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Bernward Column

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253:, which "weighed about a hundred pounds", was also melted down and replaced by a wooden capital of identical shape and size, meant to hide the replacement. An engraving by Johann Ludwig Brandes (1730) indicates that it was decorated with figures. Since figural capitals of this kind are otherwise only attested from the twelfth century, it has been suggested that the capital that was melted down was not the Bernwardian original either, and that this original was replaced during the renovation of the cloister church in the second half of the twelfth century. The rest of the column was not melted down in the following years (despite its value as raw material) because of its ancient significance as a 386: 89: 1143:...Hildeslieini...cathedral...contains superb work by its Bishop Bernward, who was a notable smith, both in iron and in precious metals. He died in 1022. He cast the bronze gates, 16 feet high, for his cathedral in' 1015. They are unsurpassed as' specimens of early metal work. In the square before the cathedral stands' a brazen pillar of his workmanship. It is 14 feet high, and bears a brass relief of 28 representations of our Lord's Life and Passion, winding round it in a scroll, from the base upwards, after the manner of those of Trajan's column. This Bernward completed just before his death... 101: 109: 121: 26: 358: 400: 372: 203:, the foundation and final resting place of Bishop Bernward. It initially stood in the east choir, behind the altar, with a triumphal cross. This location under the triumphal arch was proposed by Gallistl using literary sources and confirmed in 2006 by excavations. In addition, in front of the altar stood a column of eastern Mediterranean marble covered in copper. According to later sources, it was a gift from 233:, which was also equated with the forehall of the Temple of Solomon. Furthermore, the distance of roughly 42 metres (138 ft) between the original location of the column and the grave of Bernward in the west crypt of St. Michael's matched the distance between the Rotunda of the Resurrection and 244:
in Hildesheim, the cross on top of the column was removed by iconoclasts. It was melted down and recast as a cannon, suggesting that it was of considerable size. After the demolition of the east choir of St. Michael's in 1650 and the resulting collapse of the east
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of the Catholic cloister (1803) and the abolition of the Protestant parish of St. Michael's (1810), the column was removed on the private initiative of diocese officials and installed in the north of the
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gave the column a new bronze capital, which was meant to imitate the wooden capital or an illustration of it and to indirectly preserve the appearance of the old bronze capital, which had supported an
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of Jesus. Both artworks, like the rest of Bernward's artistic and architectural programme, reflect his efforts to put his seat in the position of a northern Rome in the context of the
304:. Just as those stone columns depict the military deeds of the Emperor in an upward spiralling frieze, so the Bernward column depicts the peaceful deeds of Christ, beginning with his 225:, which was also meant to have been a gift from Otto III to Bernward, hung above the Bernward Column until 1662, with a porphyry jug in the centre that was claimed to derive from the 1467: 191:. During the restoration of the cathedral from 2010 to 2014, it was moved back to its original location in St. Michael's, but was returned to the Cathedral in August 2014. 958:
An important indicator of the liturgical significance of the Bernward column is its original location on the central axis of St. Michael's, near the altar, where
1285: 1154: 266: 270: 343:'s renewed Christian Roman Empire and also to emphasise Christ as a model of just and godly kingship for the rulers. For this reason, the execution of 1263: 1423:
Bernhard Gallistl, "In Faciem Angelici Templi. Kultgeschichtliche Bemerkungen zu Inschrift und ursprĂĽnglicher Platzierung der BernwardstĂĽr."
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On 30 September 2009 it was moved back to St. Michael's for the duration of the cathedral renovations, which lasted until August 2014.
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Mit Fotos von Johannes Scholz, Veröffentlichungen des Landschaftsverbandes Hildesheim e.V. Verlag Georg Olms. Hildesheim 1993.
974:. The references to the Lenten and penitential rites, which are also found in the imagery of the Bernward Doors, support this. 1532: 1201: 1034: 853: 691: 323:
The column is significant for the vitality of the figural relief, which is unusual for the time. The relief complements the
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The Bernward column, which is 3.79 metres (12.4 ft) high and 58 centimetres (23 in) in diameter, is a
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Der Hildesheimer Dom: Architektur, Ausstattung (Die Diözese Hildesheim in Vergangenheit und Gegenwart)
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St. Michael in Hildesheim: Forschungsergebnisse zur bauarchäologischen Untersuchung im Jahr 2006
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Bernward von Hildesheim und das Zeitalter der Ottonen, Katalog der Ausstellung 1993.
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Alfred Ehrhardt: The Bernward Column of Hildesheim. / Photography and film 1964
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Der Dom zu Hildesheim und sein Weltkulturerbe, Bernwardstür und Christussäule.
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between the cathedral and the Bishop's house. In 1870 the Hildesheim sculptor
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Der Dom zu Hildesheim und sein Weltkulturerbe, Bernwardstür und Christussäule
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in the Church of the Holy Sepulchre, according to the reports of pilgrims.
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that Bernward had cast from bronze in conscious imitation of the marble
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topped by a bronze crucifix. In 1893 it was moved into the cathedral.
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The altar was equated with the offering table in the forehall of the
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3.79 m (149 in); 0.58 m diameter (23 in)
604: 234: 184: 1188:"Grabungszeichnung Harenberg", in Christiane Segers-Glocke (ed.), 1127: 480: 1131:. No. 15333. Victoria, Australia. 30 April 1904. p. 18 124:
Welcoming the Berward Column to St. Michael's, 30 September 2009
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MA-Arbeit. Institut fĂĽr Kunstgeschichte. FU Berlin. 2008
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Die Bernwardsäule und die Michaeliskirche zu Hildesheim.
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The Bernward Column in Hildesheim Cathedral (since 1893)
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The individual biblical scenes on the Bernward column:
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Jahrbuch fĂĽr Geschichte und Kunst im Bistum Hildesheim
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Victor Heinrich Elbern, Hermann Enger, Hans Reuther,
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Verlag Schnell & Steiner GmbH, Regensburg 2009,
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Bernwards Säule - Schätze aus dem Dom zu Hildesheim.
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The Bernward Column in the Domhof (1810–1893)
96:(before 1810). Reconstruction by Carpiceci/Gallistl 966:. In the reliefs the importance of the gospels on 970:is emphasised, which might be connected with the 1509: 194: 1042:Die Bernwardsäule, Lebensbaum und Siegessäule. 1403:Der Dom zu Hildesheim und sein Weltkulturerbe 1377:Der Dom zu Hildesheim und sein Weltkulturerbe 1351:Der Dom zu Hildesheim und sein Weltkulturerbe 1325:Der Dom zu Hildesheim und sein Weltkulturerbe 1194:Niedersächsisches Landesamt fĂĽr Denkmalpflege 167:, Germany, and regarded as a masterpiece of 1281: 1279: 316:. The column was originally crowned with a 183:: it was originally topped with a cross or 1139:– via National Library of Australia. 953: 994:, bought for ÂŁ18 from one F. KĂĽnsthardt. 364:Summoning of the disciples James and John 1276: 217:, which also stood between two columns ( 119: 107: 99: 87: 1010:Michael Brandt, Arne Eggebrecht (ed.): 1003:Heinz Josef Adamski, Hermann Wehmeyer: 762:- Lazarus at the table of the rich man 700:Raising of the son of the widow of Nain 406:Raising of the son of the widow of Nain 1510: 1061:https://www.jstor.org/stable/i40095959 1005:Die Christussaule im Dom zu Hildesheim 112:The column in the cathedral, with the 1249:Ancient world heritage in a new light 1155:"Bernward's Column (Christ's Column)" 1147: 692:Jesus and the woman taken in adultery 1014:vol. II, Bernward, Hildesheim 1993, 813:Healing the two blind men in Galilee 568:Commissioning of the Twelve Apostles 1538:Medieval European metalwork objects 1437:Victoria and Albert Museum (2012). 13: 1298:Medieval Treasures from Hildesheim 1228:Die Michaeliskirche in Hildesheim. 1226:Hartwig Beseler, Hans Roggenkamp. 551:Gallistl: Mission of the twelve ( 14: 1549: 1461: 643:Beheading of St. John the Baptist 240:In 1544, during the chaos of the 199:The Bernward Column was made for 179:, arranged in a helix similar to 1439:"Scenes from the Life of Christ" 1089:Zur Bernwardsäule in Hildesheim. 1082:Die Bernwardsäule zu Hildesheim. 661:Jesus healing the bleeding woman 398: 384: 370: 356: 351:is given a great deal of space. 201:St. Michael's Church, Hildesheim 24: 1430: 1417: 1408: 1395: 1382: 1369: 1356: 1343: 1330: 1317: 1304: 1290: 1254: 997: 392:The Samaritan woman at the well 1242: 1233: 1220: 1207: 1182: 1173: 1157:. Domsanierung. Archived from 1115: 1102: 931:Triumphal entry into Jerusalem 820:Gallistl: Healing the sick of 314:triumphal entry into Jerusalem 283: 1: 1427:75/76 (2007/2008) p. 84 n. 26 1261:Bernwardsäule (Christussäule) 1095: 842:Jesus saves the sinking Peter 195:Original location and history 153: 39: 1533:Bronze sculptures in Germany 1445:. Victoria and Albert Museum 1239:Lit. Olchawa (2008) S. 70 ff 982:Since 1874 there has been a 622:Arrest of John the Baptist ( 479:The calling of the sones of 347:by the weak and unjust king 231:Church of the Holy Sepulchre 7: 1301:Yale University Press, 2013 665:Raising of Jairus' daughter 589:Samaritan woman at the well 152:) is a bronze column, made 10: 1554: 1179:Lit. Gallistl (1993) p. 32 988:Victoria and Albert Museum 962:was distributed and where 171:. It was commissioned by 1443:The Cast Court Collection 298:Column of Marcus Aurelius 76: 68: 58: 48: 35: 23: 18: 1123:"The Village Blacksmith" 877:The Feeding of the 4,000 854:The Feeding of the 5,000 776:and the poor man in the 1518:11th-century sculptures 977: 954:Liturgical significance 743:Discourse on Defilement 512:Jesus cleansing a leper 92:The Bernward Column in 964:the sacrament was kept 684:Blind man of Bethsaida 149: 137: 125: 117: 105: 97: 1471:Diocese of Hildesheim 1084:Diss masch. Bonn 1949 986:of the column in the 123: 111: 103: 91: 1528:Hildesheim Cathedral 1251:Mariendom Hildesheim 795:Cursing the fig tree 770:Rich man and Lazarus 760:Rich man and Lazarus 447:Temptation of Christ 415:From bottom to top. 327:, which picture the 312:and ending with his 189:Hildesheim Cathedral 161:St. Michael's Church 140:) also known as the 1523:Ottonian sculptures 1490: /  1414:Olchawa 2008. S. 95 1230:Berlin 1954. p. 102 1065:Bernhard Gallistl: 1047:Bernhard Gallistl: 708:Temptation of Jesus 534:Confession of Peter 378:The wedding at Cana 260:In 1810, after the 1494:52.1489°N 9.9472°E 1266:2014-05-02 at the 912:Anointing of Jesus 904:Raising of Lazarus 772:- The rich man in 126: 118: 106: 98: 1468:Die Christussäule 1202:978-3-8271-8034-6 1035:978-3-7954-2046-8 1007:, Hildesheim 1979 893:, the sisters of 734:Little Commission 599:'s admonition of 215:Temple of Solomon 116:in the background 114:Hezilo chandelier 86: 85: 1545: 1505: 1504: 1502: 1501: 1500: 1495: 1491: 1488: 1487: 1486: 1483: 1455: 1454: 1452: 1450: 1434: 1428: 1421: 1415: 1412: 1406: 1399: 1393: 1386: 1380: 1373: 1367: 1360: 1354: 1347: 1341: 1334: 1328: 1321: 1315: 1308: 1302: 1294: 1288: 1283: 1274: 1273: 1270:domsanierung.de 1258: 1252: 1246: 1240: 1237: 1231: 1224: 1218: 1211: 1205: 1186: 1180: 1177: 1171: 1170: 1168: 1166: 1151: 1145: 1140: 1138: 1136: 1119: 1113: 1106: 1087:Joanna Olchawa: 1080:Roswitha Hespe: 1051:Hildesheim 2000 1040:Bernhard Bruns: 1025:Michael Brandt: 778:Bosom of Abraham 597:John the Baptist 425:John the Baptist 421:Baptism of Jesus 402: 388: 374: 360: 345:John the Baptist 341:Ottonian dynasty 223:wheel chandelier 158: 155: 44: 41: 28: 16: 15: 1553: 1552: 1548: 1547: 1546: 1544: 1543: 1542: 1508: 1507: 1499:52.1489; 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Index


victory column
bronze
Hildesheim

St. Michael's


Hezilo chandelier

German
German
St. Michael's Church
Hildesheim
Ottonian art
Bernward
Jesus
Trajan's Column
crucifix
Hildesheim Cathedral
St. Michael's Church, Hildesheim
Emperor
Otto III
Temple of Solomon
Boaz and Jachin
wheel chandelier
Wedding at Cana
Church of the Holy Sepulchre
Golgotha
Reformation

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