114:(i, ii, iii, iv, v, etc.), which obviates renumbering the remainder of a book when front matter content is added at the last moment, such as a dedication page or additional acknowledgments. Page number is omitted on blank pages and display pages (i.e., such stand-alone pages as those for the half title, frontispiece, title page, colophon, dedication, and epigraph), and it is either omitted or a drop folio is used on the opening page of each section of the front matter (e.g., table of contents, foreword, preface). Front matter generally appears only in the first of a multi-volume work, although some elements (such as a table of contents or index) may appear in each volume. It can get in the way of reading a book for even the most devoted fans of an author.
328:
31:
837:
383:. Arabic numbering starts at this first page. If the text is introduced by a second half title or opens with a part title, the half title or part title counts as page one. As in the front matter, page numbers are omitted on blank pages, and are either omitted or a drop folio is used on the opening page of each part and chapter. On pages containing only illustrations or tables, page numbers are usually omitted, except in the case of a long sequence of figures or tables.
3287:
628:
65:(1902–1974), book design, "though largely forgotten today, methods and rules upon which it is impossible to improve, have been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied". Richard Hendel describes book design as "an arcane subject", and refers to the need for a context to understand what that means.
1717:
405:(usually bound as a single volume) comprises two "testaments" (which might more typically be described as "parts", and differ in length by a factor of three or four), each containing dozens of books of varying lengths. In turn, each book (except for the shortest) contains multiple chapters, which are traditionally divided (for purposes of
725:
oriented left-to-right on the spine. This practice is reflected in the industry standards ANSI/NISO Z39.41 and ISO 6357., but "... lack of agreement in the matter persisted among
English-speaking countries as late as the middle of the twentieth century, when books bound in Britain still tended to have their titles read up the spine ...".
788:
pocketbooks. These paperbacks are smaller than usual—small enough to barely fit into a pocket (especially the back pocket of one's trousers). However, this capacity to fit into a pocket diminishes with increasing number of pages and increasing thickness of the book. Such a book may still be designated as a pocketbook.
813:
elements and fold-out pages may be used to add dimensions to the page in different ways. Children's books commonly incorporate a wide array of design features built into the fabric of the book. Some books for preschoolers include textured fabric, plastic on other materials. Die-cut techniques in the
739:
In many continental
European and Latin American countries, the spine text, when the book is standing upright, runs from the bottom up, so the title can be read by tilting the head to the left. This allows the reader to read spines of books shelved in alphabetical order in accordance to the usual way
713:
In languages with
Chinese-influenced writing systems, the title is written top-to-bottom. In languages written from left to right, the spine text can be pillar (one letter per line), transverse (text line perpendicular to long edge of spine) and along spine. Conventions differ about the direction in
635:
of the book is an important aspect in book design, especially in the cover design. When the books are stacked up or stored in a shelf, the details on the spine is the only visible surface that contains the information about the book. In a book store, it is often the details on the spine that attract
142:
A mostly-blank page at the front of the book block which precedes the title page and contains only the title (omitting the subtitle, author, publisher, etc. found on the full title page) and occasionally includes some slight ornamentation. The title traditionally appears on the page as a single line
253:
Often, a foreword will tell of some interaction between the writer of the foreword and the writer of the story, or a personal reaction and significance the story elicited. A foreword to later editions of a work often describes the work's historical context and explains in what respects the current
239:
This is a list of chapter headings and sometimes nested subheadings, together with their respective page numbers. This includes all front matter items listed below, together with chapters in the body matter and back matter. The number of levels of subheadings shown should be limited, so as to keep
164:
A decorative illustration on the verso facing the title page. It may be an image related to the book's subject or a portrait of the author. Frontispieces have become less common, with a list of the author's previous works or other titles in a multi-author series frequently taking the place of the
724:
In texts published or printed in the United States, the United
Kingdom, the Commonwealth, Scandinavia and the Netherlands, the spine text, when the book is standing upright, runs from the top to the bottom. This means that when the book is lying flat with the front cover upwards, the title is
787:
books (sometimes called softback or softcover). Most paperbacks are bound with paper or light cardboard, though other materials (such as plastic) are used. The covers are flexible and usually bound to the pages using glue (perfect binding). Some small paperback books are sub-classified as
178:
Repeats the title and author as printed on the cover or spine, often using typographic elements carried over from either the cover design or from the rest of the book's interior. Title pages may also include the publisher's logo accompanied by the city and/or year of publication.
800:
to help find material quickly. Gold leaf may also be applied to the edges of the pages, so that when closed, the side, top, and bottom of the book have a golden color. On some books, a design may be printed on the edges, or marbling or a simple colour applied. Some
367:
A chapter or section may be contained within a part or a book. When both chapters and sections are used in the same work, the sections are more often contained within chapters than the reverse. Chapters and sections may have intertitles, also known as internal
728:
In many continental
European countries, where the ascending system has been used in the past, the descending system has been used in recent decades, probably due to the influence of the English-speaking countries, such as Italy, Russia, Poland and elsewhere.
312:, the prologue is an opening to the story that establishes the setting and gives background details, often from some earlier or later timeframe that ties into the main one. As such, it is generally considered part of the body in modern book organization (cf.
196:) Technical information such as edition dates, copyrights, translations used, and the name and address of the publisher or printer. It usually appears in modern books on the verso of the title page, but in some books is placed at the end (see Back matter).
240:
the contents list short, ideally one page, or possibly a double-page spread. Technical books may include a list of figures and a list of tables. In French language books, the table of contents is often part of the back matter rather than the front matter.
267:
A preface is generally the author recounting the story of how the book came into being, or how the idea for the book was developed. This is often followed by thanks and acknowledgments to people who were helpful to the author during the time of writing.
360:
Single-volume works account for most of the non-academic consumer market in books. A single volume may embody either a part of a book or the whole of a book; in some works, parts encompass multiple books, while in others, books may consist of multiple
882:
The possible layout of the sets of letters of the alphabet, or words, on a page is determined by the so-called print space, and is also an element in the design of the page of the book. There must be sufficient space at the
374:
In some books the chapters are grouped into bigger parts, sometimes called modules. The numbering of the chapters can begin again at the start of every module. In educational books, especially, the chapters are often called
109:
Front matter (or preliminaries; shortened to "prelims") comprises the first section of a book, and is usually the smallest section in terms of the number of pages. Front matter pages are traditionally numbered in lower-case
1156:
580:
This brief description may be located at the end of a book or on the verso of the title page. It describes production notes relevant to the edition, such as typeface used, and may include a printer's mark or logotype.
746:
On the inside of the back cover page, extending from the facing page before it, is the endpaper. Its design matches the front endpaper and, in accordance with it, contains either plain paper or pattern, image etc.
540:
The glossary consists of a set of definitions of words of importance to the work. They are normally alphabetized. The entries may consist of places and characters, which is common for longer works of fiction.
281:
Sometimes part of the preface rather than a separate section in its own right, or sometimes placed in the back matter rather than the front, it acknowledges those who contributed to the creation of the book.
671:. Traditionally, in hand-bound books, the endpaper was just a sheet of blank or ornamented paper physically masking and reinforcing the connection between the cover and the body of the book. In modern
743:
The spine usually contains all, or some, of four elements (besides decoration, if any), and in the following order: (1) author, editor, or compiler; (2) title; (3) publisher; and (4) publisher logo.
644:
is the front of the book, and is marked appropriately by text or graphics in order to identify it as such (namely as the very beginning of the book). The front cover usually contains at least the
911:
determines the effective area on the paper of a book, journal or other press work. The print space is limited by the surrounding borders, or in other words the gutters outside the printed area.
750:
The back cover often contains biographical matter about the author or editor, and quotes from other sources praising the book. It may also contain a summary or description of the book
710:
on their spines; rather they were shelved flat with their spines inward and titles written with ink along their fore edges. Modern books display their titles on their spines.
4090:
527:
This supplemental addition to a given main work may correct errors, explain inconsistencies or otherwise detail or update the information found in the main work.
567:
This list of terms used in the text contains references, often page numbers, to where the terms can be found in the text. Most common in non-fiction books.
143:
in capital letters, but modern half title pages may be scaled-down versions of the typography from the full title page. The half title page faces a blank
2872:
1522:
2123:
395:
has three parts (either in one volume each, or in a single volume), with each part containing two books, each containing, in turn, multiple chapters.
97:. Drop folios usually appear either centered on each page or flush left verso and flush right recto. The book contains the main text and a number of
209:
A dedication page is a page in a book that precedes the text, in which the author names the person or people for whom he/she has written the book.
4771:
3246:
1876:
117:
The following table defines some common types of front matter, and the "voice" (or point of view) in which each can be said to be given:
222:
A phrase, quotation, or poem. The epigraph may serve as a preface, as a summary, as a counter-example, or to link the work to a wider
4840:
1550:
73:
Modern books are paginated consecutively, and all pages are counted in the pagination whether or not the numbers appear (see also:
1517:
4845:
2116:
1488:
1467:
1421:
1353:
1329:
1268:
3626:
2316:
478:
The conclusion to a piece of work; this is considered the opposite of the intro. This term is more commonly used in music.
379:
The first page of the actual text of a book is the opening page, which often incorporates special design features, such as
491:
An afterword generally covers the story of how the book came into being, or of how the idea for the book was developed.
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1664:
4799:
1446:
1374:
1310:
1287:
1249:
1138:
327:
5030:
4649:
3323:
2109:
554:
This cites other works consulted when writing the body. It is most common in non-fiction books or research papers.
410:
868:
books) are of the same size and aspect ratio, and are centered on the gutter where they are bound together at the
780:) covered in cloth, leather, or other materials. The binding is usually sewn to the pages using string stitching.
675:
it can be either plain, as in many text-oriented books, or variously ornamented and illustrated in books such as
30:
1050:
466:
This piece of writing at the end of a work of literature or drama is usually used to bring closure to the work.
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962:
273:
4865:
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3508:
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1632:
1505:
764:
Books are classified under two categories according to the physical nature of their binding. The designation
17:
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1607:
1365:
876:
841:
5163:
1525:
virtual exhibition of the German Museum of Books and
Writing, i.a. with a thematic module on book design
1385:
Bassoe, Pedro Thiago. “Judging a book by its cover: Natsume Sōseki, Book Design, and the value of art.”
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1735:
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4997:
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3256:
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35:
5149:
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1536:
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and immediacy is especially important and publishing tradition and formality are less important.
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93:. The folio may also be printed at the bottom of the page, and in that location it is called a
1153:
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A set of leaves bound together. Thus each work is either a volume, or is divided into volumes.
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The structure of a work—and especially of its body matter—is often described hierarchically.
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5207:
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1127:
Integrating
Reading and the Other Language Arts: Foundations of a Whole Language Curriculum
925:
891:
of the page, which frame the book, are made of the appropriate size for both practical and
309:
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8:
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967:
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632:
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3757:
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2199:
2070:
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1997:
1590:
806:
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559:
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3136:
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4706:
4527:
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1370:
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A basic unit in book design is the page spread. The left page and right page (called
819:
684:
231:
156:
5107:
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of the author, sometimes accompanied by a photograph of them. It is written in the
39:
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2184:
1914:
1684:
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1432:
1411:
1343:
1160:
945:
660:, the cover yields all or part of its informational function to the dust jacket.
335:
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A beginning section which states the purpose and goals of the following writing.
223:
1389:, vol. 29, no. 1, 2017, pp. 159–174, https://doi.org/10.1353/roj.2017.0011.
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The Book; a cover-to-cover exploration of the most powerful object of our time
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of the book if the text is to be visible. On the other hand, the other three
776:
ones. The binding of a hardcover book usually includes boards (often made of
688:
5170:
5156:
1977:
1512:
Binding design and paper conservation of antique books, albums and documents
5010:
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On the inside of the cover page, extending to the facing page is the front
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The design of each individual page, on the other hand, is governed by the
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2017:
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1016:
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441:, if used, normally consists of one or more of the following components:
101:
that comprise all of the additional matter that is included in the book.
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667:
sometimes referred as FEP. The free half of the end paper is called a
471:
85:, may be found at the top or the bottom of the page, often flush left
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4691:
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2038:
1950:
1909:
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1755:
1612:
1200:
1051:"How to Format a Book for Publishing | Top 8 tips From Best-Sellers!"
892:
784:
769:
765:
703:
691:. These books have an audience and traditions of their own where the
606:
483:
342:
1518:
The Rollo Books by Jacob Abbott: an example of first edition designs
226:, either to invite comparison, or to enlist a conventional context.
4301:
3348:
3169:
3028:
2847:
2720:
2706:
2531:
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2012:
1987:
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1960:
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Stice, Carole F.; Bertrand, John E.; Bertrand, Nancy Parks (1995).
818:
are one example. Clear or reflective surfaces, flaps, textiles and
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2002:
1982:
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1669:
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380:
331:
259:
27:
Styling, formatting and designing the layout of a book's contents
4681:
3332:
2896:
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1689:
649:
54:
1528:
3393:
2739:
2478:
2446:
2294:
1369:(15th ed.), Chicago, Ill.: University of Chicago Press,
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90:
86:
82:
627:
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1704:
1362:
1345:
The Form of the Book: Essays on the
Morality of Good Design
1024:
61:
into a coherent unit. In the words of renowned typographer
58:
57:, and sequence of the various components and elements of a
702:
is the vertical edge of a book as it normally stands on a
3301:
1106:
1094:
1082:
1716:
1072:
1070:
1124:
989:
796:
Some books such as Bibles or dictionaries may have a
622:
1462:(3rd ed.). New York: W. W. Norton and Company.
1180:
1067:
1416:(19th ed.). Memphis, TN: International Paper.
1154:
1480:The Book of Books: 500 Years of Graphic Innovation
1298:
1030:
1001:
783:A less expensive binding method is that used for
5199:
619:Arabic numbering continues for the back matter.
49:is the art of incorporating the content, style,
1430:
1413:Pocket Pal: A Graphic Arts Production Handbook
656:. When the book has a soft or hard cover with
3317:
3247:Intellectual property protection of typefaces
2310:
2117:
1942:
1544:
334:on the opening page of a book printed by the
2789:
1392:
1174:Spine titles on books and other publications
714:which the title along the spine is rotated:
683:and hobbyist books, novelty/gift-market and
386:The following are two instructive examples:
2131:
2043:
421:
3324:
3310:
2317:
2303:
2124:
2110:
1551:
1537:
1506:Dutch Art Nouveau and Art Deco Book Design
1338:
995:
3273:Punctuation and other typographic symbols
1244:. Cambridge: Cambridge University Press.
463:The narrator (or a character in the book)
4841:Good Design Award (Museum of Modern Art)
1296:
1242:Paratexts; threasholds of interpretation
1186:
835:
626:
326:
29:
1459:Bookmaking: Editing, Design, Production
1277:
1239:
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1112:
1100:
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1036:
14:
5200:
1476:
1431:Hochuli, Jost; Kinross, Robin (1996).
1387:Review of Japanese Culture and Society
1319:
1258:
1048:
1007:
4886:
4846:Good Design Award (Chicago Athenaeum)
4589:
4034:
3361:
3305:
2298:
2105:
1532:
1409:
1395:Nieuwe berekening voor de vormgeving
488:The author, or some other real person
305:Narrator (or a character in the book)
1434:Designing books: practice and theory
1363:University of Chicago Press (2003),
679:, other children's literature, some
254:edition differs from previous ones.
1455:
1199:Drösser, Christoph (9 April 2011).
768:(or hardback) refers to books with
24:
4887:
4790:American Institute of Graphic Arts
1402:
1282:. New York, London: W. W. Norton.
623:Front cover, spine, and back cover
25:
5224:
4800:Design and Industries Association
1803:
1499:
842:J. A. van de Graaf's construction
740:left-to-right and top-to-bottom.
250:Some person other than the author
3286:
3285:
1901:
1715:
1025:University of Chicago Press 2003
3362:
1558:
1220:
1165:
1147:
1118:
652:, with possibly an appropriate
104:
38:for a metalwork book cover (or
4795:Chartered Society of Designers
4035:
2324:
1042:
898:
825:
791:
413:" each containing roughly one
322:
308:Usually present in fiction or
13:
1:
4866:Prince Philip Designers Prize
3509:Architectural lighting design
3242:History of Western typography
978:
822:are other possible features.
4672:Electronic design automation
4655:Virtual home design software
3627:Automotive suspension design
3089:traditional point-size names
1393:Van de Graaf, J. A. (1946).
983:
68:
7:
3531:Environmental impact design
2342:Canons of page construction
2246:List of proofreader's marks
1608:Canons of page construction
1366:The Chicago Manual of Style
1322:Appealing Book Cover Design
963:Interactive children's book
914:
877:canons of page construction
719:top-to-bottom (descending):
706:. Early books did not have
10:
5229:
4810:International Forum Design
4180:Engineering design process
3331:
1523:"Signs – Books – Networks"
1514:(archived 3 December 2013)
1410:Bruno, Michael H. (2007).
1232:
1049:Foster, Zoe (2023-09-04).
829:
805:go even further, by using
757:
753:
734:bottom-to-top (ascending):
605:A brief, single page-long
425:
340:
5145:
4893:
4882:
4823:
4782:
4725:
4615:
4611:
4585:
4041:
4030:
3932:Integrated circuit design
3867:
3854:Stage/set lighting design
3786:
3743:Hardware interface design
3702:
3659:Hardware interface design
3610:
3492:
3372:
3368:
3357:
3339:
3281:
3265:
3197:
3150:
3104:
3044:
2927:
2867:
2825:
2802:
2770:
2730:
2719:
2664:
2618:
2570:
2522:
2499:Subscript and superscript
2454:
2445:
2395:
2332:
2256:
2218:
2137:
2026:
1941:
1900:
1802:
1784:
1736:Anthropodermic bibliopegy
1724:
1713:
1566:
1324:. Yale University Press.
1301:The Book on the Bookshelf
1263:. Yale University Press.
1055:Barnett Ghostwriting Blog
4767:Industrial design rights
4755:Fashion design copyright
4667:Design quality indicator
4116:Creative problem-solving
3907:Electrical system design
3763:Sonic interaction design
3674:Photographic lens design
3548:Healthy community design
3257:Vox-ATypI classification
2387:Intentionally blank page
2076:Intentionally blank page
1477:Lommen, Mathieu (2012).
1297:Petroski, Henry (1999).
1259:Hendel, Richard (1998).
1240:Genette, Gerard (1997).
1159:14 November 2008 at the
848:) and margin proportions
844:of classical text area (
426:Not to be confused with
422:Back matter (end matter)
36:Hans Holbein the Younger
4963:New product development
4928:Enterprise architecture
4856:IF Product Design Award
4815:Design Research Society
4367:Reliability engineering
2132:Book publishing process
1483:. Thames & Hudson.
1348:. Hartley & Marks.
1278:Houston, Keith (2016).
314:Chicago Manual of Style
4419:Top-down and bottom-up
3768:User experience design
3669:Packaging and labeling
3642:Electric guitar design
3580:Landscape architecture
2790:
2044:
1508:(archived 26 May 2013)
1456:Lee, Marshall (2004).
1201:"Linksdrehende BĂĽcher"
866:left-to-right language
849:
772:covers, as opposed to
637:
611:third-person narrative
338:
43:
4948:Innovation management
4831:European Design Award
4597:Intellectual property
4414:Theory of constraints
4377:Responsibility-driven
4217:For manufacturability
4121:Creativity techniques
3959:Nuclear weapon design
3773:User interface design
3637:Corrugated box design
3558:Interior architecture
2166:intellectual property
1320:Taylor, Eric (2008).
839:
630:
392:The Lord of the Rings
364:Chapters and sections
330:
189:Publisher and printer
33:
4993:Unintelligent design
4973:Philosophy of design
4687:Design specification
4640:Comprehensive layout
4212:For behaviour change
4185:Probabilistic design
3947:Power network design
3484:Visual merchandising
3441:Instructional design
3419:Postage stamp design
3127:Typographic features
2195:Developmental editor
2190:Commissioning editor
2162:Contract negotiation
1131:Wadsworth Publishing
957:Other types of books
636:the attention first.
520:Appendix or Addendum
310:narrative nonfiction
4913:Creative industries
4836:German Design Award
4745:Design infringement
4630:Architectural model
3969:Organization design
3964:Nucleic acid design
3912:Experimental design
3465:Traffic sign design
3252:Technical lettering
3151:Typography in other
2892:Hanging punctuation
2174:rates, format, etc.
1305:. Alfred A. Knopf.
968:Interactive fiction
161:Author or publisher
4978:Process simulation
4953:Intelligent design
4277:Intelligence-based
4272:Integrated topside
4202:Framework-oriented
3887:Behavioural design
3758:Information design
3436:Information design
3215:Handwriting script
3142:Desktop publishing
3112:Character encoding
3105:Digital typography
2619:Horizontal aspects
2572:Visual distinction
2430:Widows and orphans
2156:Publisher's reader
2071:Fore-edge painting
2066:Extra-illustration
1115:, p. 329-331.
1103:, p. 294-318.
1091:, p. 144-160.
850:
807:fore-edge painting
685:coffee table books
638:
415:independent clause
339:
44:
5195:
5194:
5141:
5140:
4908:Conceptual design
4878:
4877:
4874:
4873:
4861:James Dyson Award
4717:Website wireframe
4707:Technical drawing
4581:
4580:
4429:Transgenerational
4170:Ecological design
4046:Activity-centered
4026:
4025:
4022:
4021:
4004:Spacecraft design
3798:Public art design
3736:Video game design
3714:Experience design
3684:Production design
3664:Motorcycle design
3622:Automotive design
3526:Ecological design
3404:Film title design
3299:
3298:
3046:Typographic units
2964:For position only
2863:
2862:
2715:
2714:
2292:
2291:
2099:
2098:
1978:Addendum/Appendix
1862:Table of contents
1490:978-0-500-51591-4
1469:978-0-393-73018-0
1423:978-0-9772716-1-0
1355:978-0-88179-116-7
1331:978-0-300-07570-0
1270:978-0-300-07570-0
1226:Van de Graaf 1946
864:respectively, in
840:Page spread with
820:scratch-and-sniff
617:
616:
371:Modules and units
320:
319:
232:Table of contents
16:(Redirected from
5220:
5187:
5180:
5173:
5166:
5159:
5152:
4884:
4883:
4761:Geschmacksmuster
4735:Community design
4613:
4612:
4587:
4586:
4347:Process-centered
4143:Design–bid–build
4111:Cradle-to-cradle
4091:Concept-oriented
4032:
4031:
4009:Strategic design
3979:Processor design
3954:Mechanism design
3922:Geometric design
3882:Algorithm design
3822:Jewellery design
3753:Immersive design
3647:Furniture design
3592:Landscape design
3370:
3369:
3359:
3358:
3326:
3319:
3312:
3303:
3302:
3289:
3288:
3266:Related template
3198:Related articles
2999:Phototypesetting
2853:reverse-contrast
2838:Display typeface
2795:
2772:Blackletter type
2728:
2727:
2665:Vertical aspects
2646:Sentence spacing
2456:Typeface anatomy
2452:
2451:
2319:
2312:
2305:
2296:
2295:
2126:
2119:
2112:
2103:
2102:
2047:
1776:Treasure binding
1719:
1553:
1546:
1539:
1530:
1529:
1494:
1473:
1452:
1427:
1398:
1379:
1359:
1335:
1316:
1304:
1293:
1274:
1255:
1227:
1224:
1218:
1217:
1215:
1213:
1196:
1190:
1184:
1178:
1169:
1163:
1151:
1145:
1144:
1122:
1116:
1110:
1104:
1098:
1092:
1086:
1080:
1074:
1065:
1064:
1062:
1061:
1046:
1040:
1034:
1028:
1022:
1011:
1005:
999:
993:
444:
443:
437:, also known as
120:
119:
40:treasure binding
21:
5228:
5227:
5223:
5222:
5221:
5219:
5218:
5217:
5213:Book publishing
5198:
5197:
5196:
5191:
5185:
5178:
5171:
5164:
5157:
5150:
5137:
4938:Futures studies
4889:
4870:
4819:
4778:
4727:
4721:
4607:
4606:
4577:
4483:Value sensitive
4473:User innovation
4352:Public interest
4317:Object-oriented
4037:
4018:
3999:Software design
3989:Research design
3942:Physical design
3897:Database design
3871:
3869:
3863:
3839:Property design
3834:Game art design
3788:
3782:
3705:
3698:
3613:
3606:
3563:Interior design
3514:Building design
3495:
3488:
3375:
3364:
3353:
3335:
3330:
3300:
3295:
3277:
3261:
3193:
3153:writing systems
3152:
3146:
3100:
3040:
2984:Microtypography
2923:
2859:
2821:
2798:
2766:
2723:classifications
2722:
2711:
2660:
2614:
2580:Blackboard bold
2566:
2518:
2441:
2391:
2382:Recto and verso
2328:
2323:
2293:
2288:
2257:Book production
2252:
2214:
2200:Authors' editor
2185:Literary editor
2133:
2130:
2100:
2095:
2022:
1937:
1933:Tipped-in pages
1896:
1877:Acknowledgments
1798:
1780:
1727:
1720:
1711:
1685:Recto and verso
1571:
1562:
1557:
1502:
1497:
1491:
1470:
1449:
1424:
1405:
1403:Further reading
1382:
1377:
1356:
1340:Tschichold, Jan
1332:
1313:
1290:
1271:
1252:
1235:
1230:
1225:
1221:
1211:
1209:
1197:
1193:
1185:
1181:
1170:
1166:
1161:Wayback Machine
1152:
1148:
1141:
1133:. p. 490.
1123:
1119:
1111:
1107:
1099:
1095:
1087:
1083:
1075:
1068:
1059:
1057:
1047:
1043:
1035:
1031:
1023:
1014:
1006:
1002:
996:Tschichold 1991
994:
990:
986:
981:
946:Recto and verso
917:
901:
834:
828:
794:
762:
756:
625:
431:
424:
357:Books and parts
345:
336:Kelmscott Press
325:
274:Acknowledgments
192:(Also known as
107:
71:
28:
23:
22:
15:
12:
11:
5:
5226:
5216:
5215:
5210:
5193:
5192:
5190:
5189:
5182:
5175:
5168:
5161:
5154:
5146:
5143:
5142:
5139:
5138:
5136:
5135:
5130:
5125:
5120:
5115:
5110:
5105:
5100:
5095:
5090:
5085:
5080:
5075:
5070:
5065:
5060:
5055:
5050:
5045:
5040:
5039:
5038:
5033:
5023:
5018:
5013:
5006:
5005:
5003:Wicked problem
5000:
4995:
4990:
4985:
4980:
4975:
4970:
4965:
4960:
4955:
4950:
4945:
4940:
4935:
4930:
4925:
4920:
4915:
4910:
4905:
4900:
4894:
4891:
4890:
4888:Related topics
4880:
4879:
4876:
4875:
4872:
4871:
4869:
4868:
4863:
4858:
4853:
4848:
4843:
4838:
4833:
4827:
4825:
4821:
4820:
4818:
4817:
4812:
4807:
4805:Design Council
4802:
4797:
4792:
4786:
4784:
4780:
4779:
4777:
4776:
4775:
4774:
4772:European Union
4764:
4757:
4752:
4747:
4742:
4737:
4731:
4729:
4723:
4722:
4720:
4719:
4714:
4709:
4704:
4699:
4694:
4689:
4684:
4679:
4674:
4669:
4664:
4659:
4658:
4657:
4652:
4642:
4637:
4632:
4627:
4621:
4619:
4609:
4608:
4605:
4604:
4601:
4598:
4595:
4591:
4583:
4582:
4579:
4578:
4576:
4575:
4570:
4565:
4560:
4555:
4550:
4545:
4540:
4535:
4530:
4525:
4520:
4515:
4510:
4505:
4500:
4493:
4492:
4491:
4490:
4480:
4475:
4470:
4469:
4468:
4458:
4453:
4451:Usage-centered
4448:
4447:
4446:
4444:Design for All
4436:
4431:
4426:
4424:Transformation
4421:
4416:
4411:
4406:
4405:
4404:
4394:
4389:
4384:
4379:
4374:
4372:Research-based
4369:
4364:
4359:
4354:
4349:
4344:
4339:
4337:Platform-based
4334:
4329:
4324:
4319:
4314:
4309:
4304:
4299:
4294:
4289:
4287:KISS principle
4284:
4279:
4274:
4269:
4264:
4259:
4254:
4249:
4244:
4239:
4234:
4229:
4224:
4219:
4214:
4209:
4204:
4199:
4197:Fault-tolerant
4194:
4192:Error-tolerant
4189:
4188:
4187:
4177:
4175:Energy neutral
4172:
4167:
4162:
4157:
4156:
4155:
4145:
4140:
4135:
4134:
4133:
4131:Design fiction
4123:
4118:
4113:
4108:
4103:
4098:
4093:
4088:
4083:
4078:
4073:
4068:
4063:
4058:
4053:
4048:
4042:
4039:
4038:
4028:
4027:
4024:
4023:
4020:
4019:
4017:
4016:
4014:Systems design
4011:
4006:
4001:
3996:
3991:
3986:
3984:Protein design
3981:
3976:
3974:Process design
3971:
3966:
3961:
3956:
3951:
3950:
3949:
3944:
3939:
3937:Circuit design
3929:
3924:
3919:
3914:
3909:
3904:
3899:
3894:
3889:
3884:
3878:
3876:
3865:
3864:
3862:
3861:
3859:Textile design
3856:
3851:
3846:
3841:
3836:
3831:
3826:
3825:
3824:
3819:
3817:Costume design
3812:Fashion design
3809:
3800:
3794:
3792:
3784:
3783:
3781:
3780:
3775:
3770:
3765:
3760:
3755:
3750:
3745:
3740:
3739:
3738:
3733:
3723:
3722:
3721:
3710:
3708:
3700:
3699:
3697:
3696:
3694:Service design
3691:
3689:Sensory design
3686:
3681:
3679:Product design
3676:
3671:
3666:
3661:
3656:
3655:
3654:
3644:
3639:
3634:
3629:
3624:
3618:
3616:
3608:
3607:
3605:
3604:
3599:
3597:Spatial design
3594:
3589:
3588:
3587:
3577:
3575:Keyline design
3572:
3571:
3570:
3560:
3555:
3550:
3545:
3544:
3543:
3541:Computer-aided
3533:
3528:
3523:
3522:
3521:
3511:
3506:
3500:
3498:
3490:
3489:
3487:
3486:
3481:
3476:
3467:
3458:
3453:
3448:
3443:
3438:
3433:
3428:
3427:
3426:
3421:
3416:
3409:Graphic design
3406:
3401:
3399:Exhibit design
3396:
3391:
3386:
3380:
3378:
3366:
3365:
3355:
3354:
3352:
3351:
3346:
3340:
3337:
3336:
3329:
3328:
3321:
3314:
3306:
3297:
3296:
3294:
3293:
3282:
3279:
3278:
3276:
3275:
3269:
3267:
3263:
3262:
3260:
3259:
3254:
3249:
3244:
3239:
3234:
3229:
3224:
3223:
3222:
3217:
3212:
3201:
3199:
3195:
3194:
3192:
3191:
3190:
3189:
3187:National Fonts
3179:
3174:
3173:
3172:
3162:
3156:
3154:
3148:
3147:
3145:
3144:
3139:
3134:
3132:Web typography
3129:
3124:
3119:
3114:
3108:
3106:
3102:
3101:
3099:
3098:
3093:
3092:
3091:
3081:
3076:
3071:
3066:
3061:
3056:
3050:
3048:
3042:
3041:
3039:
3038:
3037:
3036:
3026:
3021:
3016:
3011:
3009:Reversing type
3006:
3001:
2996:
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2986:
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2976:
2971:
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2904:
2894:
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2865:
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2858:
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2829:
2827:
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2820:
2819:
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2808:
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2800:
2799:
2797:
2796:
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2713:
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2684:
2679:
2674:
2668:
2666:
2662:
2661:
2659:
2658:
2653:
2648:
2643:
2638:
2636:Letter-spacing
2633:
2628:
2622:
2620:
2616:
2615:
2613:
2612:
2607:
2602:
2597:
2592:
2590:Color printing
2587:
2582:
2576:
2574:
2568:
2567:
2565:
2564:
2559:
2554:
2549:
2544:
2539:
2534:
2528:
2526:
2524:Capitalization
2520:
2519:
2517:
2516:
2511:
2506:
2501:
2496:
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2401:
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2374:
2369:
2364:
2362:Page numbering
2359:
2354:
2349:
2344:
2338:
2336:
2330:
2329:
2322:
2321:
2314:
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2151:Literary agent
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803:artist's books
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693:graphic design
689:graphic novels
681:arts and craft
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4222:For Six Sigma
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4165:Domain-driven
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4079:
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4061:Brainstorming
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4015:
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3994:Social design
3992:
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3827:
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1187:Petroski 1999
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18:Book designer
4988:STEAM fields
4958:Lean startup
4943:Indie design
4759:
4726:Intellectual
4478:Value-driven
4456:Use-centered
4362:Regenerative
4342:Policy-based
4302:Mind mapping
4207:For assembly
4148:Design–build
4066:By committee
4051:Adaptive web
3849:Sound design
3807:glass design
3805: /
3790:applied arts
3731:Level design
3602:Urban design
3553:Hotel design
3504:Architecture
3479:Video design
3472: /
3463: /
3431:Illustration
3424:Print design
3394:Brand design
3388:
3237:Type foundry
3074:Metric units
3004:Punchcutting
2989:Movable type
2959:Font catalog
2919:Vertical bar
2656:Word spacing
2626:Figure space
2509:Text figures
2352:Even working
2225:
2210:Copy editing
1993:Bibliography
1882:Introduction
1842:Nihil obstat
1822:Frontispiece
1804:Front matter
1638:Illumination
1559:
1479:
1458:
1439:Hyphen Press
1433:
1412:
1394:
1386:
1364:
1344:
1321:
1300:
1279:
1260:
1241:
1222:
1210:. Retrieved
1204:
1194:
1182:
1173:
1167:
1149:
1126:
1120:
1113:Houston 2016
1108:
1101:Genette 1997
1096:
1089:Genette 1997
1084:
1077:Genette 1997
1058:. Retrieved
1054:
1044:
1037:Genette 1997
1032:
1003:
991:
951:Page (paper)
921:Galley proof
908:
904:
902:
881:
874:
859:
853:
851:
845:
795:
782:
763:
760:Book binding
749:
745:
742:
738:
733:
727:
723:
718:
712:
697:
668:
662:
654:illustration
639:
618:
547:Bibliography
438:
434:
432:
390:
385:
378:
346:
288:Introduction
157:Frontispiece
116:
108:
105:Front matter
94:
72:
46:
45:
5208:Book design
5026:competition
4983:Slow design
4933:Form factor
4903:Concept art
4712:HTML editor
4392:Sustainable
4227:For testing
4071:By contract
3927:Work design
3902:Drug design
3874:engineering
3748:Icon design
3726:Game design
3704:Interaction
3652:Sustainable
3585:Sustainable
3474:Type design
3451:Photography
3446:News design
3389:Book design
3384:Advertising
3363:Disciplines
3232:Type design
3227:Style guide
3220:Calligraphy
3210:Handwriting
3024:Type design
2974:Lorem ipsum
2969:Letterpress
2929:Typesetting
2869:Punctuation
2833:Record type
2804:Gaelic type
2792:Schwabacher
2682:Body height
2547:Letter case
2415:Line length
2236:Typesetting
2205:Book editor
2141:preparation
2091:Thumb index
2057:Die-cutting
2018:Author page
1943:Back matter
1902:Body matter
1751:Dust jacket
1741:Bookbinding
1728:back covers
1695:Rubrication
1648:Historiated
1568:Page layout
1560:Book design
1008:Hendel 1998
973:Pop-up book
931:Letterpress
905:print space
899:Print space
846:print space
832:Page layout
826:Page spread
798:thumb index
792:Other items
658:dust jacket
642:front cover
435:back matter
323:Body matter
79:page number
75:blind folio
47:Book design
5202:Categories
5186:Wiktionary
5179:Wikisource
5133:technology
5103:principles
4702:Storyboard
4528:management
4523:leadership
4488:Privacy by
4327:Parametric
4297:Metadesign
4267:Integrated
4257:High-level
4242:Generative
4237:Functional
4106:Continuous
4101:Contextual
4076:C-K theory
4036:Approaches
3778:Web design
3632:CMF design
3612:Industrial
3470:Typography
3205:Penmanship
3177:East Asian
3019:Type color
2952:monospaced
2909:Interpunct
2902:minus sign
2826:Specialist
2762:Sans-serif
2755:slab serif
2732:Roman type
2687:Cap height
2651:Thin space
2610:Whitespace
2562:Title case
2557:Snake case
2552:Small caps
2537:Camel case
2469:Diacritics
2377:Pull quote
2372:Pagination
2367:Paper size
2326:Typography
2147:Submission
2053:Book rhyme
2034:Book curse
1973:Postscript
1956:Conclusion
1852:Dedication
1847:Imprimatur
1827:Title page
1812:Half-title
1726:Front and
1680:Pull quote
1581:Annotation
1573:typography
1437:. London:
1060:2023-10-16
979:References
830:See also:
816:Eric Carle
778:paperboard
673:publishing
509:Postscript
497:Conclusion
439:end matter
202:Dedication
171:Title page
135:Half title
95:drop folio
34:Design by
5172:Wikiquote
5158:Wikibooks
5108:rationale
5073:knowledge
5048:education
4968:OODA loop
4692:Prototype
4677:Flowchart
4635:Blueprint
4503:computing
4439:Universal
4387:Safe-life
4292:Low-level
4282:Iterative
4262:Inclusive
4247:Geodesign
4138:Defensive
4086:Co-design
4056:Affective
2702:Overshoot
2697:Mean line
2692:Descender
2605:Underline
2447:Character
2425:Runaround
2405:Alignment
2397:Paragraph
2045:ex-librīs
2039:Bookplate
1951:Afterword
1910:Body text
1786:Endpapers
1766:Paperback
1756:Hardcover
1665:Miniature
1653:Inhabited
1633:Headpiece
1613:Catchword
1172:ISO 6357
984:Citations
909:type area
895:reasons.
893:aesthetic
785:paperback
766:hardcover
704:bookshelf
607:biography
577:Publisher
564:Publisher
484:Afterword
428:endpapers
400:Christian
343:Body text
236:Publisher
175:Publisher
139:Publisher
99:paratexts
69:Structure
5165:Wikinews
5098:paradigm
5078:language
5058:engineer
5053:elements
5043:director
4728:property
4573:thinking
4563:strategy
4548:research
4508:controls
4466:Empathic
4397:Systemic
4357:Rational
4312:New Wave
4126:Critical
3349:Designer
3291:Category
3170:PT Fonts
3165:Cyrillic
3029:Typeface
2947:computer
2848:fat face
2721:Typeface
2707:x-height
2677:Baseline
2672:Ascender
2532:All caps
2494:Rotation
2489:Ligature
2484:Ink trap
2279:Trimming
2264:Printing
2231:Indexing
2219:Prepress
2086:Slipcase
2013:Postface
2008:Colophon
1988:Glossary
1983:Endnotes
1961:Epilogue
1928:Sections
1915:Chapters
1887:Prologue
1867:Foreword
1857:Epigraph
1700:Typeface
1670:Ornament
1586:Footnote
1342:(1991).
1206:Die Zeit
1157:Archived
915:See also
814:work of
774:flexible
665:endpaper
587:Postface
573:Colophon
533:Glossary
459:Epilogue
453:Purpose
409:) into "
407:citation
381:initials
301:Prologue
246:Foreword
215:Epigraph
149:endpaper
129:Purpose
5151:Commons
5123:studies
5068:history
5036:student
5021:classic
5009:Design
4923:.design
4851:Graphex
4553:science
4543:pattern
4538:methods
4513:culture
4496:Design
4307:Modular
4160:Diffuse
4081:Closure
3803:Ceramic
3461:Signage
3344:Outline
3117:Hinting
2994:Pangram
2812:Insular
2785:Rotunda
2780:Fraktur
2745:Antiqua
2631:Kerning
2600:Oblique
2595:Italics
2542:Initial
2474:Dingbat
2464:Counter
2410:Leading
2284:Imprint
2274:Binding
2269:Folding
2180:Editing
2172:royalty
2081:Pop-ups
2061:Endband
1872:Preface
1794:Marbled
1761:Leather
1746:Buckram
1643:Initial
1601:Scholia
1233:Sources
1212:9 April
1176:, 1985.
926:Imprint
889:margins
754:Binding
669:flyleaf
368:titles.
351:Volumes
332:Initial
260:Preface
77:). The
5128:studio
5113:review
5093:museum
5016:change
4824:Awards
4697:Sketch
4682:Mockup
4662:CAutoD
4603:Awards
4568:theory
4558:sprint
4533:marker
4498:choice
3872:&
3870:design
3706:design
3614:design
3496:design
3414:Motion
3376:design
3333:Design
3160:Arabic
3059:Cicero
2897:Hyphen
2882:Bullet
2843:script
2817:Uncial
2750:Didone
2514:Tittle
2357:Margin
2347:Column
2226:Design
2168:rights
2003:Errata
1690:Rubric
1660:Margin
1628:Header
1623:Footer
1618:Column
1487:
1466:
1445:
1420:
1373:
1352:
1328:
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1267:
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1137:
811:Pop-up
708:titles
687:, and
650:author
602:Author
598:Author
551:Author
537:Author
524:Author
501:Author
411:verses
375:units.
361:parts.
292:Author
278:Author
264:Author
219:Author
206:Author
147:or an
55:design
51:format
5011:brief
4898:Agile
4617:Tools
4594:Tools
4232:For X
3868:Other
3787:Other
3084:Point
3054:Agate
2914:Space
2740:Serif
2641:Pitch
2504:Swash
2479:Glyph
2420:River
1998:Index
1966:Outro
1924:Parts
1591:Gloss
885:spine
870:spine
861:recto
855:verso
770:stiff
700:spine
646:title
633:spine
560:Index
472:Outro
450:Voice
403:Bible
145:verso
126:Voice
91:recto
87:verso
83:folio
81:, or
5088:load
5083:life
5063:firm
4650:CAID
4518:flow
4434:TRIZ
4322:Open
3182:Thai
3096:Twip
3079:Pica
3034:list
3014:Sort
2942:Font
2887:Dash
2873:List
2585:Bold
2435:runt
2334:Page
2139:Copy
1705:Font
1570:and
1485:ISBN
1464:ISBN
1443:ISBN
1418:ISBN
1371:ISBN
1350:ISBN
1326:ISBN
1307:ISBN
1284:ISBN
1265:ISBN
1246:ISBN
1214:2011
1135:ISBN
903:The
858:and
698:The
640:The
631:The
447:Name
433:The
398:The
123:Name
59:book
4645:CAD
4625:AAD
4402:SOD
4382:RWD
4252:HCD
3719:EED
3568:EID
907:or
648:or
316:).
5204::
3069:En
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1143:.
1063:.
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1027:.
1010:.
998:.
430:.
417:.
42:)
20:)
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