276:, a feature film financed by Australian taxpayers through the New South Wales Film Corporation. The meeting held the view that the development of Australian directors was a key part of the rationale for government funding of films. Failing to gain support for their opposition from the relevant industry union, the Australian Theatrical & Amusement Employees Association (AT&AEA), the directors decided to set up the Australian Feature Film Directors Association. In around September 1981, 18 directors met at the AT&AEA headquarters in the Sydney suburb of Glebe to sign the Articles of Association. Nine directors were the formal signatories:
464:
seemingly every possible craft and interest group was establishing its own organised representation. ADG President Ray Argall became involved in the work of the
Australian Screen Council, an attempt, ultimately ill-fated, to bring the screen guilds together. More broadly and in line with the ADG's understanding of the increasing impact of globalisation on Australian screen, Argall officially represented Australia in the founding of the International Federation of Coalitions for Cultural Diversity in Seville in 2007. He is currently the Asia Pacific member of the Federation Board and coordinates the Australian Coalition for Cultural Diversity.
407:
these efforts, when Moral Rights legislation was introduced into the
Copyright Act in 2000, directors were defined as makers of a film along with writers and producers. Importantly, with the subsequent passing of the 2006 Copyright Amendment Act, ASDA and the Australian Writers Guild, now working together, managed to achieve protection for their members from contractual pressures to waive their moral rights – a waiver which is permitted and widely exercised in some other jurisdictions, notably in the United States.
37:
336:
fees enabled the employment of a manager. Attempts at instituting a standard directors contract proved fruitless as the Screen
Producers Association of Australia (SPAA) refused to negotiate, citing ASDA's lack of industrial registration as its reason. Nevertheless, in 1985 a disputes committee was formed and ASDA continued to represent directors in disputes with producers.
347:(AFC) began to give financial support to ASDA's cultural events and seminars. Correlatively, with the growth of membership and establishment of a financial base, ASDA was able to play a role in the politics of the industry. Lobbying on behalf of directors' viewpoints on a range of issues soon became one of the Association's primary activities.
617:. The DGA Finders Series spotlights the director of an undistributed independent film chosen from member countries within the International Association of English-Speaking Directors Organizations (IAESDO). The Finder's Award was relaunched by the ADG in 2012, and in 2014 an Innovation Award was also established.
360:
revitalising ASDA, recognised the members' interest in the art/craft of directing and proposed the institution of a
Directors Conference and Directors Discussion Screenings. Many such screenings were held over the following years, along with a range of seminars and meetings to discuss industry policy.
335:
In the years that followed, ASDA continued to concern itself with the importation of overseas directors, supporting directors of note and where
Australian directors were also included in the projects. A range of cultural events, meetings and seminars were organized and, as membership grew, membership
258:
organise a range of local events and activities and liaise with their relevant State screen bodies. The staff and operations of the Guild are financed through fees for membership, income from events, a small percent of overseas royalties collected through ASDACS, a voluntary levy from the budgets of
450:
By the end of the 1990s, political, social and technological changes were resulting in a diminution of member involvement in many organizations across
Australia and ASDA was not immune to these changes. Most of the member committees of the earlier period had become inactive, members meetings became
437:
to distribute money collected on behalf of directors from the sale of video tapes in France. ASDACS subsequently formed further relationships with other
European collecting societies and in recent years has distributed roughly half a million dollars annually to its 800 director members in Australia
367:
During this period also, ASDA continued its participation in industry policy development with submissions to and meetings with relevant organisations, reviews and government departments. Work on a
Standard TV directors contract was begun and a reconstituted Disputes Committee began life by dealing
174:
four months later, the organisation became the
Australian Directors' Guild in 2007 in order to align itself more clearly to other international directors guilds which had for some years been strengthening their ties with each other and with their Australian counterpart. In 2014, the ADG membership
406:
ASDA understood that the authorship of screen directors was not well-recognised and was under additional threat in a changing global and technological landscape. As a consequence, many of its activities at this time were aimed at fostering a better understanding of the director's role. Thanks to
339:
ASDA Board meetings were initially held in members' houses or at an industry watering hole, the 729 Club, until 1984 by which time income had increased sufficiently for the establishment of an office in the suburb of Glebe. In 1985, with the admission of documentary directors, membership reached
311:
The organisation soon attracted interest from directors other than feature film directors, especially from television directors, leading to the decision to change its name to the
Australian Screen Directors Association (ASDA). New signatories to the ASDA Articles of Association on 15 January 1982
463:
Thanks to consistent participation in industry politics and promotion of directors' viewpoints, by the time the association changed its name to the Australian Directors' Guild (ADG) in 2007, it had become a well-established and well-recognised player in a complex industry/cultural scene in which
467:
It was in this period also that the ADG finalised rate cards for directors' fees. And while directors' contracts had also been drafted, the ability to negotiate with producers for their implementation still remained a stumbling block. In 2014, following discussions with MEAA and SPAA, the ADG
359:
During the 1990s, members participated directly in the Association through a range of committees including a documentary committee, an animators committee, a television directors committee, a women's committee, events committee and policy committee, among others. President Stephen Wallace, in
455:
and Ray Argall—and to the executive directors: Richard Harris (1998-2007), Drew Macrae (2007-2009), In 2009–2011, the ADG also employed an industrial relations and policy manager, Needeya Islam. Much of their time was claimed by industrial issues, international relations and the necessity of
441:
In 1999, ASDA made further gains for directors in arguing for their inclusion as beneficiaries under the retransmission scheme proposed in the Copyright Amendment (Digital Agenda) Act (2000). These efforts came to fruition in 2005 through the Copyright Amendment (Film Directors' Rights) Act,
204:
The ADG provides members with information, access, professional advice and advocacy relating to issues that affect directors – such as contracts, fees, codes of practice, rights and disputes. It maintains and provides connections with overseas Guilds through its affiliation with the
197:
The ADG is a craft association representing screen directors working in all genres. It seeks to promote excellence in screen direction through seminars, conferences, workshops and awards, to encourage communication and collaboration between directors and others in the industry, to provide
227:
Ozdox, a semi-autonomous documentary group affiliated with the ADG and working closely with Guild staff, fosters and promotes documentary culture, primarily through discussion screenings and seminars. Founded in 2003, Ozdox encourages documentary directors to become members of the ADG.
234:
As of 2014, the ADG had a membership of over 700, including full/retired members, associate members and student members. Full members must be refereed and their credentials approved by the ADG Board. Membership fees are determined according to annual wage levels and state location.
368:
with a serious television dispute arising in some measure out of the lack of such a contract. Other disputes continued to be brought to the committee by directors working in many areas of the industry. In 1999, one of these disputes, with Channel 9 over wages for directors on the
471:
The ADG continued to maintain a focus on directors' creative and craft issues through seminars and discussion screenings in capital cities, at its national conference, and in collaboration with a range of other industry organisations, educational institutions and film festivals.
212:
whereby successful applicants are placed in productions in order to gain experience working in film or television. Beginning in 1993, the ADG has held regular directors conferences and between 1988 and 2008, it printed a newsletter which later became the magazine,
608:
In 2007, the first ADG Directors Awards were established. They are open to financial members in all categories and are the only Australian film directing awards judged solely by directors. This was the year in which the ADG was first included in the
430:), thus beginning a process of achieving closer relationships with overseas guilds. Subsequently, ASDA regularly participated in the annual International Directors' Guild Forum, an event which it hosted in Sydney in 1998.
459:
In this period also, digital media became an increasingly significant area of concern as rapid transformations affected telecommunications, television and "film" which was increasingly moving away from celluloid formats.
456:
participation in a large number of policy debates and reviews of public sector institutions and regulations, with their attendant demands for consultations, participation in industry committees and detailed submissions.
355:
By 1992 ASDA membership was around 200 and, as activity within the organisation increased, this number soon doubled. By the end of the decade, members numbered almost 900, including both associate and student members.
198:
professional support for its members, to represent the interests of directors in cultural and policy debates and decisions and to play a constructive role in matters affecting the Australian screen industry as a whole.
340:
100, but the influence of ASDA through its various activities reached many more directors as well as others interested/involved in film and television production. These cultural events also became a source of finance.
363:
ASDA's first National Directors Conference was held in June 1993. Over the next years, these conferences coincided with ASDA's AGM and became forums for policy debate as well as for exploration of directing issues.
1389:
372:
series, brought the long-simmering issue of industrial representation to the fore. President Stephen Wallace vigorously rejected the view that ASDA should work through the industry union, the
1636:
1485:
231:
In 1995 the ADG formed the Australian Screen Directors Authorship Collecting Society (ASDACS) to collect overseas royalties for distribution to Australian and New Zealand directors
1163:
383:(DGC) was brought to Australia to help develop a contract which would be acceptable both to Australian and US companies. Also in this period a prolonged struggle to achieve
427:
846:
1083:
1393:
1585:
1273:
1193:
224:
In 2007 the ADG began giving annual awards for directors. These have grown to include 17 categories with special awards recognising service and achievement.
1115:
434:
1219:
1051:
484:
Award in recognition of services to directing. The Award is now generally given in alternate years or with the identification of a deserving recipient.
872:
1357:
923:
1644:
1489:
1463:
201:
The ADG is governed by a board of directors, elected from and by the membership, and appoints a full-time executive director and a coordinator.
629:
1171:
17:
1741:
821:
1666:
373:
1746:
468:
received unanimous support from its members for the constitutional changes necessary for registration as an industrial union.
379:
ASDA's efforts to develop standard directors' contracts continued and in 1999 Neil Haggquist, the business agent for the
1331:
433:
Similarly in 1995, ASDA formed ASDACS (the Australian Directors Collecting Society) after having been approached by the
1611:
392:
1559:
1090:
1441:
795:
451:
infrequent, and most of the work fell to active members of the board—particularly successive association presidents
1280:
1511:
785:
1533:
1119:
1226:
1058:
494:
181:
1415:
1305:
988:
The Creative Artist's Legal Guide: copyright, trademark, and contracts in film and digital media' production
876:
739:
635:
In May 2019, ten awards were presented, as well as the top prize of Best Direction in a Feature Film, which
272:
In early 1981, a meeting of film directors was held in response to plans to import an overseas director for
442:
providing for film directors to share in retransmission royalties along with producers in certain cases.
1364:
935:
614:
423:
400:
388:
344:
259:
members' productions and sponsorship from state and federal film bodies, Screenrights and Media Super.
135:
directors, including documentary makers and animators, throughout Australia. With its headquarters in
762:
641:
419:
380:
343:
As the organization developed further, eventually including membership in other capital cities, the
651:
396:
873:"Media Release: New Director's Attachment Scheme launched with Kriv Stenders' Kill Me Three Times"
610:
481:
787:
A/V A to Z: An Encyclopedic Dictionary of Media, Entertainment and Other ... - Richard W. Kroon
570:
321:
329:
273:
186:
8:
564:
399:
came out in opposition to the inclusion of directors as authors in mooted changes to the
251:
152:
128:
1251:
791:
665:
525:
277:
255:
156:
636:
621:
209:
185:. In February, 2015 registration as an industrial organisation was approved by the
175:
voted unanimously for constitutional changes to enable the Guild to register as a
692:
585:
411:
317:
281:
247:
239:
148:
140:
205:
International Association of English Speaking Directors Organisations (IAESDO).
1141:
985:
698:
646:
552:
452:
1735:
1335:
710:
671:
513:
325:
313:
132:
124:
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for directors was initiated when both federal government film agencies, the
680:
558:
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537:
519:
415:
384:
305:
301:
293:
1029:
716:
578:
574:
506:
500:
297:
289:
285:
176:
160:
80:
1419:
704:
597:
531:
243:
144:
376:(MEAA) but rather that it should itself seek industrial registration.
208:
The Guild organises a Directors Attachment Scheme in cooperation with
1671:
630:
Adelaide Film Festival's Indigenous Feature Documentary Initiative
1667:"Rowan Woods elected as president of Australian Directors' Guild"
1309:
898:
847:"World Film and Television Directors Announce Dublin Declaration"
320:
and a number of directors best known for their television work:
1694:
1084:"Australian Screen Directors Authorship Collecting Society Ltd"
1052:"Australian Screen Directors Authorship Collecting Society Ltd"
136:
1637:"Australian Directors' Guild names Samantha Lang as president"
1442:"The Guild / Committees - DGA Independent Filmmakers Brochure"
120:
1586:"Sweet Country wins top prize at the Directors Guild Awards"
1010:
ASDA Newsletters Aug/Sept 1994 and presidents Report 1998-99
428:
Broadcasting, Entertainment, Cinematograph and Theatre Union
1194:"Kingston Anderson appointed Australian Directors [
983:
36:
1724:
822:"- ADG PRESIDENT — Personal Message — UNION -"
763:"ADG awards its own | Movie News | SBS Movies"
816:
814:
624:
won "Best Direction of a Documentary Feature Film" for
1488:. Screen.nsw.gov.au. 30 December 2011. Archived from
98:
811:
1416:"Melbourne International Film Festival (MIFF) 2015"
1612:"Australian Directors' Guild Awards 2019: winners"
1390:"industry support | funding & incentives"
734:
732:
480:At the 1995 conference, ASDA presented the first
1733:
1464:"Peter Garrett To Attend Directors Guild Awards"
1118:. Screenrights. 31 January 2013. Archived from
740:"History of the ADG - Part 1 — Screen Director"
435:Société des Auteurs et Compositeurs Dramatiques
729:
168:Australian Feature Film Directors' Association
1577:
58:Australian Directors' Guild National Office
35:
1466:. Australianstage.com.au. 11 October 2007
1220:"Submission by Australian Screen Council"
875:. Screenaustralia.gov.au. Archived from
374:Media, Entertainment & Arts Alliance
172:Australian Screen Directors' Association
965:Stephen Wallace, ASDA Press Report 1998
760:
603:
14:
1734:
1583:
984:Seiter, William; Ellen Seiter (2012).
676:1986 Chris Thompson (for eight months)
1116:"Directors and Retransmission Rights"
783:
487:
159:. As of 2022 the president of ADG is
1609:
86:Alaric McAusland, Executive Director
1392:. Screen.nsw.gov.au. Archived from
992:. Yale University Press. p. 56
784:Kroon, Richard W. (30 April 2014).
715:December 2021–present (as of 2022)
170:in September, 1981 and renamed the
24:
1274:"Coalition for cultural diversity"
393:Film Finance Corporation Australia
25:
1758:
1716:
1643:. 1 December 2015. Archived from
628:, which was partly funded by the
1486:"news | news & updates"
974:ASDA Newsletter March April 1999
590:2012 Michael Frankel, Greg Duffy
422:), met in Toronto with the DGA (
414:, at the invitation of the late
1742:Film organisations in Australia
1687:
1659:
1629:
1603:
1552:
1526:
1504:
1478:
1456:
1434:
1408:
1382:
1350:
1324:
1298:
1266:
1244:
1212:
1186:
1156:
1134:
1108:
1089:. Asdacs.com.au. Archived from
1076:
1057:. Asdacs.com.au. Archived from
1044:
1022:
1013:
1004:
977:
968:
959:
956:ASDA Newsletter, September 1993
924:"Australian Directors [
64:Ultimo, NSW 2007, NSW Australia
1142:"Copyright Amendment Act 2006"
950:
916:
891:
865:
839:
777:
761:Colbert, Mary (23 June 2015).
754:
445:
350:
267:
123:representing the interests of
61:Suite 28/330-370 Wattle Street
13:
1:
1747:Entertainment industry unions
1512:"Entries open for ADG Awards"
1418:. Miff.com.au. Archived from
1363:. Agsc.org.au. Archived from
1332:"Australian Directors' Guild"
1279:. Cdc-ccd.org. Archived from
1225:. Arts.gov.au. Archived from
722:
658:
182:Industrial Relations Act 1988
1584:Maddox, Garry (6 May 2019).
1334:. ADG.org.au. Archived from
1198:] Guild general manager"
7:
1725:Australian Directors' Guild
1699:Australian Directors' Guild
1308:. FICDC.org. Archived from
645:. Another major winner was
192:
113:Australian Directors' Guild
30:Australian Directors' Guild
10:
1763:
1610:Knox, David (7 May 2019).
1560:"After the Apology (2017)"
1252:"AWG quits Screen Council"
615:Directors Guild of America
424:Directors Guild of America
401:Copyright law of Australia
389:Australian Film Commission
345:Australian Film Commission
262:
179:under Australia's federal
139:, the ADG has branches in
18:Australian Directors Guild
1019:Presidents Report 1998-99
475:
420:Directors Guild of Canada
381:Directors Guild of Canada
166:Founded initially as the
93:
71:
51:
43:
34:
410:In 1994, ASDA President
397:Australian Writers Guild
685:1989–90 Graham Thorburn
611:Directors Finder Series
426:) and BECTU (Britain's
1538:Adelaide Film Festival
221:are available online.
1590:Sydney Morning Herald
826:Campaign-archive1.com
1096:on 23 September 2015
1064:on 23 September 2015
742:. Screendirector.org
604:ADG Directors Awards
593:2017 Courtney Gibson
217:. Current issues of
187:Fair Work Commission
1647:on 12 December 2015
1534:"After The Apology"
1492:on 20 February 2015
1422:on 20 February 2015
928:] Guild Awards"
853:. 19 September 2003
709:2015–December 2021
31:
1675:. 12 December 2021
903:Screendirector.org
488:Cecil Holmes Award
324:, Maurice Murphy,
238:Guild Chapters in
131:, commercials and
29:
899:"Screen Director"
688:1991 Roger Hudson
666:Gillian Armstrong
626:After the Apology
542:2005 John Maynard
526:Michael Thornhill
438:and New Zealand.
395:, as well as the
278:Gillian Armstrong
256:Western Australia
157:Western Australia
119:) is an industry
109:
108:
16:(Redirected from
1754:
1728:
1727:
1710:
1709:
1707:
1705:
1691:
1685:
1684:
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1680:
1663:
1657:
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1652:
1633:
1627:
1626:
1624:
1622:
1607:
1601:
1600:
1598:
1596:
1581:
1575:
1574:
1572:
1570:
1564:Screen Australia
1556:
1550:
1549:
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1545:
1530:
1524:
1523:
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1519:
1508:
1502:
1501:
1499:
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1482:
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1473:
1471:
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1454:
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1451:
1449:
1438:
1432:
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1429:
1427:
1412:
1406:
1405:
1403:
1401:
1386:
1380:
1379:
1377:
1375:
1369:
1362:
1358:"composersguild"
1354:
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1343:
1328:
1322:
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1231:
1224:
1216:
1210:
1209:
1207:
1205:
1190:
1184:
1183:
1181:
1179:
1170:. Archived from
1160:
1154:
1153:
1151:
1149:
1138:
1132:
1131:
1129:
1127:
1112:
1106:
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1063:
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1020:
1017:
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1008:
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1001:
999:
997:
981:
975:
972:
966:
963:
957:
954:
948:
947:
945:
943:
934:. Archived from
920:
914:
913:
911:
909:
895:
889:
888:
886:
884:
869:
863:
862:
860:
858:
851:Businesswire.com
843:
837:
836:
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808:
806:
804:
781:
775:
774:
772:
770:
758:
752:
751:
749:
747:
736:
637:Warwick Thornton
622:Larissa Behrendt
446:2000 – 2014
351:1992 – 1999
296:, Keith Salvat,
268:1981 – 1991
210:Screen Australia
105:
102:
100:
39:
32:
28:
21:
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1532:
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1447:
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1440:
1439:
1435:
1425:
1423:
1414:
1413:
1409:
1399:
1397:
1396:on 3 April 2015
1388:
1387:
1383:
1373:
1371:
1367:
1360:
1356:
1355:
1351:
1341:
1339:
1338:on 14 July 2015
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1329:
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1315:
1313:
1304:
1303:
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1283:
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1272:
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1257:
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1233:
1232:on 3 April 2015
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1203:
1201:
1192:
1191:
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1177:
1175:
1162:
1161:
1157:
1147:
1145:
1144:. Comlaw.gov.au
1140:
1139:
1135:
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1123:
1114:
1113:
1109:
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1005:
995:
993:
982:
978:
973:
969:
964:
960:
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941:
939:
938:on 6 March 2016
922:
921:
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905:
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743:
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693:Stephen Wallace
661:
606:
586:Stephen Wallace
509:, Phillip Batty
490:
478:
448:
412:Stephen Wallace
353:
318:Stephen Wallace
282:James Ricketson
270:
265:
248:South Australia
240:New South Wales
219:Screen Director
215:Screen Director
195:
149:South Australia
141:New South Wales
97:
89:
74:
67:
23:
22:
15:
12:
11:
5:
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1718:
1717:External links
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1503:
1477:
1455:
1433:
1407:
1381:
1370:on 3 July 2015
1349:
1323:
1312:on 2 July 2015
1297:
1286:on 3 July 2015
1265:
1243:
1211:
1185:
1174:on 3 July 2015
1155:
1133:
1122:on 3 July 2015
1107:
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699:Donald Crombie
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647:Rachel Perkins
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1595:20 November
1514:. If.com.au
1306:"Australie"
1254:. If.com.au
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575:Erica Glynn
571:Sally Riley
507:Freda Glynn
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177:trade union
161:Rowan Woods
83:, President
81:Rowan Woods
1736:Categories
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1164:"SHOWCASE"
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691:1992–2001
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1444:. Dga.org
620:In 2018,
418:the DGC (
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330:Ian Barry
312:included
1704:13 April
1679:13 April
1032:. asdacs
1030:"asdacs"
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697:2001–06
679:1987–89
670:1982–85
664:1981–82
639:won for
565:Paul Cox
391:and the
274:Hoodwink
252:Victoria
193:Overview
153:Victoria
1695:"About"
1651:13 July
649:, with
613:by the
263:History
94:Website
44:Founded
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476:Awards
137:Sydney
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