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495: ... Tellingly, the curtains hanging in the windows of the house, both upstairs and down, are pulled closed in the middle of the day, a mourning custom in Victorian America. The woman wears a black dress beneath her apron, and glances away as if holding back tears. One imagines she is grieving for the man beside her." Wood had been only 10 when his father died, and later he lived for a decade "above a garage reserved for
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484:, who revolted against the dominance of East Coast art circles. Wood was quoted in this period as stating, "All the good ideas I've ever had came to me while I was milking a cow." Wood intended the painting to depict the farmer and his daughter as survivors, to pay homage to the strength of the rural community, and to provide reassurance in a time of great economic upset.
372:. One judge deemed it a "comic valentine", but a museum patron persuaded the jury to award the painting the bronze medal and a $ 300 cash prize. The same patron also persuaded the Art Institute to buy the painting, and it remains part of the Chicago museum's collection. The image soon began to be reproduced in newspapers, first by the
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American art historian Wanda M. Corn thinks that Wood was not painting a modern couple, but rather one of the past, pointing to the fact that Wood directed the models to wear old-fashioned clothing which he found inspiration for by consulting his family photo album. Wood even posed the figures in a
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window of the house under the steeped roof, and the structure of the man's face. However, Wood did not add figures to his sketch until he returned to his studio in Cedar Rapids. Moreover, he would not return to Eldon again, although he did request a photograph of the home to complete his painting.
630:. It has also been parodied in marketing campaigns, pornography, and by couples who recreate the image photographically by facing a camera in the same way, one of them holding a pitchfork or other object in its place. The painting famously appears in the opening titles of the television show
266:
architectural style. Sharp's brother suggested in 1973 that it was on this drive that Wood first sketched the house on the back of an envelope. Wood's earliest biographer, Darrell
Garwood, noted that Wood "thought it a form of borrowed pretentiousness, a structural absurdity, to put a
535:, containing a classical representation of the mythological goddess, Proserpina, and the dangling strand of hair by the woman's right ear as representing the ravishing in the goddess's myth. Davenport took the inspiration back even further, while seeing similarities to
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In 2023, Google released a commercial for their smartphone depicting a father and daughter recreating the scene at the original house. It also includes similar poses in numerous other settings, including in wet suits, dressed as skeletons, camping and in ski suits.
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trim to better reflect the time period. As rickrack was no longer available in stores, Nan removed trim from their mother Hattie's old dresses to apply to the apron. The model for the father was the Wood family's dentist, Dr. Byron McKeeby (1867–1950) from
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At the time, Wood classified it as one of the "cardboardy frame houses on Iowa farms" and considered it "very paintable". After obtaining permission from the house's owners, Selma Jones-Johnston and her family, Wood made a sketch the next day in
340:. Nan told people that her brother had envisioned the pair as father and daughter, not husband and wife, which Wood himself confirmed in his letter to a Mrs. Nellie Sudduth in 1941: "The prim lady with him is his grown-up daughter."
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recalls, "the
Egyptian prince Rahotep, holding the flail of Osiris, beside his wife Nufrit—strict with pious rectitude, poised in absolute dignity, mediators between heaven and earth, givers of grain, obedient to the gods."
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408:, stating "I had to go to France to appreciate Iowa." In a 1941 letter, Wood said that, "In general, I have found, the people who resent the painting are those who feel that they themselves resemble the portrayal."
531:(the planet was famously discovered in 1930 around the time of the painting's creation). Grovier interprets the pitchfork-wielding farmer as the guardian of the gates of hell, Pluto, and points to the woman's
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in his analysis of the painting in a 1978 lecture, "The
Geography of the Imagination" .) Grovier suggests the small globe on the weather vane at the very top of the painting represents the dwarf planet
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400:, there was a backlash. Iowans were furious at their depiction as "pinched, grim-faced, puritanical Bible-thumpers". Wood protested, saying that he had not painted a
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171:, along with "the kind of people fancied should live in that house". It depicts a farmer standing beside his daughter – often mistakenly assumed to be his wife.
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Wood decided to paint the house along with, in his words, "the kind of people fancied should live in that house". He recruited his sister,
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of rural small-town life. It was thus seen as part of the trend toward increasingly critical depictions of
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Corn, Wanda M.; Wood, Grant (1983). "The Birth of a
National Icon: Grant Wood's 'American Gothic'".
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from the front yard. This sketch depicted a steeper roof and a longer window with a more pronounced
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way that resembled long-exposure photographs of
Midwestern families that dated before World War I.
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by
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report on Iowa's celebration of the centennial of Grant Wood's birth by Robin
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is one of the most famous
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The Most Famous Farm Couple in the World: Why
American Gothic still fascinates
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youth in Paris and grouping himself with populist
Midwestern painters such as
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than on the actual house – features which eventually adorned the final work.
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is echoed in the stitching of the man's overalls and shirt, the Gothic
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Art historian Tripp Evans interpreted it in 2010 as an "old-fashioned
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spirit. Wood assisted this interpretive transition by renouncing his
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American Gothic: The Biography of Grant Wood's American Masterpiece
1319:"'The Geography of the Imagination' Review: Guy Davenport's Genius"
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Art critics who had favorable opinions about the painting, such as
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Dr. Byron McKeeby's contribution to Grant Wood's 'American Gothic'
1176:"American Gothic – The Story Behind Grant Wood's Iconic Painting"
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798:"American Gothic: a state visit to Britain for the first couple"
254:, an American painter with European training, was driven around
1261:. San Francisco, California: North Point Press. pp. 3–15.
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and their dentist Dr. Byron McKeeby. The woman is dressed in a
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926:. Newark, Delaware: University of Delaware Press. p. 10.
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From 2016 to 2017, the painting was displayed in Paris at the
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Grant Wood's "Fall Plowing" Rural Historic Landscape District
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1457:"Masterpiece Rental: My Life in the 'American Gothic' House"
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American Gothic: une mosaïque de personnalités américaines
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How Science and Tech Left an Imprint on 3 Iconic Paintings
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contains General Mills New Country Corn Flakes commercial
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American Gothic: A Life of America's Most Famous Painting
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is a frequently parodied image. It has been lampooned in
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This article is about the painting. For other uses, see
823:"American Painting in the 1930s: Musée de l'Orangerie"
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paintings of married couples, according to Davenport,
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Cary Frumpkin interview with James Dennis, author of
1119:"mental_floss Blog » Iconic America: Grant Wood"
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Wood was inspired to paint what is now known as the
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A New Way of Seeing: The History of Art in 57 Works
419:, similarly assumed the painting was meant to be a
225:, in its first showings outside the United States.
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394:. However, when the image finally appeared in the
368:Wood entered the painting in a competition at the
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1145:"Grant Wood's Letter Describing American Gothic"
468:came to be seen as a depiction of the steadfast
1633:Grant Wood: A Study in American Art and Culture
1549:About the painting, on the Art Institute's site
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522:(a comparison made earlier by American writer
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596:(in the final scene of the opening credits),
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202:. The plants on the porch of the house are
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1637:The interview contains a discussion about
1573:: A Life of America's Most Famous Painting
1544:Grant Wood and Frank Lloyd Wright Compared
1345:magazine; Issue No. 108 (June 2022); p. 63
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464:not too long after the painting was made,
174:The figures were modeled by Wood's sister
1854:Paintings in the Art Institute of Chicago
1627:February 13, 1976, National Public Radio
1600:November 18, 2002, National Public Radio
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404:of Iowans, but rather a depiction of his
1619:Several portions of the report focus on
1397:. New York: W. W. Norton & Company.
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80:78 cm Ă— 65.3 cm (
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624:episodes, and the opening sequence of
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741:"About This Artwork: American Gothic"
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1613:June 6, 1991, National Public Radio
1578:Television Commercials (1950s–1960s)
1394:Artist in Iowa: A Life of Grant Wood
713:"How American Gothic became an icon"
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343:Elements of the painting stress the
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796:Cumming, Laura (February 5, 2017).
460:However, with the deepening of the
427:along the lines of, in literature,
262:, a small white house built in the
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1455:Howard, Beth M. (March 18, 2018).
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1295:, January 9, 2019. Excerpted from
874:Conservation Board. Archived from
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1757:Robert and Esther Armstrong House
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1433:(in French). Paris: L'Harmattan.
1121:. Mentalfloss.com. Archived from
950:Semuels, Alana (April 30, 2012).
747:from the original on May 28, 2010
711:GĂĽner, Fisun (February 8, 2017).
1715:The Midnight Ride of Paul Revere
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1259:The Geography of the Imagination
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1020:"Grant Wood's Letter Describing
743:. The Art Institute of Chicago.
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952:"At Home in a Piece of History"
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608:episode "Miss Yvonne's Visit,"
590:, and television shows such as
568:of cleaning woman Ella Watson.
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1414:. New York: Chamberlain Bros.
1052:. Smarthistory at Khan Academy
1050:"Grant Wood's American Gothic"
868:"American Gothic House Center"
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688:Fineman, Mia (June 8, 2005). "
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1317:Sacks, Sam (April 21, 2024).
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587:The Rocky Horror Picture Show
351:. The upright, three-pronged
1767:Grant Wood Cultural District
1539:American Gothic as Holy Icon
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364:Reception and interpretation
190:while the man is adorned in
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1512:Smarthistory: Grant Wood's
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602:episode "The Masterpiece",
301:Cedar Rapids Public Library
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186:evoking 20th-century rural
16:1930 painting by Grant Wood
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854:Art Institute of Chicago
502:In 2019, culture writer
370:Art Institute of Chicago
347:that is associated with
143:Art Institute of Chicago
117:Art Institute of Chicago
1849:Paintings by Grant Wood
1762:George B. Douglas House
1731:Daughters of Revolution
1410:Hoving, Thomas (2005).
1356:"When art imitates art"
1257:Davenport, Guy (1981).
599:The Dick Van Dyke Show
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204:mother-in-law's tongue
1805:Stone City Art Colony
1629:All Things Considered
1429:Girod, André (2014).
1084:Biel, Steven (2005).
771:American Gothic House
650:Protestant work ethic
621:SpongeBob SquarePants
616:Bart Gets an Elephant
454:The Tattooed Countess
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223:Royal Academy of Arts
221:and in London at the
1859:Paintings of couples
1554:Slate article about
1343:BBC History Revealed
1238:(October 28, 2010).
1125:on February 15, 2009
1030:on November 15, 2018
924:Grant Wood's Secrets
922:Taylor, Sue (2020).
777:on November 29, 2014
633:Desperate Housewives
537:Northern Renaissance
397:Cedar Rapids Gazette
375:Chicago Evening Post
219:Musée de l'Orangerie
94: in Ă—
1699:Arnold Comes of Age
1595:Parodies collection
1360:www.telegraph.co.uk
1323:Wall Street Journal
605:Pee-Wee's Playhouse
349:Gothic architecture
269:Gothic-style window
1739:Sentimental Ballad
1461:The New York Times
1244:The New York Times
1174:Matinique, Elena.
1117:Andréa Fernandes.
1000:on January 6, 2015
833:on 26 October 2017
827:musee-orangerie.fr
482:Thomas Hart Benton
478:John Steuart Curry
417:Christopher Morley
338:Cedar Rapids, Iowa
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1440:978-2-343-04037-0
1421:978-1-59609-148-1
1240:"Gothic American"
1149:www.campsilos.org
1103:978-0-393-05912-0
956:Los Angeles Times
584:, movies such as
493:mourning portrait
429:Sherwood Anderson
271:in such a flimsy
212:Woman with Plants
208:beefsteak begonia
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283:The Dibble House
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163:American Gothic
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852:Artwork 6565
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802:The Guardian
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558:a 1942 photo
551:
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533:cameo brooch
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452:
442:
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406:appreciation
405:
395:
392:Indianapolis
373:
367:
357:pointed-arch
344:
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249:
237:
216:
211:
173:
162:
159:
153:in American
146:
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128:
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1810:Regionalism
1795:(colleague)
1793:Marvin Cone
1208:: 253–275.
618:", various
593:Green Acres
444:Main Street
388:Kansas City
287:Eldon, Iowa
273:frame house
256:Eldon, Iowa
196:suit jacket
169:Eldon, Iowa
71:beaverboard
1833:Categories
1676:Grant Wood
1070:Quoted in
1004:January 8,
908:Quoted in
781:January 8,
661:References
554:Depression
520:underworld
516:Roman gods
512:Proserpina
402:caricature
314:paperboard
252:Grant Wood
239:Grant Wood
139:Grant Wood
133:is a 1930
77:Dimensions
49:Grant Wood
1683:Paintings
1469:0362-4331
1328:April 21,
1180:Widewalls
1129:April 12,
1034:April 12,
614:episode "
564:taken in
353:pitchfork
329:Americana
310:oil paint
200:pitchfork
188:Americana
108: in)
1801:(sister)
1565:, French
1474:April 5,
1185:March 6,
1159:June 30,
899:, p. 119
882:July 14,
807:March 2,
751:June 20,
745:Archived
722:March 2,
644:See also
578:such as
474:bohemian
451:'s 1924
441:'s 1920
380:New York
345:vertical
333:rickrack
243:, 1932,
229:Creation
192:overalls
180:colonial
151:parodied
135:painting
113:Location
1786:Related
1385:Sources
1222:4104340
1074:, p. 22
912:, p. 36
897:Garwood
837:2 March
518:of the
497:hearses
121:Chicago
103:⁄
89:⁄
1742:(1940)
1734:(1932)
1726:(1931)
1718:(1931)
1710:(1930)
1702:(1930)
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514:, the
447:, and
421:satire
390:, and
384:Boston
182:print
45:Artist
1818:House
1530:House
1292:Wired
1218:JSTOR
695:Slate
529:Pluto
508:Pluto
318:ogive
184:apron
165:House
1476:2018
1465:ISSN
1435:ISBN
1416:ISBN
1399:OCLC
1330:2024
1302:ISBN
1263:ISBN
1187:2023
1161:2020
1131:2010
1098:ISBN
1072:Biel
1058:2012
1036:2010
1006:2015
963:2013
928:ISBN
884:2009
839:2017
809:2017
783:2015
753:2010
724:2017
552:The
510:and
480:and
415:and
206:and
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717:BBC
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560:by
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