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with these good people are the wicked Moors â North
African Muslims and Arabs â and their Sultan, in Jerusalem. With the assistance of the wicked and treacherous magician, Gano of Maganz, Biancofiore is stolen from her fortress castle, and taken to become the reluctant wife of the Sultan. The catalyst for victory is the good magician, Urlubulu, who lives in a lake, and flies through the air on the back of his magic blue bird. The English translators, using the original illustrations, and the basic rhyme patterns, slightly simplify the plot, changing the Christians-versus-Muslim-Moors conflict into a battle between good and bad magicians and between golden knights and green knights. The French traitor in
1099:'s 1954 short story "To Here and the Easel" is an assembly of portions of the Orlando story intermixed with a current-day recasting of the story into the lives of a painter suffering from artist's block (Ruggiero/Rogero and his analog Giles), a mysterious faithful supporter (Bradamante and her analog Miss Brandt) and her jaded, fabulously wealthy employer (Angelica appearing as an echo more than an analog) and Giles' redemption (breaking his blockage) at the hands of Miss Brandt. The story first appeared in 1954 in "Star Short Novels" (a Ballantine collection which was not reprinted), and was republished as the first story in the collection
54:
1320:
2377:
1465:, who is actually Roland's cowardly step-father, is Ganelon â very likely the inspiration for Luzzati's traitor and wicked magician, Gano. Orlando Furioso (literally, Furious or Enraged Orlando, or Roland), includes Orlando's cousin, the paladin Rinaldo, who, like Orlando, is also in love with Angelica, a pagan princess. Rinaldo is, of course, the Italian equivalent of Ronald. Flying through the air on the back of a magic bird is equivalent to flying on a magic hippogriff.
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685:, who does not want him to fight or see the world outside of his iron castle, because looking into the stars it is revealed that if Ruggiero converts himself to Christianity, he will die. He does not know this, so when he finally gets the chance to marry Bradamante, as they had been looking for each other through the entire poem although something always separated them, he converts to Christianity and marries Bradamante.
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601:. At the beginning of the poem, Angelica escapes from the castle of the Bavarian Duke Namo, and Orlando sets off in pursuit. The two meet with various adventures until Angelica comes across a wounded Saracen infantryman on the verge of death, Medoro. She nurses him back to health, falls in love, and elopes with him to
1460:
Luzatti's original verse story in
Italian is about the plight of a beautiful maiden called Biancofiore â White Flower, or Blanchefleur â and her brave hero, Captain Rinaldo, and Ricardo and his paladins â the term used for Christian knights engaged in Crusades against the Saracens and Moore. Battling
688:
Rodomonte appears at the wedding feast, nine days after the wedding, and accuses him of being a traitor to the
Saracen cause, and the poem ends with a duel between Rodomonte and Ruggiero. Ruggiero kills Rodomonte (Canto XLVI, stanza 140) and the final lines of the poem describe Rodomonte's spirit
359:. It mixes realism and fantasy, humor and tragedy. The stage is the entire world, plus a trip to the Moon. The large cast of characters features Christians and Saracens, soldiers and sorcerers, and fantastic creatures including a gigantic sea monster called the Orc and a flying horse called the
634:, where everything lost on Earth is to be found, including Orlando's wits. He brings them back in a bottle and makes Orlando sniff them, thus restoring him to sanity. (At the same time Orlando falls out of love with Angelica, as the author explains that love is itself a form of insanity.)
457:
Ariosto continued to write more material for the poem and in the 1520s he produced five more cantos, marking a further development of his poetry, which he decided not to include in the final edition. They were published after his death by his illegitimate son
Virginio under the title
2781:
1376:, Pinabello lies on the ground, and his horse gallops off in the distance. The knight's lady, meanwhile, is forced to disrobe and give her fancy clothing to Gabrina. Marphise's horse, undisturbed by the drama, nonchalantly munches on the leaves overhead.
1457:(1969). The Picture Lion paperback edition (William Collins, London, 1973) is a paperback imprint of the Hutchinson Junior Books edition (1969), which credits the English translation to Hutchinson Junior Books.
1555:(1581). Tasso tried to combine Ariosto's freedom of invention with a more unified plot structure. In the following decades, Italian critics argued over the respective merits of the two epics. Partisans of
1488:, several characters are named after characters from the poem and Innamorato-Roland is a protagonist, his deceased wife is named Angelica, and his brother-in-law and a major antagonist is named Argalia.
2262:"Amongst the numerous works inspired by Ariosto in Spain (a subject to which M. Chevalier has dedicated two volumes) none has been so successful as this poem by GĂłngora, a lifelong admirer of
1594:, and in particular the scene where a woman is chained naked to a rock on the sea as a sacrifice to a sea monster, and is rescued at the last moment, is essentially indistinguishable.
615:
he goes mad with despair and rampages through Europe and Africa destroying everything in his path, and thus demonstrates the frenzy that the title suggests. The
English knight
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is in part based on the story of
Orlando Furioso, with its protagonist and several characters in his life being directly named after and based on the characters of the poem.
923:
is a retelling of a tale from canto 43 regarding a man who tests the fidelity of his wife. Additionally, various literary critics have noted the poem's likely influence on
1545:, a genre unknown to Aristotle; therefore his standards were irrelevant. Nevertheless, the strictures of the Classical critics influenced the next great Italian epic,
1495:, meaning boastful or inflated talk or behavior, entered the English language in the early 1600s from Italian. It is based on this work's boastful warrior, Rodomonte.
1307:
1453:, which translates literally as âThe Paladins of France or the treachery of Gano of Maganzâ (Ugo Mursia Editore, 1962). This was then republished, in English, as
590:, who has invaded Europe to avenge the death of his father Troiano. Agramante and his allies â who include Marsilio, the King of Spain, and the boastful warrior
301:
which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532.
355:
army that has invaded Europe and is attempting to overthrow the
Christian empire. The poem is about knights and ladies, war and love, and the romantic ideal of
597:
Meanwhile, Orlando, Charlemagne's most famous paladin, has been tempted to forget his duty to protect the emperor because of his love for the pagan princess
363:. Many themes are interwoven in its complicated episodic structure, but the most important are the paladin Orlando's unrequited love for the pagan princess
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and has to be freed from her magic island. He then rescues
Angelica from the orc. He also has to avoid the enchantments of his foster father, the wizard
548:
conception of man and life is vividly celebrated under the appearance of a fantastical world, notwithstanding his early modern approaches to feminism.
529:
and his knights). The latter contained the magical elements and love interest that were generally lacking in the more austere and warlike poems about
1653:
1645:
92:
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1472:, a trading card game with characters and situations of the poem, divided in four categories: Knight, Maiden, Wizard and Fantastic Creature.
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in
October, 1973. The remaining volumes do not appear to have seen print. Guido Waldman's complete prose translation was first published by
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1641:
was published in 2009, which was then made complete by a second volume containing the lacunae missing from the abridgement, in 2012.
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sources. However, Ariosto has an ironic tone rarely present in
Boiardo, who treated the ideals of chivalry much more seriously. In
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is "one of the most influential works in the whole of European literature" and it remains an inspiration for writers to this day.
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Ariosto began working on the poem around 1506, when he was 32. The first edition of the poem, in 40 cantos, was published in
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A comparison of the original text of Book 1, Canto 1 with various translations into English is given in the following table
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takes place against the background of the war between the Christian emperor Charlemagne and the Saracen king of Africa,
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2143:
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1368:, knocks the knight Pinabello off his horse after his lady had mocked Marphise's companion, the old woman Gabrina. In
3798:
2612:
2596:
2568:
2098:
765:
991:("The Castle of Crossed Destinies", 1973). In 1970 Calvino brought out his own selection of extracts from the poem.
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2717:
743:
1449:, together with Giulio Gianini, in 1960, was turned into the children's picture-story book, with verse narrative,
3639:
1665:
1190:
24:
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1251:). The enthusiasm for operas based on Ariosto continued into the Classical era and beyond with such examples as
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4233:
2855:
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centered around the Backstayge's stage production of the fictional play "Westchester Furioso", an updating of
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published in 1817, but set circa 1715, Mr. Francis Osbaldistone talks of completing "my unfinished version of
319:, published posthumously in 1495). In its historical setting and characters, it shares some features with the
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Massimo Colella, "'Sol d'Orlandin i' canto, e nondimenoâŠ'. Lettura dellâ 'Orlandino' di Teofilo Folengo", in
1564:
1503:
1350:
670:
Another important plotline involves the love between the female Christian warrior Bradamante and the Saracen
3791:
2159:
1615:
1051:
863:
426:. Ariosto's work is 38,736 lines long in total, making it one of the longest poems in European literature.
1442:
there is a reference to one of the character's rejuvenation as a lover as feeling like "Orlando Furioso".
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924:
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1942:
Teagarden, Lucetta J. (25 March 2019). "Theory and Practice in English Versions of "Orlando Furioso"".
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into English, most using the 8-line stanzas (octaves) of the original (abababcc). The first one was by
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2216:
1969:
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2848:
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considered that the work's many allegories and metaphors did not serve merely to refute the ideal of
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20:
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53:
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1185:
1037:
1319:
1669:
1607:
736:
480:
70:
2731:
249:
4317:
3298:
1201:
982:
850:
484:
3562:
3338:
3244:
1563:, praised its psychological realism and the naturalness of its language. In the 19th century,
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2749:
1649:
1591:
1580:
1518:
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2840:
2767:
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536:
Ariosto continued to mix these elements in his poem as well as adding material derived from
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1839:
1630:
1572:
1551:
1234:
1158:
701:
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598:
565:
496:
372:
364:
324:
306:
80:
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8:
4312:
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won immediate fame. Around the middle of the 16th century, some Italian critics such as
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Bradamante is one of the main characters in several novels, including Linda C. McCabe's
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to give his verse the last degree of polish and this is the version known to posterity.
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1951:
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produced an eight-volume translation beginning publication in 1823 and ending in 1831.
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809:
663:
501:
451:
311:
229:
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544:, instead of the chivalric ideals which were no longer current in the 16th century, a
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2139:
2138:(Barbara Reynolds 1977 translation ed.). Vol. 2: Penguin Classics. p. 671.
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1297:
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1143:
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1024:'s critical study of the work as one of the hundred volumes that were to make up his
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In the Baroque era, the poem was the basis of many operas. Among the earliest were
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712:, King of Circassia and a leading Saracen knight; and the tragic heroine Isabella.
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1970:"Ariosto, Ludovico (1474â1533) - Orlando Furioso: Canto I, In Pursuit of Angelica"
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The epic contains many other characters, including Orlando's cousin, the paladin
631:
487:, who reportedly banned Harington from court until the translation was complete.
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of the eleventh century, which tells of the death of Roland. The story is also a
1358:
693:, Ariosto's patrons, whose genealogy he gives at length in canto 3 of the poem.
269:
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When Orlando learns the truth, by finding the pair's secret garden of love, or
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and are highly regarded by some modern critics. The third and final version of
171:
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1618:' and Henry Boyd's translation were published in 1757 and 1784, respectively.
339:
Orlando is the Christian knight known in French (and subsequently English) as
4296:
4173:
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3960:
3814:
3157:
2217:"The Faerie Queene by Edmund Spenser: Spenser's Letter to Sir Walter Raleigh"
1521:
complained that the poem failed to observe the unity of action as defined by
1419:
974:
690:
610:
376:
2053:"Structure and Ideology in Boiardo's Orlando innamorato | Andrea di Tommaso"
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published a verse translation in 1975, and an abridged verse translation by
1525:, by having multiple plots rather than a single main story. The French poet
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183:
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by Miguel de Cervantes, translated and annotated by Edith Grossman, p. 272
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In the late 1960s / early 1970s, the Bob and Ray comedy parody radio show
1247:(though Rameau's librettist derived the plot indirectly via La Fontaine's
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1200:(1727). Perhaps the most famous operas inspired by the poem are those by
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and continuing in popularity in the 16th century and well into the 17th.
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Translated by Alexander Sheers and David Quint, 1996, California Press (
1955:
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has been the inspiration for many works of art, including paintings by
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750: in this section. Unsourced material may be challenged and removed.
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2563:(prose). Translated by Waldman, Guido. Oxford University Press. 1999.
367:, which drives him mad; the love between the female Christian warrior
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1123:. It was the third story (and afterwards the second volume) in their
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Encyclopedia of women in the Renaissance: Italy, France, and England
1571:, but also to demonstrate the fallacy of human senses and judgment.
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leaving the world. Ruggiero and Bradamante are the ancestors of the
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as well as a composer, staged three operas on themes from Ariosto:
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Title page of the third edition of John Harington's translation of
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2281:(Trade Paperback ed.). New York: Modern Library. p. 77.
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that somehow involved musical numbers, tap dancing and ping pong.
343:. The story takes place against the background of the war between
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planned a multivolume translation, whose first volume, subtitled
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1475:
The poem appears as a Great Work of Literature in the video game
616:
447:
384:
380:
375:, who are supposed to be the ancestors of Ariosto's patrons, the
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348:
2524:. Translated by Slavitt, David. Harvard University Press. 2009.
934:
used the plots of some of the bawdier episodes for three of his
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Discorso sopra il Principio di Tutti I Canti di Orlando Furioso
1218:
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340:
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drew on Ariosto for several of his works of fiction including
822:
Discorso sopra il Principio di tutti i canti d'Orlando furioso
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4022:
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164:
2099:"Ariostan Armory: Feminist Responses to the Orlando Furioso"
1915:
such troubles to France. I shall tell of the greatest stores
1451:
I Paladini de Francia ovvero il tradimento di Gano di Maganz
509:). One of Boiardo's main achievements was his fusion of the
412:
had been used in previous Italian romantic epics, including
4274:
4010:
3972:
2682:
Robin, Diana Maury; Larsen, Anne R.; Levin, Carole (2007).
1152:("The Liberation of Ruggiero from Alcina's Island", 1625),
658:
955:, a poem which I longed to render into English verse...".
645:
to fight Agramante, Sobrino and Gradasso on the island of
454:. A second edition appeared in 1521 with minor revisions.
2190:. Vol. 5. New York: Simon and Schuster. p. 278.
1818:
Dames, knights, and arms, and love! The deeds that spring
2033:). The page also contains excerpts from various reviews.
901:
wrote a famous poem describing the idyllic honeymoon of
2695:
Everson, Jane E.; Hiscock, A.; Jossa, S., eds. (2019).
2540:
Lacunae: The missing cantos & stanzas of Ariosto's
1364:
In his poem Ludovico Ariosto relates how Marphise, the
1010:), exploring the relationship between the epic and the
2690:. ABC-CLIO – via Internet Archive (archive.org).
2243:
and English Literature" in Reynolds, Vol. 1, pp. 74â88
1995:, Penguin Classics, Barbara Reynolds, translator, 1977
1537:
lacked structural unity. Ariosto's defenders, such as
332:
which stemmed from a tradition beginning in the late
2407:
1388:
directed an Italian television mini-series based on
1049:
is the final book in Powell's twelve-volume series,
854:
takes one of its plots (Hero/Claudio/Don John) from
1644:A few translations have also been made into prose.
874:, the English poet closest in spirit to Ariosto is
2683:
1820:From courteous minds, and venturous feats, I sing!
1610:, published in 1591 and slightly revised in 1634.
1194:(1714), with music by Ristori and by himself, and
803:, a caricaturization of the stories found in both
394:, each containing a variable number of eight-line
2697:Ariosto, the Orlando Furioso, and English Culture
2545:. Translated by Slavitt, David. Outpost19. 2012.
1758:Of Dames, of Knights, of armes, of loves delight,
1729:Of Dames, of Knights, of armes, of loues delight,
1541:, replied that it was not a Classical epic but a
828:and in which several of the characters appeared.
450:in April 1516 and dedicated to the poet's patron
4294:
2628:
2434:
2119:: CS1 maint: bot: original URL status unknown (
2042:Reynolds, vol.1, pp. 72â73; Waley's introduction
1859:Flushed with his youthful rage and furious heat;
1762:Then when the Moores transported all their might
1733:Then when the Moores transported all their might
1822:What time the Moors from Afric's hostile strand
1764:On Africke seas, the force of France to breake:
1737:Drawne by the youthfull heate and raging spite,
700:, who is also in love with Angelica; the thief
2485:
2483:
2473:
2471:
1888:In wrath, being now the youthful Moorish king,
1861:Who on king Charles', the Roman emperor's head
1855:When Moors from Afric passed in hostile fleet,
1849:OF LOVES and LADIES, KNIGHTS and ARMS, I sing,
1789:Their courtesies, their bold exploits, I sing,
1735:On Affrick seas the force of France to breake:
1602:There have been several verse translations of
1149:La liberazione di Ruggiero dall'isola d'Alcina
429:
3799:
3354:
2856:
2637:
2260:(Castalia, 1986), Antonio Carreira comments:
2101:. Archived from the original on 27 April 2019
1857:And ravaged France, with Agramant their king,
1830:With threats on Charlemain t'avenge his fate,
1706:D'Africa il mare, e in Francia nocquer tanto;
795:A few years before Ariosto's death, the poet
674:. They too have to endure many vicissitudes.
469:Ariosto had sought stylistic advice from the
1907:Of ladies, knights, of passions and of wars,
1768:Of Agramant their king, that vow'd to wreake
2748:has original text related to this article:
2480:
2468:
2023:Ludovico Ariosto,"Cinque Canti/Five Cantos"
1909:of courtliness, and of valiant deeds I sing
1853:And from those ancient days my story bring,
1824:Had crost the seas to ravage Gallia's land,
1795:While they the youthful ire and fury strove
1739:Of Agramant their king, that vowd to wreake
677:Ruggiero is taken captive by the sorceress
3806:
3792:
3361:
3347:
2863:
2849:
2375:
1944:The University of Texas Studies in English
1917:of rage in the heart of Agramant, the king
1911:that took place in that era when the Moors
1886:Great harm to France, when Agramante swore
1863:Had vowed due vengeance for Troyano dead.
1793:On France's realm such ruin vast to bring;
1779:Temple Henry Croker, attr. William Huggins
1243:(1760) is based on a story in canto 18 of
466:, containing 46 cantos, appeared in 1532.
52:
2646:
2276:
2200:
1941:
1884:Had crossed the seas from Africa to bring
1832:Th'imperial guardian of the Roman state.
1770:The death of King Trayano (lately slaine)
1766:Incited by the youthfull heate and spight
1760:Of courtesies, of high attempts I speake,
1741:The death of King Trayana (lately slayne)
1731:Of courtesies, of high attempts I speake,
766:Learn how and when to remove this message
2522:Orlando Furioso: A new verse translation
1921:murdered King Troiano (Agramant's dad).
1919:who swore revenge on Charlemagne who had
1890:To avenge Troiano, who was lately slain,
1882:In times of high endeavour when the Moor
1880:Of courtesies and of brave deeds I sing,
1826:By Agramant, their youthful monarch, led
1791:When over Afric's sea the Moor did move,
1700:Le donne, i cavallier, l'arme, gli amori
1502:
1445:Emanuele Luzzati's animated short film,
1318:
919:. Among the interpolated stories within
651:
555:
433:
260:
3813:
2657:(complete eâtext). Luminarius Editions.
2133:
1787:Of ladies, cavaliers, of arms and love,
1702:Le cortesie, l'audaci imprese io canto;
1468:In 2014, Enrico Maria Giglioli created
657:Norandino and Lucina Discovered by the
483:was published in 1591 at the behest of
4295:
2699:. Oxford, UK: Oxford University Press.
2181:
2096:
1878:Of ladies, cavaliers, of love and war,
1851:Of COURTESIES, and many a DARING FEAT;
1799:That of Trojano he'd revenge the doom,
1772:Vpon the Romane Emperour Charlemaine.
1743:Vpon the Romane Emperour Charlemaine.
649:. There Orlando kills King Agramante.
623:to find a cure for Orlando's madness.
490:
3787:
3342:
2844:
2585:Penguin Classics. 1975. volumes IâII:
2016:
1797:Of Agramant to follow, boastful King,
1704:Che furo al tempo, che passaro i Mori
284:
110:1516, with revisions in 1521 and 1532
2279:Don Quixote (Tobias Smollett trans.)
1913:crossed the sea from Africa to bring
1892:Upon the Roman Emperor Charlemagne.
1828:In deep resentment for Troyano dead,
1801:On Charlemain, the Emperor of Rome.
1710:D'Agramante lor Re, che si diĂš vanto
748:adding citations to reliable sources
719:
383:; and the war between Christian and
2347:See entries on individual works in
1708:Seguendo l'ire, e i giovenil furori
1470:Orlando's Wars: lotta tra cavalieri
1357:, and a series of illustrations by
1119:, takes place in the "universe" of
913:is mentioned among the romances in
784:
442:, 1634. The first edition was 1591.
390:The poem is divided into forty-six
13:
4338:Cultural depictions of Charlemagne
2622:Part one has since been reprinted.
2338:Heinemann: London, 1975, pp.30-34.
2057:University of North Carolina Press
1664:as the fifty-fourth volume of its
1075:
988:Il castello dei destini incrociati
885:wrote a continuation of the epic (
61:title page, Valgrisi Edition, 1558
14:
4354:
4323:Works based on The Song of Roland
2705:
1714:Sopra Re Carlo Imperador Romano.
1614:'s translation, misattributed to
479:The first English translation by
2776:
2739:
2725:
2711:
1648:'s translation was published by
724:
594:â besiege Charlemagne in Paris.
513:(the tradition of stories about
244:
2835:Rivista di Letteratura Italiana
2501:
2492:
2459:
2425:
2416:
2382:
2358:
2341:
2328:
2316:
2307:
2295:
2270:
2246:
2233:
2209:
2194:
2175:
2166:
2127:
2090:
2078:
1712:Di vendicar la morte di Troiano
1666:Ballantine Adult Fantasy series
1597:
1484:In the South Korean video game
868:The Historie of Orlando Furioso
735:needs additional citations for
286:[orËlandofuËrjoËzo,-so]
25:Orlando furioso (Vivaldi, 1714)
2642:. Manchester University Press.
2629:Turchi, Marcello, ed. (1974).
2069:
2045:
2036:
2007:
1998:
1986:
1962:
1935:
495:Ariosto's poem is a sequel to
1:
2277:Cervantes, Miguel de (1755).
2097:Shemek, D. (1 January 2018).
1929:
1592:myth of Andromeda and Perseus
1101:Sturgeon Is Alive And Well...
16:Epic poem by Ludovico Ariosto
3278:Le PĂšlerinage de Charlemagne
2837:, XXXVII, 3, 2019, pp. 9â29.
2640:Orlando Furioso: A selection
2004:Waley's introduction, passim
1455:Ronald and the Wizard Calico
1130:The South Korean video game
1052:A Dance to the Music of Time
715:
619:journeys to Ethiopia on the
7:
4234:The Tale of Igor's Campaign
2786:public domain audiobook at
2638:Waley, Pamela, ed. (1975).
2256:. In the notes to GĂłngora:
1974:www.poetryintranslation.com
1498:
1409:Mary Backstayge, Noble Wife
1086:Bradamant: The Iron Tempest
1082:Quest of the Warrior Maiden
1065:The Enchantress of Florence
936:Contes et Nouvelles en vers
430:Composition and publication
10:
4359:
3600:La liberazione di Ruggiero
2513:
2498:Reynolds, vol. 1 pp. 88â89
2134:Ariosto, Ludovico (1532).
1226:turned to Ariosto for his
777:
560:Page from 1565 edition of
266:Ruggiero Rescuing Angelica
18:
4255:
4069:
3879:
3821:
3749:
3730:
3591:
3572:
3536:
3515:
3382:
3258:
3232:
3181:
3110:
2924:
2883:
2829:Cambridge Digital Library
2827:copy, fully digitised in
2221:www.online-literature.com
2201:Terracina, Laura (1554).
2188:The Story of Civilization
2085:The Reader's Encyclopedia
1622:'s 1783 translation used
1539:Giovanni Battista Giraldi
1305:wrote a comedic one-act,
1016:, in his 1960 collection
858:(probably via Spenser or
834:was a major influence on
243:
236:
224:
216:
208:
200:
192:
182:
170:
156:
146:
132:
124:
114:
106:
98:
66:
51:
41:
32:
21:Orlando furioso (Vivaldi)
3182:Swords and other objects
3111:Horses and other animals
2336:Hearing Secret Harmonies
2158:: CS1 maint: location (
1590:The story resembles the
1379:
1186:Giovanni Alberto Ristori
1137:
1047:Hearing Secret Harmonies
1038:Hearing Secret Harmonies
979:Il cavaliere inesistente
958:The modern Russian poet
895:Las lågrimas de Angélica
887:La hermosura de Angélica
866:published a play called
4343:Fiction set on the Moon
2581:(verse). Translated by
2442:"Perseus and Andromeda"
1670:Oxford University Press
1095:Science fiction writer
1068:was partly inspired by
907:En un pastoral albergue
551:
3739:Roger Freeing Angelica
3299:The Four Sons of Aymon
2507:Reynolds, vol. 1 p. 89
2489:Reynolds, vol. 1 p. 88
2477:Reynolds, vol. 1 p. 92
2353:The Viking Opera Guide
1511:
1335:
1314:
983:The Nonexistent Knight
851:Much Ado About Nothing
667:
662:, from Canto XVII, by
630:'s flaming chariot to
568:
443:
309:'s unfinished romance
282:Italian pronunciation:
272:
4303:Epic poems in Italian
2607:. cantos 24â46.
2413:Reynolds, vol. 2 p. 7
2368:(TV mini-series 1975)
2182:Durant, Will (1953).
1650:Duke University Press
1529:and the Italian poet
1519:Gian Giorgio Trissino
1506:
1447:I paladini di Francia
1322:
1111:, a fantasy novel by
1045:to open chapter two.
1041:includes images from
1031:The English novelist
1008:Ariosto and the Arabs
1002:and included a poem,
994:The Argentine writer
973:The Italian novelist
891:Luis Barahona de Soto
655:
559:
517:and paladins such as
437:
305:is a continuation of
291:The Frenzy of Orlando
264:
4119:La Chanson de Roland
3608:Il palazzo incantato
3550:Matteo Maria Boiardo
3285:Chanson de Guillaume
3032:Girart de Roussillon
2772:William Stewart Rose
2722:at Wikimedia Commons
2591:. cantos 1â23.
2172:Reynolds, back cover
1840:William Stewart Rose
1658:The Ring of Angelica
1631:William Stewart Rose
1573:Francesco de Sanctis
1552:Gerusalemme Liberata
1228:tragédie en musique
1159:Il palazzo incantato
1020:. Borges also chose
1004:Ariosto y los ĂĄrabes
925:Garcilaso de la Vega
824:which was linked to
744:improve this article
566:Francesco Franceschi
497:Matteo Maria Boiardo
325:La Chanson de Roland
307:Matteo Maria Boiardo
201:Published in English
81:William Stewart Rose
19:For the operas, see
4162:The Siege of Sziget
3905:Book of Dede Korkut
3815:National epic poems
3497:Renaud de Montauban
3412:Angelica and Medoro
3292:Gormond et Isembart
3245:La BrĂšche de Roland
2916:Renaud de Montauban
2768:English translation
2465:Reynolds, pp. 88â97
2431:Turchi pp. xxxiiâxl
2355:(ed. Holden, 1994).
2323:Biblioteca personal
1660:, was published by
1612:Temple Henry Croker
1583:) also wrote about
1253:Johann Adolph Hasse
1224:Jean-Baptiste Lully
1222:(1735). In France,
932:Jean de la Fontaine
927:'s second eclogue.
903:Angelica and Medoro
846:William Shakespeare
807:and its precursor,
780:Angelica and Medoro
637:Orlando joins with
525:(the legends about
491:Ariosto and Boiardo
74:Temple Henry Croker
3765:The Song of Roland
3758:The Castle of Iron
3545:Orlando Innamorato
3516:Historical figures
3313:Orlando Innamorato
3271:The Song of Roland
3097:William of Gellone
2075:Reynolds pp. 53â67
1750:Sir John Harington
1721:Sir John Harington
1577:Attilio Momigliano
1512:
1463:The Song of Roland
1426:wrote a parody of
1400:) as Orlando, and
1336:
1332:Walters Art Museum
1308:Angélique et Médor
1113:L. Sprague de Camp
1108:The Castle of Iron
1088:and Ruth Berman's
1022:Attilio Momigliano
998:was an admirer of
810:Orlando Innamorato
668:
664:Giovanni Lanfranco
569:
502:Orlando Innamorato
444:
424:Orlando Innamorato
312:Orlando innamorato
273:
230:Orlando innamorato
107:First published in
4290:
4289:
4246:Cantar de mio Cid
4029:Epic of Gilgamesh
4005:Hikayat Seri Rama
3991:Hikayat Hang Tuah
3979:Phra Lak Phra Lam
3779:
3778:
3720:Bombastes Furioso
3712:Ginevra di Scozia
3581:Hearts and Armour
3336:
3335:
3260:Chansons de geste
3027:Garin de Monglane
2802:Project Gutenberg
2730:Works related to
2716:Media related to
2552:978-1-937402-25-9
2531:978-0-674-03535-5
2390:"Paperin furioso"
2325:(1988), pp. 72â74
2258:AntologĂa poĂ©tica
2254:Angélica y Medoro
2087:(ed. Benet, 1967)
2031:978-0-520-20009-8
1927:
1926:
1681:Author/translator
1527:Pierre de Ronsard
1418:In 1966, Italian
1298:Ginevra di Scozia
1164:Agostino Steffani
1144:Francesca Caccini
1097:Theodore Sturgeon
1090:Bradamant's Quest
996:Jorge Luis Borges
941:In chapter 11 of
841:The Faerie Queene
776:
775:
768:
523:Matter of Britain
485:Queen Elizabeth I
330:chivalric romance
259:
258:
151:chivalric romance
141:Matter of Britain
4350:
4328:Matter of France
3808:
3801:
3794:
3785:
3784:
3696:Orlando paladino
3691:(Piccinni, 1778)
3627:(Steffani, 1691)
3624:Orlando Generoso
3563:Entrée d'Espagne
3370:Ludovico Ariosto
3363:
3356:
3349:
3340:
3339:
3306:KarlamagnĂșs saga
3037:Huon of Bordeaux
2930:other characters
2877:Matter of France
2865:
2858:
2851:
2842:
2841:
2807:
2804:
2780:
2779:
2743:
2729:
2715:
2700:
2691:
2689:
2678:
2672:
2668:
2666:
2658:
2643:
2634:
2624:
2618:
2602:
2586:
2574:
2556:
2535:
2508:
2505:
2499:
2496:
2490:
2487:
2478:
2475:
2466:
2463:
2457:
2456:
2454:
2452:
2446:National Gallery
2438:
2432:
2429:
2423:
2420:
2414:
2411:
2405:
2404:
2402:
2400:
2386:
2380:
2379:
2362:
2356:
2345:
2339:
2334:Anthony Powell,
2332:
2326:
2320:
2314:
2311:
2305:
2299:
2293:
2292:
2274:
2268:
2250:
2244:
2237:
2231:
2230:
2228:
2227:
2213:
2207:
2206:
2198:
2192:
2191:
2179:
2173:
2170:
2164:
2163:
2157:
2149:
2131:
2125:
2124:
2118:
2110:
2108:
2106:
2094:
2088:
2082:
2076:
2073:
2067:
2066:
2064:
2063:
2049:
2043:
2040:
2034:
2020:
2014:
2011:
2005:
2002:
1996:
1990:
1984:
1983:
1981:
1980:
1966:
1960:
1959:
1939:
1899:David R. Slavitt
1870:Barbara Reynolds
1692:Lodovico Ariosto
1678:
1677:
1662:Ballantine Books
1635:Barbara Reynolds
1486:Library of Ruina
1374:EugĂšne Delacroix
1343:EugĂšne Delacroix
1328:EugĂšne Delacroix
1278:Orlando paladino
1263:NiccolĂČ Piccinni
1169:Orlando generoso
1132:Library of Ruina
1026:Personal Library
962:paid tribute to
943:Sir Walter Scott
872:Barbara Reynolds
785:Later literature
771:
764:
760:
757:
751:
728:
720:
589:
511:Matter of France
371:and the Saracen
299:Ludovico Ariosto
293:) is an Italian
288:
283:
248:
247:
196:1516, 1521, 1532
193:Publication date
137:Matter of France
119:Duchy of Ferrara
89:David R. Slavitt
85:Barbara Reynolds
56:
47:
45:Ludovico Ariosto
37:
30:
29:
4358:
4357:
4353:
4352:
4351:
4349:
4348:
4347:
4333:Romance (genre)
4293:
4292:
4291:
4286:
4251:
4065:
3936:Vepkhistkaosani
3875:
3817:
3812:
3780:
3775:
3745:
3742:(1873 painting)
3726:
3651:(Vivaldi, 1727)
3643:(Vivaldi, 1714)
3640:Orlando furioso
3635:(Lacoste, 1707)
3603:(Caccini, 1625)
3587:
3568:
3532:
3511:
3384:
3378:
3375:Orlando Furioso
3367:
3337:
3332:
3320:Orlando Furioso
3263:and other works
3262:
3254:
3228:
3177:
3106:
3012:Doon de Mayence
2929:
2920:
2879:
2869:
2820:Orlando Furioso
2812:Orlando Furioso
2805:
2797:Orlando Furioso
2794:
2783:Orlando Furioso
2777:
2763:Standard Ebooks
2758:Orlando Furioso
2751:Orlando furioso
2733:Orlando Furioso
2719:Orlando Furioso
2708:
2703:
2670:
2669:
2660:
2659:
2652:Orlando Furioso
2650:The History of
2647:Robert Greene.
2631:Orlando Furioso
2620:
2615:
2603:
2599:
2587:
2579:Orlando Furioso
2577:
2571:
2561:Orlando Furioso
2559:
2553:
2542:Orlando Furioso
2538:
2532:
2520:
2516:
2511:
2506:
2502:
2497:
2493:
2488:
2481:
2476:
2469:
2464:
2460:
2450:
2448:
2440:
2439:
2435:
2430:
2426:
2422:Waley pp. 24â25
2421:
2417:
2412:
2408:
2398:
2396:
2388:
2387:
2383:
2366:Orlando Furioso
2363:
2359:
2346:
2342:
2333:
2329:
2321:
2317:
2312:
2308:
2300:
2296:
2289:
2275:
2271:
2264:Orlando Furioso
2251:
2247:
2241:Orlando Furioso
2238:
2234:
2225:
2223:
2215:
2214:
2210:
2199:
2195:
2184:The Renaissance
2180:
2176:
2171:
2167:
2151:
2150:
2146:
2136:Orlando Furioso
2132:
2128:
2112:
2111:
2104:
2102:
2095:
2091:
2083:
2079:
2074:
2070:
2061:
2059:
2051:
2050:
2046:
2041:
2037:
2021:
2017:
2012:
2008:
2003:
1999:
1993:Orlando Furioso
1991:
1987:
1978:
1976:
1968:
1967:
1963:
1940:
1936:
1932:
1923:
1920:
1918:
1916:
1914:
1912:
1910:
1908:
1894:
1891:
1889:
1887:
1885:
1883:
1881:
1879:
1865:
1862:
1860:
1858:
1856:
1854:
1852:
1850:
1834:
1831:
1829:
1827:
1825:
1823:
1821:
1819:
1803:
1800:
1798:
1796:
1794:
1792:
1790:
1788:
1774:
1771:
1769:
1767:
1765:
1763:
1761:
1759:
1745:
1742:
1740:
1738:
1736:
1734:
1732:
1730:
1716:
1713:
1711:
1709:
1707:
1705:
1703:
1701:
1654:Richard Hodgens
1616:William Huggins
1604:Orlando Furioso
1600:
1585:Orlando Furioso
1561:Galileo Galilei
1535:Orlando Furioso
1533:both felt that
1515:Orlando Furioso
1508:Orlando Furioso
1501:
1436:Paperin Furioso
1428:Orlando Furioso
1424:Luciano Bottaro
1413:Orlando Furioso
1402:Ottavia Piccolo
1390:Orlando Furioso
1382:
1339:Orlando Furioso
1317:
1303:Ambroise Thomas
1237:'s comic opera
1191:Orlando Furioso
1182:Orlando furioso
1174:Antonio Vivaldi
1140:
1121:Orlando Furioso
1084:, Ron Miller's
1078:
1076:Popular fiction
1070:Orlando Furioso
1058:British writer
1043:Orlando Furioso
964:Orlando Furioso
960:Osip Mandelstam
953:Orlando Furioso
911:Orlando Furioso
889:, 1602) as did
870:. According to
856:Orlando Furioso
832:Orlando Furioso
826:Orlando Furioso
818:Laura Terracina
805:Orlando Furioso
797:Teofilo Folengo
790:Orlando Furioso
787:
782:
772:
761:
755:
752:
741:
729:
718:
626:He flies up in
579:
573:Orlando Furioso
562:Orlando Furioso
554:
542:Orlando Furioso
507:Orlando in Love
493:
464:Orlando Furioso
452:Ippolito d'Este
440:Orlando Furioso
432:
317:Orlando in Love
303:Orlando furioso
281:
277:Orlando furioso
250:Orlando Furioso
245:
212:print: hardback
91:
87:
83:
79:
75:
73:
62:
59:Orlando Furioso
42:
35:Orlando furioso
33:
28:
17:
12:
11:
5:
4356:
4346:
4345:
4340:
4335:
4330:
4325:
4320:
4315:
4310:
4305:
4288:
4287:
4285:
4284:
4277:
4272:
4265:
4259:
4257:
4253:
4252:
4250:
4249:
4242:
4237:
4230:
4225:
4218:
4213:
4206:
4201:
4194:
4189:
4182:
4177:
4170:
4165:
4158:
4153:
4146:
4139:
4134:
4131:Nibelungenlied
4127:
4122:
4115:
4110:
4103:
4098:
4091:
4086:
4079:
4073:
4071:
4067:
4066:
4064:
4063:
4056:
4051:
4044:
4041:Silappatikaram
4037:
4032:
4025:
4020:
4013:
4008:
4001:
3998:Sejarah Melayu
3994:
3987:
3982:
3975:
3970:
3963:
3958:
3951:
3944:
3939:
3932:
3927:
3920:
3913:
3908:
3901:
3896:
3889:
3883:
3881:
3877:
3876:
3874:
3873:
3866:
3859:
3854:
3851:The Araucaniad
3843:
3838:
3831:
3825:
3823:
3819:
3818:
3811:
3810:
3803:
3796:
3788:
3777:
3776:
3774:
3773:
3768:
3761:
3753:
3751:
3747:
3746:
3744:
3743:
3734:
3732:
3728:
3727:
3725:
3724:
3723:(Rhodes, 1810)
3716:
3708:
3700:
3692:
3684:
3683:(Rameau, 1760)
3676:
3675:(Handel, 1735)
3668:
3667:(Handel, 1735)
3660:
3659:(Handel, 1733)
3652:
3644:
3636:
3628:
3620:
3612:
3604:
3595:
3593:
3589:
3588:
3586:
3585:
3576:
3574:
3570:
3569:
3567:
3566:
3559:
3552:
3540:
3538:
3534:
3533:
3531:
3530:
3525:
3519:
3517:
3513:
3512:
3510:
3509:
3504:
3499:
3494:
3489:
3484:
3479:
3474:
3469:
3464:
3459:
3454:
3449:
3444:
3439:
3434:
3429:
3424:
3419:
3414:
3409:
3404:
3399:
3394:
3388:
3386:
3380:
3379:
3366:
3365:
3358:
3351:
3343:
3334:
3333:
3331:
3330:
3323:
3316:
3309:
3302:
3295:
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3067:Ogier the Dane
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2814:: Italian text
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2744: Italian
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2706:External links
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2013:Reynolds p. 12
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1547:Torquato Tasso
1531:Torquato Tasso
1500:
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1478:Civilization V
1438:. In the film
1394:Massimo Foschi
1381:
1378:
1316:
1313:
1139:
1136:
1117:Fletcher Pratt
1077:
1074:
1062:'s 2008 novel
1060:Salman Rushdie
1033:Anthony Powell
1013:Arabian Nights
836:Edmund Spenser
799:published his
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2598:0-14-044311-8
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2313:Turchi, p. xl
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1646:A. H. Gilbert
1642:
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1639:David Slavitt
1636:
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1629:(AABBCC...).
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1425:
1421:
1420:Disney comics
1416:
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1404:as Angelica.
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1366:woman warrior
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1005:
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997:
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989:
985:", 1959) and
984:
980:
976:
975:Italo Calvino
971:
969:
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949:
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912:
908:
904:
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896:
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888:
884:
879:
877:
873:
869:
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864:Robert Greene
861:
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738:
733:This section
731:
727:
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713:
711:
707:
703:
699:
694:
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691:House of Este
686:
684:
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660:
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648:
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633:
629:
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618:
614:
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611:Locus Amoenus
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583:
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397:
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377:House of Este
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347:'s Christian
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93:Guido Waldman
90:
86:
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78:
72:
69:
65:
60:
55:
50:
46:
40:
36:
31:
26:
22:
4279:
4269:Kebra Nagast
4267:
4244:
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4220:
4208:
4196:
4184:
4172:
4160:
4148:
4141:
4129:
4117:
4105:
4093:
4081:
4058:
4046:
4039:
4027:
4015:
4003:
3996:
3989:
3977:
3965:
3953:
3946:
3934:
3922:
3915:
3903:
3891:
3868:
3861:
3850:
3846:
3833:
3781:
3763:
3756:
3737:
3718:
3715:(Mayr, 1801)
3710:
3702:
3694:
3686:
3680:Les Paladins
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2806:(in Italian)
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2583:Reynolds, B.
2578:
2560:
2543:
2539:
2521:
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2494:
2461:
2449:. Retrieved
2436:
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2384:
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2103:. Retrieved
2092:
2084:
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2060:. Retrieved
2056:
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2038:
2018:
2009:
2000:
1992:
1988:
1977:. Retrieved
1973:
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1906:
1877:
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1817:
1786:
1757:
1753:1634 edition
1728:
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1601:
1598:Translations
1589:
1584:
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1389:
1386:Luca Ronconi
1383:
1369:
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1359:Gustave Doré
1338:
1337:
1323:
1306:
1296:
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1276:
1266:
1256:
1248:
1244:
1240:Les Paladins
1238:
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966:in his poem
963:
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886:
883:Lope de Vega
880:
867:
862:). In 1592,
855:
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831:
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821:
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808:
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800:
794:
789:
788:
762:
753:
742:Please help
737:verification
734:
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478:
474:Pietro Bembo
468:
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460:Cinque canti
459:
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417:
409:
406:rhyme scheme
399:
389:
338:
323:
316:
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290:
276:
275:
274:
270:Gustave Doré
265:
237:
228:
184:Rhyme scheme
58:
34:
4210:Os LusĂadas
4198:Pan Tadeusz
4048:Manimekalai
3948:Mahabharata
3893:Sasna Dzrer
3847:La Araucana
3528:Charlemagne
3507:Brigliadoro
3422:Mandricardo
3402:Brandimarte
2997:Brandimarte
2982:Blancandrin
2891:Charlemagne
2873:Charlemagne
2825:Montaigne's
2633:. Garzanti.
2451:29 December
2302:Don Quixote
1493:rodomontade
1432:Donald Duck
1392:, starring
1311:, in 1843.
1291:(1799) and
1258:Il Ruggiero
1162:(1642) and
1154:Luigi Rossi
1125:Harold Shea
938:(1665â66).
930:In France,
921:Don Quixote
916:Don Quixote
756:August 2018
639:Brandimarte
580: [
531:Carolingian
527:King Arthur
521:) with the
515:Charlemagne
414:Luigi Pulci
410:Ottava rima
401:ottava rima
345:Charlemagne
334:Middle Ages
225:Preceded by
177:ottava rima
4313:1516 poems
4308:1516 books
4297:Categories
4095:Kalevipoeg
4035:Tamil Nadu
3899:Azerbaijan
3632:Bradamante
3457:Duke Aymon
3447:Sacripante
3397:Bradamante
3385:characters
3204:Hauteclere
3173:Veillantif
3133:Hippogriff
3087:Sacripante
2992:Bramimonde
2987:Bradamante
2884:Key people
2746:Wikisource
2399:24 January
2226:2024-05-29
2062:2024-05-29
1979:2024-05-29
1930:References
1809:John Hoole
1620:John Hoole
1559:, such as
1440:Moonstruck
1293:Simon Mayr
1184:(1713) by
1178:impresario
1018:El hacedor
881:In Spain,
876:Lord Byron
820:wrote the
778:See also:
710:Sacripante
621:hippogriff
546:humanistic
369:Bradamante
361:hippogriff
321:Old French
254:Wikisource
209:Media type
133:Subject(s)
77:John Hoole
67:Translator
4186:LÄÄplÄsis
4017:Shahnameh
3917:Trai Bhet
3863:O Uraguai
3829:Argentina
3664:Ariodante
3556:La Spagna
3417:Rodomonte
3383:Fictional
3224:Précieuse
3168:Tencendur
3163:Tachëbrun
3153:Sautperdu
3143:Passecerf
3128:Gramimond
3077:Rodomonte
3022:Fierabras
2673:ignored (
2663:cite book
2154:cite book
1950:: 18â34.
1695:1516/1532
1672:in 1973.
1652:in 1954.
1523:Aristotle
1491:The word
1430:starring
1384:In 1975,
1213:Ariodante
1103:in 1971.
945:'s novel
897:, 1586).
816:In 1554,
801:Orlandino
716:Influence
647:Lampedusa
592:Rodomonte
577:Agramante
538:Classical
295:epic poem
238:Full text
161:epic poem
102:1506â1532
4281:Sundiata
4263:Ethiopia
4204:Portugal
4107:Kalevala
4060:Ramakien
4054:Thailand
3985:Malaysia
3955:Ramayana
3911:Cambodia
3870:Caramuru
3822:Americas
3704:Ariodant
3442:Ferragut
3437:Brunello
3432:Atlantes
3407:Ruggiero
3392:Angelica
3327:Morgante
3214:Murgleys
3199:Durendal
3148:Rabicano
3138:Marmorie
3082:Ruggiero
3017:Ferragut
3002:Brunello
2977:Baligant
2962:Atlantes
2952:Angelica
2947:Albracca
2926:Paladins
2875:and the
2788:LibriVox
2605:Part two
2589:Part one
2115:cite web
1956:20776085
1627:couplets
1569:chivalry
1499:Analysis
1370:Marphise
1330:, 1852 (
1324:Marphise
1301:(1801).
1288:Ariodant
1281:(1782),
1271:(1778),
1261:(1771),
1233:(1685).
1210:(1733),
1176:, as an
1172:(1691).
1127:series.
970:(1933).
860:Bandello
838:'s epic
702:Brunello
672:Ruggiero
632:the Moon
599:Angelica
533:heroes.
471:humanist
419:Morgante
373:Ruggiero
365:Angelica
357:chivalry
351:and the
349:paladins
188:abababcc
147:Genre(s)
125:Language
4156:Hungary
4150:Odyssey
4125:Germany
4101:Finland
4089:Estonia
4083:Beowulf
4077:England
3930:Georgia
3924:Reamker
3887:Armenia
3771:Paladin
3750:Related
3656:Orlando
3648:Orlando
3502:Zerbino
3492:Pinabel
3477:Melissa
3472:Maugris
3467:Marfisa
3462:Ganelon
3452:Agolant
3427:Astolfo
3219:Olifant
3209:Joyeuse
3194:Curtana
3123:Gaignun
3102:Zerbino
3072:Pinabel
3057:Melissa
3052:Maugris
3047:Marsile
3042:Marfisa
3007:Charlot
2957:Astolfo
2942:Agrican
2937:Agolant
2901:Ganelon
2514:Sources
2394:INDUCKS
1624:rhyming
1557:Orlando
1543:romanzo
1422:artist
1347:Tiepolo
1245:Orlando
1207:Orlando
1197:Orlando
1000:Orlando
968:Ariosto
948:Rob Roy
899:GĂłngora
698:Rinaldo
683:Atlante
617:Astolfo
448:Ferrara
396:stanzas
385:Infidel
381:Ferrara
353:Saracen
128:Italian
115:Country
99:Written
4256:Africa
4228:Russia
4222:Aeneid
4192:Poland
4180:Latvia
4137:Greece
4113:France
4070:Europe
3961:Kyrgyz
3857:Brazil
3688:Roland
3672:Alcina
3616:Roland
3584:(1983)
3537:Source
3523:Roland
3487:Oliver
3482:Naimon
3240:Aachen
3233:Places
3189:Almace
3118:Bayard
3092:Turpin
3062:Oberon
2911:Oliver
2906:Naimon
2896:Roland
2654:(1594)
2611:
2595:
2567:
2549:
2528:
2374:
2285:
2252:Text:
2142:
2105:29 May
2029:
1954:
1510:, 1551
1351:Ingres
1268:Roland
1249:Contes
1235:Rameau
1230:Roland
1219:Alcina
1202:Handel
706:FerraĂč
679:Alcina
666:, 1624
643:Oliver
628:Elijah
603:Cathay
519:Roland
392:cantos
341:Roland
220:38,736
165:cantos
163:of 46
4240:Spain
4168:Italy
4143:Iliad
4023:Sumer
3942:India
3841:Chile
3592:Opera
3573:Films
3158:Sorel
2972:Aymon
2871:King
2349:Grove
2239:"The
1952:JSTOR
1687:Text
1565:Hegel
1380:Other
1355:Redon
1283:MĂ©hul
1273:Haydn
1138:Music
588:]
217:Lines
172:Meter
4275:Mali
4216:Rome
4011:Iran
3973:Laos
3880:Asia
2967:Aude
2675:help
2609:ISBN
2593:ISBN
2565:ISBN
2547:ISBN
2526:ISBN
2453:2022
2401:2011
2372:IMDb
2283:ISBN
2160:link
2140:ISBN
2121:link
2107:2024
2027:ISBN
1902:2009
1873:1975
1844:1823
1813:1783
1782:1757
1724:1591
1684:Date
1575:and
1216:and
1115:and
659:Ogre
641:and
552:Plot
204:1591
157:Form
23:and
3731:Art
3548:by
3372:'s
2928:and
2800:at
2770:by
2761:at
2370:at
2351:or
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1372:by
1326:by
1315:Art
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564:by
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398:in
379:of
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