Knowledge

Buon fresco

Source 📝

295: 150:. In medieval and Renaissance Italy, a wall to be frescoed was first prepared with a rough, thick undercoat of plaster known as the arriccio. When this was dry, assistants copied the master painter's composition onto it with reddish-brown pigment or charcoal. The artist made any necessary adjustments. Artists that used the buon fresco technique include 122:
varies according to the complexity of the painting within it. A face, for instance, might take an entire day, whereas large areas of sky can be painted quite rapidly.
142:, changing our beliefs about art in prehistoric times. One of the first painters in the post-classical period to use this technique was the Isaac Master in the Upper 336: 92:. This chemical reaction fixes the pigment particles at the plaster's surface in a protective crystalline mesh known as the lime crust. 112:
The painter plasters and paints only as much as can be completed in a day, which explains the Italian term for each of these sections,
143: 105:, by contrast, the color does not become part of the wall and tends to flake off over time. The chief disadvantage of 370: 263: 329: 365: 360: 322: 131: 176: 130:
Frescoes dating from the 17th century BC using this technique have been found in the excavations of
355: 233: 171: 70: 8: 204:
Fresco Painting: The Dichotomy of Rigorous Craft and Artistic Expression, Tessa Lindsey
310: 259: 82: 27: 306: 294: 349: 89: 88:
After a number of hours the plaster reacts with the air in a process called
159: 101: 54: 46: 65:
The buon fresco technique consists of painting with pigment ground in
280: 135: 275: 155: 119: 114: 78: 151: 74: 39: 35: 147: 139: 31: 66: 57:
techniques, in which paints are applied to dried plaster.
302: 81:. Because of the chemical makeup of the plaster, a 109:is that it must be done quickly without mistakes. 347: 234:"How Buon Fresco Brought Perspective to Drawing" 34:painting technique in which alkaline-resistant 330: 19: 337: 323: 276:Fresco-techniques.com: Fresco techniques 348: 38:, ground in water, are applied to wet 231: 289: 13: 118:, or a day's work. The size of a 14: 382: 269: 293: 77:, for which the Italian word is 69:on a thin layer of wet, fresh, 30:for 'true fresh') is a 225: 216: 207: 198: 189: 60: 1: 248: 232:Green, Cynthia (2017-09-22). 45:It is distinguished from the 309:. You can help Knowledge by 172:Fresco painting (techniques) 7: 165: 10: 387: 288: 281:buonfresco101.blogspot.com 125: 144:Basilica of Saint Francis 16:Fresco painting technique 371:Artistic technique stubs 301:This article related to 182: 177:Fresco paintings (works) 99:is its durability. In 20: 366:Painting techniques 254:Stokstad, Marilyn; 195:Dizionario Italiano 361:Painting materials 318: 317: 258:, 2011, 4th ed., 222:Stokstad, Marilyn 213:Stokstad, Marilyn 134:on the island of 95:The advantage of 85:is not required. 378: 339: 332: 325: 297: 290: 242: 241: 229: 223: 220: 214: 211: 205: 202: 196: 193: 25: 386: 385: 381: 380: 379: 377: 376: 375: 356:Fresco painting 346: 345: 344: 343: 286: 272: 251: 246: 245: 230: 226: 221: 217: 212: 208: 203: 199: 194: 190: 185: 168: 128: 63: 17: 12: 11: 5: 384: 374: 373: 368: 363: 358: 342: 341: 334: 327: 319: 316: 315: 303:art techniques 298: 284: 283: 278: 271: 270:External links 268: 267: 266: 250: 247: 244: 243: 224: 215: 206: 197: 187: 186: 184: 181: 180: 179: 174: 167: 164: 127: 124: 62: 59: 15: 9: 6: 4: 3: 2: 383: 372: 369: 367: 364: 362: 359: 357: 354: 353: 351: 340: 335: 333: 328: 326: 321: 320: 314: 312: 308: 304: 299: 296: 292: 291: 287: 282: 279: 277: 274: 273: 265: 264:0-205-79094-1 261: 257: 253: 252: 239: 235: 228: 219: 210: 201: 192: 188: 178: 175: 173: 170: 169: 163: 161: 160:Michaelangelo 157: 153: 149: 145: 141: 137: 133: 123: 121: 117: 116: 110: 108: 104: 103: 98: 93: 91: 90:carbonatation 86: 84: 80: 76: 72: 68: 58: 56: 52: 48: 43: 41: 37: 33: 29: 24: 23: 311:expanding it 300: 285: 255: 237: 227: 218: 209: 200: 191: 129: 113: 111: 106: 102:fresco-secco 100: 96: 94: 87: 64: 55:finto fresco 50: 47:fresco-secco 44: 21: 18: 256:Art History 238:JSTOR Daily 107:buon fresco 97:buon fresco 71:lime mortar 61:Description 22:Buon fresco 350:Categories 249:References 136:Santorini 166:See also 156:Masaccio 132:Akrotiri 120:giornata 115:giornata 79:intonaco 36:pigments 152:Raphael 126:History 75:plaster 51:a secco 40:plaster 28:Italian 262:  158:, and 148:Assisi 140:Greece 83:binder 53:) and 32:fresco 305:is a 183:Notes 67:water 307:stub 260:ISBN 49:(or 146:in 138:in 73:or 352:: 236:. 162:. 154:, 42:. 338:e 331:t 324:v 313:. 240:. 26:(

Index

Italian
fresco
pigments
plaster
fresco-secco
finto fresco
water
lime mortar
plaster
intonaco
binder
carbonatation
fresco-secco
giornata
giornata
Akrotiri
Santorini
Greece
Basilica of Saint Francis
Assisi
Raphael
Masaccio
Michaelangelo
Fresco painting (techniques)
Fresco paintings (works)
"How Buon Fresco Brought Perspective to Drawing"
ISBN
0-205-79094-1
Fresco-techniques.com: Fresco techniques
buonfresco101.blogspot.com

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.