154:, interrupted in 1905–1906 by one year of voluntary service (Einjährigen-Freiwilligendienst). Financial support for his studies and shortened military service came from a scholarship from the Carl Haase Foundation and from the musician and patron Martin Lesser (c. 1857–1919). During this time Kautzenbach already gave his first public concerts and probably also played in orchestras in Berlin and Hamburg.
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and in 1941 the San
Francisco Civic Light Opera were founded with the help of private donations, continuing the efforts of the Annual Light Opera Festival in the exchange between the two cities of Los Angeles and San Francisco. Kay regularly conducted works of European and U.S. operetta here, and in
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Kay was repeatedly questioned by the press about his conception of silent film music. In doing so, he found that silent film music should not obviously mimic the actions of the silent film, but rather draw longer, connecting arcs of tension. He considered the classical repertoire particularly
147:. His sisters learned piano, his brothers string instruments. His sister Maria Kautzenbach, married Folgmann (1884–1915), and his brothers Wilhelm Kautzenbach, later William Kautzenbach or Temas Kay (1887–1964), and Georg (George) Kautzenbach (1895–1990) also became professional musicians.
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in which there had already been musicians in earlier generations. He was the first of eight children of the cartwright and musician
Ferdinand Kautzenbach (1856–1942) and his wife Bertha Kautzenbach, née Großmann (1861–1923). Kautzenbach's main instrument was the cello, but he learned other
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and the elaborate prologues designed by Sid
Grauman with music and various vaudeville numbers. The repertoire he had learned during his time in his father's apprentice orchestras played a significant role, i.e. opera and operetta melodies as well as lighter classical works by
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During his time as a silent film conductor, Kay not only compiled numerous cue sheets for silent films, but also began composing his own silent film scores. The silent film compositions, as well as other works and arrangements by him, were published by
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Initially he took over the musical direction and partly also works as a composer and arranger mainly of music films, later for many dramas, westerns, adventure and gangster films. Among others, he participated in well-known productions such as
449:) at different theaters in Los Angeles, for example, which called for a more contemporary, jazz-oriented orchestra, he concentrated more and more on European and U.S. operetta, contrary to the developments of the time. The works of
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Until 1962 Kay was regularly active as part of the Los
Angeles Civic Light Opera, after which he largely withdrew into private life and was only occasionally engaged, for example for arrangements, most recently in 1966.
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achieved fame during his time. In an interview in 1931, Kay stated that he wanted to write less concrete and more impressionistic film music, which probably did not apply to most of his productions.
322:(1928), in which he used music from opera and operetta, popular classical instrumentals, topical songs, and jazz pieces, as well as many silent film compositions of the time, including his own (
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In the mid-1920s, in addition to his film work and appearances as a conductor in concerts, shows and revues, Kay returned to the theater. After initially conducting various productions of
209:, whose music had already impressed him during a stay in Hamburg. It initially proved difficult that, as a member of the Boston Symphony Orchestra, he had not become a member of the
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in 1907. There he played in the cello section for three seasons and is also said to have served as Karl Muck's assistant. In 1908 and 1909 he also took on conducting duties with the
277:, for example. After a while, Kay also took over the direction of the Sunday morning concerts initiated by Sid Grauman, with which Kay claimed to educate the audience musically.
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256:. As a result of the anti-German sentiment surrounding the U.S. entry into World War I, the conductor's position had become vacant at Grauman's Million Dollar Theatre, run by
121:, he embarked on a career as conductor, composer, and arranger in operetta, silent film, and talkies, first primarily on the East Coast and from 1918 on the West Coast.
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conductor, composer, arranger, and cellist. Educated in
Silesia and Berlin, he emigrated to the United States in 1907, where, after a few seasons as cellist of the
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After a disagreement arose between Kay and
Grauman over musical quality issues, Kay resigned. He went on to conduct the orchestras of the silent movie theaters
264:, was fired and interned for alleged anti-Amerikan statements. Kay conducted in Grauman's Million Dollar Theatre from then on both the incidental music to the
229:) in New York and the provinces, worked as a cellist in Victor Herbert's orchestra, and then conducted his operettas, including the 1917 New York premiere of
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Arthur Kay, vordem
Kautzenbach (1882–1969). Ein Dirigent, Komponist und Arrangeur in den Musikwelten von Theater, Stummfilmkino und Hollywood-Studio
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Arthur Kay, vordem
Kautzenbach (1882–1969). Ein Dirigent, Komponist und Arrangeur in den Musikwelten von Theater, Stummfilmkino und Hollywood-Studio
193:), which were also performed by the Boston Pops Orchestra. Subsequently, some of his compositions were also published by G. Schirmer in New York.
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213:, which otherwise required union membership for any work as a musician. He subsequently conducted various opera and operetta projects (e.g.,
461:, formed the core of his interest. In the mid-1930s, he first participated as a conductor in the Annual Light Opera Festival, produced by
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624:, Lied für mittlere Stimme und Klavier, Text: Joseph von Eichendorff, Übersetzung: Th. Baker, New York (NY): G. Schirmer, 1924.
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244:. He had three children with her. The family continued to live in Somerville while Kautzenbach was in New York and on tour.
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Anon. (25 November 1923). "Kay Is Far From Being a "Yes" Man. Loew
Orchestra Leader Has Own Way of Scoring Photoplays".
1651:, Libretto: Raymond Cannon, Musik: Arthur Kay nach Motiven chinesischer Musik, UA: Los Angeles, Music Box Theater, 1936.
312:, Chicago, and McKinley Music, Chicago. The best-known sequence of music Kay put together for a silent film is that for
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From 1900 to 1907, Arthur
Kautzenbach studied cello at the Königliche akademische Hochschule für Musik in Berlin with
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The musician Arthur Kay, né Kautzenbach, is not identical with the Arthur Kay who worked as a voice actor for the
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Anonymos: “Kay Is Far From Being a ‘Yes’ Man. Loew Orchestra Leader Has Own Way of Scoring Photoplays”, in:
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Arthur Kay, who did not become a U.S. citizen until 1943, died on December 19, 1969, in Los Angeles, CA.
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Arvey, Verna (January 1931). "Present Day Musical Films and How They Are Made Possible".
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Verna Arvey: “Present Day Musical Films and How They Are Made Possible,” in:
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instruments during his training in his father's apprentice orchestras in
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Edmund Roth (Arr.) (= FMPIS), Chicago: Forster Music Publisher, 1925.
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In 1918, Kautzenbach, who from then on called himself Kay, moved to
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Kautzenbach presented several compositions during this period (
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A detailed catalog of works can be found in: Sophie Fetthauer
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Silent Film (composition, compilation of musical sequences)
668:, Gaston Borch (Arr.), New York (NY): G. Schirmer, 1914.
405:(1941) (here you can see him conducting in a scene) and
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Work in silent film in Los Angeles, Seattle and Chicago.
492:, who liked to draw on existing music, such as that of
1673:. Jefferson (NC): McFarland. pp. 89–91, 382–383.
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Emigrants from the German Empire to the United States
134:Arthur Kautzenbach came from a Catholic family in
655:, UA: Boston Pops Orchestra, Boston, 31 May 1909.
643:, UA: Boston Pops Orchestra, Boston, 6 June 1908.
637:, UA: Boston Pops Orchestra, Boston, 29 May 1908.
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660:Silent Film (sheet music editions for orchestra)
540:cartoons and lent his voice to, for example, “
350:From 1927 Kay worked in sound film, first for
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166:, Kautzenbach was hired as a cellist by the
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97:(Silesia), Germany; † 19 December, 1969 in
768:Señorita Lolita. Morceau Characteristique
568:, Chicago: Forster Music Publisher, 1925.
1853:20th-century American conductors (music)
1760:, Neumünster: von Bockel Verlag, 2023,
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726:Stealthy Visitors. Eccentric Misterioso
556:, Neumünster: von Bockel Verlag, 2023.
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786:Vanishing Race. American Indian Lament
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236:In 1911 he married Marian Hallett of
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750:A Funny Story. Intermezzo Humoresque
358:and after working for radio station
1745:, Jefferson (NC): McFarland, 2018,
611:, New York (NY): G. Schirmer, 1924.
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1858:American male film score composers
1738:, January 1931, pp. 16–18, 61, 72.
581:, für Violoncello und Klavier, 1.
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1320:Robinson Crusoe of Clipper Island
162:Through a contact with conductor
1813:American male conductors (music)
756:Chastity. Sweet Pathetic Andante
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211:American Federation of Musicians
1838:20th-century American composers
1354:The House of a Thousand Candles
1190:The Adventures of Rex and Rinty
720:Mysterious Stranger. Misterioso
597:), New York (NY): G. Schirmer .
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1731:, 25 November 1923, p. III/46.
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1585:You Can't Get Away with Murder
738:Tragedienne. Dramatic Andante,
690:Desert Caravan. Oriental No. 2
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1828:American film score composers
1808:20th-century German composers
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1491:Riders of the Whistling Skull
942:Fox Movietone Follies of 1930
863:Fox Movietone Follies of 1929
732:The Accuser. Dramatic Agitato
481:Los Angeles Civic Light Opera
201:In 1910 Kautzenbach moved to
1743:The Music of Charlie Chaplin
1713:: 16–18, 61, 72, here p. 61.
1671:The Music of Charlie Chaplin
1483:Renfrew of the Royal Mounted
744:Villain. Sinister Atmosphere
714:Hercules. Rugged, Boisterous
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603:, für Cello und Klavier, 1.
205:following operetta composer
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1198:The Calling of Dan Matthews
992:The Princes and the Plumber
672:Avalanche. Dramatic Allegro
476:based on Chinese melodies.
145:Reichenbach im Eulengebirge
10:
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1539:Wallaby Jim of the Islands
1443:California Straight Ahead!
678:Cabal. Dramatic Misterioso
346:Activity in the sound film
342:suitable in this context.
87:Arthur Kay, né Kautzenbach
1818:German conductors (music)
1410:The Vigilantes Are Coming
1230:Comin’ Round the Mountain
622:Enduring Troth (Andenken)
484:time also productions by
411:. Among others, the film
302:Grauman's Chinese Theatre
260:. The previous director,
168:Boston Symphony Orchestra
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1601:The Great Victor Herbert
1251:Banditen von Kain-Tu-kei
818:The Last of the Mohicans
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548:Compositions (selection)
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310:Forster Music Publishers
197:New York and US Province
1649:Her Majesty, the Prince
1622:The Fighting Devil Dogs
1569:The Fighting Devil Dogs
1066:There's Always Tomorrow
708:Hedjas. Orientale No. 1
684:Corinne. Tender Passion
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374:, Mercury Productions,
368:Grand National Pictures
215:The Paradise of Mahomet
74:Los Angeles, California
1507:Round-Up Time in Texas
1499:Rootin’ Tootin’ Rhythm
1435:Affairs of Cappy Ricks
1426:Winds of the Wasteland
855:Chasing Through Europe
716:, Edmund Roth (Arr.) .
605:Troubadour. Intermezzo
474:Her Majesty the Prince
1669:Lochner, Jim (2018).
1036:Little Man, What Now?
947:New Movietone Follies
798:Pippin. Valse Caprice
780:Threnody. Lamentation
762:Protestation. Agitato
702:Gossip. Light Agitato
479:Finally, in 1938 the
453:, and beyond that of
288:(WA) (1920–1922) and
172:Boston Pops Orchestra
119:Boston Pops Orchestra
117:and conductor of the
1608:Men with Steel Faces
1577:King of the Newsboys
1378:The Mandarin Mystery
1370:The Leavenworth Case
1362:The Lawless Nineties
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1206:The Fighting Marines
1174:Sagebrush Troubadour
1150:One Frightened Night
871:Married in Hollywood
298:Loew’s State Theatre
143:, Frankenstein, and
130:Family and education
89:(16 January 1882 in
1643:Stage (composition)
1467:Public Cowboy No. 1
1166:Rustlers of Red Dog
1074:Young and Beautiful
903:The Exalted Flapper
376:Metro-Goldwyn-Mayer
362:from 1929–1931 for
352:Vitaphone Varieties
328:Mysterious Stranger
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1593:Gone with the Wind
1547:West Bound Limited
1402:The Singing Cowboy
1331:I Conquer the Sea!
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811:The Jack-Knife Man
653:Impressions. Waltz
647:Bunker Hill. March
579:Three Compositions
566:Dragonfly. Caprice
408:Gone with the Wind
392:Universal Pictures
1766:978-3-95675-038-0
1751:978-0-7864-9611-2
1729:Los Angeles Times
1696:Los Angeles Times
1680:978-0-7864-9611-2
1394:The Phantom Rider
1282:King of the Pecos
1097:Beautiful Dreamer
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219:Robert Planquette
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1298:Red River Valley
1238:Dangerous Waters
1134:I’ve Been Around
848:Visions of Spain
792:„Alarm“. Agitato
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1338:Silly Billies
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1222:The Throwback
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1158:Outlawed Guns
1155:
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1111:Hail, Brother
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1021:Apples to You
1019:
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1005:
1002:
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986:
982:
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972:The Big Trail
969:
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911:The Wolf Song
908:
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879:Sunny Side Up
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595:Spinning-Song
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591:Spinnliedchen
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573:Chamber Music
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414:The Big Trail
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324:A Funny Story
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223:The Pink Lady
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203:New York City
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103:United States
100:
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78:United States
75:
61:
57:
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52:German Empire
49:
45:
41:
28:
24:
17:
1757:
1742:
1735:
1728:
1710:
1704:
1695:
1689:
1670:
1664:
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1635:
1627:
1621:
1615:Citizen Kane
1613:
1607:
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1583:
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1561:
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1352:
1346:The Big Show
1344:
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1326:
1318:
1313:Roarin’ Lead
1312:
1304:
1296:
1290:Oh, Susanna!
1288:
1280:
1272:
1264:
1256:
1250:
1246:Daniel Boone
1244:
1236:
1228:
1220:
1212:
1204:
1196:
1188:
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1156:
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1132:
1124:
1118:Harmony Lane
1116:
1110:
1102:
1096:
1088:
1080:
1072:
1064:
1056:
1048:
1043:Nifty Nurses
1042:
1034:
1026:
1020:
1014:
1008:Fair Warning
1006:
998:
990:
984:
978:
970:
962:
956:Just Imagine
954:
945:
941:
933:
925:
917:
909:
901:
893:
885:
877:
869:
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832:
824:
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810:
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791:
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761:
755:
749:
743:
737:
731:
725:
719:
713:
707:
701:
695:
689:
683:
677:
671:
665:
652:
646:
641:Skidoo Galop
640:
634:
621:
608:
604:
600:
594:
590:
586:
582:
578:
565:
553:
551:
535:
527:
518:
516:once again.
507:
502:, 1944) and
497:
494:Edvard Grieg
478:
473:
455:Rudolf Friml
444:
440:
436:Lady Be Good
434:
428:
412:
406:
402:Citizen Kane
400:
396:Warner Bros.
349:
340:
335:
331:
327:
323:
317:
306:
279:
275:Edvard Grieg
266:silent films
251:
235:
230:
222:
214:
200:
190:
186:
183:Skidoo Galop
182:
178:
176:
161:
149:
133:
86:
85:
1803:1969 deaths
1798:1882 births
1636:Arctic Fury
1327:Sea Bandits
935:Common Clay
635:Pops. March
542:Gandy Goose
336:The Accuser
271:Franz Liszt
258:Sid Grauman
254:Los Angeles
227:Ivan Caryll
191:Impressions
187:Bunker Hill
99:Los Angeles
1792:Categories
1779:Arthur Kay
1722:Literature
1656:References
1459:Dick Tracy
1142:Lady Tubbs
1085:, 1934/35.
1028:Flirtation
834:The Circus
826:The Gaucho
538:Terrytoons
446:Girl Crazy
419:John Wayne
319:The Circus
238:Somerville
66:1969-12-20
33:1882-01-16
20:Arthur Kay
1698:: III/46.
927:City Girl
629:Orchestra
380:Paramount
164:Karl Muck
125:Biography
1333:), 1936.
1253:), 1936.
987:), 1930.
951:), 1930.
666:Serenade
587:Serenade
514:Broadway
441:Tip-Toes
316:'s film
141:Grottkau
111:American
105:) was a
91:Grottkau
40:Grottkau
1638:, 1951.
1632:, 1945.
1624:, 1943.
1618:, 1941.
1610:, 1940.
1604:, 1939.
1596:, 1939.
1588:, 1939.
1580:, 1938.
1572:, 1938.
1564:, 1938.
1558:, 1938.
1550:, 1937.
1542:, 1937.
1534:, 1937.
1526:, 1937.
1518:, 1937.
1510:, 1937.
1502:, 1937.
1494:, 1937.
1486:, 1937.
1478:, 1937.
1470:, 1937.
1462:, 1937.
1454:, 1937.
1446:, 1937.
1438:, 1937.
1421:, 1936.
1413:, 1936.
1405:, 1936.
1397:, 1936.
1389:, 1936.
1381:, 1936.
1373:, 1936.
1365:, 1936.
1357:, 1936.
1349:, 1936.
1341:, 1936.
1323:, 1936.
1315:, 1936.
1309:, 1936.
1301:, 1936.
1293:, 1936.
1285:, 1936.
1277:, 1936.
1269:, 1936.
1261:, 1936.
1241:, 1936.
1233:, 1936.
1225:, 1935.
1217:, 1935.
1209:, 1935.
1201:, 1935.
1193:, 1935.
1185:, 1935.
1177:, 1935.
1169:, 1935.
1161:, 1935.
1153:, 1935.
1145:, 1935.
1137:, 1935.
1129:, 1935.
1121:, 1935.
1113:, 1935.
1107:, 1935.
1099:, 1935.
1093:, 1935.
1077:, 1934.
1069:, 1934.
1061:, 1934.
1053:, 1934.
1045:, 1934.
1039:, 1934.
1031:, 1934.
1023:, 1934.
1017:, 1932.
1011:, 1931.
1003:, 1931.
995:, 1930.
975:, 1930.
967:, 1930.
959:, 1930.
949:of 1930
938:, 1930.
930:, 1930.
922:, 1930.
914:, 1929.
906:, 1929.
898:, 1929.
890:, 1929.
882:, 1929.
874:, 1929.
866:, 1929.
858:, 1929.
850:, 1927.
837:, 1928.
829:, 1927.
821:, 1920.
813:, 1920.
583:Longing
294:Chicago
286:Seattle
240:, near
136:Silesia
95:Grodków
64: (
48:Silesia
44:Grodków
31: (
1764:
1749:
1677:
509:Kismet
332:Gossip
242:Boston
158:Boston
107:German
101:(CA),
1736:Etude
1711:Etude
1430:1936.
1249:(dt.
1015:Igloo
616:Vocal
607:, 2.
589:, 3.
585:, 2.
560:Piano
524:Death
417:with
1783:IMDb
1762:ISBN
1747:ISBN
1675:ISBN
532:Note
488:and
465:and
457:and
394:and
300:and
221:and
179:Pops
59:Died
26:Born
1781:at
544:”.
388:RKO
360:KHJ
338:).
292:in
284:in
273:or
225:by
217:by
50:),
1794::
443:,
439:,
390:,
386:,
382:,
378:,
334:,
330:,
326:,
304:.
233:.
189:,
185:,
181:,
76:,
1768:.
1753:.
1683:.
1428:,
1329:(
983:(
944:(
593:(
506:(
496:(
433:(
354:/
109:-
93:/
68:)
46:(
42:/
35:)
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