262:
396:. The detailed work is then done with wheels and drills, before finishing, and usually polishing. It seems that in the ancient world the entire process of removing the unwanted white or other top layer was done by drills and wheels—wheel-cut decoration on glass of a single color was very common in ancient Rome. In the case of "three-layer" (or three-color) cameo, there is another layer of glass on top of the white opaque one, and further layers are possible. One Roman piece uses a record six layers. It is not known where the Roman pieces were produced, but for want of any better suggestion most scholars think in the capital itself. It appears likely that at least the making of the blanks was initially in the hands of imported Syrian glass-workers.
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321:, whose work for Richardson's was exhibited in Paris in 1878. Outstanding English cameo glass artisans were Philip Pargeter (1826–1906) and John Northwood (1836–1902), who first successfully reproduced the Portland Vase in cameo glass. and George Woodall. Cameo glass, roughed out by the etching process provided a popular substitute for genuine cameos in
111:, which are among the largest examples of many hundreds (at least) of surviving classical cameos produced from the 3rd century BC onward. Only about 200 fragments and 15 complete objects of early Roman cameo glass survive. The most famous example of these, and also among the best preserved, is the
162:
and his sons. The latter period also saw a brief court revival of the art of gem-carving, which had been in decline. All these dates are somewhat tentative, and it is possible that smaller gem-like pieces of cameo glass continued to be produced between these periods.
261:
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Judging from the very limited number of survivals, cameo glass was apparently produced in two periods: the early period about 30 BC to 60 AD, and then for about a century from the late-3rd century to the period of
178:), but other colors are found, such as the white over black, imitating onyx, of the Portland Vase. In the early period usually all layers are opaque. By contrast, in the later period, there is a
49:
and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background. The technique is first seen in
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in the 9th and 10th centuries, but then lost until the 18th century in Europe, and not perfected until the 19th century. Nineteenth-century
English producers of true cameo glass include
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In the modern revival all of the top layer except the areas needed for the design are usually removed by an etching process—the figure areas are covered with a resist layer of
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174:, for whom it would have been a 200-year-old antique. The most popular color scheme for objects from the early period is white over blue, as in the vase from Pompeii (
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313:", imitated by others from the late 18th century onward, are far more common. Like Wedgwood's designers, they usually worked in a more or less
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Glass from the later period is even rarer than from the earlier, with only a "handful" of complete pieces known, one of which was excavated in
846:
752:
Trentinella, Rosemarie. "Roman Cameo Glass". In
Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–9.
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749:. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (February 2009, retr. 23 September, 2009),
135:
in New York has a fragment over 11 inches (28 cm) long and 5 inches (13 cm) high from what was evidently an architectural
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made only a small number of cameo pieces, which were a French specialty in this period, though other firms such as the Czech
170:. Its use was clearly restricted to the elite; the Portland Vase is said to have been excavated from the tomb of the Emperor
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Perfume bottle made of cameo glass showing homoerotic scene found in the Roman necropolis of
Ostippo (Spain).
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Roman cameo glass is fragile, and thus extremely rare—much more so than natural gemstone cameos such as the
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123:), are drinking cups. Both of these named pieces show complex multi-figured mythological scenes, whose
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Introduction of glass-working methods by
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Texas A&M University, Memorial
Student Center: English Cameo Glass Collection
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624:'s illustrations to Homer as a design source for glass decoration in the 1870s"
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From the mid-19th century there was a revival of cameo glass, suited equally to
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has another cup, and a perfume bottle with scenes of
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or some other acid-resistant material such as bituminous paint, and the
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and plaques and similar uses, and there are still many producers today.
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of about 30 BC, where it was an alternative to the more luxurious
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Artistically the most notable work since the revival was in the
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Full catalogue entry for the Morgan Cup in
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Study of glass wares from the Qing
Dynasty (1644–1911).
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with eagles, the luxurious equivalent in glass of a "
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635:, of course, was also a design source for Wedgwood.
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764:George Woodall and the Art of English Cameo Glass
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119:. Other fine examples, such as the Morgan Cup (
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704:Whitehouse, 51-2 (No. 48, full catalog entry)
466:"British Museum – Page on the Portland Vase"
742:, 1982 & revised eds, Macmillan, London
455:has 40 pieces, all cataloged in Whitehouse.
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562:Trentinella. See also Whitehouse, 50 and
756:(October 2003, retr. 16 September, 2009)
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96:First-century Roman vase excavated from
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84:. Cameo glass is still produced today.
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806:Detail on makers of French cameo glass
281:Cameo Glass Vase by George Woodall at
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792:English Cameo Glass – Andrew Lineham
620:See, for examples, Barbara Morris, "
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740:A World History of Art
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800:Cameo glass feature.
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332:Cameo glass vase by
295:Thomas Webb and Sons
34:is a luxury form of
1001:Spinning (textiles)
919:Friendship bracelet
769:Whitehouse, David.
762:Exhibition feature
238:Dionysian mysteries
738:and John Fleming,
720:2023-11-10 at the
692:2009-04-08 at the
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549:2008-08-28 at the
530:2011-06-07 at the
519:2014-05-22 at the
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26:
25:Portland Vase
21:
1547:Glass mosaic
1465:Bone carving
1340:
1265:Wood carving
1260:Wood burning
1235:Chip carving
1192:Scrapbooking
1177:Papier-mâché
1143:Papercutting
1096:Iris folding
1084:Photomontage
1079:Papier collé
1044:Altered book
904:Cross-stitch
814:Getty Museum
804:David Issitt
791:
779:Google books
770:
763:
739:
715:Google books
709:
700:
681:
673:
668:
659:
640:
633:John Flaxman
628:
625:
616:
607:
598:
589:
580:
571:
563:
558:
539:
509:
501:
498:
494:
485:
474:. Retrieved
460:
447:
438:
429:
379:
370:Peking glass
367:
364:Peking glass
339:
315:neoclassical
288:
184:rock crystal
176:illustration
175:
165:
156:
102:
71:
55:engraved gem
38:produced by
31:
30:
1650:Glass types
1574:Pietra dura
1537:Micromosaic
1470:Doll making
1424:Silversmith
1341:Cameo glass
1298:Earthenware
1270:Woodturning
1182:Pop-up book
1167:Papermaking
1054:Calligraphy
1049:Bookbinding
979:Rug hooking
949:Needlepoint
929:Lace-making
894:Canvas work
812:, from the
773:, Volume 1
736:Hugh Honour
672:Boda,Yang.
602:Trentinella
442:Trentinella
406:Cased glass
358:Moser Glass
346:Émile Gallé
342:Art Nouveau
311:jasper ware
301:, although
291:Islamic art
180:translucent
139:showing an
129:Getty Villa
125:iconography
88:Roman glass
82:Émile Gallé
78:Art Nouveau
32:Cameo glass
1624:Categories
1609:Wall decal
1532:Miniatures
1450:Assemblage
1318:Terracotta
1293:Bone china
1172:Paper toys
1138:Papercraft
1064:Cast paper
1059:Cardmaking
1006:String art
996:Shoemaking
984:Rug making
954:Needlework
909:Embroidery
899:Crocheting
860:handicraft
730:References
687:Production
476:2016-07-22
416:Gold glass
376:Techniques
336:, ca. 1925
1630:Glass art
1604:Taxidermy
1594:Scrimshaw
1569:Pargeting
1495:Grotesque
1475:Dollhouse
1419:Goldsmith
1414:Jewellery
1404:Engraving
1361:Glassware
1346:Chip work
1313:Stoneware
1303:Porcelain
1255:Marquetry
1230:Carpentry
1225:Cabinetry
1202:Wallpaper
1128:Embossing
1121:Moneygami
1074:Decoupage
959:Patchwork
944:Millinery
514:Getty Cup
433:Lightfoot
236:into the
137:revetment
59:gemstones
36:glass art
1559:Ornament
1522:Lapidary
1517:Lath art
1500:Gargoyle
1460:Beadwork
1434:Ironwork
1250:Intarsia
1245:Fretwork
1240:Ébéniste
1220:Bentwood
1197:Stamping
1187:Quilling
1133:Marbling
1116:Kirigami
1106:Kamikiri
1011:Tapestry
964:Quilting
924:Knitting
718:Archived
713:Honour,
690:Archived
648:Archived
547:Archived
528:Archived
517:Archived
470:Archived
400:See also
323:brooches
307:Wedgwood
141:acanthus
74:Neo-Grec
61:such as
1640:Etching
1554:Netsuke
1409:Etching
1389:Andiron
1308:Pottery
1288:Azulejo
1280:Ceramic
1148:Chinese
1111:Origami
1101:Jianzhi
1069:Collage
1026:Weaving
1021:Tie-dye
1016:Tatting
939:Macrame
914:Felting
881:Textile
871:History
622:Flaxman
303:ceramic
242:Pompeii
240:, from
234:Ariadne
218:Bacchus
152:pottery
115:in the
98:Pompeii
47:etching
1542:Mosaic
1399:Enamel
1366:Mirror
1158:Slavic
1153:Jewish
991:Sewing
974:Carpet
564:passim
504:(1990:
168:Norway
144:frieze
1443:Other
1381:Metal
1333:Glass
1091:Decal
1036:Paper
934:Lucet
676:1983.
422:Notes
386:blank
214:Satyr
150:" in
67:agate
40:cameo
1512:Inro
1323:Tile
1212:Wood
858:and
754:link
523:and
297:and
107:and
65:and
63:onyx
23:The
629:129
382:wax
45:or
1626::
777:.
502:32
468:.
154:.
848:e
841:t
834:v
766:.
654:.
566:.
534:.
479:.
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