576:
of the poems of Homer, so that the ignorant imagine that Homer actually composed the verses bearing upon that hypothesis, which has, in fact, been but newly constructed; and many others are led so far by the regularly formed sequence of the verses, as to doubt whether Homer may not have composed them. Of this kind is the following passage, where one, describing
Hercules as having been sent by Eurystheus to the dog in the infernal regions, does so by means of these Homeric verses—for there can be no objection to our citing these by way of illustration, since the same sort of attempt appears in both:— "Thus saying, there sent forth from his house deeply groaning."— Od., x. 76. "The hero Hercules conversant with mighty deeds."— Od., xxi. 26. "Eurystheus, the son of Sthenelus, descended from Perseus."— Il., xix. 123. "That he might bring from Erebus the dog of gloomy Pluto."— Il., viii. 368. "And he advanced like a mountain-bred lion confident of strength."— Od., vi. 130. "Rapidly through the city, while all his friends followed." — Il., xxiv. 327. "Both maidens, and youths, and much-enduring old men."— Od., xi. 38. "Mourning for him bitterly as one going forward to death." — Il., xxiv. 328. "But Mercury and the blue-eyed Minerva conducted him."— Od., xi. 626. "For she knew the mind of her brother, how it laboured with grief."— Il., ii. 409. Now, what simple-minded man, I ask, would not be led away by such verses as these to think that Homer actually framed them so with reference to the subject indicated? But he who is acquainted with the Homeric writings will recognise the verses indeed, but not the subject to which they are applied
625:
141:(310–395) is the only poet from Antiquity to comment on the form and content of the Virgilian cento; his statements are afterward regarded as authoritative. The pieces, he says, may be taken either from the same poet, or from several. The individual fragments of poetry used should be no shorter than one half-line (one
575:
AH 1.9.4: 4. Then, again, collecting a set of expressions and names scattered here and there , they twist them, as we have already said, from a natural to a non-natural sense. In so doing, they act like those who bring forward any kind of hypothesis they fancy, and then endeavour to support them out
266:, are indicated on the left (e.g. 6.255 points to book 6, line 255); or, if changed in the middle of a line, an asterisk separates the new quotation with its source indicated on the right.
643:
90:
131:
243:
212:
508:
747:
CENTONES: Recycled Art or the
Embodiment of Absolute Intertextuality? by Marie Okáčová (Brno) with many examples of classical centones
161:
595:
Virgil
Recomposed : The Mythological and Secular Centos in Antiquity: The Mythological and Secular Centos in Antiquity
771:
733:
704:
679:
603:
540:
776:
135:. He either cites or composes a cento as a demonstration of how heretical Christians modify canonical Gospels.
699:. Greek studies: interdisciplinary approaches. Lanham, MD: Rowman & Littlefield Publishers, 1998.
761:
638:
502:
220:
532:
156:
17:
746:
524:
766:
593:
476:
443:
8:
433:
The following is an example in
English, taken from The Dictionary of Wordplay (2001) by
455:
145:) and no longer than a full line and a half. In accordance with these rules, he made a
729:
700:
675:
599:
536:
278:
634:
718:
577:
200:
67:
59:
39:
755:
629:
497:
185:
174:
170:
114:
471:
501:
647:. Vol. 1 (1st ed.). James and John Knapton, et al. p. 180.
449:
434:
122:
247:
142:
628: This article incorporates text from a publication now in the
262:
138:
126:
211:, there being nothing of his own but conjunctions and particles.
79:), meaning "'to plant slips' (of trees)". A later word in Greek,
42:
or passages taken from other authors, especially the Greek poet
256:
178:
118:
47:
35:
712:
Homeric
Stitchings: The Homeric Centos of the Empress Eudocia
697:
Homeric stitchings: the
Homeric Centos of the Empress Eudocia
189:
166:
80:
70:
43:
24:
644:
Cyclopædia, or an
Universal Dictionary of Arts and Sciences
251:
93:, "A cento is therefore a poem composed of odd fragments".
177:
Testaments; it was written entirely in centos taken from
105:
originated in the 3rd or 4th century AD. The first known
726:
De Alieno
Nostrum: el Centón profano en el mundo griego
417:
Insuetum per iter, * spatia in sua quisque recessit.
306:Stella facem ducens multa cum luce cucurrit :
753:
125:. However, an earlier cento might be present in
400:Mutavere vias, * perfectis ordine votis :
728:. Estudios Filológicos, 328. Salamanca: 2011.
383:Dona dehinc auro gravia, * Regumque Parentem.
366:Externi veniunt * quae cuique est copia laeti
293:Ecce autem primi sub lumina solis, et ortus,
184:In the Greek World, centos, such as those by
512:(11th ed.). Cambridge University Press.
336:Tum Reges * (credo quia sit divinitus illis
319:Signavitque Viam * coeli in regione serena.
227:(1634), his most celebrated work of poetry.
516:
188:, are mainly composed by verses taken from
89:), means "patchwork garment". According to
353:Ingenium, et rerum fato prudentia major)
672:The Augustinian Epic, Petrarch To Milton
633:
522:
496:
275:
619:
617:
615:
754:
591:
585:
579:(Against Heresies Book I, Chapter 9).
527:. In Hugh Gerard Evelyn-White (ed.).
254:. The lines of Vergil used, from his
162:Cento Vergilianus de laudibus Christi
612:
235:The following is a sample from the
225:Virgilii Evangelisantis Christiados
165:, in which she details the life of
50:, disposed in a new form or order.
13:
689:
14:
788:
740:
535:. W. Heinemann. pp. 371–97.
523:Ausonius, Decimus Magnus (1919).
460:And I was like a fool. (Eastman)
272:
674:. University of Michigan Press.
623:
442:I only know she came and went, (
454:She was a phantom of delight, (
664:
651:
569:
556:
490:
1:
564:De Prescriptione Haereticorum
483:
659:Sachwörterbuch der Literatur
525:"Book XVII: A Nuptial Cento"
53:
7:
710:James P. Holoka, review of
598:. Oxford UP. pp. 2–5.
503:"Cento (composition)"
465:
448:Like troutlets in a pool; (
10:
793:
716:Bryn Mawr Classical Review
695:M. D. (Mark David) Usher,
230:
223:did the same thing in his
96:
81:
71:
22:
15:
772:Literature based on poems
215:did the same as Proba in
207:, 1589) consists only of
129:'s late-2nd century work
724:Oscar Prieto Domínguez,
661:. A. Kröner. 1959. p 81.
91:Hugh Gerard Evelyn-White
38:work wholly composed of
23:Not to be confused with
509:Encyclopædia Britannica
777:Unofficial adaptations
670:J Christopher Warner.
592:McGill, Scott (2005).
533:Loeb Classical Library
529:Ausonius: Books I-XVII
463:
157:Faltonia Betitia Proba
18:cento (disambiguation)
439:
205:Politicorum Libri Sex
479: – Type of poem
477:Vocabularyclept poem
121:lines, according to
16:For other uses, see
46:and the Roman poet
657:Gero von Wilpert.
276:Adoratio Magorum (
117:, composed out of
635:Chambers, Ephraim
427:
426:
279:Gospel of Matthew
244:Etienne de Pleure
213:Etienne de Pleure
169:and deeds of the
149:from Virgil, the
132:Adversus Haereses
784:
762:Genres of poetry
683:
668:
662:
655:
649:
648:
627:
626:
621:
610:
609:
589:
583:
573:
567:
560:
554:
553:
551:
549:
520:
514:
513:
505:
494:
273:
84:
83:
74:
73:
792:
791:
787:
786:
785:
783:
782:
781:
752:
751:
743:
692:
690:Further reading
687:
686:
669:
665:
656:
652:
624:
622:
613:
606:
590:
586:
574:
570:
561:
557:
547:
545:
543:
521:
517:
495:
491:
486:
468:
462:
459:
453:
447:
233:
151:Cento Nuptialis
99:
56:
28:
21:
12:
11:
5:
790:
780:
779:
774:
769:
764:
750:
749:
742:
741:External links
739:
738:
737:
722:
708:
691:
688:
685:
684:
682:. 2005. P 136.
663:
650:
637:, ed. (1728).
611:
604:
584:
568:
555:
541:
515:
500:, ed. (1911).
498:Chisholm, Hugh
488:
487:
485:
482:
481:
480:
474:
467:
464:
440:
431:
430:
429:
428:
425:
424:
418:
415:
408:
407:
401:
398:
391:
390:
384:
381:
374:
373:
367:
364:
357:
356:
354:
351:
344:
343:
337:
334:
327:
326:
320:
317:
310:
309:
307:
304:
297:
296:
294:
291:
284:
283:
232:
229:
221:Alexander Ross
201:Justus Lipsius
98:
95:
55:
52:
9:
6:
4:
3:
2:
789:
778:
775:
773:
770:
768:
765:
763:
760:
759:
757:
748:
745:
744:
735:
734:9788478002085
731:
727:
723:
720:
717:
713:
709:
706:
705:9780847689996
702:
698:
694:
693:
681:
680:0-472-11518-9
677:
673:
667:
660:
654:
646:
645:
640:
636:
631:
630:public domain
620:
618:
616:
607:
605:9780198039105
601:
597:
596:
588:
581:
580:
572:
565:
559:
544:
542:9780674991279
538:
534:
530:
526:
519:
511:
510:
504:
499:
493:
489:
478:
475:
473:
470:
469:
461:
457:
451:
445:
438:
436:
422:
419:
416:
413:
410:
409:
405:
402:
399:
396:
393:
392:
388:
385:
382:
379:
376:
375:
371:
368:
365:
362:
359:
358:
355:
352:
349:
346:
345:
341:
338:
335:
332:
329:
328:
324:
321:
318:
315:
312:
311:
308:
305:
302:
299:
298:
295:
292:
289:
286:
285:
281:
280:
274:
271:
270:
269:
268:
267:
265:
264:
259:
258:
253:
249:
245:
241:
238:
228:
226:
222:
218:
214:
210:
206:
202:
198:
193:
191:
187:
186:Aelia Eudocia
182:
180:
176:
172:
168:
164:
163:
158:
154:
152:
148:
144:
140:
136:
134:
133:
128:
124:
120:
116:
115:Hosidius Geta
112:
108:
104:
94:
92:
88:
78:
69:
66:derives from
65:
61:
51:
49:
45:
41:
37:
33:
26:
19:
767:Latin poetry
725:
715:
711:
696:
671:
666:
658:
653:
642:
594:
587:
578:
571:
563:
562:Tertullian,
558:
546:. Retrieved
528:
518:
507:
492:
472:Found poetry
441:
432:
420:
411:
403:
394:
386:
377:
369:
360:
347:
339:
330:
322:
313:
300:
287:
277:
261:
255:
240:Sacra Aeneis
239:
236:
234:
224:
217:Sacra Aeneis
216:
208:
204:
196:
194:
183:
160:
155:
150:
146:
137:
130:
110:
106:
102:
100:
86:
76:
63:
57:
31:
29:
548:13 February
435:Dave Morice
242:(1618), by
756:Categories
719:1999.09.08
484:References
456:Wordsworth
123:Tertullian
248:adoration
246:, on the
143:hemistich
119:Virgilian
54:Etymology
466:See also
423:12.126.
406:10.548.
395:Georgics
348:Georgics
340:Georgics
263:Georgics
219:(1618).
197:Politics
159:wrote a
139:Ausonius
127:Irenaeus
87:kentronē
82:κεντρόνη
36:poetical
639:"Cento"
632::
397:1.418.
389:6.548.
380:3.464.
350:1.416.
342:9.415.
325:8.528.
250:of the
231:Example
109:is the
97:History
77:kentrōn
72:κέντρων
732:
703:
678:
602:
539:
444:Lowell
421:Aeneid
414:6.16.
412:Aeneid
404:Aeneid
387:Aeneid
378:Aeneid
372:5.100
370:Aeneid
363:7.98.
361:Aeneid
333:8.330
331:Aeneid
323:Aeneid
316:5.526
314:Aeneid
303:2.694
301:Aeneid
290:6.255
288:Aeneid
257:Aeneid
209:centos
179:Virgil
48:Virgil
40:verses
714:, in
237:cento
190:Homer
167:Jesus
147:cento
111:Medea
107:cento
103:cento
68:Greek
64:cento
62:term
60:Latin
44:Homer
34:is a
32:cento
25:canto
730:ISBN
701:ISBN
676:ISBN
600:ISBN
550:2015
537:ISBN
450:Hood
260:and
252:Magi
195:The
173:and
101:The
58:The
282:2)
199:of
175:New
171:Old
113:by
758::
641:.
614:^
566:39
531:.
506:.
437::
192:.
181:.
153:.
30:A
736:.
721:.
707:.
608:.
582:)
552:.
458:)
452:)
446:)
203:(
85:(
75:(
27:.
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.