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and a lack of development within the movement. It reached its height of popularity from 1930 to 1935, as it was widely appreciated for its reassuring images of the
American heartland during the Great Depression. Despite major stylistic differences between specific artists, Regionalist art in general
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and the Armory Show. During the 1930s, these artists documented and depicted
American cities, small towns, and rural landscapes; some did so as a way to return to a simpler time away from industrialization, whereas others sought to make a political statement and lent their art to revolutionary and
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brought a change in the political perception of
Americans and allowed Modernist critics to gain power. Regionalism and Social Realism also lost popularity among American viewers due to a lack of development within the movement due to the tight constraints of the art to agrarian subject matter.
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arriving from Europe. American Scene painters primarily lived in rural areas and created works that were realistic and addressed social, economic and political issues. On the other side of the debate were the abstract artists who primarily lived in New York City and were promoted by
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Regionalism has had a strong and lasting influence on popular culture, particularly in
America. It has given America some of its most iconic pieces of art that symbolize the country. Regionalist-type imagery influenced many American children's book illustrators such as
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radical causes. The works which stress local and small-town themes are often called "American
Regionalism", and those depicting urban scenes, with political and social consciousness are called "Social Realism". The version that developed in California is known as
573:. Taking inspiration from President Franklin D. Roosevelt's Four Freedoms: State of the Union Address from January 1941, Rockwell would create this work that would be used as propaganda. It would be transformed into prints and appear in four issues of the
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America, while incorporating social criticism. He heavily denounced
European modern art despite the fact that he was regarded as a modernist and an abstractionist. When Regionalism lost its popularity in America, Benton got a job as a teacher at the
250:, industry, and psychology of their hometown and that the competition of these preceding elements create American culture. He wrote that the lure of the city was gone, and hoped that part of the widely diffused "whole people" would prevail. He cited
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during 1943, and would be used by the U.S. Department of the
Treasury to encourage the selling of war bonds. Through this he was able to reach a much greater audience than many other Regionalist painters would be able to in their time.
569:. The painting is comparable with the traditional American Thanksgiving dinner. During this time families around the United States were having to ration food, their sons were sent to fight overseas, and war bonds were being sold by the
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were placed on the same side of the debate as
American Scene Painting, leaving only two camps, that were divided geographically and politically. American Scene Painting was promoted by conservative, anti-Modernist critics such as
353:. Wood wrote about Curry's style and subject matter of art, stating "It was action he loved most to interpret: the lunge through space, the split second before the kill, the suspended moment before the storm strikes."
98:. There was also a struggle to define a uniquely American type of art. On the path to determining what American art would be, some American artists rejected the modern trends emanating from the
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424:, which allowed American art to gain confidence in itself instead of relying on European styles. With American art fully established, Regionalism then was able to bridge the gap between
349:. He had a histrionic, anecdotal style, and believed that art should come from everyday life and that artists should paint what they love. In his case he painted his beloved home in the
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were the primary successors to
Regionalism's natural realism. Rockwell became widely popular with his illustrations of the American family in magazines. Wyeth on the other hand painted
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a generation earlier. Despite the fact that
Regionalism developed with the intent of replacing European abstraction with authentic American realism, it became the bridge for American
117:, which depicted American urban and rural scenes. Partly due to the Great Depression, Regionalism became one of the dominant art movements in America in the 1930s, the other being
206:. All three studied art in Paris, but devoted their lives to creating a truly American form of art. They believed that the solution to urban problems in American life and the
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was in a relatively conservative and traditionalist style that appealed to popular American sensibilities, while strictly opposing the perceived domination of French art.
345:" stories, but after more training, he was hired to paint murals for the Department of Justice and the Department of Interior under the Federal Arts Patronage in the
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When World War II ended, Regionalism and Social Realism lost status in the art world. The end of World War II ushered in a new era of peace and prosperity, and the
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American Regionalism is best known through its "Regionalist Triumvirate" consisting of the three most highly respected artists of America's Great Depression era:
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121:. At the time, the United States was still a heavily agricultural nation, with a much smaller portion of its population living in industrial cities such as
618:. The painting was based on a scene Curry witnessed in 1915 when the creeks were dried up and the only suitable method for baptism was the water tank.
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that included paintings, murals, lithographs, and illustrations depicting realistic scenes of rural and small-town America primarily in the
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in depictions of everyday American life. This sense of nationalism stemmed from artists' rejection of modern art trends after
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in New York between abstraction and realism. The debate then evolved in the 1930s into the three camps, Regionalism,
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winning out the title of American Modernism, and becoming the new prominent and popular artistic movement.
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in 1935, in which he asserted that American artists and buyers of art were no longer looking to
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in New York City, although it has not been on view since 2017. Woods was inspired by the poem "
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A debate over who and what would define American art as Modernism began with the 1913
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culture for subject matter and style. Wood wrote that Regional artists interpret the
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otherwise known as Urban Realism. Much of American Scene Painting conveys a sense of
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1099:"Kansas State Capitol – Online tour – Tragic Prelude – Kansas Historical Society"
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painted by John Steuart Curry in 1926, and since 1931 has belonged to the
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are commonly parodied around the world. Even John Steuart Curry's mural,
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American Scene Painting is an umbrella term for American Regionalism and
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was for the United States to return to its rural, agricultural roots.
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872:"American Scene Painting – American Regoionalism and Social Realism"
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Grant Wood's "Fall Plowing" Rural Historic Landscape District
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307:. Benton wrote two autobiographies, his first one titled
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Benton was a painter, illustrator, and lithographer from
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painted by Norman Rockwell in 1943, now a part of the
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painted by Grant Wood in 1931, since been sold to the
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Regionalism limited the spread of abstract art to the
1016:"Hogs Killing a Snake | The Art Institute of Chicago"
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painted by Grant Wood in 1930, now on display at the
900:The American Scene: American Painting of the 1930s
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1074:"Regionalism: Mid-West American Scene Painting"
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102:and European influences particularly from the
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1124:"American Regionalism - Important Paintings"
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373:. By the 1940s, Regionalism and
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598:. He found inspiration in a
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510:which competes with Wood's
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301:Kansas City Art Institute
156:California Scene Painting
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929:. Iowa City: Clio Press.
845:The Great American Think
650:permanent collection in
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106:. By rejecting European
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1207:Achelous and Hercules
991:"Curry, John Steuart"
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941:"Benton, Thomas Hart"
904:. New York: Praeger.
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602:-style farm house in
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797:
788:
773:Andrew Wyeth
755:Edna Reindel
707:
682:
641:
622:
609:
589:
575:
567:World War II
556:
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548:
531:
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504:
501:Andrew Wyeth
495:
480:
450:Paul Gauguin
442:Paul Cézanne
426:abstract art
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371:abstract art
360:
337:Curry, from
336:
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248:physiography
235:
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193:
169:
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96:American art
89:
79:World War II
67:art movement
56:
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1455:Regionalism
1440:(colleague)
1438:Marvin Cone
1271:Regionalism
1133:December 9,
775:(1917–2009)
769:(1891–1942)
763:(1894-1978)
757:(1894–1990)
751:(1903–1995)
749:Margot Peet
745:(1897–1946)
739:(1915–1990)
733:(1889–1975)
666:, known as
604:Eldon, Iowa
384:abstraction
363:Armory Show
224:Wood, from
151:World War I
147:romanticism
143:nationalism
100:Armory Show
1494:Modern art
1478:Categories
1321:Grant Wood
1199:Persephone
780:References
767:Grant Wood
422:East Coast
416:Importance
220:Grant Wood
214:Grant Wood
196:Grant Wood
166:Grant Wood
43:Grant Wood
41:(1931) by
1328:Paintings
1194:(1930-31)
1183:Paintings
468:Influence
389:Modernist
343:Wild West
240:Iowa City
92:Modernism
1446:(sister)
1267:(father)
712:, 1926,
687:, 1943,
405:Cold War
347:New Deal
244:Parisian
174:, 1930,
112:academic
108:abstract
1431:Related
1258:Related
1242:Museums
440:, like
399:Decline
351:Midwest
180:Chicago
127:Chicago
115:realism
71:Midwest
61:realist
1387:(1940)
1379:(1932)
1371:(1931)
1363:(1931)
1355:(1930)
1347:(1930)
1339:(1930)
1234:(1972)
1226:(1961)
1218:(1954)
1210:(1947)
1202:(1939)
1108:May 3,
1083:May 2,
1053:May 5,
1025:May 3,
1000:May 3,
975:May 3,
950:May 4,
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881:May 2,
851:
828:May 2,
803:May 2,
549:Kansas
544:Kansas
491:Topeka
454:France
448:, and
369:, and
279:1920,
202:, and
64:modern
1463:House
662:1941
658:, by
634:" by
542:band
452:, in
1135:2021
1110:2016
1085:2016
1055:2016
1027:2016
1002:2016
977:2016
952:2016
906:ISBN
883:2016
849:ISBN
830:2016
805:2016
499:and
428:and
387:pro-
145:and
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