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scarfing the linings into the corner blocks at an angle instead of square. The early violins of Carlo's career follow similar outlines as
Vincenzo Rugeri's violins as could be expected, however the outlines of later instruments became his own. Antonio Stradivari and Guarneri del Gesu also had an influence upon Carlo Bergonzi's work. Carlo Bergonzi eventually moved into the Casa Stradivari in 1746 after the master's death in 1737 and even completed some of the unfinished violins by Antonio Stradivari.
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and would have been the most obvious place for apprenticeship for Carlo given the social and financial connections between the two families. When comparing the work of
Bergonzi with Vincenzo Rugeri, their similarity of work is obvious in the treatment of the scrolls and the working technique of
122:, a city with a rich tradition of stringed instrument makers. Today his instruments are highly valued for their workmanship and tone. Although he was historically assumed to have first apprenticed with
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but Chanot qualified his admission of guilt by claiming that this was common practice in the violin-selling business; the court was unconvinced by his explanation and found him guilty.
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was for many years thought to be a
Bergonzi because of the label it bore indicated: "Carlo Bergonzi . . . 1733." It was later found to have actually been made by
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had given a fake
Bergonzi label to a violin and then sold it as genuine. His deception was discovered by violin-maker
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Bergonzi's violins are prized for their fine workmanship, tone, quality of materials, and exquisite varnish.
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It is known that many instruments that bear his label are inauthentic. A cello once owned by
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Carlo
Bergonzi : alla scoperta di un grande maestro : a Cremonese master unveiled
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Carlo
Bergonzi : alla scoperta di un grande maestro : a Cremonese master unveiled
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Dmitry Gindin: "The Late
Cremonese Violin Makers" Edizioni Novecento, 2002
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Dmitry Gindin: "The Late
Cremonese Violin Makers" Edizioni Novecento, 2002
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Carlo
Bergonzi and his family lived close to the workshop in Cremona of
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Bergonzi labels vary, but typically record date, name, and location:
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419:. Cremona : Fondazione Antonio Stradivari Cremona – La Triennale.
275:. Cremona : Fondazione Antonio Stradivari Cremona – La Triennale.
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188:. Both Kreisler and Perlman performed and recorded with it.
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Michele Angelo (ca. 1722–1758), eldest Son of Carlo I.
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Carlo II. (1758–1838 Cremona), younger son of Zosimo
102:(21 December 1683 – 9 February 1747) was an Italian
170:In 1740, he created one of his finest violins, the
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106:and is the first and most prominent member of the
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394:"Cello by Matteo Goffriller, 1700c (ex-Casals)"
219:Zosimo (ca. 1725–1777), younger Son of Carlo I.
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130:, he is now known to have been the student of
225:Nicola (ca. 1746–1796) eldest son of Zosimo
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180:. It was then owned by Cuban violinist,
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346:Chanot biography on the Corilon website
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378:. New York: Charles Scribner's Sons.
184:. Professor Reyes sold the violin to
19:For the Italian operatic tenor, see
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93:High-quality string instruments
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1:
415:Reuning, Christopher (2010).
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271:Reuning, Christopher (2010).
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396:. Cozio.com. Archived from
370:Cowling, Elizabeth (1975).
211:Bergonzi family of luthiers
110:, a distinguished group of
16:Italian luthier (1683–1747)
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163:Anno 1733, Carlo Bergonzi
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297:"Carlo Bergonzi Part 2"
247:"Carlo Bergonzi Part I"
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21:Carlo Bergonzi (tenor)
455:Luthiers from Cremona
205:William Ebsworth Hill
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138:Early life and career
201:Georges Chanot III
128:Antonio Stradivari
197:Matteo Goffriller
173:Kreisler Bergonzi
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61:December 21, 1683
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90:Known for
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193:Pablo Casals
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75:(1747-02-09)
450:1747 deaths
445:1683 births
182:Angel Reyes
44:Double bass
439:Categories
404:2008-04-23
364:References
82:Occupation
57:1683-12-21
374:The Cello
229:Source:
112:luthiers
326:Tarisio
301:Tarisio
251:Tarisio
151:Violins
116:Cremona
104:luthier
85:luthier
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331:21 May
306:21 May
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256:21 May
233:Notes
120:Italy
114:from
421:ISBN
380:ISBN
333:2018
308:2018
277:ISBN
258:2018
70:Died
51:Born
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