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40:
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1708:
419:
Ina is about to be put on trial. Othon tries to make a deal with her: if she will agree to marry him, he will claim she has secretly been his wife all along. Ina refuses. Othon's henchmen tell him they have made away with
Dalinde. The trial goes ahead, but the accused turns out to be Dalinde, veiled
403:
A bard plays a song on his harp. Ariodant has arranged a midnight duel with Othon and Ina gives him a ribbon of her own hair. Lurcain, Ina's brother, and four other knights enter and hide. They are there to make sure Othon does not play any dirty tricks. However, when Othon arrives he does not fight
465:
writes: "Much of the opera is set by night or in underground rooms and labyrinthine passages or a thick forest and MĂ©hul responds with some of the swarthiest orchestration he can contrive, setting the tone at once with an overture (brief, irregular in form, and ending in harmonic mid-air) beginning
435:
wrote, "This is perhaps the best of all MĂ©hul's operas, for it has consistency of style, and a plot which although wildly
Romantic is not outrageously nonsensical and deals with very genuine human emotions. Moreover, it is not dependent, as some of these operas are, on scenic effects such as storms
444:
opera. It epitomises the major achievements of the genre: musical continuity and unification in spite of divisions caused by the spoken dialogue, the coordination of music and drama in the work as a whole, and inventiveness of form, orchestral treatment, and vocal writing to realise theatrical and
387:
Ina, daughter of King Edgard of
Scotland, is in love with the knight Ariodant. Ina's rejected suitor, the villainous Othon, plots against her with Ina's maid Dalinde. Othon and Ariodant are about to fight when the feast is announced in the king's hall.
176:, which had debuted on 15 April of the same year. In the event, the audience was warmly appreciative and MĂ©hul appeared on stage at the end to take their applause (Hoffman had been kept at home by illness). MĂ©hul dedicated the score to his friend
404:
but tells
Ariodant he has been visiting Ina's bedroom every night. When Dalinde appears at the balcony dressed as Ina, it apparently proves Othon's point. Lurcain and Edgard arrest Ina for unchastity.
650:
1758:
596:
1753:
1763:
524:
Ariodant, Drame en trois actes et en prose, mêlé de musique; Représenté pour la première fois le 19 Vendémiaire, an 7, sur le Théâtre Favart
927:
1244:
493:
sings Ina's act 2 recitative, melodrama and aria "Quelle fureur barbare!...Mais, que dis-je?...Ô des amants le plus fidèle" on the album
420:
and in disguise. She reveals the details of Othon's plot and how Othon's men would have murdered her had she not been saved by
Ariodant.
168:
The premiere took place on 11 October 1799. There were fears that the success of the opera might be damaged by the plot's similarity to
1275:
900:
655:
466:
on three solo cellos and ending on unison double basses." The opera also makes use of a "reminiscence motif" (the forerunner of the
461:(1823), which has a very similar chivalric plot. But Weber also learned from MĂ©hul's use of the orchestra to evoke atmosphere. As
364:
776:
Etienne-Nicolas MĂ©hul and Opera: Source and
Archival Studies of Lyric Theatre During the French Revolution, Consulate and Empire
1728:
893:
764:
945:
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783:
755:
1151:
920:
870:
742:
437:
1743:
1554:
39:
219:
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984:
470:), descending discords symbolising Othon's jealousy and anger which recur throughout the work. According to
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53:
913:
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1698:
1514:
1135:
1562:
1119:
1064:
558:
is
Cherubini's; both are the slaves of passion and each composer dedicated his work to the other." (
1261:
486:, Orchestre de Bretagne, conducted by Stefan Sanderling (ASV, 2002) Catalogue number CD DCA 1140.
1008:
1191:
1111:
880:
555:
147:
1477:
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992:
431:, with its sombre and dramatic character, is among the most highly regarded of MĂ©hul's works.
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1522:
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8:
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31:
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113:
95:
27:
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73:
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1103:
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157:
1722:
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1024:
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General introduction to MĂ©hul's operas in the introduction to the edition of
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462:
369:
213:
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551:
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811:
The New Oxford
History of Music Volume 8: The Age of Beethoven 1790–1830
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1371:
1361:
1311:
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960:
633:
554:
has commented: "Othon is probably MĂ©hul's most memorable character as
474:, it occurs in "at least eight of the fifteen movements of the opera."
199:
1578:
1470:
1331:
1095:
625:
467:
457:
246:
152:
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describes it as "Mehul's best work of the decade and a highpoint of
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130:
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1366:
1341:
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229:
138:
905:
1586:
1437:
1396:
1283:
833:
Ariodant, Opéra en 3 actes. Paroles d'Hoffman. Musique de Méhul
759:. Vol. I. New York: Oxford University Press. p. 186.
451:
had a profound influence on German
Romantic opera, especially
1707:
577:
156:. The work had a profound influence on the development of
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535:
533:
707:
682:
680:
692:
530:
1696:
836:(Original printed score). Paris: Jmbault – via
398:
Scene: A garden at night, overlooked by Ina's balcony
677:
719:
665:
352:Men and women of Edgard's court; judges; soldiers
1720:
565:
628:) in solos (and in duets with a soprano), for
1269:
921:
778:. Heilbronn, Germany: Musik-Edition Galland.
1759:Opera world premieres at the Opéra-Comique
1276:
1262:
928:
914:
850:German Opera from the Beginnings to Wagner
38:
1754:Operas based on works by Ludovico Ariosto
901:International Music Score Library Project
792:
713:
539:
363:
844:
773:
741:
701:
686:
637:
583:
121:) in three acts by the French composer
1721:
163:
1257:
909:
829:
571:
1764:Music dedicated to family or friends
817:
801:
725:
671:
559:
607:. L'Almanacco di Gherardo Casaglia
13:
857:
300:Philippe Cauvy, called "Philippe"
14:
1775:
935:
887:
756:The New Grove Dictionary of Opera
620:The part of Othon is notated for
190:Roles, voice types, premiere cast
129:in Paris on 11 October 1799. The
1706:
1240:
1239:
743:Bartlet, Mary Elizabeth Caroline
662:(1754–1818), called Saint-Aubin.
160:opera, particularly in Germany.
137:is based on the same episode in
871:Mary Elizabeth Caroline Bartlet
482:The overture appears on: MĂ©hul
436:and avalanches." MĂ©hul scholar
382:Scene: The court of King Edgard
204:Premiere cast, 11 October 1799
643:
614:
589:
545:
515:
220:Jean-Baptiste-Sauveur Gavaudan
16:Opera by Étienne-Nicolas Méhul
1:
985:Le jeune sage et le vieux fou
852:. Cambridge University Press.
825:. Cambridge University Press.
508:
477:
7:
1144:Les deux aveugles de Tolède
805:(1988). "French Opera". In
793:de Place, Adélaïde (2005).
651:Augustin Alexandre d'Herbez
527:, Paris, Huet/Charon, 1802)
423:
368:MĂ©hul in 1799; portrait by
359:
10:
1780:
1515:La liberazione di Ruggiero
823:The Rise of Romantic Opera
813:. Oxford University Press.
595:Casaglia, Gherardo (2005).
414:Scene: The hall of justice
44:Title page of the libretto
1664:
1645:
1506:
1487:
1451:
1430:
1297:
1237:
1218:
1120:Le baiser et la quittance
1065:La taupe et les papillons
952:
943:
505:(Virgin Classics, 2011).
349:
340:Four friends of Ariodant
85:11 October 1799
80:
67:
59:
49:
37:
26:
21:
1200:La journée aux aventures
521:Period French libretto:
407:
391:
375:
183:
1729:Operas by Étienne Méhul
873:(Pendragon Press, 1997)
830:Méhul, Étienne (n.d.).
135:François-Benoît Hoffman
125:first performed at the
54:François-Benoît Hoffman
1744:French-language operas
1654:Roger Freeing Angelica
877:The Viking Opera Guide
372:
795:Étienne Nicolas Méhul
495:Tragédiennes Volume 3
367:
343:members of the choir
313:Jean-Mathias Batiste
119:drame mêlé de musique
71:Episode in Ariosto's
1523:Il palazzo incantato
1465:Matteo Maria Boiardo
1184:Le prince troubadour
1136:L'heureux malgré lui
1009:MĂ©lidore et Phrosine
797:. Bleu Nuit Éditeur.
335:Citoyen Saint-Aubin
174:Montano et Stéphanie
1412:Renaud de Montauban
1327:Angelica and Medoro
1152:Gabrielle d'Estrées
993:Le congrès des rois
819:Dent, Edward Joseph
499:Les Talens Lyriques
192:
170:Henri Montan Berton
164:Performance history
146:that also inspired
1680:The Song of Roland
1673:The Castle of Iron
1460:Orlando Innamorato
1431:Historical figures
1208:Valentine de Milan
503:Christophe Rousset
373:
265:Anne-Aimée Armand
234:Mlle Philis aînée
188:
1694:
1693:
1635:Bombastes Furioso
1627:Ginevra di Scozia
1496:Hearts and Armour
1251:
1250:
1112:Le trésor supposé
766:978-0-19-522186-2
438:Elizabeth Bartlet
357:
356:
324:Citoyen Fleuriot
253:Jean-Pierre Solié
104:
103:
1771:
1711:
1710:
1702:
1611:Orlando paladino
1606:(Piccinni, 1778)
1542:(Steffani, 1691)
1539:Orlando Generoso
1478:Entrée d'Espagne
1285:Ludovico Ariosto
1278:
1271:
1264:
1255:
1254:
1243:
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930:
923:
916:
907:
906:
899:: Scores at the
853:
841:
826:
814:
798:
789:
774:— (1999).
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729:
723:
717:
711:
705:
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669:
663:
661:
658:
647:
641:
636:) in ensembles (
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605:11 October 1799"
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92:
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42:
19:
18:
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1770:
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1739:Opéras comiques
1719:
1718:
1717:
1705:
1697:
1695:
1690:
1660:
1657:(1873 painting)
1641:
1566:(Vivaldi, 1727)
1558:(Vivaldi, 1714)
1555:Orlando furioso
1550:(Lacoste, 1707)
1518:(Caccini, 1625)
1502:
1483:
1447:
1426:
1299:
1293:
1290:Orlando Furioso
1282:
1252:
1247:
1233:
1227:Chant du départ
1214:
1041:Le pont de Lody
1001:Horatius Coclès
948:
939:
934:
890:
860:
858:Further reading
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767:
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538:
531:
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516:
511:
480:
445:musical aims."
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410:
394:
378:
362:
189:
186:
178:Luigi Cherubini
166:
143:Orlando Furioso
100:
99:
93:
88:
86:
74:Orlando Furioso
45:
17:
12:
11:
5:
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1639:
1638:(Rhodes, 1810)
1631:
1623:
1615:
1607:
1599:
1598:(Rameau, 1760)
1591:
1590:(Handel, 1735)
1583:
1582:(Handel, 1735)
1575:
1574:(Handel, 1733)
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1535:
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1053:
1045:
1037:
1033:Le jeune Henri
1029:
1021:
1013:
1005:
997:
989:
981:
973:
965:
956:
954:
950:
949:
946:List of operas
944:
941:
940:
933:
932:
925:
918:
910:
904:
903:
889:
888:External links
886:
885:
884:
883:(Viking, 1993)
874:
859:
856:
855:
854:
842:
827:
815:
807:Gerald Abraham
799:
790:
784:
771:
765:
731:
730:
718:
716:, p. 120.
706:
704:, p. 199.
691:
676:
664:
642:
613:
588:
576:
564:
544:
542:, p. 118.
529:
513:
512:
510:
507:
491:VĂ©ronique Gens
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329:Another guide
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283:Simon Chénard
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127:Théâtre Favart
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61:
57:
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51:
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4:
3:
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1656:
1655:
1651:
1650:
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1644:
1637:
1636:
1632:
1629:
1628:
1624:
1622:(MĂ©hul, 1799)
1621:
1620:
1616:
1614:(Haydn, 1782)
1613:
1612:
1608:
1605:
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1600:
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1549:
1548:
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1536:
1534:(Lully, 1685)
1533:
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1528:
1526:(Rossi, 1642)
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1520:
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1305:
1304:
1302:
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1292:
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1173:
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955:
951:
947:
942:
938:
937:Étienne Méhul
931:
926:
924:
919:
917:
912:
911:
908:
902:
898:
896:
892:
891:
882:
881:Amanda Holden
878:
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872:
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867:
862:
861:
851:
847:
846:Warrack, John
843:
839:
835:
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824:
820:
816:
812:
808:
804:
800:
796:
791:
787:
785:3-925934-41-3
781:
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768:
762:
758:
757:
752:
751:Stanley Sadie
748:
744:
740:
739:
738:
737:
728:, p. 56.
727:
722:
715:
714:de Place 2005
710:
703:
698:
696:
688:
683:
681:
674:, p. 87.
673:
668:
659:
652:
646:
640:, I, p. 419).
639:
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617:
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600:
592:
585:
580:
573:
568:
562:, p. 61)
561:
557:
553:
548:
541:
540:de Place 2005
536:
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526:
525:
518:
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506:
504:
501:conducted by
500:
496:
492:
487:
485:
475:
473:
469:
464:
460:
459:
454:
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446:
443:
442:Revolutionary
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299:
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278:bass-baritone
275:
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123:Étienne Méhul
120:
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114:opéra comique
110:
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96:Opéra-Comique
83:
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32:Étienne Méhul
29:
28:Opéra comique
25:
20:
1678:
1671:
1652:
1633:
1630:(Mayr, 1801)
1625:
1618:
1617:
1609:
1601:
1595:Les Paladins
1593:
1585:
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1553:
1545:
1537:
1529:
1521:
1513:
1494:
1476:
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1288:
1225:
1206:
1198:
1190:
1182:
1176:Les amazones
1174:
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1126:
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1102:
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1007:
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983:
975:
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849:
832:
822:
810:
803:Dean, Winton
794:
775:
754:
746:
735:
734:
721:
709:
702:Warrack 2001
689:, p. x.
687:Bartlet 1997
667:
645:
638:Bartlet 1999
629:
622:haute-contre
621:
616:
609:(in Italian)
598:
591:
586:, I, p. 419.
584:Bartlet 1999
579:
567:
547:
523:
517:
494:
489:The soprano
488:
483:
481:
463:John Warrack
456:
448:
447:
428:
427:
418:
413:
402:
397:
386:
381:
370:Antoine Gros
351:
309:haute-contre
308:
295:
292:haute-contre
291:
274:basse taille
273:
242:
214:haute-contre
212:
173:
167:
151:
141:
118:
112:
107:
106:
105:
72:
1734:1799 operas
1443:Charlemagne
1422:Brigliadoro
1337:Mandricardo
1317:Brandimarte
1219:Other works
1192:L'oriflamme
654: [
552:Winton Dean
472:Winton Dean
433:Edward Dent
1723:Categories
1547:Bradamante
1372:Duke Aymon
1362:Sacripante
1312:Bradamante
1300:characters
1017:La caverne
977:Stratonice
961:Euphrosine
866:Stratonice
634:tenor clef
509:References
478:Recordings
200:Voice type
89:1799-10-11
50:Librettist
1579:Ariodante
1471:La Spagna
1332:Rodomonte
1298:Fictional
1096:Une folie
745:(1997). "
726:Dean 1988
672:Dent 1979
649:Possibly
626:alto clef
572:MĂ©hul n.d
560:Dean 1988
484:Overtures
468:Leitmotiv
458:Euryanthe
247:baritenor
209:Ariodant
153:Ariodante
139:Ariosto's
1619:Ariodant
1357:Ferragut
1352:Brunello
1347:Atlantes
1322:Ruggiero
1307:Angelica
1245:Category
1057:Ariodant
895:Ariodant
848:(2001).
840:– B.N.F.
821:(1979).
747:Ariodant
657:Wikidata
599:Ariodant
449:Ariodant
429:Ariodant
424:The work
360:Synopsis
350:Chorus:
318:A guide
270:Lurcain
262:soprano
226:Dalinde
158:Romantic
148:Handel's
131:libretto
108:Ariodant
81:Premiere
68:Based on
60:Language
22:Ariodant
1686:Paladin
1665:Related
1571:Orlando
1563:Orlando
1417:Zerbino
1407:Pinabel
1392:Melissa
1387:Maugris
1382:Marfisa
1377:Ganelon
1367:Agolant
1342:Astolfo
1088:L'irato
1080:Épicure
897:(MĂ©hul)
838:Gallica
809:(ed.).
753:(ed.).
736:Sources
332:spoken
321:spoken
305:A bard
239:Edgard
230:soprano
98:, Paris
87: (
1749:Operas
1699:Portal
1603:Roland
1587:Alcina
1531:Roland
1499:(1983)
1452:Source
1438:Roland
1402:Oliver
1397:Naimon
1230:(1794)
1211:(1822)
1203:(1816)
1195:(1814)
1187:(1813)
1179:(1811)
1171:(1807)
1168:Joseph
1163:(1806)
1155:(1806)
1147:(1806)
1139:(1803)
1131:(1803)
1128:Héléna
1123:(1803)
1115:(1802)
1107:(1802)
1104:Joanna
1099:(1802)
1091:(1801)
1083:(1800)
1075:(1800)
1060:(1799)
1052:(1799)
1049:Adrien
1044:(1797)
1036:(1797)
1028:(1795)
1020:(1795)
1012:(1794)
1004:(1794)
996:(1794)
988:(1793)
980:(1792)
972:(1791)
964:(1790)
953:Operas
879:, ed.
782:
763:
749:". In
630:taille
603:
296:taille
288:Othon
243:taille
150:opera
111:is an
63:French
1713:Opera
1507:Opera
1488:Films
1160:Uthal
1025:Doria
660:]
556:Medea
497:with
453:Weber
408:Act 3
392:Act 2
376:Act 1
196:Role
184:Roles
133:, by
1072:Bion
969:Cora
780:ISBN
761:ISBN
259:Ina
1646:Art
1463:by
1287:'s
869:by
455:'s
172:'s
30:by
1725::
694:^
679:^
532:^
280:)
249:)
180:.
1701::
1277:e
1270:t
1263:v
929:e
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915:v
788:.
769:.
632:(
624:(
611:.
601:,
597:"
574:.
294:/
276:(
245:(
117:(
91:)
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