125:"I was struck with the volume of the tone of Nicholson, who was then in the full vigour of his talent. This power was the result of the extraordinary size of the holes of his flute, but it required his marvellous skill and his excellent embouchure to mask the want of accuracy of intonation and equality of tone resulting from the position of the holes, which was incorrect and repugnant to the elementary principles of acoustics"
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Concerts from 1816-1836, and first flautist with the principal theater orchestras. He toured extensively in
Britain, but never on the Continent. Besides giving classes to many students, he wrote tutors for flute-playing which were published throughout the 19th century.
121:"I did as well as any continental flutist could have done, in London, in 1831, but I could not match Nicholson in power of tone, wherefore I set to work to remodel my flute. Had I not heard him, probably the Boehm flute would never have been made."
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Nicholson used a flute made by George Astor & Co., a London-based firm operating from c1778 to c1831. His father, also a celebrated flautist, modified the instrument, lining the headpiece with metal, enlarging the
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to produce the 'Nicholson's
Improved'. The structure of his new flute favoured flat keys such as E flat, A flat, and F and C minor. Nicholson's variations on
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and toneholes with a view to making the flute's tone more powerful, yet still delicate, permitting the usual fingerings in the third octave, facilitating
127:. From all accounts Nicholson had uncommonly large hands, and had even larger holes on his personal flute than those on the flutes bearing his name.
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Boehm promptly designed and marketed a new flute, embodying the earliest recognizable features of the modern flute.
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style on the modified flute had become accepted in London, he licensed several London flute makers such as
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style in which he excelled. These remained important features of
English flute-playing until after 1890.
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a glide — a portamento done by more-or-less slowly sliding one or more fingers off their holes
46:-born flautist and composer, who performed regularly in London. He was soloist at many of the
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115:'s being greatly impressed by the flute's powerful tone on a visit in 1831. Writing to
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96:, in F minor which he wrote in 1836, are typical of the 'National Melodies' in the
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109:"the first native professional instrumentalist to achieve star status in Britain"
111:, Nicholson's present renown owes less to his personal style of playing than to
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168:"Performing English Taste Charles Nicholson's 'Gothick' Style"
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156:Charles Nicholson's arrangement of Roslin Castle
210:"Boehm, Nicholson and the English flute style"
19:For other people named Charles Nicholson, see
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21:Charles Nicholson (disambiguation)
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119:in August 1871, Boehm notes:
16:English inventor and flautist
244:Charles Nicholson (flautist)
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257:The Flute Book - Nancy Toff
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42:(1795–1837), was a
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107:regards Nicholson as
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246:at Wikimedia Commons
48:Philharmonic Society
76:Clementi & Co.
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282:British flautists
242:Media related to
40:Charles Nicholson
32:Charles Nicholson
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212:. Archived from
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173:. Archived from
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84:Rudall and Rose
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216:on 2012-10-14
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123:He also says
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117:Mr. Broadwood
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218:. Retrieved
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103:Even though
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277:1837 deaths
272:1795 births
266:Categories
220:2009-02-26
184:2009-02-26
134:References
57:embouchure
70:Once his
44:Liverpool
65:vibratos
72:bravura
98:adagio
88:Potter
86:, and
61:glides
34:(1834)
178:(PDF)
171:(PDF)
80:Astor
63:and
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