423:
text are treated by Buns in an oratical way. The instrumental part is in the first phase according to conservative habit written in three or five part, only rarely four part after more modern view. The chosen instrumentation by Buns consists of violins, alto and tenor violins, viola, viola di gamba, bass viola, violoncello, bassoon, and basso continuo, usually organ with bass-violins, sometimes with trombones. But to the contrary in sonata finalis nr. 15 opus V Buns composed for two instrumental choirs with basso continuo. This composition is representative of the modern concerto principle used by Buns. The 13 sonatas of opus VIII are written in outstanding virtuoso
Baroque idiom, with some southern tint. This opus VIII - Orpheus Elianus e Carmelo in orbem editus - is a splendid example of truly inspired excellent Dutch music.
448:
time two organs placed in the monastery-church. The
Carmelites at that time had a high skill of the art of music. Perhaps a chapel-master out of Cologne? Because there exists proven contacts between the family/Count van den Bergh ‘s-Heerenbergh and chapel-masters of Cologne like Carl Rosier (1640-1725) and even the Flemish Carolus Hacquart (ca. 1640-1671). It is likely they worked in ‘s-Heerbergh. Buns’ music is based on the principles and style of the Venetian School at the beginning of the 17th century and Buns’ oeuvre has some similarity to
440:. They exist from short, in each other overflowing particles, often in five parts Adagio – Allegro – Adagio – Allegro – Adagio. In the same slightly one possibly the sonata finalis nr. 15 opus V for two violin choirs has to be considered as an excellent instrumental motet. Extremely surprisingly and ingenious is the alternating play between chorus I (violin 1 and 2, viola and viola di gamba) and chorus II (violin 1 and 2, viola, tenor-violin and dulciano/fagotto) having been supported by the continuo (organ, clavichord and double-bass).
351:
192:
22:
78:
187:
and organist ("Aulae Bergis phonascus et organista") - to the Count
Oswaldo van den Bergh at Boxmeer and the family van den Bergh at 's-Heerenbergh. Buns was also an organ-expert and an organ-advisor, and In 1703 he approved the Ruprecht (III) organ which was built in the chapel of the nunnery of the
422:
Buns uses text in the motets of literal excerpts from the Holy
Scriptures, partly too of paraphrases of the Scriptures and his own additions in meditative style. The new created texts by poets in the 17th century are even real inspiration for Buns’ motets. Even literal quotations from the Scriptures
358:
The 14th instrumental sonata is sonata finalis No. 15 opus V. This Sonata finalis has two instrumental choirs with basso continuo and is representative of the modern concerto principle of the time. It is possible that Buns composed another 14th sonata, because other instrumental works have been lost
506:
stimulated a cultural flowering in
Boxmeer. Moreover, some prosperous families, such as Van Odenhoven, De Raet and Hengst, had built country-seats in Boxmeer such as Leucker, De Weijer, and Elsendock. They brought together with the earls Van den Bergh employment of administrative nature in Boxmeer.
447:
Buns is strongly influenced by
Italian composers from his time, for instance Bassani and Degli Antonii. It could be Buns had some contacts with musicians of the Italian Carmelites. Unfortunately it is unknown who was Buns' music-teacher in Geldern. In the Carmelite monastery of Geldern were at that
418:
setting kind of the Primus in the upper voice, as well as larding also instrumental components in prelude and interlude plays under the designation: Symphonia, Sonata, Ritornello. However he wrote brilliant concertando masses, for instance Missa
Secunda opus I for 6 vocibus, 4 vocibus in repiëno et
366:
Antwerp, 1711) and (Ludovicus de
Quantinne Brussels, 1721). He specifically collected these two volumes of Gregorian songs for the liturgical practice in the monastery of Fratrum Beata Virginae Mariae Monte Carmelo Boxmeriensis, first the "Processionale juxta usum Fratrum Beatae Virginae Mariae de
585:
Opus V Completoriale melos musicum, II. III. & IV. vocibus, II. III. vel V. instrumentis decantandum – edited
Antwerp, Lucas de Potter, 1678. Seven motets, four Maria antiphons, litany, two Tantum ergo, for 2-4 solo voices, instruments and bc. and Sonata finalis II choris (double instrumental
526:
Buns did not remain in the
Carmelite convent and was a much-travelled man. The Carmelites backed the Reform of Touraine in 1604 and were strongly in favour of integration of art and education in the convent. A Latin school in Boxmeer opened in 1658 answered guarantor for "artes liberales usque ad
522:
Buns, who composed mainly religious music, flourished in Boxmeer with the support of the Van den Bergh family. Buns composed dedicated music for Madeleine the Cusance, the widow of Earl Albert and for his son, Oswald Van den Bergh. In spite of Buns travelling and his patronage, his music was not
443:
The opus VIII as a whole exhibits a logical tonal system. The first six sonatas follow the circle of fifths in the minor keys, starting from c through g, d, a, and e to b. Sonata no. 7 starts in f-sharp minor but modulates to E-flat major. The last six sonatas nr. 8 up to 13 continue through the
574:
Opus II Corona stellarum duodecim serta, I. II. II. IV. vocibus et instrumentis, editio secunda aucta et emendata. - Antwerp, edited by the heirs of Petrus Phalesius, 1673. First ed. (circa 1670) has been lost. Seven motets, two masses, litany, Salve Regina, Tantum ergo, for 1-4 solo voices and
654:(Dutch text), Brabantse Barokmuziek. Recorded 1998. Performers: Eindhovens Vocaal Ensemble and Brabants Muzyk Collegie, conductor & organist Ruud Huijbregts. A private edition. Triosonate nr 3 Opus VIII and Sonata finalis nr. 15 out of Completoriale Melos Musicum, Buns opus V.
367:
Monte Carmelo" and second "Manuale Chori ad usum Fratrum Beatae Virginae Mariae de Monte Carmelo". These two books showing theoretically and musically amendments by Buns. Much of his compositions (voice-books) no scores are available were laid-down and found in libraries of
592:
Opus VII Orpheus gaudens et lugens, sive cantica gaudii ac luctus, a 1, 2, 3, 3 & 5 vocibus ac instrumentis compositta. Edited - Antwerp, Hendrick Aertssens, 1693. Fifteen motets for 1-5 solo voices, instruments en bc, four masses for 4-5 solo voices, instruments and
523:
broadly spread in the Netherlands, although famous music printers recognised his musical qualities and printed his music, with the exception of Buns' opus VIII - entirely existing from 13 sonatas - which was, however, the only opus published in Amsterdam.
278:
Even after his death (1716) opus numbers were published. Those opus numbers I up to IX published during his life consist out of 123 surviving compositions, among others 109 religious vocal compositions with instruments. We know for instance of
231:
was unveiled in the hall of the monastery in Boxmeer in remembering and honouring the Carmelite Benedictus Buns. In 2001 a second Benedictus Buns Memorial in Boxmeer was initiated and executed by conductor Hans Smout in the castle and in the
226:
Frits Noske has done a remarkable job to make accessible the total oeuvre by Buns. In 1967, a first Benedictus Buns Memorial was held in Boxmeer initiated by conductor Theo Lamée and Carmelite friar Paulus Schmitt. In 1968 a simple marble
327:
with free religious text and compositions for Beata Maria Virgine, Sancto Josepho, Sancto vel sancto, Sanctissimo Sacramento and many other religious occasions. Buns's work reflects of course his activities in the service of his order.
570:
Opus I Missae, litaniae, et motetta, IV. V. VI. vocibus cum instrument. et ripienis Antwerp, edited by the heirs of Petrus Phalesius,1666. Two masses, three motets, two litanies, for 5 solo voices, four-part choir, instruments and
464:
Buns lived and worked in the time when the barony of Boxmeer was divided into numerous small territories which fell under various jurisdictions, with the exception of the Calvinistic Republic, known as “Vrije
581:
Opus IV Musica montana in monte Carmelo composita, cantata in monte Domini, 1. 2. 3. vocibus, & unum Tantum ergo. 4. voc. & 2, 3 vel 5. instrumentis ”Bergh-music”- edited by Lucas de Potter, Antwerp,
347:. These compositions were dedicated to Count Oswald van den Bergh Boxmeer and his wife Maria Leopoldina van Oost-Friesland-Rittburg. Opus V and Opus VII by Buns were also dedicated to Count Oswald van Bergh.
599:
Opus IX Missa sacris ornata canticis 1. 2. 3. vocibus et 1. 2. 3. 4. et 5 instrumentis, edited Amsterdam, Estienne Roger, 1701. One mass for 3 solo voices, ten motets for 1-3 solo voices, instruments and
518:
In 1652 a donation was sealed to the Flemish Carmelites and the Geldern Carmelites by Earl Albert van den Bergh which consists of two hectare grounds located beside the existing parish church at Boxmeer.
596:
Opus VIII Orpheus Elianus a Carmelo in orbem editus a 2 violinis et basso viola cum basso continuo, edited Amsterdam, Estienne Roger, 1698. Thirteen trio sonatas, for 2 violins, viola da gamba and bc.
177:. As organist, Buns succeeded Hubertus à Sancto Joanne Vlaminck (1633–1679) a well known organist in Boxmeer (from 1668 to 1679). The Basilica at Boxmeer was part of an independent Catholic enclave.
625:: All 13 instrumental Triosonatas, 1 - 13 by Benedictus Buns for two Violins, Viola da Gamba and Bc (in this performance organ). opus VIII, 1698, Orpheus Elianus edited by Estienne Roger, Amsterdam.
589:
Opus VI Encomia sacra musice decantanda 1, 2, 3 vocibus et 2, 3, 4. et 5 instrumentis edited Utrecht, Arnold van Eynden, 1683. Nineteen motets, one mass, for 1-3 solo voices TTB, instruments and bc.
444:
circle of fifths, but now in the major keys, from E-flat, through B-flat, F, C, G and to D. The chosen harmonic structure is interesting and lends this opus VIII a tough architecture.
456:
and Corelli can be adduced. Although Buns wrote almost exclusively religious music he has considered as the most important Dutch composer in the second half of the 17th century.
407:
Buns's compositions are very important for Dutch religious music. Buns's religious compositions have to be judged against the background of the spiritual life of the Carmelites.
275:
and his opus I-VII and IX contains a large amount of liturgical music. His opus VIII contains only instrumental music. Of the nine opus numbers, seven have survived complete.
1229:
Rudolph Rasch: Review of F.R. Noske, Music bridging divided religions (1989). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 41 (1991b), pp. 135–140;
1267:
Articles in Dutch newspapers de Volkskrant, De Gelderlander en het Boxmeers Weekblad regarding Buns memorials in 1967 conductor Theo Lamée and in 2001 conductor Hans Smout;
1251:
Emile Wennekes: Booklet with CD Benedictus Buns, by Ensemble Séverin, NM Classics 92131 pages 7–9, Benedictus Buns: Carmelite creator of mellifluous string music 2003/2004;
427:
refers to the Prophet Elijah, so he did in his opus VII, Elijah the spiritual inspiration for the founders and members of the order of Carmelites to which Buns belonged.
848:
On a plan from 1914 of the Boxmeer monastery-hall Van der Meer found the sepulchre of Buns ("B. P. A. S. J." in the heading of the stone), see van der Meer (2) p.143.
1248:
Marinus Waltmans: in Introduction by the edition of four motets by Buns in 1982, Vereniging voor Nederlandse muziekgeschiedenis, Utrecht, 1982, pp. V-XII;
824:
1220:
J. H. van der Meer: Benedictus a Sancto Josepho vom Karmeliterorden in Die Musik in Geschichte und Gegenwart (MGG), Kassel 1973, Band 15, pp. 648 ev.;
1198:
Wout van Kuilenburg: De grenzen te buiten, Orgels, hun makers en behuizingen bezien vanuit Boxmeers perspectief, Het Orgel, 102 (2006) nr. 4 pp. 5–33;
267:, Antwerp, opus I–III; by Lucas de Potter, Antwerp, opus IV and V; by Arnold van Eynden, Utrecht opus VI; by Hendrik Aertssens, Antwerp, opus VII; and by
1168:
1211:
J. H. van der Meer: Benedictus a Sancto Josepho van de Orde der Carmelieten (1642–1716) Tijdschrift voor Muziekwetenschap 18, 1958 pp. 129–147 (2);
1345:
1295:
1163:
Alois Wolfgang Arbogast: Benedictus a Sancto Josepho alias Buns Gelriensis, Karmeliter, Organist und hochberühmter Komponist, 1984, pp. 106–119;
538:
The earls Van den Bergh considered this Latin school as a scientific centre and a cultural stronghold. But also the Carmelites had to adhere to the "
1257:
H.J. Zomerdijk: Het Muziekleven in Noord-Brabant, 1770–1850, in Bijdrage tot de geschiedenis van het Zuiden van Nederland, LI(1981), pp. 35–36;
1166:
Benedictus Buns: brief aan gaaf Oswald van den Bergh at ’s-Heerenbergh in 1688 zie Wout van Kuilenburg p. 10 en archief Castle ’s-Heerenbergh
686:
578:
Opus III Flosculi musici. - Antwerp, edited by the heirs of Petrus Phalesius, 1672. Fourteen motets, for 1-4 solo voices, instruments and bc.
495:
in 1648, Catholics in Brabant had been forced to cede their churches to the new religion, but not in the free enclave of Boxmeer, where the
606:
Gregorian Chants Manuale Chori ad usum Fratrum Beatae Virginae Mariae de Monte Carmelo edited in Brussels by Ludovicus de Quainne 1721.
213:. December obiit P. Benedictus à Sancto Josepho alias Buns, Gelriensis, quondam subprior, organista ac Musiciae componista famosissimus
204:
Buns died on 6 December 1716 in Boxmeer, and was buried in the halls of the monastery. and was succeeded by Cecilius à Sancto Gerardo.
1335:
1217:
J. H. van der Meer: Benedictus a Sancto Josepho vom Karmeliterorden in Kirchenmusikalisches Jahrbuch 47, Köln 1963, pp. 123–124;
188:
Carmelites Elsendael in Boxmeer. In 1706 he advised the manufacture and implementation of the new organ in the monastery in Geldern.
1214:
J. H. van der Meer: Benedictus a Sancto Josepho vom Karmeliterorden in Kirchenmusikalisches Jahrbuch 46, Köln 1962, pp. 99–120;
1186:
1226:
Frits Noske: Music bridging divided religions Deel 1–2. Wilhelmhaven: Noetzel, 1989. (Paperbacks on Musicology 10) pp 280, 281–528;
477:
410:
For Buns style is characteristic the structure from proportionally short pieces, with changing beat and speed bars. The motets on
1320:
603:
Gregorian Chants Processionale juxta usum Fratrum Beatae Virginae Mariae de Monte Carmelo edited in Antwerp by Plantiniana, 1711.
1208:
J. H. van der Meer: Woord vooraf bij de publicatie van de trio sonata in d-minor, opus VIII nr.3 in 1958, Amsterdam Kassel (1);
696:
651:
1192:
A.I.M. Kat: De geschiedenis der kerkmuziek in de Nederlanden sedert de Hervorming (Hilversum 1993), pp. 111–112, 131 ff.;
636:
1340:
986:
This splendid Mass was performed by Hortus Musicus Religiosus/Bergen op Zoom at the Buns Memorial in March 2001 in Boxmeer
668:
180:
In 1688, Buns initiated the completion and expansion (under-Positive) of the Bremser organ in Boxmeer by Jan van Dijck.
1330:
1325:
1310:
706:
146:
Buns was professed in 1660 and was ordained in 1666. Sometime between 1666 and 1671 Buns moved to the monastery of the
1315:
893:
and in the newspapers de Gelderlander and Volkskrant. Programme available in the library of the monastery in Boxmeer.
695:. Recorded 1998. Performers: Eindhovens Vocaal Ensemble, conductor & organist Ruud Huijbregts. A private edition.
362:
Buns also studied and practised the Gregorian chorals and chants from two volumes published in Antwerp and Brussels (
154:
in the periods 1671–1674; 1677–1683; 1692–1701; and 1704–1707. During this length of time he frequently travelled to
64:
821:
1300:
46:
228:
635:
CD Brilliant Classics 93100, Music from the Golden Age of Rembrandt, recorded 2005 and released January 2007.
622:
1290:
1254:
Drs. A.T.A. Wolters-van der Werff, De Latijnse school van de paters Karmelieten, Drukkerij Schoth BV, 1993;
264:
1175:
Mr. Wim Goossens: Benedictus à Sancto Josepho (1642–1716) in Classical Composers Database, 2004–2008;
1205:
publicatie van de Stichting tot behoud van het Nederlandse orgel nr. 46 (maart 1997) p. 3, 4, 7.
551:
37:
166:
to attend Carmelite chapter-meetings. From 1679 until his death he held the position of functionary
1242:
453:
1235:
Hans Schouwman in an Introduction of the publication of O Jesu Chare by Buns Opus VI p. 1;
481:
320:
151:
1260:
Jan Jaap Zwitser, in Canon van de rooms-katholieke kerkmuziek in Nederland, Gregorius blad,
1285:
1280:
736:
732:
709:, Peter Kooij (Bas) and Mieneke van der Velden, viola da Gamba and conducting. CD RAM 0604.
488:, which by 14 August 1653 granted authorisation to the founding of the convent in Boxmeer.
8:
1305:
753:
728:
485:
316:
288:
1046:
Confirmed by Dr. TJ. Wieringa according to recent research in archives in 's-Heerenbergh
263:
Buns published nine opus numbers (I-IX) between 1666 and 1721. Books were published by
739:; the Dutch language was spoken up to 1870; from 1713 Geldern belonged to Prussia see
676:
640:
437:
345:
Orpheus Elianus è Carmelo in Orbem Editus a 2 Viol. et Basso viola cum Basso Continuo
343:(Bass viola and organ) which were published in 1698 in his opus VIII with the title:
184:
32:
503:
492:
432:
828:
555:
272:
1169:
Benedictus Buns: letter to count Oswald van den Bergh in ’s-Heerenbergh in 1688
903:
890:
672:
508:
372:
340:
336:
268:
535:), which formed a counterbalance against the reform colleges in the Republic.
1274:
363:
1195:
Kreisarchiv Kleve: Sammlung Benedictus à Sancto Josepho (S7) by Frits Noske;
1176:
1149:
543:
528:
466:
300:
296:
253:
223:
628:
LP ”400 Years Dutch Music nr. 2.”: 1979 Residentie-orchestra conducted by
554:) of the earls Van den Bergh and those stood sometimes on the side of the
547:
629:
474:
470:
292:
131:
632:: Sonata finalis nr. 15 out of Completoriale Melos Musicum, Buns opus V.
350:
449:
284:
147:
135:
103:
484:
taking place at that time in the Netherlands. Boxmeer was part of the
459:
222:, Buns was granted with a title of honour ”le grand Carme”. The Dutch
644:
415:
368:
308:
280:
208:
799:
797:
388:
81:
Portrait of Benedictus Buns in the religious habit of the Carmelites
1025:
See J.H. van der Meer (1) Introduction p. 1 and Emile Wennekes p. 9
532:
496:
376:
324:
249:
233:
174:
170:
163:
155:
107:
943:
941:
689:. Recorded 1998. Cappella Figuralis, Jos van Veldhoven. CCS 12498.
794:
740:
512:
396:
380:
312:
304:
191:
159:
127:
123:
119:
256:, pieces for chorus and instruments, as well as 14 instrumental
1241:
Jos van Veldhoven in booklet with CD Saint & Sinners 1998,
938:
430:
These 13 trio sonatas opus VIII have a clear affinity with the
392:
332:
257:
219:
173:
in Boxmeer at the Bremser organ, built by Blasius Bremser from
931:
929:
195:
The famous organ in the Basilica of Boxmeer where Buns played.
411:
384:
245:
98:
1185:
Ruud Huijbregts: Booklet with CD Brabantse Barokmusic 1998,
926:
1003:
1001:
787:
785:
77:
876:
874:
872:
566:
Published Compositions Voice-books and Gregorian Chants
998:
782:
610:
1264:, Uitgeverij Gooi en Sticht, Utrecht, pp. 50–55;
869:
211:
of the Carmelite monastery in Boxmeer is recorded: "6
1232:
Rudolph Rasch: Internetpublication pp. 1–3 (2);
460:
Character of the era in which Buns lived and worked
183:From 1699 onward, Buns worked as private composer,
354:Dedication of the Opus V to Count Oswald van Bergh
1177:Wim Goossens:Buns in Classical composers Database
964:
962:
331:Furthermore, Buns composed 13 trio sonatas for 2
289:5 Lauretanic Litany, Litany of the blessed Virgin
1272:
763:
761:
507:At the request of Earl Albert Van den Bergh the
1187:Ruud Huijbregts comments in CD booklet in Dutch
1108:
1106:
775:
773:
271:, Amsterdam, opus VIII-IX. The two editions of
959:
359:also. His last opus IX was published in 1701.
1042:
1040:
758:
540:jurisdictiones, praeeminentias et immunitates
1133:
1103:
770:
414:texts are of a meditative nature. Further a
244:Much of Buns's work has survived, including
134:. In 1659 Buns entered the monastery of the
86:Benedictus Buns, Benedictus à sancto Josepho
502:The family of the earls Van den Bergh from
1182:Het Honderd Componistenboek, Haarlem 1997;
1037:
1346:18th-century Dutch Roman Catholic priests
1296:17th-century Dutch Roman Catholic priests
1139:See Drs. Wolters- van der Werff p. 1 en 4
65:Learn how and when to remove this message
658:
478:Republic of the Seven United Netherlands
349:
190:
122:(near Kevelaer), which is now a part of
76:
1148:See details in Wim Goossens Boxmeer in
1121:See Drs. Wolters- van der Werff pp. 6-7
480:. Boxmeer had nothing to fear from the
402:
138:in Geldern. His first name is unknown.
102:; 1642 – 6 December 1716), was a
1273:
1223:New Groves: Groves Music Online, 2007;
822:Count Oswaldo van den Bergh (in Dutch)
665:Four Dutch composers of the Golden Age
511:Carmelites requested that a Carmelite
1082:See Drs. Wolters-van der Werff p. VII
752:At the time, Geldern belonged to the
727:Geldern belonged in that time to the
615:
499:religion could be confessed freely.
1112:See Drs. Wolters- van der Werff p. 3
1091:See Drs. Wolters- van der Werff p. 6
15:
611:Recordings of Benedictus Buns' work
199:
13:
1157:
1016:Ruud Huijbregts in CD Booklet p. 2
803:See too the Blaeu Atlas Maior 1665
643:conductor, Music from the Time of
621:NM Classics 92131. Recorded 2003.
141:
14:
1357:
904:classical-composers database/buns
891:classical-composers database/buns
150:in Boxmeer. He was appointed sub-
42:translation problems and grammar.
1336:18th-century classical composers
1238:Hans Smout in Gelderlander 2001;
20:
1142:
1124:
1115:
1094:
1085:
1076:
1067:
1058:
1049:
1028:
1019:
1010:
989:
980:
971:
950:
947:Hans Smout in Gelderlander 2001
917:
908:
896:
883:
860:
851:
842:
561:
1321:Dutch male classical composers
1073:See the Blaeu Atlas Maior 1665
833:
815:
806:
746:
721:
1:
935:See too J.H. van der Meer (1)
715:
473:") an autonomous area in the
1150:Classical composers Database
1100:See Wout van Kuilenburg p. 5
812:Wout van Kuilenburg p. 10-12
113:
7:
1341:18th-century male musicians
902:See for the Programme 2001
669:Ensemble Bouzignac, Utrecht
650:CD Brabants Muzyk Collegie
515:be established in Boxmeer.
40:. The specific problem is:
10:
1362:
697:Eindhovens Vocaal Ensemble
1331:18th-century keyboardists
1326:Dutch classical composers
1311:Dutch classical organists
1201:Wout van Kuilenburg (2),
705:, released October 2006.
1316:Male classical organists
1243:Channel Classics Records
454:Marc-Antoine Charpentier
321:1 Alma Redemptoris Mater
239:
1301:Dutch Baroque composers
1007:Too Emile Wennekes p. 9
995:Too Emile Wennekes p. 8
791:Wout van Kuilenburg p.5
735:) and from 1713 to the
652:Brabants Muzyk Collegie
452:and even comparison to
1034:Hans Schouwman in 1963
355:
283:, 2 Requiem motets, 2
196:
82:
923:J.H. van der Meer (1)
889:See the Programme at
880:Jos van Veldhoven p.7
827:May 20, 2011, at the
693:Brabantse Barokmuziek
659:Religious vocal music
353:
313:2 Missa pro defunctis
194:
80:
1064:Rudolf Rasch (2) p.2
866:Kreisarchiv Kleve S7
737:Austrian Netherlands
733:Southern Netherlands
703:De Profundis Clamavi
683:Saints & Sinners
403:Style and evaluation
383:, Geldern, Boxmeer,
47:improve this article
36:to meet Knowledge's
1291:People from Geldern
1055:Emile Wennekes p. 9
754:Spanish Netherlands
729:Spanish Netherlands
486:Diocese of Roermond
469:” (literally "free
317:Ave Regina caelorum
1245:12498, pages 3–13;
616:Instrumental music
356:
197:
83:
1203:Orgels in Boxmeer
687:Capella Figuralis
677:Vanguard Classics
667:. Recorded 1995.
641:Pieter-Jan Belder
118:Buns was born in
75:
74:
67:
38:quality standards
29:This article may
1353:
1152:
1146:
1140:
1137:
1131:
1128:
1122:
1119:
1113:
1110:
1101:
1098:
1092:
1089:
1083:
1080:
1074:
1071:
1065:
1062:
1056:
1053:
1047:
1044:
1035:
1032:
1026:
1023:
1017:
1014:
1008:
1005:
996:
993:
987:
984:
978:
975:
969:
966:
957:
956:Rudolf Rasch p.2
954:
948:
945:
936:
933:
924:
921:
915:
912:
906:
900:
894:
887:
881:
878:
867:
864:
858:
855:
849:
846:
840:
837:
831:
819:
813:
810:
804:
801:
792:
789:
780:
777:
768:
765:
756:
750:
744:
725:
707:L’Armonia Sonora
623:Ensemble Séverin
493:peace of Munster
433:sonata da chiesa
297:11 Salve Reginas
265:Petrus Phalesius
200:Death and legacy
70:
63:
59:
56:
50:
24:
23:
16:
1361:
1360:
1356:
1355:
1354:
1352:
1351:
1350:
1271:
1270:
1262:Benedictus Buns
1160:
1158:Further reading
1155:
1147:
1143:
1138:
1134:
1129:
1125:
1120:
1116:
1111:
1104:
1099:
1095:
1090:
1086:
1081:
1077:
1072:
1068:
1063:
1059:
1054:
1050:
1045:
1038:
1033:
1029:
1024:
1020:
1015:
1011:
1006:
999:
994:
990:
985:
981:
977:Waltmans p. VII
976:
972:
967:
960:
955:
951:
946:
939:
934:
927:
922:
918:
914:Arbogast p. 114
913:
909:
901:
897:
888:
884:
879:
870:
865:
861:
856:
852:
847:
843:
839:Arbogast p. 109
838:
834:
829:Wayback Machine
820:
816:
811:
807:
802:
795:
790:
783:
778:
771:
766:
759:
751:
747:
726:
722:
718:
661:
618:
613:
564:
556:House of Orange
462:
425:Orpheus Elianus
405:
309:some Ave Marias
301:4 Regina Caelis
273:Gregorian chant
242:
202:
144:
142:Work in Boxmeer
116:
94:Buns Gelriensis
71:
60:
54:
51:
44:
25:
21:
12:
11:
5:
1359:
1349:
1348:
1343:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1293:
1288:
1283:
1269:
1268:
1265:
1258:
1255:
1252:
1249:
1246:
1239:
1236:
1233:
1230:
1227:
1224:
1221:
1218:
1215:
1212:
1209:
1206:
1199:
1196:
1193:
1190:
1183:
1180:
1173:
1164:
1159:
1156:
1154:
1153:
1141:
1132:
1123:
1114:
1102:
1093:
1084:
1075:
1066:
1057:
1048:
1036:
1027:
1018:
1009:
997:
988:
979:
970:
968:Arbogast p.116
958:
949:
937:
925:
916:
907:
895:
882:
868:
859:
850:
841:
832:
814:
805:
793:
781:
769:
767:Arbogast p.111
757:
745:
719:
717:
714:
711:
710:
700:
690:
680:
673:Erik Van Nevel
660:
657:
656:
655:
648:
637:Musica Amphion
633:
626:
617:
614:
612:
609:
608:
607:
604:
601:
597:
594:
590:
587:
583:
579:
576:
572:
563:
560:
461:
458:
404:
401:
373:Utrecht (city)
341:Basso Continuo
337:Viola da Gamba
293:8 Tantum Ergos
269:Estienne Roger
241:
238:
201:
198:
143:
140:
126:, and died in
115:
112:
73:
72:
28:
26:
19:
9:
6:
4:
3:
2:
1358:
1347:
1344:
1342:
1339:
1337:
1334:
1332:
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1282:
1279:
1278:
1276:
1266:
1263:
1259:
1256:
1253:
1250:
1247:
1244:
1240:
1237:
1234:
1231:
1228:
1225:
1222:
1219:
1216:
1213:
1210:
1207:
1204:
1200:
1197:
1194:
1191:
1188:
1184:
1181:
1178:
1174:
1171:
1170:
1165:
1162:
1161:
1151:
1145:
1136:
1130:Wennekes p. 8
1127:
1118:
1109:
1107:
1097:
1088:
1079:
1070:
1061:
1052:
1043:
1041:
1031:
1022:
1013:
1004:
1002:
992:
983:
974:
965:
963:
953:
944:
942:
932:
930:
920:
911:
905:
899:
892:
886:
877:
875:
873:
863:
854:
845:
836:
830:
826:
823:
818:
809:
800:
798:
788:
786:
779:Waltmans p. V
776:
774:
764:
762:
755:
749:
742:
738:
734:
730:
724:
720:
713:
708:
704:
701:
699:(Dutch text),
698:
694:
691:
688:
684:
681:
678:
674:
670:
666:
663:
662:
653:
649:
646:
642:
638:
634:
631:
627:
624:
620:
619:
605:
602:
598:
595:
591:
588:
584:
580:
577:
573:
569:
568:
567:
559:
557:
553:
549:
545:
541:
536:
534:
530:
527:rhetoricam" (
524:
520:
516:
514:
510:
505:
504:'s-Heerenberg
500:
498:
494:
489:
487:
483:
479:
476:
472:
468:
457:
455:
451:
445:
441:
439:
435:
434:
428:
426:
420:
419:instrumenti.
417:
413:
408:
400:
398:
394:
390:
386:
382:
378:
374:
370:
365:
360:
352:
348:
346:
342:
338:
334:
329:
326:
322:
318:
314:
310:
306:
302:
298:
294:
290:
286:
282:
276:
274:
270:
266:
261:
259:
255:
251:
247:
237:
235:
230:
225:
221:
216:
214:
210:
205:
193:
189:
186:
181:
178:
176:
172:
169:
165:
161:
157:
153:
149:
139:
137:
133:
129:
125:
121:
111:
109:
105:
101:
100:
95:
91:
87:
79:
69:
66:
58:
48:
43:
39:
35:
34:
27:
18:
17:
1261:
1202:
1167:
1144:
1135:
1126:
1117:
1096:
1087:
1078:
1069:
1060:
1051:
1030:
1021:
1012:
991:
982:
973:
952:
919:
910:
898:
885:
862:
857:Wennekes p.7
853:
844:
835:
817:
808:
748:
723:
712:
702:
692:
682:
664:
565:
562:Compositions
544:jurisdiction
539:
537:
529:Liberal Arts
525:
521:
517:
501:
490:
467:heerlijkheid
463:
446:
442:
431:
429:
424:
421:
409:
406:
361:
357:
344:
330:
323:, 11 little
277:
262:
243:
236:at Boxmeer.
224:musicologist
217:
212:
206:
203:
182:
179:
167:
145:
117:
97:
93:
89:
85:
84:
61:
52:
45:Please help
41:
30:
1286:1716 deaths
1281:1642 births
630:Ton Koopman
482:Reformation
475:Calvinistic
285:Magnificats
168:(titularus)
132:Netherlands
106:priest and
49:if you can.
1306:Carmelites
1275:Categories
731:(see also
716:References
491:After the
450:Monteverdi
148:Carmelites
136:Carmelites
645:Rembrandt
416:homophone
369:Amsterdam
325:Oratorios
305:1 Te Deum
281:11 Masses
229:plaquette
209:necrology
185:conductor
114:Biography
104:Carmelite
825:Archived
586:choirs).
552:immunity
533:rhetoric
497:Catholic
377:Brussels
250:litanies
234:basilica
175:Mechelen
171:organist
164:Brussels
156:Mechelen
108:composer
55:May 2012
31:require
741:Geldern
548:primacy
513:convent
509:Flemish
438:Corelli
397:Uppsala
381:Antwerp
364:Plantin
333:Violins
258:sonatas
207:In the
160:Antwerp
128:Boxmeer
124:Germany
120:Geldern
92:; also
33:cleanup
679:99126.
393:Vienna
389:Zürich
254:masses
246:motets
220:France
130:, the
88:(born
582:1677.
471:manor
412:Latin
385:Paris
240:Music
152:prior
99:Latin
550:and
531:and
339:and
162:and
90:Buns
600:bc.
593:bc.
575:bc.
571:bc.
542:" (
436:by
218:In
215:."
96:in
1277::
1105:^
1039:^
1000:^
961:^
940:^
928:^
871:^
796:^
784:^
772:^
760:^
685:.
671:,
639:,
558:.
546:,
399:.
395:,
391:,
387:,
379:,
375:,
371:,
335:,
319:,
315:,
311:,
307:,
303:,
299:,
295:,
291:,
287:,
260:.
252:,
248:,
158:,
110:.
1189:;
1179:.
1172:;
743:.
675:.
647:.
68:)
62:(
57:)
53:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
