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a 1983 production—written by co-founder and collective member Jan
Magrane—was a direct statement on the inherent oppressiveness of the Catholic Church. Negative responses included the Minneapolis City Council declining to pass a resolution commending the theater for its 10-year contribution to the
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The collective's tasks included the shows themselves, but also the rest of the logistics—publicity, costumes, finances; within a non-hierarchical consensus-based structure. "There are no role models," said
Boesing—who was also the playwright for the first 10 years—in a 1979 interview. Audience
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participation also was a critical ingredient throughout the theater's work. AFOM was able to pay its members a regular amount each week, so that AFOM could be their primary focus. Funding came from a combination of ticket sales, touring, and grants from the
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She (Martha) has been combining her social and political concern with theater since the early 1960s, when she and her former husband, Paul, were members of the
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in 1977, it produced unique works on wide-ranging topics both in local productions and also through touring and performances at theater festivals. At the Foot of the
Mountain Theater closed in 1991.
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and Paul
Boesing, and Jan Magrane in 1974, At the Foot of the Mountain grew out of their experiences with experimental theater including at
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Vaughan, Peter (June 23, 1983). "League questions state funding of play called offensive to
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that created and produced works centered on women's lives. Founded in 1974 and re-dedicated as a
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133:. Boesing's involvement in the theater ended temporarily in 1984 when she accepted an 18-month
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Vaughan, Peter (June 25, 1984). "Founder of Foot of
Mountain theater quietly says farewell".
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Vaughan, Peter (March 11, 1984). "Play takes hard look at one
Catholic's disenchantment".
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At the Foot of the
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Vaughan, Peter (November 2, 1984). "Foot of Mountain Theatre moving ahead".
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Perry, Suzanne (April 20, 1979). "'Life' is a stage for feminist troupe".
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Vaughan, Peter (July 29, 1983). "Play opens world of politics to women".
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At the Foot of the Mountain Theater, Minneapolis- MNopedia entry
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Vaughan, Peter (May 14, 1982). "the prospect of nuclear war".
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At the Foot of the Mountain's topics were diverse, including
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