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In 1832 Boehm introduced a new conical-bore flute, which achieved a fair degree of success. Boehm, however, continued to look for ways to improve the instrument. Finding that an increased volume of air produced a stronger and clearer tone, he replaced the conical bore with a cylindrical bore, finding
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The cylindrical Boehm flute was introduced in 1847, with the instrument gradually being adopted almost universally by professional and amateur players in Europe and around the world during the second half of the 19th century. The instrument was adopted for the performance of orchestral and chamber
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In addition to large holes, Boehm provided his flute with "full venting", meaning that all keys were normally open (previously, several keys were normally closed, and opened only when the key was operated). Boehm also wanted to locate tone holes at acoustically optimal points on the body of the
171:, who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own large-holed design.
207:). Many further refinements have been made, and countless design variations are common among flutes today (the "offset G" key, addition of the low B foot, etc.) The concepts of the Boehm system have been applied across the range of flutes available, including
179:, German for "eyeglasses", as they resembled the type of eyeglass frames common during the 19th century) that were fitted around other tone holes, such that the closure of one tone hole by a finger would also close a key placed over a second hole.
191:. He also found that optimal tone was produced when the tone holes were too large to be covered by the fingertips, and he developed a system of finger plates to cover the holes. These new flutes were at first made of
167:(the openings where the fingers are placed to produce specific notes) that were small in size, and thus easily covered by the fingertips. Boehm's work was inspired by an 1831 concert in London, given by soloist
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instrument, rather than locations conveniently covered by the player's fingers. To achieve these goals, Boehm adapted a system of axle-mounted keys with a series of "open rings" (called
219:, and so on, as well as other wind instruments. The material of the instrument may vary (many piccolos are made of wood, some very large flutes are wooden or even made of
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music, opera and theater, wind ensembles (e.g., military and civic bands), and most other music which might be loosely described as relating to "
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is perhaps the oldest musical instrument, other than the human voice itself. There are very many flutes, both traversely blown and end-blown "
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Immediately prior to the development of the Boehm system, flutes were most commonly made of wood, with an inverse conical
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have been made, but non-Boehm systems remain predominant for these instruments. The
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and not Boehm himself. The Boehm system was also adapted for a small number of
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closely resembles the Boehm system. A key system inspired by Boehm's for the
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This article is about the flute system. For the clarinet system, see
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327:"Boehm-System Bassoons in the 19th Century"
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116:Learn how and when to remove this message
269:is another key system for the clarinet.
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364:Woodwind Instruments and Their History
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257:. Boehm did work on a system for the
303:Pentreath, Rosie (27 October 2023).
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54:adding citations to reliable sources
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305:"Why are flutes held to the side?"
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292:. London: Rudall, Carte & Co.
249:", although it was developed by
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187:hole improved the instrument's
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16:System of keywork for the flute
921:Musical performance techniques
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245:family is also known as the "
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368:. New York: Dover. pp.
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286:Welch, Christopher (1883).
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289:History of the Boehm flute
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608:Jacques-Martin Hotteterre
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766:Jupiter Band Instruments
360:Baines, Anthony (1991).
201:Western classical music
151:between 1831 and 1847.
21:Boehm system (clarinet)
419:Western concert flutes
688:Johann Joachim Quantz
261:, and Boehm-inspired
829:List of compositions
781:Sankyo Flute Company
372:–323, 326–328, 336.
50:improve this article
880:Simple system flute
860:French Flute School
618:Rahsaan Roland Kirk
598:Severino Gazzelloni
558:Leonardo De Lorenzo
480:Subcontrabass flute
786:Yamaha Corporation
693:Jean-Pierre Rampal
163:, eight keys, and
911:Music performance
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708:Karl-Heinz SchĂĽtz
673:Charles Nicholson
543:Giulio Briccialdi
503:List of flautists
470:Contra-alto flute
331:idrs.colorado.edu
169:Charles Nicholson
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855:Flute beatboxing
771:Muramatsu Flutes
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728:Karlheinz Zöller
593:Philippe Gaubert
475:Contrabass flute
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67: –
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61:Find sources:
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39:This article
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28:
27:
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850:Boehm system
849:
824:Flute sonata
814:Flute method
797:compositions
738:Flute makers
668:James Newton
663:Marcel Moyse
648:Alain Marion
588:James Galway
578:Dieter Flury
573:Louis Fleury
533:Andreas Blau
513:Julius Baker
508:Ian Anderson
440:Treble flute
427:Flute family
363:
339:. Retrieved
335:the original
330:
320:
308:. Retrieved
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288:
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247:Boehm system
236:
225:
197:
189:low register
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130:Boehm system
129:
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48:Please help
43:verification
40:
761:Gemeinhardt
658:Louis Moyse
643:Herbie Mann
638:Hubert Laws
563:Robert Dick
217:bass flutes
213:alto flutes
895:Categories
870:Jazz flute
523:Tim Barsky
465:Bass flute
460:Alto flute
341:8 February
310:8 February
273:References
255:flageolets
185:embouchure
165:tone holes
76:newspapers
906:Clarinets
865:Gizmo key
239:saxophone
495:Flutists
243:clarinet
209:piccolos
146:flautist
142:inventor
136:for the
435:Piccolo
259:bassoon
155:History
134:keywork
90:scholar
901:Flutes
376:
232:fipple
193:silver
177:brille
92:
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838:Other
263:oboes
228:flute
138:flute
97:JSTOR
83:books
374:ISBN
343:2024
312:2024
226:The
205:jazz
161:bore
144:and
128:The
69:news
370:320
223:).
221:PVC
52:by
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