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taken on the Quai
Bourbon in 1851, may have been a staged study for a painting, but is nevertheless considered important to photographic history for its being an early instance of an interest in capturing movement and freezing it forever in one moment.
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112:. The interesting shapes in his 1852 photograph of buildings in Grasse have caused it to be seen as a precursor to art photography. In 1859, he was commissioned by
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to photograph the newly established
Imperial Asylum in the Bois de Vincennes, a hospital for disabled workingmen.
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which commissioned many of his peers, Nègre independently embarked on his own remarkably extensive study of the
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Delaroche encouraged the use of photography as research for painting; Nègre started with the
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to print photographs of sculpture never came to fruition, and in 1861 Nègre retired to
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before establishing his own studio at 21 Quai
Bourbon on the
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method of his own development. A plan commissioned by
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220:"The Barrel Organ Player With Two Children Listening"
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207:, Metropolitan Museum of Art, March 31, 2011.
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65:, France. He studied under the painters
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205:"The Kitchens of the Imperial Asylum"
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96:. His "Chimney-Sweeps Walking", an
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279:19th-century French photographers
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104:Having been passed over for the
593:Étienne-Prosper Berne-Bellecour
189:"They Didn't Forget the Camera"
45:, photographed by Nègre in 1853
375:Jean Louis Marie Eugène Durieu
370:Guillaume Duchenne de Boulogne
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365:Louis Désiré Blanquart-Evrard
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92:process before moving on to
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608:John Beasley Greene
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43:Notre Dame de Paris
27:French photographer
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16:(Redirected from
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18:Charles Negre
709:1860s births
690:Eugène Atget
683:1850s births
644:Arthur Batut
637:1840s births
623:Pierre Petit
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542:Charles Hugo
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649:Jules David
476:Eugène Piot
390:Jules Itier
110:Midi region
736:Categories
721:Paul Boyer
156:References
121:salt print
94:calotypes
39:Le Stryge
139:See also
75:Drolling
214:Sources
176:Phaidon
125:gravure
54:French:
71:Ingres
63:Grasse
552:Nadar
83:Paris
41:" on
37:and "
133:Nice
73:and
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163:^
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52:(
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