:ISBN
305:ISBN
150:and
32:The
224:me!
564::
499:^
453:^
435:,
419:^
377:.
352:.
283:^
211:.
129:c.
60:.
413:.
388:.
363:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.