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376:=72–80), an original composition by Vardapet in common time, has a simple melody which is first stated in the woodwinds and then repeated by the brass. Its simple, delicate melody was intended for a children's choir and is symbolic of that bird's tiny steps.
311:
Part I is built upon five
Armenian folk songs: "Tzirani Tzar" (The Apricot Tree), "Gakavi Yerk" (Partidge's Song), "Hoy, Nazan Eem" (Hoy, my Nazan), "Alagyaz" and "Gna, Gna" (Go, Go). Approximate performance duration is ten minutes thirty seconds 10'30".
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of
Armenian descent and the director of that ensemble. It consists of five authentic Armenian folksongs drawn from the vast collection of Gomidas Vartabed originally arranged for solo voice with piano accompaniment or unaccompanied chorus.
219:(1921–2005). It is a four-movement suite of which Part I comprises the first movement and Part II comprises the remaining three. The two parts comprise a full-length symphony. Each part consists of a number of
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The
Armenian Dances, Parts I and II, constitute a four-movement suite for concert band or wind ensemble based on authentic Armenian folk songs from the collected works of
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Part II has three movements: are “Hov Arek”, “Khoomar”, and “Lorva
Horovel”. Approximate performance duration is twenty minutes twenty-three seconds 20'23".
298:, by the University of Illinois Symphonic Band with Dr. Begian conducting. Part II consists of three movements, each based upon a single Armenian folk song.
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Symphonic Band on
January 10, 1973, at the College Band Directors National Association Convention in Urbana, Illinois. The piece is dedicated to Dr.
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Cultural Fund after the highly successful premiere of Part I and completed in 1977 as a continuation of Part I and was again dedicated to Dr.
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Percussion (Snare Drum, Bass Drum, Crash
Cymbals, Suspended Cymbal, Tambourine, Tom-Tom (high), Triangle, Gong, Bells, Xylophone, Vibraphone)
541:) (Slowly, and very sustained) Hov Arek means "come, breeze;" however, on the score Dr. Reed put the translation as "The Peasant's Plea."
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per bar to 2+3 eighth notes per bar. In this song, a young man sings the praises of his beloved, named Nazan.
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time; it serves as a contrast to the fast, upbeat songs that come both before and after.
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time; it builds in volume and speed until the exciting conclusion of the piece.
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504:=138) is a very fast, delightful, and humorous laughing-song in
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was completed in the summer of 1972 and first performed by the
352:. This sentimental song consists of three related melodies.
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Percussion II (Crash
Cymbals, Suspended Cymbal, Tambourine)
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measures, which naturally imposes an unusual pattern of
762:"Illinois Bands Sesquicentennial Throwback Thursday"
565:) (Broadly). Reed subtitled it "Songs from Lori."
341:=52), which opens the piece, begins with a short
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773:Program Note by Alfred Reed, from the scores to
496:) (mm. 224–422) (Allegro vivo con fuoco
457:(mm. 186–223) (Broadly, with expression
658:Percussion III (Bells, Xylophone, Vibraphone)
469:in Armenia, is a broad and majestic song in
388:) (mm. 69–185) (Allegretto non troppo
247:, the founder of Armenian classical music.
783:Historical Note by Dr. Violet Vagramian,
290:. It was premiered on April 4, 1976, in
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445:—the notes repeatedly change from 3+2
333:. 1–29) (Broadly, and sustained
652:Percussion I (Snare Drum, Bass Drum)
396:=176) is a lively dance, mostly in
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411:time interspersed with occasional
16:Suite for wind band by Alfred Reed
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281:Armenian General Benevolent Union
19:For the traditional dancing, see
785:Florida International University
713:B-flat Bass Saxophone (optional)
622:B-flat Bass Saxophone (optional)
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764:. University of Illinois Bands.
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806:Publisher: Belwin Classic Band
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368:) (mm. 30–68) (Con moto
1:
814:Publisher: C.L. Barnhouse Co.
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671:Piccolo (Alternate 3rd Flute)
580:Piccolo (Alternate 3rd Flute)
252:Alfred Reed, Composer's Notes
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465:=63), a folk song named for
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838:Compositions by Alfred Reed
728:Bass Trombone (Trombone IV)
704:E-flat Alto Saxophone I, II
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812:Armenian Dances (Part II)
695:B-flat Contrabass Clarinet
686:B-flat Clarinet I, II, III
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595:B-flat Clarinet I, II, III
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804:Armenian Dances (Part I)
716:B-flat Trumpet I, II, III
710:E-flat Baritone Saxophone
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722:Horn in F I, II, III, IV
701:Contrabassoon (optional)
631:Horn in F I, II, III, IV
610:Contrabassoon (optional)
279:was commissioned by the
259:Armenian Dances (Part I)
226:from the collection of
110:C. L. Barnhouse Company
707:B-flat Tenor Saxophone
616:B-flat Tenor Saxophone
264:University of Illinois
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194:University of Illinois
787:, from the scores to
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692:B-flat Bass Clarinet
689:E-flat Alto Clarinet
601:B-flat Bass Clarinet
598:E-flat Alto Clarinet
843:Concert band pieces
725:Trombone I, II, III
719:B-flat Cornet I, II
634:Trombone I, II, III
628:B-flat Cornet I, II
100:Armenian folk music
81:Part 2 – 1978
71:Part 1 – 1972
539:The Peasant's Plea
232:ethnomusicologist
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833:Music of Armenia
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228:Komitas Vardapet
185:Dr. Harry Begian
176:Urbana, Illinois
167:January 10, 1973
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59:654979034162
41:Concert band
737:String Bass
646:String Bass
357:Gakavi Yerk
217:Alfred Reed
45:Alfred Reed
827:Categories
748:References
677:Oboe I, II
586:Oboe I, II
467:a mountain
238:Background
224:folk songs
190:Performers
364:Partridge
350:woodwinds
302:Structure
182:Conductor
151:Movements
106:Publisher
51:Catalogue
731:Baritone
640:Baritone
534:Hov Arek
489:Gna, Gna
296:Illinois
250:—
221:Armenian
172:Location
159:Premiere
116:Duration
96:Based on
793:Part II
779:Part II
740:Timpani
663:Part II
649:Timpani
546:Khoomar
524:Part II
454:Alagyaz
366:'s Song
346:fanfare
325:Apricot
83: (
73: (
575:Part I
494:Go, Go
307:Part I
292:Urbana
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343:brass
207:is a
791:and
777:and
734:Tuba
668:Harp
643:Tuba
426:and
362:The
327:Tree
323:The
211:for
164:Date
85:1978
75:1972
65:Year
39:for
329:) (
55:UPC
43:by
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331:mm
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