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historic site. The house was abandoned for much of the 1970s—a bullet was fired in an upstairs bedroom; weather and vandalism took their toll as well. Only in the late 1980s did the owner of the property consider turning the house over to the state. Indeed, many southern Iowans were conflicted on the issue—the owner wanted to keep the house only because he believed the current renters would have nowhere else to go if they were forced to leave.
300:. There are two commonly accepted theories: the Dibbles may have wanted the windows to beautify their home at a time when rural life in Iowa was a struggle, or they could have been following a trend in which extravagant details were desirable in residences in the late nineteenth century, and the Dibbles chose windows whose costs would have been relatively reasonable at the time.
307:, in the 1900 Census. The house changed hands several times until 1917, when Gideon and Mary Hart Jones purchased it. The Jones family owned the house until 1933 (and notably added a kitchen which created the west wing of the house); thus, it was the Jones family who allowed Grant Wood to use their home as a backdrop for
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In the early 1970s, a series of letters between Eldon businessmen and Carl E. Smith—who has recently inherited the house—revealed differing opinions on its continued use: Smith wanted to renovate the house and protect it from vandalism only; the Eldon leaders were more in favor of making the house an
406:
The visit to your
American Gothic House was very interesting and enjoyable. I will probably seem a little too enthusiastic, but I do feel you have a 'First' in Eldon. It was the painting 'American Gothic' that made Grant Wood internationally known. Phil Strong wrote that Grant Wood was the first Iowa
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In August, Wood was driven around the town by a young painter from Eldon, John Sharp, looking for inspiration. Sharp's brother suggested in 1973 that it was on this drive that Wood first sketched the house on the back of an envelope. Wood did not immediately regard the house as beautiful, but he did
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in 1974 (the result of an application by an Eldon farmer), the owner refurbished the house, installing an indoor bathroom and electricity and restoring the windows and wallpaper. Local politicians believed such work coupled with a new museum and education center could provide a major boost to local
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Visitors are encouraged to view the house from the outside and have their photo taken—in fact, the visitors center provides many sizes of similar aprons and jackets worn by the original painting's models. The adjacent
American Gothic House Center, completed in 2007, contains exhibits about the
366:] frame houses on Iowa farms" and considered it "very paintable." After obtaining the permission of the Jones family, Wood made a sketch the next day in oil on paperboard from the house's front yard. This sketch displayed a steeper roof and a longer window with a more pronounced
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find it captivating. His earliest biographer, Darrell
Garwood, noted that Wood "thought it a form of borrowed pretentiousness, a structural absurdity, to put a Gothic-style window in such a flimsy frame house." At the time, Wood classified it as one of the "cardboardy [
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First owned by Eldon resident
Charles Dibble after its construction in 1881 and 1882, the home was (with one 1897 exception) a private residence until the late twentieth century. After a thirty-year preservation effort culminated with the donation of the house in 1991 to the
410:
I feel it would be a mistake to move the home to another location. The greatest advantage for leaving the house as is, is the vacant piece of ground across the road. This offers you a place for parking autos and a picnic area, which is a good adjunct to a historic site.
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painting, artist Grant Wood, and the community around the house. Each June, the city of Eldon holds its Gothic Days festival, a celebration of the painting and rural life in Eldon in the 1930s. Starting in 2015, tours began of the first floor of the home.
344:, a large city approximately 80 miles (130 km) to the northeast of Eldon, attempted to promote fine arts in the rural town by opening a gallery and library and leading art classes in Eldon. Rowan's attempts were met with success—the
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Letter of
November 7, 1970, from Robert Weidenbach to Seldon Smith; letters of November 22, 1971, and December 10, 1971, between Robert Weidenbach and Carl E. Smith. All three are on display at the American Gothic House
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285:. The lower floor of the house contains three rooms and a bathroom, while the upper floor has two bedrooms. The house has been called the best-known example of a Carpenter Gothic cottage in the United States.
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was regarded as an
American icon, the house continued to serve as a private residence, usually for rent, transferring ownership only once more from the Jones family to the Seldon Smith family at a "
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veteran, lived in Eldon in the late nineteenth century. He and his wife, Catharine, began building the house in 1881 for themselves and their eight children. Its relatively simple
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are a
Charles A. and Catharine Dibble of Michigan Ave., Portland, Oregon. Subsequent census records seem to indicate that the Dibbles spent the remainder of their lives there.
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There is no conclusive evidence explaining why the
Dibbles chose to place Gothic windows on the upper level. The windows are believed to have been purchased through the
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250:, white color, and moderate size—just 504 square feet (46.8 m)—were quite common in nineteenth century Iowa architecture. A similar style can be observed in the
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architect and historian
William J. Wagner, A.I.A. capped these early efforts. He was among the first to suggest preservation of the house as a historic site:
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than the actual house, features which eventually adorned the final work; however, Wood did not add figures to the sketch until he returned to Cedar Rapids.
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462:. Today the American Gothic House Center hosts approximately 15,000 visitors per year, which does not account for additional after-hours visitors.
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tourism—one state senator hoped for as many as 100,000 visitors per year. After the house's owner eventually turned over the property to the
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450:, but Eldonians fought to keep it within their city limits. The house was renovated in 1992, with boosters hoping to see the house become a
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This side view evinces the modest size of the house; it also obscures most of the home's addition to give a glimpse of the original design.
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called the exhibitions "an unusual treat." This, along with an indebtedness Wood felt toward Rowan, drew the painter (himself a native of
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The
Dibbles' house was foreclosed around 1897 after they were unable to pay their taxes, and they are recorded as living in
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210:. Wood, who observed the house only twice in his lifetime, made only an initial sketch of the house—he completed
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226:, the site now includes the original house in its 1930 form and a visitors center. The house was listed on the
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Although Wood never returned to Eldon, he did request a photograph of the home to complete his painting.
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Richards, Bill (June 27, 1986). "Plan to Brave the Crowds at Eldon? Better Take Along a Sleeping Bag".
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in 1974. Since 1991, various caretaker-occupants have continued to rent the home privately.
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Center staff assist in dressing up visitors and taking their photograph outside the house.
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A timeline of residents is maintained on a placard at the American Gothic House Center.
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389:" in 1942. A grassroots movement to preserve the house was started as early as 1945 by
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and its steep-pitched roof. Both features would later be exaggerated by Grant Wood in
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The interior of the home is described on a sign posted outside the house and qtd. in
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University and college buildings listed on the National Register of Historic Places
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style with a distinctive upper window. It was the backdrop of the 1930 painting
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397:. A visit in 1960 to the house (which was beginning to fall into disrepair) by
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During the summer of 1930, Edward Rowan, a young gallery director from
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572:"History of the House « American Gothic House Center – Eldon, IA"
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National Register of Historic Places listings in Wapello County, Iowa
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List of jails and prisons on the National Register of Historic Places
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1021:
American Gothic: The Biography of Grant Wood's American Masterpiece
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indicates a Chas. A. Dibble of Eldon is employed in "Railroading."
674:
Caba, Susan (June 20, 1976). ""Gothic" House Being Refurbished".
274:
242:), by various accounts a railroad man, livery stable owner, and
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American Gothic : A Life of America's Most Famous Painting
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Grant Wood's "Fall Plowing" Rural Historic Landscape District
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National Register of Historic Places in Wapello County, Iowa
887:"Masterpiece Rental: My Life in the 'American Gothic' House"
61:
Interactive map showing the American Gothic House’s location
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Bill Wagner, letter to Robert Weidenbach, February 2, 1960.
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Houses on the National Register of Historic Places in Iowa
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American Gothic: A Life of America's Most Famous Painting
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770:
Quoted on a placard at the American Gothic House Center.
393:, Grant Wood's sister and the female figure depicted in
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House, which features board-and-batten siding, a simple
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Administration Building, U.S. Naval Air Station Ottumwa
1091:
State Historical Society of Iowa: American Gothic House
934:"American Gothic House & Center: Official Website"
1041:
The Only Proper Style: Gothic Architecture in America
1340:
History of the National Register of Historic Places
1038:Loth, Calder; Sadler Jr., Julius Trousdale (1975).
376:
331:The house as depicted by Wood in his 1930 painting
1371:List of U.S. National Historic Landmarks by state
600:
442:in 1991, an effort was made to move the house to
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918:(1st ed.). New York: W.W. Norton & Co.
1763:National Register of Historic Places portal
803:"An Iowa Town Debates the Fate of Grant Wood's
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2066:Carpenter Gothic houses in the United States
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2037:List of National Historic Landmarks in Iowa
1999:Ottumwa Young Women's Christian Association
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1071:Grant Wood and Frank Lloyd Wright Compared
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1311:U.S. National Register of Historic Places
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544:
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122:504 sq ft (46.8 m) (house)
40:U.S. National Register of Historic Places
1006:. New York: W. W. Norton & Company.
966:. New York: W. W. Norton & Company.
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1949:Greater Second Street Historic District
846:American Gothic House Center statistics
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2009:St. Joseph Hospital Historic District
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1929:Fifth Street Bluff Historic District
1815:National Register of Historic Places
1044:. Boston: New York Graphic Society.
1003:Artist in Iowa: A Life of Grant Wood
985:. New Haven: Yale University Press.
911:
857:"American Gothic House & Center"
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550:Page 235 of the Iowa portion of the
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435:National Register of Historic Places
228:National Register of Historic Places
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140:Bussy and Herald (local carpenters)
13:
2106:Wooden houses in the United States
1989:Ottumwa Cemetery Historic District
1726:National Historic Preservation Act
983:Grant Wood: The Regionalist Vision
938:American Gothic House & Center
878:
861:American Gothic House & Center
825:
607:. Chicago: J. S. Clarke. pp.
578:Conservation Board. Archived from
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314:
14:
2122:
1208:Robert and Esther Armstrong House
1059:
832:"'Gothic' house promotion eyed".
643:Semuels, Alana (April 30, 2012).
604:History of Muscatine County, Iowa
433:After the home was placed on the
2101:State Historical Society of Iowa
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1166:The Midnight Ride of Paul Revere
813:. September 7, 1987. p. 111
440:State Historical Society of Iowa
377:Later history and current status
238:Charles A. Dibble (born 1836 in
224:State Historical Society of Iowa
2076:Museums in Wapello County, Iowa
1984:North Fellows Historic District
840:
645:"At Home in a Piece of History"
601:Irving B. Richman, ed. (1911).
407:painter to bring fame to Iowa.
2071:Historic house museums in Iowa
2056:Houses in Wapello County, Iowa
1679:Federated States of Micronesia
1325:Architectural style categories
1125:
1023:. New York: Chamberlain Bros.
940:. American Gothic House Center
885:Howard, Beth M. (2018-03-18).
863:. American Gothic House Center
532:. Retrieved December 14, 2008.
234:Early history and architecture
156:
124:.92 acres (0.37 ha) (lot)
1:
2014:Vogel Place Historic District
1868:Eldon Carnegie Public Library
1833:Chief Wapello's Memorial Park
953:
1919:Court Hill Historic District
1218:Grant Wood Cultural District
1066:American Gothic House Center
999:
730:
265:, built a decade before the
21:United States historic place
7:
2111:1882 establishments in Iowa
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70:300 American Gothic Street
10:
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1954:Historic Railroad District
1731:Historic Preservation Fund
1710:American Legation, Morocco
1076:Art Institute of Chicago:
454:attraction, much like the
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2019:Wapello County Courthouse
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690:1900 United States Census
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552:1880 United States Census
500:. Wapello County Assessor
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240:Saratoga County, New York
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155:NRHP reference
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676:The Cedar Rapids Gazette
530:Art Institute of Chicago
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145:Architectural style
1213:George B. Douglas House
1182:Daughters of Revolution
1019:Hoving, Thomas (2005).
981:Corn, Wanda M. (1983).
248:board-and-batten siding
1994:Ottumwa Public Library
1924:Dahlonega School No. 1
1648:Minor Outlying Islands
1631:Lists by insular areas
1345:Keeper of the Register
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1899:B'nai Jacob Synagogue
1350:National Park Service
1330:Contributing property
1256:Stone City Art Colony
960:Biel, Steven (2005).
912:Biel, Steven (2005).
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103:40.92139°N 92.21361°W
1944:J.W. Garner Building
1873:McHaffey Opera House
1819:Wapello County, Iowa
1705:District of Columbia
456:Field of Dreams site
444:Living History Farms
356:) to come to Eldon.
184:, also known as the
16:Listed house in Iowa
1934:First National Bank
1858:Big 4 Fair Art Hall
1150:Arnold Comes of Age
834:Des Moines Register
758:Wall Street Journal
458:in similarly rural
452:pop-culture tourism
108:40.92139; -92.21361
99: /
1190:Sentimental Ballad
1084:2011-10-31 at the
891:The New York Times
836:. October 5, 1986.
524:2011-10-31 at the
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688:Indicated in the
650:Los Angeles Times
214:at his studio in
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2004:U.S. Post Office
1969:Jay Funeral Home
1959:Hofmann Building
1914:Burlington Depot
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1158:Stone City, Iowa
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171:October 1, 1974
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654:. Retrieved
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584:. Retrieved
580:the original
546:
537:
519:"Grant Wood"
514:
502:. Retrieved
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186:Dibble House
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32:Dibble House
18:
1698:Other areas
1658:Puerto Rico
1492:Mississippi
1407:Connecticut
1261:Regionalism
1246:(colleague)
1244:Marvin Cone
633:, pp. 18–9.
346:Eldon Forum
263:West Branch
190:Eldon, Iowa
106: /
82:Coordinates
2081:Grant Wood
2050:Categories
1607:Washington
1527:New Mexico
1522:New Jersey
1397:California
1127:Grant Wood
954:References
904:2018-04-05
460:Dyersville
448:Des Moines
399:Des Moines
321:See also:
252:birthplace
204:Grant Wood
94:92°12′49″W
91:40°55′17″N
2030:See also:
1979:Mars Hill
1617:Wisconsin
1582:Tennessee
1487:Minnesota
1462:Louisiana
1134:Paintings
899:0362-4331
807:Backdrop"
256:President
244:Civil War
137:Architect
132:1881–1882
1773:Category
1602:Virginia
1552:Oklahoma
1532:New York
1507:Nebraska
1497:Missouri
1482:Michigan
1472:Maryland
1457:Kentucky
1437:Illinois
1412:Delaware
1402:Colorado
1392:Arkansas
1252:(sister)
1082:Archived
944:29 March
867:29 March
742:Qtd. in
733:, p. 119
717:Qtd. in
701:Qtd. in
617:42207488
522:Archived
487:, p. 104
446:outside
391:Nan Wood
162:74002291
67:Location
1882:Ottumwa
1719:Related
1622:Wyoming
1597:Vermont
1502:Montana
1442:Indiana
1422:Georgia
1417:Florida
1387:Arizona
1377:Alabama
1237:Related
817:June 9,
792:, p. 32
780:Center.
746:, p. 22
731:Garwood
721:, p. 36
705:, p. 21
586:July 3,
350:Anamosa
275:chimney
1826:Agency
1557:Oregon
1512:Nevada
1452:Kansas
1427:Hawaii
1382:Alaska
1318:Topics
1193:(1940)
1185:(1932)
1177:(1931)
1169:(1931)
1161:(1930)
1153:(1930)
1145:(1930)
1048:
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1012:518305
1010:
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811:People
805:Gothic
719:Hoving
615:
1851:Eldon
1689:Palau
1587:Texas
1467:Maine
1432:Idaho
1269:House
470:Notes
368:ogive
279:gable
182:House
129:Built
72:Eldon
2035:and
1643:Guam
1592:Utah
1547:Ohio
1447:Iowa
1046:ISBN
1025:ISBN
1008:OCLC
987:ISBN
968:ISBN
946:2019
920:ISBN
895:ISSN
869:2019
819:2009
790:Biel
744:Biel
703:Biel
658:2013
631:Biel
613:OCLC
588:2017
506:2013
354:Iowa
177:The
119:Area
76:Iowa
1817:in
609:162
363:sic
261:in
254:of
202:by
157:No.
2052::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
