Beves of Hamtoun (poem)

294:

of a Frenchman willing to ally with the Emperor, and dupes him into providing arms and horses, which he delivers to Saber, resisting the emperor in the Isle of Wight. Left in Cologne, Josian is forced to marry Count Miles, but she kills him on their wedding night. She is condemned to death for this crime, but is rescued by Beves and Ascopard, and the three make their escape to the Isle of Wight. The Isle is assaulted by the forces of the Emperor and the King of Scotland, Beves unhorses his stepfather, the emperor, in single combat, but the latter escapes; Ascopard slays the Scottish King and captures the Emperor, who is put to death inside a kettle of molten lead. Beves's mother commits suicide. Beves and Josian are married.

351: 177:) Saber, with the intention that he be dispatched. Saber readies bloody clothing to fake the death, disguising Beves as a shepherd, planning to send the boy to be groomed under an earl so he can later recover his rights in his maturity. The boy however angrily crashes the festivities, staff in hand, demanding the return of the estate and striking the emperor thrice, into unconsciousness. Beves is caught and sold off as slave to a paynim (heathen) land. There he finds refuge at the court of Ermin, king of Ermonye ( 694: 511: 273:. Yvor's henchman King Garcy remains behind, but he is put to sleep with a soporific (wine drugged with herb) by Josian's chamberlain Bonifas. When Garcy awakens, he uses a magic ring to learn what happened, and leads a party in pursuit, but is unable to track down Beves to the cave where they find shelter. Beves returning from hunt dispatches a pair of lions that entered the cave and killed Bonifas. Without respite, Beves is attacked by Garcy's giant named 38: 221:

kiss, but the two knights whom Beves saved make false report to the king that Beves slept with his daughter. King Ermin is enraged, and sends Beves to Brademond to carry a sealed letter, blaming Beves of having lain with her. Beves is persuaded to leave his horse and his sword behind. Saber sends his son Terri to find Beves, but not recognizing Beves, brings back false report that Beves was executed. Saber retreats to the

266:(poor pilgrim), Beves asks Josian to show him his old horse, Arondel, who has not allowed any rider on him but Beves. Arondel recognises Beves, and then so does Josian. Beves, mindful of what the patriarch told him, tells Josian he cannot be with her as she has had a husband for the past seven years. Josian claims that though married she is still a virgin and urges him to remember their love. 1174:

heartfelt, and expressed with admirable verve. And we should be reluctant to underestimate the value of a good adventure story or the difficulty of producing one. Its energy and its variety, perhaps more than anything, are what enable modern readers to understand its earlier popularity and also to respond to it in the present".

342:). Beves is successfully rescued and they hold festivities. The conflict ends with Edgar offering Miles his only daughter in marriage, with Miles as future heir to England. Once more Beves, Josian and Guy journey eastward and take up their two kingdoms. After twenty years Beves and Josian die together in each other's arms. 306:, Edgar's son covets the horse, and is killed by its kick trying to steal it. The king wants Beves hanged, the barons advise for the horse's death, but Beves volunteers self-banishment to Armenia rather than lose his horse, and relinquishing his estate to Saber, accompanies his pregnant wife back to her home country. 242: 1160:

wrote that it "has a better effect than its component material would seem to warrant, for this almost formless story, with its miracles and marvels, ranting Saracens and dragons, is told without any polish or skill in a style generously padded and tagged, with little sense of poetic or narrative art,

905:

also made its mark on the English language. It is the earliest known source of the proverb "many hands make light work", and of another once popular proverb, "save a thief from the gallows and he will never love you". The name of Bevis's sword, Morglay, also developed a secondary meaning as a common

309:

Ascopard, plotting to betray Beves, restores allegiance to his former lord, Yvor of Mombraunt. Ascopard abducts Josian, immediately after she delivers her twin sons Miles and Guy in a makeshift hut in the forest. Beves fosters his sons out to a fisherman and a forester, then goes in search of Josian.

121:

was one of the most popular verse romances in the English language, and the only one that never had to be rediscovered, since it has been circulated and read continuously from the Middle Ages down to modern times, in its original form, in prose adaptations, and in scholarly editions. It exercised an

293:

built specifically for him, he refuses to enter it for fear of drowning. Beves fights and kills a poisonous dragon, aided by a purifying sacred well. He resolves to return England to back claim his earldom, leaving Josian behind for the time being. Before leaving Germany, Beves assumes the identity

254:

After lying seven years in prison, Beves escapes. Beves now turned fugitive, overcomes King Grander, and wins the horse Trenchefis. He throws off pursuit by riding across sea, but in a subsequent fight with the giant, Grander's brother, loses the horse. Victorious, he demands food and another horse

1173:

we tolerate its artistic crudity for the sake of the company of the hero and heroine, Beues and Iosiane, who reflect the warm humanity of the imagination that created them". The romance's most recent editors considered that "If the values of the hero are not particularly deep, they are nonetheless

313:

Beves reconciles with the Armenian king Ermin and helps him win a war against king Yvor. Ermin dies, having made Beves's son Guy his heir (and Armenia is converted to Christianity) Arondel is stolen by Yvor's underling, and Saber back in England is prompted by another dream, returns to recover the

220:

Beves takes Brademond captive and subjugates him under Ermin, also freeing two knights in the process, and returns triumphant to court. Josian declares her love for Beves, but he plays coy and they end in a spat. The two are reconciled in town upon Josian agreeing to convert to Christianity. They

2259:, summary, p. xxxiii, prefers "..twelve foresters" as in variant texts and the French version, but footnotes that "According to A , a steward at the court of King Ermin.. with four-and-twenty-knights an ten foresters,... Beves defends.. with the boar's head, .. winning..Morgelai from.. steward". 232:

In the meanwhile, Josian is forced upon another suitor named Yvor of Mombraunt, and is told Beves has returned to England to wed another. Convinced of a conspiracy, she consents to marrying but preserves her virginity using a charmed ring (or written amulet). The wedding is officiated, and Yvor

1100:

is not a remarkable example of medieval romance. It is made up of stock motifs and episodes... the articulation of the episodes is loose and inexpert. What gives the romance its chief distinction is its exuberance, its racy, buoyant style, and the spirit of broad humor in which it is written".

2197:

is argued as the only viable choice, based on the number of days of voyage given in the text, and the route arguably having to be a commercial route. The number of cities that the Bevis as pilgrim included the trade port Tarsus (Middle English: Tars), which was the capital of Cilician

663:

In the scene of the foresters attacking Bevis who hunted the boar, the villains' motivation is that they covet the boar's head because they want to steal the credit. A similarity has been noted with the scene of the "Death of Begon" over a boar hunt, appearing in the epic

1112:

makes every possible concession to popular taste. The story is a heady brew of outrageous incident... the whole fantastic pot-pourri is carried off with irresistible panache and a marked sense of the comic. It is vivid, gross and ridiculous by turns, but never dull".

934:, bear the name Bevis's Grave. Arundel Castle was, in the 17th century, supposed to have been founded by Bevis, and it still exhibits a sword 1.75 metres long said to have been his wonderful sword Morgelai, or Morglay. Until the 19th century the parish church of 1743:

Sir Guy bestrode a "rabyte", which Ellis annotates to be an "Arabian horse" and Kölbing concurred, noting this was emendable as "Arabyte(!)". Miles bestrode "Adromounday" which Ellis took to be a horse name, but Kölbing read this as "a dromounday" meaning

169:, is murdered by her mother's lover, the Emperor of Almayne (Germany) named Devoun. The guilty pair become engaged to be married the very next day taking over Guy's earldom, and she hands over the 7 year-old Beves (who calls her a whore) to his fosterer ( 1531:

In the base A-text, a ring set with a stone of such virtue that "no man have welling (his will)" upon its wearer, vv. 1469–72; but in the printed O-text, "writ" or "letter" draughted by a "clerk wise of wit". and in other recensions, a "girdle"

1470:-text plot (which Kölbing refrained from incorporating into the summary proper and footnoting it instead), he calls it "entirely superfluous parallel story to the boar-hunting" (pp. xxxvi–xxxvii), with additional commentary in endnote, p. 259. 262:, who then forbids Beves to take a wife, unless she is a virgin. Beves intended next to reach Ermonye (Armenia), but discovering that Josian has been married off to Yvor, decides to go to the latter's city-state of Monbraunt. Disguised as a 1149:

are competent but somewhat vulgarized, given to the reduplication of striking effects, paying lip-service to the heroes' values while almost wholly preoccupied by their adventures". Other critics have found themselves enjoying

317:

The family return to England to seek retribution on King Edgar for confiscating Saber's son's estate, and though the King was willing to restore the estate, the steward was hard-lined and sought to rile the people of

189:

Beves furthers his proof of valour. Though he nearly loses the king's favor after killing Saracen knights who mocked and attacked, Josian intercedes, and she tends to his wounds. Next, Beves sets out to kill a giant

564:

could complain of the flood of such works: "Robin Hood and Bevis of Hampton, Hercules, Hector and Troilus with a thousand histories and fables of love and wantonness". But the continued popularity of the verse

1678:

Beves and Terri enters town and decides to participate in a tournament whose prize is the hand of the princess of the Kingdom of Aumbeforce (vv. 3756ff). Beves wins the wife for Terri (vv. 3793-3840).

1918:

was found in 2 manuscripts (Cambridge's Public Library No. 690, one at Cambridge, Caius College). The first of this is now called Cambridge University Library Ff.2.38 (olim More 690), namely the

498:, and lastly by the early printed editions. None of them is clearly closer to the lost original Middle English version than the others. This complicated textual transmission makes the editing of 1547:"Episode Three" of the TEAMS edition begins with Bevis on Trenchefis meeting the horse's ex-owner's brother, a giant. It ends with the prelude to the actual fight with the dragon in Cologne. 3694:

Footnote to summary, p. xviii: "In A.. a steward,.. out of envy of Beves, sallies out ". Text, p. 40, top, "stiward.. To Beues a bar gret envie, for þat he hadde þe meistrie (vv. 836–840)

194:

and enters the forest, when Josian comes to the realization of her love for him. Beves beheads the boar, and in an encounter with foresters, kills all with a broken lance (and in the

945:

entrance to the town of Southampton was taken indoors in 1881 and restores, and still remains preserved in museum. The earliest descriptive docmentation of the panels date to 1635.

600:

for being the champion of England; and by this means had his thoughts insensibly moulded into the notions of discretion, virtue, and honour". After the mid 18th century interest in

577:

is very unusual; indeed, no other Middle English romance continued to be published in verse form after the 1570s, their place having been taken by translations of Spanish romances.

1068:

as his base text. This first attempt at a scholarly edition had no notes or glossary, and was criticised for inaccuracy, but it remained the only one until the German philologist

655:

the tail-rhyme is continued until line 528, mostly by a simple process of adding tail-lines to the existing couplets. No earlier tail-rhyme romance in Middle English is known.

3629: 893:

Whatever the fable of Bevis of Southampton, and the gyants in the woods thereabouts may be deriv'd from, I found the people mighty willing to have those things pass for true

1017:'s source as a romance written in England, perhaps by an Englishman, in some form of French. Ritson held bias towards French authorship. In 1805 the historian and satirist 534:'s edition (c. 1503) survives in an nearly complete copy, lacking but a title page and 2 textual leaves (or 3 leaves); it contains 12 woodcuts, and is assigned the siglum 310:

Meanwhile, Saber, guided by a dream, sets out to rescue Beves's kins, killing Ascopard and freeing Josian. Their search for Beves continues for seven years of wandering.

588:(1689), also add new episodes and characters. Such books were often read by the common people, including such children as the one described by the 18th century essayist 3685:

texts), "fosters of that foreste.. "..he (Beues) hath slayn this bore.. we shall hym sloo/And tale the Borus hede hym ffroo!/Than shall we haue honowres" (vv. 675–681)

322:, London into taking Beves prisoner, and after the ensuing battle with Londoners, the false news reaches Josian and her sons that Beves has fallen, and at London-gate ( 2537:

Beves crosses sea, reaches castle, demands food from wife of the giant, who was a Christian-hater and Grander's brother, vv. 1745–1880; defeats giant, etc., 1881–1958

2025: 1669:

The A-text interpolates a plot where Josian takes respite (vv. 3646-3670), and takes an herb to give herself a leprous appearance unappealing to Yvor. (vv. 3671-3708).

277:. Ascopard is defeated by Beves but is spared through Josian's plea, and becomes his page. The three discover a ship, kill its Saracen crew, and sail off to the West. 208:

invades Ermonye, demanding Josian's hand in marriage. Josian nominates Beves general to lead the war against the foe, and the king gives him the sword Morglay (or, in

314:

horse, and the Saracens who pursued him are defeated by Beves's sons. Beves fights one more war against Yvor, defeats him, and takes his place as king of Mombraunt.

373:

exists in an unusually large number of manuscripts and early printed editions, demonstrating the enormous popularity of the romance. The surviving manuscripts are:

2499:

He slays the prison guards, vv. 1575–1634, but has no access to food until his prayer frees him from shackles and the great stone on his midriff, vv. 1635–1649,

3311:, p. 97 states "Only four complete (or nearly complete) editions survive from the Tudor period.. work of Richard Pynson, William Copland and Thomas East" 302:

Beves's estate is recognized by the English king Edgar, who appoints him martial, but after Beves wins the race on his Arondel, winning the prize, and erects

3703:

The stealing the boar hunt's "honours" is the motivation in the later version, but in the A text the Steward envied whatever achievements Beves already made.

5373: 957:

began to attract scholarly as well as popular attention with the revival of interest in vernacular medieval literature in the mid-18th century. In his

808:’s "Rattes and myce and suche smal dere/Was his mete that seven yere". Mention of Beves and his horse Arundel, were made by the Elizabethan playwright 3192: 1331: 4309: 1324: 1488:"Episode Two" of the TEAMS edition already began where Brademond enters the picture and ends where Bevis swims away on Grander's horse Tranchefis. 1124:

called it "extremely lively and entertaining, though on the whole rather artless". In other words, the poem is often treated as an example of what

840:

records that in his unregenerate youth he had been more fond of secular works than of the Bible: "Alas, what is the Scripture, give me a Ballad, a

3416:, p. 111: 9. 1560?, Title: Syr Beuys of Hampton; Colophon: "Imprynted at lon-don.. Crane wharfe, by William Coplande" STC 1988.8, siglum: 2099:

repeats the text sigla list (mss. ASNMEC and printed O), and explains that the edited text is presented in parallel with A text is on top, and

1114: 4274: 3470:, p. 111: 11. 1565?, Title: Syr Beuys of Hampton; Colophon: "Imprented in London, in Lothburye by Wyllyam Copland" STC 1989, siglum: 3373:, p. 110: 4. 1503?, (No title) Colophon: "Emprynted by Rycharde Pynson in Flete-strete at the sygne of the George" STC 1988, siglum: 5531: 1444:-text embellishes the waylaying assailants as the steward bringing 24 knights and 10 foresters, as elaborated in explanatory note below. 5593: 3856: 413: 4746: 3803: 639:

stanzas, rhyming aabccb, occasionally varied with twelve-line stanzas, aabccbddbeeb, and six-line stanzas, aabaab. (Letters indicate

2589:

in text); 'Dabilent' is identified by Metlitzki as "Dabil, the capital of Muslim Greater Armenia", where Dabil is the Arab name for

1610:"Episode Four" of the TEAMS edition begins with the completion of fight with dragon and ends where Ascopard plots betrayal of Beves. 5477: 5345: 4207: 4063: 3653: 804:

Act III, scene iv, Edgar's lines "But mice and rats, and such small deer,/Have been Tom’s food for seven long year" are taken from

233:

receives Morglay and Arondel as gifts, but the horse throws off Yvor causing grievous injury, and the horse is confined to stable.

3830: 5366: 1415:"Episode One" in the synopsis of the TEAMS edition covers everything from the beginning to the point where Josian falls in love. 4938: 3589: 4874: 3223: 229:

gods, and presents his letter to Brademond, who casts Beves into a deep dungeon; he fends off dragons and snakes with a stick.

5260:

The Impetus of Amateur Scholarship: Discussing and Editing Medieval Romances in Late-Eighteenth and Nineteenth-Century Britain

5295: 5268: 5247: 5159: 5107: 5088: 5047: 4918: 4847: 4831: 4472: 4357: 4250: 4223: 4171: 4043: 3930: 3875: 3840: 3813: 3612: 3498: 3290: 3194:

The Auchinleck Manuscript: A Study in Manuscript Production, Scribal Innovation, and Literary Value in the Early 14th Century

2035: 970: 423: 1206: 5710: 4242:

Scott, Chaucer, and medieval romance : a study in Sir Walter Scott's indebtedness to the literature of the Middle Ages

3280: 1084:"The strain in which this work is written, is serious, even severe" according to the text's editor Eugen Kölbing, quoting 204:) from the steward. Beves presents the head to the king. After three years (or soon after), the Saracen King Brademond of 1575:

Kölbing's summary uses "Ascopart", but "Ascopard" is the heading in his index, representing the first instance in A text.

3350: 881:". Nevertheless, in Scott's later works his characters repeatedly cite Beves as the type of the perfect chivalric hero. 5359: 3525: 3517: 3097:"Ludgate" is explicit in the variant texts:bottom text, v. 4179 and mid-page interpolated text, v. 4313＋ and v. 4313＋, 2324:, pp. xxi–xxiii and cf. text, pp. 44–46, top: "gerte him wiþ Morgelay" (v. 975); "clepede hit Arondel " (v. 988); 1584:

Ashton says edition dated 1550 by British Museum. Later scholars give 1560? date for Copland's earlier edition (siglum

995: 5459: 5442: 5202: 5178: 5024: 4884: 4811: 4602: 4010: 3741: 3447: 2828: 289:

they meet a bishop (actually Beves's uncle named Saber Florentin) who baptises Josian. Although Ascopard has a giant

5065: 482:

The manuscripts and printed editions show the story in at least four appreciably different versions, represented by

5725: 5720: 5483: 5212: 1522:

The false accuser suggests to the king: "in þe letter þe schelt saie, / Þat he haþ Iosian for-laie", vv. 1232–1233.

990: 5316: 549:), is the earliest one of which a complete copy is known, and it had 8 woodcuts, probably derivative from Pynson. 5417: 3714: 3484: 2845: 813: 259: 4695: 5586: 4948: 4934: 4382: 4284: 1157: 1136:", having the characteristics that make for readability and popular success rather than high literary quality. 781: 771: 746: 4190: 3544: 2185:

context: of the two Armenias around this period, the argument discounts the land already lost to the Seljuks (

1237: 5695: 3488: 1205:. Early English Text Society, Extra Series 46, 48, 65. Appendix by Carl Schmirgel. London: Trübner & Co. 938:

could show a huge pole which had been used by Bevis as a staff when wading across an inlet of the sea there.

4090: 5730: 4339: 1358:

Actually, Kölbing's summary diverges from A on certain points, and he relegates to footnote the account in

471: 381: 4124: 3910: 5705: 5700: 5632: 5351: 3559: 2328:, p. 249: "A good sword that hight Morglay"; "Josyan gave him.. a steed, .. Men called him Arundel". 1852: 1403: 775: 87: 1774:

by Kölbing and used it (a copy owned by Oxford, Bodelaian library) as a variant in his critical edition.

5508: 1839: 1362:

regarding the foresters and Beves's capture of the sword Morglay/Morgelai from the steward (cf. infra).

1096:, it was not necessarily appreciated by the early German scholarship. Baugh's own assessment was that " 891:, found that the influence of the poem was exercised on folklore as well as literature. He noted that " 437: 5715: 5579: 5387: 1247: 858: 17: 5690: 5545: 5410: 3979:

Shakespeare's books; a dissertation on Shakespeare's reading and the immediate sources of his works

2181:

As for "Ermony" presumably Armenia, it has been argued the geography needs to be understood in the

1184: 1053: 48: 4908: 4414: 90:

of 4620 lines, dating from around the year 1300, which relates the adventures of the English hero

5139: 3906: 1802: 1049:

in the Royal Library of Naples, and commissioned a copy of it which he brought back to Scotland.

552:

Ten more editions are known from the years c. 1565 to 1667, and an eleventh one was published in

538:. Other surviving editions from the period, two probably of Julian Notary, and three probably of 212:, merely girds him with the sword), while Josian furnishes him with the horse Arondel (Arundel). 170: 110:, and belongs to a large family of romances in many languages, including Welsh, Russian and even 4940:

Middle English Literature: A Critical Study of the Romances, the Religious Lyrics, Piers Plowman

2516:

vv. 1650–1744, fights with Grander, smites off his head, and rides off on Trenchefis 1745–1786,

1757:

The decorated letter "L" of the opening line of the verse: "Lordinges, herkneþ to me tale.." of

5424: 5403: 4622: 4464: 4457: 4072:. The Works of Ben Jonson 1. With Notes Critical and Explanatory, and a Biographical Memoir by 350: 5337: 5279: 5231: 5220: 5192: 5143: 4974: 4797: 4705: 4590: 4433: 4318: 4067: 3994: 3949: 3894: 3731: 3431: 3263: 2076: 2072: 2054: 1650: 1616: 1553: 1494: 1421: 1222: 796:

that former fabulous story/Being now seen possible enough, got credit,/That Bevis was believed

5559: 5258: 5076: 5061: 5035: 5012: 4766: 4489: 4240: 4103: 4033: 3777: 3750: 3574: 2818: 2096: 1930:

was the first to mention Auchinleck MS in print, noting that it included a version of Bevis (

1635:

The Scottish king is the Emperor's stepfather, and thus Beves's maternal grandfather as well.

1298: 1139:

William R. J. Barron was not enthusiastic about works of this kind: "The English versions of

1033:. Ellis, in a letter to Walter Scott, ventured that Chaucer probably read the early original 698: 580:

Various prose versions were published during the late 17th century and early 18th century in

389: 385: 269:

They escape from the court while Yvor is away with his army to help his brother, the King of

154: 103: 3432:"The Publication of English Medieval Romances after the Death of Wynkyn de Worde, 1536–1569" 5538: 4429: 3602: 919: 604:

began to decline, and the printer of a 1775 reprint says the story is "very little known".

461: 339: 326:) they massacres all who oppose (and in the interpolated text, Sir Guy here uses the sword 5216: 4978: 3197:(Ph.D.). University of Tennessee, Knoxville. n18, n90, pp. 111–112, 297, Fig. 30, 32, etc. 1656: 1622: 1559: 1500: 1427: 1262: 8: 5502: 5057: 3977: 2590: 1018: 870: 355: 270: 4437: 693: 5188: 5119: 4161: 4157: 4107: 3716:

The Connections of the Geste Des Loherains with Other French Epics and Mediaeval Genres

3645: 1829: 406:

2862 (Sutherland MS./Trentham MS.). Date late fourteenth century or fifteenth century.

403: 1371:"Deuoun", the name is not revealed until later, at v. 2913. See index of Proper names. 757:, especially the dragon-fight, in the adventures of his Redcrosse Knight in Book 1 of 5291: 5264: 5243: 5198: 5174: 5155: 5103: 5084: 5043: 5020: 4944: 4914: 4880: 4843: 4807: 4771: 4742: 4598: 4468: 4453: 4378: 4353: 4347: 4280: 4257: 4246: 4245:. Lexington, Ky.: University Press of Kentucky. pp. 13, 84, 135, 158, 184, 203. 4219: 4203: 4167: 4039: 4006: 3926: 3871: 3836: 3809: 3737: 3608: 3494: 3443: 3435: 3286: 2824: 2031: 1974: 1085: 790: 759: 666: 644: 440:

MS. O.2.13. Date mid- to late fifteenth century. A fragment containing 245 lines of

99: 41: 4128: 5602: 3861: 2860: 2194: 2186: 2075:, lists the manuscripts/texts and their sigla (mss. ASNMEC and printed edition O). 1843: 1380:

var. Sir Mordour/Murdour, brother of the Emperor of Almayne (Germany) VV. 101–102;

1169: 1125: 451: 178: 91: 31: 5232:"7. For King and Country? The Tension between National and Regional Identities in 1196: 1069: 926:/Hampshire border, is sometimes called Bevis's Thumb. Two more barrows, one near 749:(v. 899), and the similarity of the opening lines of the two works (invoking the " 146: 5130: 5038:. In Weiss, Judith Elizabeth; Fellows, Jennifer; Weiss, Judith Elizabeth (eds.). 4995: 4793: 4618: 4343: 4073: 4003:

Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies

3865: 1251: 1226: 1200: 1093: 1010: 821: 697:

Sir Bevis and Josyan leading Ascapart. Colorized, after original illustration by

593: 570: 561: 539: 399: 1783:

This is a reprint, originally issued as Ambrose Merton (ps. William J. Thorns),

584:

form. They follow the plot of the poem reasonably closely, though some, such as

478:, introd. by Frances McSparran and P. R. Robinson (London: Scolar Press, 1979). 454:

MS. Eng. Poet. D.208. Date mid- to late fifteenth century. Two short fragments.

5514: 4870: 4827: 4144: 3555: 3239: 1878: 1857: 1644:

The final "Episode Five" of the TEAMS edition begins with Ascopard's betrayal.

1145: 1133: 1119: 1105: 931: 727: 681:

below for Early Modern English literature that seemed to have been built using

589: 531: 303: 290: 127: 84: 1045:(Auchinleck) manuscript. In the winter of 1831–32 Sir Walter Scott discovered 5684: 4314: 4211: 4029: 3342: 2190: 1129: 1061: 962: 817: 574: 222: 52: 5329: 3236:

The Auchinleck Manuscript: National Library of Scotland Advocates’ MS 19.2.1

2864: 1865: 730:

romance, untitled in the sole surviving manuscript but now sometimes called

474:

MS. Ff.2.38. Date late fifteenth or early sixteenth century. Reproduced in

5346:"Versification and translation in Sir Beves of Hampton" by Ivana Djordjević 4835: 4586: 1847: 884: 866: 640: 597: 596:, find fault with the passionate temper in Bevis of Southampton, and loved 5381: 2087:

for the MOM*ECO* group. O* is hypothetical manuscript source of printed O.

5649: 5382: 5121:

Enchanted Ground: The Study of Medieval Romance in the Eighteenth Century

5070:. Vol. 2. London: Longman, Hurst, Rees, & Orme. pp. 93–168. 4803: 4777:

Der Sinn, in dem dies Werk verfasst worden, ist durchaus ernst, ja streng

1041:

text), concurring with modern accepted opinion that Chaucer did know the

923: 833: 826: 750: 738:

is shorter than its Middle English counterpart, and is written in prose.

241: 166: 135: 131: 5324: 4407:. Vol. VI (1 ed.). Oxford University Press. 1933. p. 663. 3832:

Critical Companion to Chaucer: A Literary Reference to His Life and Work

3805:

Anglicising Romance: Tail-rhyme and Genre in Medieval English Literature

3757: 3649: 1704:, pp. 165–166; however "R~" spellings occurs in other manuscripts: 510: 263: 4770:, properly attributed as Kölbing quoting (in English translation) from 4059: 2990: 2988: 809: 636: 620: 5017:

Representing Difference in the Medieval and Modern Orientalist Romance

4876:

The Middle English Romances of the Thirteenth and Fourteenth Centuries

2877:

As to the pretended identification with the actual castle and town of

225:

and wars with the German Emperor Beves reaches Damascus, insults the

5668: 1745: 1346: 1163: 888: 800: 530:

was printed at least six times between c. 1500 and c. 1533;of which

319: 191: 95: 4439:

A Glossary of Tudor and Stuart Words: Especially from the Dramatists

2985: 5616: 5571: 3849: 2233:

Text, top, vv. 763–864: "him be-held,/Al hire loue to him he feld".

2182: 841: 581: 553: 274: 205: 37: 4494:

Proceedings of the Hampshire Field Club and Archaeological Society

4166:. Stanford, Calif. : Stanford University Press. p. 190. 1393:"houre to be, /To holde bordel, ". Cf. annotated edition by TEAMS. 4799:

The Literary History of England: Vol 1: The Middle Ages (to 1500)

2878: 942: 915: 616: 323: 286: 226: 123: 111: 5171:

The Invention of Middle English: An Anthology of Primary Sources

4595:

The Encyclopedia of Medieval Literature in Britain, 4 Volume Set

2584: 2306: 2300: 2294: 1725: 1715: 1705: 1533: 333: 199: 3954: 3247: 2583:

Kölbing uses Dabilent as standard spelling, (though also spelt

2010:: 52: "(translation) only to a limited extent", and n41 citing 1834: 965:

explored the possibility of Spenser's debt to romances such as

935: 927: 4352:(2nd ed.). Oxford: Oxford University Press. p. 165. 2079:

gives the stemma of the mss, including hypothetical ancestors

1687:

In the A-text, she then restores her beauty using an ointment.

4520: 4076:. Bickers and Son. p. 79 (text, III.ii) and p. 183 note. 3314: 2673:(First day into night), vv. 2597–2802; (next day) 2803–2910, 1256:. Kalamazoo, Michigan: Western Michigan University for TEAMS. 879:

the dullest Romance of priis which I ever attempted to peruse

248:—1890 facsimile of the woodcut from one of Copland's editions 5002:". In Miller, William Eldridge; Waldeman, Thomas G. (eds.). 4490:"The Bevis and Ascupart Panels, Bargate Museum, Southampton" 4109:

Heroes And Heroines Of Fiction Classical Mediaeval Legendary

3857:

The explanatory notes to The Prologue and Tale of Sir Thopas

3266:, Manuscripts, pp. 104–108, Printed texts, pp. 109–113, in: 1161:

and still the romance is more than merely readable. As with

426:

MS. 175/96. Date 1450-1475. Contains only about a third of

4723: 1479:

In according knighthood ritual, since Beves already won it.

753:") suggests imitation by Chaucer. Spenser uses themes from 586:

The Famous and Renowned History of Sir Bevis of Southampton

4751:(in German). Berlin: Boydell & Brewer Ltd. p. 17. 4195: 4116: 3242:

and I. C. Cunningham (London: Scolar Press, 1971); and in

2625: 2417: 2415: 2413: 2411: 977:, and though he learned the latter publication post-dated 161:

Upbringing in England, sold by mother to Ermonye (Armenia)

5013:"2. Geographies of Fantasy: Exploring the Romance East /" 4566: 4052: 3201: 3146: 2064: 2062: 856:". Some plot-elements of the romance have been traced in 4683: 4659: 4216:

The Cambridge History of Early Modern English Literature

4163:

Glimpses of glory : John Bunyan and English dissent

3380: 3139:, p. 210; v. 4313＋, mid-page interpolation footer, 2613: 2565: 2357: 1592:). A copy of the latter is owned by the British Library. 1104:

Others have stressed the work's humor or comic tone, as

824:

retold the story of Beves and the giant Ascopart in his

102:

romance. It is a paraphrase or loose translation of the

4840:

Studies in Middle English Romances: Some New Approaches

4711: 4332: 2935: 2408: 2090: 1967: 1228:

Romances of Chivalry Told and Illustrated in Fac-simile

1076:, giving variants from other manuscripts in footnotes. 670:, and the possibility of plot-element sharing with the 5225:. Vol. 2. Berlin: Emil Felber. pp. 545, 550. 5097: 3536: 3513: 3392: 3267: 3219: 2468: 2059: 1957: 1955: 941:

The "Bevis and Ascupart Panels" that once flanked the

545:

William Copland's first edition, dating from c. 1560 (

4970: 4422: 4001:. In Britton, Dennis Austin; Walter, Melissa (eds.). 3995:"6 Reconstructing Holinshed: Hinstory and Romance in 2994: 2456: 2444: 1645: 1611: 1548: 1489: 1416: 1246: 869:, alluding to Chaucer's description, told his friend 149:

provided a summary of his edition, whose base is the

5040:

Medieval Insular Romance: Translation and Innovation

4671: 4584: 4123:

Armstrong, T. C. L. (Thomas Clinton Little) (1880).

3778:"The Early Modern Irish Version of Beves of Hamtoun" 3440:

Early Printed Narrative Literature in Western Europe

3253: 2275: 2123: 1898:

Percy altogether identified the existence of 3 MSS (

906:

noun meaning "sword" 16th and early 17th centuries.

5098:Fellows, Jennifer; Djordjević, Ivana, eds. (2008). 5006:. Philadelphia: U. of Pennsylvania. pp. 15–37. 4879:. London: Routledge & Kegan Paul. p. 220. 4597:. Vol. 1. John Wiley & Sons. p. 203. 4095: 3442:. Walter de Gruyter GmbH & Co KG. p. 159, n60. 2163: 2135: 1952: 1601:

A flying adder attacks and scars his right eyebrow.

1301:, with 176 lost line supplied in Kölbing's edition. 185:

Advancement in Ermonye, and love of Princess Josian

5286:. In Fellows, Jennifer; Djordjević, Ivana (eds.). 5238:. In Fellows, Jennifer; Djordjević, Ivana (eds.). 5150:. In Fellows, Jennifer; Djordjević, Ivana (eds.). 5118: 5079:. In Fellows, Jennifer; Djordjević, Ivana (eds.). 5004:Bibliographical Studies in Honour of Rudolf Hirsch 3754:" (1996 ed., p. 346) has been emended to "Thorns". 3423: 3304: 3302: 3184: 2606:, p. xxvii. Cf. "Boniface" and "Sir Grassy", 4806:(2nd ed.). London: Routledge. p. 179. 4585:Echard, Sian; Rouse, Robert; Fay, Jacqueline A.; 4411:A New English Dictionary on Historical Principles 1571: 1569: 1242:(Thesis). Vol. 5 vols. Cambridge University. 181:) and gains royal favor, growing to age fifteen. 5682: 4578: 4279:. Oxford: Oxford University Press. p. 251. 4201: 3285:. University of Michigan Press. pp. 17–20. 2823:. University of Pennsylvania Press. p. 91. 2524:, p. 258 and Trencheffys, V. 1786, E text, 1864:. These usage, and the similarity with the word 1588:) and 1565? date for the second edition (siglum 4398: 4396: 4394: 4276:Oral and Literate Culture in England, 1500–1700 3621: 3299: 770:dragon-fight was also used as the template for 560:was only one of many popular romances, so that 30:For the hero of several medieval romances, see 4463:. HarperCollins Canada, Limited. pp. 63, 4310:A Tour thro' the Whole Island of Great Britain 4218:. Cambridge University Press. pp. 34–35. 4024: 4022: 3971: 3969: 3921:. In Wiggins, Alison; Field, Rosalind (eds.). 3822: 3797: 3795: 3594: 3409: 3407: 2850:Studies in English Literature/Eibungaku kenkyū 2401:O. text (printed version), VV. 1379–1446, and 1566: 1250:; Drake, Graham; Salisbury, Eve, eds. (1999). 245:Sir Bevis (Beves) fights Ascaparte (Ascopard). 5587: 5367: 5290:. Cambridge: D. S. Brewer. pp. 161–175. 5242:. Cambridge: D. S. Brewer. pp. 114–126. 5154:. Cambridge: D. S. Brewer. pp. 176–192. 4788: 4786: 4627:. Londan: William Pickering. pp. cxviii. 4611: 4446: 4338: 4232: 3986: 3723: 3429: 2859:(3). English Literary Society of Japan: 327. 2027:Of Giants: Sex, Monsters, and the Middle Ages 1770:This printed edition was also abbreviated as 1700:(Caius College text) which is also quoted by 1239:Sir Beves of Hampton : study and edition 745:and other poems as "romances of prys" in his 298:Beves returns to Armenia, Ascopard's betrayal 5067:Specimens of early English metrical romances 4820: 4775: 4391: 4150: 3808:. Boydell & Brewer Ltd. pp. 75–76. 3434:. In Besamusca, Bart; de Bruijn, Elisabeth; 1231:. London: T. Fisher Unwin. pp. 121–172. 1031:Specimens of Early English Metrical Romances 258:Beves travels to Jerusalem and confesses to 4900: 4842:. Cambridge: D. S. Brewer. pp. 19–20. 4832:"The Development of Middle English Romance" 4428: 4366: 4268: 4266: 4038:. Penguin. p. 335 (text) and p. 657 notes. 4019: 3966: 3792: 3706: 3549: 3404: 2837: 1828:It was used in that sense by, for example, 1310: 635:the first 474 lines are mainly in six-line 5594: 5580: 5374: 5360: 5288:Sir Bevis of Hampton in Literary Tradition 5240:Sir Bevis of Hampton in Literary Tradition 5152:Sir Bevis of Hampton in Literary Tradition 5100:Sir Bevis of Hampton in Literary Tradition 5081:Sir Bevis of Hampton in Literary Tradition 5033: 4783: 4735: 4481: 3769: 3748:"Taylor (recté Tayler)" remains, though " 3627: 3207: 2810: 2053:, Intro. §4. The Contents of the Romance, 1999: 959:Observations on the Faery Queen of Spenser 592:: "He would tell you the mismanagement of 114:versions, all dealing with the same hero. 5333:at the Database of Middle English Romance 5187: 4927: 4907:Barron, William Raymond Johnston (1987). 4863: 4644:: 59, n. 55, also quoted by Ritson, apud 4375:The Oxford Dictionary of English Proverbs 4349:The Concise Oxford dictionary of proverbs 4122: 3899: 3828: 3600: 3477: 3272: 3246:ed. David Burnley and Alison Wiggins, at 2661: 2571: 2157: 798:", show his knowledge of the romance. In 165:Beves's father, the aged nobleman Guy of 5532:The Third Part of the Pilgrim's Progress 5338:Bibliography of editions and studies of 5277: 5168: 5116: 4826: 4717: 4701: 4689: 4665: 4649: 4645: 4617: 4543: 4526: 4510: 4452: 4377:. Oxford: Clarendon Press. p. 700. 4263: 4238: 3992: 3960: 3729: 3570: 3337: 3335: 3333: 3331: 3329: 3278: 3126:, p. 210 and notes to it on p. 356. 2647:, pp. xxvii–xxviii. Cf. "Ascapard" 2421: 2379:, p. xxv; var., against Sir Murdour 2077:C. Classification of the MSS, p. xxxviii 2017: 1961: 1922:text, and the Caius College copy is the 1189:Sir Beves of Hamtoun: A Metrical Romance 1183: 1092:"wrote with evident gusto" according to 692: 509: 476:Cambridge University Library MS. Ff.2.38 349: 240: 36: 5256: 5194:The Matter of Araby in Medieval England 5074: 5042:. Boydell & Brewer. pp. 7–24. 4761: 4748:Zür Geschichte der italienischen Poesie 4729: 4572: 4560: 4555:Percy (1765) III: xviii, reprinted in: 4514: 4156: 4143:Later during the enlightenment period, 4133:. Toronto: Canada Pub. Co. p. 223. 4028: 3890: 3860: 3674: 3585: 3540: 3521: 3467: 3413: 3398: 3386: 3370: 3320: 3308: 3259: 3178: 3165: 3140: 3136: 3123: 3111: 3098: 3085: 3072: 3059: 3046: 3033: 3020: 3007: 2979: 2966: 2953: 2941: 2929: 2916: 2904: 2891: 2844:Haworth, R. A. Livesay (10 July 1931). 2843: 2804: 2791: 2778: 2765: 2752: 2739: 2726: 2713: 2700: 2687: 2674: 2644: 2631: 2619: 2603: 2555: 2538: 2525: 2517: 2500: 2487: 2474: 2434: 2389: 2376: 2351: 2338: 2321: 2269: 2256: 2243: 2221: 2208: 2117: 2068: 2050: 2003: 1235: 1195: 523: 14: 5683: 5148:: Renaissance Influence and Reception" 4906: 4372: 4058: 3975: 3801: 3763: 3719:. Columbia University. pp. 56–57. 3712: 3190: 2846:"Bevis of Hampton: A Mediæval Romance" 2816: 2462: 2450: 2073:Introduction, §1, The MSS.., pp. vii–x 1220: 896: 5575: 5478:Pilgrim's Progress: Journey to Heaven 5355: 5229: 5211: 5056: 5010: 4994: 4971:Herzman, Drake & Salisbury (1999) 4792: 4741: 4677: 4652:, p. 137. Repr. Tyrwhitt (1830) 4556: 4539: 4538:Percy (1765) III: xii, reprinted in: 4487: 4101: 3982:. Berlin G. Reimer. pp. 160–161. 3919:, Book II: Chivalry Through the Ages" 3775: 3343:"Database of Middle English Romances" 3326: 3152: 3135:v. 4313＋, mid-page interpolate text, 2995:Herzman, Drake & Salisbury (1999) 2648: 2607: 2602:vv. 2209–2250; 2251–2280; 2281–2349, 2559: 2542: 2521: 2504: 2438: 2402: 2363: 2325: 2281: 2169: 2153: 2141: 2129: 2030:. U of Minnesota Press. p. 172. 2011: 1910:texts). Percy in the 1765 edition of 1701: 1646:Herzman, Drake & Salisbury (1999) 1612:Herzman, Drake & Salisbury (1999) 1549:Herzman, Drake & Salisbury (1999) 1490:Herzman, Drake & Salisbury (1999) 1417:Herzman, Drake & Salisbury (1999) 1381: 1079: 522:is known to have existed before 1498. 5601: 5138: 4933: 4869: 4460:Albion: A Guide to Legendary Britain 4208:"1. Literacy, society and education" 4186: 4086: 3945: 3905: 3835:. Infobase Publishing. p. 266. 3537:Fellows & Djordjević edd. (2008) 3514:Fellows & Djordjević edd. (2008) 3483: 3268:Fellows & Djordjević edd. (2008) 3220:Fellows & Djordjević edd. (2008) 1696:The sword's "A~" spelling occurs in 1513:one he hired as chamberlain, v. 1203 1284: 985:, Part 1, had been constructed from 948: 909: 706:The Home Treasury of Old Story Books 281:Josian christened, return to England 198:version, obtains the sword Morglay ( 5280:"10. Gender, Virtue, and Wisdom in 4272: 3730:Richmond, Velma Bourgeois (2021) . 3279:McCarren, Vincent P. (1997-12-31). 1926:text. Percy in the 1767 edition of 1457:for parallel with "Death of Begon". 1202:The romance of Sir Beues of Hamtoun 778:, in his immensely popular romance 556:c. 1711. In the early 16th century 27:Middle English poem written c. 1300 24: 5222:Reliques of Ancient English Poetry 4513:, pp. 90, 104, also cited by 3925:. D. S. Brewer. pp. 172–173. 3864:(2008). Cannon, Larry Dean (ed.). 3630:"Versification and translation in 1889:And in correspondence with Farmer. 1862:The Character of a London Diurnall 1454: 1177: 996:Reliques of Ancient English Poetry 975:The Seven Champions of Christendom 643:, numbers indicate the numbers of 364:—Auchinleck manuscript, folio 176r 25: 5742: 5325:Introduction to the TEAMS edition 5309: 5083:. D. S. Brewer. pp. 80–113. 3923:Guy of Warwick: Icon and Ancestor 3782:Cambridge Medieval Celtic Studies 3490:Later Medieval English Literature 3462:Copland's second edition, siglum 3282:A Guide to Editing Middle English 2023: 1267:TEAMS Middle English Texts Series 505: 260:the patriarch of the church there 4964: 4755: 4631: 4549: 4532: 4504: 4432:; Mayhew, Anthony, eds. (1914). 4300: 4180: 4137: 4080: 3939: 3884: 3697: 3688: 3668: 3579: 3530: 3507: 3456: 3364: 3349:. The University of York. 2012. 3228: 3213: 3171: 3158: 3129: 3117: 3104: 3091: 3078: 3065: 3052: 3039: 1892: 1883: 1871: 1822: 1819:: "Bevis and his horse Arundel". 1809: 1790: 1777: 1764: 1751: 1737: 1690: 1263:"Bevis of Hampton: Introduction" 1088:'s opinion. While the author of 1029:and on Pynson's edition, in his 981:, Warton was then informed that 658: 619:, but the opening section is in 5653:(c. 1400 Old Norse translation) 5418:The Life and Death of Mr Badman 4943:. London: Methuen. p. 50. 4639:The Canterbury Tales of Chaucer 4624:The Canterbury Tales of Chaucer 4442:. Clarendon Press. p. 255. 3353:from the original on 2023-07-20 3026: 3013: 3000: 2972: 2959: 2947: 2922: 2910: 2897: 2884: 2871: 2797: 2784: 2771: 2758: 2745: 2732: 2719: 2706: 2693: 2680: 2667: 2654: 2637: 2596: 2577: 2548: 2531: 2520:, p. xxv. Cf. Trenchefys, 2510: 2493: 2480: 2427: 2395: 2382: 2369: 2344: 2331: 2314: 2287: 2262: 2249: 2236: 2227: 2214: 2201: 2175: 2147: 2116:|Text, vv. 1–294, and summary, 2110: 1681: 1672: 1663: 1638: 1629: 1604: 1595: 1578: 1541: 1525: 1516: 1507: 1482: 1473: 1460: 1447: 1434: 1409: 1396: 1387: 1374: 1365: 1352: 1236:Fellows, Jennifer, ed. (1980). 1209:from the original on 2023-08-24 1154:almost in spite of themselves. 1021:included a lengthy abstract of 782:Seaven Champions of Christendom 98:. It is often classified as a 5036:"Mapping Medieval Translation" 3713:Bowman, Russell Keith (1940). 2044: 1993: 1981:. National Library of Scotland 1339: 1318: 1304: 1291: 678: 464:MS. 8009. Date c. 1470–1480. 345: 94:in his own country and in the 13: 1: 5645:(c. 1300 Middle English poem) 3430:Sánchez-Martí, Jordi (2019). 3191:George, Tricia Kelly (2014). 1941: 1003:appropriated some lines from 615:is mainly written in rhyming 607: 5230:Rouse, Robert Allen (2008). 5125:. London: The Athlone Press. 5019:. Springer. pp. 33–70. 4373:Wilson, F. P., ed. (1975) . 4125:"Vocabulary of Proper Names" 4032:(1976). Rudrum, Alan (ed.). 3776:Poppe, Erich (Summer 1992). 3733:The Legend of Guy of Warwick 3248:http://www.nls.uk/auchinleck 2097:Temporary Notice, pp. v-viii 1877:As pointed out to Warton by 1052:In 1838 the young antiquary 726:was the direct source of an 688: 472:Cambridge University Library 122:influence on, among others, 7: 5711:Works of unknown authorship 5102:. Cambridge: D. S. Brewer. 3870:. Oxford University Press. 3829:Rossignol, Rosalyn (2006). 3601:McSparran, Frances (1979). 3493:. OUP Oxford. p. 301. 3347:middleenglishromance.org.uk 2956:, pp. xxxi, footnote 2 2919:, pp. xxxi, footnote 1 2558:, pp. xxvi–xxvii. Cf. 2305:" SN. Bottom text V. 705, " 1785:Gammer Gurton's Story Books 1404:Armenian Kingdom of Cilicia 1191:. Edinburgh: Maitland Club. 780:The Famous Historie of the 774:'s version of the story of 416:MS. XIII.B.29. Date 1450s. 338:which once belonged to Sir 157:version), which is oldest. 141: 10: 5747: 5509:Road with Cypress and Star 5278:Saunders, Corinne (2008). 5075:Fellows, Jennifer (2008). 5034:Djordjević, Ivana (2000). 4102:Walsh, William S. (1915). 3993:Senyshyn, Dimitry (2018). 3628:Djordjević, Ivana (2005). 3539:., Introduction, p. 2 and 2554:vv. 1959–2146; 2147–2208, 2014:, p. 21: "paraphrase" 1832:in his translation of the 1297:4444 lines survive in the 1221:Ashton, John, ed. (1890). 1185:Turnbull, William B. D. D. 424:Gonville and Caius College 29: 5660: 5625: 5609: 5523: 5495: 5469: 5452: 5434: 5395: 5197:. Yale University Press. 5117:Johnston, Arthur (1964). 4405:Oxford English Dictionary 4239:Mitchell, Jerome (1987). 4210:. In Loewenstein, David; 3976:Anders, Henry R. (1904). 3802:Purdie, Rhiannon (2008). 3607:. C. Winter. p. 51. 3244:The Auchinleck Manuscript 2541:, pp. xxv–xxvi Cf. 2002:, p. 19, n41 citing 1979:The Auchinleck Manuscript 1269:. University of Rochester 1054:William B. D. D. Turnbull 776:St. George and the dragon 514:Page from a 1630 edition. 5411:The Enchanted Duplicator 5257:Santini, Monica (2010). 5169:Matthews, David (2000). 4913:. Longman. p. 233. 4910:English Medieval Romance 4802:. Old English Period by 4589:; Rector, Geoff (2017). 4559:, p. 550, cited by 4542:, p. 545, cited by 4130:Scott's Lady of the lake 3766:, pp. 93–95 and Fig. 44. 2881:, cf. Echard and Haworth 2852: 2820:Printing the Middle Ages 1853:The Honest Man's Fortune 1538:", bottom text v. 1396). 1253:Four Romances of England 989:in correspondence from 897:§ English monuments 354:Miniature illustration ( 5726:14th century in England 5721:13th century in England 5062:"Sir Bevis of Hamptoun" 4998:(1974). "The Making of 4591:"Auchinleck manuscript" 4069:Every Man in His Humour 2865:10.20759/elsjp.11.3_325 2585: 2307: 2301: 2295: 2024:Cohen, Jeffrey Jerome. 1803:Every Man in His Humour 1727:(Randunay), Randondyght 1726: 1716: 1706: 1534: 788:Shakespeare's lines in 502:notoriously difficult. 334: 200: 174: 5485:The Pilgrim's Progress 5443:The Pilgrim's Progress 5425:The Land of Far-Beyond 5404:The Celestial Railroad 5388:The Pilgrim's Progress 4776: 3963:, pp. 30, 87, 90. 3677:, p. 40, bottom ( 3262:, "A Textual Survey", 3010:, pp. xxxi–xxxii. 2311:" ("Soon after this".) 1975:"Sir Beues of Hamtoun" 1707:Raudondeyn, Randondeyn 1311: 1223:"Sir Bevis of Hampton" 993:. Percy also noted in 859:The Pilgrim's Progress 711: 647:in certain lines.) In 515: 480: 367: 251: 216:Imprisoned in Damascus 57: 5546:The Pilgrim's Regress 5317:The TEAMS edition of 5282:Sir Bevis of Hampton" 5217:Schröer, M. M. Arnold 4637:Tyrwhitt (1775–1778) 4488:Rance, A. B. (1986). 4430:Skeat, Walter William 3867:The Riverside Chaucer 2817:Echard, Sian (2013). 2272:, pp. xxiii–xxiv 2211:, pp. xxii–xxiii 2156:, p. 48, citing 2083:for the ASN group an 1717:(Randyndon), Rauduney 1312:Ystorya Bown o Hamtwn 1299:Auchinleck manuscript 961:(1754, revised 1762) 887:, travelling through 838:A Few Sighs from Hell 699:John Frederick Tayler 696: 513: 375: 353: 244: 155:Auchinleck manuscript 40: 5696:Middle English poems 5637:(1758 Italian opera) 5263:. Bern: Peter Lang. 5234:Sir Bevis of Hampton 5173:. Penn State Press. 5146:Sir Bevis of Hampton 5133:, London: Bloomsbury 4465:"Bevis%27s+Thumb" 82 3632:Sir Beves of Hampton 3558:(17 November 1709) " 2932:, pp. xxx–xxxi. 2907:, pp. xxx–xxxi. 2308:Sone after this tyme 1455:§ Common motifs 1058:Sir Beves of Hamtoun 718:probably related to 674:has been suggested. 518:An early edition of 414:Biblioteca Nazionale 340:Lancelot of the Lake 80:Sir Beues of Hamtoun 5731:Fiction about Islam 5189:Metlitzki, Dorothee 5011:Burge, Amy (2017). 4732:, pp. 207–208. 4273:Fox, Adam (2003) . 4202:Charlton, Kenneth; 4158:Greaves, Richard L. 4147:refers to Ascapart. 4064:Cunningham, Francis 3560:A Visit to a Friend 3155:, pp. 165–166. 2768:, pp. xxix–xxx 2634:, pp. 403–404. 2610:, pp. 261–262. 2591:Dvin (ancient city) 2441:, pp. 256–257. 2366:, pp. 253–254. 2354:, pp. xxiv–xxv 2341:, pp. xxiv–xxv 2120:, pp. xxi–xxii 999:that Shakespeare's 794:, Act I, scene 1, " 704:— Colorized series 542:, are fragmentary. 392:). Date 1330-1340. 356:historiated initial 237:Reunion with Josian 5706:14th-century poems 5701:13th-century poems 5462:(Vaughan Williams) 5077:"A Textual Survey" 4648:, p. 114 and 4458:"Bevis%27s+Grave" 4454:Westwood, Jennifer 4204:Spufford, Margaret 4035:The Complete Poems 3604:Octovian Imperator 3518:Introduction, p. 2 3238:, introduction by 3224:Introduction, p. 1 2651:, pp. 262–264 2562:, pp. 259–261 2545:, pp. 258–259 2507:, pp. 257–258 2503:, p. xxv Cf. 2437:, p. xxv Cf. 2160:, pp. 127–129 1830:Richard Stanihurst 1248:Herzman, Ronald B. 1080:Critical reception 865:In 1801 the young 747:tale of Sir Thopas 741:Chaucer refers to 728:Early Modern Irish 712: 685:as model or base. 645:stressed syllables 516: 368: 252: 83:, is an anonymous 58: 5678: 5677: 5569: 5568: 5297:978-1-84384-173-9 5270:978-3-0343-0328-6 5249:978-1-84384-173-9 5161:978-1-84384-173-9 5109:978-1-84384-173-9 5090:978-1-84384-173-9 5049:978-0-85991-597-7 4920:978-0-582-49221-9 4849:978-0-85991-247-1 4772:Leopold von Ranke 4575:, pp. 40–41. 4474:978-0-246-11789-2 4359:978-0-19-866177-1 4260:@Internet archive 4252:978-0-8131-1609-9 4225:978-0-521-63156-3 4212:Mueller, Janel M. 4173:978-0-8047-4530-7 4045:978-0-14-042208-5 3932:978-1-84384-125-8 3917:The Faerie Queene 3877:978-0-19-955209-2 3862:Chaucer, Geoffrey 3842:978-1-4381-0840-7 3815:978-1-84384-162-3 3614:978-3-533-02846-8 3500:978-0-19-812218-0 3292:978-0-472-10604-2 3208:Djordjević (2000) 3181:, p. xxxiii. 3168:, p. xxxiii. 3114:, p. xxxiii. 3088:, p. xxxiii. 2781:, pp. xxix–. 2037:978-1-4529-0366-8 2000:Djordjević (2000) 1285:Explanatory notes 1086:Leopold von Ranke 949:Early scholarship 930:and another near 910:English monuments 848:on horseback, or 760:The Faerie Queene 594:John Hickerthrift 462:Chetham's Library 108:Boeuve de Haumton 100:Matter of England 16:(Redirected from 5738: 5716:Bevis of Hampton 5642:Beves of Hamtoun 5603:Bevis of Hampton 5596: 5589: 5582: 5573: 5572: 5553:Beves of Hamtoun 5503:Mellor's Gardens 5376: 5369: 5362: 5353: 5352: 5302: 5274: 5253: 5226: 5208: 5184: 5165: 5126: 5124: 5113: 5094: 5071: 5053: 5030: 5007: 5000:Beves of Hampton 4996:Baugh, Albert C. 4982: 4973:, Introduction, 4968: 4962: 4961: 4959: 4957: 4931: 4925: 4924: 4904: 4898: 4897: 4895: 4893: 4867: 4861: 4860: 4858: 4856: 4824: 4818: 4817: 4794:Baugh, Albert C. 4790: 4781: 4779: 4769: 4759: 4753: 4752: 4739: 4733: 4727: 4721: 4715: 4709: 4699: 4693: 4687: 4681: 4675: 4669: 4663: 4657: 4635: 4629: 4628: 4619:Tyrwhitt, Thomas 4615: 4609: 4608: 4582: 4576: 4570: 4564: 4563:, pp. 40–41 4553: 4547: 4536: 4530: 4524: 4518: 4517:, pp. 36–37 4508: 4502: 4501: 4485: 4479: 4478: 4450: 4444: 4443: 4426: 4420: 4408: 4400: 4389: 4388: 4370: 4364: 4363: 4344:Speake, Jennifer 4336: 4330: 4324: 4304: 4298: 4297: 4295: 4293: 4270: 4261: 4256: 4236: 4230: 4229: 4199: 4193: 4184: 4178: 4177: 4154: 4148: 4141: 4135: 4134: 4120: 4114: 4113: 4099: 4093: 4084: 4078: 4077: 4056: 4050: 4049: 4026: 4017: 4016: 3990: 3984: 3983: 3973: 3964: 3958: 3952: 3943: 3937: 3936: 3903: 3897: 3888: 3882: 3881: 3853: 3847: 3846: 3826: 3820: 3819: 3799: 3790: 3789: 3773: 3767: 3761: 3755: 3753: 3747: 3727: 3721: 3720: 3710: 3704: 3701: 3695: 3692: 3686: 3672: 3666: 3665: 3663: 3661: 3652:. Archived from 3625: 3619: 3618: 3598: 3592: 3583: 3577: 3553: 3547: 3545:pp. 101, 108–109 3534: 3528: 3511: 3505: 3504: 3481: 3475: 3460: 3454: 3453: 3427: 3421: 3411: 3402: 3396: 3390: 3384: 3378: 3368: 3362: 3361: 3359: 3358: 3339: 3324: 3318: 3312: 3306: 3297: 3296: 3276: 3270: 3257: 3251: 3232: 3226: 3217: 3211: 3205: 3199: 3198: 3188: 3182: 3175: 3169: 3162: 3156: 3150: 3144: 3133: 3127: 3121: 3115: 3108: 3102: 3095: 3089: 3082: 3076: 3075:, p. xxxii. 3069: 3063: 3062:, p. xxxii. 3056: 3050: 3049:, p. xxxii. 3043: 3037: 3036:, p. xxxii. 3030: 3024: 3023:, p. xxxii. 3017: 3011: 3004: 2998: 2992: 2983: 2976: 2970: 2963: 2957: 2951: 2945: 2939: 2933: 2926: 2920: 2914: 2908: 2901: 2895: 2888: 2882: 2875: 2869: 2868: 2841: 2835: 2834: 2814: 2808: 2801: 2795: 2788: 2782: 2775: 2769: 2762: 2756: 2749: 2743: 2736: 2730: 2723: 2717: 2710: 2704: 2703:, p. xxviii 2697: 2691: 2690:, p. xxviii 2684: 2678: 2677:, p. xxviii 2671: 2665: 2662:Metlitzki (1977) 2658: 2652: 2641: 2635: 2629: 2623: 2622:, p. xxvii. 2617: 2611: 2600: 2594: 2588: 2581: 2575: 2572:Metlitzki (1977) 2569: 2563: 2552: 2546: 2535: 2529: 2514: 2508: 2497: 2491: 2484: 2478: 2472: 2466: 2460: 2454: 2448: 2442: 2431: 2425: 2419: 2406: 2399: 2393: 2386: 2380: 2373: 2367: 2361: 2355: 2348: 2342: 2335: 2329: 2318: 2312: 2310: 2304: 2298: 2291: 2285: 2279: 2273: 2266: 2260: 2253: 2247: 2240: 2234: 2231: 2225: 2218: 2212: 2205: 2199: 2195:Cilician Armenia 2187:Bagratid Armenia 2179: 2173: 2167: 2161: 2158:Metlitzki (1977) 2151: 2145: 2139: 2133: 2127: 2121: 2114: 2108: 2094: 2088: 2066: 2057: 2048: 2042: 2041: 2021: 2015: 1997: 1991: 1990: 1988: 1986: 1971: 1965: 1959: 1935: 1896: 1890: 1887: 1881: 1875: 1869: 1826: 1820: 1813: 1807: 1794: 1788: 1781: 1775: 1768: 1762: 1755: 1749: 1741: 1735: 1729: 1719: 1709: 1694: 1688: 1685: 1679: 1676: 1670: 1667: 1661: 1659: 1653: 1648:, Introduction, 1642: 1636: 1633: 1627: 1625: 1619: 1614:, Introduction, 1608: 1602: 1599: 1593: 1582: 1576: 1573: 1564: 1562: 1556: 1551:, Introduction, 1545: 1539: 1537: 1529: 1523: 1520: 1514: 1511: 1505: 1503: 1497: 1492:, Introduction, 1486: 1480: 1477: 1471: 1464: 1458: 1451: 1445: 1438: 1432: 1430: 1424: 1419:, Introduction, 1413: 1407: 1400: 1394: 1391: 1385: 1378: 1372: 1369: 1363: 1356: 1350: 1343: 1337: 1335: 1322: 1316: 1314: 1308: 1302: 1295: 1278: 1276: 1274: 1257: 1243: 1232: 1217: 1215: 1214: 1192: 1126:G. K. Chesterton 1123: 1110:Beves of Hamtoun 1108:more recently: " 1098:Bevis of Hampton 1090:Beves of Hampton 903:Beves of Hamtoun 873:that it rivaled 709: 679:§ Influence 672:Beuve d'Hanstone 667:Garin le loherin 365: 337: 331: 330: 255:to ride off on. 249: 203: 179:Medieval Armenia 119:Beves of Hamtoun 74:Bevis of Hampton 68:Beves of Hampton 65:, also known as 62:Beves of Hamtoun 55: 32:Bevis of Hampton 21: 5746: 5745: 5741: 5740: 5739: 5737: 5736: 5735: 5691:Romance (genre) 5681: 5680: 5679: 5674: 5656: 5621: 5605: 5600: 5570: 5565: 5519: 5491: 5465: 5448: 5430: 5391: 5380: 5350: 5312: 5307: 5298: 5271: 5250: 5205: 5181: 5162: 5131:Johnston (2013) 5110: 5091: 5050: 5027: 4985: 4969: 4965: 4955: 4953: 4951: 4932: 4928: 4921: 4905: 4901: 4891: 4889: 4887: 4868: 4864: 4854: 4852: 4850: 4828:Pearsall, Derek 4825: 4821: 4814: 4791: 4784: 4765: 4760: 4756: 4740: 4736: 4728: 4724: 4718:Mitchell (1987) 4716: 4712: 4702:Johnston (1964) 4700: 4696: 4690:Matthews (2000) 4688: 4684: 4676: 4672: 4666:Johnston (1964) 4664: 4660: 4650:Johnston (1964) 4646:Matthews (2000) 4636: 4632: 4621:, ed. (1830) . 4616: 4612: 4605: 4583: 4579: 4571: 4567: 4554: 4550: 4544:Johnston (1964) 4537: 4533: 4527:Johnston (1964) 4525: 4521: 4511:Johnston (1964) 4509: 4505: 4486: 4482: 4475: 4451: 4447: 4427: 4423: 4402: 4401: 4392: 4385: 4371: 4367: 4360: 4337: 4333: 4317: 4305: 4301: 4291: 4289: 4287: 4271: 4264: 4253: 4237: 4233: 4226: 4200: 4196: 4185: 4181: 4174: 4155: 4151: 4142: 4138: 4121: 4117: 4100: 4096: 4085: 4081: 4074:William Gifford 4057: 4053: 4046: 4027: 4020: 4013: 3991: 3987: 3974: 3967: 3961:Johnston (1964) 3959: 3955: 3944: 3940: 3933: 3904: 3900: 3889: 3885: 3878: 3855:Burrow, J. A., 3854: 3850: 3843: 3827: 3823: 3816: 3800: 3793: 3774: 3770: 3762: 3758: 3749: 3744: 3728: 3724: 3711: 3707: 3702: 3698: 3693: 3689: 3673: 3669: 3659: 3657: 3626: 3622: 3615: 3599: 3595: 3584: 3580: 3571:Johnston (2013) 3554: 3550: 3535: 3531: 3512: 3508: 3501: 3482: 3478: 3461: 3457: 3450: 3436:Willaert, Frank 3428: 3424: 3412: 3405: 3397: 3393: 3389:, p. viii. 3385: 3381: 3369: 3365: 3356: 3354: 3341: 3340: 3327: 3319: 3315: 3307: 3300: 3293: 3277: 3273: 3258: 3254: 3233: 3229: 3218: 3214: 3206: 3202: 3189: 3185: 3177:vv. 4539–4620, 3176: 3172: 3164:vv. 4497–4538, 3163: 3159: 3151: 3147: 3134: 3130: 3122: 3118: 3110:vv. 4437–4496, 3109: 3105: 3096: 3092: 3084:vv. 4377–4436, 3083: 3079: 3071:vv. 4323–4376, 3070: 3066: 3058:vv. 4287–4322, 3057: 3053: 3045:vv. 4253–4286, 3044: 3040: 3032:vv. 4173–4252, 3031: 3027: 3019:vv. 4039–4172, 3018: 3014: 3006:vv. 4005–4038, 3005: 3001: 2993: 2986: 2982:, p. xxxi. 2978:vv. 3963–4004, 2977: 2973: 2969:, p. xxxi. 2965:vv. 3841–3962, 2964: 2960: 2952: 2948: 2944:, p. xxxi. 2940: 2936: 2928:vv. 3709–3792, 2927: 2923: 2915: 2911: 2903:vv. 3595–3644, 2902: 2898: 2890:vv. 3543–3594, 2889: 2885: 2876: 2872: 2854: 2842: 2838: 2831: 2815: 2811: 2803:vv. 3511–3542, 2802: 2798: 2794:, pp. xxx. 2790:vv. 3483–3510, 2789: 2785: 2777:vv. 3393–3482, 2776: 2772: 2764:vv. 3305–3392, 2763: 2759: 2751:vv. 3225–3304, 2750: 2746: 2738:vv. 3175–3224, 2737: 2733: 2725:vv. 3117–3174, 2724: 2720: 2712:vv. 3023–3116, 2711: 2707: 2699:vv. 2951–3022, 2698: 2694: 2686:vv. 2911–2950, 2685: 2681: 2672: 2668: 2659: 2655: 2643:vv. 2350–2568, 2642: 2638: 2630: 2626: 2618: 2614: 2601: 2597: 2582: 2578: 2570: 2566: 2553: 2549: 2536: 2532: 2515: 2511: 2498: 2494: 2486:vv. 1535–1574, 2485: 2481: 2473: 2469: 2461: 2457: 2449: 2445: 2433:vv. 1433–1534, 2432: 2428: 2422:Saunders (2008) 2420: 2409: 2400: 2396: 2388:vv. 1345–1432, 2387: 2383: 2375:vv. 1263–1344, 2374: 2370: 2362: 2358: 2350:vv. 1219–1262, 2349: 2345: 2336: 2332: 2319: 2315: 2292: 2288: 2280: 2276: 2267: 2263: 2254: 2250: 2246:, p. xxiii 2241: 2237: 2232: 2228: 2224:, p. xxiii 2219: 2215: 2206: 2202: 2180: 2176: 2168: 2164: 2152: 2148: 2140: 2136: 2128: 2124: 2115: 2111: 2095: 2091: 2067: 2060: 2049: 2045: 2038: 2022: 2018: 1998: 1994: 1984: 1982: 1973: 1972: 1968: 1962:Turnbull (1838) 1960: 1953: 1944: 1939: 1938: 1897: 1893: 1888: 1884: 1876: 1872: 1827: 1823: 1817:Thalia Rediviva 1814: 1810: 1795: 1791: 1787:series ( 1845). 1782: 1778: 1769: 1765: 1756: 1752: 1742: 1738: 1695: 1691: 1686: 1682: 1677: 1673: 1668: 1664: 1655: 1649: 1643: 1639: 1634: 1630: 1621: 1615: 1609: 1605: 1600: 1596: 1583: 1579: 1574: 1567: 1558: 1552: 1546: 1542: 1530: 1526: 1521: 1517: 1512: 1508: 1499: 1493: 1487: 1483: 1478: 1474: 1465: 1461: 1452: 1448: 1439: 1435: 1426: 1420: 1414: 1410: 1402:Presumably the 1401: 1397: 1392: 1388: 1379: 1375: 1370: 1366: 1357: 1353: 1344: 1340: 1329: 1326:Bova Korolevich 1323: 1319: 1309: 1305: 1296: 1292: 1287: 1272: 1270: 1261: 1212: 1210: 1180: 1178:Modern editions 1117: 1094:Albert C. Baugh 1082: 1011:Thomas Tyrwhitt 983:Seven Champions 971:Richard Johnson 953:The romance of 951: 912: 830:, Second Song. 822:Michael Drayton 772:Richard Johnson 710: 703: 691: 661: 610: 562:William Tyndale 540:Wynkyn de Worde 508: 438:Trinity College 400:British Library 366: 363: 348: 328: 327: 250: 247: 144: 56: 46: 44:of 1838 edition 35: 28: 23: 22: 15: 12: 11: 5: 5744: 5734: 5733: 5728: 5723: 5718: 5713: 5708: 5703: 5698: 5693: 5676: 5675: 5673: 5672: 5664: 5662: 5658: 5657: 5655: 5654: 5646: 5638: 5634:Buovo d'Antona 5629: 5627: 5623: 5622: 5620: 5619: 5613: 5611: 5607: 5606: 5599: 5598: 5591: 5584: 5576: 5567: 5566: 5564: 5563: 5560:Knight of Cups 5556: 5549: 5542: 5535: 5527: 5525: 5521: 5520: 5518: 5517: 5515:Houghton House 5512: 5505: 5499: 5497: 5493: 5492: 5490: 5489: 5481: 5473: 5471: 5467: 5466: 5464: 5463: 5460:Symphony No. 5 5456: 5454: 5450: 5449: 5447: 5446: 5438: 5436: 5432: 5431: 5429: 5428: 5421: 5414: 5407: 5399: 5397: 5393: 5392: 5379: 5378: 5371: 5364: 5356: 5349: 5348: 5343: 5335: 5327: 5322: 5313: 5311: 5310:External links 5308: 5306: 5305: 5296: 5275: 5269: 5254: 5248: 5227: 5209: 5203: 5185: 5179: 5166: 5160: 5136: 5135: 5134: 5114: 5108: 5095: 5089: 5072: 5060:, ed. (1805). 5054: 5048: 5031: 5025: 5008: 4991: 4990: 4989: 4984: 4983: 4963: 4949: 4926: 4919: 4899: 4885: 4862: 4848: 4819: 4812: 4782: 4762:Kölbing (1885) 4754: 4743:Ranke, Leopold 4734: 4730:Santini (2010) 4722: 4710: 4694: 4692:, p. 134. 4682: 4670: 4658: 4630: 4610: 4603: 4577: 4573:Santini (2010) 4565: 4561:Santini (2010) 4548: 4531: 4519: 4515:Santini (2010) 4503: 4480: 4473: 4445: 4421: 4390: 4383: 4365: 4358: 4340:Simpson, J. A. 4331: 4315:Cole, G. D. H. 4299: 4285: 4262: 4251: 4231: 4224: 4194: 4179: 4172: 4149: 4145:Alexander Pope 4136: 4115: 4094: 4079: 4051: 4044: 4030:Vaughan, Henry 4018: 4011: 3985: 3965: 3953: 3938: 3931: 3913:Guy of Warwick 3898: 3891:Kölbing (1885) 3883: 3876: 3848: 3841: 3821: 3814: 3791: 3768: 3756: 3742: 3722: 3705: 3696: 3687: 3675:Kölbing (1885) 3667: 3656:on 9 June 2013 3620: 3613: 3593: 3586:Fellows (2008) 3578: 3556:Steel, Richard 3548: 3541:Fellows (2008) 3529: 3522:Fellows (2008) 3506: 3499: 3487:(2008-04-10). 3476: 3468:Fellows (2008) 3455: 3448: 3422: 3414:Fellows (2008) 3403: 3399:Fellows (2008) 3391: 3387:Kölbing (1885) 3379: 3371:Fellows (2008) 3363: 3325: 3321:Fellows (2008) 3313: 3309:Fellows (2008) 3298: 3291: 3271: 3260:Fellows (2008) 3252: 3240:Derek Pearsall 3234:Reproduced in 3227: 3212: 3200: 3183: 3179:Kölbing (1885) 3170: 3166:Kölbing (1885) 3157: 3145: 3141:Kölbing (1885) 3137:Kölbing (1885) 3128: 3124:Kölbing (1885) 3116: 3112:Kölbing (1885) 3103: 3099:Kölbing (1885) 3090: 3086:Kölbing (1885) 3077: 3073:Kölbing (1885) 3064: 3060:Kölbing (1885) 3051: 3047:Kölbing (1885) 3038: 3034:Kölbing (1885) 3025: 3021:Kölbing (1885) 3012: 3008:Kölbing (1885) 2999: 2997:, p. 196. 2984: 2980:Kölbing (1885) 2971: 2967:Kölbing (1885) 2958: 2954:Kölbing (1885) 2946: 2942:Kölbing (1885) 2934: 2930:Kölbing (1885) 2921: 2917:Kölbing (1885) 2909: 2905:Kölbing (1885) 2896: 2894:, p. xxx. 2892:Kölbing (1885) 2883: 2870: 2836: 2829: 2809: 2807:, p. xxx. 2805:Kölbing (1885) 2796: 2792:Kölbing (1885) 2783: 2779:Kölbing (1885) 2770: 2766:Kölbing (1885) 2757: 2755:, p. xxix 2753:Kölbing (1885) 2744: 2742:, p. xxix 2740:Kölbing (1885) 2731: 2729:, p. xxix 2727:Kölbing (1885) 2718: 2716:, p. xxix 2714:Kölbing (1885) 2705: 2701:Kölbing (1885) 2692: 2688:Kölbing (1885) 2679: 2675:Kölbing (1885) 2666: 2653: 2645:Kölbing (1885) 2636: 2632:Kölbing (1885) 2624: 2620:Kölbing (1885) 2612: 2604:Kölbing (1885) 2595: 2576: 2574:, p. 132. 2564: 2556:Kölbing (1885) 2547: 2539:Kölbing (1885) 2530: 2526:Kölbing (1885) 2518:Kölbing (1885) 2509: 2501:Kölbing (1885) 2492: 2488:Kölbing (1885) 2479: 2477:, p. 111. 2475:Fellows (2008) 2467: 2465:, p. 121. 2455: 2453:, p. 151. 2443: 2435:Kölbing (1885) 2426: 2424:, p. 173. 2407: 2394: 2390:Kölbing (1885) 2381: 2377:Kölbing (1885) 2368: 2356: 2352:Kölbing (1885) 2343: 2339:Kölbing (1885) 2337:vv. 989–1218, 2330: 2322:Kölbing (1885) 2313: 2286: 2284:, p. 248. 2274: 2270:Kölbing (1885) 2261: 2257:Kölbing (1885) 2248: 2244:Kölbing (1885) 2235: 2226: 2222:Kölbing (1885) 2213: 2209:Kölbing (1885) 2200: 2174: 2162: 2146: 2134: 2132:, p. 119. 2122: 2118:Kölbing (1885) 2109: 2107:on the bottom. 2089: 2069:Kölbing (1885) 2058: 2055:pp. xxi–xxxiii 2051:Kölbing (1885) 2043: 2036: 2016: 2004:Fellows (1980) 1992: 1966: 1950: 1949: 1948: 1943: 1940: 1937: 1936: 1891: 1882: 1879:Richard Farmer 1870: 1868:is also noted. 1858:John Cleveland 1821: 1808: 1796:Jonson's poem 1789: 1776: 1763: 1750: 1736: 1689: 1680: 1671: 1662: 1637: 1628: 1603: 1594: 1577: 1565: 1540: 1524: 1515: 1506: 1481: 1472: 1459: 1446: 1433: 1408: 1395: 1386: 1373: 1364: 1351: 1338: 1317: 1303: 1289: 1288: 1286: 1283: 1282: 1281: 1280: 1279: 1260:Introduction: 1244: 1233: 1218: 1199:, ed. (1885). 1197:Kölbing, Eugen 1193: 1187:, ed. (1838). 1179: 1176: 1106:Derek Pearsall 1081: 1078: 950: 947: 932:Arundel Castle 914:A prehistoric 911: 908: 702: 690: 687: 660: 657: 609: 606: 590:Richard Steele 532:Richard Pynson 524:Fellows (2008) 507: 506:Early editions 504: 460:: Manchester, 362: 347: 344: 304:Arundel Castle 291:Baptismal font 246: 171:Middle English 143: 140: 117:For centuries 85:Middle English 45: 26: 9: 6: 4: 3: 2: 5743: 5732: 5729: 5727: 5724: 5722: 5719: 5717: 5714: 5712: 5709: 5707: 5704: 5702: 5699: 5697: 5694: 5692: 5689: 5688: 5686: 5671: 5670: 5666: 5665: 5663: 5659: 5652: 5651: 5647: 5644: 5643: 5639: 5636: 5635: 5631: 5630: 5628: 5624: 5618: 5615: 5614: 5612: 5608: 5604: 5597: 5592: 5590: 5585: 5583: 5578: 5577: 5574: 5562: 5561: 5557: 5555: 5554: 5550: 5548: 5547: 5543: 5541: 5540: 5536: 5534: 5533: 5529: 5528: 5526: 5522: 5516: 5513: 5511: 5510: 5506: 5504: 5501: 5500: 5498: 5494: 5488: 5486: 5482: 5480: 5479: 5475: 5474: 5472: 5468: 5461: 5458: 5457: 5455: 5451: 5445: 5444: 5440: 5439: 5437: 5433: 5427: 5426: 5422: 5420: 5419: 5415: 5413: 5412: 5408: 5405: 5401: 5400: 5398: 5394: 5390: 5389: 5384: 5377: 5372: 5370: 5365: 5363: 5358: 5357: 5354: 5347: 5344: 5342: 5341: 5336: 5334: 5332: 5328: 5326: 5323: 5321: 5320: 5315: 5314: 5304: 5301: 5299: 5293: 5287: 5284: 5283: 5276: 5272: 5266: 5262: 5261: 5255: 5251: 5245: 5241: 5237: 5235: 5228: 5224: 5223: 5218: 5214: 5213:Percy, Thomas 5210: 5206: 5204:9780300114102 5200: 5196: 5195: 5190: 5186: 5182: 5180:9780271020822 5176: 5172: 5167: 5163: 5157: 5153: 5149: 5147: 5141: 5137: 5132: 5128: 5127: 5123: 5122: 5115: 5111: 5105: 5101: 5096: 5092: 5086: 5082: 5078: 5073: 5069: 5068: 5063: 5059: 5058:Ellis, George 5055: 5051: 5045: 5041: 5037: 5032: 5028: 5026:9781137593566 5022: 5018: 5014: 5009: 5005: 5001: 4997: 4993: 4992: 4987: 4986: 4980: 4976: 4972: 4967: 4952: 4946: 4942: 4941: 4936: 4930: 4922: 4916: 4912: 4911: 4903: 4888: 4886:9780203831854 4882: 4878: 4877: 4872: 4866: 4851: 4845: 4841: 4837: 4836:Brewer, Derek 4833: 4829: 4823: 4815: 4813:9781134948338 4809: 4805: 4801: 4800: 4795: 4789: 4787: 4778: 4773: 4768: 4763: 4758: 4750: 4749: 4744: 4738: 4731: 4726: 4720:, p. 13. 4719: 4714: 4707: 4703: 4698: 4691: 4686: 4680:, p. 94. 4679: 4674: 4668:, p. 137 4667: 4662: 4655: 4651: 4647: 4643: 4640: 4634: 4626: 4625: 4620: 4614: 4606: 4604:9781118396988 4600: 4596: 4592: 4588: 4587:Fulton, Helen 4581: 4574: 4569: 4562: 4558: 4552: 4545: 4541: 4535: 4528: 4523: 4516: 4512: 4507: 4499: 4495: 4491: 4484: 4476: 4470: 4466: 4462: 4461: 4455: 4449: 4441: 4440: 4435: 4431: 4425: 4419: 4417: 4412: 4406: 4399: 4397: 4395: 4386: 4380: 4376: 4369: 4361: 4355: 4351: 4350: 4345: 4341: 4335: 4328: 4323: 4321: 4316: 4312: 4311: 4306:Defoe (1928) 4303: 4288: 4282: 4278: 4277: 4269: 4267: 4259: 4254: 4248: 4244: 4243: 4235: 4227: 4221: 4217: 4213: 4209: 4205: 4198: 4192: 4188: 4183: 4175: 4169: 4165: 4164: 4159: 4153: 4146: 4140: 4132: 4131: 4126: 4119: 4112:. p. 34. 4111: 4110: 4105: 4098: 4092: 4088: 4083: 4075: 4071: 4070: 4065: 4061: 4055: 4047: 4041: 4037: 4036: 4031: 4025: 4023: 4014: 4012:9781317302889 4008: 4005:. Routledge. 4004: 4000: 3998: 3989: 3981: 3980: 3972: 3970: 3962: 3957: 3951: 3947: 3942: 3934: 3928: 3924: 3920: 3918: 3914: 3908: 3902: 3896: 3895:Notes, p. 219 3892: 3887: 3879: 3873: 3869: 3868: 3863: 3859:, p. 917 in: 3858: 3852: 3844: 3838: 3834: 3833: 3825: 3817: 3811: 3807: 3806: 3798: 3796: 3787: 3783: 3779: 3772: 3765: 3764:Echard (2013) 3760: 3752: 3745: 3743:9781000525571 3739: 3736:. Routledge. 3735: 3734: 3726: 3718: 3717: 3709: 3700: 3691: 3684: 3680: 3676: 3671: 3655: 3651: 3647: 3643: 3639: 3635: 3633: 3624: 3616: 3610: 3606: 3605: 3597: 3591: 3587: 3582: 3576: 3572: 3569: 3565: 3561: 3557: 3552: 3546: 3542: 3538: 3533: 3527: 3523: 3519: 3515: 3510: 3502: 3496: 3492: 3491: 3486: 3485:Gray, Douglas 3480: 3473: 3469: 3465: 3459: 3451: 3449:9783110563108 3445: 3441: 3437: 3433: 3426: 3419: 3415: 3410: 3408: 3401:, p. 97. 3400: 3395: 3388: 3383: 3376: 3372: 3367: 3352: 3348: 3344: 3338: 3336: 3334: 3332: 3330: 3322: 3317: 3310: 3305: 3303: 3294: 3288: 3284: 3283: 3275: 3269: 3265: 3261: 3256: 3249: 3245: 3241: 3237: 3231: 3225: 3221: 3216: 3210:, p. 17. 3209: 3204: 3196: 3195: 3187: 3180: 3174: 3167: 3161: 3154: 3149: 3143:, p. 212 3142: 3138: 3132: 3125: 3120: 3113: 3107: 3101:, p. 210 3100: 3094: 3087: 3081: 3074: 3068: 3061: 3055: 3048: 3042: 3035: 3029: 3022: 3016: 3009: 3003: 2996: 2991: 2989: 2981: 2975: 2968: 2962: 2955: 2950: 2943: 2938: 2931: 2925: 2918: 2913: 2906: 2900: 2893: 2887: 2880: 2874: 2866: 2862: 2858: 2851: 2847: 2840: 2832: 2830:9780812201840 2826: 2822: 2821: 2813: 2806: 2800: 2793: 2787: 2780: 2774: 2767: 2761: 2754: 2748: 2741: 2735: 2728: 2722: 2715: 2709: 2702: 2696: 2689: 2683: 2676: 2670: 2664:, p. 196 2663: 2657: 2650: 2646: 2640: 2633: 2628: 2621: 2616: 2609: 2605: 2599: 2592: 2587: 2580: 2573: 2568: 2561: 2557: 2551: 2544: 2540: 2534: 2527: 2523: 2519: 2513: 2506: 2502: 2496: 2490:, p. xxv 2489: 2483: 2476: 2471: 2464: 2463:Ashton (1890) 2459: 2452: 2451:Ashton (1890) 2447: 2440: 2436: 2430: 2423: 2418: 2416: 2414: 2412: 2405:, p. 256 2404: 2398: 2392:, p. xxv 2391: 2385: 2378: 2372: 2365: 2360: 2353: 2347: 2340: 2334: 2327: 2323: 2320:vv. 909–988, 2317: 2309: 2303: 2299:"; or, var. " 2297: 2296:þre ȝer after 2290: 2283: 2278: 2271: 2268:vv. 837–908, 2265: 2258: 2252: 2245: 2239: 2230: 2223: 2220:vv. 585–734, 2217: 2210: 2207:vv. 295–584, 2204: 2196: 2192: 2191:First Crusade 2188: 2184: 2178: 2172:, p. 50. 2171: 2166: 2159: 2155: 2150: 2144:, p. 48. 2143: 2138: 2131: 2126: 2119: 2113: 2106: 2102: 2098: 2093: 2086: 2082: 2078: 2074: 2070: 2065: 2063: 2056: 2052: 2047: 2039: 2033: 2029: 2028: 2020: 2013: 2009: 2005: 2001: 1996: 1980: 1976: 1970: 1963: 1958: 1956: 1951: 1946: 1945: 1933: 1929: 1925: 1921: 1917: 1913: 1909: 1905: 1901: 1895: 1886: 1880: 1874: 1867: 1863: 1859: 1855: 1854: 1849: 1845: 1841: 1837: 1836: 1831: 1825: 1818: 1812: 1805: 1804: 1799: 1793: 1786: 1780: 1773: 1767: 1760: 1754: 1747: 1740: 1733: 1728: 1723: 1718: 1713: 1708: 1703: 1699: 1693: 1684: 1675: 1666: 1658: 1652: 1647: 1641: 1632: 1624: 1618: 1613: 1607: 1598: 1591: 1587: 1581: 1572: 1570: 1561: 1555: 1550: 1544: 1536: 1528: 1519: 1510: 1502: 1496: 1491: 1485: 1476: 1469: 1463: 1456: 1450: 1443: 1437: 1429: 1423: 1418: 1412: 1405: 1399: 1390: 1384:, p. 240 1383: 1377: 1368: 1361: 1355: 1349: 1348: 1342: 1333: 1328: 1327: 1321: 1313: 1307: 1300: 1294: 1290: 1268: 1264: 1259: 1258: 1255: 1254: 1249: 1245: 1241: 1240: 1234: 1230: 1229: 1224: 1219: 1208: 1204: 1203: 1198: 1194: 1190: 1186: 1182: 1181: 1175: 1172: 1171: 1166: 1165: 1159: 1155: 1153: 1148: 1147: 1142: 1137: 1135: 1134:good bad book 1131: 1130:George Orwell 1127: 1121: 1116: 1111: 1107: 1102: 1099: 1095: 1091: 1087: 1077: 1075: 1071: 1070:Eugen Kölbing 1067: 1063: 1062:Maitland Club 1059: 1055: 1050: 1048: 1044: 1040: 1036: 1032: 1028: 1024: 1020: 1016: 1012: 1008: 1006: 1002: 998: 997: 992: 988: 984: 980: 976: 972: 968: 964: 963:Thomas Warton 960: 956: 946: 944: 939: 937: 933: 929: 925: 921: 917: 907: 904: 900: 898: 895:". (Cf. also 894: 890: 886: 882: 880: 876: 872: 868: 863: 861: 860: 855: 851: 847: 843: 839: 835: 831: 829: 828: 823: 819: 818:Henry Vaughan 815: 811: 807: 803: 802: 797: 793: 792: 786: 784: 783: 777: 773: 769: 764: 762: 761: 756: 752: 748: 744: 739: 737: 733: 729: 725: 721: 717: 714:A version of 707: 700: 695: 686: 684: 680: 675: 673: 669: 668: 659:Common motifs 656: 654: 650: 646: 642: 638: 634: 630: 626: 622: 618: 614: 605: 603: 599: 595: 591: 587: 583: 578: 576: 575:Stuart period 572: 569:in the later 568: 563: 559: 555: 550: 548: 543: 541: 537: 533: 529: 526:, p. 94 525: 521: 512: 503: 501: 497: 493: 489: 485: 479: 477: 473: 470:: Cambridge, 469: 465: 463: 459: 455: 453: 449: 445: 443: 439: 436:: Cambridge, 435: 431: 429: 425: 422:: Cambridge, 421: 417: 415: 411: 407: 405: 401: 397: 393: 391: 390:Auchinleck MS 387: 383: 380:: Edinburgh, 379: 374: 372: 361: 357: 352: 343: 341: 336: 325: 321: 315: 311: 307: 305: 300: 299: 295: 292: 288: 283: 282: 278: 276: 272: 267: 265: 261: 256: 243: 239: 238: 234: 230: 228: 224: 223:Isle of Wight 218: 217: 213: 211: 207: 202: 197: 193: 187: 186: 182: 180: 176: 172: 168: 163: 162: 158: 156: 152: 148: 147:Eugen Kölbing 139: 137: 133: 129: 125: 120: 115: 113: 109: 105: 101: 97: 93: 89: 86: 82: 81: 76: 75: 70: 69: 64: 63: 54: 53:Maitland Club 50: 43: 39: 33: 19: 5667: 5648: 5641: 5640: 5633: 5558: 5552: 5551: 5544: 5539:Little Women 5537: 5530: 5507: 5484: 5476: 5441: 5423: 5416: 5409: 5386: 5339: 5330: 5318: 5303: 5289: 5285: 5281: 5259: 5239: 5233: 5221: 5193: 5170: 5151: 5145: 5140:King, Andrew 5120: 5099: 5080: 5066: 5039: 5016: 5003: 4999: 4988:Bibliography 4966: 4954:. Retrieved 4939: 4935:Kane, George 4929: 4909: 4902: 4890:. Retrieved 4875: 4871:Mehl, Dieter 4865: 4853:. Retrieved 4839: 4822: 4798: 4757: 4747: 4737: 4725: 4713: 4697: 4685: 4678:Ellis (1805) 4673: 4661: 4653: 4641: 4638: 4633: 4623: 4613: 4594: 4580: 4568: 4557:Percy (1893) 4551: 4540:Percy (1893) 4534: 4522: 4506: 4497: 4493: 4483: 4459: 4448: 4438: 4424: 4415: 4410: 4404: 4374: 4368: 4348: 4334: 4326: 4319: 4307: 4302: 4290:. Retrieved 4275: 4241: 4234: 4215: 4197: 4182: 4162: 4152: 4139: 4129: 4118: 4108: 4097: 4082: 4068: 4054: 4034: 4002: 3996: 3988: 3978: 3956: 3941: 3922: 3916: 3912: 3907:King, Andrew 3901: 3886: 3866: 3851: 3831: 3824: 3804: 3785: 3781: 3771: 3759: 3732: 3725: 3715: 3708: 3699: 3690: 3682: 3678: 3670: 3658:. Retrieved 3654:the original 3641: 3637: 3631: 3623: 3603: 3596: 3581: 3567: 3563: 3551: 3532: 3509: 3489: 3479: 3471: 3463: 3458: 3439: 3425: 3417: 3394: 3382: 3374: 3366: 3355:. Retrieved 3346: 3323:, p. 97 n76. 3316: 3281: 3274: 3255: 3243: 3235: 3230: 3215: 3203: 3193: 3186: 3173: 3160: 3153:Ellis (1805) 3148: 3131: 3119: 3106: 3093: 3080: 3067: 3054: 3041: 3028: 3015: 3002: 2974: 2961: 2949: 2937: 2924: 2912: 2899: 2886: 2873: 2856: 2849: 2839: 2819: 2812: 2799: 2786: 2773: 2760: 2747: 2734: 2721: 2708: 2695: 2682: 2669: 2656: 2649:Ellis (1805) 2639: 2627: 2615: 2608:Ellis (1805) 2598: 2579: 2567: 2560:Ellis (1805) 2550: 2543:Ellis (1805) 2533: 2528:, p. 90 2522:Ellis (1805) 2512: 2505:Ellis (1805) 2495: 2482: 2470: 2458: 2446: 2439:Ellis (1805) 2429: 2403:Ellis (1805) 2397: 2384: 2371: 2364:Ellis (1805) 2359: 2346: 2333: 2326:Ellis (1805) 2316: 2289: 2282:Ellis (1805) 2277: 2264: 2251: 2238: 2229: 2216: 2203: 2177: 2170:Burge (2017) 2165: 2154:Burge (2017) 2149: 2142:Burge (2017) 2137: 2130:Rouse (2008) 2125: 2112: 2104: 2100: 2092: 2084: 2080: 2046: 2026: 2019: 2012:Baugh (1974) 2007: 1995: 1983:. Retrieved 1978: 1969: 1931: 1927: 1923: 1919: 1915: 1911: 1907: 1903: 1899: 1894: 1885: 1873: 1861: 1851: 1833: 1824: 1816: 1815:In the poem 1811: 1801: 1797: 1792: 1784: 1779: 1771: 1766: 1758: 1753: 1739: 1731: 1721: 1711: 1702:Ellis (1805) 1697: 1692: 1683: 1674: 1665: 1640: 1631: 1606: 1597: 1589: 1585: 1580: 1554:pp. 193?–194 1543: 1535:lituỻ girduỻ 1527: 1518: 1509: 1495:pp. 191–193? 1484: 1475: 1467: 1462: 1449: 1441: 1436: 1411: 1398: 1389: 1382:Ellis (1805) 1376: 1367: 1359: 1354: 1345: 1341: 1325: 1320: 1306: 1293: 1271:. Retrieved 1266: 1252: 1238: 1227: 1211:. 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Beves of Hamtoun (poem)

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