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structure and techniques; we can talk about aesthetics or ethics or politics. But we have to remember that while all this, realistic or not, is of great importance to composers and to anyone who likes to follow what composers are doing, what is being discussed is not the music itself but the location of the music, the place where it exists.
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Choice, taste and style were dirty words; personal style, one could argue, is necessarily a product of repetition, and the removal of repetition is, or was believed to be, a cornerstone of classical serialism as defined by Webern's late works All this may well be seen as a kind of negative style
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The impression I aim to create is one of transparency: the listener should perceive, both in the successive and simultaneous dimensions of the score, the old beneath the new and the new arising from the old. We are to see a mythological and ancient action, interpreted by a 17th-century poet in a
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If one wishes, one can just say that music has to be autonomous and self sufficient; but how to sustain such a view when people who sing for pleasure are deprived of true satisfaction in the performance of new work? We can talk about music in terms of the ideas that inform it; we can talk about
404:, a "distinctive, progressive force in what was the generally parochial and conservative world of British music in the early 1950s", as Andrew Davies phrased it in 2024. The group performed not only works by its members but also introduced compositions of the European
508:, but it implicitly strives for the imposing harmonic tautness and full sonority of Prokofiev's Eisenstein cantatas. It was regarded "to have more harmonic coherence and considerably more dramatic impact than most serial music of the time", as his obituary in
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Although the last fifteen years of Goehr's output received less generous coverage in terms of both academic writing and frequency of performances, they represent an interesting phase of composition. He wrote the opera
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Eventually Goehr's sensibility parted from Boulez's serialism. What disturbed Goehr was mainly his perception that by the mid-fifties, serialism had become a cult of stylistic purity, modelling itself on the
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takes its cue from an unfinished project (Eisenstein never finished the planned film), many of Goehr's works include a synthesis of fragments or unfinished projects left by other artists. The cantata
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Peter
Alexander Goehr was born in Berlin, on 10 August 1932. He came from a musical Jewish family; his mother Laelia (née Rivlin), from Kyiv, was a classically trained pianist who had appeared with
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884:. He composed works of "unprecedented rhythmic and harmonic immediacy", such as the Piano Quintet in 2000 and the Fantasie for cello and piano in 2005, with sonorities reminiscent of
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humorous interlude, with
Japanese texts dated back to the 15th century adapted by the composer. The music is inspired by the relationship between music and drama in Noh theatre.
1151:. Goehr remained indebted to Messiaen, apparent his lifelong commitment to modality as an integration to both serialism and to tonality, as well as his often bird-song inspired
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concerning the bombing of Gaza during the Iraq war and was premiered in a concert of the
Birmingham Contemporary Music Group conducted by Knussen marking Goehr's 80th birthday.
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and serialism which was to remain his main technical resource for the next 14 years. His search for a model of serialism that could allow for expressive freedom led him to his
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that allowed expressive freedom. He combined avant-garde techniques with elements from music history in works of many genres including the Piano Trio (1966), the first opera
558:, Op. 15 (1963). He composed it as a memorial to his father who had unexpectedly died, and it is based upon a chord-sequence subtly modelled upon (but not quoting) the "
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for choir, baritone and orchestra was no success. Singers found it impossibly difficult to perform, and critics dismissed it when it was first performed at the 1961
332:. The family moved to Britain when the boy was only a few months old. His father became an influential conductor in London, leading the world premiere of Tippett's
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835:. In a series of six lectures, titled The Survival of the Symphony he traces the importance of the symphony, and its apparent fall from grace in the 20th century.
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Summer School in
Wiltshire with Peter Maxwell Davies and Harrison Birtwistle in 1964, and most importantly, the beginning of Goehr's preoccupation with opera and
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is also the piece that most overtly displays Goehr's intent to turn his reinvention of the past into a musical process that the audience can hear and identify:
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in a "bright modal sonority", in a departure from serialism, towards more transparent sounds. He found a fusion of modal harmonics and the tradition of
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In 1967 he founded the Music
Theatre Ensemble, as a pioneer of musical theatre in England; in 1971 he completed a three-part cycle for music theatre
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shared with Davies and
Birtwistle largely influenced Goehr's first musical imaginings. His first acknowledged compositions date from these years:
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precept: a conscious elimination of sensuous, dramatic or expressive elements, indeed of everything that in the popular view constitutes music.
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1001:(2012) was a trio praised for its mastery of aural balance between the unusual combination of violin, horn and piano. The chamber symphony
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after leaving school. A girl he met on the train to work recruited him for a left-wing
Zionist party, and he spent two years in a training
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with a strong sense of harmonic pacing and sonority. He went to Paris not only to attend the classes of
Messiaen, but also to study
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From the end of the 1960s Goehr held prestigious academic appointments. In 1968–69 he was the first composer-in-residence at the
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where he taught until his retirement in 1999. His students included some of
England's most notable composers to come, such as
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Upon his return to
Britain, Goehr experienced an international breakthrough as a composer with the performance of his
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from 1971 and at Cambridge University from 1976 to 1999. Goehr returned to a more traditional way of composing with
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1511:——; Wintle, Christopher Wintle (July–October 1992). "The Composer and His Idea of Theory: A Dialogue".
1120:(1995) is the setting of the libretto of a lost opera by Monteverdi, and posthumously published prose fragments by
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Born in Berlin, Goehr's childhood was spent in London surrounded by musicians, including his father, the conductor
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2815:"Alexander Goehr, last of the Manchester School composers, whose music felt like 'thinking in notes' – obituary"
717:. Over the following twenty years he applied this approach to traditional genres such as symphonies, composing
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can be considered to be a sketch study—both explore the themes of violent revolution via the texts from the
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for political work, where he wrote his first piece, described as "a sort of Zionist pageant with songs".
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Alexander Goehr, Composing a Life: Teachers, Mentors, and Models by Jack Van Zandt Online Launch (2024)
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Boynton, Neil (July–October 1992). "Alexander Goehr: A Checklist of His Writings and Broadcast Talks".
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in Hertfordshire, where he was known as "an anti-establishment political activist, flirting with the
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2424:"Alexander Goehr: composer who brought European avant garde sensibilities to stuffy 50s Britain"
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Goehr continued to compose choral works. Encouraged by his friendship with the choral conductor
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as musical assistant from 1960 to 1967. He received two more cantata commissions from the BBC;
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1067:(1957–58), which was inspired by Eisenstein's notes for a film, itself based on a writing by
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Goehr focused especially on vocal music, with many works reflecting socio-political themes.
258:(1974), and the String Quartet No. 3 (1975). He founded the Music Theatre Ensemble in 1967.
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Many of Goehr's works are studies in the synthesis of disparate elements. Examples include
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1480:—— (March–July 1985). "Schoenberg and Karl Kraus: The Idea behind the Music".
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After an almost ten-year hiatus from the operatic medium, Goehr returned to the form with
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in 1953, conducted by his father. The interest in non-Western music (for instance Indian
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991:(2011–12), written for tenor, children's choir and ensemble, sets texts by Israeli poet
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1604:—— (Summer 1999). "The Ages of Man as Composer. What's Left to Be Done?".
1418:—— (Spring–Summer 1975). "The Theoretical Writings of Arnold Schoenberg".
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as an associate professor of music. Goehr returned to Britain as visiting lecturer at
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and Churchill Fellow. In 2004 he was awarded an honorary doctorate of music from the
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in 1957, conducted by his father. The ambitious work was inspired by the writings of
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avant-garde movement of those years. Goehr experimented with Boulez's technique of
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Goehr, Alexander (1998). "A Letter to Pierre Boulez". In Puffett, Derrick (ed.).
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570:. Goehr composed works of many genres including the Piano Trio (1966).. He wrote
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A seminal event in Goehr's development was hearing the UK premiere of Messiaen's
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Sing, Ariel : Essays and Thoughts for Alexander Goehr's Seventieth Birthday
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646:(1971) was commissioned by Testimonium in Jerusalem and performed there by the
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from which it borrows its title. It achieved the chamber category of the 2009
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642:(1970) both explicitly written for the Music Theatre Ensemble while the later
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1387:—— (1973–1974). "The Theoretical Writings of Arnold Schoenberg".
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In 1955, Goehr left Manchester to go to Paris and study with Messiaen at the
421:) sparked by the meeting with Messiaen's music combined with the interest in
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in London. His engagement with Monteverdi's music dates back to the cantata
748:' angry refusal to die as an allegory for the destiny of the victims of the
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Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday
1325:(July 1968). "Naboth's Vineyard: Alexander Goehr talks to Stanley Sadie".
673:(1970–71). In 1971 he was appointed West Riding Professor of Music at the
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429:(1951) and the Piano Sonata, Op. 2, which was dedicated to the memory of
174:; 10 August 1932 – 25 August 2024) was a German-born English composer of
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1449:—— (November 1983). "Richard Hall: A Memoir and a Tribute".
1071:. Other works' inspirations range from the formal proportions of a late
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677:. Goehr left Leeds in 1976 when he was appointed Professor of Music at
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Goehr, Alexander (December 1960). "Review: Harmony without Function".
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221:'s masterclass in Paris in 1955. Back in England and working for the
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for string quartet and percussion, written in 2008 as a memorial to
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commission for orchestra based on the chromatic bass from the Bach
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2913:. With compact disc. Aldershot, England; Burlington, VT: Ashgate.
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1796:—— (January 1968). "Review: Schoenberg Fundamentals".
1356:—— (June 1973). "The Study of Music at University—5".
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On a strictly technical musical level, Goehr's tried unifying the
182:, Goehr influenced many notable contemporary composers, including
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448:. He remained in Paris until October 1956, becoming friends with
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1903:
1765:—— (November 1964). "Review: Schoenberg's Letters".
1734:—— (November 1963). "Review: Schoenberg Exercises".
529:. Goehr listened to criticism and described the position of the
488:
List of music students by teacher: G to J § Alexander Goehr
225:, he experienced an international breakthrough in 1957 with his
1298:(Summer 1967). "Personal Viewpoints: Notes by Five Composers".
874:
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354:. He received lessons from a composer colleague of his father,
346:". He grew up in a household populated by composers, including
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2958:
Alexander Goehr – Stageworks / Opera and Music Theatre Archive
546:, who was strongly committed to new music, Goehr composed his
2887:
New Sounds, New Personalities: British Composers of the 1980s
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and academic teacher. A long-time professor of music at the
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in 1962, which used for the first time the combination of
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for violin and clarinet, based on a fragment of medieval
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Jewish emigrants from Nazi Germany to the United Kingdom
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Members of the University of Cambridge Faculty of Music
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Finding the Key: Selected Writings of Alexander Goehr
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1663:(April 2010). "Daivd Drew: Tributes & Memories".
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Goehr, Alexander (January 1965). "Tippett at Sixty".
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Finding the Key: Selected Writings of Alexander Goehr
433:. The piano sonata in one movement was played at the
2495:"Alexander Goehr / "Fings ain't wot they used t'be""
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1573:—— (March 1997). "For Derrick Puffett".
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1147:and serialism with Schoenberg scholar and composer
594:. He composed the String Quartet No. 3 in 1975–76.
240:in 1963 as a memorial to his father, arriving at a
2928:. Foreword by Sally Groves. Manchester: Carcanet.
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2583:
2246:
2222:
1542:—— (October 1994). "Guest Editorial".
1167:Schott Music provides a full discography by work:
814:, which he described as "Monteverdi heard through
261:Goehr first lectured in the United States, at the
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1935:
3371:Alumni of the Royal Manchester College of Music
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2180:
1211:—— (1998). Puffett, Derrick (ed.).
3361:Honorary members of the Royal Academy of Music
2926:Composing a Life: Teachers, Mentors and Models
924:, was a typical foray into the art of musical
324:pupil and pioneering conductor of Schoenberg,
299:. He focused on chamber music in later years.
3326:Alumni of the Royal Northern College of Music
3151:
3020:
831:In 1987 the BBC invited Goehr to present the
444:, and he studied counterpoint privately with
2855:"University of Plymouth honorary doctorates"
1390:Proceedings of the Royal Musical Association
989:To These Dark Steps/The Fathers are Watching
481:
277:from 1970. He was professor of music at the
2753:"Ferienkurse für internationale neue Musik"
796:'s historic libretto for Monteverdi's lost
774:of 1543. Non-political vocal works include
205:. Goehr emerged as a central figure in the
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3144:
3027:
3013:
1827:—— (September 1975). "Review:
987:", first introduced to Goehr by Messiaen.
956:in 2013 for the Scharoun Ensemble Berlin.
869:. It combined two plays from the Japanese
727:... a musical offering (J. S. B. 1985) ...
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2604:10.1093/omo/9781561592630.013.60000200868
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2057:
1005:(2013), written on a commission from the
880:In the following years, Goehr focused on
209:of post-war British composers, including
16:English composer and academic (1932–2024)
3336:21st-century British classical composers
3331:20th-century British classical composers
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2421:
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2328:Birmingham Contemporary Music Group 2024
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1929:
1095:, 1966) or to the Japanese Noh theatre (
873:theatre tradition, separated by a short
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1110:resonates with Schoenberg's unfinished
1054:List of compositions by Alexander Goehr
806:. The opera was first performed at the
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1886:. He became an honorary member of the
1850:—— (March 1981). "Review:
737:, who remained a close collaborator.
3316:People educated at Berkhamsted School
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3008:
2635:Die Musik in Geschichte und Gegenwart
2562:Peter, Christopher (26 August 2024).
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1992:
1308:(Stravinsky's 85th Birthday): 19–29.
1155:writing, particularly in the cantata
1044:on 25 August 2024, at the age of 92.
361:Goehr worked for the music publisher
169:
3366:Academics of the University of Leeds
1880:American Academy of Arts and Letters
1878:Goehr was an honorary member of the
605:. In 1966 he wrote his first opera,
307:
3396:21st-century English male musicians
3391:20th-century English male musicians
3034:
2676:Birmingham Contemporary Music Group
2480:Goehr, Alexander (September 1995).
2422:Clements, Andrew (27 August 2024).
1192:Musical Ideas and Ideas about Music
1135:rigour and motivic workings of the
1087:, 1990), to the sinister humour of
1021:and premiered by them conducted by
1007:Birmingham Contemporary Music Group
967:in 2010 and based on Shakespeare's
697:. In Cambridge he became fellow of
217:, in his early twenties. He joined
13:
3321:Fellows of Trinity Hall, Cambridge
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2467:Goehr, Alexander (2 August 1992).
2193:Internationales Musikinstitut 2024
1890:. His manuscripts are held by the
985:Durch Adams Fall ist ganz verderbt
802:, exploring the sounds of Italian
623:. The opera was premiered at the
619:morality play, a text compiled by
486:For Goehr's notable students, see
302:
14:
3427:
2972:on LoganArts Management's website
2951:
1852:The Letters of Claudio Monteverdi
659:New England Conservatory of Music
378:Royal Manchester College of Music
376:Goehr studied composition at the
263:New England Conservatory of Music
232:in 1957, conducted by his father
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892:was written in 2003 for pianist
574:, a cello concerto, in 1968 for
250:(1966), the music-theatre piece
3401:Professors of Music (Cambridge)
1035:Royal Northern College of Music
384:. He became friends there with
96:Royal Northern College of Music
3386:21st-century English composers
3381:20th-century English composers
2713:"Alexander Goehr dies aged 92"
2533:(2003). Latham, Alison (ed.).
2510:Hoffman, Gary (October 2010).
963:(2008–09), first performed by
369:in Essex. He was then sent to
1:
2760:Internationales Musikinstitut
2564:"Alexander Goehr (1932–2024)"
2512:"Alexander Goehr (1932–2024)"
2304:British Music Collection 2024
1897:
1162:
842:was premiered in 1992 by the
725:in 1987. In 1985 he composed
588:London Philharmonic Orchestra
586:was premiered in 1974 by the
562:" movement from Mussorgsky's
3351:English male opera composers
2909:Latham, Alison (ed.). 2003.
2652:"Allan Gray (Josef Zmigrod)"
2621:UK public library membership
2292:University of Cambridge 2002
1079:, 1973–74) to a painting by
853:
704:
285:in 1976. He wrote the opera
176:contemporary classical music
7:
3341:English classical composers
3167:New Music Manchester School
2883:(1985). "Alexander Goehr".
2628:Williams, Nicholas (2017).
2582:Williams, Nicholas (2001).
2376:University of Plymouth 2024
1173:
754:Babylon the Great is Fallen
437:in 1954 by Hedi Stock-Hug.
10:
3432:
3356:Jewish classical composers
2585:"Goehr, (Peter) Alexander"
2493:Grünzweig, Werner (2024).
1913:British Music Society 2024
1888:Royal Philharmonic Society
1873:
1051:
1040:Goehr died at his home in
865:in 1999, premiered at the
665:, and went on to teach at
485:
402:New Music Manchester Group
316:at age 12, and his father
254:(1968–70), the orchestral
3416:21st-century English Jews
3411:20th-century English Jews
3173:
3115:
3094:
3051:
3042:
1679:10.1017/S0040298210000136
1421:Perspectives of New Music
1190:Goehr, Alexander (1978).
904:. A set of piano pieces,
844:Boston Symphony Orchestra
564:Pictures at an Exhibition
482:Return to the UK, 1956–76
150:
139:
129:
119:
102:
90:
71:
42:
30:
23:
2968:21 February 2011 at the
2924:Van Zandt, Jack (2023).
2835:"Kantan and Damask Drum"
2697:British Music Collection
2693:"Kantan and Damask Drum"
1126:Das Gesetz der Quadrille
1047:
971:. In the same year came
906:Symmetry Disor.der Reach
709:In 1976, Goehr composed
648:Israel Chamber Orchestra
533:composer and his music:
380:from 1952 to 1955, with
3346:English opera composers
2839:University of Cambridge
2596:Oxford University Press
1849:
1826:
1795:
1764:
1733:
1702:
1634:
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1572:
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1510:
1479:
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1386:
1355:
1320:
1281:
1250:
1210:
1189:
1003:...between the lines...
950:British Composer Awards
890:Marching to Carcassonne
778:, recalling Messiaen's
729:, written in memory of
435:Darmstädter Ferienkurse
180:University of Cambridge
124:University of Cambridge
3084:Kantan and Damask Drum
2859:University of Plymouth
1884:University of Plymouth
1141:Second Viennese School
1124:inspired or appear in
1097:Kantan and Damask Drum
908:, recalling a Baroque
862:Kantan and Damask Drum
829:
733:. It was premiered by
723:Symphony with Chaconne
671:Southampton University
644:Sonata about Jerusalem
540:
479:
442:Conservatoire de Paris
275:Southampton University
2717:British Music Society
2671:"To These Dark Steps"
1403:10.1093/jrma/100.1.85
1137:First Viennese School
1029:was premiered by the
1017:was composed for the
965:English Touring Opera
930:Since Brass nor Stone
824:
786:, and the 1995 opera
756:(1979) and the opera
731:Johann Sebastian Bach
535:
517:Goehr worked for the
474:
291:in 1995, setting the
163:Peter Alexander Goehr
47:Peter Alexander Goehr
3183:Peter Maxwell Davies
3107:New Music Manchester
3045:List of compositions
2963:Alexander Goehr page
2737:Cambridge University
2181:Amersham Museum 2024
944:, was inspired by a
752:; while the cantata
679:Cambridge University
452:and involved in the
414:Turangalîla Symphony
386:Peter Maxwell Davies
211:Peter Maxwell Davies
134:List of compositions
3406:Schoenberg scholars
3178:Harrison Birtwistle
2354:, pp. 201–208.
2243:, pp. 291–292.
1892:Akademie der Künste
1077:Metamorphosis/Dance
1025:. A string quartet
954:…between the lines…
928:, written in 2008.
912:, was premiered bv
675:University of Leeds
625:Hamburg State Opera
584:Metamorphosis/Dance
390:Harrison Birtwistle
338:. The boy attended
335:A Child of Our Time
279:University of Leeds
256:Metamorphosis/Dance
215:Harrison Birtwistle
2895:. pp. 13–21.
2656:amershammuseum.org
2591:Grove Music Online
2469:The Death of Moses
1296:Ginastera, Alberto
1108:The Death of Moses
946:Shakespeare sonnet
942:Pavel Haas Quartet
936:for percussionist
898:London Sinfonietta
812:The Death of Moses
742:The Death of Moses
597:Goehr founded the
340:Berkhamsted School
3206:
3205:
3133:
3132:
2935:978-1-80017-357-6
2902:978-0-571-10061-3
2796:"Alexander Goehr"
2733:"Alexander Goehr"
2630:"Alexander Goehr"
2619:(subscription or
2613:978-1-56159-263-0
2554:978-0-7546-3497-3
2486:Royal Opera House
2484:(Program notes).
2471:(Program notes).
2450:Faber & Faber
1799:The Musical Times
1775:(1461): 820–821.
1768:The Musical Times
1744:(1449): 795–796.
1737:The Musical Times
1706:The Musical Times
1641:Neighbour, Oliver
1607:The Musical Times
1552:(1820): 610–611.
1545:The Musical Times
1459:(1689): 677–678.
1452:The Musical Times
1366:(1564): 588–590.
1359:The Musical Times
1335:(1505): 588–590.
1328:The Musical Times
1254:The Musical Times
1226:978-0-571-19310-3
1169:Goehr discography
1085:Colossus or Panic
1069:Leonardo da Vinci
840:Colossos or Panic
808:Royal Opera House
804:Renaissance music
794:Ottavio Rinuccini
780:bird vocalization
764:Babylon the Great
762:(1985)—for which
636:Naboth's Vineyard
582:. The orchestral
576:Jacqueline du Pré
502:Sergei Eisenstein
314:Vladimir Horowitz
308:Youth and studies
269:from 1968 and at
207:Manchester School
160:
159:
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2846:
2830:
2828:
2826:
2821:. 29 August 2024
2810:
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2769:
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2757:
2748:
2746:
2744:
2739:. 26 August 2024
2728:
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2719:. 27 August 2024
2708:
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2587:
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2574:
2558:
2547:. pp. 3–4.
2526:
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2401:(2/3): 201–208.
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1996:
1990:
1933:
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1910:
1869:
1846:
1823:
1792:
1761:
1730:
1690:
1635:——;
1631:
1600:
1569:
1538:
1521:(2–3): 143–175.
1507:
1476:
1445:
1414:
1383:
1352:
1321:——;
1317:
1282:——;
1278:
1238:
1207:
1196:Birkbeck College
1031:Villiers Quartet
1019:Bamberg Symphony
1011:Chamber Symphony
634:of three works,
580:Daniel Barenboim
295:of Monteverdi's
219:Olivier Messiaen
173:
171:['ɡøːɐ̯]
168:
112:academic teacher
98:
78:
56:
54:
35:
21:
20:
3431:
3430:
3426:
3425:
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3421:
3420:
3291:
3290:
3289:
3279:
3277:
3265:
3255:
3253:
3243:
3241:
3237:Classical music
3231:
3229:
3219:
3217:
3209:
3207:
3202:
3188:Alexander Goehr
3169:
3164:
3134:
3129:
3111:
3090:
3047:
3038:
3036:Alexander Goehr
3033:
2994:
2987:discography at
2985:Alexander Goehr
2976:Alexander Goehr
2970:Wayback Machine
2954:
2936:
2903:
2893:Faber and Faber
2881:Griffiths, Paul
2876:
2874:Further reading
2863:
2861:
2844:
2842:
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2822:
2804:
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2555:
2531:Holloway, Robin
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1999:
1991:
1936:
1928:
1919:
1911:
1904:
1900:
1876:
1806:(1499): 35–36.
1653:Matthews, David
1620:10.2307/1193892
1614:(1867): 19–28.
1558:10.2307/1003125
1261:(1463): 22–24.
1227:
1217:Faber and Faber
1176:
1165:
1061:
1056:
1050:
999:Largo Siciliano
981:chorale setting
856:
827:modern theatre.
707:
691:George Benjamin
687:Julian Anderson
667:Yale University
592:Bernard Haitink
568:Little Symphony
556:Little Symphony
491:
484:
427:Songs for Babel
352:Michael Tippett
344:Communist Party
310:
305:
303:Life and career
271:Yale University
238:Little Symphony
192:George Benjamin
188:Julian Anderson
166:
115:
94:
86:
80:
76:
67:
58:
52:
50:
49:
48:
38:
26:
25:Alexander Goehr
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3285:United Kingdom
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3068:Behold the Sun
3064:
3060:Arden Must Die
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2953:
2952:External links
2950:
2949:
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2907:
2901:
2875:
2872:
2871:
2870:
2851:
2841:. 6 March 2002
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2497:. Wolke-Verlag
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2407:10.2307/854026
2394:Music Analysis
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2205:Grünzweig 2024
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2169:Cambridge 2024
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2058:Telegraph 2024
1997:
1934:
1917:
1901:
1899:
1896:
1875:
1872:
1871:
1870:
1860:(136): 25–28.
1847:
1837:(114): 25–28.
1829:Style and Idea
1824:
1812:10.2307/951415
1793:
1781:10.2307/950438
1762:
1750:10.2307/950161
1731:
1719:10.2307/948913
1699:
1698:
1692:
1691:
1673:(252): 14–20.
1661:Payne, Anthony
1657:Maconie, Robin
1632:
1601:
1589:10.2307/854111
1576:Music Analysis
1570:
1539:
1527:10.2307/854024
1514:Music Analysis
1508:
1496:10.2307/854235
1490:(1/2): 59–71.
1483:Music Analysis
1477:
1465:10.2307/961421
1446:
1434:10.2307/832080
1415:
1384:
1372:10.2307/955547
1353:
1341:10.2307/952669
1323:Sadie, Stanley
1318:
1288:Crosse, Gordon
1284:Smalley, Roger
1279:
1267:10.2307/948584
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1113:Moses und Aron
1093:Arden Must Die
1089:Bertolt Brecht
1075:piano sonata (
1060:
1057:
1052:Main article:
1049:
1046:
1042:Cambridgeshire
1015:Two Sarabandes
973:When Adam Fell
952:. Goehr wrote
900:, alluding to
855:
852:
833:Reith Lectures
784:English poetry
759:Behold the Sun
735:Oliver Knussen
706:
703:
695:Robin Holloway
608:Arden Must Die
599:Wardour Castle
527:Leeds Festival
483:
480:
423:medieval modes
309:
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273:, then at the
247:Arden Must Die
236:. He composed
196:Robin Holloway
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83:Cambridgeshire
81:
79:(aged 92)
75:25 August 2024
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65:Weimar Germany
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2385:Cited sources
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2364:Williams 2001
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2340:Holloway 2003
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2862:. Retrieved
2843:. Retrieved
2823:. Retrieved
2803:. Retrieved
2800:Schott Music
2784:. Retrieved
2780:Schott Music
2764:. Retrieved
2759:
2741:. Retrieved
2721:. Retrieved
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2659:. Retrieved
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2640:. Retrieved
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2571:. Retrieved
2568:Schott Music
2535:
2519:. Retrieved
2515:
2499:. Retrieved
2481:
2475:. p. 8.
2468:
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2433:. Retrieved
2429:The Guardian
2427:
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2352:Boynton 1992
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203:Walter Goehr
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155:Walter Goehr
77:(2024-08-25)
18:
3306:2024 deaths
3301:1932 births
2845:1 September
2703:1 September
2683:1 September
2638:(in German)
2516:Opera Today
2501:1 September
2253:Schott 2019
2146:Schott 2024
1894:in Berlin.
1428:(2): 3–16.
1157:Sing, Ariel
1149:Max Deutsch
1122:Franz Kafka
1023:Lahav Shani
914:Huw Watkins
848:Seiji Ozawa
776:Sing, Ariel
683:Thomas Adès
638:(1968) and
621:Erich Fried
544:John Alldis
531:avant-garde
466:twelve-tone
458:bloc sonore
406:avant-garde
184:Thomas Adès
145:Lydia Goehr
103:Occupations
3295:Categories
3198:John Ogdon
2944:1400116589
2891:. London:
2594:. Oxford:
2448:. London:
2277:Goehr 1995
2265:Goehr 1992
2241:Goehr 1998
2229:Goehr 1998
2217:Goehr 1998
1993:Peter 2024
1898:References
1649:Wood, Hugh
1583:(1): 1–3.
1215:. London:
1194:. London:
1163:Recordings
1104:The Deluge
1065:The Deluge
934:Pavel Haas
922:plainchant
768:Anabaptist
640:Shadowplay
627:in 1967.
498:The Deluge
398:John Ogdon
371:Manchester
356:Allan Gray
330:Monteverdi
322:Schoenberg
297:lost opera
230:The Deluge
53:1932-08-10
3225:Biography
2825:29 August
2805:26 August
2776:"Arianna"
2743:26 August
2723:27 August
2661:26 August
2642:27 August
2623:required)
2573:26 August
2541:Aldershot
2521:30 August
2473:BBC Proms
2435:29 August
1637:Kemp, Ian
1397:: 85–96.
1178:Sources:
1099:, 1999).
1073:Beethoven
1037:in 2023.
969:King Lear
916:in 2007.
854:1996–2024
799:L'Arianna
750:Holocaust
705:1976–1996
613:Brechtian
560:Catacombs
468:works of
454:serialist
431:Prokofiev
242:serialism
91:Education
85:, England
3125:Category
2966:Archived
1687:40794440
1244:Articles
1235:38844411
1204:16422090
1174:Writings
1128:(1979).
1102:Just as
1027:Ondering
940:and the
926:ornament
896:and the
782:setting
719:Sinfonia
711:Psalm IV
632:Triptych
617:Jacobean
552:modality
326:Messiaen
293:libretto
283:Psalm IV
252:Triptych
140:Children
109:Composer
3249:England
3211:Portals
3095:Related
3076:Arianna
3000:YouTube
2989:Discogs
2864:12 June
2786:12 July
2766:12 July
2545:Ashgate
2482:Arianna
1874:Honours
1696:Reviews
1628:1193892
1566:1003125
1153:melodic
1118:Arianna
1033:at the
1013:op. 9.
838:Goeh's
820:Arianna
789:Arianna
772:Münster
572:Romanza
514:noted.
495:cantata
367:kibbutz
288:Arianna
227:cantata
167:German:
3087:(1999)
3079:(1995)
3071:(1985)
3063:(1967)
2942:
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2899:
2782:. 2019
2762:. 2024
2699:. 2024
2679:. 2024
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918:Manere
875:kyogen
816:Varèse
663:Boston
506:Webern
363:Schott
320:was a
267:Boston
151:Parent
61:Berlin
3273:Opera
3261:Music
3052:Music
2756:(PDF)
2411:JSTOR
1862:JSTOR
1857:Tempo
1839:JSTOR
1834:Tempo
1816:JSTOR
1785:JSTOR
1754:JSTOR
1723:JSTOR
1683:JSTOR
1666:Tempo
1624:JSTOR
1593:JSTOR
1562:JSTOR
1531:JSTOR
1500:JSTOR
1469:JSTOR
1438:JSTOR
1407:JSTOR
1376:JSTOR
1345:JSTOR
1310:JSTOR
1301:Tempo
1271:JSTOR
1183:Books
1048:Works
910:suite
886:Ravel
746:Moses
130:Works
2980:IMDb
2940:OCLC
2930:ISBN
2915:ISBN
2897:ISBN
2866:2024
2847:2024
2827:2024
2807:2024
2788:2019
2768:2019
2745:2024
2725:2024
2705:2024
2685:2024
2663:2024
2644:2024
2608:ISBN
2575:2024
2549:ISBN
2523:2024
2503:2024
2454:ISBN
2437:2024
1231:OCLC
1221:ISBN
1200:OCLC
1139:and
1081:Goya
975:, a
693:and
650:and
611:, a
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419:raga
350:and
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2998:on
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
