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frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapors. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how expressed and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me; no, nor woman neither, though by your smiling you seem to say so.
269:
for twelve days and twelve nights when I was six; or whether the ice broke and the skating grocer vanished like a snowman through a white trap-door on that same
Christmas Day that the mince-pies finished Uncle Arnold and we tobogganed down the seaward hill, all the afternoon, on the best tea-tray, and Mrs. Griffiths complained, and we threw a snowball at her niece, and my hands burned so, with the heat and the cold, when I held them in front of the fire, that I cried for twenty minutes and then had some jelly.
286:
holding him up as a child. "Look!" And through the green glass the world was emerald, moss, and summer mint. "Look!" The lilac pane made livid grapes of all the passers-by. And at last the strawberry glass perpetually bathed the town in roseate warmth, carpeted the world in pink sunrise, and made the cut lawn seem imported from some
Persian rug bazaar. The strawberry window, best of all, cured people of their paleness, warmed the cold rain, and set the blowing, shifting February snows afire.
252:
everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
335:) is a term some critics use to refer to distinctive features of a written work in terms of spoken utterance. The voice of a literary work is then the specific group of characteristics displayed by the narrator or poetic "speaker" (or, in some uses, the actual author behind them), assessed in terms of
285:
In his dream he was shutting the front door with its strawberry windows and lemon windows and windows like white clouds and windows like clear water in a country stream. Two dozen panes squared round the one big pane, colored of fruit wines and gelatins and cool water ices. He remembered his father
268:
One
Christmas was so much like another, in those years, around the sea-town corner now, and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed
38:
is the manner of expressing thought in language characteristic of an individual, period, school, or nation. As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in
183:
Paragraphs may express a single unfolding idea. Paragraphs may be particular steps in the expression of a larger thesis. The sentences within a paragraph may support and extend one another in various ways. Advice on the use of paragraphs may include the avoidance of incoherence, choppiness, or
233:
HAMLET. I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the king and queen moult no feather. I have of late—but wherefore I know not—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly
302:
Moreover, I am cognizant of the interrelatedness of all communities and states. I cannot sit idly by in
Atlanta and not be concerned about what happens in Birmingham. Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single
251:
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of
Darkness, it was the spring of hope, it was the winter of despair, we had
39:
certain contexts and deviating from them in others, the expression of social identity, and the emotional effects of particular devices on audiences." Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's
103:
the writer does it. While following the rules drawn from established
English usage, a writer has great flexibility in how to express a concept. Some have suggested that the point of writing style is to:
175:
The choice of sentence structure pertains to how meaning is conveyed, to phrasing, to word choice, and to tone. Advice on these and other topics can be found in style guides.
167:
Suggestions for using diction include the use of a dictionary, and the avoidance of redundancy and clichés. Such advice can be found in style guides.
3373:
359:). Likewise in non-narrative poems, distinctions are sometimes made between the personal voice of a private lyric and the assumed voice (the
2725:
303:
garment of destiny. Whatever affects one directly, affects all indirectly. Never again can we afford to live with the narrow, provincial "
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129:
While this article focuses on practical approaches to style, style has been analyzed from a number of systematic approaches, including
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in terms of how they address the reader (rather than in terms of their perception of events, as in the distinct concept of
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habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of
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307:" idea. Anyone who lives inside the United States can never be considered an outsider anywhere within its bounds.
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An author uses sentence patterns not only to make a point or tell a story, but to do it in a characteristic way.
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347:. Distinctions between various kinds of narrative voice tend to be distinctions between kinds of
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The Art and Craft of
Storytelling: A Comprehensive Guide to Classic Writing Techniques
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Eastman, Arthur M.; Blake, Caesar; English, Hubert M. Jr.; et al., eds. (1977),
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Mack, Maynard; Knox, Bernard M. W.; McGaillard, John C.; et al., eds. (1985),
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structure, used to convey the meaning effectively. The former are referred to as
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2018:
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1371:, vol. 25 (11th ed.), Cambridge University Press, pp. 1055–1058
377:. In some instances, voice is defined nearly the same as style; in others, as
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long-windedness, and rigid construction; and can be found in style guides.
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books often speak of the writer's voice as distinguished from other
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express the message to the reader simply, clearly, and convincingly;
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although these aspects may be part of a writer's individual style.
44:
1246:
Translingual
Practice: Global Englishes and Cosmopolitan Relations
3508:
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Style: An
Introduction to History, Theory, Research, and Pedagogy
217:
Authors convey their messages in different manners. For example:
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1997:
1973:
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Some have suggested that writing style should not be used to:
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1939:
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2002:
1934:
56:
1814:
1614:
The
Stylistics Reader: From Roman Jakobsen to the Present
1561:
Writers Inc.: A Student Handbook for Writing and Learning
122:
demonstrate the writer's skills, knowledge, or abilities;
1479:, Fort Collins, CO: U of Colorado P; WAC Clearinghouse,
1559:
Sebranek, Patrick; Kemper, Dave; Meyer, Verne (2006),
1332:
The Art of Fiction: Notes on Craft for Young Writers
1323:
Rhetorical Style: The Uses of Language in Persuasion
1301:
The Norton Reader: An Anthology of Expository Prose
111:
keep the reader attentive, engaged, and interested;
1495:The Effective Writing Series: Powerful Paragraphs
3649:
1662:
1539:Writing Great Fiction: Description & Setting
1517:The Effective Writing Series: Stunning Sentences
178:
1558:
1207:Bradbury, Ray (1971), "The Strawberry Window",
1178:The Concise Oxford Dictionary of Literary Terms
580:
556:
520:
460:
170:
1298:
981:
957:
3367:
2060:
1648:
1622:Webster's Seventh New Collegiate Dictionary
1580:
1514:
1492:
1428:
1243:
933:
921:
909:
861:
814:
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683:
616:
604:
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544:
532:
508:
484:
3374:
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2067:
2053:
1655:
1641:
1431:The Norton Anthology of World Masterpieces
1320:
1218:
1004:
650:
369:Writing coaches, teachers, and authors of
194:These are the times that try men's souls.
3381:
1433:, vol. 1 (5th ed.), New York:
1206:
1163:
969:
449:
207:How trying it is to live in these times!
192:The following rewrite of the sentence, "
1620:
1536:
1329:
1276:
1202:, Cambridge: Cambridge University Press
1175:
1112:
1088:
1064:
1040:
993:
945:
568:
426:
210:These are trying times for men's souls.
14:
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2738:Types of fiction with multiple endings
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1016:
873:
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200:, changes the impact of the message.
164:, is an element of a writer's style.
1397:
1136:
1100:
1076:
1028:
897:
849:
754:
1474:
1200:Variation across speech and writing
639:
437:
24:
1219:Browne, Renni; King, Dave (1993),
152:
25:
3684:
3141:Third-person omniscient narrative
1325:, Oxford: Oxford University Press
311:
225:, Act II, Scene 2 (1599–1602) by
213:Soulwise, these are trying times.
204:Times like these try men's souls.
119:display the writer's personality;
55:, writing style is the choice of
1378:The Bedford Handbook for Writers
1222:Self-Editing for Fiction Writers
1166:The Event of Style in Literature
87:; the latter are referred to as
1451:Pianka, Phyllis Taylor (1998),
1142:
1130:
1118:
1106:
1094:
1082:
1070:
1058:
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1022:
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998:
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562:
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538:
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27:Manner of expression in writing
2529:Conflict between good and evil
514:
502:
490:
478:
466:
454:
443:
431:
420:
99:a writer does; style is about
13:
1:
2074:
1157:
179:Choice of paragraph structure
1091:, pp. 24, 26, 100, 116)
171:Choice of sentence structure
7:
3627:Articulation (sociological)
1626:G. & C. Merriam Company
1515:Ross-Larson, Bruce (1999),
1493:Ross-Larson, Bruce (1991),
392:
363:) of a dramatic monologue.
292:Letter from Birmingham Jail
187:
10:
3689:
1612:Weber, J. J., ed. (1996),
1594:(3rd ed.), New York:
1521:W. W. Norton & Company
1499:W. W. Norton & Company
1435:W. W. Norton & Company
1305:W. W. Norton & Company
1303:(4th ed.), New York:
1277:Dickens, Charles (2000) ,
1259:(2nd ed.), New York:
315:
3619:
3573:
3527:
3474:
3435:
3389:
3204:
3176:
3168:Stream of unconsciousness
3111:
2855:
2746:
2699:Falling action/Catastasis
2644:
2549:
2484:
2407:
2219:
2082:
2011:
1927:
1901:
1792:
1681:
1674:
1256:The Random House Handbook
1253:Crews, Frederick (1977),
1209:A Medicine for Melancholy
815:Strunk & White (1979)
475:, pp. 100, 129, 156)
2536:Self-fulfilling prophecy
1596:Macmillan Publishing Co.
1565:Houghton Mifflin Company
1380:(3rd ed.), Boston:
1358:"Style (literary)"
1244:Canagarajah, S. (2013),
1164:Aquilina, Mario (2014),
922:Strunk & White (1979
910:Strunk & White (1979
862:Strunk & White (1979
791:Strunk & White (1979
721:, pp. 187–189, 191)
617:Strunk & White (1979
593:Strunk & White (1979
533:Strunk & White (1979
485:Strunk & White (1979
414:
316:Not to be confused with
133:, historical variation,
3163:Stream of consciousness
2626:Suspension of disbelief
2029:List of writing systems
1740:Broussonetia papyrifera
1727:Folding-book manuscript
1710:Bamboo and wooden slips
1368:Encyclopædia Britannica
1321:Fahnestock, J. (2011),
1182:Oxford University Press
1176:Baldick, Chris (2004),
1005:Browne & King (1993
559:, pp. 21, 26, 112)
523:, pp. 85, 99, 112)
95:. The rules are about
2704:Denouement/Catastrophe
2685:Rising action/Epitasis
1376:Hacker, Diana (1991),
1330:Gardner, John (1991),
535:, pp. 69, 79, 81)
296:Martin Luther King Jr.
3050:Utopian and dystopian
1753:Corypha umbraculifera
1591:The Elements of Style
1543:Writer's Digest Books
1537:Rozelle, Ron (2005),
1459:Writer's Digest Books
1454:How to Write Romances
1424:, Bloomsbury Academic
1404:Writer's Digest Books
1353:Gosse, Edmund William
1248:, New York: Routledge
936:, pp. 1923–1924)
581:Sebranek et al. (2006
557:Sebranek et al. (2006
521:Sebranek et al. (2006
461:Sebranek et al. (2006
275:The Strawberry Window
258:Memories of Christmas
3663:Literary terminology
3383:Literary composition
2604:Narrative techniques
2384:Story within a story
2196:Supporting character
1398:Lamb, Nancy (2008),
1279:A Tale of Two Cities
982:Eastman et al. (1977
958:Eastman et al. (1977
240:A Tale of Two Cities
3632:Composition studies
3581:Creative nonfiction
3446:Linguistic contrast
3439: / devices
3309:Political narrative
3151:Unreliable narrator
3008:Speculative fiction
2716:Nonlinear narrative
2664:Three-act structure
2524:Deal with the Devil
1582:Strunk, William Jr.
1475:Ray, Brian (2015),
1420:Lanham, R. (2003),
1115:, pp. 158–159)
1103:, pp. 201–202)
1031:, pp. 198–206)
1007:, pp. 175–177)
840:, pp. 157–161)
805:, pp. 194–196)
781:, pp. 194–196)
769:, pp. 108–109)
757:, pp. 225–226)
745:, pp. 166–172)
733:, pp. 107–108)
709:, pp. 100–105)
227:William Shakespeare
160:, or the choice of
3287:Narrative paradigm
3282:Narrative identity
3212:Dominant narrative
3158:Multiple narrators
2442:Fictional location
2285:Dramatic structure
2024:History of writing
1198:Biber, D. (1988),
1170:Palgrave Macmillan
684:Canagarajah (2013)
619:, pp. 66, 68)
131:corpus linguistics
3645:
3644:
3637:Technical writing
3451:Literary contrast
3349:
3348:
3292:Narrative therapy
2726:television series
2671:Freytag's Pyramid
2514:Moral development
2417:Alternate history
2127:False protagonist
2042:
2041:
1897:
1896:
1840:Photographic film
1574:978-0-669-52994-4
1486:978-1-60235-614-6
1413:978-1-58297-559-7
1292:978-0-141-19690-9
1191:978-0-19-860883-7
934:Mack et al. (1985
912:, pp. 15–17)
888:, pp. 80–81)
864:, pp. 32–33)
793:, pp. 80–81)
651:Fahnestock (2011)
605:Ross-Larson (1999
547:, pp. 18–19)
545:Ross-Larson (1991
509:Ross-Larson (1991
409:Rhetorical device
385:, point of view,
375:literary elements
322:Grammatical voice
318:Character's voice
16:(Redirected from
3680:
3555:Rhetorical modes
3545:Grammatical mood
3499:Cut-up technique
3397:Characterization
3376:
3369:
3362:
3353:
3352:
3272:Literary science
2815:Narrative poetry
2711:Linear narrative
2621:Stylistic device
2616:Show, don't tell
2579:Figure of speech
2369:Shaggy dog story
2112:Characterization
2069:
2062:
2055:
2046:
2045:
2034:Written language
1952:Electronic media
1909:Electronic paper
1882:Textile printing
1679:
1678:
1668:writing material
1657:
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1617:
1616:, London: Arnold
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1227:Harper Perennial
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429:
424:
404:Figure of speech
371:creative writing
305:outside agitator
139:sociolinguistics
21:
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3687:
3683:
3682:
3681:
3679:
3678:
3677:
3673:Style (fiction)
3648:
3647:
3646:
3641:
3620:Beyond the arts
3615:
3569:
3523:
3482:Writing process
3470:
3431:
3412:Fiction writing
3385:
3380:
3350:
3345:
3277:Literary theory
3217:Fiction writing
3200:
3172:
3107:
2859:
2851:
2742:
2640:
2545:
2480:
2403:
2274:Deus ex machina
2215:
2201:Title character
2186:Stock character
2132:Focal character
2078:
2073:
2043:
2038:
2019:Writing systems
2007:
1928:Carrier objects
1923:
1893:
1793:Other materials
1788:
1782:Cyperus papyrus
1695:Trema micrantha
1670:
1661:
1624:, Springfield:
1606:
1575:
1553:
1531:
1509:
1487:
1469:
1445:
1422:Analyzing Prose
1414:
1392:
1346:
1315:
1293:
1271:
1237:
1192:
1168:, Basingbroke:
1160:
1155:
1147:
1143:
1135:
1131:
1123:
1119:
1111:
1107:
1099:
1095:
1087:
1083:
1075:
1071:
1063:
1059:
1051:
1047:
1039:
1035:
1027:
1023:
1015:
1011:
1003:
999:
992:
988:
980:
976:
968:
964:
956:
952:
944:
940:
932:
928:
920:
916:
908:
904:
896:
892:
884:
880:
872:
868:
860:
856:
848:
844:
836:
832:
824:
820:
813:
809:
801:
797:
789:
785:
777:
773:
765:
761:
753:
749:
741:
737:
729:
725:
717:
713:
705:
701:
693:
689:
682:
678:
671:
667:
660:
656:
649:
645:
638:
634:
627:
623:
615:
611:
603:
599:
591:
587:
579:
575:
567:
563:
555:
551:
543:
539:
531:
527:
519:
515:
507:
503:
495:
491:
483:
479:
471:
467:
459:
455:
450:Aquilina (2014)
448:
444:
436:
432:
425:
421:
417:
395:
325:
314:
245:Charles Dickens
190:
181:
173:
155:
153:Choice of words
147:World Englishes
63:structure, and
28:
23:
22:
18:Authorial voice
15:
12:
11:
5:
3686:
3676:
3675:
3670:
3665:
3660:
3643:
3642:
3640:
3639:
3634:
3629:
3623:
3621:
3617:
3616:
3614:
3613:
3608:
3603:
3598:
3593:
3588:
3583:
3577:
3575:
3571:
3570:
3568:
3567:
3562:
3557:
3552:
3547:
3542:
3540:Writer's voice
3537:
3531:
3529:
3525:
3524:
3522:
3521:
3516:
3511:
3506:
3501:
3496:
3491:
3490:
3489:
3478:
3476:
3472:
3471:
3469:
3468:
3463:
3458:
3453:
3448:
3442:
3440:
3433:
3432:
3430:
3429:
3427:Writer's block
3424:
3419:
3414:
3409:
3404:
3399:
3393:
3391:
3390:General topics
3387:
3386:
3379:
3378:
3371:
3364:
3356:
3347:
3346:
3344:
3343:
3341:Verisimilitude
3338:
3333:
3328:
3323:
3322:
3321:
3311:
3306:
3305:
3304:
3294:
3289:
3284:
3279:
3274:
3269:
3268:
3267:
3257:
3256:
3255:
3246:
3244:Parallel novel
3241:
3240:
3239:
3234:
3229:
3214:
3208:
3206:
3202:
3201:
3199:
3198:
3193:
3188:
3182:
3180:
3174:
3173:
3171:
3170:
3165:
3160:
3155:
3154:
3153:
3148:
3143:
3133:
3128:
3123:
3117:
3115:
3109:
3108:
3106:
3105:
3104:
3103:
3098:
3088:
3087:
3086:
3081:
3076:
3071:
3066:
3065:
3064:
3059:
3058:
3057:
3052:
3047:
3037:
3032:
3027:
3026:
3025:
3015:
3005:
3000:
2995:
2994:
2993:
2988:
2978:
2973:
2968:
2963:
2958:
2953:
2948:
2943:
2938:
2933:
2928:
2923:
2918:
2913:
2908:
2903:
2898:
2893:
2888:
2886:Action fiction
2878:
2873:
2867:
2865:
2853:
2852:
2850:
2849:
2844:
2839:
2834:
2829:
2824:
2823:
2822:
2812:
2807:
2802:
2801:
2800:
2795:
2790:
2785:
2780:
2770:
2765:
2758:
2752:
2750:
2744:
2743:
2741:
2740:
2735:
2730:
2729:
2728:
2723:
2713:
2708:
2707:
2706:
2701:
2696:
2687:
2682:
2668:
2667:
2666:
2661:
2650:
2648:
2642:
2641:
2639:
2638:
2633:
2628:
2623:
2618:
2613:
2612:
2611:
2601:
2596:
2591:
2586:
2581:
2576:
2571:
2566:
2561:
2555:
2553:
2547:
2546:
2544:
2543:
2538:
2533:
2532:
2531:
2526:
2516:
2511:
2506:
2501:
2496:
2490:
2488:
2482:
2481:
2479:
2478:
2473:
2468:
2467:
2466:
2465:
2464:
2454:
2449:
2439:
2434:
2429:
2424:
2419:
2413:
2411:
2405:
2404:
2402:
2401:
2396:
2391:
2386:
2381:
2376:
2371:
2366:
2364:Self-insertion
2361:
2356:
2351:
2349:Poetic justice
2346:
2341:
2336:
2331:
2326:
2319:
2312:
2307:
2302:
2297:
2292:
2287:
2282:
2277:
2270:
2265:
2260:
2255:
2250:
2249:
2248:
2238:
2233:
2225:
2223:
2217:
2216:
2214:
2213:
2208:
2203:
2198:
2193:
2188:
2183:
2178:
2173:
2172:
2171:
2166:
2161:
2151:
2144:
2139:
2134:
2129:
2124:
2119:
2114:
2109:
2107:Character flaw
2104:
2099:
2094:
2088:
2086:
2080:
2079:
2072:
2071:
2064:
2057:
2049:
2040:
2039:
2037:
2036:
2031:
2026:
2021:
2015:
2013:
2012:Related topics
2009:
2008:
2006:
2005:
2000:
1995:
1990:
1989:
1988:
1978:
1977:
1976:
1966:
1954:
1949:
1948:
1947:
1942:
1931:
1929:
1925:
1924:
1922:
1921:
1916:
1911:
1905:
1903:
1899:
1898:
1895:
1894:
1892:
1891:
1890:
1889:
1879:
1878:
1877:
1872:
1867:
1859:
1858:
1857:
1852:
1842:
1837:
1832:
1831:
1830:
1825:
1817:
1812:
1811:
1810:
1805:
1796:
1794:
1790:
1789:
1787:
1786:
1774:
1769:
1757:
1745:
1744:
1743:
1736:
1733:Streblus asper
1724:
1712:
1707:
1706:
1705:
1698:
1685:
1683:
1676:
1672:
1671:
1660:
1659:
1652:
1645:
1637:
1631:
1630:
1618:
1609:
1604:
1578:
1573:
1563:, Wilmington:
1556:
1551:
1541:, Cincinnati:
1534:
1529:
1512:
1507:
1490:
1485:
1472:
1467:
1457:, Cincinnati:
1448:
1443:
1426:
1417:
1412:
1402:, Cincinnati:
1395:
1390:
1373:
1363:Chisholm, Hugh
1349:
1344:
1327:
1318:
1313:
1296:
1291:
1274:
1269:
1250:
1240:
1235:
1216:
1204:
1195:
1190:
1173:
1159:
1156:
1154:
1153:
1141:
1139:, p. 198)
1129:
1117:
1105:
1093:
1081:
1079:, p. 209)
1069:
1057:
1055:, p. 148)
1045:
1033:
1021:
1019:, p. 148)
1009:
997:
994:Baldick (2004)
986:
984:, p. 810)
974:
972:, p. 164)
970:Bradbury (1971
962:
950:
938:
926:
914:
902:
900:, p. 226)
890:
878:
876:, p. 156)
866:
854:
852:, p. 226)
842:
830:
828:, p. 129)
818:
807:
795:
783:
771:
759:
747:
735:
723:
711:
699:
697:, p. 100)
687:
676:
665:
654:
643:
632:
621:
609:
597:
585:
583:, p. 112)
573:
571:, p. 163)
561:
549:
537:
525:
513:
501:
489:
477:
465:
463:, p. 111)
453:
442:
430:
427:Webster (1969)
418:
416:
413:
412:
411:
406:
401:
394:
391:
329:writer's voice
313:
312:Writer's voice
310:
309:
308:
288:
287:
271:
270:
254:
253:
236:
235:
215:
214:
211:
208:
205:
189:
186:
180:
177:
172:
169:
154:
151:
124:
123:
120:
113:
112:
109:
26:
9:
6:
4:
3:
2:
3685:
3674:
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3655:
3653:
3638:
3635:
3633:
3630:
3628:
3625:
3624:
3622:
3618:
3612:
3609:
3607:
3604:
3602:
3599:
3597:
3594:
3592:
3589:
3587:
3584:
3582:
3579:
3578:
3576:
3572:
3566:
3563:
3561:
3558:
3556:
3553:
3551:
3548:
3546:
3543:
3541:
3538:
3536:
3535:Writing style
3533:
3532:
3530:
3526:
3520:
3517:
3515:
3512:
3510:
3507:
3505:
3502:
3500:
3497:
3495:
3492:
3488:
3485:
3484:
3483:
3480:
3479:
3477:
3473:
3467:
3464:
3462:
3459:
3457:
3454:
3452:
3449:
3447:
3444:
3443:
3441:
3438:
3434:
3428:
3425:
3423:
3420:
3418:
3415:
3413:
3410:
3408:
3405:
3403:
3400:
3398:
3395:
3394:
3392:
3388:
3384:
3377:
3372:
3370:
3365:
3363:
3358:
3357:
3354:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3326:Screenwriting
3324:
3320:
3317:
3316:
3315:
3312:
3310:
3307:
3303:
3300:
3299:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3278:
3275:
3273:
3270:
3266:
3263:
3262:
3261:
3258:
3254:
3250:
3247:
3245:
3242:
3238:
3235:
3233:
3230:
3228:
3225:
3224:
3223:
3220:
3219:
3218:
3215:
3213:
3210:
3209:
3207:
3203:
3197:
3194:
3192:
3189:
3187:
3184:
3183:
3181:
3179:
3175:
3169:
3166:
3164:
3161:
3159:
3156:
3152:
3149:
3147:
3144:
3142:
3139:
3138:
3137:
3134:
3132:
3131:Second-person
3129:
3127:
3124:
3122:
3119:
3118:
3116:
3114:
3110:
3102:
3099:
3097:
3094:
3093:
3092:
3089:
3085:
3082:
3080:
3077:
3075:
3072:
3070:
3067:
3063:
3060:
3056:
3053:
3051:
3048:
3046:
3043:
3042:
3041:
3038:
3036:
3035:Magic realism
3033:
3031:
3028:
3024:
3021:
3020:
3019:
3016:
3014:
3011:
3010:
3009:
3006:
3004:
3001:
2999:
2996:
2992:
2989:
2987:
2984:
2983:
2982:
2979:
2977:
2974:
2972:
2969:
2967:
2966:Psychological
2964:
2962:
2959:
2957:
2954:
2952:
2949:
2947:
2946:Philosophical
2944:
2942:
2939:
2937:
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2904:
2902:
2899:
2897:
2894:
2892:
2889:
2887:
2884:
2883:
2882:
2879:
2877:
2874:
2872:
2871:Autobiography
2869:
2868:
2866:
2863:
2858:
2854:
2848:
2845:
2843:
2840:
2838:
2835:
2833:
2830:
2828:
2825:
2821:
2818:
2817:
2816:
2813:
2811:
2810:Narrative art
2808:
2806:
2803:
2799:
2796:
2794:
2791:
2789:
2786:
2784:
2781:
2779:
2776:
2775:
2774:
2771:
2769:
2768:Flash fiction
2766:
2764:
2763:
2759:
2757:
2754:
2753:
2751:
2749:
2745:
2739:
2736:
2734:
2731:
2727:
2724:
2722:
2719:
2718:
2717:
2714:
2712:
2709:
2705:
2702:
2700:
2697:
2695:
2691:
2688:
2686:
2683:
2681:
2677:
2674:
2673:
2672:
2669:
2665:
2662:
2660:
2659:Act structure
2657:
2656:
2655:
2652:
2651:
2649:
2647:
2643:
2637:
2634:
2632:
2629:
2627:
2624:
2622:
2619:
2617:
2614:
2610:
2607:
2606:
2605:
2602:
2600:
2597:
2595:
2592:
2590:
2587:
2585:
2582:
2580:
2577:
2575:
2572:
2570:
2567:
2565:
2562:
2560:
2557:
2556:
2554:
2552:
2548:
2542:
2539:
2537:
2534:
2530:
2527:
2525:
2522:
2521:
2520:
2517:
2515:
2512:
2510:
2507:
2505:
2502:
2500:
2497:
2495:
2492:
2491:
2489:
2487:
2483:
2477:
2476:Worldbuilding
2474:
2472:
2469:
2463:
2460:
2459:
2458:
2455:
2453:
2450:
2448:
2445:
2444:
2443:
2440:
2438:
2435:
2433:
2430:
2428:
2425:
2423:
2420:
2418:
2415:
2414:
2412:
2410:
2406:
2400:
2397:
2395:
2392:
2390:
2387:
2385:
2382:
2380:
2377:
2375:
2372:
2370:
2367:
2365:
2362:
2360:
2357:
2355:
2352:
2350:
2347:
2345:
2342:
2340:
2337:
2335:
2332:
2330:
2327:
2325:
2324:
2323:KishĹŤtenketsu
2320:
2318:
2317:
2316:In medias res
2313:
2311:
2308:
2306:
2303:
2301:
2298:
2296:
2295:Foreshadowing
2293:
2291:
2290:Eucatastrophe
2288:
2286:
2283:
2281:
2278:
2276:
2275:
2271:
2269:
2266:
2264:
2261:
2259:
2256:
2254:
2253:Chekhov's gun
2251:
2247:
2244:
2243:
2242:
2239:
2237:
2234:
2232:
2231:
2227:
2226:
2224:
2222:
2218:
2212:
2209:
2207:
2204:
2202:
2199:
2197:
2194:
2192:
2189:
2187:
2184:
2182:
2179:
2177:
2174:
2170:
2167:
2165:
2162:
2160:
2157:
2156:
2155:
2152:
2150:
2149:
2145:
2143:
2142:Gothic double
2140:
2138:
2135:
2133:
2130:
2128:
2125:
2123:
2122:Deuteragonist
2120:
2118:
2115:
2113:
2110:
2108:
2105:
2103:
2102:Character arc
2100:
2098:
2095:
2093:
2090:
2089:
2087:
2085:
2081:
2077:
2070:
2065:
2063:
2058:
2056:
2051:
2050:
2047:
2035:
2032:
2030:
2027:
2025:
2022:
2020:
2017:
2016:
2014:
2010:
2004:
2001:
1999:
1996:
1994:
1991:
1987:
1984:
1983:
1982:
1979:
1975:
1972:
1971:
1970:
1967:
1965:
1963:
1959:
1955:
1953:
1950:
1946:
1943:
1941:
1938:
1937:
1936:
1933:
1932:
1930:
1926:
1920:
1917:
1915:
1912:
1910:
1907:
1906:
1904:
1900:
1888:
1885:
1884:
1883:
1880:
1876:
1873:
1871:
1868:
1866:
1863:
1862:
1860:
1856:
1853:
1851:
1848:
1847:
1846:
1843:
1841:
1838:
1836:
1833:
1829:
1826:
1824:
1821:
1820:
1818:
1816:
1813:
1809:
1806:
1804:
1801:
1800:
1798:
1797:
1795:
1791:
1784:
1783:
1778:
1775:
1773:
1770:
1767:
1766:
1761:
1758:
1755:
1754:
1749:
1746:
1742:
1741:
1737:
1735:
1734:
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607:, p. 18)
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3331:Storytelling
3146:Subjectivity
3136:Third-person
3126:First-person
2760:
2569:Comic relief
2550:
2321:
2314:
2305:Flashforward
2272:
2246:Origin story
2228:
2191:Straight man
2146:
1961:
1957:
1799:Animal skin
1780:
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719:Hacker (1991
714:
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673:Weber (1996)
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629:Biber (1988)
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368:
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344:
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294:" (1963) by
289:
279:Ray Bradbury
277:" (1955) by
272:
262:Dylan Thomas
260:" (1945) by
255:
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220:
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198:Thomas Paine
191:
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3668:Narratology
3611:Short story
3402:Description
3336:Tellability
3302:Metafiction
3297:Narratology
3069:Theological
2961:Pop culture
2842:Short story
2820:Epic poetry
2541:Time travel
2354:Red herring
2339:Plot device
2310:Frame story
2263:Cliffhanger
2206:Tritagonist
2181:Protagonist
1969:Inscription
1902:Impermanent
1865:Clay tablet
1835:Oracle bone
1702:Ficus aurea
1682:Plant-based
1053:Crews (1977
1017:Crews (1977
874:Crews (1977
826:Crews (1977
767:Crews (1977
731:Crews (1977
707:Crews (1977
695:Crews (1977
473:Crews (1977
389:, or tone.
345:personality
53:punctuation
3652:Categories
3606:Screenplay
3560:Stylistics
3519:Plagiarism
3494:Assemblage
3487:Prewriting
3437:Techniques
3417:Literature
3407:Exposition
3222:Continuity
3091:Nonfiction
3055:Underwater
2951:Picaresque
2926:Historical
2911:Epistolary
2783:Fairy tale
2694:Peripeteia
2676:Exposition
2432:Dreamworld
2374:Stereotype
2344:Plot twist
2092:Antagonist
1986:Palimpsest
1981:Manuscript
1974:Bas-relief
1919:Skywriting
1875:Wax tablet
1855:Petroglyph
1715:Birch bark
1281:, London:
1180:, Oxford:
1158:References
1137:Lamb (2008
1101:Lamb (2008
1077:Lamb (2008
1029:Lamb (2008
898:Lamb (2008
850:Lamb (2008
755:Lamb (2008
640:Ray (2015)
243:(1859) by
77:essentials
32:literature
3113:Narration
3062:Superhero
2986:Chivalric
2971:Religious
2956:Political
2891:Adventure
2876:Biography
2798:Tall tale
2646:Structure
2631:Symbolism
2599:Narration
2499:Leitmotif
2427:Crossover
2422:Backstory
2379:Story arc
2329:MacGuffin
2300:Flashback
2241:Backstory
2117:Confidant
2097:Archenemy
2084:Character
2076:Narrative
1993:Microform
1887:Silk text
1803:Parchment
1760:Palm leaf
438:Ray (2015
143:sylistics
81:mechanics
65:paragraph
3550:Register
3528:Features
3514:Pastiche
3504:Diegesis
3319:Glossary
3314:Rhetoric
3121:Diegesis
3101:Creative
3074:Thriller
3023:Southern
2941:Paranoid
2936:Nautical
2847:Vignette
2805:Gamebook
2773:Folklore
2680:Protasis
2559:Allegory
2504:Metaphor
2462:parallel
2457:universe
2437:Dystopia
2394:Suspense
2280:Dialogue
2268:Conflict
2176:Narrator
2148:Hamartia
1945:Notebook
1861:Tablets
1850:Geoglyph
1828:Stamping
1823:Intaglio
1765:Borassus
1748:Ola leaf
1675:Enduring
1588:(1979),
1355:(1911),
399:Elocutio
393:See also
350:narrator
188:Examples
135:rhetoric
93:rhetoric
85:handbook
73:elements
61:sentence
45:spelling
3658:Fiction
3509:Mimesis
3475:Methods
3249:Prequel
3205:Related
3191:Present
3084:Western
3040:Science
3013:Fantasy
2981:Romance
2931:Mystery
2916:Ergodic
2881:Fiction
2837:Parable
2832:Novella
2762:Fabliau
2733:Premise
2584:Imagery
2574:Diction
2452:country
2409:Setting
2389:Subplot
2211:Villain
2164:Byronic
1964:(baton)
1819:Metals
1777:Papyrus
1664:Writing
1365:(ed.),
361:persona
158:Diction
49:grammar
41:writing
3601:Poetry
3456:Cliché
3422:Writer
3253:Sequel
3237:Retcon
3232:Reboot
3196:Future
3030:Horror
3018:Gothic
3003:Satire
2921:Erotic
2788:Legend
2690:Climax
2564:Bathos
2471:Utopia
2359:Reveal
2258:Cliché
2236:Action
2230:Ab ovo
2169:Tragic
1998:Scroll
1914:Screen
1808:Vellum
1720:Betula
1628:, 1969
1602:
1571:
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1527:
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1267:
1233:
1213:Bantam
1188:
222:Hamlet
145:, and
51:, and
3596:Novel
3586:Essay
3574:Forms
3466:Trope
3461:Idiom
3260:Genre
3227:Canon
3178:Tense
3096:Novel
3079:Urban
2991:Prose
2976:Rogue
2901:Crime
2896:Comic
2857:Genre
2827:Novel
2778:Fable
2756:Drama
2721:films
2551:Style
2519:Motif
2509:Moral
2494:Irony
2486:Theme
2399:Trope
1962:Shaku
1940:Codex
1870:Slate
1845:Stone
1772:Paper
1689:Amate
1361:, in
415:Notes
379:genre
343:, or
341:style
196:" by
162:words
91:, or
89:style
83:, or
69:rules
57:words
3591:Joke
3565:Tone
3265:List
3186:Past
3045:Hard
2998:Saga
2906:Docu
2862:List
2793:Myth
2748:Form
2636:Tone
2609:Hook
2594:Mood
2589:Mode
2447:city
2334:Pace
2221:Plot
2159:Anti
2154:Hero
2137:Foil
2003:Sign
1935:Book
1666:and
1600:ISBN
1569:ISBN
1547:ISBN
1525:ISBN
1503:ISBN
1481:ISBN
1463:ISBN
1439:ISBN
1408:ISBN
1386:ISBN
1340:ISBN
1309:ISBN
1287:ISBN
1265:ISBN
1231:ISBN
1186:ISBN
387:mood
337:tone
331:(or
327:The
97:what
2654:Act
1815:Ink
320:or
101:how
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