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Chinese calligraphy

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1887: 2124: 1453: 2224: 3164: 3008: 3146: 3090: 51: 2158: 2116: 1957: 2978: 1700: 1719: 1196:) is an archaic style of Chinese calligraphy. The clerical script was first used during the Han dynasty and has lasted up to the present. The clerical script is considered a form of the modern script though it was replaced by the standard script relatively early. This occurred because the graphic forms written in a mature clerical script closely resemble those written in standard script. The clerical script is still used for artistic flavor in a variety of functional applications because of its high legibility for reading. 2993: 3128: 1795: 3072: 3023: 2958: 2558: 3057: 1809: 1681: 1852: 1824: 3042: 1838: 1776: 1667: 1435: 1757: 1738: 948: 3113: 2203: 1095: 2337: 673: 1151: 2136:
less suitable for use in hanging scrolls. Learning to rub the ink is an essential part of calligraphy study. Traditionally, Chinese calligraphy is written only in black ink, but modern calligraphers sometimes use other colors. Calligraphy teachers use a bright orange or red ink with which they write practice characters on which students trace, or to correct students' work.
2471:. Therefore, their abundant education contributed to their calligraphy. A calligrapher practicing another calligrapher's characters would always know what the text means, when it was created, and in what circumstances. When they write, their characters' shape and weight agrees with the rhythm of the phrases, especially in less constrained styles such as 2275:
little fingers tuck under the bottom of the shaft, leaving a space inside the palm. Alternatively, the brush is held in the right hand between the thumb and the index finger, very much like a Western pen. A calligrapher may change his or her grip depending on the style and script. For example, a calligrapher may grip higher for
968:—animal bones or turtle plastrons—it is the earliest known form of Chinese writing. The bones were believed to have prophecies written on them. The first appearance of what we recognize unequivocally to refer as "oracle bone inscriptions" comes in the form of inscribed ox scapulae and turtle plastrons from sites near modern 2239:
Traditionally, the bulk of the study of calligraphy is composed of copying strictly exemplary works from the apprentice's master or from reputed calligraphers, thus learning them by rote. The master showing the 'right way' to draw items, which the apprentice have to copy strictly, continuously, until
1426:). Brush-written examples decay over time and have not survived. During the divination ceremony, after the cracks were made, characters were written with a brush on the shell or bone to be later carved (Keightley, 1978). Each archaic kingdom of current China continued to revise its set of characters. 1396:
ritual vessel vats that bear these cinnabar inscriptions were all unearthed within the palace area of this site. They were unearthed mostly in the sacrificial pits holding cow skulls and cow horns, but also in other architectural areas. The inscriptions are written on the exterior and interior of the
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In recent study, Chinese calligraphy writing have been used as cognitive intervention strategy among older adults or people with mild cognitive impairment. For example, in a recent randomized control trial experiment, calligraphy writing enhanced both working memory and attention control compared to
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Basic calligraphy instruction is part of the regular school curriculum in both China and Japan and specialized programs of study exist at the higher education level in China, Japan, Korea, and Taiwan. In contemporary times, debate emerged on the limits of this copyist tradition within the modern art
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give "spirit" to the characters by influencing greatly their final shape. The "spirit" is referred to yi in Chinese calligraphy. Yi means "intention or idea" in Chinese. The more practice a calligrapher has, his or her technique will transfer from youyi (intentionally making a piece of work) to wuyi
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are used to hold down paper. A paperweight is often placed at the top of all but the largest pages to prevent slipping; for smaller pieces the left hand is also placed at the bottom of the page for support. Paperweights come in several types: some are oblong wooden blocks carved with calligraphic or
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The shape, size, stretch, and type of hair in the brush, the color and density of the ink, as well as the absorptive speed and surface texture of the paper are the main physical parameters influencing the final result. The calligrapher also influences the result by the quantity of ink/water he lets
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was solely responsible for the origin of writing in China, neither is there evidence of recognizable Chinese writing from any earlier time or any other place. The late Shang oracle bone writings constitute the earliest significant corpus of Chinese writing and it is also the oldest known member and
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In contemporary China, a small but significant number of practitioners have made calligraphy their profession, and provincial and national professional societies exist, membership in which conferring considerable prestige. By tradition, the price of a particular artist's work is priced in terms of
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which must be rubbed with water on an inkstone until the right consistency is achieved. Much cheaper, pre-mixed bottled inks are now available, but these are used primarily for practice as stick inks are considered higher quality and chemical inks are more prone to bleeding over time, making them
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Scribes in China and Mongolia practiced the art of calligraphy to copying Buddhist texts. Since these texts were so venerated, the act of copying them down (and the beautiful calligraphy employed) was supposed to have a purifying effect on the soul. "The Act of copying them could bring a scribe
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How the brush is held depends on the calligrapher and which calligraphic genre is practiced. Commonly, the brush is held vertically straight gripped between the thumb and middle finger. The index finger lightly touches the upper part of the shaft of the brush (stabilizing it) while the ring and
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Generally, characters that are written correctly, legibly, concisely, and in the correct context are also aesthetically pleasing to some degree. Characters that violate the above rules are often less aesthetically pleasing. An experienced calligrapher will consider the quality of the line, the
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are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life
1565:(cursive or sloppy script) are less constrained and faster, where more movements made by the writing implement are visible. These styles' stroke orders vary more, sometimes creating radically different forms. They are descended from clerical script, at the same time as regular script ( 2565:
The existence of temporary calligraphy, or water calligraphy, is also to be noted. This is the practice of water-only calligraphy on the floor which dries out within minutes. This practice is especially appreciated by the new generation of retired Chinese in public parks in China.
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As calligraphy is the method of writing well, a calligraphic work must be recognizable as script, and furthermore be easily legible to those familiar with the script style, although it may be illegible to those unfamiliar with the script style. For example, many people cannot read
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Chinese calligraphy used to be popular in China, Taiwan, Japan, Korea, Vietnam and Hong Kong. In Taiwan, students were requested to write Chinese calligraphy starting from primary school all the way to junior high school on a weekly basis at least to the year 1980.
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the brush take up, then by the pressure, inclination, and direction he gives to the brush, producing thinner or bolder strokes, and smooth or toothed borders. Eventually, the speed, acceleration and deceleration of the writer's moves and turns, and the
2294:. In modern times, however, writers frequently practice calligraphy seated on a chair at a table. Larger pieces may be written while standing; in this case the paper is usually placed directly on the floor, but some calligraphers use an easel. 2148:
is used to grind the solid inkstick into liquid ink and to contain the ink once it is liquid. Chinese inkstones are highly prized as art objects and an extensive bibliography is dedicated to their history and appreciation, especially in China.
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structure of each character which the lines are placed, the compositional organization of groups of characters. Throughout the work, the brush line of light or dark, dry or wet should record the process of the artist creating the work vividly.
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period (link needed). The cursive script is faster to write than other styles, but difficult to read for those unfamiliar with it. The "grass" in Chinese was also used in the sense of "coarse, rough; simple and crude." It would appear that
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experienced through energy in motion that is registered as traces on silk or paper, with time and rhythm in shifting space its main ingredients." Calligraphy has also led to the development of many forms of art in China, including
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While appreciating calligraphy depends on individual preferences, there are established traditional rules and those who repeatedly violate them are not considered legitimate calligraphers. The famous modern Chinese calligrapher
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were unorthodox or locally used for centuries. They were generally understood but always rejected in official texts. Some of these unorthodox variants, in addition to some newly created characters, were incorporated in the
2323:(a unit of length, roughly equal to a foot) of artwork. As with other artwork, the economic value of calligraphy has increased in recent years as the newly rich in China search for safe investments for their wealth. 1346:
has broad and narrow meanings. In the broad sense, it is non-temporal and can refer to any characters which have been hastily written. In the narrow sense, it refers to the specific handwriting style in Han dynasty.
904:, a relatively recent word in Chinese) in the countries where it is practised. Chinese calligraphy focuses not only on methods of writing but also on cultivating one's character (人品) and taught as a pursuit (-書法; 2420:, which are deemed correct or incorrect case-by-case, but in general, more popular variants are more likely to be correct. Correct characters are written in the traditional stroke order and not a modern standard. 2189:(creating art with unintentional moves). Wuyi is considered a higher stage for calligraphers, which require the calligrapher to have perfect control over the brush and wrist and following his or her heart. 1068:(彝). Different time periods used different methods of inscription. Shang bronze inscriptions were nearly all cast at the same time as the implements on which they appear. In later dynasties such as Western 1526:(王羲之, 303 CE – 361 AD) and his followers, is even more regularized. reached its peak in the Tang dynasty, when famous calligraphers like Yan Zhenqing and Liu Gongquan produced most of the fine works in 2500:
The Japanese, Koreans, and Vietnamese have developed their own specific sensibilities and styles of calligraphy while incorporating Chinese influences, as well as applying to specific scripts.
4091:, p.41. The 2007 common shape for those characters does not clearly show the stroke order, but old versions, visible on the Kangxi Zidian p.41 clearly allow the stroke order to be determined. 4193:
Chan, SCC (2017). "Chinese Calligraphy Writing for Augmenting Attentional Control and Working Memory of Older Adults at Risk of Mild Cognitive Impairment: A Randomized Controlled Trial".
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the move becomes instinctive and the copy perfect. Deviation from the model is seen as a failure. Competency in a particular style often requires many years of practice. Correct strokes,
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For more than 2,000 years, China's literati—Confucian scholars and literary men who also served the government as officials—have been connoisseurs and practitioners of this art. In
4539:, Early China Special Monograph Series No. 4. Berkeley: The Society for the Study of Early China and the Institute of East Asian Studies, University of California, Berkeley, 2000. 2441:
where flourishes are acceptable and often desirable. Good Chinese calligraphy must be unadorned script. It must also be in black ink unless there is a reason to write in other ink.
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characters. Although the main writing implement of the time was already the brush, little paper survives from this period, and the main examples of this style are on steles.
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kǎishū; Hong Kong and Taiwan still use traditional Chinese characters in writing, while mainland China uses simplified Chinese characters as the official script.
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pictorial designs; others are essentially small sculptures of people or animals. Like ink stones, paperweights are collectible works of art on their own right.
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shape of characters 1000 years ago was mostly similar to that at the end of Imperial China. But small changes have been made, for example in the shape of
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rim, and the exterior of the belly of the large type of vats. The characters are mostly written singly; character compounds or sentences are rarely seen.
2957: 4011: 1993: 1072:, Spring and Autumn period, the inscriptions were often engraved after the bronze was cast. Bronze inscriptions are one of the earliest scripts in the 5129: 4837: 3534: 4880: 4626: 2479:. One who does not know the meaning of the characters they write, but varies their shape and weight on a whim, does not produce good calligraphy. 2447:
All reputable calligraphers in China were well educated and well read. In addition to calligraphy, they were skilled in other areas, most likely
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A correctly written character should be composed in a way that is accepted as correct by legitimate calligraphers. Calligraphic works often use
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of 1716 as in modern books. The Kangxi and current shapes have tiny differences, while stroke order is still the same, according to old style.
3007: 2229: 4613: 4412:, Vol 53, No 6, (June 2009) pp. 124–126. A review-essay that explores the motion of the brush as the hallmark of Chinese calligraphy. 4299: 2313:
the length of paper on which it is written. Works by well-regarded contemporary calligraphers may fetch thousands to tens of thousands of
1638: 1621:, public focused on practicing hard-pen calligraphy. People usually use Chinese simplified characters in semi-cursive or regular style. 4668: 4402: 3145: 3089: 4582: 4561: 2977: 2244:, character structure, balance, and rhythm are essential in calligraphy. A student would also develop their skills in traditional 3022: 4601: 4462:
Straddling East and West: Lin Yutang, a modern literatus: the Lin Yutang family collection of Chinese painting and calligraphy
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scenes, where innovation is the rule, while changing lifestyles, tools, and colors are also influencing new waves of masters.
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refers to the eight different strokes in the character, which some argue summarizes the different strokes in regular script.
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were used for personal notes only and were never used as a standard. Caoshu style was highly appreciated during the reign of
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Chinese calligraphy appreciated more or only for its aesthetic quality has a long tradition, and is today regarded as one of
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The ink brush, ink, paper, and inkstone are essential implements of Chinese calligraphy. They are known together as the
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variant of seal script eventually became the standard, and was adopted as the formal script for all of China during the
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or other materials such as wood, porcelain, or horn. The head of the brush is typically made from animal hair, such as
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Chinese calligraphy : from pictograph to ideogram : the history of 214 essential Chinese/Japanese characters
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by using such a personalized brush. Calligraphy brushes are widely considered an extension of the calligrapher's arm.
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were imported into China from the west. Writing with fountain pens remained a convenience until the 1980s. With the
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A brush is the traditional writing instrument for Chinese calligraphy. The body of the brush is commonly made from
1452: 1718: 1465: 2578:, which is accomplished using similar tools and techniques. Calligraphy has influenced most major art styles in 4866: 1642: 1322: 1271: 1216: 1181: 1108: 483: 310: 63: 3878:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 131. 3831:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 130. 3784:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 143. 3687:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 113. 3127: 2992: 4687:. Enter a character, click, and see range of variations for that character by different calligraphic masters. 4460: 3734:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 73. 3602:. Mattos, Gilbert Louis, 1939–, Norman, Jerry, 1936–2012, Qiu, Xigui, 裘錫圭. Berkeley, California. p. 80. 2431:, but a calligraphic work in cursive can still be considered good if those familiar with cursive can read it. 1318: 1267: 1220: 1185: 86: 1381:, ceramic inscriptions dating to 1435–1412 BC have been found by archaeologists. These writings are made in 5119: 4079:康熙字典 Kangxi Zidian, 1716. Scanned version available at www.kangxizidian.com. See for example the radicals 1247:. Zhong You first used regular script to write some very serious pieces such as memorials to the emperor. 992:, whose accession is dated by different scholars at 1250 BC or 1200 BC. Though there is no proof that the 4916: 4050: 3014: 2672: 2223: 1880: 1875: 1012: 1006: 741: 3112: 2127:
Brush-washers for removing excess ink are essential tools in the traditional art of Chinese calligraphy.
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that was common throughout the latter half of the 1st millennium BC. It evolved organically out of the
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and interpretation of the literary meaning. This type of expression has been widely practiced in
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The ancestral landscape : time, space, and community in late Shang China, ca. 1200-1045 B.C
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Xueqin, Li (2002-06-01). "The Xia-Shang-Zhou Chronology Project: Methodology and Results".
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became mature stylistically around the 7th century. The first master of regular script is
8: 5014: 4482:"Origins and evolution of Chinese writing systems and preliminary counting relationships" 4167: 3096: 2472: 2438: 2088: 1829: 1666: 1555: 1490:'s (李斯, 246 BC – 208 BC) character unification, which created a set of 3300 standardized 1279: 1262: 1256: 786: 736: 724: 707: 702: 697: 427: 3409: 3289: 50: 4904: 4832: 4762: 4497: 4281: 4136: 4119:
Shi, Xiongbo (2018). "The Aesthetic Concept of Yi 意 in Chinese Calligraphic Creation".
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contains introductory comparisons of different calligraphy styles of basic characters.
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ancestor of the Chinese family of scripts, preceding the Chinese bronze inscriptions.
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Chinese Brushwork in Calligraphy and Painting: Its History Aesthetics and Techniques
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a calligraphy video column with deep analysis of different characters, lectured by
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Shu Xincheng 舒新城, ed. Cihai (辭海 'Sea of Words'). 3 vols. Shanghai: Zhonghua. 1936.
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Calligraphic works are usually completed by the calligrapher applying one or more
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Barnhart, Richard (1972). "Chinese Calligraphy: The Inner World of the Brush".
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Some people insist that Chinese calligraphy should use special papers, such as
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was an early form of Chinese characters written on animals' bones. Written on
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The contemporary Chinese character's set principles were clearly visible in
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The Cinnabar Inscriptions Discovered at the Xiaoshuangqiao Site, Zhengzhou.
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and the existence of the circle required the creation of a new technique.
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in the term caoshu "grass script" was used in this same sense. The term
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is considered one of the four most-sought skills and hobbies of ancient
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paint. Thus, the dates of writing in China have been confirmed for the
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Water calligraphy or ground calligraphy is a popular pastime in China.
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During the fourth century AD, calligraphy came to full maturity. The
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was developed from pre-Qin era to the Han dynasty (202 BC – 220 AD).
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An example of the Chinese character 木 (a tree) written in Seal script
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Chinese calligraphy is being promoted in Chinese schools to counter
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was created by Cheng Miao alone during Qing Shi Huang's regime,
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province, is the preferred type of paper. It is made from the
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can read semi-cursive. It is highly useful and also artistic.
672: 3505:. Berkeley: University of California, Berkeley. p. 228. 3104: 2812: 2761: 2616: 2505: 2291: 2060: 2041: 2031: 2026: 1989: 1979: 1930: 1883:, desk pads and paperweights are also used by calligraphers. 1487: 1442: 977: 973: 817: 520: 460: 400: 4238: 3337:
Journal of Beijing Normal University: Social Science Edition
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in red ink. The seal can serve the function of a signature.
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Ink is made from lampblack (soot) and binders, and comes in
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For example, the China Calligraphers Association (中国书法家协会,
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of calligraphy in this tradition. Chinese calligraphy and
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Paper is frequently sold together with a paperweight and
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This way of writing started to develop in the 1900s when
1333:) originated in China during the Han dynasty through the 1061: 361: 338: 315: 2366: 2059:), as well as other materials such as bamboo, rice, and 262: 1409: 869:(書法/书法, 法書/法书), literally 'way/method/law of writing'; 832:, along with playing stringed musical instruments, the 4629:– Dao of Calligraphy in English & Mandarin Chinese 3313: 3311: 3309: 3173:
The Calligraphy Model "Sunny after Snow" by Wang Xizhi
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dynasties, and was not used commonly until later. The
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A Chinese calligraphy set, Gurgaon, near Delhi, India
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Chinese characters can be retraced to 4000 BC signs (
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Chinese Archaeology. Volume 4, Issue 1, Pages 98–102
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Introduction of Chinese Ground Calligraphy or Dishu
3306: 292: 4602:Chinese Calligraphy and Early Buddhist Manuscripts 4026:And so the first Chinese dictionary was born, the 3649:(Di 1 ban ed.). Beijing: Wen wu chu ban she. 3548: 3249:– integration of calligraphy, poetry, and painting 1456:Poems of The four treasures in a scholar's study ( 883:(서예; 書藝) in Korea ('skill/criterion of writing'); 820:and has been generally held in high esteem across 4375:. Honolulu: University of Hawaii Press. pp.  5111: 2605: 446: 432: 3942:Stokstad, Marilyn; Cothren, Michael W. (2017). 3941: 2144:Commonly made from stone, ceramic, or clay, an 4571: 4550: 4154: 4057:A Course in the Analysis of Chinese Characters 4046: 4044: 4042: 4040: 4038: 3399:– Internet video series on Chinese calligraphy 3318: 2326: 1624: 1000: 976:province. The vast majority were found at the 874: 525: 5091: 5079: 5067: 5061: 5029: 5017: 5005: 4993: 4979: 4967: 4955: 4943: 4931: 4919: 4907: 4874: 4706: 4102:"Chinese – Brushwasher in the Form of a Leaf" 4054: 2445:Proper and prominent relation to the context. 2400: 1377:, about 20 km south-east of the ancient 1301: 879:) in Japan ('way/principle of writing'); and 566: 539: 4465:. New York: The Metropolitan Museum of Art. 4458: 4417:Dictionary of Japanese (Sōsho) Writing Forms 3533:: CS1 maint: multiple names: authors list ( 2971:, the most famous Chinese calligraphic work. 1944:Today, calligraphy may also be done using a 465: 91: 68: 4341: 4035: 4010:. calligraphy by Rebecca Hon Ko. New York: 3919: 3917: 4881: 4867: 4713: 4699: 4522:, Yale University Press, New Haven, 2008. 4518:Ouyang, Zhongshi & Fong, Wen C., Eds, 3991:: CS1 maint: location missing publisher ( 3906:: CS1 maint: location missing publisher ( 3859:: CS1 maint: location missing publisher ( 3812:: CS1 maint: location missing publisher ( 3762:: CS1 maint: location missing publisher ( 3715:: CS1 maint: location missing publisher ( 3630:: CS1 maint: location missing publisher ( 3392: 3390: 3388: 3386: 3384: 3382: 3380: 2397:One Question Every Day, One Word Every Day 1479:closer to perfection and earn him merit." 1475:(small seal script)—are still accessible. 984:divinations of the last nine kings of the 671: 49: 4888: 4214: 3873: 3826: 3779: 3729: 3682: 3597: 5130:Intangible Cultural Heritage of Humanity 4651:– Generator of Chinese calligraphy model 4419:, Lunde Humphries, 1944 (reprinted 1947) 4300:"New book tells story of VN calligraphy" 4263: 4005: 3914: 2556: 2496:Calligraphy in Japan, Korea, and Vietnam 2156: 2122: 2114: 2002:), as well as other materials including 1955: 1885: 1648: 1546:which is not absolutely the same in the 1451: 1433: 1149: 1093: 946: 925: 861:In China, calligraphy is referred to as 4479: 4266:The Metropolitan Museum of Art Bulletin 3644: 3377: 3358: 2348:instructions, advice, or how-to content 1608: 1423: 1367: 1020:. These Chinese ritual bronzes include 14: 5112: 3465: 3333:"Chinese characters and culture 汉字与文化" 2508:to also include local scripts such as 2152: 1868: 1629:Examples of modern printed styles are 1290:. Because it is not as abbreviated as 1250: 372: 366: 237: 231: 4862: 4694: 3966: 3937: 3935: 3775: 3773: 3678: 3676: 3674: 1879:. In addition to these four tools, a 1584:Styles which did not survive include 1559:(semi-cursive or running script) and 936: 887:(書法) in Vietnam ('handwriting art'). 4660:Basic Calligraphy Styles From Taoism 4192: 3330: 3047:Part of a stone rubbing of 雁塔聖教序 by 2569: 2552: 2330: 2161:Using seal paste with a Chinese seal 4448:. Mineola, NY: Dover Publications. 4118: 3062:Part of a stone rubbing of 顏勤禮碑 by 2357:so that it is more encyclopedic or 2290:are traditionally written while in 2110: 24: 4666:The History of Chinese Calligraphy 4594: 4572:Stanley-Baker, Joan (June 2010b), 4366: 4360: 3932: 3770: 3671: 3500: 2983:Part of a stone rubbing of 黄庭经 by 2483:Aesthetically pleasing to the eye. 1422:around the 14th–11th century BCE ( 1145: 856: 849:carving, ornate paperweights, and 25: 5141: 4620: 4551:Stanley-Baker, Joan (May 2010a), 4429:Emmanuelle Lesbre, Jianlong Liu: 3468:Journal of East Asian Archaeology 3013:A Tang dynasty copy of 新婦地黃湯帖 by 2768: 1429: 1199: 980:site in this region. They record 812:as an art form, combining purely 3162: 3144: 3126: 3111: 3088: 3070: 3055: 3040: 3021: 3006: 2991: 2976: 2956: 2694:Ding Daohu 丁道護 (ca. 6th century) 2335: 2305:brought on by technology usage. 2222: 2201: 1850: 1836: 1822: 1807: 1793: 1774: 1755: 1736: 1717: 1698: 1679: 1665: 1361: 4828:Chinese traditional accessories 4720: 4488:, vol. 9, pp. 25–51, 4371:Chinese writing and calligraphy 4335: 4317: 4292: 4257: 4243: 4231: 4186: 4160: 4112: 4094: 4073: 3999: 3971:. Los Angeles, US. p. 33. 3960: 3867: 3820: 3723: 3638: 3591: 3541: 3494: 3459: 3363:. Beijing: 中華書局. p. 1118. 2924: 2899: 2856: 2837: 2788: 2698: 2602:based entirely on calligraphy. 2119:Using an ink stick and inkstone 2066: 1530:. Its spread was encouraged by 972:(安陽) on the northern border of 401: 362: 339: 316: 293: 263: 27:Calligraphy with Chinese script 5092: 5080: 5068: 5062: 5030: 5018: 5006: 4994: 4980: 4968: 4908: 4655:History of Chinese Calligraphy 4604:. Oxford: Indica et Buddhica. 4195:Journal of Alzheimer's Disease 3435: 3426: 3402: 3352: 3343: 3324: 3282: 2685: 2648: 2623: 2610: 1532:Emperor Mingzong of Later Tang 1083: 910: 900: 626: 603: 503: 489: 447: 227: 204: 177: 154: 131: 13: 1: 4685:名家书法 (Masters of Calligraphy) 4649:Models of Chinese calligraphy 4644:Styles of Chinese calligraphy 4444:Kwo, Da-Wei (David) (1981) . 4240:) is a national organization. 4030:, containing 3,300 characters 3501:N., Keightley, David (2000). 3359:Wang Li; et al. (2000). 3276: 2606:Notable Chinese calligraphers 2547: 2490: 1482:In about 220 BC, the emperor 92: 69: 3151:An edict written by Emperor 2722:Huairen 懷仁 (ca. 7th century) 2691:Zhiyong 智永 (ca. 6th century) 2286:In Japan, smaller pieces of 2178: 2078: 1988:(宣紙), traditionally made in 1016:were usually written on the 7: 5051:Derived from regular script 4600:Tsui, Chung-hui 崔中慧 (2020) 4006:Fazzioli, Edoardo (1987) . 3551:The world's writing systems 3178: 3028:Part of a stone rubbing of 2574:Calligraphy has influenced 2327:Rules of modern calligraphy 2139: 1876:Four Treasures of the Study 1625:Printed and computer styles 1294:, most people who can read 1013:Chinese bronze inscriptions 1007:Chinese bronze inscriptions 1001:Chinese bronze inscriptions 10: 5146: 4743:Chinese Buddhist sculpture 4494:10.1177/103237320400900303 4342:VietnamPlus (2022-02-09). 3480:10.1163/156852302322454585 2949: 2418:variant Chinese characters 2164: 1898: 1598:variant Chinese characters 1354: 1350: 1308:Cursive script (East Asia) 1305: 1302:Cursive script (East Asia) 1254: 1203: 1167: 1087: 1004: 940: 929: 29: 5041: 4956: 4944: 4932: 4920: 4896: 4728: 4400:"The Rhythm of the Brush" 4059:. Lulu.com. p. 148. 3874:Xigui, Qiu; 裘錫圭. (2000). 3827:Xigui, Qiu; 裘錫圭. (2000). 3780:Xigui, Qiu; 裘錫圭. (2000). 3730:Xigui, Qiu; 裘錫圭. (2000). 3683:Xigui, Qiu; 裘錫圭. (2000). 3598:Xigui, Qiu; 裘錫圭. (2000). 2409:. Among these rules are: 2401: 2260: 2251:Since the development of 1657:(horse) through history: 1155:Memorial to Yueyang Tower 1074:Chinese family of scripts 875: 646: 619: 596: 591: 587: 560: 533: 526: 519: 514: 496: 482: 477: 473: 466: 459: 454: 440: 426: 421: 391: 384: 355: 332: 309: 302: 286: 279: 256: 249: 220: 197: 170: 147: 124: 117: 112: 108: 85: 62: 57: 48: 44: 39: 4675:at BeyondCalligraphy.com 4480:Lu, W; Aiken, M (2004), 4251:"The art market in 2017" 4121:Philosophy East and West 3645:Hui., Wang; 王輝. (2006). 3208:Eight Principles of Yong 3203:East Asian script styles 2269:Eight Principles of Yong 2192: 2099:: huàzhān; Japanese: 下敷 1999:Pteroceltis tatarianovii 1951: 1894: 1710:Spring and Autumn period 1373:In 2003, at the site of 567: 540: 64:Traditional Chinese 3969:Books: A Living History 3410:"Shodo and Calligraphy" 3120:Emperor Huizong of Song 2825:Emperor Gaozong of Song 2819:Emperor Huizong of Song 2726:Emperor Taizong of Tang 2437:This is in contrast to 2414:Correct way of writing. 2012:Broussonetia papyrifera 1619:Chinese economic reform 1553:Cursive styles such as 87:Simplified Chinese 4843:Chinese willow pattern 4783:Chinese Folding screen 4635:at China Online Museum 4106:The Walters Art Museum 4055:R. B. Blakney (2007). 3967:Lyons, Martyn (2011). 3583:: CS1 maint: others ( 3258:Vietnamese calligraphy 2562: 2532:Vietnamese calligraphy 2162: 2128: 2120: 2057:Edgeworthia papyrifera 1961: 1891: 1569:202 BC – 220 AD), but 1461: 1449: 1165: 1099: 1018:Chinese ritual bronzes 956: 951:Oracle bone fragment, 433: 4890:Chinese script styles 4803:Chinese paper folding 4798:Chinese paper cutting 4459:Liu, Shi-yee (2007). 4431:La Peinture Chinoise. 4172:BBC NEWS ASIA-PACIFIC 4133:10.1353/pew.2018.0076 3923:Song Guoding (2004), 3414:Vincent's Calligraphy 3290:"Chinese Calligraphy" 3213:Ink and wash painting 2560: 2160: 2126: 2118: 2047:Wikstroemia sikokiana 1959: 1939:imperial examinations 1889: 1653:Different scripts of 1649:Gallery along history 1455: 1437: 1153: 1097: 950: 932:Chinese script styles 926:Chinese script styles 842:ink and wash painting 5059:Ming / Song 4733:Chinese architecture 4433:Hazan, Paris, 2005, 3944:ART HISTORY Volume I 3223:Japanese calligraphy 3078:Cry for noble Saichō 2502:Japanese calligraphy 2288:Japanese calligraphy 1609:Hard-pen calligraphy 1379:Zhengzhou Shang City 633:Siyodau (historical) 610:Shiyodau (historical 484:Revised Romanization 5120:Chinese calligraphy 5015:Semi-cursive script 4897:Handwritten scripts 4748:Chinese calligraphy 4639:Chinese calligraphy 4633:Chinese Calligraphy 4627:Chinese Calligraphy 4520:Chinese Calligraphy 4367:Li, Wendan (2009). 4155:Stanley-Baker 2010b 3331:Wang, Ning (1991). 3319:Stanley-Baker 2010a 2439:Western calligraphy 2355:rewrite the content 2309:controlled groups. 2153:Seal and seal paste 2103:) is a pad made of 1869:Materials and tools 1830:Semi-cursive script 1424:Lu & Aiken 2004 1406:Jiǎgǔwén characters 1387:Middle Shang period 1368:Lu & Aiken 2004 1323:traditional Chinese 1272:traditional Chinese 1263:Semi-cursive script 1257:Semi-cursive script 1251:Semi-cursive script 1217:traditional Chinese 1182:traditional Chinese 914:, rules of writing 806:Chinese calligraphy 428:Vietnamese alphabet 40:Chinese calligraphy 18:Calligraphy - China 4905:Oracle bone script 4763:Chinese embroidery 4671:2020-02-14 at the 4575:Ink Painting Today 4554:Ink Painting Today 4486:Accounting History 4405:2013-12-26 at the 4329:2011-07-08 at the 4207:10.3233/JAD-170024 3647:Shang Zhou Jin wen 3235:Korean calligraphy 3191:Chinese characters 2827:宋高宗 趙構 (1107–1187) 2821:宋徽宗 趙佶 (1082–1135) 2563: 2521:Korean calligraphy 2163: 2129: 2121: 2039:(paper mulberry), 1962: 1892: 1603:simplified Chinese 1581:(140 BC – 87 BC). 1462: 1450: 1319:simplified Chinese 1288:Chinese characters 1268:simplified Chinese 1221:simplified Chinese 1186:simplified Chinese 1166: 1125:Chinese characters 1100: 1078:oracle bone script 1076:, preceded by the 961:Oracle bone script 957: 955:(ca. 1600–1046 BC) 943:Oracle bone script 937:Oracle bone script 810:Chinese characters 808:is the writing of 5107: 5106: 5103: 5102: 4856: 4855: 4818:Chinese sculpture 4768:Chinese furniture 4610:978-0-473-54012-8 4472:978-1-58839-270-1 4439:978-2-850-25922-7 4386:978-0-8248-3364-0 4066:978-1-897367-11-7 4021:978-0-89659-774-7 3978:978-1-60606-083-4 3953:978-0-205-87347-0 3885:978-1-55729-071-7 3838:978-1-55729-071-7 3791:978-1-55729-071-7 3741:978-1-55729-071-7 3694:978-1-55729-071-7 3609:978-1-55729-071-7 3562:978-0-19-507993-7 3512:978-1-55729-070-0 3447:culture.teldap.tw 3247:Three perfections 2998:A copy of 上虞帖 by 2728:唐太宗 李世民 (599–649) 2584:Ink wash painting 2576:ink wash painting 2570:Ink wash painting 2553:Water calligraphy 2388: 2387: 2303:Character amnesia 2035:is made from the 1960:Calligraphy tools 1787:Small seal script 1579:Emperor Wu of Han 1548:Kangxi Dictionary 988:, beginning with 803: 802: 650: 649: 642: 641: 510: 509: 498:McCune–Reischauer 417: 416: 311:Yale Romanization 119:Standard Mandarin 16:(Redirected from 5137: 5096: 5095: 5094: 5084: 5083: 5082: 5072: 5071: 5070: 5065: 5064: 5048: 5047: 5034: 5033: 5032: 5022: 5021: 5020: 5010: 5009: 5008: 4998: 4997: 4996: 4984: 4983: 4982: 4972: 4971: 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writing 3681: 3672: 3657: 3643: 3639: 3623: 3622: 3610: 3600:Chinese writing 3596: 3592: 3576: 3575: 3563: 3547: 3546: 3542: 3526: 3525: 3513: 3499: 3495: 3464: 3460: 3451: 3449: 3441: 3440: 3436: 3431: 3427: 3418: 3416: 3408: 3407: 3403: 3395: 3378: 3371: 3357: 3353: 3348: 3344: 3329: 3325: 3316: 3307: 3298: 3296: 3288: 3287: 3283: 3279: 3274: 3181: 3176: 3175: 3174: 3172: 3167: 3156: 3149: 3140: 3131: 3122: 3116: 3107: 3093: 3084: 3075: 3066: 3060: 3051: 3045: 3036: 3026: 3017: 3011: 3002: 2996: 2987: 2981: 2972: 2961: 2952: 2939:康有為 (1858–1927) 2933:吳昌碩 (1844–1927) 2927: 2920:楊守敬 (1839–1915) 2902: 2883:黃汝亨 (1558–1626) 2877:董其昌 (1555–1636) 2871:文徵明 (1470–1559) 2859: 2846:趙孟頫 (1254–1322) 2840: 2809:黃庭堅 (1045–1105) 2791: 2777: 2771: 2734:李陽冰 (721/2–785) 2701: 2688: 2651: 2626: 2613: 2608: 2596:Korean painting 2572: 2555: 2550: 2530:In the case of 2519:In the case of 2504:extends beyond 2498: 2493: 2384: 2378: 2375: 2352: 2340: 2336: 2329: 2317:(renminbi) per 2237: 2236: 2235: 2234: 2233: 2227: 2219: 2218: 2213: 2206: 2195: 2181: 2169: 2155: 2142: 2113: 2081: 2069: 1954: 1903: 1897: 1871: 1866: 1865: 1864: 1861: 1855: 1846: 1841: 1832: 1827: 1818: 1812: 1803: 1801:Clerical script 1798: 1789: 1779: 1770: 1760: 1751: 1741: 1732: 1722: 1713: 1703: 1694: 1684: 1675: 1670: 1651: 1627: 1611: 1605:character set. 1588:, a mix of 80% 1545: 1432: 1364: 1359: 1357:Written Chinese 1353: 1310: 1304: 1259: 1253: 1208: 1202: 1177:clerical script 1172: 1170:Clerical script 1148: 1146:Clerical script 1092: 1086: 1009: 1003: 945: 939: 934: 928: 894:(Chinese 藝術/艺术 859: 857:Characteristics 834:board game "Go" 799: 798: 683: 636: 630:Syodou (modern) 613: 598:Revised Hepburn 583: 582: 581: 556: 555: 554: 422:Vietnamese name 411: 378: 349: 326: 294: 273: 243: 214: 199:Tongyong Pinyin 191: 186: 181: 164: 141: 104: 103: 102: 81: 80: 79: 35: 28: 23: 22: 15: 12: 11: 5: 5143: 5133: 5132: 5127: 5122: 5105: 5104: 5101: 5100: 5098: 5097: 5085: 5073: 5054: 5052: 5045: 5039: 5038: 5036: 5035: 5027:Cursive script 5023: 5011: 5003:Regular script 4999: 4987: 4986: 4985: 4973: 4961: 4949: 4925: 4913: 4900: 4898: 4894: 4893: 4886: 4885: 4878: 4871: 4863: 4854: 4853: 4851: 4850: 4845: 4840: 4835: 4830: 4825: 4820: 4815: 4810: 4805: 4800: 4795: 4790: 4785: 4780: 4775: 4773:Chinese garden 4770: 4765: 4760: 4758:Chinese comics 4755: 4750: 4745: 4740: 4738:Chinese column 4735: 4729: 4726: 4725: 4718: 4717: 4710: 4703: 4695: 4689: 4688: 4682: 4676: 4663: 4657: 4652: 4646: 4641: 4636: 4630: 4622: 4621:External links 4619: 4618: 4617: 4596: 4593: 4591: 4590: 4569: 4548: 4530: 4516: 4477: 4471: 4456: 4442: 4427: 4420: 4413: 4395: 4393: 4392: 4385: 4359: 4334: 4316: 4291: 4272:(5): 230–241. 4256: 4242: 4230: 4201:(3): 735–746. 4185: 4159: 4146: 4127:(3): 871–886. 4111: 4093: 4088: 4084: 4080: 4072: 4065: 4034: 4020: 4014:. p. 13. 3998: 3977: 3959: 3952: 3931: 3913: 3884: 3866: 3837: 3819: 3790: 3769: 3740: 3722: 3693: 3670: 3656:978-7501014866 3655: 3637: 3608: 3590: 3561: 3540: 3511: 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2770: 2769:Five Dynasties 2767: 2766: 2765: 2759: 2753: 2747: 2741: 2735: 2729: 2723: 2720: 2714: 2708: 2700: 2697: 2696: 2695: 2692: 2687: 2684: 2683: 2682: 2676: 2670: 2664: 2658: 2650: 2647: 2646: 2645: 2639: 2633: 2625: 2622: 2621: 2620: 2619:李斯 (280–208BC) 2612: 2609: 2607: 2604: 2571: 2568: 2554: 2551: 2549: 2546: 2506:Han characters 2497: 2494: 2492: 2489: 2488: 2487: 2480: 2442: 2432: 2421: 2386: 2385: 2343: 2341: 2334: 2328: 2325: 2281:regular script 2279:and lower for 2253:regular script 2228: 2221: 2220: 2207: 2200: 2199: 2198: 2197: 2196: 2194: 2191: 2180: 2177: 2165:Main article: 2154: 2151: 2141: 2138: 2112: 2109: 2080: 2077: 2068: 2065: 2008:paper mulberry 1953: 1950: 1899:Main article: 1896: 1893: 1870: 1867: 1863: 1862: 1858:Regular script 1856: 1849: 1847: 1844:Cursive script 1842: 1835: 1833: 1828: 1821: 1819: 1815:Regular script 1813: 1806: 1804: 1799: 1792: 1790: 1780: 1773: 1771: 1761: 1754: 1752: 1742: 1735: 1733: 1729:Warring States 1723: 1716: 1714: 1704: 1697: 1695: 1685: 1678: 1676: 1671: 1664: 1661: 1660: 1659: 1650: 1647: 1639:printing press 1626: 1623: 1610: 1607: 1592:style and 20% 1543: 1466:Imperial China 1439:On Calligraphy 1431: 1430:Imperial China 1428: 1375:Xiaoshuangqiao 1363: 1360: 1352: 1349: 1314:Cursive script 1306:Main article: 1303: 1300: 1296:regular script 1255:Main article: 1252: 1249: 1241:regular script 1212:Regular script 1206:Regular script 1204:Main article: 1201: 1200:Regular script 1198: 1168:Main article: 1147: 1144: 1088:Main article: 1085: 1082: 1005:Main article: 1002: 999: 941:Main article: 938: 935: 930:Main article: 927: 924: 916:Han characters 858: 855: 801: 800: 797: 796: 791: 790: 789: 779: 778: 777: 772: 767: 762: 751: 746: 745: 744: 739: 729: 728: 727: 722: 712: 711: 710: 705: 700: 695: 684: 681: 680: 677: 676: 668: 667: 661: 660: 648: 647: 644: 643: 640: 639: 635: 634: 631: 627: 623: 617: 616: 612: 611: 608: 607:Shodō (modern) 604: 600: 594: 593: 592:Transcriptions 585: 584: 580: 579: 572: 568: 564: 558: 557: 553: 552: 545: 541: 537: 531: 530: 523: 517: 516: 512: 511: 508: 507: 500: 494: 493: 486: 480: 479: 478:Transcriptions 471: 470: 463: 457: 456: 452: 451: 444: 438: 437: 430: 424: 423: 419: 418: 415: 414: 410: 409: 406: 402: 398: 389: 388: 382: 381: 377: 376: 370: 363: 359: 353: 352: 348: 347: 344: 340: 336: 330: 329: 325: 324: 321: 317: 313: 307: 306: 304:Yue: Cantonese 300: 299: 290: 284: 283: 277: 276: 272: 271: 268: 264: 260: 254: 253: 247: 246: 242: 241: 235: 228: 224: 218: 217: 213: 212: 209: 205: 201: 195: 194: 190: 189: 184: 178: 174: 168: 167: 163: 162: 159: 155: 151: 145: 144: 140: 139: 136: 132: 128: 122: 121: 115: 114: 113:Transcriptions 106: 105: 101: 100: 97: 93: 89: 83: 82: 78: 77: 74: 70: 66: 60: 59: 55: 54: 46: 45: 42: 41: 26: 9: 6: 4: 3: 2: 5142: 5131: 5128: 5126: 5123: 5121: 5118: 5117: 5115: 5090: 5086: 5078: 5074: 5060: 5056: 5055: 5053: 5049: 5046: 5044: 5040: 5028: 5024: 5016: 5012: 5004: 5000: 4992: 4988: 4978: 4974: 4966: 4962: 4954: 4950: 4942: 4938: 4937: 4930: 4926: 4918: 4917:Bronze script 4914: 4906: 4902: 4901: 4899: 4895: 4891: 4884: 4879: 4877: 4872: 4870: 4865: 4864: 4861: 4849: 4846: 4844: 4841: 4839: 4836: 4834: 4831: 4829: 4826: 4824: 4821: 4819: 4816: 4814: 4811: 4809: 4806: 4804: 4801: 4799: 4796: 4794: 4791: 4789: 4786: 4784: 4781: 4779: 4776: 4774: 4771: 4769: 4766: 4764: 4761: 4759: 4756: 4754: 4751: 4749: 4746: 4744: 4741: 4739: 4736: 4734: 4731: 4730: 4727: 4723: 4716: 4711: 4709: 4704: 4702: 4697: 4696: 4693: 4686: 4683: 4680: 4677: 4674: 4670: 4667: 4664: 4661: 4658: 4656: 4653: 4650: 4647: 4645: 4642: 4640: 4637: 4634: 4631: 4628: 4625: 4624: 4615: 4611: 4607: 4603: 4599: 4598: 4588:on 2012-03-21 4584: 4577: 4576: 4570: 4567:on 2011-09-17 4563: 4556: 4555: 4549: 4546: 4545:1-55729-071-7 4542: 4538: 4534: 4531: 4529: 4528:9780300121070 4525: 4521: 4517: 4508:on 2016-04-12 4507: 4503: 4499: 4495: 4491: 4487: 4483: 4478: 4474: 4468: 4464: 4463: 4457: 4455: 4454:0-486-26481-5 4451: 4447: 4443: 4440: 4436: 4432: 4428: 4425: 4421: 4418: 4414: 4411: 4408: 4404: 4401: 4397: 4396: 4388: 4382: 4378: 4373: 4372: 4363: 4349: 4345: 4338: 4332: 4328: 4325: 4320: 4305: 4301: 4295: 4287: 4283: 4279: 4275: 4271: 4267: 4260: 4252: 4246: 4239: 4234: 4226: 4222: 4217: 4212: 4208: 4204: 4200: 4196: 4189: 4173: 4169: 4163: 4156: 4150: 4142: 4138: 4134: 4130: 4126: 4122: 4115: 4107: 4103: 4097: 4076: 4068: 4062: 4058: 4052: 4047: 4045: 4043: 4041: 4039: 4031: 4029: 4023: 4017: 4013: 4009: 4002: 3994: 3988: 3980: 3974: 3970: 3963: 3955: 3949: 3945: 3938: 3936: 3928: 3927: 3920: 3918: 3909: 3903: 3895: 3891: 3887: 3881: 3877: 3870: 3862: 3856: 3848: 3844: 3840: 3834: 3830: 3823: 3815: 3809: 3801: 3797: 3793: 3787: 3783: 3776: 3774: 3765: 3759: 3751: 3747: 3743: 3737: 3733: 3726: 3718: 3712: 3704: 3700: 3696: 3690: 3686: 3679: 3677: 3675: 3666: 3662: 3658: 3652: 3648: 3641: 3633: 3627: 3619: 3615: 3611: 3605: 3601: 3594: 3586: 3580: 3572: 3568: 3564: 3558: 3553: 3552: 3544: 3536: 3530: 3522: 3518: 3514: 3508: 3504: 3497: 3489: 3485: 3481: 3477: 3473: 3469: 3462: 3448: 3444: 3438: 3429: 3415: 3411: 3405: 3398: 3397:田蘊章《每日一題每日一字》 3393: 3391: 3389: 3387: 3385: 3383: 3381: 3372: 3366: 3362: 3355: 3346: 3338: 3334: 3327: 3320: 3314: 3312: 3310: 3295: 3291: 3285: 3281: 3271: 3268: 3264: 3261: 3259: 3256: 3255: 3254: 3251: 3248: 3245: 3243: 3240: 3236: 3233: 3232: 3231: 3228: 3224: 3221: 3220: 3219: 3216: 3214: 3211: 3209: 3206: 3204: 3201: 3197: 3194: 3193: 3192: 3189: 3187: 3184: 3183: 3171: 3165: 3154: 3147: 3142: 3139: 3135: 3129: 3124: 3121: 3114: 3109: 3106: 3102: 3098: 3091: 3086: 3083: 3079: 3073: 3068: 3065: 3058: 3053: 3050: 3043: 3038: 3035: 3031: 3024: 3019: 3016: 3009: 3004: 3001: 2994: 2989: 2986: 2979: 2974: 2970: 2966: 2959: 2954: 2953: 2944: 2941: 2938: 2935: 2932: 2929: 2928: 2919: 2918:Yang Shoujing 2916: 2913: 2910: 2907: 2904: 2903: 2894: 2891: 2888: 2885: 2882: 2879: 2876: 2873: 2870: 2869:Wen Zhengming 2867: 2864: 2861: 2860: 2851: 2848: 2845: 2842: 2841: 2832: 2829: 2826: 2823: 2820: 2817: 2814: 2811: 2808: 2805: 2802: 2799: 2796: 2793: 2792: 2784:楊凝式 (873–954) 2781: 2776: 2773: 2772: 2763: 2760: 2758:柳公權 (778–865) 2757: 2754: 2751: 2748: 2746:顏眞卿 (709–785) 2745: 2742: 2739: 2736: 2733: 2730: 2727: 2724: 2721: 2719:褚遂良 (597–658) 2718: 2715: 2713:虞世南 (558–638) 2712: 2709: 2707:歐陽詢 (557–641) 2706: 2703: 2702: 2693: 2690: 2689: 2680: 2677: 2675:王獻之 (344–386) 2674: 2671: 2669:王羲之 (303–361) 2668: 2665: 2662: 2659: 2656: 2653: 2652: 2643: 2640: 2637: 2634: 2631: 2628: 2627: 2618: 2615: 2614: 2603: 2601: 2597: 2593: 2589: 2586:, a style of 2585: 2581: 2577: 2567: 2559: 2545: 2543: 2539: 2538: 2533: 2528: 2526: 2522: 2517: 2515: 2511: 2507: 2503: 2484: 2481: 2478: 2474: 2470: 2466: 2462: 2458: 2454: 2450: 2446: 2443: 2440: 2436: 2433: 2430: 2425: 2422: 2419: 2415: 2412: 2411: 2410: 2408: 2407:Tian Yunzhang 2398: 2394: 2393:Tian Yunzhang 2382: 2372: 2368: 2364: 2360: 2356: 2350: 2349: 2344:This section 2342: 2333: 2332: 2324: 2322: 2321: 2316: 2310: 2306: 2304: 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1604: 1599: 1595: 1591: 1587: 1582: 1580: 1576: 1572: 1568: 1564: 1563: 1558: 1557: 1551: 1549: 1541: 1537: 1533: 1529: 1525: 1521: 1519: 1513: 1511: 1507: 1503: 1501: 1495: 1493: 1489: 1485: 1484:Qin Shi Huang 1480: 1476: 1474: 1472: 1467: 1459: 1454: 1448: 1444: 1440: 1436: 1427: 1425: 1421: 1418: 1414: 1411: 1407: 1403: 1402:ancient China 1398: 1395: 1390: 1388: 1384: 1380: 1376: 1371: 1369: 1362:Ancient China 1358: 1348: 1345: 1341: 1336: 1332: 1328: 1324: 1320: 1316: 1315: 1309: 1299: 1297: 1293: 1289: 1285: 1281: 1277: 1273: 1269: 1265: 1264: 1258: 1248: 1246: 1242: 1238: 1234: 1230: 1226: 1222: 1218: 1214: 1213: 1207: 1197: 1195: 1191: 1187: 1183: 1179: 1178: 1171: 1164: 1160: 1156: 1152: 1143: 1141: 1137: 1133: 1130: 1126: 1122: 1118: 1114: 1110: 1106: 1105: 1096: 1091: 1081: 1079: 1075: 1071: 1067: 1063: 1059: 1055: 1051: 1047: 1043: 1039: 1035: 1031: 1027: 1023: 1019: 1015: 1014: 1008: 998: 995: 994:Shang dynasty 991: 987: 986:Shang dynasty 983: 979: 975: 971: 967: 963: 962: 954: 953:Shang dynasty 949: 944: 933: 923: 919: 917: 913: 907: 903: 897: 893: 888: 886: 882: 872: 868: 864: 854: 852: 848: 843: 839: 835: 831: 827: 823: 819: 815: 811: 807: 795: 792: 788: 785: 784: 783: 780: 776: 773: 771: 768: 766: 763: 761: 758: 757: 755: 752: 750: 747: 743: 740: 738: 735: 734: 733: 730: 726: 723: 721: 718: 717: 716: 713: 709: 706: 704: 701: 699: 696: 694: 691: 690: 689: 686: 685: 679: 678: 674: 670: 669: 666: 663: 662: 658: 654: 653: 645: 632: 629: 628: 624: 622: 618: 609: 606: 605: 601: 599: 595: 590: 586: 577: 573: 571:ショドウ (modern) 570: 569: 565: 563: 559: 550: 546: 544:しょどう (modern) 543: 542: 538: 536: 532: 524: 522: 518: 515:Japanese name 513: 501: 499: 495: 487: 485: 481: 476: 472: 464: 462: 458: 453: 445: 443: 439: 435: 431: 429: 425: 420: 407: 404: 403: 399: 397: 394: 390: 387: 383: 374: 371: 368: 365: 364: 360: 358: 354: 345: 342: 341: 337: 335: 331: 322: 319: 318: 314: 312: 308: 305: 301: 291: 289: 285: 282: 278: 269: 266: 265: 261: 259: 255: 252: 248: 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Retrieved 3294:Asia Society 3293: 3284: 3218:Japanese art 3196:Stroke order 3138:Kim Jeonghui 3134:Buiseonrando 3133: 3097:semi-cursive 3082:Emperor Saga 3077: 3064:Yan Zhenqing 3049:Chu Suiliang 3015:Wang Xianzhi 2969:Lantingji Xu 2931:Wu Changshuo 2925:Modern times 2900:Qing dynasty 2881:Huang Ruheng 2875:Dong Qichang 2857:Ming dynasty 2838:Yuan dynasty 2789:Song dynasty 2775:Yang Ningshi 2764:杜牧 (803–852) 2756:Liu Gongquan 2752:懷素 (737–799) 2744:Yan Zhenqing 2740:張旭 (658–747) 2717:Chu Suiliang 2699:Tang dynasty 2681:王珣 (349–400) 2673:Wang Xianzhi 2663:陸機 (261–303) 2657:衞鑠 (272–349) 2644:鍾繇 (151–230) 2582:, including 2573: 2564: 2542:Latin script 2535: 2529: 2518: 2499: 2482: 2473:semi-cursive 2465:martial arts 2444: 2435:Conciseness. 2434: 2423: 2413: 2396: 2389: 2376: 2353:Please help 2345: 2318: 2311: 2307: 2300: 2296: 2285: 2273: 2264: 2250: 2246:Chinese arts 2242:stroke order 2238: 2215:Song dynasty 2186:stroke order 2182: 2170: 2167:Chinese seal 2143: 2130: 2082: 2072:Paperweights 2070: 2067:Paperweights 2056: 2050: 2046: 2040: 2036: 2030: 2024: 2011: 1997: 1983: 1977: 1970: 1963: 1943: 1904: 1874: 1872: 1860:(simplified) 1781: 1691:Western Zhou 1652: 1635:Song dynasty 1628: 1612: 1593: 1589: 1585: 1583: 1574: 1570: 1560: 1554: 1552: 1539: 1535: 1527: 1517: 1514: 1509: 1505: 1499: 1496: 1491: 1481: 1477: 1470: 1463: 1458:Qing dynasty 1447:Song dynasty 1438: 1399: 1391: 1372: 1365: 1343: 1339: 1330: 1312: 1311: 1261: 1260: 1228: 1210: 1209: 1193: 1175: 1173: 1163:Song dynasty 1159:Fan Zhongyan 1154: 1129:Zhou dynasty 1116: 1102: 1101: 1011: 1010: 966:oracle bones 959: 958: 920: 909: 899: 889: 884: 880: 870: 866: 862: 860: 805: 804: 759: 621:Kunrei-shiki 386:Southern Min 288:Romanization 258:Romanization 126:Hanyu Pinyin 58:Chinese name 5125:Chinese art 4929:Seal script 4808:Chinoiserie 4722:Chinese art 4681:– mildchina 4415:Daniels O, 4348:VietnamPlus 4216:10397/70949 4051:Blakney, p6 3270:Wonton font 3186:Chinese art 2937:Kang Youwei 2844:Zhao Mengfu 2778: [ 2732:Li Yangbing 2686:Sui dynasty 2649:Jin dynasty 2632:蔡邕(132–192) 2624:Han dynasty 2611:Qin dynasty 2424:Legibility. 2379:August 2022 2363:Wikiversity 1763:Slip script 1744:Slip script 1567:Han dynasty 1140:Qin dynasty 1123:of writing 1104:Seal script 1090:Seal script 1084:Seal script 826:Calligraphy 665:Calligraphy 455:Korean name 5114:Categories 4512:2012-03-09 4353:2022-02-09 4178:August 29, 3452:2023-09-28 3419:2016-05-28 3299:2023-09-28 3277:References 3230:Korean art 3118:A work by 3095:A work of 3034:Ouyang Xun 3000:Wang Xizhi 2985:Wang Xizhi 2965:Wang Xizhi 2963:A copy of 2705:Ouyang Xun 2667:Wang Xizhi 2638:張芝 (?–192) 2600:Vietnamese 2548:Other arts 2491:Influences 2371:Wikivoyage 2230:Yao Mengqi 2212:'s 九成宮醴泉銘, 2210:Ouyang Xun 2208:A page of 1973:Xuan paper 1643:sans-serif 1524:Wang Xizhi 1355:See also: 982:pyromantic 814:visual art 775:Vietnamese 576:historical 549:historical 346:faat3 syu1 343:syu1 faat3 172:Wade–Giles 5043:Typefaces 4977:Nine-fold 4965:Bird-worm 4533:Qiu Xigui 4502:153528030 4141:258058016 4028:Sān Chāng 3987:cite book 3902:cite book 3855:cite book 3808:cite book 3758:cite book 3711:cite book 3626:cite book 3579:cite book 3529:cite book 3488:1387-6813 3153:Cảnh Hưng 2912:Zheng Xie 2795:Cai Xiang 2711:Yu Shinan 2642:Zhong Yao 2636:Zhang Zhi 2580:East Asia 2402:每日一题,每日一字 2367:Wikibooks 2346:contains 2179:Technique 2133:inksticks 2101:shitajiki 2087:(Chinese 2079:Desk pads 2052:mitsumata 1901:Ink brush 1633:from the 1590:xiaozhuan 1492:xiǎozhuàn 1471:xiǎozhuàn 1420:plastrons 1245:Zhong You 1064:(尊), and 851:inkstones 822:East Asia 794:Mongolian 682:By script 5077:Fangsong 4669:Archived 4410:Quadrant 4403:Archived 4327:Archived 4309:19 March 4225:28482639 4053: : 3894:43936866 3847:43936866 3800:43936866 3750:43936866 3703:43936866 3665:66438456 3618:43936866 3571:31969720 3521:43641424 3263:Lệnh thư 3179:See also 2887:Wang Duo 2863:Tang Yin 2738:Zhang Xu 2679:Wang Xun 2655:Wei Shuo 2630:Cai Yong 2592:Japanese 2514:katakana 2510:hiragana 2449:painting 2232:'s copy. 2146:inkstone 2140:Inkstone 2085:desk pad 1966:desk pad 1586:bāfēnshū 1417:tortoise 1413:scapulas 1383:cinnabar 1117:zhuànshū 892:the arts 885:thư pháp 770:Japanese 749:Georgian 732:Cyrillic 657:a series 655:Part of 562:Katakana 535:Hiragana 434:Thư pháp 334:Jyutping 323:faat-syū 320:syū-faat 149:Bopomofo 4848:Gongshi 4813:Penjing 4286:3258680 3361:王力古漢語字典 3101:cursive 2950:Gallery 2943:Hong Yi 2893:Fu Shan 2588:Chinese 2537:Chữ Nôm 2525:Hangeul 2477:cursive 2429:cursive 2277:cursive 2265:eternal 2257:Chinese 2217:rubbing 2049:), and 2022:, etc. 1985:Xuanzhi 1783:Shuowen 1596:. 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Index

Calligraphy - China
Shufa (Islam)

Traditional Chinese
Simplified Chinese
Standard Mandarin
Hanyu Pinyin
Bopomofo
Wade–Giles
Tongyong Pinyin
IPA


Wu
Romanization
Hakka
Romanization
Yue: Cantonese
Yale Romanization
Jyutping
IPA


Southern Min
Hokkien
POJ
Vietnamese alphabet
Chữ Hán
Hanja
Revised Romanization

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