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different theories on this, such as the "forbidden fruit" and "tainted fruit" theories. The "forbidden fruit" theory states that when a child sees the parental advisory label on an album cover they will be more likely to listen to it because there is an increased attractiveness to the music. There are many adolescents that follow the "forbidden fruit" theory as a way to either lash out at their parents or to make themselves feel more mature than they are. They may use explicit music as a way to be rebellious and to appear cooler to their friends, even if they are much too young to be exposed to that kind of music. The "tainted fruit" theory states that the child will see the label and immediately know to avoid this kind of content because it is inappropriate for their age. These children are the ones who see the label and do not even acknowledge this album or these songs because they know that it is not made for them. The
Recording Industry Association of America (RIAA) introduced this warning label and it is now a requirement on any explicit music. However, the RIAA is unable to actually control whether or not adolescents will be listening to the music but as of now there is no way to fully control what these children are doing.
1005:
album covers is only displayed that way because this is what the white audience seemed to appreciate the most. This version of the reggae artists is what many people take notice of and what makes them unique in regards to other genres. However, these album covers do not accurately represent the core values of typical people in
Jamaica but they deal with this representation because they know that the audience is familiar with the stereotypical rasta depiction. These album covers tend to display inauthentic versions of their considerations of style and sexuality and do not accurately display "Uptown" Jamaica.
38:
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1119:) sleeve. Especially in the case of vinyl records with paperboard sleeves, these packages are prone to wear and tear, although wear and tear does often take place to some degree on covers contained within plastic cases. A variety of treatments could be applied to improve both their appearance and durability, such as clear plastic wrap. Many products have been available for the storage of vinyl albums, often clear plastic sleeves.
241:
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146:
375:, which included a photograph by Seeff as a poster insert, is an early example of LP artwork quickly becoming a collector's item. The move to the small (less than 1/4 the size of a record) CD format lost that impact, although attempts have been made to create a more desirable packaging for the CD format, for example the reissue of
1131:. These quite often have a circular cut out so that the record label can be read without directly handling the record, though when the inner sleeve is printed with lyrics, which became quite common, then there is usually no hole. Decca Records used a system of colour-coding on these sleeves where a blue color denoted a
167:
producer or the retailer's name. These were invariably made out of acid paper, limiting conservability. Generally the sleeves had a circular cutout allowing the record label to be seen. Records could be laid on a shelf horizontally or stood upright on an edge, but because of their fragility, many broke in storage.
1168:), and possibly a track listing. Other information is seldom included on the cover, and is usually contained on the rear or interior of the packaging, such as a track listing together with a more detailed list of those involved in making the record, band members, guest performers, engineers and producer. On the
254:
Album covers are one of the various ways in which first impressions affect an audience's perception of a given musician or band, or other content of the album. Album covers' design cover may also add to how an audience forms an opinion of them and their music. There are various ways in which an album
225:
measuring 12 in (30 cm) by 6 in (15 cm), which provided more space for album artwork than the jewel cases they contained, but were seen as harmful to the environment since the cardboard box was typically discarded by the buyer soon after purchase. Major record labels in the United
186:
In 1938, Columbia
Records hired Alex Steinweiss as its first art director. He is credited with inventing the concept of album covers and cover art, replacing the plain covers used before. After his initial efforts at Columbia, other record companies followed his lead. By the late 1940s, record albums
182:
Starting in the 1930s, record companies began issuing collections of 78-rpm records by one performer or of one type of music in specially assembled collections. These albums of several 78-rpm records could include a collection of popular songs related by either performer or style, or extended-length
178:
Beginning in the 1920s, bound collections of empty sleeves with a plain paperboard or leather cover were sold as "record albums" (similar to a photograph album) that customers could use to store their records. (The name "record album" was printed on some covers.) These empty albums were sold in both
1004:
A genre of music that people have found issues in album covers is reggae. There are certain reggae artists that feel that the way they are displayed on their own album covers is not an accurate way of describing themselves and their culture. The stereotypical rasta lifestyle depicted on many reggae
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Parental advisory labels are warning labels that are required to be placed on album covers when the music on the album contains explicit content such as vulgar language. These labels have been known to be controversial when it comes to keeping underage audiences from this content. There are a few
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sleeve, there is usually an inner protective cover to protect against dust and handling. This is normally shaped to allow it to readily slide within the outer cover. The inner sleeve is either thin white paper, either plain or printed with information on other recordings available from the same
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Around 1910, 78-rpm records replaced the phonograph cylinder as the medium for recorded sound. The 78-rpm records were issued in both 10- and 12-inch diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the
218:(which has been a popular alternative form of packaging in recent years, but remains supplanted by the jewel case due to higher manufacturing costs and lower durability). Typically the album cover component of these packages is approximately 4.75 in (12.1 cm) square.
190:
When the 10- and 12-inch long-playing records (LPs) came along in 1948, and box sets of 45-rpm records soon followed (see gramophone record), the name "album" was used for the new format of collections, and the creation of artistic original album covers continued.
315:, containing a photo of a young white woman, as a design that "played a dual role: she represented the transcendent power of the music, and obscured the race of its creator." The standard portrait-based LP cover was further challenged over 1965â66 by Dylan's
174:
by
Tchaikovsky on four double-sided discs in a specially designed package. (It is not indicated what the specially designed package was.) The practice of issuing albums does not seem to have been taken up by other record companies for many years.
179:
10- and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, and suspending the fragile records above the shelf, protecting them.
1712:. Fort Worth, Tex.: Fort Worth Art Museum, 1977. N.B'khauhelo. This is the illustrated catalogue of an exhibition which first showed from 4 Dec. to 15 Jan. 1977 in Fort Worth and then in art galleries at Philadelphia, Montréal, and Chicago.
850:
A number of artists and bands feature members who are, in their own right, accomplished illustrators, designers and photographers and whose talents are exhibited in the artwork they produced for their own recordings. Examples include
1199:
format for interactive album artwork introduced by Apple in 2009. Resolution for digital album covers should be at least 800Ă800 (1:1 aspect ratio); lower resolutions might not look good on newer devices.
661:
203:. The LP format remains in use for occasional new releases, though other formats have largely supplanted it. The size of the typical cardboard LP sleeve cover is 12.375 in (31.43 cm) square.
1085:
had a front cover that contained a revolving disc which brought different images into view through small cut-outs in the outer sleeve. A similar effect was used for the band's later album
255:
cover is visualized. Some examples include artists choosing to put a photo of themselves, which is one of the factors that add to the observation of the band, the musician, and the music.
187:
for all the major companies featured their own colorful paper covers in both 10- and 12-inch sizes. Some featured reproductions of classic art while others utilized original designs.
425:
The talents of many photographers and illustrators from both inside and outside of the music industry have been used to produce a vast array of memorable LP/CD covers. Photographer
2942:
2911:
1750:
270:, album covers became renowned for being a marketing tool and an expression of artistic intent. Album art has also been discussed as an important postwar cultural expression.
650:
A number of record covers have also used images licensed (or borrowed from the public domain) from artists of bygone eras. Well-known examples of this include the cover of
2919:
1587:
Huss, Hasse. âThe âZinc-Fence Thingâ: When Will Reggae Album Covers Be
Allowed out of the Ghetto?â Black Music Research Journal, vol. 20, no. 2, 2000, pp. 181â194. JSTOR,
1625:
Peter
Christenson, The Effects of Parental Advisory Labels on Adolescent Music Preferences, Journal of Communication, Volume 42, Issue 1, March 1992, Pages 106â113,
3010:
214:
vary, including the jewel case (which since 1982 has been the most popular form of CD packaging), and the cardboard and plastic combination commonly known as a
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recording (the mono record players of the time were not always compatible with stereo records). This system was begun in the 1960s to reduce packaging costs.
1857:
1148:
Besides the practicalities of identifying specific records, album covers serve the purpose of advertising the musical contents on the LP, through the use of
2990:
2952:
624:
339:(a folded double cover) and inserts, often with lyric sheets, made the album cover a desirable work in its own right. Notable examples are the Beatles'
2901:
289:
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format) music files can contain embedded digital album artworks (called cover images or simply covers) in jpeg format. One digital solution is the
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form; and the album title. Occasionally, though more common on historical vinyl records, the cover may include a reference number; a branding (the
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1726:
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of the package, the artist, title, and reference number are usually repeated so that albums can be identified while tightly packed on a shelf.
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The importance of design was such that some cover artists specialised or gained fame through their work. Such people include the design team
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3203:
2995:
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1069:(often referred to as the White Album) contained four large glossy photos of the individual Beatles along with a poster-sized collage.
1832:
1747:
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2927:
1800:
1494:. Antoine de Beaupré, Serge Vincendet, Sam Stourdzé, Jacques Denis, Jean-Baptiste Mondino (1st Aperture ed.). New York. 2016.
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nominations. In addition to the examples mentioned previously, a number of world-renowned graphic artists and illustrators such as
341:
1602:
1107:
had a black-and-white design on the centre label that produced a hypnotic optical effect when the disc revolved on the turntable.
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2583:
1852:
321:, through the inclusion of symbolic artefacts around the singer; the artificially stretched faces of the Beatles shown on their
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3000:
2971:
199:
From the 1950s through to the 1980s, the 12" LP record and the 45 rpm record became the major formats for the distribution of
1373:
1965:
1867:
508:
345:, which had cut-out inserts, printed lyrics, and a gatefold sleeve, even though it was a single album; the Rolling Stones'
329:
1145:
widened the variety of presentations as well, even as the size of the CD meant that album covers were no longer so large.
3027:
3017:
1413:
1213:
as a free download on the band's website, attaching separate but thematically connected images to each individual track.
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suggested that the album cover was dead. Album art is still considered a vital part of the listening experience to many.
656:
3032:
2885:
1657:
1550:
1499:
1438:
1246:
1031:
418:
1115:
The album cover is a component of the overall packaging of an album. These could be done in a single or a multiple (
2603:
1903:
1639:
258:
The album cover eventually became an important part of the culture of music. Under the influence of designers like
2593:
2061:
1960:
1222:
1099:
948:
1227:
Some album covers have been banned due to depicting violence, nudity, or other offensive imagery. For instance,
1097:
by the
Rolling Stones had an actual zipper incorporated into the picture of the crotch area of a pair of jeans.
3022:
1683:
3108:
3103:
3098:
1842:
1049:
was originally issued in an opaque plastic package through which a design (a
Leonardo sketch) could be seen.
2978:
1837:
1793:
1051:
459:
17:
3198:
3088:
2966:
48:
1103:
album had a Warhol-designed cardboard banana on the cover that could be peeled back. The record company
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1970:
1527:
716:
298:
1723:
2749:
2037:
1021:
552:
361:
317:
3149:
3073:
2588:
2237:
2232:
1954:
1271:
1233:
679:
481:
2182:
3161:
2859:
2480:
1913:
1786:
1319:
351:, which had a gatefold and a series of 12 perforated postcards as inserts (taken by photographer
262:, who at various stages in his long music career was vice president of creative services at both
1323:
301:
each contained a cover photograph designed to further the musical artist's public image. Author
2172:
1185:
1142:
1013:
644:
211:
114:
1474:
3193:
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1942:
1908:
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651:
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Legends from photography and video/film who have also produced record cover images include
371:
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221:
In the 1980s and early 1990s, CDs were often sold as jewel cases enclosed within cardboard
1862:
1203:
Some artists have used
Internet technology to generate even more cover art. For instance,
8:
2799:
2578:
1991:
1710:
The Record as
Artwork: from Futurism to Conceptual Art, the Collection of Germano Celant
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1065:
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820:
697:
684:
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628:
387:
246:
43:
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711:
365:, which had a gatefold, lyrics, no title on the sleeve, and poster and sticker inserts.
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2400:
2315:
2227:
2089:
1947:
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1568:
1517:
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832:
689:
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408:
294:
37:
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2784:
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2187:
2016:
1626:
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1444:
1434:
1409:
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968:
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2345:
2340:
2207:
2139:
2084:
1986:
1228:
1209:
1081:
669:
279:
263:
647:, The Rolling Stones) have all applied their talents to memorable music packages.
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2683:
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2242:
2212:
2197:
2192:
1754:
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The physical design of album covers has been the subject of creative innovation.
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German record company Odeon pioneered the "album" in 1909 when it released the
122:
78:
1383:
133:
For all tangible records, the album art also serves as part of the protective
31:
3177:
2704:
2396:
2335:
2267:
2124:
2104:
2074:
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1509:
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s cover depicted a robot rapist about to be punished by a metal avenger, and
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with cut-outs of the windows of a brownstone building. The original issue of
1071:
1056:
1046:
976:
971:, 'Mona Bone Jakon', 'Tea for the Tillerman' and 'Teaser and the Firecat' by
940:
876:
828:
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732:
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568:
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486:
302:
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134:
102:
90:
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produced some of the most iconographic album covers of the 1970s, including
379:, which had a cardboard box and booklet, or the use of oversized packaging.
3118:
3083:
2852:
2831:
2697:
2568:
2526:
2501:
2460:
2450:
2424:
2350:
2320:
2247:
2099:
2047:
1995:
1847:
1363:
1165:
1157:
932:
924:
840:
808:
800:
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728:
664:), "The Downfall of Icarus" by Genisson on the cover of the first album by
556:
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464:
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207:
111:
1122:
The surface of a vinyl record is readily damaged, so aside from the outer
3128:
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2880:
2655:
2534:
2435:
2412:
2360:
2355:
2310:
2283:
2252:
2222:
2217:
2177:
2149:
2119:
2114:
2032:
1761:
1406:
Electric Shock: From the Gramophone to the iPhone: 125 Years of Pop Music
1284:
1153:
1128:
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998:
972:
936:
824:
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150:
660:(from the painting "La Fille au Bouquet" by French painter and sculptor
210:(CD) was the most common form of physically distributed music products.
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2144:
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1937:
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1241:
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1123:
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71:
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1433:. Schroeder, Jonathan E., 1962-. Cambridge, Massachusetts: MIT Press.
3048:
2744:
2662:
2408:
2257:
2129:
2042:
1196:
1179:
888:
688:; the cover of Kansas's debut album, adapted from a mural by painter
572:
426:
383:
311:
284:
155:
84:
1772:
Designed for Dancing: How Midcentury Records Taught America to Dance
1365:
Designed for Dancing: how midcentury records taught America to dance
2824:
2774:
2669:
2298:
2293:
1431:
Designed for hi-fi living : the vinyl LP in midcentury America
1136:
1116:
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366:
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259:
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also contained a generous supply of posters and printed material.
226:
States stopped distributing CDs in longboxes as of April 1, 1993.
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2496:
2470:
2428:
2011:
1778:
1345:
Verna, Paul (April 10, 1993). "No-Longbox Era Has Smooth Start".
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812:
596:
240:
222:
215:
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2134:
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Total records : photography and the art of the album cover
724:) with the words "VIVA LA VIDA" brushed on top in white paint.
524:
160:
105:
1741:
1160:. An album cover normally has the artist's name, sometimes in
327:
album; and the darkened hues applied to the Rolling Stones on
2419:
2069:
1763:
Designed for Hi-Fi Living: The Vinyl LP in Midcentury America
63:
1008:
Album cover art was the subject of a 2013 documentary film,
145:
77:
sets of 10 in (25 cm) and 12 in (30 cm)
2769:
2621:
2109:
2001:
1877:
1161:
495:, etc.), he art directed dozens of album covers including
2794:
2764:
2690:
2465:
2006:
250:, aka "The White Album", cited for its innovative design
62:) is the front packaging art of a commercially released
792:
386:, through their work on Pink Floyd albums and others;
1735:
Glossary of Art, Architecture & Design since 1945
1261:
1540:
1627:https://doi.org/10.1111/j.1460-2466.1992.tb00772.x
1361:
1180:Album covers in the age of downloads and streaming
66:or other audio recordings. The term can refer to:
1541:Spampinato, Francesco; Wiedemann, Julius (2017).
3175:
1684:"Digital album packaging should improve in 2008"
183:classical music, including complete symphonies.
1399:
1397:
1395:
1393:
1295:Category:Album-cover and concert-poster artists
471:and in addition to his many cover photographs (
1362:Borgerson, Janet; Schroeder, Jonathan (2021).
1055:by the Beatles was first released as a double
93:(either in several connected sleeves or a box)
41:Album cover for the North American release of
1794:
1250:depicted West naked and being straddled by a
1127:company, or a paper sleeve supporting a thin
1390:
1254:with her bare breasts and buttocks showing.
1029:was originally in a circular metal tin, and
83:singles and sets of 12 in (30 cm)
1600:
1063:contained a cardboard sheet of images, and
1801:
1787:
1603:"Film puts lively spin on album cover art"
1573:: CS1 maint: location missing publisher (
1522:: CS1 maint: location missing publisher (
1475:"Andy Warhol & the Velvet Underground"
1313:
439:(recreated for their classic music video "
2276:
1769:Borgerson, Janet and Jonathan Schroeder,
1760:Borgerson, Janet and Jonathan Schroeder.
1637:
1428:
1640:"Peter Saville Says Album Cover is Dead"
1408:. London: The Bodley Head. p. 393.
239:
144:
36:
1724:"Rock Art / Rock Design / Rock Fashion"
1479:Cross-Overs: Art into Pop, Pop into Art
1403:
14:
3176:
1660:. Albumartexchange.com. Archived from
1782:
1681:
1344:
1184:In August 2008, album cover designer
509:Big Brother & the Holding Company
342:Sgt. Pepper's Lonely Hearts Club Band
1059:with a booklet between the records.
662:Ămile ThĂ©odore Frandsen de Schomberg
27:Photo on the front cover of an album
3028:Global Recording Artist of the Year
2996:Highest-grossing live music artists
1589:https://www.jstor.org/stable/779466
1143:Packaging formats for compact discs
657:Layla and Other Assorted Love Songs
125:of the album (or of its individual
24:
3204:Advertising publications by format
1808:
1757:; an interview with artist Ioannis
1698:
1682:Bruno, Antony (31 December 2007).
463:. From 1972 to 1975, photographer
74:covers typically used to package:
25:
3215:
1775:. Cambridge, MA: MIT Press, 2021.
1716:
1462:Photographer lives the Rock dream
1314:Schoenherr, Steve (6 July 2005).
1247:My Beautiful Dark Twisted Fantasy
121:the primary image accompanying a
3157:
3156:
3143:
2173:Artists and repertoire (A&R)
1904:Universal Music Publishing Group
1766:. Cambridge, MA: MIT Press, 2017
1464:BBC News. Retrieved May 26, 2011
1264:
1216:
949:Crosby, Stills, Nash & Young
947:and several others) as well for
887:(credited as "Tchocky" on misc.
236:Cover art § Album cover art
140:
2594:Entertainment Monitoring Africa
1675:
1650:
1631:
1619:
1594:
1581:
1223:List of controversial album art
1100:The Velvet Underground and Nico
979:(all albums released to date),
206:Starting in the mid-1990s, the
3094:Largest recorded music markets
3001:Highest-grossing concert tours
1534:
1484:
1467:
1455:
1422:
1355:
1338:
1316:"Recording Technology History"
1307:
1135:recording while red denoted a
419:We're Only in It for the Money
13:
1:
1300:
1207:initially released its album
1039:was in an octagonal package.
1032:Happy to Meet â Sorry to Part
625:Mike Bloomfield and Al Kooper
305:also highlights the cover of
290:The Times They Are a-Changin'
3150:Record production portal
1966:Independent UK record labels
1110:
7:
3018:Most-attended concert tours
2167:
1257:
98:the front-facing panel of:
49:the Jimi Hendrix Experience
10:
3220:
3033:Wealthiest musical artists
2886:Best-selling music artists
1601:Sam Whiting (2013-01-20).
1220:
1010:The Cover Story: Album Art
717:Liberty Leading the People
553:Emerson, Lake & Palmer
233:
194:
153:'s 1941 compilation album
29:
3137:
3041:
2873:
2808:
2737:
2728:
2640:
2604:New Zealand singles chart
2525:
2489:
2380:
2158:
2060:
2025:
1979:
1922:
1886:
1825:
1816:
1429:Borgerson, Janet (2017).
1012:, by Eric Christensen, a
499:, many of which received
467:was creative director at
362:The Dark Side of the Moon
318:Bringing It All Back Home
229:
3074:Christian music industry
2589:GfK Entertainment charts
2233:Professional audio store
1272:Record production portal
1234:Appetite for Destruction
273:During the early 1960s,
30:Not to be confused with
2481:Music streaming service
1914:Disney Music Publishing
1404:Doggett, Peter (2015).
1320:University of San Diego
959:(credited variously on
931:and most solo albums),
299:self-titled debut album
3023:Most-attended concerts
2991:Highest-paid musicians
1022:Ogden's Nut Gone Flake
1014:San Francisco Bay Area
645:The Velvet Underground
631:(The Rolling Stones),
251:
163:
51:
3104:Most valuable records
3099:Most expensive albums
3054:Album-equivalent unit
2584:Italian singles chart
2441:Promotional recording
1909:Warner Chappell Music
1899:Sony Music Publishing
1894:BMG Rights Management
1748:Album Art Is NOT Dead
1526:) CS1 maint: others (
1473:Walker, John. (1987)
845:David Michael Kennedy
652:Derek and the Dominos
243:
148:
58:(also referred to as
40:
3079:Environmental impact
2979:Best-selling singles
1992:Digital music stores
1052:Magical Mystery Tour
967:, her records), and
497:Exile on Main Street
348:Exile on Main Street
3109:Music certification
3089:Largest music deals
2967:Best-selling albums
2800:The Country Network
2579:Irish Singles Chart
2228:Musical instruments
1191:MP3, WMA, and M4A (
982:Music from Big Pink
821:Robert Mapplethorpe
698:Pure Prairie League
629:John Van Hamersveld
44:Are You Experienced
3199:Visual arts genres
2622:SNEP singles chart
2397:Extended play (EP)
2168:Album cover design
1753:2014-07-04 at the
1729:2013-05-25 at the
1016:record collector.
865:Pleased to Meet Me
833:Francesco Scavullo
690:John Steuart Curry
561:Gottfried Helnwein
409:Trout Mask Replica
295:the Rolling Stones
252:
164:
52:
3171:
3170:
3114:Parental Advisory
3069:Bootleg recording
3059:A-side and B-side
2916:
2869:
2868:
2785:The Music Factory
2627:Sverigetopplistan
2551:Argentina Hot 100
2517:Music competition
2507:Concert residency
2446:Phonograph record
2416:
2376:
2375:
2203:Music and fashion
2188:Entertainment law
2056:
2055:
2017:Virgin Megastores
1819:and organizations
1704:Celant, Germano,
1543:Art record covers
1375:978-0-262-04433-2
1088:Physical Graffiti
995:Walls and Bridges
969:Captain Beefheart
873:Lest We Forget...
777:David LaChappelle
773:Teddy Pendergrass
757:Bruce Springsteen
710:, which features
450:The Madcap Laughs
441:Bohemian Rhapsody
404:Captain Beefheart
390:, famous for his
212:Packaging formats
85:long-play records
16:(Redirected from
3211:
3160:
3159:
3148:
3147:
3146:
2914:
2735:
2734:
2632:UK singles chart
2564:Canadian Hot 100
2456:Compact cassette
2394:
2341:Session musician
2316:Hip hop producer
2274:
2273:
2208:Music journalism
2140:Rhythm and blues
1858:IFPI (worldwide)
1823:
1822:
1803:
1796:
1789:
1780:
1779:
1692:
1691:
1679:
1673:
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1471:
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1388:
1387:
1359:
1353:
1352:
1342:
1336:
1335:
1333:
1331:
1326:on 29 March 2007
1322:. Archived from
1311:
1274:
1269:
1268:
1267:
1239:
1082:Led Zeppelin III
985:(for The Band),
712:EugĂšne Delacroix
682:on the cover of
672:on the cover of
482:Hotter than Hell
369:'s 1970 release
280:With the Beatles
264:Columbia Records
172:Nutcracker Suite
123:digital download
21:
3219:
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3214:
3213:
3212:
3210:
3209:
3208:
3174:
3173:
3172:
3167:
3144:
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3133:
3037:
2865:
2804:
2724:
2719:Top of the Pops
2684:Musica e dischi
2636:
2521:
2485:
2405:Cassette single
2383:
2372:
2326:Record producer
2272:
2243:Radio promotion
2213:Music publisher
2198:Music executive
2193:Music education
2160:
2154:
2052:
2021:
1975:
1918:
1882:
1826:Representatives
1818:
1817:Major companies
1812:
1807:
1755:Wayback Machine
1731:Wayback Machine
1719:
1701:
1699:Further reading
1696:
1695:
1680:
1676:
1667:
1665:
1656:
1655:
1651:
1638:Jason Gregory.
1636:
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1472:
1468:
1460:
1456:
1441:
1427:
1423:
1416:
1415:978-1-847922182
1402:
1391:
1376:
1368:. : MIT Press.
1360:
1356:
1343:
1339:
1329:
1327:
1312:
1308:
1303:
1270:
1265:
1263:
1260:
1237:
1225:
1219:
1205:Nine Inch Nails
1182:
1113:
945:Miles of Aisles
901:Freddie Mercury
893:Michael Brecker
863:(Replacements'
857:Led Zeppelin IV
769:Whitney Houston
749:Annie Leibovitz
720:(a favorite in
694:Norman Rockwell
621:Norman Rockwell
609:The Sex Pistols
337:Gatefold covers
238:
232:
197:
143:
35:
28:
23:
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15:
12:
11:
5:
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3169:
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3138:
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3132:
3131:
3126:
3124:Surprise album
3121:
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2559:Brasil Hot 100
2553:
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2512:Music festival
2509:
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2483:
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2476:Music download
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2417:
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2368:Sound engineer
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2331:Rhythm section
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2263:Talent manager
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2097:
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2080:Easy listening
2077:
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1810:Music industry
1806:
1805:
1798:
1791:
1783:
1777:
1776:
1767:
1758:
1745:
1744:search engine;
1738:
1722:Walker, John.
1718:
1717:External links
1715:
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1244:'s 2010 album
1231:'s 1987 album
1218:
1215:
1181:
1178:
1150:graphic design
1112:
1109:
1094:Sticky Fingers
993:by Bob Dylan,
921:Who By Numbers
917:John Entwistle
909:Lynsey De Paul
869:Marilyn Manson
765:Richard Avedon
745:The Beach Boys
741:Iron Butterfly
633:Alberto Vargas
565:Marilyn Manson
533:Frank Frazetta
521:Howard Finster
513:Shepard Fairey
469:United Artists
268:United Artists
244:The cover for
231:
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196:
193:
159:issued on six
142:
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91:45 rpm records
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79:78 rpm records
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2705:Rolling Stone
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2610:Rolling Stone
2607:
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2599:Oricon charts
2597:
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2574:G-Music chart
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2347:
2346:Backup singer
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2269:
2268:Tour promoter
2266:
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2256:
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2239:
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1923:Record labels
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1689:
1685:
1678:
1664:on 2015-10-13
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1552:9783836540292
1548:
1544:
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1511:
1507:
1503:
1501:9781597113847
1497:
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1440:9780262036238
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1290:Record sleeve
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1248:
1243:
1236:
1235:
1230:
1229:Guns N' Roses
1224:
1217:Banned covers
1214:
1212:
1211:
1206:
1201:
1198:
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1189:
1187:
1186:Peter Saville
1177:
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1072:Live at Leeds
1068:
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987:Self Portrait
984:
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978:
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946:
942:
941:Joni Mitchell
938:
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930:
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922:
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914:
910:
906:
902:
898:
894:
890:
886:
882:
878:
877:Michael Stipe
874:
870:
867:and others),
866:
862:
858:
854:
848:
846:
842:
838:
834:
830:
829:Peter Gabriel
826:
822:
818:
814:
810:
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802:
798:
794:
790:
789:Anton Corbijn
786:
782:
778:
774:
770:
766:
762:
758:
754:
750:
747:and others),
746:
742:
738:
734:
733:Black Sabbath
730:
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614:
610:
606:
602:
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594:
590:
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585:Mati Klarwein
582:
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569:Al Hirschfeld
566:
562:
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546:
542:
538:
537:Molly Hatchet
534:
530:
529:Talking Heads
526:
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488:
487:Joni Mitchell
484:
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202:
201:popular music
192:
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147:
141:Early history
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3194:Illustration
3155:
3141:
3119:Record sales
3084:Hidden track
2874:Achievements
2858:
2853:The X Factor
2851:
2844:
2837:
2832:Star Academy
2830:
2823:
2816:
2717:
2710:
2703:
2696:
2689:
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2675:
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2641:Publications
2609:
2569:Circle Chart
2556:
2548:
2540:
2502:Concert tour
2425:Double album
2351:Ghost singer
2336:Orchestrator
2321:Horn section
2248:Record label
2183:Distribution
2090:Experimental
2062:Major genres
2048:Ticketmaster
1996:iTunes Store
1953:
1952:
1930:
1929:
1848:Music Canada
1770:
1762:
1742:Album Covers
1734:
1709:
1705:
1687:
1677:
1666:. Retrieved
1662:the original
1652:
1643:
1633:
1621:
1610:. Retrieved
1606:
1596:
1583:
1542:
1536:
1491:
1486:
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1351:. p. 1.
1346:
1340:
1330:27 September
1328:. Retrieved
1324:the original
1309:
1245:
1232:
1226:
1208:
1202:
1190:
1183:
1174:
1169:
1158:illustration
1147:
1141:
1133:stereophonic
1121:
1114:
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1080:
1070:
1064:
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1018:
1009:
1007:
1003:
994:
991:Planet Waves
990:
986:
980:
964:
952:
944:
933:Mike Shinoda
928:
925:Graham Coxon
920:
912:
904:
896:
880:
872:
864:
856:
849:
841:Edgar Winter
809:Jimi Hendrix
801:Depeche Mode
737:Alice Cooper
729:Drew Struzan
726:
715:
714:'s painting
707:Viva La Vida
705:
683:
673:
655:
649:
557:Debbie Harry
505:Robert Crumb
501:Grammy Award
496:
490:
480:
465:Norman Seeff
458:
448:
434:
424:
417:
407:
400:Cal Schenkel
381:
376:
372:Stage Fright
370:
360:
353:Norman Seeff
346:
340:
335:
328:
322:
316:
310:
307:Otis Redding
288:
278:
272:
257:
253:
245:
220:
208:compact disc
205:
198:
189:
185:
181:
177:
171:
169:
165:
154:
132:
70:the printed
64:studio album
59:
55:
53:
42:
18:Album covers
3129:White label
3064:Backmasking
2881:Music award
2860:Rising Star
2656:HitQuarters
2535:ARIA Charts
2451:Eight-track
2436:Music video
2413:Maxi single
2361:Ghostwriter
2356:Vocal coach
2311:Disc jockey
2284:Arrangement
2253:Record shop
2223:Music venue
2218:Music store
2178:Disc jockey
2038:Live Nation
2033:CTS Eventim
1955:Independent
1740:All iTunes
1285:Liner notes
1154:photography
1129:plastic bag
1066:The Beatles
1061:Sgt. Pepper
1027:Small Faces
999:John Lennon
973:Cat Stevens
937:Linkin Park
825:Patti Smith
817:The Hollies
805:Karl Ferris
797:The Killers
761:Patti Smith
753:John Lennon
696:'s cowboy (
685:Fleet Foxes
675:Deep Purple
666:Renaissance
641:Andy Warhol
601:David Bowie
593:Miles Davis
549:H. R. Giger
545:Iron Maiden
541:Derek Riggs
517:Johnny Cash
460:Transformer
445:Syd Barrett
414:Frank Zappa
377:Sgt. Pepper
324:Rubber Soul
275:the Beatles
247:The Beatles
151:Bing Crosby
56:album cover
32:Cover album
3178:Categories
2984:by country
2972:by country
2730:Television
2712:Smash Hits
2617:Sino Chart
2490:Live shows
2401:12" single
2289:Songwriter
2277:Production
2085:Electronic
2026:Live music
1887:Publishers
1868:PROMUSICAE
1737:, 3rd. ed.
1668:2013-06-19
1612:2013-06-13
1384:1230460986
1301:References
1280:Book cover
1242:Kanye West
1221:See also:
1137:monophonic
1124:paperboard
965:The Menace
891:records),
885:Thom Yorke
881:Accelerate
879:(R.E.M.'s
861:Chris Mars
853:Jimmy Page
837:Diana Ross
785:Elton John
722:The Louvre
605:Jamie Reid
396:Greenslade
388:Roger Dean
357:Pink Floyd
234:See also:
161:78 records
149:Cover for
72:paperboard
47:(1967) by
3189:Packaging
3049:Album era
2943:Brazilian
2915:(Females)
2846:The Voice
2819:franchise
2780:MuchMusic
2745:Channel V
2663:Hot Press
2649:Billboard
2557:Billboard
2549:Billboard
2541:Billboard
2409:CD single
2306:Conductor
2258:Road crew
2238:Promotion
2161:and roles
2043:LiveStyle
1980:Retailers
1943:Universal
1569:cite book
1561:952207403
1518:cite book
1510:948670847
1449:958205262
1348:Billboard
1197:iTunes LP
1156:, and/or
1111:Packaging
939:albums),
935:(various
897:Ringorama
889:Radiohead
577:Ken Kelly
573:Aerosmith
427:Mick Rock
384:Hipgnosis
330:Aftermath
312:Otis Blue
285:Bob Dylan
223:longboxes
156:Crosbyana
60:album art
3162:Category
3006:by women
2839:The Four
2825:Popstars
2738:Channels
2670:Kerrang!
2299:Lyricist
2294:Composer
1751:Archived
1727:Archived
1258:See also
1210:The Slip
1117:gatefold
1037:Horslips
961:Elastica
913:Surprise
847:others.
781:No Doubt
702:Coldplay
637:The Cars
617:Megadeth
613:Ed Repka
473:The Band
455:Lou Reed
436:Queen II
398:covers;
367:The Band
260:Bob Cato
103:cassette
89:sets of
2958:Swedish
2953:Italian
2948:British
2938:Belgian
2924:Genre:
2902:Germany
2897:Finland
2612:Top 100
2543:Hot 100
2497:Concert
2471:Airplay
2429:Mixtape
2384:formats
2382:Release
2159:Sectors
2125:New Age
2105:Hip hop
2075:Country
2012:Kaspien
1961:Concord
1688:Reuters
1658:"About"
1644:Gigwise
1481:(1987).
1252:phoenix
1105:Vertigo
1077:The Who
1025:by the
955:), and
905:Queen I
813:Donovan
700:), and
680:Breugel
639:), and
597:Rex Ray
589:Santana
355:); and
216:Digipak
195:Formats
115:package
3184:Albums
2892:Brazil
2809:Series
2527:Charts
2392:Single
2135:Reggae
2100:Gospel
1987:Amazon
1948:Warner
1607:SFGate
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1042:Anyway
957:M.I.A.
953:So Far
831:) and
525:R.E.M.
492:Hejira
453:, and
402:, for
230:Design
135:sleeve
127:tracks
106:J-card
3042:Other
3011:Latin
2928:Latin
2907:Japan
2420:Album
2150:World
2120:Metal
2115:Latin
2070:Blues
1932:Major
1706:et al
1477:. In
1238:'
1193:Apple
1170:spine
1166:label
670:Bosch
431:Queen
2890:In:
2817:Idol
2790:Viva
2775:Tr3s
2770:MTV2
2760:Mnet
2755:Fuse
2677:Mojo
2145:Rock
2110:Jazz
2095:Folk
2002:Fnac
1971:AAMG
1938:Sony
1878:SNEP
1873:RIAA
1853:FIMI
1838:BVMI
1833:ARIA
1575:link
1557:OCLC
1547:ISBN
1545:. .
1528:link
1524:link
1506:OCLC
1496:ISBN
1445:OCLC
1435:ISBN
1410:ISBN
1380:OCLC
1370:ISBN
1332:2012
1162:logo
989:and
977:Mika
581:Kiss
477:Kiss
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2765:MTV
2750:CMT
2691:NME
2466:DVD
2130:Pop
2007:HMV
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