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Aleksander Gurilyov

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200:, Makarova, and rapidly acquired rapid popularity. Some of his compositions were published by well-known publishers in music magazines such as the Russian publisher Bernard. He is accredited with writing over 60 individual songs among other incidental works. Some of his most popular songs are noted to be on the rather morose, melancholic, and somber side such as, “The bell is ringing in the same sound”, “Justification”, “Both boring and sad”, “Winter evening”, “You cannot understand my sadness”, and“Parting.” His romance "After the Battle," with words written by the Ukrainian-Greek poet 231:
folk-song tradition. Due to his affinity for clear melodies, and cantilena continuity, Gurilyov could be considered closer to Glinka's vein of first-hand, folk deference than Tchaikovsky's more idealistic approach. On the other hand, a number of romances were written in more structural, less archetypically decadent, systematically melodramatic style, anticipatory of the full-breasted works of Dargomyzhsky, Mussorgsky, and Tchaikovsky.
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Aleksander was mostly known during his lifetime for his vocal works. His romances are imbued with romantically decadence, sentimental atmospheres and ethos, along with subtle lyricism tinged with proto-Rachmaninoffian nostalgic tendencies. His aesthetic choices are strongly influenced by the Russian
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Despite the rapid and sustained success of his published songs and compositions, Gurilyov spent most of his adult life in poverty, earning his keep as a private music teacher and editor. In his last years, he became paralyzed and suffered from mental illness, which eventually became the cause of his
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through his solid technical accomplishments. He composed well over 200 pieces imbued with romantic, sentimental moods and subtle lyricism which enjoyed great success in Russia. He wrote numerous morceaux (short pieces) in a proto-dramatic, lyric declamatory style, all pre-dating the aesthetics of
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Most of his songs were written within the 1820s and 1830s. He wrote over 200 pieces, of which 50 are either folk pieces or were written using similar effects. Many of his songs have been sung by the
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He was also prolific in piano compositions, many of them pianistic expansions on his own songs, along with other smaller forms such as variations, fantasies, salon songs, and even opera.
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In 1831, he was freed from serfdom after the death of his father's owner and subsequently moved to Moscow, where he soon became known as a composer of folk music, pianist, and teacher.
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and later studied music theory under the guidance of Iosif I. Genishta. Within the serf orchestra, Aleksander played the violin and viola, and routinely played within the quartet of
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An important component of Gurilyov's vocal compositions is a carefully developed, and schematically organized piano accompaniment.
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30 August] 1858) was a composer, pianist, violinist, and music teacher who largely enriched the traditional
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Aleksander was born in Semyonovskoye, Serpukhov Oblast into the family of serf musicians in the court of Count
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A Double Garland: Poetry and Art-Song in Early-Nineteenth-Century Russia
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St. Petersburg City Children's Music School im.S.S.Lyahovitskoy.
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Of great importance for him was his friendship with the composer
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Aleksander was raised as a member of the court of Count Vladimir
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Having become acquainted with the representatives of the Moscow
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Russian composers and musicians: a biographical dictionary
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22 August] 1803 – 11 September [
100:: Александр Львович Гурилёв; 3 September [ 498: 591: 492: 204:, was popular among naval populations since the 532:. Northwestern University Press. p. 273. 440: 438: 436: 222:death, eventually passing in Moscow in 1858. 391:Art and culture in nineteenth-century Russia 478:. Cambridge University Press. p. 164. 433: 415: 413: 411: 246:and other renowned, Russian vocal groups. 635:Classical pianists from the Russian Empire 625:Romantic composers from the Russian Empire 420:Prokhorov, Aleksandr Mikhailovich (1982). 34: 584:International Music Score Library Project 505:. New York: Greenwood Press. p. 52. 419: 552: 408: 394:. Indiana University Press. p. 74. 546: 387: 352:Variations on Do Not Awaken Her at Dawn 592: 499:Vodarsky-Shiraeff, Alexandria (1969). 381: 157:. He was taught violin by his father, 525: 519: 471: 465: 426:. New York: Macmillan. p. 488. 423:Great Soviet encyclopedia, Volume 7 13: 580:Free scores by Aleksander Gurilyov 475:The Cambridge Companion to Pushkin 388:Stavrou, Theofanis George (1983). 308:Monotonously Rings the Little Bell 14: 656: 573: 320:(words by Eduard Ivanovich Guber) 630:Russian male classical composers 610:19th-century classical composers 262:The Bell Is Ringing Monotonously 237: 640:Russian male classical pianists 615:19th-century classical pianists 313:You Can Not Understand My Grief 269:(words by Aleksandr Polezhayev) 257:The Gray-Winged Swallow Hovers 1: 374: 358:Do Not Torture Me, My Darling 334:You Do Not Sing, Nightingale 293:Avert Your Eyes, Don't Look! 216:Alexander Egorovich Varlamov 94:Aleksander L'vovich Gurilyov 61:11 September  1858 7: 645:19th-century male musicians 447:"Александр Львович Гурилёв" 348:(At the Dawn of Hazy Youth) 140: 110:romantic Russian repertoire 46:3 September  1803 10: 661: 342:(words by Aleksey Koltsov) 336:(words by Aleksey Koltsov) 79:Composer, Pianist, Teacher 52:, Serpukhov Oblast, Russia 526:Hodge, Thomas P. (1999). 298:I Told You When We Parted 283:The Lovely Bird Has Flown 184: 128: 83: 75: 65: 57: 42: 33: 28: 21: 368:Mikhail Ivanovich Glinka 225: 169:in the orchestra of the 555:Istoriia russkoi muzyki 449:. GDMSH. Archived from 553:Tumanina, N V (1957). 29:Александр Л. Гурпильёв 23:Aleksander L. Gurilyov 620:Composers from Moscow 472:Kahn, Andrew (2006). 354:of Alexander Varlamov 453:on 11 September 2013 278:Song Of The Coachman 303:The Maiden's Sorrow 288:The Swallow Circles 202:Nikolay Shcherbina 149:'s country estate 328:Mikhail Lermontov 244:Don Cossack Choir 91: 90: 84:Years active 652: 567: 566: 550: 544: 543: 523: 517: 516: 496: 490: 489: 469: 463: 462: 460: 458: 442: 431: 427: 417: 406: 405: 385: 340:A Girl's Sadness 38: 19: 18: 16:Russian composer 660: 659: 655: 654: 653: 651: 650: 649: 590: 589: 576: 571: 570: 551: 547: 540: 524: 520: 513: 497: 493: 486: 470: 466: 456: 454: 443: 434: 418: 409: 402: 386: 382: 377: 372: 360:from the opera 252:Mother, My Dear 240: 228: 198:Aleksey Koltsov 187: 179:Prince Golitsyn 143: 131: 53: 47: 24: 17: 12: 11: 5: 658: 648: 647: 642: 637: 632: 627: 622: 617: 612: 607: 602: 588: 587: 575: 574:External links 572: 569: 568: 545: 538: 518: 511: 491: 484: 464: 432: 407: 400: 379: 378: 376: 373: 371: 370: 355: 349: 343: 337: 331: 321: 315: 310: 305: 300: 295: 290: 285: 280: 275: 270: 267:Little Sarafan 264: 259: 254: 248: 239: 236: 227: 224: 194:intelligentsia 186: 183: 142: 139: 130: 127: 89: 88: 85: 81: 80: 77: 73: 72: 70:Russian Empire 67: 63: 62: 59: 55: 54: 48: 44: 40: 39: 31: 30: 26: 25: 22: 15: 9: 6: 4: 3: 2: 657: 646: 643: 641: 638: 636: 633: 631: 628: 626: 623: 621: 618: 616: 613: 611: 608: 606: 603: 601: 598: 597: 595: 585: 581: 578: 577: 564: 560: 556: 549: 541: 539:081-011-684-7 535: 531: 530: 522: 514: 508: 504: 503: 495: 487: 485:052-184-367-7 481: 477: 476: 468: 452: 448: 441: 439: 437: 430: 425: 424: 416: 414: 412: 403: 401:025-331-051-2 397: 393: 392: 384: 380: 369: 365: 364: 359: 356: 353: 350: 347: 344: 341: 338: 335: 332: 329: 325: 322: 319: 316: 314: 311: 309: 306: 304: 301: 299: 296: 294: 291: 289: 286: 284: 281: 279: 276: 274: 271: 268: 265: 263: 260: 258: 255: 253: 250: 249: 247: 245: 238:Musical works 235: 232: 223: 219: 217: 212: 209: 207: 203: 199: 195: 190: 182: 180: 176: 172: 168: 167:kapellmeister 165:musician and 164: 160: 156: 152: 148: 138: 136: 126: 124: 120: 116: 111: 107: 103: 99: 95: 86: 82: 78: 76:Occupation(s) 74: 71: 68: 64: 60: 56: 51: 45: 41: 37: 32: 27: 20: 554: 548: 528: 521: 501: 494: 474: 467: 455:. Retrieved 451:the original 422: 390: 383: 363:Ivan Susanin 361: 357: 351: 345: 339: 333: 323: 317: 312: 307: 302: 297: 292: 287: 282: 277: 272: 266: 261: 256: 251: 241: 233: 229: 220: 213: 210: 191: 188: 159:Lev Gurilyov 150: 144: 132: 115:Dargomyzhsky 93: 92: 605:1854 deaths 600:1803 births 318:A Toy Heart 273:La Fontaine 206:Crimean War 123:Tchaikovsky 87:1820s–1830s 66:Citizenship 50:Semyonovsky 594:Categories 512:0837125618 375:References 346:Separation 326:(words by 324:The Prayer 175:John Field 135:V.G. Orlov 119:Mussorgsky 429:60879620 141:Training 586:(IMSLP) 582:at the 563:7311720 457:22 July 151:Otrada, 98:Russian 561:  536:  509:  482:  398:  185:Career 171:Orlovs 155:Moscow 129:Family 226:Style 153:near 147:Orlov 559:OCLC 534:ISBN 507:ISBN 480:ISBN 459:2012 396:ISBN 163:serf 161:, a 121:and 106:O.S. 102:O.S. 58:Died 43:Born 366:of 596:: 435:^ 410:^ 181:. 125:. 117:, 565:. 542:. 515:. 488:. 461:. 404:. 330:) 96:(

Index


Semyonovsky
Russian Empire
Russian
O.S.
O.S.
romantic Russian repertoire
Dargomyzhsky
Mussorgsky
Tchaikovsky
V.G. Orlov
Orlov
Moscow
Lev Gurilyov
serf
kapellmeister
Orlovs
John Field
Prince Golitsyn
intelligentsia
Aleksey Koltsov
Nikolay Shcherbina
Crimean War
Alexander Egorovich Varlamov
Don Cossack Choir
Mikhail Lermontov
Ivan Susanin
Mikhail Ivanovich Glinka
Art and culture in nineteenth-century Russia
ISBN

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