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1531:'s reign and at the beginning of his schedule, Pansori was the fruit of Pansori. On the other hand, after Wonggeuk became popular after Wongaksa Temple, Pansori began to sprout. As the master singers of each region moved in and out of each other, pansori's yupa gradually lost its distinctiveness. The famous singers who were active during this period include Park Ki-hong, Kim Chang-hwan, Kim Chae-man, Song Man-gap, Lee Dong-baek, Yu Gong-ryul, Jeon Do-seong, Kim Chang-ryong, Yoo Seong-jun, and Jeong-ryul. Five of these master singers are called five master singers.
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1576:"Pansori" is one of Korea's unique art forms that convey theatrical effects to those who see it as a sound in line with Gosu's drumming while clowns holding Hapjukseon in one hand beautifully and mixing all kinds of broadness. Just as there must be a script for the play to be staged, there must be a Pansori editorial before that to make Pansori sound by clowns, and the document that records the Pansori editorial is called the Pansori Changbon. In other words, in pansori, Changbon has the characteristics of a play in a play.
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1512:, outstanding masters came out to form various groups in pansori, including Kwon Sam-deuk, Hwanghaecheon, Songheungrok, Bangmanchun, Yeom Gye-dal, Moheunggap, Kim Gye-cheol, Gosogwan, Sin Man-yeop, Song Gwang-rok, and Judeokgi. Eight of these are called eight people. The names of these master singers are also seen in Shin Jae-hyo's "The Clown." From this time on, a "sori clown" focusing on sound appeared, distinguishing it from a traditional "aniri clown" focusing on "aniri."
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clowns. For example, "Song Man-gap
Changbon" refers to the Pansori document sung by Song Man-gap. However, Song Man-gap is not his own creative work. Of course, it may be the work of a clown himself, but it is usually built by an outstanding scholar or supporter. Because most clowns had no writing skills. Thus, the established versions are usually oral transcriptions, which have been inherited from later generations, or were built by civil servants for certain clowns.
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reasoning that pansori came from the reading voice that some argue is vain. Since clowns are folk singers, it would be right to say that they assimilated various folk songs based on the rhythm of these mugas and completed them. However, even if the song was originally adopted at the time of its establishment, it would have refined it in the process of transmission and developed a new style as a pansori, which seems to be the result of this effort.
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25:
1622:, "tally card songs"), also known as hát cô đầu or hát nói, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. For much of its history, it was associated with a pansori-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court.
534:"Pansori" as a musical term originated independently from the term "pannol" (pannoreum). Likewise, the literary form of this form of pansori is also called pansori. It is therefore necessary to distinguish between pansori as a musical term and pansori as a literary term, but it is still appropriate to use the term "pansori" to refer to sijo.
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Following them, Jeong Soon-im, Kim Soo-yeon, Kim Young-ja, Inancho, Jeong Hoe-seok, and Yoon Jin-cheol were designated as third-generation national intangible cultural assets. In addition, there are numerous master singers such as Yoo Soo-jeong, Wang Ki-chul, Chae Soo-jeong, Yoo Mi-ri, Lee Ju-eun, Yeom Kyung-ae, and Jang Moon-hee.
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program, which includes
Orthodox Pansori. The performances take place on well-known theater stages, recalling the excitement of older times of court and market entertainment. On the other side, dramatic platforms raise the performers above the audience. In the past, Pansori gave equal importance to the performers and the audience.
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of epic poetry created by the collaboration of literature and music was of any people. This is a common medieval literary form from the 10th century to the 14th and 5th centuries, and Korean pansori is characterized by novels formed by letters first, and this pansori form was characterized by the 18th century.
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Heungboga's lessons underscore the pitfalls of human avarice. Heungbo's aid to a swallow with a broken leg pays off. His wicked brother, too, breaks a swallow's leg and does lovely things, but he pays for his actions. In this song, morality and goodness are praised, while wickedness is punished. This
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Pansori's style originated from the division of relations and regions of origin, with the establishment of the flow, singing and theory of each song over a long period of time, leading to the formation of several small branches that diverged from the great stem. Pansori's style was largely classified
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In Europe, there was also a group of minstrel poets after the Middle Ages. In France, the matrimonial poem "changson de geste" was sung by monks in non-Latin slang (lingua romana) for pilgrims, and romance was also developed in the form of singing for several people in squares and salons. This form
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Chunhyang relates the tale of a girl who was born into a humble household but transformed herself after marrying the governor's son. She subsequently rejected and resisted another governor's pressure. The narrative concludes with her husband rescuing her when she demonstrates the purity, love, and
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The original version of
Pansori is sometimes produced in various ways during the transmission process. In other words, there is a slight (sometimes significant) variation in the content of the book, which has been handed down for hundreds of years to this day. For example, the early "Chunhyangga"
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corresponded to the heyday of pansori. Famous singers such as Park Yu-jeon, Park Man-soon, Lee Il-chi, Kim Se-jong, Song Woo-ryong, Jeong Start-up, Jung Chun-pung, Kim Chang-rok, Jang Ja-baek, Kim Chan-up, and Lee Chang-yoon came out to lead
Pansori to a highly artistic level. They formed various
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Western performing arts first made their way to Korea in the late nineteenth century. Jeong Du-won brought
Western music concept to Korea for the first time in 1632. He became familiar with Western music via the teachings of Chinese Catholic priests. Lee Eun-Dol, the first Korean to study western
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Simcheongga emphasizes filial piety, chastity, and fortitude. Simcheong was freed by the King of the Sea as a compassion act, and she met and married the king of her realm, whom she had sacrificed herself to restore his sight. When she organizes a blind party, she stumbles across his father. Her
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Dongpyeonje was based on Unbong, Gurye, Sunchang, and
Heungdeok areas, which are east of the Seomjingang River, and it is magnificent and vigorous, and features a simple display of natural volume without any finesse. Aniri has not developed for a long time, has little application, and is a sound
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After the death of the first generation of national intangible cultural assets, Jo Sang-hyeon, Park Song-hee, Song Soon-seop, Seongwuhyang, Sung Chang-soon, Oh Jeong-sook, Han Nong-seon, Namhae-seong, Shin Yeong-hee, and Kim Il-gu were designated as second generation intangible cultural assets.
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Later master singers include Park Nok-ju, Kim Yeon-soo, Jeong Gwang-soo, Kim Yeo-ran, Park Cho-wol, Kim So-hee, Park Bong-sul, Park Dong-jin, Jung Kwon-jin, Han Seung-ho, Han Ae-soon, and Jang Young-chan. They are trying to revive the disappearing pansori, but they are in danger of disappearing
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Therefore, it is the Muga of
Hongpae Gosa, Seongjo, and Antaek, which are called by this southern clown, that is, the theory that pansori was produced in the clowns of Chungcheong-do. This is a problem that needs to be further clarified in the future, but even from this, it can be seen that the
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Even if the original version of
Pansori is the original copy of Dongil genealogy, many versions are gradually derived. As the first literature on the twelve yards of pansori, Song Man-jae's "Gwanwoohee" is currently cited, and there is no way to know which clown it belonged to before the 1810s
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However, there is a great feature in the
Pansori version that plays do not have, which is that plays can be performed by anyone, while there is a specific version of the Pansori version for clowns. These windows are called "famous" and are distinguished from "unknown" versions without specific
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Touristic
Pansori is a term that refers to renowned Pansori singers doing short acts of the traditional Pansori performance with other kinds of music, such as religious music. Often, the many short performances have nothing in common, like when court music or religious dances are combined with
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Orthodox Pansori performances in well-known places and on traditional theater stages are commonplace. Tradition-based theater and full-length performances in one of the many recognized specialty sectors of Orthodox Pansori are all included within the government of Korea's cultural conservation
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Junggoje is another style, where the sound begins at a medium tone and starts flat at a relatively low voice when the window is opened, increases the middle, and lowers the voice when the limit is reached. It is clear that the sound is high and low, so you can hear it clearly, and the tune is
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Seopyeonje refers to the sound of Confucian scholars in Naju, Haenam, and Boseong, west of the Seomjingang River, and is the standard of Park Yu-jeon's legislation. The musical characteristics are mainly used to portray sad and resentful feelings, and to portray sophisticated, colorful, and
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is another important component of the performance that plays drums. As the expression "one Gosu two master singers" is often used, in the soundboard, a singer and a clown lead the game together. The drummer beats the emotional circuit of the song and adds more charm to the performance.
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Pansori. International visitors and visitors from other regions of Korea make up the bulk of the audience. The objective is to make Pansori accessible to a broad audience that is unfamiliar with its norms or with the significance of the tradition to the Korean people.
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Norang Mok means to lightly vocalize and dye the tune, which means to use the decoration or singing method. But master singers are reluctant to do so. Waega-jip Mok means to the use of a tone or temporary listening rather than the general composition of that tone.
717:, etc. It is necessary to value the term "Mori" that appears here. In other words, if you compare Salpuri Gut in Jeolla-do Province, which is called Sinai Gijo, and Do Salmori, Balae in Gyeonggi-do and Chungcheong-do provinces, the sound of goso sung by clowns is
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because there is no technology on the original version. This does not mean that there is a clear record in the post-1810 literature. However, there are several copies or copies of the transcripts held by individuals because they are based on the oral tradition.
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without proper measures from the government and society. Among them, Kim So-hee, Park Cho-wol, Park Bong-sul, Park Nok-ju, Kim Yeon-soo, Jeong Gwang-soo, Kim Yeo-ran, Jeong Gwon-jin, and Han Seung-ho were designated as intangible cultural assets.
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In Pansori, a person's voice quality, singing style, and the type of tune is called by a certain ‘Mok’ and ‘Sung’. Usually, the ‘Mok’ is deeply related to the type of tune and singing, and the ’Sung’ is deeply related to the quality of sound.
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Right behind the five singers were Jang Pan-gae, Yi Sun-yu, Kim Jeong-moon, Park Jung-geun, Gong Chang-sik, Yi Hwa Jung-sun, Im Bo-le, and Gang Jang-won. They played a major role in the Joseon Vocal Research Society, but were swept away by
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The stories described in Pansori all link to a distinct moral issue of people: Chunhyangga, Simcheongga, and Heungboga. Each tale teaches a valuable lesson and illustrates the ancient Koreans' believe in karma in their own unique way.
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has multiple meanings, and scholars disagree on which was the intended meaning when the term was coined. One meaning is "a situation where many people are gathered." Another meaning is "a song composed of varying tones." In music,
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A clown sings with a fan in their right hand, and the singing part and the speaking part intersect. The singing part is called "aniri" or "broader" in terms of sound and speech, which is called "applied" or "spacious."
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music at the Japanese Army's staff sergeant school, began coaching bugle bands in Seoul in 1882. Seo Sang's 1884 presentation of Yun's religious music, notably protestant songs, also had a considerable effect.
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describes a long story that takes as little as three hours and as much as eight hours or more. It is one of the traditional forms of Korean music that mixes body movements and songs to the accompaniment of a
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Noereum sae: Pansori refers to the acting ability to make the audience laugh and cry.* Duneum: It refers to a characteristic part or musical style that is inherited according to Pansori's Confucianism.
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The best singers of Pansori were Uchundae, Kwon Sam-deuk, and Moheung-gap, which appeared in "Guanwoohee" of Song Man-jae, and Hahandam, which appeared in "Gapsin Wanmun", and were from the reign of
230:. The dramatic content of the drama is changed according to various rhythms based on the melody of Korea's local music. Pansori was originally called the "sori", and it was called Taryeong, Japga (
409:
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529:), but it is not suitable for pure Pansori. Therefore, Changgeukjo is appropriate for the musical term of the song sung in Changgeuk, but it is not appropriate for the form of pansori.
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focuses on the trials and tribulations of the characters, commonly without reaching the happy ending because of the contemporary popularity of excerpt performances. The history of
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If Pansori comes from a shaman's husband, a clown, the musical wish should be saved in their connection. The rhythm of the unearned value shared by "Lee Bo-hyung" is as follows:
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as the two major mountains of East and West Pyeonje, and expressing style in Pansori was in line with the classification of Yupa in Sijo, Yeongje, Wanje, and Naepoje.
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is considered to be the 19th century when the genre's popularity increased and its musical techniques became more advanced. During the first half of the 19th century,
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father's sight is restored as a result of her tremendous love and devotion. The song underlines the significance of parents and children developing a solid bond.
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1. Sinawi-Gwon: This is called the "Yukja-baegi-jo" and belongs to the southern part of the Han River in Gyeonggi-do and Chungcheong-do and Jeolla-do provinces.
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was embraced by the upper classes around the mid-18th century. One piece of evidence that supports this belief is that Yu Jin-han, a member of the
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was embraced by the Korean elite during the 19th century. While public interest in the genre temporarily declined in the mid-20th century, today's
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The number of pansori performers has increased substantially in the 21st century, though the genre has struggled to find wide public appeal, and
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Soori Sung refers to the sound quality of a master singer who is a bit rough and hoarse. Examples include Song Man-gap and Jeong Jeong-ryul.
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1505:. There must have been a masterpiece of pansori even before Uchundae and Haundam, but it remains only in the literature or is not oralized.
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factions based on the relationship between private affairs and regional delay, and eight of them were selected as the late eight singers.
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material that is carried out by relying on the voice of the neck. Instead of "the Great Leader," they stick together to the rhythm.
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fusion music, a trend that began in the 1990s, has continued in the 21st century, with musicians creating combinations including
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In addition, there is a theory that "Gyeong-dereum" is similar to the rhythm of the northern Gyeonggi Muga's Changbu Taryeong.
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practiced by the ethnic Koreans in China was also nominated as the UNESCO's intangible cultural heritage by the governments of
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1999:
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Robert C. Provine Collection of recordings of performances originating at the College of Music, Seoul National University
1290:. The meaning refers more specifically to combinations of words with irregular rhythms. The word is a combination of two
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s performance voice was too hoarse and did not distinguish between male and female to suit the taste of today's people.
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4. Changbu Taryeong ·Noraegarakjo: belong to Muga in northern Gyeonggi Province, Kaesong, Seoul, Cheorwon, and Yangju.
660:, which can take up to 10 hours, musicians may only perform certain sections, highlighting the most popular parts of a
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on the Korean public and performers. In an attempt to suppress Korean culture, the Japanese government often censored
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could have been sung in three hours, but today, the content was greatly added enough to sing eight and a half hours.
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2. Menarizo : This is called an "Sanyuhwa-garak", and "Gyeongsang-do" and "Gangwon-do" provinces belong to it.
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1462:: It means that the audience or master speaks "Ulssu" or "good" to create an atmosphere and entertain the audience.
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audiences are composed mostly of older people, scholars or students of traditional music, and the elite. However,
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Pansori is a form of musical entertainment that has persisted in Korea from the 17th century to the present day.
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experienced several notable changes. It was more frequently performed indoors and staged similarly to Western
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has been designated as Korea's National Intangible Cultural Heritage No. 5 since 1964. On November 7, 2003,
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Duek-eum :Set the voice: The musical competence of the pansori intestines refers to the completed state.
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Balim: It means to take action according to the rhythm or editorial content. Some people use a fan.
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Pansori masterpiece refers to a person who sings exceptionally well in the intestines of Pansori.
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Grammar and translation issues, presentation is confusing and needs more context and introduction.
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for the first time. The number of female singers grew rapidly, supported by organizations of
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483:) accompanied by music. Therefore, it is not appropriate to refer to pansori as Changgeuk (
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954:." This contributed to a resurgence of interest in the genre beginning in the late 1960s.
8:
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was a concept that was prevalent in both the East and the West during the ancient times.
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Korean P'ansori Singing Tradition: Development, Authenticity, and Performance History
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https://docs.google.com/document/d/1XoOc-96N-RMIZI38wHHUH5jDYZDXin0MuVMR3tk8eY4/edit
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decreasing popularity by the mid-20th century. To help preserve the tradition of
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1110:) refers mostly to the melodic framework of a performance. In terms of music in
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2016:
515:). Changgeuk is based on the name of Pansori dramatized after Wongaksa Temple (
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364:." North Korea, on comparison, has yet to implement the systematic support of
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1450:: It means a person who beats the drum near the intestines and adds Chuimse.
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463:), as well as tightrope walking. The pansori of the Joseon Dynasty included
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publics and government are passionate in registering and recognizing many
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differ greatly from the original works. Rather than performing an entire
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Changja: Also known as a singer, it means a person who sings in pansori.
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A related term, "pannoreum," refers to plays such as Sandae-do Gamgeuk (
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Korean Musical Drama: P'ansori and the Making of Tradition in Modernity
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he saw performed in Honam in 1754, indicating that the elite attended
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Pansori performance at the Busan Cultural Center in Busan, South Korea
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Kim, Kee Hyung (2008). "History of Pansori". In Yi, Yong-shik (ed.).
1949:
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1490:," which was published in "The Cartoon House" by Yu Jin (1711-1791).
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Gui-myeongchang: Pansori means a person who enjoys a spear properly.
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3. Susimga·Sanyeombuljo: "Pyeongan-do" and "Hwanghae-do" provinces
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is thought to have originated in the late 17th century during the
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854:. He reinterpreted and compiled songs to fit the tastes of the
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Again, the rhythm of Pansori has a tempo from the slow beat of
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Originally a form of folk entertainment for the lower classes,
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in the late 20th century, including the recent canonization of
105:
2932:. The National Center for Korean Traditional Performing Arts.
2495:, ed. (2004). "Musical Structure and Expressions of Pansori".
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UNLV Theses, Dissertations, Professional Papers, and Capstones
1017:(1993), "Hwimori (1994)" and "The Millennium Studies (2007)".
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2877:. International Association for Research in Vietnamese Music.
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and also trained the first notable female singers, including
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Masterpieces of the Oral and Intangible Heritage of Humanity
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Pilzer, Joshua D. (2016), "Musics of East Asia II: Korea",
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and pushed by Western music, and Pansori began to retreat.
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Masterpiece of the Oral and Intangible Heritage of Humanity
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Masterpiece of the Oral and Intangible Heritage of Humanity
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In the late 20th century, the sorrowful "Western style" of
262:). It was also commonly used in terms such as Changgeukjo (
2017:"Creative Pansori: A New Korean Approach in Music Therapy"
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Doseop: Pansori to the middle form of a sing and an aniri.
622:, only five are currently performed. They are as follows.
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A painting depicting a pansori performance, 19th century.
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Preservation and resurgence: late 20th century to present
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stories. Those stories were compiled in Song Man-jae's
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National Center for Korean Traditional Performing Arts
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1971:
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region eventually became the site of its development.
3534:
UNESCO Representative List of the Intangible Cultural
2212:"Jin Chae-seon, Joseon's First Female Pansori Singer"
2121:
2119:
1961:
1959:
1222:
states corresponding to the narration of the singer.
862:, who is considered to be the first female master of
2286:
2259:
1843:
1676:
Pansori performance at the Busan Cultural Center in
562:
Rather than listening quietly, the audience adds a "
2271:
2156:
2192:
2116:
1956:
1465:Aniri: The Changja talk as usual, not to the beat.
1025:There are five elements for the musical style of
4204:
2301:
2180:
2168:
920:In addition to Japanese censorship, the rise of
544:Pansori performances are performed by "Clown", "
3061:UNESCO Oral and Intangible Heritage of Humanity
1560:unity of individuals from many social classes.
1013:There are recent Pansori-themed films such as "
846:Major developments in this period were made by
418:Pansori singer Song Man-gab performing in 1934.
2376:"Traditional Korean music with a modern twist"
873:
828:intended to appeal to the upper class. Purely
212:, the latter of which means "sound." However,
3518:
3045:
2015:Kim, Hyunju; Mastnak, Wolfgang (2016-02-29).
1478:
1226:is also used with the appearances of certain
900:was intensified, due to the influence of the
772:Expansion and golden age: 18th–19th centuries
171:genre of musical storytelling performed by a
1359:
1353:
1341:
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1299:
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448:
442:
436:
269:
263:
253:
247:
237:
231:
207:
196:
111:
2403:"Fantastic Concert in Ancient Cave in Jeju"
1931:
1929:
1927:
1925:
1923:
1921:
1919:
1917:
1915:
1319:
1305:
942:the South Korean government declared it an
721:, especially in old Hongpagosa and Antaek.
3525:
3511:
3052:
3038:
3025:Isham Memorial Library, Harvard University
2971:Excursions in World Music, Seventh Edition
2518:: CS1 maint: location missing publisher (
2349:"Kim Tae-yong to direct gugak performance"
2014:
1805:(in Korean). The Academy of Korean Studies
1721:
1322: appearance, form). The two types of
88:
2095:
2032:
1596:Musical storytelling of literatures like
1422:
1282:) refers to the method in which words in
591:), were established as the repertoire of
285:overtook the vigorous "Eastern style" of
68:Learn how and when to remove this message
4243:Intangible Cultural Heritage of Humanity
2875:Ca Trù: A Vietnamese Chamber Music Genre
2487:
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1912:
1860:
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733:
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2021:Voices: A World Forum for Music Therapy
16:Korean traditional musical storytelling
4205:
2967:
2319:
1849:
1020:
950:began to be officially recognized as "
668:Relationship between Shaman songs and
3506:
3033:
2533:
2531:
2529:
2472:
1855:
1611:
946:in 1964. Additionally, performers of
569:
2904:
2400:
2373:
2322:"Kim Yul-hee blends pansori, reggae"
2074:
1977:
1965:
1935:
1134:expressed through singing. Types of
908:that referred to the monarchy or to
745:Dynasty. The earliest performers of
339:Yanbian Korean Autonomous Prefecture
303:epics end happily, but contemporary
18:
2925:
2346:
2295:
2265:
2198:
2186:
2125:
1897:. 延边新闻网. 2013-12-19. Archived from
1870:UNESCO Intangible Cultural Heritage
1591:
1571:
1486:The best literature of Pansori is "
13:
2946:
2526:
2307:
2280:
2174:
2162:
1989:
786:upper class, recorded the text of
389:
362:living national treasures of Korea
315:, has led to great concern in the
14:
4259:
2993:
1983:
652:Contemporary performances of the
293:began being called the "sound of
190:is compounds of the Korean words
4184:
4011:Pahlevani and zoorkhaneh rituals
3804:Jeju Chilmeoridang Yeongdeunggut
3491:
2999:
2617:Cultural Heritage Administration
1705:
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426:Problems playing this file? See
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2131:
2049:
2008:
1822:
329:was registered as the UNESCO's
2813:Encyclopedia of Korean Culture
2787:Encyclopedia of Korean Culture
2761:Encyclopedia of Korean Culture
2735:Encyclopedia of Korean Culture
2695:Encyclopedia of Korean Culture
2669:Encyclopedia of Korean Culture
2432:Encyclopedia of Korean Culture
2242:Encyclopedia of Korean Culture
1887:
1816:
1802:Encyclopedia of Korean Culture
1617:
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886:. It was recorded and sold on
835:also became less popular than
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112:
1:
2897:
2588:"UNESCO - Pansori epic chant"
2374:Sohn, Ji-young (2014-06-10).
2347:Yun, Suh-young (2017-06-14).
1994:(in Chinese). 银川: 宁夏人民教育出版社.
1660:performed by Ahn Suk-seon in
4238:South Korean styles of music
3594:Baul tradition of Bangladesh
2401:Choi, Mun-hee (2018-02-06).
2096:Gorlinski, Virginia (2013).
1381:Pansori can be divided into
944:Intangible Cultural Property
902:Japanese occupation of Korea
820:into the genre, while using
577:During the 18th century, 12
368:at the government level, as
7:
3138:Bumba-meu-boi from Maranhão
3078:Albanian folk iso-polyphony
2639:"판소리 소리꾼이 내는 '목' 종류는 37 가지"
1753:
1712:Pansori performance at the
1407:, depending on the region.
878:In the early 20th century,
874:Decline: early 20th century
839:that combined humorous and
801:performances by this time.
246:), Clown Song, and Geukga (
203:
192:
185:
153:
141:
127:
43:. The specific problem is:
10:
4264:
2320:Dunbar, Jon (2018-01-31).
2057:"판소리의 관중과 후원자 : 시민극장"
1692:A young Pansori singer in
1629:
1568:song teaches people this.
1479:Pansori masterpiece singer
728:
4182:
4121:Tugging rituals and games
3869:Ladkah Buddhist chantings
3729:Gangneung Danoje Festival
3543:
3489:
3068:
2247:Academy of Korean Studies
2034:10.15845/voices.v16i1.816
1550:
1372:
1087:); and vocal production.
952:living national treasures
930:, and the turmoil of the
896:. And the tragic tone of
508:
492:
476:
456:
271:
255:
239:
164:
134:
120:
104:
99:
87:
82:
4248:Performing arts in Korea
4228:Korean traditional music
4051:Royal ballet of Cambodia
3233:Georgian vocal polyphony
3012:"The Pansori Epic Chant"
2716:"갑신완문(甲申完文) - 한국민족대백과사전"
2239:[Shin Jae-hyo].
1825:
1795:
1777:
1438:
1126:also includes the vocal
3844:Koshikijima no Toshidon
3669:Chinese shadow puppetry
2856:(in Korean). 1974-02-25
2501:. Seoul. pp. 31–60
2461:(in Korean). 1993-10-29
2103:Encyclopædia Britannica
1826:국가문화유산포탈 | 한국의 인류무형문화유산
1722:Notable pansori singers
1419:monotonous and simple.
1364:) refers to a style of
1114:, it comparable to the
379:
333:of Korea. In 2011, the
4223:Korean styles of music
4116:Thathera utensil craft
4061:Royal Ancestral Ritual
3664:Chinese seal engraving
3649:Chinese block printing
2953:. Ashgate Publishing.
2453:"판소리물 휘모리 주연에 신인 김정민씨"
1423:Pansori's Mok and Sung
1308: to combine) and
1286:are combined with the
1230:. Some types include:
1138:include: chucheonmok (
850:researcher and patron
394:
3704:Durga Puja in Kolkata
3659:Chinese paper cutting
3453:The Song of the Sibyl
2947:Um, Haekyung (2013).
2905:Jang, Yeonok (2013).
968:on November 7, 2003.
816:singers incorporated
734:Origins: 17th century
605:) and Jeong No-sik's
393:
4096:Songkran in Thailand
4001:Oku-noto no Aenokoto
3694:Dragon Boat Festival
3644:Chinese architecture
3536:Heritage of Humanity
3103:Ashiqs of Azerbaijan
3008:at Wikimedia Commons
2976:Taylor & Francis
2643:www.koya-culture.com
1990:赵杨 (December 2012).
1866:"Pansori Epic Chant"
1714:Changdeokgung Palace
1508:During the reign of
1415:tantalizing sounds.
1186:); and seolleongje (
776:It is believed that
764:originated, but the
122:Revised Romanization
50:improve this article
39:to meet Knowledge's
3899:Manipuri Sankirtana
3654:Chinese calligraphy
2911:. Scarecrow Press.
1936:Kang, Bomi (2016).
1895:""80后"夫妻情系中国朝鲜族盘索里"
1021:Elements and styles
934:all contributed to
618:Of the 12 original
548:", and "Audience".
3904:Mangal Shobhajatra
3709:Epic of King Gesar
3562:Akiu no Taue Odori
1980:, p. 126-129.
1831:www.heritage.go.kr
1515:The early days of
1328:daemadi daejangdan
910:Korean nationalism
607:Joseon Changgeuksa
499:) or Changgeukjo (
395:
4193:
4192:
3919:Mibu no Hana Taue
3779:Hitachi Furyumono
3684:Dainichido Bugaku
3538:/Asia and Pacific
3500:
3499:
3148:Dainichido Bugaku
3004:Media related to
2985:978-1-317-21375-8
2543:www.pansori.or.kr
2298:, pp. 19–26.
2283:, pp. 47–52.
2268:, pp. 14–16.
2001:978-7-5544-0134-7
1392:, in addition to
755:street performers
749:were most likely
413:
299:". All surviving
226:drum played by a
148:
147:
136:McCune–Reischauer
78:
77:
70:
41:quality standards
32:This article may
4255:
4188:
3889:Longquan celadon
3774:Hayachine Kagura
3699:Drametse Ngacham
3527:
3520:
3513:
3504:
3503:
3495:
3428:Slovácko Verbuňk
3298:Khorasan Bakhshi
3163:Cante Alentejano
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2381:The Korea Herald
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1950:10.34917/9302946
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1610:
1603:In Vietnam, the
1592:Similar cultures
1572:Pansori Changbon
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759:Korean peninsula
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4131:Vedic chantings
3794:Indonesian kris
3619:Cantonese opera
3609:Boysun District
3539:
3535:
3531:
3501:
3496:
3487:
3363:Ojkanje singing
3263:Jongmyo Jereyak
3183:Cremona violins
3168:Cantonese opera
3143:Byzantine music
3108:Azerbaijani tar
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2354:The Korea Times
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2327:The Korea Times
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1716:in Seoul, 2013.
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1613:[kaːʈû]
1608:
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1481:
1441:
1425:
1396:
1385:
1375:
1150:); Gyemyeonjo (
1112:Western culture
1106:, also spelled
1023:
992:classical music
960:proclaimed the
918:
876:
824:techniques and
774:
736:
731:
673:
575:
542:
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116:
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28:
24:
17:
12:
11:
5:
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4218:Music of Korea
4215:
4201:
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4138:
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4118:
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4093:
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4086:Sekishu-Banshi
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3739:Gióng Festival
3736:
3731:
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3507:
3498:
3497:
3490:
3488:
3486:
3485:
3480:
3475:
3470:
3465:
3460:
3458:Tumba francesa
3455:
3450:
3445:
3440:
3435:
3433:Song of Sana'a
3430:
3425:
3420:
3415:
3410:
3405:
3400:
3395:
3390:
3385:
3383:Qudud Halabiya
3380:
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3360:
3355:
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3340:
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3325:
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3305:
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3295:
3290:
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3280:
3275:
3270:
3265:
3260:
3255:
3250:
3245:
3240:
3235:
3230:
3228:Garifuna music
3225:
3220:
3215:
3210:
3205:
3200:
3195:
3190:
3185:
3180:
3175:
3173:Cantu a tenore
3170:
3165:
3160:
3155:
3150:
3145:
3140:
3135:
3133:Bistritsa Babi
3130:
3125:
3120:
3115:
3110:
3105:
3100:
3095:
3090:
3085:
3080:
3075:
3069:
3066:
3065:
3057:
3056:
3049:
3042:
3034:
3028:
3027:
3018:
3009:
2995:
2994:External links
2992:
2990:
2989:
2984:
2965:
2960:978-0754662761
2959:
2944:
2938:
2923:
2918:978-0810884625
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2655:
2630:
2603:
2592:ich.unesco.org
2579:
2554:
2525:
2471:
2444:
2418:
2407:Business Korea
2393:
2366:
2339:
2312:
2300:
2285:
2270:
2258:
2228:
2216:KBS Word Radio
2203:
2201:, p. 6-7.
2191:
2179:
2167:
2155:
2139:"민족 문화로서의 판소리"
2130:
2128:, p. 3-4.
2115:
2073:
2048:
2007:
2000:
1982:
1970:
1968:, p. 3-4.
1955:
1911:
1886:
1854:
1852:, p. 171.
1842:
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1527:At the end of
1517:King Cheoljong
1480:
1477:
1476:
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1469:
1466:
1463:
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1440:
1437:
1424:
1421:
1374:
1371:
1370:
1369:
1347:
1271:
1193:
1180:); seokhwaje (
1162:; also called
1022:
1019:
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875:
872:
773:
770:
735:
732:
730:
727:
672:
666:
650:
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541:
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447:) and geundu (
423:
417:
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399:
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397:
388:
387:
386:
381:
378:
372:believed that
146:
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138:
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124:
118:
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97:
96:
93:
85:
84:
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58:September 2023
31:
29:
22:
15:
9:
6:
4:
3:
2:
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4066:Sada Shin Noh
4064:
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4059:
4057:
4054:
4052:
4049:
4047:
4044:
4042:
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3800:
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3790:
3789:Hudhud Chants
3787:
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3782:
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3772:
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3767:
3765:
3762:
3760:
3757:
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3715:
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3700:
3697:
3695:
3692:
3690:
3689:Darangen Epic
3687:
3685:
3682:
3680:
3677:
3675:
3672:
3670:
3667:
3665:
3662:
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3645:
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3640:
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3627:
3625:
3622:
3620:
3617:
3615:
3612:
3610:
3607:
3605:
3602:
3600:
3599:Beijing opera
3597:
3595:
3592:
3590:
3587:
3585:
3584:Bakhshi music
3582:
3579:
3575:
3573:
3570:
3568:
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3408:Samba de roda
3406:
3404:
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3286:
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3276:
3274:
3273:Istrian scale
3271:
3269:
3266:
3264:
3261:
3259:
3258:Hudhud chants
3256:
3254:
3251:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
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3229:
3226:
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3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3153:Beijing opera
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3134:
3131:
3129:
3126:
3124:
3121:
3119:
3116:
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3104:
3101:
3099:
3096:
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3079:
3076:
3074:
3073:Aka polyphony
3071:
3070:
3067:
3062:
3055:
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2939:9788985952101
2935:
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2909:
2903:
2902:
2889:
2883:
2876:
2870:
2855:
2854:
2853:JoongAng Ilbo
2849:
2843:
2835:
2829:
2815:
2814:
2809:
2803:
2789:
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2500:
2499:
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2458:JoongAng Ilbo
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2397:
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2382:
2377:
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2310:, p. 12.
2309:
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2248:
2245:(in Korean).
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2232:
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2213:
2207:
2200:
2195:
2188:
2183:
2177:, p. 40.
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2018:
2011:
2003:
1997:
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1986:
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1967:
1962:
1960:
1951:
1947:
1943:
1939:
1932:
1930:
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1926:
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1901:on 2018-03-22
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1728:Jin Chae-seon
1726:
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937:
933:
929:
928:
923:
913:
911:
907:
903:
899:
895:
894:
889:
888:vinyl records
885:
881:
871:
867:
865:
861:
860:Jin Chae-seon
857:
853:
849:
844:
842:
838:
834:
831:
827:
823:
819:
815:
811:
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86:
81:
72:
69:
61:
51:
46:
42:
38:
37:
30:
21:
20:
4171:Yūki-tsumugi
4156:Yeondeunghoe
4076:Sand drawing
4015:
4006:Pencak silat
3829:Katta Ashula
3744:Gong culture
3483:Xoan singing
3473:Wayang kulit
3423:Silbo Gomero
3367:
3238:Gong culture
3093:Arabic maqam
3015:
2970:
2949:
2928:
2907:
2882:
2874:
2869:
2858:. Retrieved
2851:
2842:
2828:
2817:. Retrieved
2811:
2802:
2791:. Retrieved
2785:
2776:
2765:. Retrieved
2759:
2750:
2739:. Retrieved
2733:
2724:
2710:
2699:. Retrieved
2693:
2684:
2673:. Retrieved
2667:
2658:
2647:. Retrieved
2642:
2633:
2622:. Retrieved
2615:
2606:
2595:. Retrieved
2591:
2582:
2571:. Retrieved
2566:
2557:
2546:. Retrieved
2542:
2503:. Retrieved
2497:
2463:. Retrieved
2456:
2447:
2436:. Retrieved
2430:
2421:
2410:. Retrieved
2406:
2396:
2385:. Retrieved
2379:
2369:
2358:. Retrieved
2352:
2342:
2331:. Retrieved
2325:
2315:
2303:
2261:
2250:. Retrieved
2240:
2231:
2220:. Retrieved
2218:. 2013-02-28
2215:
2206:
2194:
2189:, p. 5.
2182:
2170:
2158:
2147:. Retrieved
2142:
2133:
2107:. Retrieved
2101:
2065:. Retrieved
2060:
2051:
2024:
2020:
2010:
1991:
1985:
1973:
1941:
1903:. Retrieved
1899:the original
1889:
1878:. Retrieved
1869:
1845:
1834:. Retrieved
1830:
1818:
1807:. Retrieved
1800:
1769:
1760:Korean music
1748:Ahn Sook-sun
1738:Oh Jeong-suk
1655:
1624:
1602:
1597:
1595:
1586:
1582:
1578:
1575:
1566:
1562:
1558:
1554:
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1541:
1533:
1526:
1514:
1507:
1499:King Jeongjo
1495:King Yeongjo
1492:
1485:
1482:
1434:
1430:
1426:
1417:
1413:
1409:
1380:
1376:
1365:
1349:
1337:
1327:
1323:
1309:
1295:
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1251:
1242:jungjungmori
1241:
1231:
1223:
1215:
1195:
1172:
1163:
1135:
1123:
1107:
1091:
1072:
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1046:
1030:
1026:
1024:
1012:
1008:
1004:
995:
987:
980:
976:
972:
970:
964:tradition a
961:
956:
947:
939:
935:
925:
919:
905:
897:
891:
879:
877:
868:
863:
852:Shin Jae-hyo
847:
845:
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832:
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761:
746:
738:
737:
723:
703:Jungjungmori
692:
689:
686:
683:
680:
677:
674:
669:
661:
657:
653:
651:
619:
617:
606:
596:
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582:
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570:
561:
554:
550:
543:
533:
434:
425:
401:
383:
373:
365:
360:singers as "
357:
354:South Korean
349:
347:
334:
326:
322:
321:
316:
312:
308:
304:
300:
294:
290:
286:
282:
280:
213:
183:
181:
151:
150:
149:
64:
55:
48:Please help
44:
33:
4161:Yeongsanjae
4071:Saman dance
4056:Regong arts
3989:Uzbekistani
3929:Mosie ramie
3924:Morin khuur
3909:Mazu belief
3864:Koodiyattam
3769:Hansan Mosi
3759:Guqin music
3679:Daimokutate
3639:Chhau dance
3552:Moxibustion
3548:Acupuncture
3478:Xi'an guyue
3468:Vedic chant
3333:Morin khuur
3293:Koodiyattam
3268:Iraqi Maqam
2848:"판소리」창본 간행"
2645:(in Korean)
2620:(in Korean)
2569:(in Korean)
2145:(in Korean)
2063:(in Korean)
1978:Jang (2013)
1966:Jang (2013)
1850:Pilzer 2016
1743:Pak Tongjin
1609:Vietnamese:
1529:King Gojong
1521:King Gojong
1488:Chunhyangga
1397: [
1394:Dongpyeonje
1386: [
856:upper class
789:Chunhyangga
647:Jeokbyeokga
632:Simcheongga
627:Chunhyangga
579:song cycles
540:Description
370:Kim Jong Il
319:community.
100:Korean name
52:if you can.
4207:Categories
4146:Xuan paper
4126:Urtiin Duu
4091:Shiraz rug
3879:Lenj boats
3849:Kumbh Mela
3824:Kashan rug
3749:Grand Song
3674:Daemokjang
3634:Cheoyongmu
3629:Chakkirako
3557:Ainu dance
3443:Sutartinės
3438:Sosso Bala
3418:Shashmaqam
3413:Seto Leelo
3303:Kumi odori
3113:Baul music
2898:References
2860:2021-06-19
2819:2021-06-19
2808:"김소희(金素姬)"
2793:2021-06-19
2767:2021-06-19
2756:"장판개(張判盖)"
2741:2021-06-19
2701:2021-06-19
2690:"관우희(觀優戱)"
2675:2021-06-19
2664:"춘향가(春香歌)"
2649:2021-06-19
2624:2021-06-19
2597:2021-06-19
2573:2023-09-10
2548:2023-09-10
2505:2023-01-27
2465:2021-06-19
2438:2021-06-19
2427:"서편제(西便制)"
2412:2018-03-01
2387:2018-03-01
2360:2018-03-01
2333:2018-03-01
2296:Kim (2008)
2266:Kim (2008)
2252:2018-03-01
2237:"신재효(申在孝)"
2222:2018-03-01
2199:Kim (2008)
2187:Kim (2008)
2149:2023-09-10
2126:Kim (2008)
2109:2018-03-01
2098:"P'ansori"
2067:2021-06-19
1905:2018-03-22
1880:2018-02-28
1836:2021-06-15
1809:2018-02-28
1794:"Pansori"
1771:Seopyeonje
1733:Kim So-hee
1510:King Sunjo
1501:of modern
1405:Seopyeonje
1228:characters
1173:aewonseong
1015:Seopyeonje
932:Korean War
843:elements.
818:folk songs
806:golden age
573:repertoire
428:media help
219:Gugwangdae
4106:Taekkyeon
4081:Sbek Toch
3996:Nuad Thai
3854:Kumiodori
3463:Vallenato
3318:Long song
3278:Kgal Laox
2563:"판소리 중고제"
2514:cite book
2308:Um (2013)
2281:Um (2013)
2175:Um (2013)
2163:Um (2013)
2043:1504-1611
1938:"Pansori"
1765:Changgeuk
1694:Edinburgh
1657:Heungbuga
1607:singing (
1537:Changgeuk
1338:eotbuchim
1324:buchimsae
1274:Buchimsae
1252:jajinmori
1220:emotional
1210:) is the
1164:seoreumjo
1122:, though
1063:buchimsae
936:pansori's
927:changgeuk
793:a famous
715:Ujungmori
707:Jajinmori
695:Jinyangjo
637:Heungbuga
564:Chu-imsae
182:The term
4151:Yamahoko
3964:Nhã nhạc
3934:Mudiyett
3894:Mak yong
3874:Lakalaka
3819:Kalbelia
3572:Angklung
3398:Rebetiko
3353:Nhã nhạc
3158:Candombe
3128:Biyelgee
3083:Angklung
2782:"창극(唱劇)"
1992:《朝鲜民间文学》
1754:See also
1698:Scotland
1383:Junggoje
1288:melodies
1212:rhythmic
1132:emotions
981:pansori-
940:pansori,
830:humorous
826:melodies
719:Jungmori
699:Jungmori
642:Sugungga
467:poetry (
374:pansori'
142:P'ansori
34:require
4213:Pansori
4111:Ta'zīye
4101:Ssireum
4041:Ramlila
4031:Quan họ
4026:Pungmul
4016:Pansori
3959:Naqqāli
3914:Meshrep
3839:Khoomei
3809:Jultagi
3799:Jamdani
3764:Haenyeo
3734:Gimjang
3614:Bunraku
3604:Bokator
3578:Arirang
3448:Táncház
3378:Quan họ
3373:Pirekua
3368:Pansori
3328:Meshrep
3283:Khuumii
3123:Bigwala
3118:Bećarac
3098:Arirang
3063:: Music
3016:YouTube
3006:Pansori
2929:Pansori
2539:"판소리학회"
2498:Pansori
1700:, 2006.
1680:, 2006.
1664:, 2006.
1630:Gallery
1598:pansori
1460:Chuimse
1366:pansori
1333:대마디 대장단
1296:buchida
1294:words,
1284:pansori
1262:hwimori
1260:); and
1232:jinyang
1224:Jangdan
1216:Jangdan
1196:Jangdan
1047:jangdan
1027:pansori
996:pansori
988:pansori
977:pansori
973:pansori
962:pansori
948:pansori
906:pansori
898:pansori
893:kisaeng
880:pansori
864:pansori
848:pansori
837:pansori
833:pansori
814:pansori
810:pansori
799:pansori
795:pansori
783:yangban
778:pansori
762:pansori
751:shamans
747:pansori
739:Pansori
729:History
711:Hwimori
670:Pansori
597:Gwanuhi
593:pansori
571:Pansori
366:pansori
358:pansori
350:pansori
343:Tieling
335:pansori
327:pansori
323:Pansori
317:pansori
309:pansori
305:pansori
301:pansori
291:pansori
287:pansori
283:pansori
186:pansori
177:drummer
167:) is a
154:Pansori
128:Pansori
83:Pansori
36:cleanup
4176:Yunjin
4136:Wayang
4046:Ramman
4021:Pinisi
3984:Afghan
3979:Nowruz
3954:Nanyin
3944:Naadam
3814:Kabuki
3784:Hua'er
3714:Gagaku
3624:Ca trù
3393:Reggae
3358:Nongak
3348:Nanyin
3338:Mugham
3323:Maloya
3253:Hua'er
3218:Gagaku
3213:Fujara
3198:Eshuva
3178:Ca trù
2982:
2957:
2936:
2915:
2612:"문화재청"
2041:
1998:
1876:. 2008
1874:UNESCO
1605:ca tru
1551:Themes
1503:Joseon
1373:Styles
1358:;
1336:) and
1318:;
1304:;
1292:Korean
1204:;
1156:;
1144:;
1128:timbre
1100:;
1081:;
1055:;
1039:;
994:, and
984:reggae
958:UNESCO
922:cinema
884:operas
841:tragic
743:Joseon
662:madang
658:madang
654:madang
620:madang
583:madang
523:;
505:;
489:;
473:;
453:;
441:;
289:, and
268:;
252:;
236:;
175:and a
173:singer
169:Korean
161:Korean
106:Hangul
4036:Radif
3939:Muqam
3884:Lhamo
3859:Kunqu
3754:Guqin
3719:Gagok
3589:Batik
3388:Radif
3343:Muqam
3313:Lhamo
3308:Kunqu
3288:Klapa
3248:Gwoka
3243:Guqin
3223:Gagok
3208:Frevo
3193:Duduk
3188:Doina
2888:"판소리"
2834:"박녹주"
2730:"아니리"
2027:(3).
1823:판소리.
1778:Notes
1678:Busan
1662:Seoul
1439:Terms
1401:]
1390:]
1326:are:
822:vocal
766:Honam
612:조선창극사
581:, or
444:山臺都監劇
438:산대도감극
4166:Yoga
3974:Nora
3834:Khon
3567:Akyn
3550:and
3403:Sama
3203:Fado
3088:Aqyn
2980:ISBN
2955:ISBN
2934:ISBN
2913:ISBN
2520:link
2039:ISSN
1996:ISBN
1519:and
1497:and
1448:Gosu
1403:and
1320:lit.
1306:lit.
1257:자진모리
1247:중중모리
1130:and
1118:and
1116:mode
924:and
804:The
753:and
556:Gosu
546:Gosu
465:sijo
380:Name
341:and
228:gosu
204:sori
201:and
3969:Noh
3023:at
3014:on
2029:doi
1946:doi
1796:판소리
1343:엇붙임
1310:sae
1301:붙이다
1279:붙임새
1267:휘모리
1250:);
1240:);
1189:설렁제
1183:석화제
1177:애원성
1168:서름조
1159:界面調
1153:계면조
1147:鞦韆-
1141:추천목
1136:jos
1120:key
1108:cho
1071:);
1068:붙임새
1061:);
1045:);
1000:rap
808:of
615:).
602:관우희
566:".
526:圓覺社
519:원각사
510:唱劇調
502:창극조
313:han
296:han
278:).
273:唱劇調
265:창극조
224:buk
214:pan
193:pan
165:판소리
113:판소리
4209::
2978:,
2974:,
2850:.
2810:.
2784:.
2758:.
2732:.
2692:.
2666:.
2641:.
2614:.
2590:.
2565:.
2541:.
2528:^
2516:}}
2512:{{
2474:^
2455:.
2429:.
2405:.
2378:.
2351:.
2324:.
2288:^
2273:^
2214:.
2141:.
2118:^
2100:.
2076:^
2059:.
2037:.
2025:15
2023:.
2019:.
1958:^
1944:.
1940:.
1914:^
1872:.
1868:.
1857:^
1829:.
1799:.
1785:^
1696:,
1619:歌籌
1616:,
1399:ko
1388:ko
1350:Je
1346:).
1237:진양
1207:長短
1201:장단
1192:).
1171:,
1124:jo
1092:Jo
1073:je
1058:長短
1052:장단
1031:jo
1029::
1002:.
986:,
912:.
866:.
713:,
709:,
705:,
701:,
697:,
664:.
588:마당
494:唱劇
486:창극
478:時調
470:시조
458:筋斗
450:근두
345:.
257:劇歌
249:극가
241:雜歌
233:잡가
209:소리
179:.
163::
3580:"
3576:"
3526:e
3519:t
3512:v
3053:e
3046:t
3039:v
2963:.
2942:.
2921:.
2890:.
2863:.
2836:.
2822:.
2796:.
2770:.
2744:.
2718:.
2704:.
2678:.
2652:.
2627:.
2600:.
2576:.
2551:.
2522:)
2508:.
2468:.
2441:.
2415:.
2390:.
2363:.
2336:.
2255:.
2225:.
2152:.
2112:.
2070:.
2045:.
2031::
2004:.
1952:.
1948::
1908:.
1883:.
1839:.
1812:.
1368:.
1361:制
1355:제
1352:(
1340:(
1330:(
1315:새
1312:(
1298:(
1276:(
1270:)
1264:(
1254:(
1244:(
1234:(
1198:(
1103:調
1097:조
1094:(
1084:制
1078:제
1075:(
1065:(
1049:(
1042:調
1036:조
1033:(
998:-
990:-
791:,
609:(
599:(
585:(
430:.
198:판
159:(
71:)
65:(
60:)
56:(
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