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Can't Pay? Won't Pay!

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You can't just say to the bosses... "Excuse me, could you just move over there; we need a bit of breathing space. Please be a little kinder, a bit more understanding...let's come to an agreement." Oh no, the only way to get that mob thinking straight is to stuff them down the bog and pull the chain!
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living standards. In Berlinguer's words: "A more austere society can be, and must be, a more equal, better ordered and more just society, which is really more democratic and free, and definitely more human." Rank-and-file Italian communists were critical of this policy, which gave no hope for their
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I'm fed up with your hot air... your speeches about responsibility about sacrifice...about the dignity of tightening your belt, about your pride about being working class! And who are these workers? Who is this working class? It's us, didn't you know?... But you can't see a thing because your eyes
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It emerged during cross-examination that the prices fixed by the supermarkets were out-and-out robbery. In the end all the women who had been charged were freed because "there was no case to answer". To put it simply, the court decided that those shoppers had paid the correct value of the goods.
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The play is written to criticize merchants and landlords responsible for raising the prices of necessary goods and rent, and the bosses who cut jobs, salaries, and benefits. However, the "real political target of the play was the moderatism of the as represented by
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Then things would be great. Maybe there would be a few less illuminated window displays, less motorways...we've always been rushing around to keep them going...now we'll keep ourselves going...we'll build our own houses...make a new life for ourselves!
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The original Italian, unlike the English version, makes direct criticisms of the Italian Communist Party (PCI). For example, not included in the English version is when Antonia tells Giovanni:
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began taking control of the cash registers and paying the prices for items before the sudden raise in costs; right-wing newspapers considered Fo and
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Additionally, as the play goes on, Giovanni's character grows more critical of the "policy of sacrifice" and the powerlessness he feels from them:
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Italians criticized the play because they found it to be too similar to Fo's older plays. Fo responded that he had never abandoned farce.
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Consequently, you can deduce that the owners had arbitrarily increased the process, doubling them. The bosses were the real thieves.
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had launched a program of "historical compromise". This meant that members were to follow a "policy of sacrifices" for the "
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are tied up like you were playing blind man's buff...and you sit around like god knows what mouthing off your slogans"
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living standards to improve. Fo was urging party members to reject the policies of their party leadership.
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Twentieth-Century Italian Literature in English Translation: An Annotated Bibliography 1929–1997
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as well which, with its thousands of members, is becoming an increasingly awkward phenomenon."
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Staging Dario Fo and Franca Rame: Anglo-American Approaches to Political Theatre
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to have inspired the incidents. Fo responded to these allegations, commenting:
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The Worker Knows 300 Words, the Boss Knows 1000, That's Why He's the Boss
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daVinci Nichols, Nina (2005). Maurice Charney (ed.). "Italian Comedy".
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English-language adaptation by R. G. Davis was published in 1984. The
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I'd Rather Die Tonight If I Had To Think It Had All Been In Vain
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Rumors circled that Fo would be arrested for the actions of the
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in 1974. Regarded as Fo's best-known play internationally after
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United We Stand! All Together Now! Oops, Isn't That the Boss?
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Grand Pantomime with Flags and Small and Middle-sized Puppets
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American Theatre: A Chronicle of Comedy and Drama, 1969–2000
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Two stickers, still on their backing sheet, from the group "
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The title of the original English translation in 1975 by
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Two weeks after the play's first performance, women in
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Dario Fo: People's Court Jester (Updated and Expanded)
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Bondanella, Peter; Conway Bondanella, Julia (2001).
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Comedy: A Geographic and Historical Guide, Volume 2
555: 353: 351: 349: 321: 1250: 199:." At the time the play was written, its leader 408: 346: 1153:Leonardo: The Flight, the Count and the Amours 1121:Johan Padan and the Discovery of the Americas 757: 123:) is a play originally written in Italian by 824:He Had Two Pistols with White and Black Eyes 604:Behan, Tom (2000). "Can't Pay? Won't Pay!". 1129:Seventh Commandment: Steal a Bit Less No. 2 880:Chain Me Up and I'll Still Smash Everything 840:Isabella, Three Sailing Ships and a Con Man 383: 764: 750: 553: 514:Continuum International Publishing Group 315: 313: 279: 182:, has passed into the English language. 79: 947:Porta and Belli Against the Authorities 715: 652: 610:. London: Pluto Press. pp. 84–94. 478: 357: 319: 152:It was the first show performed in the 14: 1251: 686: 543:. December 29, 1980 – January 5, 1981. 437: 324:Oxford Dictionary of Modern Quotations 185: 1062:The First Miracle of the Infant Jesus 832:He Who Steals a Foot is Lucky in Love 771: 745: 603: 599: 597: 595: 593: 591: 589: 587: 510:Cassell Dictionary Italian Literature 310: 558:Performance Studies: An Introduction 1030:Elizabeth: Almost by Chance a Woman 441:(2003). Juana Ponce de Leon (ed.). 24: 584: 273: 25: 1305: 207:", reluctantly acceding to lower 130:Morte accidentale di un anarchico 1145:Sex? Thanks, Don't Mind If I Do! 907:Accidental Death of an Anarchist 653:Fo, Dario; Davis, R. G. (1984). 1216:One was Nude and One wore Tails 1046:Hellequin, Harlekin, Arlecchino 709: 680: 646: 607:Dario Fo: Revolutionary Theatre 547: 971:Mother's Marijuana is the Best 530: 501: 472: 463: 431: 402: 377: 358:Gardner, Lyn (18 April 2010). 149:backlash against high prices. 18:Can't Pay Won't Pay! 13: 1: 805:Archangels Don't Play Pinball 638:: CS1 maint: date and year ( 386:The Making of Theatre History 303: 233: 64:backlash against high prices 7: 693:University of Toronto Press 659:. New York: Samuel French. 656:We Won't Pay! We Won't Pay! 554:Schechner, Richard (2002). 479:Hischak, Thomas S. (2001). 320:Knowles, Elizabeth (2007). 114:We Can't Pay? We Won't Pay! 10: 1310: 716:Taviano, Stefania (2005). 415:Greenwood Publishing Group 1225: 1209:The Birth of the Jongleur 1179: 1137:Mummy! The Sans-culottes! 1104: 1005: 987:All House, Bed and Church 939:The People's War in Chile 890: 815: 780: 169:San Francisco Mime Troupe 108:Non Si Paga! Non Si Paga! 68: 57: 47: 37: 32: 1014:Trumpets and Raspberries 1274:Works about consumerism 1236:"—monologue from 1038:The Tricks of the Trade 485:Oxford University Press 330:Oxford University Press 280:Mitchell, Tony (1999), 1294:Political satire plays 1169:The Two-Headed Anomaly 1094:The Pope and the Witch 979:Let's Talk About Women 687:Healey, Robin (1998). 443:Our Word is Our Weapon 260: 231: 222: 93: 1195:The Tumult of Bologna 955:Can't Pay? Won't Pay! 469:Mitchell 1999, p. 130 439:Marcos, Subcomandante 360:"Low Pay? Don't Pay!" 255: 251:Can't Pay? Won't Pay! 226: 217: 180:Can't Pay? Won't Pay! 167:was performed by the 156:on 3 October 1974. A 98:Can't Pay? Won't Pay! 83: 33:Can't Pay? Won't Pay! 27:1974 play by Dario Fo 1234:An Arab Woman Speaks 1161:The Devil with Boobs 1113:Hush! We're Falling! 797:The Virtuous Burglar 384:Paul Kuritz (1988). 1202:The Butterfly Mouse 1054:Abducting Francesca 995:The Tale of a Tiger 447:Seven Stories Press 186:Social significance 120:Low Pay? Don't Pay! 1188:Michele Lu Lanzone 848:Throw the Lady Out 722:Ashgate Publishing 111:, also translated 94: 1284:Plays by Dario Fo 1246: 1245: 1070:Letter from China 963:Fanfani Kidnapped 339:978-0-19-920895-1 205:national interest 201:Enrico Berlinguer 154:Palazzina Liberty 78: 77: 48:Original language 16:(Redirected from 1301: 766: 759: 752: 743: 742: 736: 735: 713: 707: 706: 684: 678: 677: 675: 673: 650: 644: 643: 637: 629: 601: 582: 581: 561: 551: 545: 544: 534: 528: 527: 505: 499: 498: 476: 470: 467: 461: 460: 435: 429: 428: 406: 400: 399: 381: 375: 374: 372: 370: 355: 344: 343: 327: 317: 299: 73:Political satire 30: 29: 21: 1309: 1308: 1304: 1303: 1302: 1300: 1299: 1298: 1289:Satirical plays 1249: 1248: 1247: 1242: 1221: 1175: 1100: 1078:The Story of Qu 1022:The Open Couple 1001: 886: 811: 789:Corpse for Sale 776: 770: 740: 739: 732: 714: 710: 703: 695:. p. 299. 685: 681: 671: 669: 667: 651: 647: 631: 630: 618: 602: 585: 578: 552: 548: 536: 535: 531: 524: 516:. p. 219. 506: 502: 495: 487:. p. 178. 477: 473: 468: 464: 457: 449:. p. 329. 436: 432: 425: 407: 403: 396: 388:. p. 403. 382: 378: 368: 366: 356: 347: 340: 318: 311: 306: 296: 276: 274:Further reading 236: 188: 28: 23: 22: 15: 12: 11: 5: 1307: 1297: 1296: 1291: 1286: 1281: 1276: 1271: 1266: 1261: 1244: 1243: 1241: 1240: 1229: 1227: 1223: 1222: 1220: 1219: 1212: 1205: 1198: 1191: 1183: 1181: 1177: 1176: 1174: 1173: 1165: 1157: 1149: 1141: 1133: 1125: 1117: 1108: 1106: 1102: 1101: 1099: 1098: 1090: 1086:The Wanted Man 1082: 1074: 1066: 1058: 1050: 1042: 1034: 1026: 1018: 1009: 1007: 1003: 1002: 1000: 999: 991: 983: 975: 967: 959: 951: 943: 935: 927: 919: 911: 903: 894: 892: 888: 887: 885: 884: 876: 868: 860: 852: 844: 836: 828: 819: 817: 813: 812: 810: 809: 801: 793: 784: 782: 778: 777: 769: 768: 761: 754: 746: 738: 737: 730: 724:. p. 70. 708: 701: 679: 665: 645: 616: 583: 576: 546: 529: 522: 500: 493: 471: 462: 455: 430: 423: 401: 394: 376: 345: 338: 308: 307: 305: 302: 301: 300: 294: 275: 272: 235: 232: 187: 184: 158:North American 76: 75: 70: 66: 65: 59: 55: 54: 49: 45: 44: 39: 35: 34: 26: 9: 6: 4: 3: 2: 1306: 1295: 1292: 1290: 1287: 1285: 1282: 1280: 1279:Marxist works 1277: 1275: 1272: 1270: 1267: 1265: 1262: 1260: 1257: 1256: 1254: 1239: 1235: 1231: 1230: 1228: 1224: 1218: 1217: 1213: 1211: 1210: 1206: 1204: 1203: 1199: 1197: 1196: 1192: 1190: 1189: 1185: 1184: 1182: 1178: 1171: 1170: 1166: 1163: 1162: 1158: 1155: 1154: 1150: 1147: 1146: 1142: 1139: 1138: 1134: 1131: 1130: 1126: 1123: 1122: 1118: 1115: 1114: 1110: 1109: 1107: 1103: 1096: 1095: 1091: 1088: 1087: 1083: 1080: 1079: 1075: 1072: 1071: 1067: 1064: 1063: 1059: 1056: 1055: 1051: 1048: 1047: 1043: 1040: 1039: 1035: 1032: 1031: 1027: 1024: 1023: 1019: 1016: 1015: 1011: 1010: 1008: 1004: 997: 996: 992: 989: 988: 984: 981: 980: 976: 973: 972: 968: 965: 964: 960: 957: 956: 952: 949: 948: 944: 941: 940: 936: 933: 932: 928: 925: 924: 920: 917: 916: 912: 909: 908: 904: 901: 900: 896: 895: 893: 889: 882: 881: 877: 874: 873: 869: 866: 865: 864:Mistero Buffo 861: 858: 857: 853: 850: 849: 845: 842: 841: 837: 834: 833: 829: 826: 825: 821: 820: 818: 814: 807: 806: 802: 799: 798: 794: 791: 790: 786: 785: 783: 779: 775: 767: 762: 760: 755: 753: 748: 747: 744: 733: 731:0-7546-5401-X 727: 723: 719: 712: 704: 702:0-8020-0800-3 698: 694: 690: 683: 668: 662: 658: 657: 649: 641: 635: 627: 623: 619: 617:0-585-42764-X 613: 609: 608: 600: 598: 596: 594: 592: 590: 588: 579: 577:0-415-14620-8 573: 569: 565: 560: 559: 550: 542: 541: 533: 525: 523:0-304-70464-4 519: 515: 511: 504: 496: 494:0-19-512347-6 490: 486: 482: 475: 466: 458: 456:1-58322-472-6 452: 448: 444: 440: 434: 426: 424:0-313-32715-7 420: 416: 412: 405: 397: 395:0-13-547861-8 391: 387: 380: 365: 361: 354: 352: 350: 341: 335: 331: 326: 325: 316: 314: 309: 297: 295:0-413-73320-3 291: 287: 283: 278: 277: 271: 269: 265: 259: 254: 252: 248: 243: 241: 230: 225: 221: 216: 213: 210: 209:working-class 206: 202: 198: 194: 183: 181: 177: 172: 170: 166: 163: 159: 155: 150: 148: 144: 140: 136: 132: 131: 126: 122: 121: 116: 115: 110: 109: 104: 100: 99: 91: 87: 82: 74: 71: 67: 63: 60: 56: 53: 50: 46: 43: 40: 36: 31: 19: 1237: 1214: 1207: 1200: 1193: 1186: 1167: 1159: 1151: 1143: 1135: 1127: 1119: 1111: 1092: 1084: 1076: 1068: 1060: 1052: 1044: 1036: 1028: 1020: 1012: 993: 985: 977: 969: 961: 954: 953: 945: 937: 929: 921: 913: 905: 897: 878: 870: 862: 854: 846: 838: 830: 822: 803: 795: 787: 717: 711: 688: 682: 670:. 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Index

Can't Pay Won't Pay!
Dario Fo
Italian
Consumer
Political satire

Luton
Poll Tax
Italian
Dario Fo
Morte accidentale di un anarchico
Marxist
farce
comedy
consumer
Palazzina Liberty
North American
American
premiere
San Francisco Mime Troupe
Lino Pertile
Enrico Berlinguer
national interest
working-class
Leftist
Milan
Red Brigades
Methuen
ISBN
0-413-73320-3

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