667:
30:
183:
from the second quarter of the sixth century BC or with an unknown potter of the same name, perhaps a son or uncle of the known
Nearchos. It has sometimes been doubted that a simple artesan could be the donor of such a votive statue and alternative restorations of the inscription have been suggested.
102:
The Kore has chest-length hair, which only partially survives. The hair at the front is gathered into tight curls, while the rest of the hair falls in locks, fanning out over the shoulders and back. She wears a crown in her hair. Like all archaic korai, the sculpture has a clear axis and stares
115:
and falling below in omega-folds. With the left hand the image gathers the chiton, causing the characteristic drapery. The conspicuously empty eye-holes must have been inlaid with another material, likely glass - a rather rare feature in marble statues of this period.
414:"); but the inclusion of demotics on dedication inscriptions is extremely uncommon before the late 5th century BC, as noted by Catherine M. Keesling, "Name Forms on Athenian Dedications of the Fifth and Fourth Centuries B.C." in Ángel Martínez Fernández (Ed.):
94:
in 1886. Parts of the calf followed. The face is damaged, especially the nose, and the lower right arm is missing, as is the front of the feet on the plinth. The kore was originally located in the Athena sanctuary on the acropolis and is now kept in the
389:
531:
291:
123:
statue base in the form of a capital were found in the
Perserschutt in the same excavation as the statue fragments. This base was first connected with the statue by
444:
479:
184:
On the other hand it was quite possible in the 6th century to gain a significant fortune through craftworks and other donations are known from potters and
526:
286:
483:
906:
1111:
563:
127:, a conclusion which has been largely accepted, though some still doubt. An inscription on the base name the donor Nearchos and the sculptor
646:
536:
1131:
273:
1141:
1062:
1057:
656:
513:
495:
1116:
856:
746:
666:
556:
1042:
956:
836:
651:
636:
596:
241:
826:
761:
456:
Dedications from the
Athenian Akropolis. A catalogue of the inscriptions of the sixth and fifth centuries B. C.
1121:
1052:
1026:
549:
1006:
766:
751:
1126:
951:
1106:
841:
736:
946:
606:
449:
1047:
996:
721:
403:
395:
376:
360:
310:
254:
Cambridge
University Press, Cambridge 1912, pp. 228–232; Humfry Payne, Gerard Mackworth Young:
172:
164:
148:
371:
by
Michael Vickers, "Artful Crafts. The Influence of Metal Work on Athenian Painted Pottery."
317:
to be correct and the identification of the donor with the known potter possible but unlikely.
296:
Vol. 2, Saur, München, Leipzig 2004, p. 113–114 (here also viewed as the donor of the statue).
756:
621:
601:
268:
213:
Franz
Studniczka, "Antenor der Sohn des Eumares und die Geschichte der archaischen Malerei."
499:
466:
Korai. Archaic Greek Maides. A Study of the
Development of the Kore Type in Greek Sculpture.
1016:
901:
871:
846:
731:
696:
8:
1021:
626:
611:
572:
185:
831:
180:
79:
55:
458:
Archaeological
Institute of America, Cambridge, Mass. 1949, pp. 232–233, no. 197.
387:") and David Gill, Michael Vickers, "Pottery and Precious Metal in Classical Greece."
866:
741:
509:
491:
488:
Text und
Skulptur. Berühmte Bildhauer und Bronzegiesser der Antike in Wort und Bild.
228:
Text und
Skulptur. Berühmte Bildhauer und Bronzegiesser der Antike in Wort und Bild.
941:
936:
931:
896:
876:
771:
124:
96:
68:
991:
966:
691:
616:
418:
Servicio de Publicaciones, Universidad de la Laguna, La Laguna 2009, pp. 349–356.
120:
1136:
1011:
915:
851:
461:
1100:
1001:
911:
681:
411:
72:
641:
226:
Sascha Kansteiner, Lauri Lehmann, Bernd Seidensticker, Klaus Stemmer (Ed.).
1085:
1079:
986:
791:
686:
327:
309:
Cornell University Press, Ithaca 1985, p. 250 considers the restoration of
83:
427:
Ingeborg Scheibler, "Griechische Künstlervotive der archaischen Zeit." In
111:. The latter seems to be tied over the left arm, pinned at the top with a
29:
981:
971:
861:
811:
716:
711:
706:
701:
591:
91:
726:
631:
384:
541:
816:
586:
87:
78:
The statue was found in several fragments during excavations on the
976:
821:
796:
108:
806:
801:
338:
Vol. 30.) Cumberledge, Oxford 1944, p. 21; Thomas B. L. Webster:
128:
475:. Hirmer, München 2001, p. 125. 133 tbl. 148–149. 254–256.
112:
104:
171:
at the beginning of the second line is generally restored as
215:
Jahrbuch des Kaiserlich Deutschen Archäologischen Instituts.
368:
86:. The lower part and the left arm were dug up east of the
468:
Phaidon, London 1968, p. 69, no. 110, ill. 336–340.
99:
The statue is 201 cm high, excluding the plinth.
90:
in 1882 and the upper part was discovered west of the
416:
Estudios de Epigrafía Griega. Serie investigación 1.
342:
Methuen, London 1972. p. 10; Catherine M. Keesling:
139:
Nearchos dedicated this. organised the work in Ath.
346:Cambridge University Press, Cambridge 2003, p. 58.
307:The Art and Culture of Early Greece, 1100-480 B.C.
179:and the donor identified with the attested potter
1098:
390:Jahrbuch des Deutschen Archäologischen Instituts
355:Alan W. Johnston, "Amasis and the Vase Trade."
907:Museum of the Center for the Acropolis Studies
557:
344:The Votive Statues of the Athenian Acropolis.
359:The J. Paul Getty Museum, Malibu 1987, 135:
256:Archaic marble sculpture from the Acropolis.
357:Papers on the Amasis Painter and His World.
564:
550:
506:TonArt. Virtuosität antiker Töpfertechnik.
28:
571:
230:De Gruyter, Berlin/New York 2009, p. 6.
1099:
429:Münchner Jahrbuch der Bildenden Kunst.
340:Potter and Patron in Classical Athens.
75:, which was created around 530/20 BC.
545:
332:Potter and Painter in Ancient Athens.
1112:Archaeological discoveries in Attica
246:Vol. 10, 1889, p. 278; Guy Dickins:
103:directly at the viewer. She wears a
67:is a Late Archaic statue of a girl (
336:Proceedings of the British Academy.
217:Vol. 2, 1887: 135–168, here p. 141.
155:ΝΕΑΡΧΟΣΑΝΕΘΕΚΕΝ- ΥΣΕΡΓΟΝΑΠΑΡΧΕΝΤΑΘ.
16:Late Archaic statue from 530-520 BC
13:
1063:Siege of the Acropolis (1826–1827)
1058:Siege of the Acropolis (1821–1822)
490:De Gruyter, Berlin/New York 2009,
478:Sascha Kansteiner, Lauri Lehmann,
258:Cresset Press, London 1950, p. 31.
248:Catalogue of the Acropolis Museum.
14:
1153:
520:
1043:Achaemenid destruction of Athens
957:Korai of the Acropolis of Athens
665:
1132:6th-century BC Greek sculptures
857:Louis-François-Sébastien Fauvel
637:Choragic Monument of Thrasyllos
627:Theatre of Dionysus Eleuthereus
438:
421:
142:Antenor ma the , son of Eumares
762:Church of Panagia Atheniotissa
702:Sanctuary of Artemis Brauronia
349:
320:
299:
279:
261:
233:
220:
207:
198:
1:
1142:Sculptures of women in Greece
1053:Siege of the Acropolis (1687)
375:Vol. 105, 1985, p.125 n.162:
191:
373:Journal of Hellenic Studies.
7:
1117:Marble sculptures in Greece
767:Temple of Roma and Augustus
752:Choragic Monument of Nikias
410:(" from Kerameis" or "from
242:Journal of Hellenic Studies
10:
1158:
952:Pediments of the Parthenon
407:
399:
380:
364:
314:
292:Künstlerlexikon der Antike
176:
168:
131:son of Eumares. It reads:
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1035:
924:
889:
842:Giovanni Battista Lusieri
787:
780:
737:Sanctuary of Zeus Polieus
674:
663:
579:
516:, p. 126–127 no. 92.
508:Imhoff, Petersberg 2010,
153:
51:
43:
39:
27:
947:Metopes of the Parthenon
607:Odeon of Herodes Atticus
431:Vol. 30, 1979, pp. 7–29.
394:Vol. 105, 1990, p. 7–8:
305:Thus Jeffrey M. Hurwit.
137:
1048:Sack of Athens (267 AD)
997:Nike Fixing her Sandal
722:Altar of Athena Polias
622:Sanctuary of Asclepius
239:Ernest Arthur Gardner
161:
145:
602:Temple of Athena Nike
537:theacropolismuseum.gr
532:theacropolismuseum.gr
445:Antony E. Raubitschek
269:Inscriptiones Graecae
204:Inventory number 681.
146:
133:
1122:Sculptures in Athens
1017:Athena Marsyas Group
902:Old Acropolis Museum
872:Panagiotis Kavvadias
847:Reverend Philip Hunt
732:Sanctuary of Pandion
697:Old Temple of Athena
367:("son of xyz); as a
158:ΑΝΤΕΝΟΡΕΠ- ΟΕΥΜΑΡΟΣΤ
1027:Three-Bodied Daemon
1022:Nike of Callimachus
612:Pedestal of Agrippa
573:Acropolis of Athens
527:Skulpturhalle Basel
480:Bernd Seidensticker
471:Katerina Karakasi.
24:
832:Francesco Morosini
289:, "Nearchos (I)."
252:Archaic sculpture.
188:on the Acropolis.
80:Athenian Acropolis
56:Athenian Acropolis
19:
1127:Statues in Greece
1094:
1093:
885:
884:
867:Kyriakos Pittakis
742:Odeon of Pericles
675:Former structures
580:Extant structures
514:978-3-86568-610-7
496:978-3-11-019610-8
82:in the so-called
61:
60:
1149:
1107:Acropolis Museum
1072:Related articles
942:Athena Promachos
937:Parthenon Frieze
932:Athena Parthenos
897:Acropolis Museum
877:Nikolaos Balanos
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772:Parthenon mosque
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687:Hekatompedon
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22:Antenor Kore
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982:Peplos Kore
972:Kritios Boy
862:Ludwig Ross
812:Callicrates
717:Arrephorion
712:Pandroseion
707:Chalkotheke
592:Erechtheion
448: [
381:Ἐλευθερε]ύς
92:Erechtheion
44:Established
1101:Categories
837:Lord Elgin
727:Eleusinion
642:Beulé Gate
632:Aglaureion
385:Eleutherae
192:References
71:) made of
925:Sculpture
827:Mardonius
817:Mnesikles
757:Klepsydra
652:Peripatos
597:Propylaia
587:Parthenon
135:English:
88:Parthenon
47:530/20 BC
977:Kore 670
822:Xerxes I
797:Pericles
486:(edd.):
408:Μελιτεύς
400:Κεραμεύς
315:κεραμεύς
250:Vol. 1:
181:Nearchos
177:κεραμεύς
109:himation
52:Location
914:at the
890:Museums
807:Ictinus
802:Phidias
383:("from
369:demotic
129:Antenor
1036:Events
781:People
512:
494:
412:Melite
274:I³ 628
113:fibula
105:chiton
1137:Korai
1086:Moria
452:]
326:Thus
285:e.g.
272:(IG)
510:ISBN
492:ISBN
107:and
69:Kore
63:The
20:The
402:or
334:(=
1103::
502:).
482:,
464:.
454:.
450:de
406::
398::
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363::
330:,
313::
175::
169:ΥΣ
167::
151::
565:e
558:t
551:v
392:.
294:.
276:.
244:.
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