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526:. Bergonzi was unable to finish the performance, supposedly suffering irritation from the air-conditioning in his dressing room. He withdrew after two acts, leaving the remaining two to be sung by Antonio Barasorda, a substitute singer. This performance was by wide critical consensus seen as a disaster.
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In 1950 Bergonzi married Adele Aimi, with whom he had two sons, Maurizio and Marco; the former was born on the day
Bergonzi made his tenor debut. Bergonzi owned homes in both Milan and Busseto, in addition to a restaurant and hotel in the latter, the "I Due Foscari", named after the Verdi opera about
597:
His singing there , even more his earlier Verdi discs, evinces an innate feeling for shaping a line on a long breath, an exemplary clarity of diction, words placed immaculately on the tone, an authoritative use of portamento and acuti. Add to those virtues the manner by which he gives to each phrase
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More than the sound of the voice, it is Mr. Bergonzi's way of using it that is so special. He is a natural singer in that everything he does seems right and inevitable—the artful phrasing, the coloristic variety, the perfectly positioned accents, the theatrical sense of well-proportioned climaxes,
218:, Bergonzi became involved in anti-Nazi activities and was interned in a German prisoner-of-war camp in 1943. Two years later, he was freed by the Russians and walked 106 km in order to reach an American camp. However, while on his way, he drank unboiled water and contracted
477:. Bergonzi outlasted both, continuing to sing through the 1970s at major opera houses. But in the 1980s, as his own vocal quality deteriorated inevitably with age, he concentrated on recital work. In 1996, Bergonzi participated in conductor
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a sense of inevitability and you say to yourself, in a mood of sheer pleasure, this is exactly how the music ought to sound. In the theatre only Otello was beyond his capabilities, though his solos are movingly sung on the
Philips set.
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the honest emotional fervor. Best of all, Mr. Bergonzi obviously uses these effects artistically because he feels them rather than intellectualizes them—a rare instinctual gift, possibly the most precious one any musician can possess.
252:, which he performed with a former prisoners' association which he joined after the war. It has been noted that the fee of 2,000 lire paid for his professional debut was insufficient to cover his meals and travel.
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Bergonzi pursued a busy international career in the opera house and recording studio during the 1960s. His chief
Italian tenor rivals in this period were
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Bergonzi died on 25 July 2014, twelve days after his 90th birthday, in the
Auxologico Institution in Milan. He was buried in the Vidalenzo Cemetery.
437:. Bergonzi continued to sing at the Met for 32 years, his last performance there occurring on 12 November 1988 in the role of Edgardo in Donizetti's
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However, he realized that the tenor repertoire was more suited to his voice, and after retraining, he made his debut as a tenor in the title role of
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1272:: In Stella and Bergonzi it has newcomers who will earn their keep and may bring in rich dividends. Both singers are from Italy; both are young.",
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which was based on the life of
Tommaso Aniello, the 17th-century Italian fisherman-turned-revolutionary. His London debut as Alvaro in
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engaged
Bergonzi for a series of broadcasts of the lesser-known Verdi operas for the same purpose. These included
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1227:"COLISEUM ECHOES TO MUSIC BY VERDI; 5,000 Romans, First Audience Since Ancient Times, Hails Memorial to Composer
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However, an announcement that on 3 May 2000, he was to sing the title role in a concert performance of Verdi's
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Bergonzi left a legacy of many recordings of individual arias and complete operas, including works by Verdi,
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came on 13 November 1956 when he (and
Antonietta Stella) received a positive reaction from Howard Taubman in
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in
Northern Italy, on 13 July 1924. He was an only child. He later claimed he saw his first opera, Verdi’s
188:, when he was six years old. He sang in church, and soon he began to appear in children's opera roles in
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in Rome in a 50th anniversary concert of Verdi's death and the
Italian state radio network
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1244:"Carlo Bergonzi obituary: Italian tenor admired as an authoritative interpreter of Verdi"
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List of recordings made by
Bergonzi, 1951 to 1989 on operadis-opera-discography.org.uk
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survey of Bergonzi's greatest recordings, sums up the qualities of Bergonzi's voice:
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1060:: Knight Grand Cross of the Order of Merit of the Italian Republic (11 January 2011)
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537:, Filippo Lo Giudice, Philip Webb, Giorgio Casciari, Paul Caragiulo, Lance Clinker,
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factory. His father worked there too, and Carlo often got into trouble for singing.
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obituary, Peter G. Davis, who reviewed a 1978 Carnegie Hall recital by Bergonzi in
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List of Bergonzi's recordings, 1951 to 1889, on operadis-opera-discography.org.uk
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564:. However, of his early baritone roles, few of his audio recordings still exist.
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1139:"Carlo Bergonzi, 90, an Operatic Tenor of Subtlety and Emotional Acuity, Dies"
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Howard Taubman, "Opera: Two 'Met' Debuts; Antonietta Stella and Bergonzi in
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After retiring, Bergonzi is credited with mentoring tenors Roberto Aronica,
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in 1961 and in 1962 he reprised the role of Alvaro for his debut with the
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1201:(July 27, 2014). "Carlo Bergonzi, Leading Tenor of Twentieth Century".
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Other baritone roles which he undertook included those of Metifio in
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1188:, October 12, 1985, on belcantosociety.org. Retrieved July 30, 2014
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238:, Bergonzi cited 1948 as the year of his professional debut, as a
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Knights Grand Cross of the Order of Merit of the Italian Republic
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1286:"The Gramophone guide to Carlo Bergonzi's greatest recordings"
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1015:. Munich, Bavarian Radio Recording Studio, 4–12 March 1983
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He sang the role of Radames again for his debut with the
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James Levine's 25th Anniversary Metropolitan Opera Gala
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roles, he was above all associated with the operas of
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Bergonzi in front of Carnegie Hall in New York, 1994
1023:- acts 1 and 2. New York, Carnegie Hall, 3 May 2000
791:. Reggio Emilia, Teatro Municipale, 2 February 1954
783:. Catania, Massimo Teatro Bellini, 19 November 1953
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199:At the age of 16, he began his vocal studies as a
907:. San Sebastian, Victoria Eugenia, 26 August 1959
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1365:Rosenthal, Harold (1998), "Bergonzi, Carlo" in
835:. Salsomaggiore, Teatro Nuovo, 10 September 1955
867:. Trieste, Castello di San Giusto, 16 July 1956
707:(Steva). Rome, Teatro dell'Opera, 17 April 1952
366:in 1951. That same year, Bergonzi sang at the
975:. Genoa, Teatro Margherita, 20 September 1972
807:. Monte Carlo, Salle Garnier, 30 January 1955
142:(13 July 1924 – 25 July 2014) was an Italian
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1039:(1996), Deutsche Grammophon DVD, B0004602-09
1324:"Le onorificenze della Repubblica Italiana"
1179:"Bergonzi Talks with Zucker and The Public"
631:. Bari, Teatro Petruzzelli, 18 January 1951
1407:
1292:(London), 28 July 2014 on gramophone.co.uk
991:. San Diego, Russ Auditorium, 22 June 1979
699:. Bari, Teatro Petruzzelli, 8 January 1952
149:. Although he performed and recorded some
122: 1950–2014)
36:
1217:"Opera Fanatic" on WKCR. October 12, 1985
1168:(London), 27 July 2014 on telegraph.co.uk
1007:. Tulsa, Chapman Music Hall, 6 March 1982
891:. Caracas, Teatro Municipal, October 1957
827:. Buenos Aires, Teatro ColĂłn, August 1955
815:. Brescia, Teatro Grande, 3 February 1955
775:. Rovigo, Teatro Sociale, 24 October 1953
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983:. New York, Carnegie Hall, 13 April 1977
923:. New York, Carnegie Hall, 13 March 1968
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999:. New York, Town Hall, 16 December 1981
727:. Rome, Baths of Caracalla, 1 July 1952
419:in 1953. His American debut was at the
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751:. Livorno, Teatro Goldoni, 20 May 1953
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767:. Buenos Aires, ColĂłn, 7 August 1953
1417:by Bruce Duffie, September 30, 1981
759:. Buenos Aires, ColĂłn, 24 July 1953
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859:. Chicago, Lyric, 28 November 1955
851:. Chicago, Lyric, 26 November 1955
843:. Chicago, Lyric, 16 November 1955
399:debut, creating the title role in
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1372:The New Grove Dictionary of Opera
1354:Carlo Bergonzi, I suoi personaggi
915:. New York, MET, 26 November 1962
875:. New York, MET, 13 November 1956
719:). Naples, San Carlo, 1 June 1952
1113:Rosenthal 1998, in Sadie, p. 421
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899:. New York, MET, 5 February 1959
743:. Milan, La Scala, 25 March 1953
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448:Philadelphia Lyric Opera Company
242:. He sang the role of Figaro in
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568:Summary of his vocal attributes
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1415:Interview with Carlo Bergonzi
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967:. New York, MET, 3 March 1970
883:. Milan, RAI, 30 January 1957
679:. Milan, RAI, 5 December 1951
671:. Rome, RAI, 21 November 1951
545:and Emmanuel Lawler. Soprano
458:. He made his debut with the
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19:For the Italian luthier, see
549:was also one of his pupils.
485:on 17 April that same year.
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533:, Berle Sanford Rosenberg,
500:Opera Orchestra of New York
395:In 1953, Bergonzi made his
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1352:Marchesi, Gustavo (2003).
1184:February 11, 2010, at the
1090:(in Italian). 26 July 2014
799:. Milan, RAI, 7 March 1954
655:. Milan, RAI, 16 July 1951
647:. Milan, RAI, 10 June 1951
18:
1461:Parma Conservatory alumni
1162:"Carlo-Bergonzi-obituary"
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796:L'incoronazione di Poppea
639:. Milan, RAI, 26 May 1951
608:Venetian court intrigue.
462:in 1969 as Don Alvaro in
343:, and Georgio Germont in
230:In a 1985 interview with
205:Arrigo Boito Conservatory
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1356:. Parma: Azzali Editori.
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61:Polesine Parmense, Italy
21:Carlo Bergonzi (luthier)
1446:Italian operatic tenors
735:. Cagliari, August 1952
1250:(London), 27 July 2014
421:Lyric Opera of Chicago
281:Le astuzie di Bertoldo
261:, Doctor Malatesta in
211:and Edmondo Grandini.
1310:Visitsalsomaggiore.it
1303:"Visit Salsomaggiore"
580:is quoted as noting:
337:, the title role in
316:La fanciulla del West
249:The Barber of Seville
174:Bergonzi was born in
1276:, November 14, 1956.
952:La forza del destino
848:Cavalleria rusticana
660:Un ballo in maschera
652:La forza del destino
464:La forza del destino
427:debut as Radamès in
412:La forza del destino
298:Cavalleria rusticana
209:Ettore Campogalliani
812:Lucia di Lammermoor
589:Alan Blyth, in his
460:San Francisco Opera
440:Lucia di Lammermoor
276:Lucia di Lammermoor
273:, Enrico Ashton in
1274:The New York Times
1231:The New York Times
1143:The New York Times
935:, 11 February 1969
856:L'amore dei tre re
691:, 31 December 1951
684:Adriana Lecouvreur
620:Repertory as tenor
574:The New York Times
539:Fernando del Valle
531:Giuliano Ciannella
435:The New York Times
425:Metropolitan Opera
415:took place at the
360:Teatro Petruzzelli
689:Teatro Metastasio
543:Salvatore Licitra
535:Vincenzo La Scola
524:Luciano Pavarotti
423:in 1955, and his
176:Polesine Parmense
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94:Opera singer
77:Milan, Italy
72:(2014-07-25)
70:25 July 2014
58:13 July 1924
1436:2014 deaths
1431:1924 births
1333:October 24,
1029:Videography
959:, date unk.
947:, date unk.
864:La Gioconda
832:La traviata
724:Mefistofele
562:Leoncavallo
452:Royal Opera
380:as well as
346:La traviata
295:, Alfio in
289:, David in
258:L'arlesiana
83:Nationality
1425:Categories
1290:Gramophone
1065:References
996:Il corsaro
931:. Naples,
840:Il tabarro
824:Don Carlos
591:Gramophone
504:Anna Moffo
496:Eve Queler
170:Early life
112:Adele Aimi
91:Occupation
54:1924-07-13
1369:, (Ed.),
1088:La Stampa
955:. Parma,
943:. Parma,
888:La bohème
748:Rigoletto
687:. Prato,
644:Pagliacci
578:The Times
403:'s opera
340:Rigoletto
310:La bohème
286:Pagliacci
165:Biography
151:bel canto
102:1948–2000
1182:Archived
920:La Wally
780:Turandot
717:Pizzetti
712:Ifigenia
558:Mascagni
498:and the
397:La Scala
368:Coliseum
240:baritone
201:baritone
144:operatic
130:Children
1346:Sources
1094:26 July
928:Werther
896:Macbeth
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554:Puccini
358:at the
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334:Mignon
107:Spouse
1306:(PDF)
1070:Notes
1058:Italy
980:Edgar
964:Norma
764:Tosca
696:Faust
612:Death
180:Parma
147:tenor
118:(
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1404:IMDb
1384:ISBN
1377:ISBN
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1270:Aida
1096:2014
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