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Ca trù

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358: 295:, "Trò đời", "Trăng tỏ thềm lan", "Thương nhớ ở ai". The memory of anyone or in songs "Một nét ca trù ngày xuân", "Mái đình làng biển" by musician Nguyễn Cường, "Trên đỉnh Phù Vân", "Không thể và có thể", "Chảy đi sông ơi! ", "Một thoáng Tây Hồ" by Phó Đức Phương, "Chiều phủ Tây Hồ" by Phú Quang, "Chị tôi" by Trọng Đài and poem by Đoàn Thị Tảo, "Hà Nội linh thiêng hào hoa" by Lê Mây, "Đất nước lời ru" by Phan Huỳnh Điểu", "Nắng có còn xuân" by Đức Trí", Giọt sương bay lên" by Nguyễn Vĩnh Tiến, "Đá trông chồng" by Lê Minh Sơn, "Vịnh xuân đất Tổ" by Quang Vinh,... In 1997 year, for the first time "Trên đỉnh Phù Vân" was made public by singer 1393: 22: 1241: 349: 340: 331: 184:. Later they both started to revive the tradition of ca tru. In actuality, men were allowed many wives in the past and having extramarital affairs was nothing shocking. Thus, it was commonly known that many famous ca trù singers did indeed have affairs with important men, but it was just something to be accepted as a part of society back then, and not a part of the profession itself. 495:
Anisensel, Aliénor (2009). "Chanter le Ca trù au village de L! Khê (Nord du Viêt-Nam) : une fête rituelle au temple communal et à la maison des patrons de métier du Ca trù" [Singing ca trù at Lo Khê Village (Northern Vietnam). A ritual Festival at the Communal Temple and at the House of the
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Ca trù literally translates as "tally card songs." This refers to the bamboo cards men bought when they visited ca trù inns, where this music was most often performed in the past. Men would give the bamboo cards they purchased to the woman of choice after her performance, and she would collect money
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Ca trù, like many ancient and highly developed arts, has many forms. However, the most widely known and widely performed type of ca trù involves only three performers: the female vocalist, lute player and a spectator (who also takes part in the performance). Sometimes dance is also performed at the
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imperial court. This theory also claims that ever since the time of Đào Thị, in admiration of her, women who held a profession as singers (such as ca trù singers) were referred to as Đào nương ("nương" here refers roughly to "maiden" or "lady"). The latter is true although this term is no longer
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Bích Câu Đạo Quán Club, founded in low has 90 members, 30 or 40 of whom gather on a given Saturday evenings. The oldest artist is 88 years old. According to the director, 48 -year-old Nguyễn Vân Mai, who trains younger singers and introduces them to classical songs: "It is very difficult to find
299:. Contemporary folk sound, with the up and down sounds never easy for a soft musician, so choosing this song to sing was a very brave decision of the Mỹ Linh in the early days of her career. The way to deal with the color of ca trù is probably intended to bring out the magic in every song. 121: 275:
and other members of the elite most enjoyed this genre. They often visited these inns to be entertained by the talented young women, who did not only sing, but with their knowledge of poetry and the arts could strike up a witty conversation along with serving food and drink.
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performed only on religious court ceremonies. It was only later on that it branched out into being performed at small inns. Indeed, it was mainly scholars and other members of the elite who enjoyed the genere.
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What is known for sure is that ca trù started off like many of Vietnam's arts as being a form of entertainment for the royal court. Officially ca tru count the age of their profession since The
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In the 15th century ca tru spread through Northern Vietnam. The artists might be called to celebrate a son's birth, or to celebrate the signing of a contract. Ca tru were outside of the
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As of 2009, extensive efforts are being made to invigorate the genre, including many festivals and events where several types of ca trù (among other related arts) are performed.
1337: 57:, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. For much of its history, it was associated with a 1499: 1480: 1474: 1665: 799: 1640: 1548: 76:
There are different myths and theories related to ca trù's conception. There is a theory points to a woman named Đào Thị, a talented musician who was beloved by the
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New observers to the art often comment on how strikingly odd the vocal technique sounds, but it is the vocals themselves that are essential in defining ca trù.
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young singers who wish to learn this art form. It is also difficult to find good teachers who can convey both the enthusiasm and the technical knowledge.
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Along with efforts made to preserve the genre, ca trù has been appearing in much of recent Vietnamese
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Besides these inns, ca trù was also commonly performed in communal houses or private homes.
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https://www.francemusique.fr/emissions/carnet-de-voyage/parcours-musical-au-viet-nam-15386
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and the degradation of women. Consequently, before 1976 there existed only two ca tru:
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Last is the spectator (often a scholar or connoisseur of the art) who strikes a
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UNESCO List of Intangible Cultural Heritage in Need of Urgent Safeguarding
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Norton, Barley. "Singing the Past: Vietnamese Ca Tru, Memory, and Mode."
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Three drawings of Cô đầu performing ca trù in the early 20th century.
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Mongolian traditional practices of worshipping the sacred sites
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Masterpieces of the Oral and Intangible Heritage of Humanity
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has also completed documents to have ca trù recognized by
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celebrated the Ca Trù's Founder Commemoration Day with a
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The female singer provides the vocals whilst playing her
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system, so they could entertain the most noble clients.
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In the 20th century, ca trù nearly died out. When the
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The number of ca tru melodies is 56, they are called
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Archived from 1377:Traditions and practices associated with the 1266: 793: 669:The Garland handbook of Southeast Asian music 282: 202:By 2011 there were 140 ca tru from 23 clubs. 1379:Kayas in the sacred forests of the Mijikenda 405:, a similar profession during colonial India 96:, 1428–1789), at that time musicians called 631:National fest honours art of ca tru singing 611:Quach Thi Ho — The woman faithful to Ca tru 543: 541: 1308:Dikopelo folk music of Bakgatla ba Kgafela 1273: 1259: 800: 786: 227:She is accompanied by a man who plays the 690:"Ca Trù's Founder Commemoration Day 2020" 494: 269:based upon how many cards she was given. 1656:Cossack’s songs of Dnipropetrovsk Region 1313:Earthenware pottery in Kgatleng District 588: 586: 538: 466: 464: 462: 454:Ca Trù: A Vietnamese Chamber Music Genre 68:in need of Urgent Safeguarding in 2009. 20: 1558:Skills of building and sailing Iranian 667:Terry E. Miller, Sean Williams (2008). 651:"Ca tru — Vietnamese cultural heritage" 645: 643: 1729: 1465:Carolinian wayfinding and canoe making 1346:Rituals and practices associated with 727:Article about Barley Norton and ca tru 1254: 781: 583: 561: 459: 49:, "tally card songs"), also known as 38: 16:Vietnamese musical storytelling genre 640: 375:, vol. 36, no. 2 (Summer/Fall 2005). 64:Ca trù is inscribed on the list of 13: 1479:Design and practices for building 14: 1778: 704: 1391: 1239: 356: 347: 338: 329: 137: 128: 119: 1651:Spring rite of Juraŭski Karahod 1358:Secret society of the Kôrêdugaw 1333:Ma'di bowl lyre music and dance 1299:Aixan/Gana/Ob#ANS TSI //Khasigu 764:from Roehampton University site 718:from Roehampton University site 682: 661: 568:Возвращение музыкального кружка 365: 81:widely used in modern Vietnam. 1757:Vietnamese traditional theatre 623: 603: 518: 504:(59): 143–169, 232, 234, 236. 488: 446: 263: 205: 44: 1: 1338:Male-child cleansing ceremony 157:came to power after the 1945 1589:Wooden movable-type printing 429:Traditional Vietnamese dance 322: 197:Intangible Cultural Heritage 66:Intangible Cultural Heritage 7: 1500:Hezhen Yimakan storytelling 1481:Chinese wooden arch bridges 886:Bumba-meu-boi from Maranhão 826:Albanian folk iso-polyphony 635:VietnamNews.VNAgency.com.vn 594:The Exotic Sounds of Ca Tru 396: 10: 1783: 306: 283:In modern Vietnamese media 71: 1747:21st-century music genres 1742:20th-century music genres 1737:19th-century music genres 1687: 1678: 1611: 1602: 1489:performance technique of 1475:Coaxing ritual for camels 1436: 1429: 1407: 1400: 1389: 1295: 1288: 1237: 816: 1666:Yalli (Kochari, Tenzere) 981:Georgian vocal polyphony 755: 617:August 10, 2011, at the 555:August 20, 2011, at the 496:Patrons of ca trù]. 439: 379: 1641:Manufacture of cowbells 1549:Qiang New Year festival 613:", CaTruThangLong.com. 551:", CaTruThangLong.com. 482:March 23, 2012, at the 386:Mê Thảo, Thời Vang Bóng 293:Mê thảo: thời vang bóng 1582:technology of Chinese 1328:Koogere oral tradition 711:Ca tru Thang Long club 526:Bao HA NOI MOI dien tu 311:On February 23, 2020, 254: 170: 101: 93: 26: 1767:Vietnamese inventions 1697:Mapoyo oral tradition 1575:Tsuur end-blown flute 1525:Mongolian calligraphy 1505:Li textile techniques 1201:The Song of the Sibyl 762:Ca tru video examples 24: 1646:Suiti cultural space 851:Ashiqs of Azerbaijan 768:The beauty of Ca tru 25:A Ca trù performance 1580:Watertight-bulkhead 1368:Sega tambour Chagos 696:. 23 February 2020. 657:on August 20, 2011. 273:Scholar-bureaucrats 1702:Nan Pa'ch ceremony 1616:Cantu in paghjella 1542:Pottery-making of 1495:circular breathing 573:2011-08-29 at the 434:Vietnamese theatre 419:History of Vietnam 414:Culture of Vietnam 27: 1724: 1723: 1720: 1719: 1674: 1673: 1598: 1597: 1425: 1424: 1387: 1386: 1348:Kit Mikayi shrine 1248: 1247: 896:Dainichido Bugaku 171:Nguyễn Xuân Khoát 159:August Revolution 1774: 1762:Music of Vietnam 1685: 1684: 1609: 1608: 1470:Chapei dang veng 1434: 1433: 1430:Asia and Pacific 1405: 1404: 1395: 1293: 1292: 1275: 1268: 1261: 1252: 1251: 1243: 1176:Slovácko Verbuňk 1046:Khorasan Bakhshi 911:Cante Alentejano 802: 795: 788: 779: 778: 731: 722:Ca tru tradition 698: 697: 686: 680: 665: 659: 658: 647: 638: 627: 621: 607: 601: 590: 581: 580: 565: 559: 545: 536: 535: 522: 516: 515: 510: 492: 486: 468: 457: 452:Norton, Barley. 450: 424:Music of Vietnam 360: 351: 342: 333: 183: 141: 132: 123: 86:Later Le dynasty 48: 42: 37: 1782: 1781: 1777: 1776: 1775: 1773: 1772: 1771: 1727: 1726: 1725: 1716: 1680: 1670: 1636:Ojkanje singing 1604: 1594: 1493:performances - 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Index


[kaːʈû]
歌籌
pansori
Intangible Cultural Heritage
Lý Dynasty
Later Le dynasty
Vietnamese
Vietnamese
caste



Communists
August Revolution
prostitution
Vietnamese
Quách Thị Hồ
vi
Vietnam
UNESCO
Intangible Cultural Heritage
phách
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