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1196:) is an archaic style of Chinese calligraphy. The clerical script was first used during the Han dynasty and has lasted up to the present. The clerical script is considered a form of the modern script though it was replaced by the standard script relatively early. This occurred because the graphic forms written in a mature clerical script closely resemble those written in standard script. The clerical script is still used for artistic flavor in a variety of functional applications because of its high legibility for reading.
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less suitable for use in hanging scrolls. Learning to rub the ink is an essential part of calligraphy study. Traditionally, Chinese calligraphy is written only in black ink, but modern calligraphers sometimes use other colors. Calligraphy teachers use a bright orange or red ink with which they write practice characters on which students trace, or to correct students' work.
2471:. Therefore, their abundant education contributed to their calligraphy. A calligrapher practicing another calligrapher's characters would always know what the text means, when it was created, and in what circumstances. When they write, their characters' shape and weight agrees with the rhythm of the phrases, especially in less constrained styles such as
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little fingers tuck under the bottom of the shaft, leaving a space inside the palm. Alternatively, the brush is held in the right hand between the thumb and the index finger, very much like a
Western pen. A calligrapher may change his or her grip depending on the style and script. For example, a calligrapher may grip higher for
968:—animal bones or turtle plastrons—it is the earliest known form of Chinese writing. The bones were believed to have prophecies written on them. The first appearance of what we recognize unequivocally to refer as "oracle bone inscriptions" comes in the form of inscribed ox scapulae and turtle plastrons from sites near modern
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Traditionally, the bulk of the study of calligraphy is composed of copying strictly exemplary works from the apprentice's master or from reputed calligraphers, thus learning them by rote. The master showing the 'right way' to draw items, which the apprentice have to copy strictly, continuously, until
1426:). Brush-written examples decay over time and have not survived. During the divination ceremony, after the cracks were made, characters were written with a brush on the shell or bone to be later carved (Keightley, 1978). Each archaic kingdom of current China continued to revise its set of characters.
1396:
ritual vessel vats that bear these cinnabar inscriptions were all unearthed within the palace area of this site. They were unearthed mostly in the sacrificial pits holding cow skulls and cow horns, but also in other architectural areas. The inscriptions are written on the exterior and interior of the
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In recent study, Chinese calligraphy writing have been used as cognitive intervention strategy among older adults or people with mild cognitive impairment. For example, in a recent randomized control trial experiment, calligraphy writing enhanced both working memory and attention control compared to
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Basic calligraphy instruction is part of the regular school curriculum in both China and Japan and specialized programs of study exist at the higher education level in China, Japan, Korea, and Taiwan. In contemporary times, debate emerged on the limits of this copyist tradition within the modern art
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give "spirit" to the characters by influencing greatly their final shape. The "spirit" is referred to yi in
Chinese calligraphy. Yi means "intention or idea" in Chinese. The more practice a calligrapher has, his or her technique will transfer from youyi (intentionally making a piece of work) to wuyi
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are used to hold down paper. A paperweight is often placed at the top of all but the largest pages to prevent slipping; for smaller pieces the left hand is also placed at the bottom of the page for support. Paperweights come in several types: some are oblong wooden blocks carved with calligraphic or
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The shape, size, stretch, and type of hair in the brush, the color and density of the ink, as well as the absorptive speed and surface texture of the paper are the main physical parameters influencing the final result. The calligrapher also influences the result by the quantity of ink/water he lets
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was solely responsible for the origin of writing in China, neither is there evidence of recognizable
Chinese writing from any earlier time or any other place. The late Shang oracle bone writings constitute the earliest significant corpus of Chinese writing and it is also the oldest known member and
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In contemporary China, a small but significant number of practitioners have made calligraphy their profession, and provincial and national professional societies exist, membership in which conferring considerable prestige. By tradition, the price of a particular artist's work is priced in terms of
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which must be rubbed with water on an inkstone until the right consistency is achieved. Much cheaper, pre-mixed bottled inks are now available, but these are used primarily for practice as stick inks are considered higher quality and chemical inks are more prone to bleeding over time, making them
2107:. Some are printed with grids on both sides, so that when it is placed under the translucent paper, it can be used as a guide to ensure correct placement and size of characters. However, these printed pads are used only by students. Both desk pads and the printed grids come in a variety of sizes.
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Scribes in China and
Mongolia practiced the art of calligraphy to copying Buddhist texts. Since these texts were so venerated, the act of copying them down (and the beautiful calligraphy employed) was supposed to have a purifying effect on the soul. "The Act of copying them could bring a scribe
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How the brush is held depends on the calligrapher and which calligraphic genre is practiced. Commonly, the brush is held vertically straight gripped between the thumb and middle finger. The index finger lightly touches the upper part of the shaft of the brush (stabilizing it) while the ring and
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Generally, characters that are written correctly, legibly, concisely, and in the correct context are also aesthetically pleasing to some degree. Characters that violate the above rules are often less aesthetically pleasing. An experienced calligrapher will consider the quality of the line, the
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are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of
Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life
1565:(cursive or sloppy script) are less constrained and faster, where more movements made by the writing implement are visible. These styles' stroke orders vary more, sometimes creating radically different forms. They are descended from clerical script, at the same time as regular script (
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The existence of temporary calligraphy, or water calligraphy, is also to be noted. This is the practice of water-only calligraphy on the floor which dries out within minutes. This practice is especially appreciated by the new generation of retired
Chinese in public parks in China.
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As calligraphy is the method of writing well, a calligraphic work must be recognizable as script, and furthermore be easily legible to those familiar with the script style, although it may be illegible to those unfamiliar with the script style. For example, many people cannot read
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Chinese calligraphy used to be popular in China, Taiwan, Japan, Korea, Vietnam and Hong Kong. In Taiwan, students were requested to write
Chinese calligraphy starting from primary school all the way to junior high school on a weekly basis at least to the year 1980.
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the brush take up, then by the pressure, inclination, and direction he gives to the brush, producing thinner or bolder strokes, and smooth or toothed borders. Eventually, the speed, acceleration and deceleration of the writer's moves and turns, and the
2294:. In modern times, however, writers frequently practice calligraphy seated on a chair at a table. Larger pieces may be written while standing; in this case the paper is usually placed directly on the floor, but some calligraphers use an easel.
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is used to grind the solid inkstick into liquid ink and to contain the ink once it is liquid. Chinese inkstones are highly prized as art objects and an extensive bibliography is dedicated to their history and appreciation, especially in China.
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structure of each character which the lines are placed, the compositional organization of groups of characters. Throughout the work, the brush line of light or dark, dry or wet should record the process of the artist creating the work vividly.
1937:, etc. There is also a tradition in both China and Japan of making a brush using the hair of a newborn child, as a once-in-a-lifetime souvenir. This practice is associated with the legend of an ancient Chinese scholar who scored first in the
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period (link needed). The cursive script is faster to write than other styles, but difficult to read for those unfamiliar with it. The "grass" in
Chinese was also used in the sense of "coarse, rough; simple and crude." It would appear that
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experienced through energy in motion that is registered as traces on silk or paper, with time and rhythm in shifting space its main ingredients." Calligraphy has also led to the development of many forms of art in China, including
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While appreciating calligraphy depends on individual preferences, there are established traditional rules and those who repeatedly violate them are not considered legitimate calligraphers. The famous modern
Chinese calligrapher
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were unorthodox or locally used for centuries. They were generally understood but always rejected in official texts. Some of these unorthodox variants, in addition to some newly created characters, were incorporated in the
2323:(a unit of length, roughly equal to a foot) of artwork. As with other artwork, the economic value of calligraphy has increased in recent years as the newly rich in China search for safe investments for their wealth.
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has broad and narrow meanings. In the broad sense, it is non-temporal and can refer to any characters which have been hastily written. In the narrow sense, it refers to the specific handwriting style in Han dynasty.
904:, a relatively recent word in Chinese) in the countries where it is practised. Chinese calligraphy focuses not only on methods of writing but also on cultivating one's character (人品) and taught as a pursuit (-書法;
2420:, which are deemed correct or incorrect case-by-case, but in general, more popular variants are more likely to be correct. Correct characters are written in the traditional stroke order and not a modern standard.
2189:(creating art with unintentional moves). Wuyi is considered a higher stage for calligraphers, which require the calligrapher to have perfect control over the brush and wrist and following his or her heart.
1068:(彝). Different time periods used different methods of inscription. Shang bronze inscriptions were nearly all cast at the same time as the implements on which they appear. In later dynasties such as Western
1526:(王羲之, 303 CE – 361 AD) and his followers, is even more regularized. reached its peak in the Tang dynasty, when famous calligraphers like Yan Zhenqing and Liu Gongquan produced most of the fine works in
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The
Japanese, Koreans, and Vietnamese have developed their own specific sensibilities and styles of calligraphy while incorporating Chinese influences, as well as applying to specific scripts.
4091:, p.41. The 2007 common shape for those characters does not clearly show the stroke order, but old versions, visible on the Kangxi Zidian p.41 clearly allow the stroke order to be determined.
4193:
Chan, SCC (2017). "Chinese Calligraphy Writing for Augmenting Attentional Control and Working Memory of Older Adults at Risk of Mild Cognitive Impairment: A Randomized Controlled Trial".
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the move becomes instinctive and the copy perfect. Deviation from the model is seen as a failure. Competency in a particular style often requires many years of practice. Correct strokes,
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For more than 2,000 years, China's literati—Confucian scholars and literary men who also served the government as officials—have been connoisseurs and practitioners of this art. In
4539:, Early China Special Monograph Series No. 4. Berkeley: The Society for the Study of Early China and the Institute of East Asian Studies, University of California, Berkeley, 2000.
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where flourishes are acceptable and often desirable. Good Chinese calligraphy must be unadorned script. It must also be in black ink unless there is a reason to write in other ink.
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1975:, Maobian paper, Lianshi paper etc. Any modern papers can be used for brush writing. Because of the long-term uses, Xuan paper became well known by most of Chinese calligraphers.
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characters. Although the main writing implement of the time was already the brush, little paper survives from this period, and the main examples of this style are on steles.
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1504:(clerical script) which is more regularized, and in some ways similar to modern text, were also authorised under Qin Shi Huang. While it is a common mistake to believe that
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kǎishū; Hong Kong and Taiwan still use traditional Chinese characters in writing, while mainland China uses simplified Chinese characters as the official script.
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pictorial designs; others are essentially small sculptures of people or animals. Like ink stones, paperweights are collectible works of art on their own right.
2255:, nearly all calligraphers have started their study by imitating exemplary models of regular script. A beginning student may practice writing the character 永 (
2599:
4678:
1542:
shape of characters 1000 years ago was mostly similar to that at the end of Imperial China. But small changes have been made, for example in the shape of
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rim, and the exterior of the belly of the large type of vats. The characters are mostly written singly; character compounds or sentences are rarely seen.
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1993:
1072:, Spring and Autumn period, the inscriptions were often engraved after the bronze was cast. Bronze inscriptions are one of the earliest scripts in the
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2479:. One who does not know the meaning of the characters they write, but varies their shape and weight on a whim, does not produce good calligraphy.
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All reputable calligraphers in China were well educated and well read. In addition to calligraphy, they were skilled in other areas, most likely
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A correctly written character should be composed in a way that is accepted as correct by legitimate calligraphers. Calligraphic works often use
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of 1716 as in modern books. The Kangxi and current shapes have tiny differences, while stroke order is still the same, according to old style.
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4412:, Vol 53, No 6, (June 2009) pp. 124–126. A review-essay that explores the motion of the brush as the hallmark of Chinese calligraphy.
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the length of paper on which it is written. Works by well-regarded contemporary calligraphers may fetch thousands to tens of thousands of
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1621:, public focused on practicing hard-pen calligraphy. People usually use Chinese simplified characters in semi-cursive or regular style.
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2244:, character structure, balance, and rhythm are essential in calligraphy. A student would also develop their skills in traditional
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Straddling East and West: Lin Yutang, a modern literatus: the Lin Yutang family collection of Chinese painting and calligraphy
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scenes, where innovation is the rule, while changing lifestyles, tools, and colors are also influencing new waves of masters.
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refers to the eight different strokes in the character, which some argue summarizes the different strokes in regular script.
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were used for personal notes only and were never used as a standard. Caoshu style was highly appreciated during the reign of
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Chinese calligraphy appreciated more or only for its aesthetic quality has a long tradition, and is today regarded as one of
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The ink brush, ink, paper, and inkstone are essential implements of Chinese calligraphy. They are known together as the
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variant of seal script eventually became the standard, and was adopted as the formal script for all of China during the
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2395:, member of the Chinese Calligrapher Association, summarized rules of modern calligraphy. The following rules are from
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or other materials such as wood, porcelain, or horn. The head of the brush is typically made from animal hair, such as
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Chinese calligraphy : from pictograph to ideogram : the history of 214 essential Chinese/Japanese characters
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by using such a personalized brush. Calligraphy brushes are widely considered an extension of the calligrapher's arm.
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3443:"The Development of Calligraphy and Painting Exchanges between Taiwan and Japan During the Japanese Colonial Period"
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were imported into China from the west. Writing with fountain pens remained a convenience until the 1980s. With the
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A brush is the traditional writing instrument for Chinese calligraphy. The body of the brush is commonly made from
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2578:, which is accomplished using similar tools and techniques. Calligraphy has influenced most major art styles in
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3878:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 131.
3831:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 130.
3784:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 143.
3687:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 113.
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4687:. Enter a character, click, and see range of variations for that character by different calligraphic masters.
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3734:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 73.
3602:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 80.
2431:, but a calligraphic work in cursive can still be considered good if those familiar with cursive can read it.
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1267:
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1381:, ceramic inscriptions dating to 1435–1412 BC have been found by archaeologists. These writings are made in
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4079:康熙字典 Kangxi Zidian, 1716. Scanned version available at www.kangxizidian.com. See for example the radicals
1247:. Zhong You first used regular script to write some very serious pieces such as memorials to the emperor.
992:, whose accession is dated by different scholars at 1250 BC or 1200 BC. Though there is no proof that the
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Brush-washers for removing excess ink are essential tools in the traditional art of Chinese calligraphy.
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1231:) is the newest of the Chinese script styles. The regular script first came into existence between the
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that was common throughout the latter half of the 1st millennium BC. It evolved organically out of the
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1486:(秦始皇, 259–210 BC), the first to conquer the entire Chinese basin, imposed several reforms, among them
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and interpretation of the literary meaning. This type of expression has been widely practiced in
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The ancestral landscape : time, space, and community in late Shang China, ca. 1200-1045 B.C
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Xueqin, Li (2002-06-01). "The Xia-Shang-Zhou Chronology Project: Methodology and Results".
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3555:. Daniels, Peter T., Bright, William, 1928–2006. New York: Oxford University Press. 1996.
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became mature stylistically around the 7th century. The first master of regular script is
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4482:"Origins and evolution of Chinese writing systems and preliminary counting relationships"
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1490:'s (李斯, 246 BC – 208 BC) character unification, which created a set of 3300 standardized
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Shi, Xiongbo (2018). "The Aesthetic Concept of Yi 意 in Chinese Calligraphic Creation".
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1534:(926 CE – 933 AD), who ordered the printing of the classics using new wooden blocks in
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contains introductory comparisons of different calligraphy styles of basic characters.
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2267:) for its abundance of different kinds of strokes and difficulty in construction. The
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ancestor of the Chinese family of scripts, preceding the Chinese bronze inscriptions.
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Chinese Brushwork in Calligraphy and Painting: Its History Aesthetics and Techniques
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4344:"Vietnamese Traditional Calligraphy During Tet | Festival | Vietnam+ (VietnamPlus)"
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a calligraphy video column with deep analysis of different characters, lectured by
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Shu Xincheng 舒新城, ed. Cihai (辭海 'Sea of Words'). 3 vols. Shanghai: Zhonghua. 1936.
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Calligraphic works are usually completed by the calligrapher applying one or more
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4426:書法學習必讀. Hong Kong Taiping Book Department Publishing 香港太平書局出版: Hong Kong, 1978.
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Barnhart, Richard (1972). "Chinese Calligraphy: The Inner World of the Brush".
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Some people insist that Chinese calligraphy should use special papers, such as
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was an early form of Chinese characters written on animals' bones. Written on
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1645:. These are not considered traditional styles, and are normally not written.
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3946:. The United States of America; New Jersey: Pearson Education. p. 343.
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The contemporary Chinese character's set principles were clearly visible in
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The Cinnabar Inscriptions Discovered at the Xiaoshuangqiao Site, Zhengzhou.
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and the existence of the circle required the creation of a new technique.
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in the term caoshu "grass script" was used in this same sense. The term
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is considered one of the four most-sought skills and hobbies of ancient
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paint. Thus, the dates of writing in China have been confirmed for the
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Water calligraphy or ground calligraphy is a popular pastime in China.
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During the fourth century AD, calligraphy came to full maturity. The
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was developed from pre-Qin era to the Han dynasty (202 BC – 220 AD).
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An example of the Chinese character 木 (a tree) written in Seal script
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Chinese calligraphy is being promoted in Chinese schools to counter
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2737:
2654:
2629:
2513:
2509:
2145:
2132:
2084:
1965:
1419:
1416:
1382:
891:
850:
561:
534:
333:
148:
4581:, vol. 10, Centered on Taipei, pp. 18–21, archived from
2202:
1522:(traditional regular script)—still in use today—and attributed to
4847:
4812:
4737:
4560:, vol. 10, Centered on Taipei, pp. 8–11, archived from
3349:書 being here used as in 楷书/楷書, etc., and meaning 'writing style'.
2942:
2892:
2524:
1984:
1782:
1412:
1393:
1236:
1094:
989:
392:
1508:
was created by Cheng Miao alone during Qing Shi Huang's regime,
4757:
3241:
2905:
2849:
2830:
2800:
2749:
2096:
2015:
1914:
1906:
1326:
1275:
1224:
1189:
1112:
969:
905:
895:
4690:
1992:
province, is the preferred type of paper. It is made from the
1538:. Printing technologies here allowed shapes to stabilize. The
1298:
can read semi-cursive. It is highly useful and also artistic.
672:
3505:. Berkeley: University of California, Berkeley. p. 228.
3104:
2812:
2761:
2616:
2505:
2291:
2060:
2041:
2031:
2026:
1989:
1979:
1930:
1883:, desk pads and paperweights are also used by calligraphers.
1487:
1442:
977:
973:
817:
520:
460:
400:
4238:
3337:
Journal of Beijing Normal University: Social Science Edition
2175:
in red ink. The seal can serve the function of a signature.
2131:
Ink is made from lampblack (soot) and binders, and comes in
4237:
For example, the China Calligraphers Association (中国书法家协会,
2495:
2370:
2104:
2019:
2003:
1934:
1922:
1918:
1468:, the graphs on old steles—some dating from 200 BC, and in
5050:
2534:, the same styles and techniques have evolved to apply to
2362:
1150:
840:
of calligraphy in this tradition. Chinese calligraphy and
4168:"New calligraphy classes for China's internet generation"
1964:
Paper is frequently sold together with a paperweight and
1945:
1926:
1613:
This way of writing started to develop in the 1900s when
1333:) originated in China during the Han dynasty through the
1061:
361:
338:
315:
2366:
2059:), as well as other materials such as bamboo, rice, and
262:
1409:
869:(書法/书法, 法書/法书), literally 'way/method/law of writing';
832:, along with playing stringed musical instruments, the
4629:– Dao of Calligraphy in English & Mandarin Chinese
3313:
3311:
3309:
3173:
The Calligraphy Model "Sunny after Snow" by Wang Xizhi
1239:
dynasties, and was not used commonly until later. The
625:
602:
30:"Shufa" redirects here. For the concept in islam, see
1890:
A Chinese calligraphy set, Gurgaon, near Delhi, India
1366:
Chinese characters can be retraced to 4000 BC signs (
226:
203:
176:
153:
130:
4147:
3929:
Chinese Archaeology. Volume 4, Issue 1, Pages 98–102
502:
488:
4679:
Introduction of Chinese Ground Calligraphy or Dishu
3306:
292:
4602:Chinese Calligraphy and Early Buddhist Manuscripts
4026:And so the first Chinese dictionary was born, the
3649:(Di 1 ban ed.). Beijing: Wen wu chu ban she.
3548:
3249:– integration of calligraphy, poetry, and painting
1456:Poems of The four treasures in a scholar's study (
883:(서예; 書藝) in Korea ('skill/criterion of writing');
820:and has been generally held in high esteem across
4375:. Honolulu: University of Hawaii Press. pp.
5111:
2605:
446:
432:
3942:Stokstad, Marilyn; Cothren, Michael W. (2017).
3941:
2144:Commonly made from stone, ceramic, or clay, an
4571:
4550:
4154:
4057:A Course in the Analysis of Chinese Characters
4046:
4044:
4042:
4040:
4038:
3399:– Internet video series on Chinese calligraphy
3318:
2326:
1624:
1000:
976:province. The vast majority were found at the
874:
525:
5091:
5079:
5067:
5061:
5029:
5017:
5005:
4993:
4979:
4967:
4955:
4943:
4931:
4919:
4907:
4874:
4706:
4102:"Chinese – Brushwasher in the Form of a Leaf"
4054:
2445:Proper and prominent relation to the context.
2400:
1377:, about 20 km south-east of the ancient
1301:
879:) in Japan ('way/principle of writing'); and
566:
539:
4465:. New York: The Metropolitan Museum of Art.
4458:
4417:Dictionary of Japanese (Sōsho) Writing Forms
3533:: CS1 maint: multiple names: authors list (
2971:, the most famous Chinese calligraphic work.
1944:Today, calligraphy may also be done using a
465:
91:
68:
4341:
4035:
4010:. calligraphy by Rebecca Hon Ko. New York:
3919:
3917:
4881:
4867:
4713:
4699:
4522:, Yale University Press, New Haven, 2008.
4518:Ouyang, Zhongshi & Fong, Wen C., Eds,
3991:: CS1 maint: location missing publisher (
3906:: CS1 maint: location missing publisher (
3859:: CS1 maint: location missing publisher (
3812:: CS1 maint: location missing publisher (
3762:: CS1 maint: location missing publisher (
3715:: CS1 maint: location missing publisher (
3630:: CS1 maint: location missing publisher (
3392:
3390:
3388:
3386:
3384:
3382:
3380:
2397:One Question Every Day, One Word Every Day
1479:closer to perfection and earn him merit."
1475:(small seal script)—are still accessible.
984:divinations of the last nine kings of the
671:
49:
4888:
4214:
3873:
3826:
3779:
3729:
3682:
3597:
5130:Intangible Cultural Heritage of Humanity
4651:– Generator of Chinese calligraphy model
4419:, Lunde Humphries, 1944 (reprinted 1947)
4300:"New book tells story of VN calligraphy"
4263:
4005:
3914:
2556:
2496:Calligraphy in Japan, Korea, and Vietnam
2156:
2122:
2114:
2002:), as well as other materials including
1955:
1885:
1648:
1546:which is not absolutely the same in the
1451:
1433:
1149:
1093:
946:
925:
861:In China, calligraphy is referred to as
4479:
4266:The Metropolitan Museum of Art Bulletin
3644:
3377:
3358:
2348:instructions, advice, or how-to content
1608:
1423:
1367:
1020:. These Chinese ritual bronzes include
14:
5112:
3465:
3333:"Chinese characters and culture 汉字与文化"
2508:to also include local scripts such as
2152:
1868:
1629:Examples of modern printed styles are
1290:. Because it is not as abbreviated as
1250:
372:
366:
237:
231:
4862:
4694:
3966:
3937:
3935:
3775:
3773:
3678:
3676:
3674:
1879:. In addition to these four tools, a
1584:Styles which did not survive include
1559:(semi-cursive or running script) and
936:
887:(書法) in Vietnam ('handwriting art').
4660:Basic Calligraphy Styles From Taoism
4192:
3330:
3047:Part of a stone rubbing of 雁塔聖教序 by
2569:
2552:
2330:
2161:Using seal paste with a Chinese seal
4448:. Mineola, NY: Dover Publications.
4118:
3062:Part of a stone rubbing of 顏勤禮碑 by
2357:so that it is more encyclopedic or
2290:are traditionally written while in
2110:
24:
4666:The History of Chinese Calligraphy
4594:
4572:Stanley-Baker, Joan (June 2010b),
4366:
4360:
3932:
3770:
3671:
3500:
2983:Part of a stone rubbing of 黄庭经 by
2483:Aesthetically pleasing to the eye.
1422:around the 14th–11th century BCE (
1145:
856:
849:carving, ornate paperweights, and
25:
5141:
4620:
4551:Stanley-Baker, Joan (May 2010a),
4429:Emmanuelle Lesbre, Jianlong Liu:
3468:Journal of East Asian Archaeology
3013:A Tang dynasty copy of 新婦地黃湯帖 by
2768:
1429:
1199:
980:site in this region. They record
812:as an art form, combining purely
3162:
3144:
3126:
3111:
3088:
3070:
3055:
3040:
3021:
3006:
2991:
2976:
2956:
2694:Ding Daohu 丁道護 (ca. 6th century)
2335:
2305:brought on by technology usage.
2222:
2201:
1850:
1836:
1822:
1807:
1793:
1774:
1755:
1736:
1717:
1698:
1679:
1665:
1361:
4828:Chinese traditional accessories
4720:
4488:, vol. 9, pp. 25–51,
4371:Chinese writing and calligraphy
4335:
4317:
4292:
4257:
4243:
4231:
4186:
4160:
4112:
4094:
4073:
3999:
3971:. Los Angeles, US. p. 33.
3960:
3867:
3820:
3723:
3638:
3591:
3541:
3494:
3459:
3363:. Beijing: 中華書局. p. 1118.
2924:
2899:
2856:
2837:
2788:
2698:
2602:based entirely on calligraphy.
2119:Using an ink stick and inkstone
2066:
1530:. Its spread was encouraged by
972:(安陽) on the northern border of
401:
362:
339:
316:
293:
263:
27:Calligraphy with Chinese script
5092:
5080:
5068:
5062:
5030:
5018:
5006:
4994:
4980:
4968:
4908:
4655:History of Chinese Calligraphy
4604:. Oxford: Indica et Buddhica.
4195:Journal of Alzheimer's Disease
3435:
3426:
3402:
3352:
3343:
3324:
3282:
2685:
2648:
2623:
2610:
1532:Emperor Mingzong of Later Tang
1083:
910:
900:
626:
603:
503:
489:
447:
227:
204:
177:
154:
131:
13:
1:
4685:名家书法 (Masters of Calligraphy)
4649:Models of Chinese calligraphy
4644:Styles of Chinese calligraphy
4444:Kwo, Da-Wei (David) (1981) .
4240:) is a national organization.
4030:, containing 3,300 characters
3501:N., Keightley, David (2000).
3359:Wang Li; et al. (2000).
3276:
2606:Notable Chinese calligraphers
2547:
2490:
1482:In about 220 BC, the emperor
92:
69:
3151:An edict written by Emperor
2722:Huairen 懷仁 (ca. 7th century)
2691:Zhiyong 智永 (ca. 6th century)
2286:In Japan, smaller pieces of
2178:
2078:
1988:(宣紙), traditionally made in
1016:were usually written on the
7:
5051:Derived from regular script
4600:Tsui, Chung-hui 崔中慧 (2020)
4006:Fazzioli, Edoardo (1987) .
3551:The world's writing systems
3178:
3028:Part of a stone rubbing of
2574:Calligraphy has influenced
2327:Rules of modern calligraphy
2139:
1876:Four Treasures of the Study
1625:Printed and computer styles
1294:, most people who can read
1013:Chinese bronze inscriptions
1007:Chinese bronze inscriptions
1001:Chinese bronze inscriptions
10:
5146:
4743:Chinese Buddhist sculpture
4494:10.1177/103237320400900303
4342:VietnamPlus (2022-02-09).
3480:10.1163/156852302322454585
2949:
2418:variant Chinese characters
2164:
1898:
1598:variant Chinese characters
1354:
1350:
1308:Cursive script (East Asia)
1305:
1302:Cursive script (East Asia)
1254:
1203:
1167:
1087:
1004:
940:
929:
29:
5041:
4956:
4944:
4932:
4920:
4896:
4728:
4400:"The Rhythm of the Brush"
4059:. Lulu.com. p. 148.
3874:Xigui, Qiu; 裘錫圭. (2000).
3827:Xigui, Qiu; 裘錫圭. (2000).
3780:Xigui, Qiu; 裘錫圭. (2000).
3730:Xigui, Qiu; 裘錫圭. (2000).
3683:Xigui, Qiu; 裘錫圭. (2000).
3598:Xigui, Qiu; 裘錫圭. (2000).
2409:. Among these rules are:
2401:
2260:
2251:Since the development of
1657:(horse) through history:
1155:Memorial to Yueyang Tower
1074:Chinese family of scripts
875:
646:
619:
596:
591:
587:
560:
533:
526:
519:
514:
496:
482:
477:
473:
466:
459:
454:
440:
426:
421:
391:
384:
355:
332:
309:
302:
286:
279:
256:
249:
220:
197:
170:
147:
124:
117:
112:
108:
85:
62:
57:
48:
44:
39:
4675:at BeyondCalligraphy.com
4480:Lu, W; Aiken, M (2004),
4251:"The art market in 2017"
4121:Philosophy East and West
3645:Hui., Wang; 王輝. (2006).
3208:Eight Principles of Yong
3203:East Asian script styles
2269:Eight Principles of Yong
2192:
2099:: huàzhān; Japanese: 下敷
1999:Pteroceltis tatarianovii
1951:
1894:
1710:Spring and Autumn period
1373:In 2003, at the site of
567:
540:
64:Traditional Chinese
3969:Books: A Living History
3410:"Shodo and Calligraphy"
3120:Emperor Huizong of Song
2825:Emperor Gaozong of Song
2819:Emperor Huizong of Song
2726:Emperor Taizong of Tang
2437:This is in contrast to
2414:Correct way of writing.
2012:Broussonetia papyrifera
1619:Chinese economic reform
1553:Cursive styles such as
87:Simplified Chinese
4843:Chinese willow pattern
4783:Chinese Folding screen
4635:at China Online Museum
4106:The Walters Art Museum
4055:R. B. Blakney (2007).
3967:Lyons, Martyn (2011).
3583:: CS1 maint: others (
3258:Vietnamese calligraphy
2562:
2532:Vietnamese calligraphy
2162:
2128:
2120:
2057:Edgeworthia papyrifera
1961:
1891:
1569:202 BC – 220 AD), but
1461:
1449:
1165:
1099:
1018:Chinese ritual bronzes
956:
951:Oracle bone fragment,
433:
4890:Chinese script styles
4803:Chinese paper folding
4798:Chinese paper cutting
4459:Liu, Shi-yee (2007).
4431:La Peinture Chinoise.
4172:BBC NEWS ASIA-PACIFIC
4133:10.1353/pew.2018.0076
3923:Song Guoding (2004),
3414:Vincent's Calligraphy
3290:"Chinese Calligraphy"
3213:Ink and wash painting
2560:
2160:
2126:
2118:
2047:Wikstroemia sikokiana
1959:
1939:imperial examinations
1889:
1653:Different scripts of
1649:Gallery along history
1455:
1437:
1153:
1097:
950:
932:Chinese script styles
926:Chinese script styles
842:ink and wash painting
5059:Ming / Song
4733:Chinese architecture
4433:Hazan, Paris, 2005,
3944:ART HISTORY Volume I
3223:Japanese calligraphy
3078:Cry for noble Saichō
2502:Japanese calligraphy
2288:Japanese calligraphy
1609:Hard-pen calligraphy
1379:Zhengzhou Shang City
633:Siyodau (historical)
610:Shiyodau (historical
484:Revised Romanization
5120:Chinese calligraphy
5015:Semi-cursive script
4897:Handwritten scripts
4748:Chinese calligraphy
4639:Chinese calligraphy
4633:Chinese Calligraphy
4627:Chinese Calligraphy
4520:Chinese Calligraphy
4367:Li, Wendan (2009).
4155:Stanley-Baker 2010b
3331:Wang, Ning (1991).
3319:Stanley-Baker 2010a
2439:Western calligraphy
2355:rewrite the content
2309:controlled groups.
2153:Seal and seal paste
2103:) is a pad made of
1869:Materials and tools
1830:Semi-cursive script
1424:Lu & Aiken 2004
1406:Jiǎgǔwén characters
1387:Middle Shang period
1368:Lu & Aiken 2004
1323:traditional Chinese
1272:traditional Chinese
1263:Semi-cursive script
1257:Semi-cursive script
1251:Semi-cursive script
1217:traditional Chinese
1182:traditional Chinese
914:, rules of writing
806:Chinese calligraphy
428:Vietnamese alphabet
40:Chinese calligraphy
18:Calligraphy - China
4905:Oracle bone script
4763:Chinese embroidery
4671:2020-02-14 at the
4575:Ink Painting Today
4554:Ink Painting Today
4486:Accounting History
4405:2013-12-26 at the
4329:2011-07-08 at the
4207:10.3233/JAD-170024
3647:Shang Zhou Jin wen
3235:Korean calligraphy
3191:Chinese characters
2827:宋高宗 趙構 (1107–1187)
2821:宋徽宗 趙佶 (1082–1135)
2563:
2521:Korean calligraphy
2163:
2129:
2121:
2039:(paper mulberry),
1962:
1892:
1603:simplified Chinese
1581:(140 BC – 87 BC).
1462:
1450:
1319:simplified Chinese
1288:Chinese characters
1268:simplified Chinese
1221:simplified Chinese
1186:simplified Chinese
1166:
1125:Chinese characters
1100:
1078:oracle bone script
1076:, preceded by the
961:Oracle bone script
957:
955:(ca. 1600–1046 BC)
943:Oracle bone script
937:Oracle bone script
810:Chinese characters
808:is the writing of
5107:
5106:
5103:
5102:
4856:
4855:
4818:Chinese sculpture
4768:Chinese furniture
4610:978-0-473-54012-8
4472:978-1-58839-270-1
4439:978-2-850-25922-7
4386:978-0-8248-3364-0
4066:978-1-897367-11-7
4021:978-0-89659-774-7
3978:978-1-60606-083-4
3953:978-0-205-87347-0
3885:978-1-55729-071-7
3838:978-1-55729-071-7
3791:978-1-55729-071-7
3741:978-1-55729-071-7
3694:978-1-55729-071-7
3609:978-1-55729-071-7
3562:978-0-19-507993-7
3512:978-1-55729-070-0
3447:culture.teldap.tw
3247:Three perfections
2998:A copy of 上虞帖 by
2728:唐太宗 李世民 (599–649)
2584:Ink wash painting
2576:ink wash painting
2570:Ink wash painting
2553:Water calligraphy
2388:
2387:
2303:Character amnesia
2035:is made from the
1960:Calligraphy tools
1787:Small seal script
1579:Emperor Wu of Han
1548:Kangxi Dictionary
988:, beginning with
803:
802:
650:
649:
642:
641:
510:
509:
498:McCune–Reischauer
417:
416:
311:Yale Romanization
119:Standard Mandarin
16:(Redirected from
5137:
5096:
5095:
5094:
5084:
5083:
5082:
5072:
5071:
5070:
5065:
5064:
5048:
5047:
5034:
5033:
5032:
5022:
5021:
5020:
5010:
5009:
5008:
4998:
4997:
4996:
4984:
4983:
4982:
4972:
4971:
4970:
4960:
4959:
4958:
4948:
4947:
4946:
4936:
4935:
4934:
4924:
4923:
4922:
4912:
4911:
4910:
4883:
4876:
4869:
4860:
4859:
4833:Chinese umbrella
4793:Chinese painting
4788:Chinese knotting
4753:Chinese ceramics
4715:
4708:
4701:
4692:
4691:
4589:
4587:
4580:
4568:
4566:
4559:
4515:
4514:
4513:
4504:, archived from
4476:
4424:Shufa Xuexi Bidu
4422:Deng Sanmu 鄧散木,
4391:
4390:
4374:
4364:
4358:
4357:
4355:
4354:
4339:
4333:
4321:
4315:
4314:
4312:
4310:
4296:
4290:
4289:
4261:
4255:
4254:
4247:
4241:
4235:
4229:
4228:
4218:
4190:
4184:
4183:
4181:
4179:
4174:. 27 August 2011
4164:
4158:
4157:, pp. 9–10)
4151:
4145:
4144:
4116:
4110:
4109:
4098:
4092:
4077:
4071:
4070:
4048:
4033:
4032:
4003:
3997:
3996:
3990:
3982:
3964:
3958:
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3939:
3930:
3921:
3912:
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3905:
3897:
3871:
3865:
3864:
3858:
3850:
3824:
3818:
3817:
3811:
3803:
3777:
3768:
3767:
3761:
3753:
3727:
3721:
3720:
3714:
3706:
3680:
3669:
3668:
3642:
3636:
3635:
3629:
3621:
3595:
3589:
3588:
3582:
3574:
3554:
3545:
3539:
3538:
3532:
3524:
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3492:
3491:
3463:
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3456:
3454:
3453:
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3433:
3430:
3424:
3423:
3421:
3420:
3406:
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3394:
3375:
3374:
3356:
3350:
3347:
3341:
3340:
3339:(6). 维普网: 78–82.
3328:
3322:
3315:
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3303:
3301:
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3115:
3092:
3074:
3059:
3044:
3025:
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2995:
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2960:
2945:弘一法師 (1880–1942)
2783:
2404:
2403:
2383:
2380:
2374:
2339:
2338:
2331:
2262:
2226:
2205:
2111:Ink and inkstick
1994:Tatar wingceltis
1854:
1840:
1826:
1811:
1797:
1778:
1759:
1740:
1721:
1702:
1683:
1669:
1408:(甲骨文) carved on
1282:), is a cursive
1119:) is an ancient
912:
902:
878:
877:
830:Chinese literati
675:
652:
651:
638:
637:
615:
614:
589:
588:
529:
528:
506:
505:
492:
491:
475:
474:
469:
468:
450:
449:
436:
413:
412:
380:
379:
375:
369:
351:
350:
328:
327:
298:
297:
296:
275:
274:
245:
244:
240:
234:
216:
215:
193:
192:
188:
183:
166:
165:
143:
142:
110:
109:
53:
37:
36:
21:
5145:
5144:
5140:
5139:
5138:
5136:
5135:
5134:
5110:
5109:
5108:
5099:
5087:
5075:
5057:
5037:
5025:
5013:
5001:
4991:Clerical script
4989:
4975:
4963:
4951:
4939:
4927:
4915:
4903:
4892:
4887:
4857:
4852:
4838:Chinese symbols
4724:
4719:
4673:Wayback Machine
4623:
4614:Open access PDF
4597:
4595:Further reading
4592:
4585:
4578:
4564:
4557:
4537:Chinese Writing
4511:
4509:
4473:
4407:Wayback Machine
4398:Burckhardt, O.
4394:
4387:
4365:
4361:
4352:
4350:
4340:
4336:
4331:Wayback Machine
4324:Daikynguyen.com
4322:
4318:
4308:
4306:
4298:
4297:
4293:
4278:10.2307/3258680
4262:
4258:
4249:
4248:
4244:
4236:
4232:
4191:
4187:
4177:
4175:
4166:
4165:
4161:
4152:
4148:
4117:
4113:
4100:
4099:
4095:
4090:
4086:
4082:
4078:
4074:
4067:
4049:
4036:
4022:
4012:Abbeville Press
4004:
4000:
3984:
3983:
3979:
3965:
3961:
3954:
3940:
3933:
3922:
3915:
3899:
3898:
3886:
3876:Chinese writing
3872:
3868:
3852:
3851:
3839:
3829:Chinese writing
3825:
3821:
3805:
3804:
3792:
3782:Chinese writing
3778:
3771:
3755:
3754:
3742:
3732:Chinese writing
3728:
3724:
3708:
3707:
3695:
3685:Chinese writing
3681:
3672:
3657:
3643:
3639:
3623:
3622:
3610:
3600:Chinese writing
3596:
3592:
3576:
3575:
3563:
3547:
3546:
3542:
3526:
3525:
3513:
3499:
3495:
3464:
3460:
3451:
3449:
3441:
3440:
3436:
3431:
3427:
3418:
3416:
3408:
3407:
3403:
3395:
3378:
3371:
3357:
3353:
3348:
3344:
3329:
3325:
3316:
3307:
3298:
3296:
3288:
3287:
3283:
3279:
3274:
3181:
3176:
3175:
3174:
3172:
3167:
3156:
3149:
3140:
3131:
3122:
3116:
3107:
3093:
3084:
3075:
3066:
3060:
3051:
3045:
3036:
3026:
3017:
3011:
3002:
2996:
2987:
2981:
2972:
2961:
2952:
2939:康有為 (1858–1927)
2933:吳昌碩 (1844–1927)
2927:
2920:楊守敬 (1839–1915)
2902:
2883:黃汝亨 (1558–1626)
2877:董其昌 (1555–1636)
2871:文徵明 (1470–1559)
2859:
2846:趙孟頫 (1254–1322)
2840:
2809:黃庭堅 (1045–1105)
2791:
2777:
2771:
2734:李陽冰 (721/2–785)
2701:
2688:
2651:
2626:
2613:
2608:
2596:Korean painting
2572:
2555:
2550:
2530:In the case of
2519:In the case of
2504:extends beyond
2498:
2493:
2384:
2378:
2375:
2352:
2340:
2336:
2329:
2317:(renminbi) per
2237:
2236:
2235:
2234:
2233:
2227:
2219:
2218:
2213:
2206:
2195:
2181:
2169:
2155:
2142:
2113:
2081:
2069:
1954:
1903:
1897:
1871:
1866:
1865:
1864:
1861:
1855:
1846:
1841:
1832:
1827:
1818:
1812:
1803:
1801:Clerical script
1798:
1789:
1779:
1770:
1760:
1751:
1741:
1732:
1722:
1713:
1703:
1694:
1684:
1675:
1670:
1651:
1627:
1611:
1605:character set.
1588:, a mix of 80%
1545:
1432:
1364:
1359:
1357:Written Chinese
1353:
1310:
1304:
1259:
1253:
1208:
1202:
1177:clerical script
1172:
1170:Clerical script
1148:
1146:Clerical script
1092:
1086:
1009:
1003:
945:
939:
934:
928:
894:(Chinese 藝術/艺术
859:
857:Characteristics
834:board game "Go"
799:
798:
683:
636:
630:Syodou (modern)
613:
598:Revised Hepburn
583:
582:
581:
556:
555:
554:
422:Vietnamese name
411:
378:
349:
326:
294:
273:
243:
214:
199:Tongyong Pinyin
191:
186:
181:
164:
141:
104:
103:
102:
81:
80:
79:
35:
28:
23:
22:
15:
12:
11:
5:
5143:
5133:
5132:
5127:
5122:
5105:
5104:
5101:
5100:
5098:
5097:
5085:
5073:
5054:
5052:
5045:
5039:
5038:
5036:
5035:
5027:Cursive script
5023:
5011:
5003:Regular script
4999:
4987:
4986:
4985:
4973:
4961:
4949:
4925:
4913:
4900:
4898:
4894:
4893:
4886:
4885:
4878:
4871:
4863:
4854:
4853:
4851:
4850:
4845:
4840:
4835:
4830:
4825:
4820:
4815:
4810:
4805:
4800:
4795:
4790:
4785:
4780:
4775:
4773:Chinese garden
4770:
4765:
4760:
4758:Chinese comics
4755:
4750:
4745:
4740:
4738:Chinese column
4735:
4729:
4726:
4725:
4718:
4717:
4710:
4703:
4695:
4689:
4688:
4682:
4676:
4663:
4657:
4652:
4646:
4641:
4636:
4630:
4622:
4621:External links
4619:
4618:
4617:
4596:
4593:
4591:
4590:
4569:
4548:
4530:
4516:
4477:
4471:
4456:
4442:
4427:
4420:
4413:
4395:
4393:
4392:
4385:
4359:
4334:
4316:
4291:
4272:(5): 230–241.
4256:
4242:
4230:
4201:(3): 735–746.
4185:
4159:
4146:
4127:(3): 871–886.
4111:
4093:
4088:
4084:
4080:
4072:
4065:
4034:
4020:
4014:. p. 13.
3998:
3977:
3959:
3952:
3931:
3913:
3884:
3866:
3837:
3819:
3790:
3769:
3740:
3722:
3693:
3670:
3656:978-7501014866
3655:
3637:
3608:
3590:
3561:
3540:
3511:
3493:
3474:(1): 321–333.
3458:
3434:
3425:
3401:
3376:
3370:978-7101012194
3369:
3351:
3342:
3323:
3305:
3280:
3278:
3275:
3273:
3272:
3267:
3266:
3265:
3260:
3253:Vietnamese art
3250:
3244:
3239:
3238:
3237:
3227:
3226:
3225:
3215:
3210:
3205:
3200:
3199:
3198:
3188:
3182:
3180:
3177:
3169:
3168:
3161:
3160:
3159:
3158:
3157:
3150:
3143:
3141:
3132:
3125:
3123:
3117:
3110:
3108:
3094:
3087:
3085:
3076:
3069:
3067:
3061:
3054:
3052:
3046:
3039:
3037:
3027:
3020:
3018:
3012:
3005:
3003:
2997:
2990:
2988:
2982:
2975:
2973:
2962:
2955:
2951:
2948:
2947:
2946:
2940:
2934:
2926:
2923:
2922:
2921:
2915:
2914:鄭燮 (1693–1765)
2909:
2908:朱耷 (1626–1705)
2901:
2898:
2897:
2896:
2895:傅山 (1607–1684)
2890:
2889:王鐸 (1592–1652)
2884:
2878:
2872:
2866:
2865:唐寅 (1470–1524)
2858:
2855:
2854:
2853:
2852:倪瓚 (1301–1374)
2847:
2839:
2836:
2835:
2834:
2833:朱熹 (1130–1200)
2828:
2822:
2816:
2815:米黻 (1051–1107)
2810:
2807:Huang Tingjian
2804:
2803:蘇軾 (1037–1101)
2798:
2797:蔡襄 (1012–1067)
2790:
2787:
2786:
2785:
2770:
2769:Five Dynasties
2767:
2766:
2765:
2759:
2753:
2747:
2741:
2735:
2729:
2723:
2720:
2714:
2708:
2700:
2697:
2696:
2695:
2692:
2687:
2684:
2683:
2682:
2676:
2670:
2664:
2658:
2650:
2647:
2646:
2645:
2639:
2633:
2625:
2622:
2621:
2620:
2619:李斯 (280–208BC)
2612:
2609:
2607:
2604:
2571:
2568:
2554:
2551:
2549:
2546:
2506:Han characters
2497:
2494:
2492:
2489:
2488:
2487:
2480:
2442:
2432:
2421:
2386:
2385:
2343:
2341:
2334:
2328:
2325:
2281:regular script
2279:and lower for
2253:regular script
2228:
2221:
2220:
2207:
2200:
2199:
2198:
2197:
2196:
2194:
2191:
2180:
2177:
2165:Main article:
2154:
2151:
2141:
2138:
2112:
2109:
2080:
2077:
2068:
2065:
2008:paper mulberry
1953:
1950:
1899:Main article:
1896:
1893:
1870:
1867:
1863:
1862:
1858:Regular script
1856:
1849:
1847:
1844:Cursive script
1842:
1835:
1833:
1828:
1821:
1819:
1815:Regular script
1813:
1806:
1804:
1799:
1792:
1790:
1780:
1773:
1771:
1761:
1754:
1752:
1742:
1735:
1733:
1729:Warring States
1723:
1716:
1714:
1704:
1697:
1695:
1685:
1678:
1676:
1671:
1664:
1661:
1660:
1659:
1650:
1647:
1639:printing press
1626:
1623:
1610:
1607:
1592:style and 20%
1543:
1466:Imperial China
1439:On Calligraphy
1431:
1430:Imperial China
1428:
1375:Xiaoshuangqiao
1363:
1360:
1352:
1349:
1314:Cursive script
1306:Main article:
1303:
1300:
1296:regular script
1255:Main article:
1252:
1249:
1241:regular script
1212:Regular script
1206:Regular script
1204:Main article:
1201:
1200:Regular script
1198:
1168:Main article:
1147:
1144:
1088:Main article:
1085:
1082:
1005:Main article:
1002:
999:
941:Main article:
938:
935:
930:Main article:
927:
924:
916:Han characters
858:
855:
801:
800:
797:
796:
791:
790:
789:
779:
778:
777:
772:
767:
762:
751:
746:
745:
744:
739:
729:
728:
727:
722:
712:
711:
710:
705:
700:
695:
684:
681:
680:
677:
676:
668:
667:
661:
660:
648:
647:
644:
643:
640:
639:
635:
634:
631:
627:
623:
617:
616:
612:
611:
608:
607:Shodō (modern)
604:
600:
594:
593:
592:Transcriptions
585:
584:
580:
579:
572:
568:
564:
558:
557:
553:
552:
545:
541:
537:
531:
530:
523:
517:
516:
512:
511:
508:
507:
500:
494:
493:
486:
480:
479:
478:Transcriptions
471:
470:
463:
457:
456:
452:
451:
444:
438:
437:
430:
424:
423:
419:
418:
415:
414:
410:
409:
406:
402:
398:
389:
388:
382:
381:
377:
376:
370:
363:
359:
353:
352:
348:
347:
344:
340:
336:
330:
329:
325:
324:
321:
317:
313:
307:
306:
304:Yue: Cantonese
300:
299:
290:
284:
283:
277:
276:
272:
271:
268:
264:
260:
254:
253:
247:
246:
242:
241:
235:
228:
224:
218:
217:
213:
212:
209:
205:
201:
195:
194:
190:
189:
184:
178:
174:
168:
167:
163:
162:
159:
155:
151:
145:
144:
140:
139:
136:
132:
128:
122:
121:
115:
114:
113:Transcriptions
106:
105:
101:
100:
97:
93:
89:
83:
82:
78:
77:
74:
70:
66:
60:
59:
55:
54:
46:
45:
42:
41:
26:
9:
6:
4:
3:
2:
5142:
5131:
5128:
5126:
5123:
5121:
5118:
5117:
5115:
5090:
5086:
5078:
5074:
5060:
5056:
5055:
5053:
5049:
5046:
5044:
5040:
5028:
5024:
5016:
5012:
5004:
5000:
4992:
4988:
4978:
4974:
4966:
4962:
4954:
4950:
4942:
4938:
4937:
4930:
4926:
4918:
4917:Bronze script
4914:
4906:
4902:
4901:
4899:
4895:
4891:
4884:
4879:
4877:
4872:
4870:
4865:
4864:
4861:
4849:
4846:
4844:
4841:
4839:
4836:
4834:
4831:
4829:
4826:
4824:
4821:
4819:
4816:
4814:
4811:
4809:
4806:
4804:
4801:
4799:
4796:
4794:
4791:
4789:
4786:
4784:
4781:
4779:
4776:
4774:
4771:
4769:
4766:
4764:
4761:
4759:
4756:
4754:
4751:
4749:
4746:
4744:
4741:
4739:
4736:
4734:
4731:
4730:
4727:
4723:
4716:
4711:
4709:
4704:
4702:
4697:
4696:
4693:
4686:
4683:
4680:
4677:
4674:
4670:
4667:
4664:
4661:
4658:
4656:
4653:
4650:
4647:
4645:
4642:
4640:
4637:
4634:
4631:
4628:
4625:
4624:
4615:
4611:
4607:
4603:
4599:
4598:
4588:on 2012-03-21
4584:
4577:
4576:
4570:
4567:on 2011-09-17
4563:
4556:
4555:
4549:
4546:
4545:1-55729-071-7
4542:
4538:
4534:
4531:
4529:
4528:9780300121070
4525:
4521:
4517:
4508:on 2016-04-12
4507:
4503:
4499:
4495:
4491:
4487:
4483:
4478:
4474:
4468:
4464:
4463:
4457:
4455:
4454:0-486-26481-5
4451:
4447:
4443:
4440:
4436:
4432:
4428:
4425:
4421:
4418:
4414:
4411:
4408:
4404:
4401:
4397:
4396:
4388:
4382:
4378:
4373:
4372:
4363:
4349:
4345:
4338:
4332:
4328:
4325:
4320:
4305:
4301:
4295:
4287:
4283:
4279:
4275:
4271:
4267:
4260:
4252:
4246:
4239:
4234:
4226:
4222:
4217:
4212:
4208:
4204:
4200:
4196:
4189:
4173:
4169:
4163:
4156:
4150:
4142:
4138:
4134:
4130:
4126:
4122:
4115:
4107:
4103:
4097:
4076:
4068:
4062:
4058:
4052:
4047:
4045:
4043:
4041:
4039:
4031:
4029:
4023:
4017:
4013:
4009:
4002:
3994:
3988:
3980:
3974:
3970:
3963:
3955:
3949:
3945:
3938:
3936:
3928:
3927:
3920:
3918:
3909:
3903:
3895:
3891:
3887:
3881:
3877:
3870:
3862:
3856:
3848:
3844:
3840:
3834:
3830:
3823:
3815:
3809:
3801:
3797:
3793:
3787:
3783:
3776:
3774:
3765:
3759:
3751:
3747:
3743:
3737:
3733:
3726:
3718:
3712:
3704:
3700:
3696:
3690:
3686:
3679:
3677:
3675:
3666:
3662:
3658:
3652:
3648:
3641:
3633:
3627:
3619:
3615:
3611:
3605:
3601:
3594:
3586:
3580:
3572:
3568:
3564:
3558:
3553:
3552:
3544:
3536:
3530:
3522:
3518:
3514:
3508:
3504:
3497:
3489:
3485:
3481:
3477:
3473:
3469:
3462:
3448:
3444:
3438:
3429:
3415:
3411:
3405:
3398:
3397:田蘊章《每日一題每日一字》
3393:
3391:
3389:
3387:
3385:
3383:
3381:
3372:
3366:
3362:
3355:
3346:
3338:
3334:
3327:
3320:
3314:
3312:
3310:
3295:
3291:
3285:
3281:
3271:
3268:
3264:
3261:
3259:
3256:
3255:
3254:
3251:
3248:
3245:
3243:
3240:
3236:
3233:
3232:
3231:
3228:
3224:
3221:
3220:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3197:
3194:
3193:
3192:
3189:
3187:
3184:
3183:
3171:
3165:
3154:
3147:
3142:
3139:
3135:
3129:
3124:
3121:
3114:
3109:
3106:
3102:
3098:
3091:
3086:
3083:
3079:
3073:
3068:
3065:
3058:
3053:
3050:
3043:
3038:
3035:
3031:
3024:
3019:
3016:
3009:
3004:
3001:
2994:
2989:
2986:
2979:
2974:
2970:
2966:
2959:
2954:
2953:
2944:
2941:
2938:
2935:
2932:
2929:
2928:
2919:
2918:Yang Shoujing
2916:
2913:
2910:
2907:
2904:
2903:
2894:
2891:
2888:
2885:
2882:
2879:
2876:
2873:
2870:
2869:Wen Zhengming
2867:
2864:
2861:
2860:
2851:
2848:
2845:
2842:
2841:
2832:
2829:
2826:
2823:
2820:
2817:
2814:
2811:
2808:
2805:
2802:
2799:
2796:
2793:
2792:
2784:楊凝式 (873–954)
2781:
2776:
2773:
2772:
2763:
2760:
2758:柳公權 (778–865)
2757:
2754:
2751:
2748:
2746:顏眞卿 (709–785)
2745:
2742:
2739:
2736:
2733:
2730:
2727:
2724:
2721:
2719:褚遂良 (597–658)
2718:
2715:
2713:虞世南 (558–638)
2712:
2709:
2707:歐陽詢 (557–641)
2706:
2703:
2702:
2693:
2690:
2689:
2680:
2677:
2675:王獻之 (344–386)
2674:
2671:
2669:王羲之 (303–361)
2668:
2665:
2662:
2659:
2656:
2653:
2652:
2643:
2640:
2637:
2634:
2631:
2628:
2627:
2618:
2615:
2614:
2603:
2601:
2597:
2593:
2589:
2586:, a style of
2585:
2581:
2577:
2567:
2559:
2545:
2543:
2539:
2538:
2533:
2528:
2526:
2522:
2517:
2515:
2511:
2507:
2503:
2484:
2481:
2478:
2474:
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2462:
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2454:
2450:
2446:
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2440:
2436:
2433:
2430:
2425:
2422:
2419:
2415:
2412:
2411:
2410:
2408:
2407:Tian Yunzhang
2398:
2394:
2393:Tian Yunzhang
2382:
2372:
2368:
2364:
2360:
2356:
2350:
2349:
2344:This section
2342:
2333:
2332:
2324:
2322:
2321:
2316:
2310:
2306:
2304:
2299:
2295:
2293:
2289:
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2278:
2272:
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2266:
2258:
2254:
2249:
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2243:
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2225:
2216:
2211:
2204:
2190:
2187:
2176:
2174:
2168:
2159:
2150:
2147:
2137:
2134:
2125:
2117:
2108:
2106:
2102:
2098:
2094:
2090:
2086:
2076:
2073:
2064:
2062:
2058:
2054:
2053:
2048:
2044:
2043:
2038:
2034:
2033:
2028:
2023:
2021:
2017:
2013:
2009:
2005:
2001:
2000:
1995:
1991:
1987:
1986:
1981:
1976:
1974:
1969:
1967:
1958:
1949:
1947:
1942:
1940:
1936:
1932:
1928:
1924:
1920:
1916:
1912:
1908:
1902:
1888:
1884:
1882:
1881:water-dropper
1878:
1877:
1859:
1853:
1848:
1845:
1839:
1834:
1831:
1825:
1820:
1817:(traditional)
1816:
1810:
1805:
1802:
1796:
1791:
1788:
1785:
1784:
1777:
1772:
1768:
1764:
1758:
1753:
1749:
1745:
1739:
1734:
1730:
1726:
1725:Bronze script
1720:
1715:
1711:
1707:
1706:Bronze script
1701:
1696:
1692:
1688:
1687:Bronze script
1682:
1677:
1674:
1673:Oracle script
1668:
1663:
1662:
1658:
1656:
1646:
1644:
1640:
1636:
1632:
1622:
1620:
1616:
1615:fountain pens
1606:
1604:
1599:
1595:
1591:
1587:
1582:
1580:
1576:
1572:
1568:
1564:
1563:
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1525:
1521:
1519:
1513:
1511:
1507:
1503:
1501:
1495:
1493:
1489:
1485:
1484:Qin Shi Huang
1480:
1476:
1474:
1472:
1467:
1459:
1454:
1448:
1444:
1440:
1436:
1427:
1425:
1421:
1418:
1414:
1411:
1407:
1403:
1402:ancient China
1398:
1395:
1390:
1388:
1384:
1380:
1376:
1371:
1369:
1362:Ancient China
1358:
1348:
1345:
1341:
1336:
1332:
1328:
1324:
1320:
1316:
1315:
1309:
1299:
1297:
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1289:
1285:
1281:
1277:
1273:
1269:
1265:
1264:
1258:
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1238:
1234:
1230:
1226:
1222:
1218:
1214:
1213:
1207:
1197:
1195:
1191:
1187:
1183:
1179:
1178:
1171:
1164:
1160:
1156:
1152:
1143:
1141:
1137:
1133:
1130:
1126:
1122:
1118:
1114:
1110:
1106:
1105:
1096:
1091:
1081:
1079:
1075:
1071:
1067:
1063:
1059:
1055:
1051:
1047:
1043:
1039:
1035:
1031:
1027:
1023:
1019:
1015:
1014:
1008:
998:
995:
994:Shang dynasty
991:
987:
986:Shang dynasty
983:
979:
975:
971:
967:
963:
962:
954:
953:Shang dynasty
949:
944:
933:
923:
919:
917:
913:
907:
903:
897:
893:
888:
886:
882:
872:
868:
864:
854:
852:
848:
843:
839:
835:
831:
827:
823:
819:
815:
811:
807:
795:
792:
788:
785:
784:
783:
780:
776:
773:
771:
768:
766:
763:
761:
758:
757:
755:
752:
750:
747:
743:
740:
738:
735:
734:
733:
730:
726:
723:
721:
718:
717:
716:
713:
709:
706:
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701:
699:
696:
694:
691:
690:
689:
686:
685:
679:
678:
674:
670:
669:
666:
663:
662:
658:
654:
653:
645:
632:
629:
628:
624:
622:
618:
609:
606:
605:
601:
599:
595:
590:
586:
577:
573:
571:ショドウ (modern)
570:
569:
565:
563:
559:
550:
546:
544:しょどう (modern)
543:
542:
538:
536:
532:
524:
522:
518:
515:Japanese name
513:
501:
499:
495:
487:
485:
481:
476:
472:
464:
462:
458:
453:
445:
443:
439:
435:
431:
429:
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407:
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403:
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368:
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337:
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331:
322:
319:
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314:
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308:
305:
301:
291:
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285:
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278:
269:
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261:
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248:
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230:
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223:
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210:
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202:
200:
196:
185:
180:
179:
175:
173:
169:
160:
157:
156:
152:
150:
146:
137:
134:
133:
129:
127:
123:
120:
116:
111:
107:
98:
95:
94:
90:
88:
84:
75:
72:
71:
67:
65:
61:
56:
52:
47:
43:
38:
33:
32:Shufa (Islam)
19:
5066: /
4823:Chinese seal
4778:Chinese jade
4747:
4583:the original
4574:
4562:the original
4553:
4536:
4519:
4510:, retrieved
4506:the original
4485:
4461:
4445:
4430:
4423:
4416:
4409:
4370:
4362:
4351:. Retrieved
4347:
4337:
4319:
4307:. Retrieved
4304:Vietnam News
4303:
4294:
4269:
4265:
4259:
4245:
4233:
4198:
4194:
4188:
4176:. Retrieved
4171:
4162:
4149:
4124:
4120:
4114:
4096:
4075:
4056:
4027:
4025:
4007:
4001:
3968:
3962:
3943:
3925:
3875:
3869:
3828:
3822:
3781:
3731:
3725:
3684:
3646:
3640:
3599:
3593:
3550:
3543:
3502:
3496:
3471:
3467:
3461:
3450:. Retrieved
3446:
3437:
3428:
3417:. Retrieved
3413:
3404:
3360:
3354:
3345:
3336:
3326:
3297:. Retrieved
3294:Asia Society
3293:
3284:
3218:Japanese art
3196:Stroke order
3138:Kim Jeonghui
3134:Buiseonrando
3133:
3097:semi-cursive
3082:Emperor Saga
3077:
3064:Yan Zhenqing
3049:Chu Suiliang
3015:Wang Xianzhi
2969:Lantingji Xu
2931:Wu Changshuo
2925:Modern times
2900:Qing dynasty
2881:Huang Ruheng
2875:Dong Qichang
2857:Ming dynasty
2838:Yuan dynasty
2789:Song dynasty
2775:Yang Ningshi
2764:杜牧 (803–852)
2756:Liu Gongquan
2752:懷素 (737–799)
2744:Yan Zhenqing
2740:張旭 (658–747)
2717:Chu Suiliang
2699:Tang dynasty
2681:王珣 (349–400)
2673:Wang Xianzhi
2663:陸機 (261–303)
2657:衞鑠 (272–349)
2644:鍾繇 (151–230)
2582:, including
2573:
2564:
2542:Latin script
2535:
2529:
2518:
2499:
2482:
2473:semi-cursive
2465:martial arts
2444:
2435:Conciseness.
2434:
2423:
2413:
2396:
2389:
2376:
2353:Please help
2345:
2318:
2311:
2307:
2300:
2296:
2285:
2273:
2264:
2250:
2246:Chinese arts
2242:stroke order
2238:
2215:Song dynasty
2186:stroke order
2182:
2170:
2167:Chinese seal
2143:
2130:
2082:
2072:Paperweights
2070:
2067:Paperweights
2056:
2050:
2046:
2040:
2036:
2030:
2024:
2011:
1997:
1983:
1977:
1970:
1963:
1943:
1904:
1874:
1872:
1860:(simplified)
1781:
1691:Western Zhou
1652:
1635:Song dynasty
1628:
1612:
1593:
1589:
1585:
1583:
1574:
1570:
1560:
1554:
1552:
1539:
1535:
1527:
1517:
1514:
1509:
1505:
1499:
1496:
1491:
1481:
1477:
1470:
1463:
1458:Qing dynasty
1447:Song dynasty
1438:
1399:
1391:
1372:
1365:
1343:
1339:
1330:
1312:
1311:
1261:
1260:
1228:
1210:
1209:
1193:
1175:
1173:
1163:Song dynasty
1159:Fan Zhongyan
1154:
1129:Zhou dynasty
1116:
1102:
1101:
1011:
1010:
966:oracle bones
959:
958:
920:
909:
899:
889:
884:
880:
870:
866:
862:
860:
805:
804:
759:
621:Kunrei-shiki
386:Southern Min
288:Romanization
258:Romanization
126:Hanyu Pinyin
58:Chinese name
5125:Chinese art
4929:Seal script
4808:Chinoiserie
4722:Chinese art
4681:– mildchina
4415:Daniels O,
4348:VietnamPlus
4216:10397/70949
4051:Blakney, p6
3270:Wonton font
3186:Chinese art
2937:Kang Youwei
2844:Zhao Mengfu
2778: [
2732:Li Yangbing
2686:Sui dynasty
2649:Jin dynasty
2632:蔡邕(132–192)
2624:Han dynasty
2611:Qin dynasty
2424:Legibility.
2379:August 2022
2363:Wikiversity
1763:Slip script
1744:Slip script
1567:Han dynasty
1140:Qin dynasty
1123:of writing
1104:Seal script
1090:Seal script
1084:Seal script
826:Calligraphy
665:Calligraphy
455:Korean name
5114:Categories
4512:2012-03-09
4353:2022-02-09
4178:August 29,
3452:2023-09-28
3419:2016-05-28
3299:2023-09-28
3277:References
3230:Korean art
3118:A work by
3095:A work of
3034:Ouyang Xun
3000:Wang Xizhi
2985:Wang Xizhi
2965:Wang Xizhi
2963:A copy of
2705:Ouyang Xun
2667:Wang Xizhi
2638:張芝 (?–192)
2600:Vietnamese
2548:Other arts
2491:Influences
2371:Wikivoyage
2230:Yao Mengqi
2212:'s 九成宮醴泉銘,
2210:Ouyang Xun
2208:A page of
1973:Xuan paper
1643:sans-serif
1524:Wang Xizhi
1355:See also:
982:pyromantic
814:visual art
775:Vietnamese
576:historical
549:historical
346:faat3 syu1
343:syu1 faat3
172:Wade–Giles
5043:Typefaces
4977:Nine-fold
4965:Bird-worm
4533:Qiu Xigui
4502:153528030
4141:258058016
4028:Sān Chāng
3987:cite book
3902:cite book
3855:cite book
3808:cite book
3758:cite book
3711:cite book
3626:cite book
3579:cite book
3529:cite book
3488:1387-6813
3153:Cảnh Hưng
2912:Zheng Xie
2795:Cai Xiang
2711:Yu Shinan
2642:Zhong Yao
2636:Zhang Zhi
2580:East Asia
2402:每日一题,每日一字
2367:Wikibooks
2346:contains
2179:Technique
2133:inksticks
2101:shitajiki
2087:(Chinese
2079:Desk pads
2052:mitsumata
1901:Ink brush
1633:from the
1590:xiaozhuan
1492:xiǎozhuàn
1471:xiǎozhuàn
1420:plastrons
1245:Zhong You
1064:(尊), and
851:inkstones
822:East Asia
794:Mongolian
682:By script
5077:Fangsong
4669:Archived
4410:Quadrant
4403:Archived
4327:Archived
4309:19 March
4225:28482639
4053: :
3894:43936866
3847:43936866
3800:43936866
3750:43936866
3703:43936866
3665:66438456
3618:43936866
3571:31969720
3521:43641424
3263:Lệnh thư
3179:See also
2887:Wang Duo
2863:Tang Yin
2738:Zhang Xu
2679:Wang Xun
2655:Wei Shuo
2630:Cai Yong
2592:Japanese
2514:katakana
2510:hiragana
2449:painting
2232:'s copy.
2146:inkstone
2140:Inkstone
2085:desk pad
1966:desk pad
1586:bāfēnshū
1417:tortoise
1413:scapulas
1383:cinnabar
1117:zhuànshū
892:the arts
885:thư pháp
770:Japanese
749:Georgian
732:Cyrillic
657:a series
655:Part of
562:Katakana
535:Hiragana
434:Thư pháp
334:Jyutping
323:faat-syū
320:syū-faat
149:Bopomofo
4848:Gongshi
4813:Penjing
4286:3258680
3361:王力古漢語字典
3101:cursive
2950:Gallery
2943:Hong Yi
2893:Fu Shan
2588:Chinese
2537:Chữ Nôm
2525:Hangeul
2477:cursive
2429:cursive
2277:cursive
2265:eternal
2257:Chinese
2217:rubbing
2049:), and
2022:, etc.
1985:Xuanzhi
1783:Shuowen
1596:. Some
1571:xíngshū
1556:xíngshū
1394:ceramic
1351:History
1292:cursive
1280:xíngshū
1109:Chinese
990:Wu Ding
787:Western
760:Chinese
756:-based
737:Serbian
725:Tibetan
715:Brahmic
708:Persian
703:Turkish
698:Islamic
442:Chữ Hán
408:hoat-su
405:su-hoat
393:Hokkien
5089:Gothic
4608:
4543:
4526:
4500:
4469:
4452:
4437:
4383:
4284:
4223:
4139:
4063:
4018:
3975:
3950:
3892:
3882:
3845:
3835:
3798:
3788:
3748:
3738:
3701:
3691:
3663:
3653:
3616:
3606:
3569:
3559:
3519:
3509:
3486:
3367:
3242:Songti
3030:九成宮醴泉銘
2906:Zhu Da
2850:Ni Zan
2831:Zhu Xi
2801:Su Shi
2750:Huaisu
2598:, and
2523:, the
2467:, and
2453:poetry
2361:it to
2259::
2097:Pinyin
2095:: 画毡,
2091:: 畫氈,
2016:bamboo
2006:, the
1915:rabbit
1911:weasel
1907:bamboo
1641:, and
1575:cǎoshū
1562:cǎoshū
1540:kaishu
1536:kaishu
1528:kaishu
1518:kǎishū
1344:cǎoshū
1331:cǎoshū
1327:pinyin
1325:: 草書;
1321:: 草书;
1276:pinyin
1274:: 行書;
1270:: 行书;
1225:pinyin
1223:: 楷书;
1219:: 楷書;
1190:pinyin
1188:: 隶书;
1184:: 隸書;
1134:. The
1132:script
1113:pinyin
1111:: 篆書;
970:Anyang
908::
906:pinyin
898::
896:pinyin
838:styles
765:Korean
720:Indian
693:Arabic
688:Arabic
574:シヨダウ (
547:しよだう (
295:su fab
270:fah sy
267:sy fah
211:fǎ-shu
208:shu-fǎ
187:fa-shu
182:shu-fa
161:ㄈㄚˇ ㄕㄨ
158:ㄕㄨ ㄈㄚˇ
4953:Small
4941:Large
4586:(PDF)
4579:(PDF)
4565:(PDF)
4558:(PDF)
4498:S2CID
4379:–15.
4282:JSTOR
4137:S2CID
3105:Mi Fu
2813:Mi Fu
2782:]
2762:Du Mu
2661:Lu Ji
2617:Li Si
2461:opera
2457:music
2369:, or
2292:seiza
2193:Study
2173:seals
2061:wheat
2042:ganpi
2032:washi
2027:Japan
1990:Anhui
1980:China
1952:Paper
1931:tiger
1895:Brush
1655:馬 / 马
1594:lishu
1520:style
1510:lishu
1506:lishu
1502:style
1500:lìshū
1488:Li Si
1473:style
1443:Mi Fu
1284:style
1194:lìshū
1121:style
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