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It came even to pass, as the trumpeters and singers were as one, to make one sound to be heard in praising and thanking the LORD; and when they lifted up their voice with the trumpets and cymbals and instruments of musick, and praised the LORD, saying, For he is good; for his mercy endureth for ever: that then the house was filled with a cloud, even the house of the LORD;
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Also the
Levites which were the singers, all of them of Asaph, of Heman, of Jeduthun, with their sons and their brethren, being arrayed in white linen, having cymbals and psalteries and harps, stood at the east end of the altar, and with them an hundred and twenty priests sounding with trumpets:) 13
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is in three volumes, each signed on its main title page by J. S. Bach, who followed his signature with the date, 1733. The volumes contain 348 underlinings, marks of emphasis, and marginalia in Bach's hand, an attribution that has been proven by handwriting analysis and chemical analysis of the ink.
154:. While a guest in the home of his cousin, Leonard Reichle, Riedel was shown a volume of the Bible in which he recognized Bach's signature on the title page. Reichle subsequently located the other two volumes in his attic, relating that his family had purchased them in the 1830s in
225:... who should prophesy with harps, with psalteries, and with cymbals ... who prophesied with a harp ... All these were under the hands of their father for song in the house of the LORD, with cymbals, psalteries, and harps, for the service of the house of God ...
174:, however, did this Bible become known to Bach scholarship. At the end of 2017, a facsimile reprint of Bach's Bible was published by the Dutch publisher Van Wijnen of
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In many instances Bach was correcting typographical or grammatical errors. Three of Bach's more important annotations are in proximity to the following passages.
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And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and with dances.
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was made famous with the discovery of a long-lost copy that had once belonged to the composer
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In June 1934, a
Lutheran pastor named Christian G. Riedel was attending a convention of the
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This chapter is the true foundation of all God-pleasing church music.
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http://exultate.org/wp-content/uploads/2019/10/Bach-Bible-History.mp4
178:, in close co-operation with the owners, Concordia Seminary Library.
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contextualized in an analysis of the Fugue No. 18 in G-sharp minor,
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Dr. Thomas Rossin - short video on the history of the Calov Bible:
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J. S. Bach and
Scripture: Glosses from the Calov Bible Commentary
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Information on the facsimile reprint of Bach's Calov Bible on
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First prelude for two choirs to be sung to the glory of God.
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In devotional music, God is always present with His Grace.
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and additional commentary by
Wittenberg theology professor
315:"Bach & the Bible | Christian History Magazine"
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339:"Bach's Bible - Bach writes in his Bible"
69:Learn how and when to remove this message
268:. St. Louis: Concordia. pp. 22–23.
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32:This article includes a list of general
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396:https://www.bachbijbel.nl/english/
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119:Connection with J. S. Bach
376:The Well-Tempered Clavier
262:Leaver, Robin A. (1985).
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365:Bach marginalia in
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367:Calov Bible
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51:introducing
405:Categories
348:2021-03-01
324:2021-03-01
249:References
34:references
384:Shockwave
164:St. Louis
176:Franeker
168:Missouri
152:Michigan
47:improve
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