Are You Experienced

838:

unable to see him, making his visual cues and prompts difficult to communicate. As was the case at De Lane Lea, Hendrix's penchant for using multiple amplifiers at extreme volume drew criticism and complaints from the people living and working near to the studio. Olympic tape operator George Chkiantz recalled: "Sometimes, it got so loud we'd turn the monitors off and there was really very little difference." Chkiantz noted that reactions to Hendrix's music were not always positive: "I seem to recall a lot of musicians, a lot of people, saying, 'I can't see what all the fuss is about myself', or 'I don't know how you listen to all that noise; I'd be scared to work with him' ... Chas was convinced that he was on to something. Not everyone was convinced that Chas was right." Another issue that complicated the sessions were the large number of female fans who would show up at the studio wanting to watch the Experience record. As a habit, Hendrix would indiscriminately tell people where they would be on any given day, which led to large groups of fans following him everywhere. Olympic employees were tasked with keeping them under control and at a safe distance so as to not unduly burden the recording process. Chkiantz commented: "It was extraordinary. I worked with

687:". Ross recalled the impact of Hendrix's Marshall stacks: "It was so loud you couldn't stand in the studio ... I'd never heard anything like it in my life." When Ross asked Hendrix where he would like the microphone placed Hendrix replied: "Oh, man, just put a mic about twelve feet away on the other side of the studio. It'll sound great." Ross agreed, and with a Neumann condenser mic he recorded Hendrix's guitar playing in a large room that, according to Ross, "was absolutely vital to the uniquely powerful Experience sound." Ross noted that input from Mitchell and Redding was minimized, and he asserted that Chandler was clearly "the one in charge" of the sessions. The band played together live at CBS; the lead and backup vocals were overdubbed. Despite his dwindling finances, Chandler encouraged the Experience to record numerous takes of a song, affording them the luxury of repeated attempts at a satisfactory recording. With a live instrument track as the foundation of the recordings, they eschewed the common practice of piecing together parts of several takes to make one continuous piece. After the December 13 recording session, the band made their television debut, on Britain's 922:

Chandler decided that they should discard the original De Lane Lea tape and record a new version of the song. During the session, Kramer prepared a reduction mix of "Highway Chile", which made two tracks available for Hendrix's lead guitar and vocal overdubs. Though stereo and mono mixes were completed for the song, Chandler preferred the mono version, which he paired with "The Wind Cries Mary" for release as the group's third UK single. A reduction mix was prepared for "Love or Confusion", and Hendrix took advantage of the newly vacant tracks by adding lead guitar and vocals. A final mix was completed before the end of the session. On April 5, Chandler participated in a

762:". Without the benefit of rehearsals, the band recorded the song in one take, to which Hendrix added several guitar overdubs; Chandler estimated that they spent approximately 20 minutes on the completed rhythm track. According to Chandler, by this time Redding and Mitchell had begun to complain about their limited input. Chandler explained that financial considerations influenced the creative dynamic: " were sort of fighting the fact that they had no say during recording sessions ... they were starting to come up with suggestions, but ... We didn't need to be arguing with Noel for ten minutes and Mitch for five ... We just couldn't afford the time." 647:, and it was so loud in the studio that we were picking up various rattles and noises." According to Chandler, Hendrix then threatened to leave England, stating: "If I can't play as loud as I want, I might as well go back to New York." Chandler, who had Hendrix's immigration papers and passport in his back pocket, laid the documents on the mixing console and told Hendrix to "piss off". Hendrix laughed and said: "All right, you called my bluff", and they got back to work. Redding wrote in his diary that they completed two songs during the October 23 session, but the second one has never been positively identified. Author Sean Egan speculated that it might have been 954:, Horst Schmaltze, at 11 a.m., so after a few hours of sleep he prepared a suitable acetate demo and traveled to Polydor. Chandler recalled: "As Horst started to put the needle on the record, I broke out in a cold sweat, thinking ... when he hears this, he's going to order the men in white coats to take me away ... Horst played the first side through and didn't say a word. Then he turned the disk over and played the other side. I started thinking about how I was going to talk my way out of this. At the end of the second side, he just sat there. Finally, he said, 'This is brilliant. This is the greatest thing I've ever heard. 805:. During Kramer's first session with the group, he deviated from the standard recording method that they had been using at CBS and De Lane Lea, which was to record bass and drums in mono on two tracks. He instead recorded Mitchell's drums on two tracks in stereo, leaving the remaining two tracks available for Redding's bass and rhythm guitar parts played by Hendrix. Kramer's unorthodox approach, which was inspired by Hendrix's complaints regarding the limitations of four-track recordings, captured the live sound of the band using all four available tracks. Kramer and Chandler then 1451:

chose was "more sinister; more interesting". Stamp hired graphic artist Alan Aldridge to design the sleeve's psychedelic lettering. Track inexplicably put only the album's title on the cover, omitting the band's name; Polydor issued the release throughout Europe with Hendrix's name printed at the top in matching font. The cover art's combination of dull green and brown tones, juxtaposed with the jocular nature of the subject's pose, created a weak overall visual impression; Stamp commented: "It's not a great cover at all. Hopefully, we made up for that in all the other covers."

482: 264: 1491:. Ferris used what Egan described as "an infrared technique of his own invention which combined color reversal with heat signature", further enhancing the exotic nature of the image. Ferris was an experienced fashion photographer, and his interest in the finer details of his covers led him to choose the band's wardrobe. After seeing Hendrix with his hair combed away from the scalp, Ferris requested that he wear it that way during the photo shoot. Hendrix's girlfriend, Kathy Etchingham, trimmed his hair to improve its symmetry, forming an 738:, the Experience reconvened at De Lane Lea on January 11, 1967. As "Hey Joe" was gaining chart momentum in the UK, they began working on their second single, which featured Hendrix's second songwriting effort, "Purple Haze", as its A-side. The track presented a more complex arrangement than the band's previous recordings, and required four hours of studio time to complete, which Chandler considered extravagant. The session was the first time that he and the group had experimented with guitar effects. Acoustic engineer 1278: 1191: 8711: 1500:—Hendrix wore clothes from his wardrobe, including a psychedelic jacket with a pair of eyes printed on the front which had been given to him by a fan—the Experience travelled to Kew Gardens. In an effort to focus on Hendrix's hands, Ferris shot the band at a low angle. The daylight faded soon after their arrival at the garden, so they returned the following day for a second shoot, which was not needed; the image selected for the US cover of 630:

Mitch or Noel might feel that they weren't having enough—or any—say ... I had been touring and recording in a band for years, and I'd seen everything end as a compromise. Nobody ended up doing what they really wanted to do. I was not going to let that happen with Jimi." When the Experience began studio rehearsals, Hendrix already had the chord sequences and tempos worked out for Mitchell, and Chandler would direct Redding's bass parts.

1407:, whose middle name is Mary. She explained: "I smashed plates on the floor, he swept them up. He locked me in the bathroom for absolutely ages and ... eventually Chas's girlfriend Lotta let me out ... I ran out to get a taxi and was standing under the traffic lights, and I had red hair and a red dress. I went back after I'd cooled down and he'd already written it." The song featured a chord progression inspired by 769:, on January 18. Chandler was dissatisfied with the sound quality of the January 11 recordings and frustrated by the large number of noise complaints that they had received from people living and working near De Lane Lea. He explained: "There was a bank above the studio ... and it was at the time when computers were just coming in ... we would play so loud that it would foul up the computers upstairs." 1967: 1962: 1957: 1952: 1947: 1929: 1924: 1919: 1914: 1909: 1879: 1874: 1869: 1864: 1859: 1829: 1824: 1819: 1814: 1809: 1791: 1786: 1781: 1776: 1771: 1753: 1748: 1743: 1738: 1733: 1715: 1710: 1705: 1700: 1695: 788:"I would fill the four basic tracks with stereo drums on two of the channels, the bass on the third, and Jimi's rhythm guitar on the fourth. From there, Chandler and I would mix this down to two tracks on another four-track recorder, giving us two more tracks to put on whatever we wanted, which usually included Jimi's lead guitar and vocals as well as backing vocals and some additional percussion." 1446:, and the Animals. The photo shoot took place in February after Fleming had attended several recording sessions and Experience gigs. Chandler made a point of requesting that the band member's faces be clearly visible in the photograph; Fleming explained: " got much more esoteric as time went on, but to establish the artist we had to get their faces across so the kids would recognize them." He took 671:", the following day. Chandler, in an effort to minimize studio expenses, purchased rehearsal time at the Aberbach House in London. He abandoned this practice after realizing how quickly the group could learn songs while warming up in the studio. On November 2, 1966, the Experience returned to De Lane Lea to continue work on their first single. During the session, they recorded "Stone Free" and a 1538:

unorthodox, as was the choice of "The Wind Cries Mary", which differed greatly from "Purple Haze". Stamp recalled: "We did that on purpose ... We wanted musically to show who this person was." Egan wrote: "It alerted the public to the fact that the so-called Wild Man of Borneo was capable of songs of delicacy and sensitivity." "The Wind Cries Mary" reached number six in the UK in May.

829:. They spent time overdubbing ambient background sounds by playing tapes through a set of headphones that were held near a microphone, creating an echo effect as the headphones were moved closer; they completed a final mix of "Purple Haze" the following day. During the session, they worked on the De Lane Lea master tape of "Fire", replacing everything except Redding's bass line, which he 2657:... with all these new elements". Along with new artwork and liner notes, the MCA reissue was remastered with only one track selection and order for both the European and America markets. The 17-track CD included the first three Experience British singles (both A-sides and B-sides), followed by the 11 songs as they appeared on the Track/Polydor UK album release. 696:

disagreement between him and owner Jake Levy over his failure to make payment. Chandler had planned to pay Levy for the sessions after the album was completed, but Levy demanded payment upfront. Chandler viewed this as an unreasonable expectation, and he vowed that he would never again do business with CBS. The fifth and final song recorded there was "

719:, issued the single with their logo. It reached number six on the UK chart in early 1967. On December 21, 1966, Chandler and the Experience returned to De Lane Lea with Dave Siddle as engineer. They recorded two alternate versions of "Red House" and began work on "Remember"; both tracks were significantly re-worked in April 1967 at Olympic Studios. 1519: 905:"; they finished a rough mix by the end of the session that was later rejected in favor of a re-mix completed at Olympic. On April 3, the Experience returned to Olympic, adding overdubs and completing final mixes on several unfinished masters. During the eight-hour session, the band recorded three new songs, including "Highway Chile", " 1296: 6834: 1209: 2020:

wrote that although he considered Hendrix a "great guitarist and a brilliant arranger", he disapproved of his singing and songwriting. He criticized the quality of the material and described the lyrics as inane: "Above all this record is unrelentingly violent, and lyrically, inartistically violent at

1411:

and lyrics that reflected Hendrix's admiration of Bob Dylan. "Stone Free" expressed Hendrix's desire to preserve his personal freedom, demurring the concepts of conformity and long-term relationships. He revisited this theme in "51st Anniversary" and "Highway Chile". Omitted from the American version

926:

at Rye Muse Studios for "Highway Chile" and "The Wind Cries Mary", during which preparations were made so that Track could begin manufacturing records. On the 10th, he and the Experience returned to Olympic, spending the bulk of the session on editing dialogue segments for "Third Stone from the Sun",

753:

in lieu of retakes as a method of achieving a satisfactory track. Chandler explained: "There were five guitar overdubs all linking in together to sound like one guitar." The song, which Redding and Mitchell had not yet heard before that day, was completed during the session. Chandler had decided that

3203:

It is unclear if the four rhythm tracks recorded at CBS were completed on December 13. Ross recalled that two were completed on the 13th and two more on the 15th, but Redding wrote in his diary that Mitchell was not present on the 15th, and he also left some doubt as to whether or not the Experience

1450:

and color shots of the band; Track selected an image from the latter group. Fleming had indicated which picture he preferred they use, marking the shot with a cross, but after the album's release he realized that they had selected another, less desirable image. According to Fleming, the shot that he

1320:

In 1967, Hendrix told the journalist Keith Altham that "Third Stone from the Sun" is about a visiting space alien who, upon evaluation of the human species, decides that people are not fit to rule Earth, destroys their civilization, and places the planet in the care of chickens. The song is composed

833:

in an effort to accentuate the recording's lower frequencies. Kramer placed the second bass line on a dedicated track and blended Redding's original bass line with Mitchell's newly recorded drum part. They also recorded Mitchell and Redding's backing vocals. "Foxy Lady" was also reworked on February

629:

Chandler's budget was limited, so in an effort to reduce expenditures he and Hendrix completed much of the album's pre-production work at their shared apartment. From the start, Chandler intentionally minimized the creative input of Mitchell and Redding. He later explained: "I wasn't concerned that

3222:

By mid-December, 1966, Mitchell had been late for several band rehearsals and recording sessions; he altogether failed to report to CBS on December 15. This provoked Hendrix and Redding to consider replacing him in the Experience. They auditioned a friend of Redding's, John Banks, and the audition

2660:

The 1993 Douglas reissues were short-lived; in 1997, his tenure as the overseer of Hendrix's catalogue was taken over by Experience Hendrix (the Hendrix family-controlled company). By April 1997, a new reissue was released, which restored the original artwork and sequencing for both the US and UK

2160:

editions in the US and UK feature 17 tracks, including all songs that appeared on either the original UK/international edition of the album or the original North American edition, as well as the Experience's first three singles ("Hey Joe" b/w "Stone Free", "Purple Haze" b/w "51st Anniversary", and

678:

Chandler had been dissatisfied with the sound quality at De Lane Lea, so he took the advice of Kit Lambert and booked time at CBS Studios. On December 13, 1966, after taking a five-week break from recording while they performed in Europe, the Experience reconvened at CBS. Assisted by engineer Mike

1478:

he listened to intently. His first impression of the music was that it was "so far out that it seemed to come from outer space", which inspired him to develop a backstory about a "group travelling through space in a Biosphere on their way to bring their unworldly space music to earth." With this

917:

rhythm guitar, bass, and drums, replication of the beat caused Mitchell some consternation when attempting the song live. Chandler completed final mixes for "I Don't Live Today", "Are You Experienced?", and "May This Be Love" before the end of a session that Kramer described as "very organized."

809:

the first four tracks down to two, making two more tracks available for lead guitar overdubs and vocals. This method satisfied both Hendrix's perfectionism and Chandler's desire to reduce the number of takes required for a satisfactory rhythm track, thus minimizing their expenses. Another change

837:

Hendrix was not as confident a singer as he was a guitarist, and because he strongly disliked anyone watching him sing he asked the engineers at Olympic to construct a privacy barrier between him and the control room. This created problems when the studio lights were low, and the engineers were

921:

In an effort to free up space for Hendrix's lead vocals, further reduction mixing was completed for "Are You Experienced?" during a session at Olympic on April 4, 1967. With the title track complete, the Experience shifted their focus to the January 11 rough demo of "Third Stone from the Sun".

2661:

releases. However, both reissues included an additional six tracks, which provided the same 17 tracks (all the original singles and album tracks) in the UK and US, although in a different order. Since 1997, these have been the official authorized CD versions of the original albums. In 2010,

777:

of the Rolling Stones encouraged Chandler to try Olympic Studios, which was considered the top independent London studio. Despite the growing chart success of their first single, Chandler's financial problems persisted. Olympic required advance payment for studio time, but Polydor had not yet

1537:

The third Experience single, "The Wind Cries Mary" backed by "Highway Chile", was released in the UK on May 5, 1967, while "Purple Haze" occupied the number three spot in the charts. The management's decision to release the single while the previous one was still present in the UK charts was

1244:

at the time of the song's writing, which was after a gig in London on December 26, 1966. The first draft of the lyrics was exceedingly long, so Chandler and Hendrix reduced its length to something appropriate for mainstream pop music. It opens with a guitar/bass harmony in the interval of a

884:

The second Experience single, "Purple Haze"/"51st Anniversary", was released on March 1. It entered the UK singles chart on the 23rd, peaking at number three. During that month, the band took another long break from recording while they played gigs in Belgium, Germany, and the UK, including

810:

instigated by Kramer was the use of a mixture of close and distant microphone placements when recording Hendrix's guitar parts whereas, during previous sessions, the microphones had been placed about twelve feet away from Hendrix's amplifiers. In addition to the usual choices, Kramer used

695:

On December 15, 1966, finishing touches were made on the four rhythm tracks that were recorded the previous session. Although Chandler enjoyed working at CBS and he appreciated the high quality of the recordings they made there, he ended his professional connection with the studio after a

552:

song "Hey Joe", and was convinced he could create a hit single with the right artist. Impressed with Hendrix's live version of the song with his band, he brought him to London on September 24, 1966, and signed him to a management and production contract with himself and ex-Animals manager

3223:

went well enough that Hendrix and Redding offered Banks the position, but Banks, who was afraid of flying turned down the job to avoid the extensive air travel that would have been required of him. According to Redding, after Chandler docked Mitchell's weekly pay he was never late again.

1592:. He insisted that the event would be incomplete without Hendrix, whom he called "an absolute ace on the guitar", and he agreed to join the board of organizers on the condition that the Experience perform at the festival in mid-June. During the climax of the festival, which was filmed by 746:, an octave-doubling effect pedal, in December 1966, and he first recorded with the effect during the guitar solo of "Purple Haze". When Track Records sent the master tapes for "Purple Haze" to Reprise for remastering, they wrote on the tape box: "Deliberate distortion. Do not correct." 754:

they should discard the rough version of "Third Stone from the Sun" from December 13 and re-record the song; they completed a basic track for the piece, but were unable to achieve a finished master. The group managed to produce an acceptable live recording of the basic track for "

1297: 1349:

Hendrix described "Manic Depression" as "ugly times music"; during a live performance he explained the meaning of the lyrics: "It's a story about a cat wishing he could make love to music instead of the same old everyday woman." The song is unusual in that it's written in

52: 583:, participated in a rehearsal with Redding and Hendrix where they bonded over their shared interest in rhythm and blues. When Chandler phoned Mitchell later that day to offer him the position, he readily accepted. In late October, after having been rejected by 1495:

that became the basis of a homogenized Experience image. Redding and Mitchell liked Hendrix's new hairstyle, so Ferris hired a hairdresser to style their hair in a similar fashion. After purchasing clothing for Redding and Mitchell at the boutiques on

1294: 638:

Chandler and the Experience found time to record between performances in Europe. They began on October 23, recording "Hey Joe" at De Lane Lea Studios, with Chandler as producer and Dave Siddle as engineer. The song featured backing vocals by

1287: 1207: 1240:, Hendrix explained: " was all about a dream I had that I was walking under the sea." He speculated that the dream may have been inspired by a science fiction story about a purple death ray. Redding stated that Hendrix had not yet taken 1613:. However, despite the increased awareness that the Experience's performance at Monterey provided, the second Experience single, "Purple Haze" / "The Wind Cries Mary", released in the US on August 16, 1967, stalled at number 65 on the 2036:. Journalist Ritchie Unterberger described it as "one of the definitive albums of the psychedelic era", while author Chris Smith said the release was "a landmark in a summer of landmark albums". Noe Goldwasser, the founding editor of 1333:

guitar lines with a jazz beat. The track contains no proper vocals, instead using spoken words played at half-speed to invoke images of interstellar space travel. In addition to jazz elements, Unterberger identified Hendrix's use of

643:. Soon after the session began, Chandler asked Hendrix to turn his guitar amplifier down, and an argument ensued. Chandler commented: "Jimi threw a tantrum because I wouldn't let him play guitar loud enough ... He was playing a 383:

chart, where it peaked at number 10. The US version contained some of Hendrix's best known songs, including the Experience's first three singles, which, though omitted from the British edition of the LP, were top ten hits in the UK:

1295: 927:

which were then slowed down and mixed into the song. Kramer concentrated his efforts on the song's complicated mix: "The song was like a watercolor painting ... each track was composed of four, fairly dense composite images."

820:

During the February 3, 1967, session at Olympic, the Experience improved the January 11 master tape of "Purple Haze" by re-recording the vocal and lead guitar parts, and adding another Octavia guitar overdub, which was sped-up and

2105:

Best Debut Albums of All Time – No. 3, crediting it as the LP "that established the transcendent promise of psychedelia", stating: "Every idea we have of the guitarist as groundbreaking individual artist comes from this record."

1200: 1468:. During a meeting with the band, Ferris told Hendrix that he wanted to hear more of their music from which to draw inspiration. They accommodated his request by allowing him to attend several sessions for their second album, 1438:. The image shows Hendrix wearing a long dark cape while standing over Mitchell and Redding, striking what Egan described as a "Dracula-esque pose". Chandler contacted Fleming based on the photographer's previous work with 1208: 850:. I was not as jumpy; it was not as difficult as with Hendrix. It was something of an open house. Hendrix was not difficult at all, but I personally would have preferred not to have loads of girls lurking in the woodwork." 1545:

in the UK on May 12, 1967. It entered the charts on May 27, where it spent 33 weeks, peaking at number two. It remained in the charts long enough that it was still present when the Experience released their second album,

1079:

setting than in psychedelia, however; he describes the music as being "played and sung with an ebullience that belies the darkness of the lyrics." The song's tribal rhythms served as a platform for Hendrix's innovative

1504:

was the first shot taken the previous day. Ferris chose the cover's yellow background and its surreal lettering, and he intended for a textured gatefold jacket that Reprise, as a cost-saving measure, did not approve.

1632:

to album cuts, significantly aided sales of the LP. Reprise allocated a $ 20,000 promotional budget for the LP, which was an unprecedented amount for an unproven artist. Released in the US on August 23 by Reprise,

1418:. An unusual feature of the recording is that it does not include a bass guitar track; Redding instead played rhythm guitar with his equalization set strongly in favor of bass tones. It is Hendrix's only original 3232:

Before traveling to the UK, Hendrix had worked with eight-track recorders in the US. According to Kramer, he wanted to hear the basic rhythm parts across all four tracks, which inspired Kramer to experiment with

1659:

and a new track list, with Reprise omitting "Red House", "Remember", and "Can You See Me", and including the first three A-sides omitted from the UK release: "Hey Joe", "Purple Haze", and "The Wind Cries Mary".

834:

8; Redding recorded a new bass line and Hendrix and Mitchell added overdubs to their existing parts. After recording backing vocals by Redding and lead vocals from Hendrix, Kramer prepared the song's final mix.

1088:

and soul hybrid driven by Mitchell's drumming, "May This Be Love" and "The Wind Cries Mary" are soft ballads that demonstrate Hendrix's ability to write thoughtful lyrics and subtle melodies. The influence of

2042:

magazine, called it "a veritable textbook of what a musician can do with his instrument" and "the measure by which everything ... in rock and roll has been compared since." According to music journalist

2626:

albums and used the same tracks, sequencing, and cover art as their 1967 counterparts. Both were reissued with minor changes in 1989–1991 and the Reprise release CD sleeve included "Digital re-mastering by

1116:

opened with "Foxy Lady", a track that, with the exception of a few overdubs, was recorded in one session at CBS. Hendrix wrote the song about Heather Taylor, a London socialite who later married the Who's

2132:, which annually selects recordings that are "culturally, historically, or aesthetically significant". The album was also included in "A Basic Record Library" of 1950s and 1960s recordings—published in 881:". Although the song had long been a staple of the group's live show, they failed to achieve an acceptable basic track, owing mostly to Mitchell's inability to keep consistent time during the session. 2010:

Keith Altham said it is "a brave effort by Hendrix to produce a musical form which is original and exciting". However, not all contemporary writers gave the LP a favorable review; in November 1967,

9068: 8017: 930:

After the April 10, 1967, recording session, the Experience spent the next two weeks playing shows and attending promotional appearances in England, including a spot on the BBC television program

715:

The first Experience single, with "Hey Joe" as the A-side and "Stone Free" as the B-side, was released in the UK on December 16, 1966. Track Records was not yet operational, so their distributor,

1063:

were two tracks that represented the music Hendrix had played in the US before the formation of the Experience: the blues track "Red House" and the rhythm and blues song "Remember". The album's

614:

and its preceding singles were recorded over a five-month period from October 23, 1966, to April 4, 1967. The album was completed in 16 recording sessions at three London locations, including

326:. Chandler brought Hendrix to London and recruited members for the Jimi Hendrix Experience, a band designed to showcase the guitarist's talents. In late October, after having been rejected by 350:

and its preceding singles were recorded over a five-month period from late October 1966 through early April 1967. The album was completed in 16 recording sessions at three London locations:

2961:

on "Manic Depression", "Can You See Me", "Love or Confusion", "I Don't Live Today", "Fire", "Remember", "Hey Joe", "Stone Free", "Purple Haze", "51st Anniversary", and "The Wind Cries Mary"

6030: 825:

at the end of the song. The group reconvened at Olympic on February 7, continuing their work on "Purple Haze" by recording Hendrix's rhythm guitar and vocal parts, as well as Redding's

6763: 1271:

described the song as the beginning of late-1960s psychedelia, the authors Harry Shapiro and Caesar Glebbeek identified Hendrix's use of R&B, funk, and soul elements in the track.

2967:– engineering on "The Wind Cries Mary", "Are You Experienced?", and "Red House"; additional engineering on "Love or Confusion", "Fire", "Third Stone from the Sun", and "Highway Chile" 2096:– No. 30, calling it an "epochal debut", and praising Hendrix's "exploitation of amp howl", and characterizing his guitar playing as "incendiary ... historic in itself". (2020) 575:

impressed Hendrix. Chandler asked Redding if he wanted to play bass guitar in Hendrix's band; Redding agreed. Chandler then began looking for a drummer and soon after, he contacted

2169:

The original UK Track album did not list running times for the songs. Instead, they are taken from the original international Polydor edition. All tracks written by Jimi Hendrix.

9527: 2649:

for the future releases of Hendrix material. He also announced plans for new reissues of the three Experience albums: "Everything in the present catalogue is a budget release

10589: 7653: 2079:

and said its songs were innovative for how they utilized three-minute pop structures as a medium for Hendrix's unprecedentedly heavy and turbulent guitar and loud, powerful

1097:-like guitar solo on "Love or Confusion". "Can You See Me" is an uptempo rocker that features Hendrix's double tracked vocals and his use of a one-note bend in the style of 622:. Chandler booked many of the sessions at Olympic because the facility was acoustically superior and equipped with most of the latest technology, though it was still using 6227: 1261:

from using the tritone, or flattened fifth, because as musicologist Dave Whitehill wrote: "to play it was like ringing Satan's doorbell." In the opinion of the author

3246:

Hendrix had experimented with the possibilities of backwards instruments on his reel-to-reel tape machine, mastering the technique after hours of private application.

901:. Scheduling conflicts at Olympic led Chandler to book a March 29 session at De Lane Lea. On this date the band worked on another newly written Hendrix composition, " 10584: 6520: 6288: 3337:

According to authors Harry Shapiro and Caesar Glebbeek, the earliest that Hendrix is known to have ingested LSD was in June 1967, while at the Monterey Pop Festival.

2134: 9542: 295:, released in May 1967. The album was an immediate critical and commercial success, and is widely regarded as one of the greatest albums of all time. It features 865:

that predated the pedal unit. They managed to complete a working master by the end of the day, though Hendrix eventually recorded a new lead vocal at Olympic.

873:

The Experience took a week break from recording while playing gigs in England, and returned to De Lane Lea on March 1, 1967, to attempt a studio recording of

778:

released any funds to Track for disbursement. When Chandler went to Polydor asking for relief they responded by guaranteeing him a line of credit at Olympic.

8185: 765:

Between January 12 and February 2, 1967, the Experience took a break from recording while they played 20 dates in England, including a second appearance on

6199: 6139: 675:

of "Can You See Me". This marked the first time that the Experience recorded a song that was eventually included on the original UK release of the album.

6458: 6422: 6386: 3450: 1462:. Hendrix wanted "something psychedelic", so he requested Ferris because he appreciated the photographer's sleeve-work on the Hollies' June 1967 release 9520: 8340: 2093: 432: 10544: 2099: 436: 9343: 8691: 8333: 8228: 8115: 9360: 9209: 8950: 8664: 8931: 8221: 8157: 8122: 6038: 1414: 10554: 9513: 5839: 508:

circuit as a back-up guitarist. During a performance at one of New York City's most popular nightspots, the Cheetah Club, he was noticed by

8747: 8305: 7621: 6728:

Select "2021" in the "Anno" drop-down menu. Type "Are You Experienced" in the "Filtra" field. Select "Album e Compilation" under "Sezione".

4785:, p. 199: "May This Be Love" and "The Wind Cries Mary" demonstrated Hendrix's ability to write thoughtful lyrics and subtle melodies; 3316: 1991:

was an immediate commercial success, selling more than one million copies within seven months of its release. Reviewing the album in 1967,

801:

With his budget concerns alleviated, Chandler booked time at Olympic, where on February 3, 1967, he and the Experience met sound engineer

10574: 8326: 958:" Horst immediately became an ardent supporter of the album and the band, championing the marketing and distribution of their debut LP. 8136: 1403:"The Wind Cries Mary" is the first ballad recorded by the Experience; Hendrix wrote the lyrics after an argument with his girlfriend, 10539: 10451: 8986: 8319: 8178: 6767: 3136: 1552:. The album, which was released in the UK without the first three singles, was prevented from reaching the top spot by the Beatles' 8506: 2140: 1554: 34: 7661: 8813: 8520: 6716: 3094: 2538: 2315: 755: 6521:"Sony Music Entertainment and Experience Hendrix announce an exclusive licensing partnership for legendary Jimi Hendrix catalog" 10549: 10149: 9688: 9590: 9573: 9493: 9381: 9027: 9021: 8654: 8249: 8129: 7852: 3085: 749:

On January 11, 1967, the Experience worked on their third A-side, "The Wind Cries Mary", a song that marked their first use of

2047:, the album "completely changed notions of what a guitar could sound like, or indeed, what music could sound like", while the 1038:

magazine ranked it number 35 in a list of the top 100 heavy metal albums. In 2006, writer and archivist Reuben Jackson of the

10040: 8492: 8242: 7724: 7703: 7642: 7597: 7567: 7533: 7484: 7465: 7446: 7427: 7395: 7376: 7336: 7315: 7294: 7273: 7252: 7231: 7210: 7164: 7145: 7124: 7103: 7080: 7059: 7040: 7017: 6998: 6977: 6954: 6935: 6914: 6893: 6870: 6823: 6804: 6333: 5926: 5764: 5646: 4676: 4630: 4603: 3256: 2926:– bass guitar (except on "Red House"); rhythm guitar on "Red House"; backing vocals on "Foxy Lady," "Fire" and "Purple Haze" 8685: 8263: 652: 8649: 8312: 3177:

Hendrix earned his first composer credits for two instrumentals, "Hornet's Nest" and "Knock Yourself Out", released as a

6712: 10163: 9259: 7936: 7347: 5871: 1146: 10177: 9875: 9699: 9658: 9647: 9469: 8393: 8347: 8277: 8256: 8199: 6075: 5751: 3421: 1800: 1046:, R&B, blues ... musical tradition. It altered the syntax of the music ... in a way I compare to, say, 443:" (153), "Hey Joe" (201), and "The Wind Cries Mary" (379). In 2005, the album was one of 50 recordings chosen by the 9822: 9245: 8740: 7964: 2384:

The listings are taken from the original US Reprise album. All tracks written by Jimi Hendrix, except where noted.

1075:

by 10 years. Musicologist Ritchie Unterberger considers the lyrics to "I Don't Live Today" to be more at home in a

580: 857:, but scheduling conflicts at Olympic led Chandler to book time at De Lane Lea. During the session they recorded " 10569: 10564: 9288: 9271: 9056: 8563: 8024: 7929: 3359:

two weeks ahead of schedule when its distributor, Polydor, erred by shipping 2,000 copies to London music stores.

2102:– "Purple Haze" (No. 17), "Foxy Lady" (No. 153), "Hey Joe" (No. 201), and "The Wind Cries Mary" (No. 379). (2011) 732:

After a three-week break from recording while they played gigs in England, including a December 29 appearance on

712:. All the effort went into the mono." He estimated that they spent no more than 30 minutes mixing any one track. 529: 1156:

to create the song's razor-sharp guitar tone. Its blues–inspired solo—his fourth since arriving in England—used

376:

chart, remaining on the chart for 106 weeks, 76 of those in the Top 40. The album also spent 70 weeks on the US

9769: 8613: 8428: 8108: 7191: 6301: 5822: 3442: 2642: 968:"Much of what Jimi did with the guitar translated the R&B-blues-soul sensibility to the psychedelic age." 644: 10579: 10314: 9476: 9374: 8669: 8400: 8171: 6742: 3178: 3115: 2032:

writer Hillel Italie, it was among the notable debuts in a year that marked rock music's transition into the

1938: 299:'s innovative approach to songwriting and electric guitar playing, which soon established a new direction in 24: 3693:, pp. 22–24: "Stone Free" was Hendrix's first songwriting effort after the formation of the Experience. 365:

spent 33 weeks on the British charts, peaking at number two. The album was issued in the US on August 23 by

10093: 10012: 9462: 9420: 9094: 9034: 8964: 8827: 8365: 7244:

Becoming Jimi Hendrix: From Southern Crossroads to Psychedelic London, the Untold Story of a Musical Genius

6452: 6416: 6380: 4595: 2583: 2356: 1435: 20: 10559: 10479: 10423: 10300: 9732: 9116: 8905: 8733: 8568: 8414: 8270: 8094: 4388:, p. 40: "Purple Haze" was released on March 1, 1967; it entered the UK singles charts on March 23: 2129: 1577:

Although popular in Europe at the time, the Experience's first US single, "Hey Joe", failed to reach the

561: 448: 292: 67: 950:

at Olympic by 3 a.m. on April 25. Chandler had agreed to audition the finished LP for Polydor's head of

679:

Ross, the band were especially productive during the session, recording instrumentation and vocals for "

314:

circuit as a backing guitarist, Hendrix signed a management and production contract in 1966 with former

10534: 10082: 9780: 9755: 9741: 8291: 8235: 8164: 7845: 6592: 2615: 1838: 1480: 1241: 910: 2622:(Track's successor) in Europe and Reprise in the US. These early CDs essentially copied the original 10328: 10244: 10230: 10026: 9808: 9607: 9448: 9180: 9173: 9137: 8598: 8101: 8052: 4710:, p. 169: "the music ranges across all the genres of popular music, from R&B to free jazz"; 3378: 3054: 1976: 1464: 932: 897: 660: 554: 377: 323: 4574:, p. 169: "the music ranges across all the genres of popular music, from R&B to free jazz". 3194:

During this break from recording, the Experience played eight shows in Germany and three in England.

10112: 9166: 9007: 8993: 8820: 8659: 8644: 8372: 6885: 6685: 5849: 3408: 2662: 2553: 1122: 684: 417: 667:

of the single, so he encouraged Hendrix to start writing; he composed his first Experience song, "

435:". In 2010, the magazine placed four songs from the US version of the album on their list of the " 10465: 9984: 9673: 8785: 8534: 8284: 8066: 7985: 6440: 6404: 6368: 5756: 5678: 4622: 3029: 2426: 2211: 1039: 902: 743: 560:

Immediately following Hendrix's arrival in London, Chandler began recruiting members for a band,

456: 7070: 9310: 9149: 8593: 8379: 7915: 7284: 3283: 2330: 1412:

of the album, "Red House" did not see an official release in the US until the 1969 compilation

1237: 1068: 983: 951: 739: 463: ... musical tradition. It altered the syntax of the music ... in a way I compare to 192: 6904: 5918: 5908: 5904: 4666: 4616: 4589: 9847: 9794: 9388: 8799: 8714: 8696: 8679: 8527: 8478: 8031: 7992: 7838: 7678: 7183: 6050: 5746: 5547:, pp. 110–115: McCartney insisted that the festival would be incomplete without Hendrix. 2486: 2263: 1589: 1388:. Although his delivery is rock oriented, Mitchell's drumming on the track is reminiscent of 1134: 858: 540:. They failed to see Hendrix's musical potential, and rejected him. She then referred him to 396:". Hendrix was unhappy with the cover artwork for the UK edition, and solicited photographer 3321: 1617:

Hot 100. Although the single performed poorly in the US charts, its presence on underground

10370: 10054: 9760: 9413: 9080: 8877: 8513: 8459: 7950: 7508: 6690: 5651: 2044: 878: 623: 6731: 5709: 5647:"Jimi Hendrix's 'Are You Experienced' Turns 50: How His Electric Church Changed the World" 8: 10507: 10384: 9886: 9713: 9684: 9281: 9192: 9087: 8919: 8884: 8848: 8841: 8674: 8485: 8059: 8038: 6756: 6293: 6258: 6255:"National Recording Registry Grows (May 2006) – Library of Congress Information Bulletin" 5953: 5914: 3234: 2758: 2523: 2441: 2125: 1443: 1262: 1254: 974: 806: 759: 615: 451:

for being "culturally, historically, or aesthetically significant". Writer and archivist

444: 393: 351: 101: 6925: 6283: 10437: 10121: 10068: 9970: 9625: 9536: 9505: 9406: 8860: 8298: 8080: 7978: 7971: 7943: 7883: 7029: 5714: 2075: 1724: 1548: 1518: 1470: 1168:

created by overdriving his amplifiers, he moved seamlessly between the middle and high

1150: 942: 839: 811: 701: 533: 513: 315: 235: 1651:

s album chart for 106 weeks, 76 of those in the Top 40. The North American edition of

263: 10375: 10202: 10126: 10107: 9998: 9975: 9928: 9636: 9336: 9252: 9202: 9130: 8976: 8870: 8558: 8087: 7890: 7799: 7782: 7765: 7748: 7720: 7714: 7699: 7638: 7593: 7563: 7529: 7480: 7461: 7442: 7423: 7391: 7372: 7353: 7332: 7311: 7290: 7269: 7248: 7242: 7227: 7206: 7187: 7160: 7141: 7120: 7099: 7076: 7055: 7036: 7013: 6994: 6973: 6966: 6950: 6931: 6910: 6889: 6866: 6860: 6819: 6800: 6794: 6329: 6297: 6071: 5949: 5922: 5818: 5814: 5760: 4998:, p. 119: "Purple Haze" was written after a gig in London on December 26, 1966; 4672: 4626: 4599: 3417: 2958: 2952: 2665: 2066: 1578: 1343: 1177: 814: 664: 572: 521: 300: 6990:

Jimi Hendrix Gear: The Guitars, Amps & Effects that Revolutionized Rock 'n' Roll

6641: 1400:

unison bends" that presage what he described as one of Hendrix's best guitar solos.

10493: 10409: 10356: 10342: 10286: 10277: 10249: 9956: 9942: 9441: 9367: 9223: 8806: 8792: 8628: 8623: 8150: 8143: 8073: 6839: 6279: 6034: 5705: 3373: 2970:

Mike Ross – engineering on "Foxy Lady", "Red House", and "Third Stone from the Sun"

2883: 2668:

became the exclusive distributor for the recordings managed by Experience Hendrix.

2471: 2300: 2226: 2070: 2029: 1593: 1488: 1419: 1404: 1392:'s fluid jazz patterns. Musicologist Andy Aledort noted Hendrix's "dramatic use of 1169: 1157: 1126: 1071:, featured the post-modern soundscapes of backwards guitar and drums that pre-date 1019: 995: 906: 826: 697: 689: 505: 311: 120: 6604:. Vol. 10, no. 10. November 2, 1968 – via Collectionscanada.gc.ca. 2932:– drums; percussion on "Stone Free" and "Can You See Me"; backing vocals on "Fire" 1329:

over a straightforward rock tempo, and another that showcases Hendrix's free-form

10291: 10216: 10168: 9989: 9961: 9947: 9861: 9564: 9559: 9434: 9216: 9106: 8442: 8045: 7908: 7587: 7415: 7366: 7326: 7305: 7263: 7221: 7135: 7114: 6988: 6705: 6444: 6408: 6065: 5900: 5785: 4822: 2632: 2619: 2112: 1626: 1618: 1606: 1566: 1527: 1408: 1330: 1258: 1081: 1052: 923: 830: 822: 734: 716: 648: 619: 469: 366: 355: 269: 202: 187: 105: 2028:

as one of the greatest debut albums in rock music and of all time. According to

683:" and basic instrumental tracks for "Love or Confusion", "Can You See Me", and " 10428: 10017: 9919: 9852: 9746: 9324: 9046: 8912: 8578: 8499: 8435: 8421: 8386: 8010: 6814:

Altham, Keith (1996) . "Hendrix is Out of This World". In Potash, Chris (ed.).

6600: 2942: 2929: 1622: 1585: 1497: 1326: 1265:, the opening riff has "become a permanent part of rock's vocabulary." Whereas 1142: 1138: 656: 640: 576: 517: 489: 481: 452: 10528: 10512: 10484: 10456: 10135: 10045: 9914: 9866: 9612: 9455: 8957: 8583: 8553: 8407: 7357: 6372: 6254: 6204: 6144: 5189:, pp. 27–28: Hendrix wrote "The Wind Cries Mary" about Kathy Etchingham. 5185:, p. 97: "The Wind Cries Mary" is the first ballad recorded by Hendrix; 4854: 4612: 4585: 3040: 2948: 2846: 2773: 2702: 2445: 1638: 1267: 1181: 1118: 1106: 1015: 1007: 862: 588: 584: 549: 541: 537: 423: 370: 331: 327: 319: 207: 182: 5789: 1002:; author Peter Doggett noted its "wide variety of styles", while journalist 459:

wrote: "it's still a landmark recording because it is of the rock, R&B,

10442: 10400: 10395: 10319: 10258: 10154: 10073: 10059: 9596: 9579: 9317: 9159: 9000: 8756: 8618: 8588: 8573: 8192: 7861: 7545: 7095: 7072:

Ultimate Hendrix: An Illustrated Encyclopedia of Live Concerts and Sessions

6882:

Grown Up All Wrong: 75 Great Rock and Pop Artists from Vaudeville to Techno

5876: 3413: 3403: 3213:

Levy refused to release the recordings until Chandler had paid CBS in full.

2999: 2964: 2923: 2917: 2628: 2157: 2080: 2062: 2049: 2038: 1993: 1900: 1629: 1598: 1484: 1393: 1351: 1339: 1173: 1172:

with a fluid, singing tone. Author Peter Doggett compared its slow beat to

1153: 847: 802: 794: 758:" after seven takes. Next, they attempted Hendrix's newly written ballad, " 672: 565: 501: 493: 485: 412: 296: 170: 7543:

Guitar World (December 2011). "Jimi Hendrix's 100 Greatest Performances".

6796:

Jimi Hendrix: A Step-by-Step Breakdown of his Guitar Styles and Techniques

6738: 6546: 6503: 3689:, pp. 73–74: Chandler encouraged Hendrix to write original material; 2089:

includes the album and several songs on various "best of" lists, such as:

1584:

chart upon its release on May 1, 1967. The group's fortunes improved when

564:, designed to showcase the guitarist's talents. Hendrix met the guitarist 10470: 10333: 10305: 10272: 10207: 10140: 10098: 10031: 9933: 9718: 9704: 9427: 9353: 8891: 8834: 8608: 8018:

Historic Performances Recorded at the Monterey International Pop Festival

7957: 6686:"Chart History: Jimi Hendrix – Top R&B/Hip-Hop Albums" 6668: 6666: 6563: 4830: 3269: 2732: 2646: 2411: 1656: 1459: 1439: 1389: 1098: 1076: 1064: 1047: 1034: 1003: 991: 914: 887: 843: 770: 750: 600: 596: 545: 509: 464: 401: 397: 385: 343: 339: 113: 6615: 663:". Chandler decided that they should use an Experience original for the 9905: 9891: 9827: 9813: 9799: 9785: 9235: 9014: 8943: 8898: 7922: 7819: 7803: 7786: 7769: 7752: 5844: 5809: 5804: 4846: 4735: 4668:

Running with the Devil: Power, Gender, and Madness in Heavy Metal Music

4064:, p. 28: Mayer introduced Hendrix to the Octavia in December 1966. 2820: 2717: 2645:, who managed Hendrix's recording catalogue, reached an agreement with 2568: 2017: 1888: 1850: 1447: 1335: 1312: 1224: 1141:. Using his guitar's control knob, he slowly increases volume until an 1102: 1072: 1043: 1029: 774: 668: 525: 304: 33:"Can You See Me" redirects here. For the song by Krista Siegfrids, see 6764:"American album certifications – Jimi Hendrix – Are You Experienced" 6663: 4967:, p. 34: "about a dream I had that I was walking under the sea"; 4730:, p. 160: "Are You Experienced" is a "psychedelic extravaganza"; 1602:, Hendrix burned and smashed his guitar on stage for dramatic effect. 1109:

on the album, it would become one of Hendrix's most requested tracks.

10498: 9123: 8778: 8725: 8603: 7155:

Newsweek (1996) . "The Voice of Experience". In Potash, Chris (ed.).

6739:"British album certifications – Jimi Hendrix – Are You Experienced" 6713:"Italian album certifications – Jimi Hendrix – Are You Experienced" 6326:

1001 Albums You Must Hear Before You Die: Revised and Updated Edition

3346:

The back of the sleeve featured a monochrome image of the Experience.

3255:

In honor of his Cherokee heritage, Hendrix dedicated the song to the

2623: 2196: 2058: 2033: 1232:

Although the lyrics to "Purple Haze", which opened the US edition of

1130: 1090: 1011: 999: 892: 874: 680: 548:

and interested in managing and producing artists. Chandler liked the

440: 130: 125: 6228:"Hendrix heads list of 100 guitar greats with 'Are You Experienced'" 1458:, so arrangements were made for a photo shoot with graphic designer 579:

through a mutual friend. Mitchell, who had recently been fired from

10003: 9900: 5731: 5683: 5664:: remained on the chart for 106 weeks (76 of those in the top 40). 5510: 3990:, p. 28: the single was issued by Tracks distributor, Polydor. 2653:... They're all 25-year-old packages. I want to take it high-level 2156:

in 1967, there have been six different track listings. Since 1997,

1762: 1687: 1024: 705: 1997:

praised its artistic integrity and the Experience's varied use of

10263: 10235: 7824: 7494:

Fairchild, Michael (April 1991). "The Experience of a Lifetime".

7368:

Icons of Black America: Breaking Barriers and Crossing Boundaries

7179: 6568: 6551: 6508: 5495:

was prevented from reaching number one in the UK by the Beatles'

4750: 4748: 2698: 2635: 1562: 1531: 1397: 1246: 1165: 592: 568:

at an audition for the New Animals, where Redding's knowledge of

389: 335: 177: 7762:

Classic Albums – The Jimi Hendrix Experience – Electric Ladyland

7137:

Crosstown Traffic: Jimi Hendrix and the Rock 'n' Roll Revolution

6486: 6484: 6482: 6480: 6478: 6476: 6474: 6472: 6470: 6468: 1474:. Ferris brought home tapes from the sessions, which along with 1434:, which featured a picture of Hendrix, Mitchell, and Redding by 1018:

characterized the LP and its preceding singles as "raw, focused

704:

was not yet popular among music fans, these recordings were all

10221: 7830: 7696:

Hendrix on Hendrix: Interviews and Encounters with Jimi Hendrix

7420:

Hendrix on Hendrix: Interviews and Encounters with Jimi Hendrix

5995: 5120: 5005: 4773:, pp. 182–183: the tribal rhythms of "I Don't Live Today". 4562:, p. 184: "each track has a different personality to it"; 1161: 5507:

was released in the UK without the band's first three singles.

4745: 946:. Chandler, Hendrix, and Kramer completed the final mixing of 51: 10414: 10361: 10347: 10182: 7589:

Jimi Hendrix: The Intimate Story of a Betrayed Musical Legend

7458:

Jimi Hendrix: A Visual Documentary -His Life, Loves and Music

6465: 6031:"Not just 'Sgt. Pepper': Many 1967 musical firsts echo today" 4539: 4537: 4505: 3910: 3908: 3906: 3601: 3599: 1998: 1370: 1369:

time, which is the time signature commonly associated with a

1338:

motifs in the track that are reminiscent of earlier works by

1094: 1042:

wrote: "it's still a landmark recording because it is of the

569: 460: 135: 62: 5302: 5300: 4067: 3986:, p. 115: Polydor issued the release with their label, 3696: 2638:

System, under the supervision of Are You Experienced? Ltd."

1006:

said "each track has a different personality". Musicologist

626:

recorders, whereas American studios were using eight-track.

411:

has continued to receive acclaim. It was voted number 63 in

7607:

Marshall, Wolf (1995). Marshall, Wolf (ed.). "Wild Thing".

6347: 6345: 6120: 5421: 5419: 5417: 5358: 5356: 5354: 5216: 5044: 4893: 4891: 4790: 4698:, p. 202: "'Remember' ... is an R&B number"; 2676:

UK and international CD reissue bonus tracks (1997–present)

2120:

as the greatest guitar album of all time in 2013. In 2005,

1492: 1322: 1085: 937: 6323: 5034: 5032: 4932: 4930: 4534: 4524: 4522: 4520: 4493: 4483: 4481: 4468: 4466: 4453: 4451: 4449: 4412: 4410: 4395: 4355: 4237: 4235: 4233: 4218: 4184: 4182: 4180: 4178: 4163: 4141: 4139: 4137: 4135: 4120: 4110: 4108: 4106: 4091: 4041: 4039: 4037: 4035: 4020: 4008: 3967: 3965: 3903: 3893: 3891: 3851: 3849: 3807: 3795: 3783: 3656: 3622: 3620: 3618: 3616: 3614: 3596: 2672:

All tracks are written by Jimi Hendrix, except where noted

1479:

concept in mind, he took color photographs of the band at

853:

On February 20, 1967, the Experience continued working on

7577:

di Perna, Alan (2002) . Kitts, Jeff (ed.). "Jimi Live!".

7307:

Voodoo Child: Jimi Hendrix, the Stories Behind Every Song

5297: 5260: 5258: 4800: 4618:

Turn on Your Mind: Four Decades of Great Psychedelic Rock

3998: 3996: 3501: 3489: 3477: 3446: 2003: 9535: 7654:"Rolling Stone: The 100 Greatest Guitarists of All Time" 6342: 5971: 5598: 5570: 5522: 5431: 5414: 5387: 5351: 5312: 5132: 5108: 4888: 4876: 4392:, p. 232: peak UK chart position for "Purple Haze". 3530: 3528: 3513: 3320:, and the story was a condensed form of a 1957 novel by 2164: 6084: 6012: 6010: 5448: 5446: 5404: 5402: 5377: 5375: 5373: 5371: 5341: 5339: 5275: 5273: 5233: 5231: 5204: 5192: 5029: 5017: 4927: 4769:, p. 64: guitar feedback in "I Don't Live Today"; 4517: 4478: 4463: 4446: 4434: 4422: 4407: 4367: 4331: 4319: 4262: 4230: 4194: 4175: 4132: 4103: 4060:, p. 88: first Hendrix recording with an Octavia; 4032: 3962: 3950: 3888: 3846: 3834: 3771: 3611: 3282:

chord", also known as a "major minor seventh chord" or

1257:. The Catholic Church prohibited medieval composers of 6289:

Christgau's Record Guide: Rock Albums of the Seventies

6180: 5255: 5164: 5085:, p. 112: visiting space alien (primary source); 5081:, p. 4: visiting space alien (secondary source); 4979: 4977: 4646: 4293: 4291: 4289: 4252: 4250: 3993: 3940: 3938: 3925: 3923: 3866: 3864: 3824: 3822: 2135:

Christgau's Record Guide: Rock Albums of the Seventies

1176:; David Stubbs described the track as a prototype for 817:, which were typically not used to record loud music. 8186:

Songs for Groovy Children: The Fillmore East Concerts

7652:

Morello, Tom (December 8, 2011). Wenner, Jann (ed.).

6067:

One Hundred and One Albums that Changed Popular Music

4903: 4151: 3749: 3747: 3732: 3644: 3584: 3525: 3156:

Sales+streaming figures based on certification alone.

2798:

North American CD reissue bonus tracks (1997–present)

10590:

United States National Recording Registry recordings

7743:

Joe Boyd, John Head, Gary Weis (Directors) (2005) .

6108: 6096: 6007: 5983: 5443: 5399: 5368: 5336: 5324: 5285: 5270: 5243: 5228: 5069:, p. 29: the beginning of late-60s psychedelia. 4864: 4829:, pp. 173–174: a one-note bend in the style of 1430:

Chris Stamp designed the cover of the UK version of

1346:

that Hendrix would have heard during his childhood.

1145:

loop develops and he slides into the song's implied

708:

mixes; Ross explained: "back then ... mono was

7626:

Rolling Stone: The 100 Greatest Artists of All Time

4974: 4915: 4714:, pp. 31–32, 36–37 "Red House" and "Remember". 4343: 4286: 4274: 4247: 4206: 4079: 3935: 3920: 3876: 3861: 3819: 1149:. Hendrix used a combination of natural amplifier 19:This article is about the album. For the song, see 8341:West Coast Seattle Boy: The Jimi Hendrix Anthology 7796:West Coast Seattle Boy: Jimi Hendrix: Voodoo Child 7028: 6965: 6947:Jimi Hendrix and the making of Are You Experienced 5784:(7th ed.). New York: Canongate. p. 689. 3759: 3744: 3720: 3708: 3668: 3632: 3572: 2920:– guitars, vocals; piano on "Are You Experienced?" 2379: 1396:" during the song's opening bars and the "heavily 7289:(New and Improved ed.). St. Martin's Press. 6968:The Rolling Stone Encyclopedia of Rock & Roll 6906:Room Full of Mirrors: A Biography of Jimi Hendrix 6284:"A Basic Record Library: The Fifties and Sixties" 6200:"The 100 Best Debut Albums of All Time: number 3" 4591:America's Music: From the Pilgrims to the Present 3465: 3084: 1565:countries, Hendrix's recordings were released by 1321:of two contrasting sections, one that features a 1067:title track, which author Sean Egan described as 520:. Shortly after, Hendrix relocated to the city's 10585:United States National Recording Registry albums 10526: 8334:Martin Scorsese Presents the Blues: Jimi Hendrix 8229:Soundtrack Recordings from the Film Jimi Hendrix 7007: 5907:. In Brackett, Nathan; Hoard, Christian (eds.). 5543:, p. 184; "an absolute ace on the guitar"; 5126: 2073:called it a "bombshell debut" in his review for 16:1967 studio album by the Jimi Hendrix Experience 7526:Jimi Hendrix from the Benjamin Franklin Studios 7282: 7205:(18 ed.). Guinness World Records Limited. 7089: 7052:Rolling Stone's 500 Greatest Albums of All Time 6972:(2005 revised and updated ed.). Fireside. 6672: 6579: 6457:: CS1 maint: others in cite AV media (notes) ( 6421:: CS1 maint: others in cite AV media (notes) ( 6385:: CS1 maint: others in cite AV media (notes) ( 6001: 5516: 5158: 5062: 5011: 4826: 4734:, p. 186: "Are You Experienced" pre-dates 4707: 4706:, p. 72: "'Remember' is an R&B tune"; 4571: 4511: 3295:9). Others, including Roby, identify it as a 7 3152:Shipments figures based on certification alone. 1010:asserted that the album "marked a high peak in 532:. Keith recommended Hendrix to Stones manager 93:October 23, 1966 – April 4, 1967 7716:Joel Whitburn's Top R&B Singles, 1942–1988 7557: 7523: 4971:: often misinterpreted as describing drug use. 9521: 8741: 7846: 7632: 7240: 7223:Black Gold: The Lost Archives of Jimi Hendrix 6963: 6927:Jimi Hendrix: The Complete Guide to his Music 6843:. No. September 26. Living Today section 6166: 5898: 5840:"God Is Not Dead: The Jimi Hendrix Re-Issues" 5636: 5624: 4742:, pp. 64–65: backwards guitar and drums. 4073: 3702: 3565:, p. 93: Decca rejected the Experience; 2083:, which greatly appealed to young listeners. 8951:The Stars That Play with Laughing Sam's Dice 8306:Experience Hendrix: The Best of Jimi Hendrix 7676: 7542: 7436: 5672: 5670: 5002:, p. 24: Hendrix had not yet taken LSD. 3402: 3372:was released in the UK on May 12, 1967, the 2161:"The Wind Cries Mary" b/w "Highway Chile"). 1944: 1906: 1856: 1806: 1768: 1730: 1692: 1236:, are often misinterpreted as describing an 1160:while showcasing his innovative approach to 1028:in October 1967 identified the influence of 504:was struggling to earn a living playing the 7677:Owen, Frank; Reynolds, Simon (April 1991). 7324: 7008:Hendrix, Janie L.; McDermott, John (2007). 6447:. 1967. LP sides 1 & 2 labels. RS 6261. 6411:. 1967. LP sides 1 & 2 labels. 184 085. 6375:. 1967. LP sides 1 & 2 labels. 612 001. 5500: 5089:, p. 45: experimental science fiction. 5086: 5050: 4770: 4754: 4610:; for "raw, focused psychedelic rock" see: 4543: 3185:was composed entirely of Hendrix originals. 3181:single in 1966. The original UK version of 1569:in a distribution deal secured by Jeffery. 633: 9528: 9514: 8748: 8734: 8137:Blue Wild Angel: Live at the Isle of Wight 7853: 7839: 7474: 7283:Shapiro, Harry; Glebbeek, Caesar (1995) . 7054:(First Paperback ed.). Wenner Books. 5810:MusicHound Rock: The Essential Album Guide 5698: 5639:, p. 429: Peak US chart position for 4671:. Wesleyan University Press. p. 173. 1588:recommended them to the organizers of the 1032:on the Experience and the album. In 1989, 262: 50: 8987:Have You Ever Been (To Electric Ladyland) 8320:Voodoo Child: The Jimi Hendrix Collection 8179:Machine Gun: The Fillmore East First Show 7493: 7385: 7140:(First US ed.). St. Martin's Press. 7112: 7068: 6949:(updated and expanded ed.). Askill. 6879: 6768:Recording Industry Association of America 6504:Are You Experienced (Reprise 6261-2 RE-1) 6278: 6126: 6090: 5704: 5667: 5616: 5592: 5560: 5437: 5222: 5150: 5114: 5102: 5038: 4968: 4897: 4850: 4611: 4528: 4499: 4487: 4472: 4457: 4428: 4416: 4401: 4385: 4373: 4361: 4337: 4313: 4241: 4224: 4188: 4169: 4145: 4126: 4114: 4097: 4061: 4045: 4026: 4014: 3987: 3971: 3914: 3813: 3801: 3789: 3777: 3690: 3662: 3626: 3605: 3566: 3546: 3507: 3495: 3483: 3272:contributors identifies the chord as a "F 369:, where it reached number five on the US 310:After struggling to earn a living on the 10545:Albums recorded at Olympic Sound Studios 10452:When We All Fall Asleep, Where Do We Go? 8507:Power of Soul: A Tribute to Jimi Hendrix 7712: 7606: 7585: 7576: 7506: 7364: 7261: 7154: 6177:, p. 34: Hendrix's "epochal debut". 5803:Galens, Dave (1996). "Jimi Hendrix". In 5564: 5544: 5528: 5210: 5182: 5154: 5138: 5098: 5082: 5023: 4936: 4842: 4806: 4652: 4325: 3550: 3534: 3519: 2141:1001 Albums You Must Hear Before You Die 1517: 1303:A spoken passage from the second section 722: 480: 7679:"Hendrix Lives! Why Jimi still matters" 7651: 7524:Geldeart, Gary; Rodham, Rodham (2008). 7200: 7090:McDermott, John; Kramer, Eddie (1992). 7010:Jimi Hendrix: An Illustrated Experience 6986: 6923: 6792: 6717:Federazione Industria Musicale Italiana 6490: 6351: 6070:. Oxford University Press. p. 51. 5676: 5644: 5464: 5264: 5170: 4948: 4794: 4766: 4739: 4694:, p. 8: "wide variety of styles"; 4691: 4558:, p. 8: "wide variety of styles"; 4555: 4389: 4057: 4002: 3443:"The Psychedelic Debut of Jimi Hendrix" 2124:was one of 50 recordings chosen by the 1663: 913:". As the album's title track featured 35:Can You See Me? (Krista Siegfrids song) 10527: 10150:Titanic: Music from the Motion Picture 9022:1983... (A Merman I Should Turn to Be) 8755: 7437:Boot, Adrian; Salewicz, Chris (1995). 7413: 7345: 7303: 7241:Roby, Steven; Schreiber, Brad (2010). 7133: 7026: 6813: 6225: 6186: 6028: 5977: 5837: 5802: 5779: 5745: 5627:, p. 429: Peak US chart position. 5479:entered the UK charts on May 27, 1967. 5186: 5105:, p. 76: free-form improvisation. 5078: 5066: 4999: 4952: 4711: 4699: 4664: 4563: 2878: 2867: 2856: 2841: 2830: 2815: 2768: 2753: 2742: 2727: 2712: 2693: 1022:". A contemporary review published in 885:appearances on the UK television show 9509: 9382:Can You Please Crawl Out Your Window? 9210:Sgt. Pepper's Lonely Hearts Club Band 8729: 8493:Stone Free: A Tribute to Jimi Hendrix 8264:Live & Unreleased: The Radio Show 8243:The Essential Jimi Hendrix Volume Two 7834: 7633:Mitchell, Mitch; Platt, John (1990). 7619: 7558:Halfin, Ross; Tolinski, Brad (2004). 7455: 7173: 6902: 6862:Jimi Hendrix: The Ultimate Experience 6858: 6832: 6527:. Experience Hendrix. August 28, 2010 6324:Robert Dimery; Michael Lydon (2014). 6114: 6063: 5679:"Are You Experienced? – Jimi Hendrix" 5556: 5540: 5488: 5198: 4909: 4702:, p. 45: a diversity of styles; 4584: 3882: 3569:, pp. 20–22: signing with Track. 3437: 3435: 3433: 3396: 3204:recorded or rehearsed on December 15. 2893: 2783: 2593: 2578: 2563: 2548: 2533: 2518: 2481: 2466: 2455: 2436: 2421: 2406: 2366: 2351: 2340: 2325: 2310: 2295: 2258: 2247: 2236: 2221: 2206: 2191: 2165:Original UK and international edition 1673: 1605:After the show-stealing performance, 1555:Sgt. Pepper's Lonely Hearts Club Band 1325:guitar melody played in the style of 10555:Grammy Hall of Fame Award recipients 7779:Jimi Hendrix: Hear My Train A Comin' 7693: 7439:Jimi Hendrix The Ultimate Experience 7416:"Jimi Hendrix talks to Steve Barker" 7219: 7092:Hendrix: Setting the Record Straight 7049: 6944: 6252: 6226:Barnes, Anthony (October 21, 2013). 6174: 6102: 6016: 5989: 5948: 5604: 5588: 5576: 5472: 5452: 5425: 5408: 5393: 5381: 5362: 5345: 5330: 5318: 5306: 5291: 5279: 5249: 5237: 4995: 4983: 4964: 4921: 4882: 4870: 4853:, p. 20: "Hey Joe" is the only 4818: 4786: 4782: 4731: 4727: 4723: 4703: 4695: 4570:contains a wide range of material"; 4559: 4440: 4349: 4309: 4297: 4280: 4268: 4256: 4212: 4200: 4157: 4085: 3983: 3956: 3944: 3929: 3897: 3870: 3855: 3840: 3828: 3765: 3753: 3738: 3726: 3714: 3686: 3674: 3650: 3638: 3590: 3578: 3562: 3471: 2631:, assisted by Dave Mitson using the 2024:Many music critics have since named 1084:improvisations. Whereas "Fire" is a 361:Released in the UK on May 12, 1967, 9705:Herb Alpert & the Tijuana Brass 7496:Guitar: For the Practicing Musician 7116:The Words and Music of Jimi Hendrix 3453:from the original on April 21, 2014 961: 13: 10575:The Jimi Hendrix Experience albums 10041:Janet Jackson's Rhythm Nation 1814 9700:Whipped Cream & Other Delights 7760:Roger Pomphrey (Director) (2005). 7406: 6964:George-Warren, Holly, ed. (2001). 6525:JimiHendrix.com (official website) 4583:For a high peak in hard rock see: 3430: 1669:Retrospective professional reviews 1276: 1189: 1147:dominant seventh sharp ninth chord 868: 407:In the decades since its release, 14: 10601: 8348:Fire: The Jimi Hendrix Collection 8278:Lifelines: The Jimi Hendrix Story 8200:Los Angeles Forum: April 26, 1969 7812: 7764:(DVD). Eagle Rock Entertainment. 6140:"500 Greatest Albums of All Time" 5910:The New Rolling Stone Album Guide 5752:The Encyclopedia of Popular Music 5645:Goodman, William (May 12, 2017). 5467:, p. 232: UK chart data for 3065: 1946: 1908: 1858: 1808: 1801:The Encyclopedia of Popular Music 1770: 1732: 1694: 1454:Hendrix disliked the UK cover of 10540:Albums produced by Chas Chandler 8710: 8709: 7965:First Rays of the New Rising Sun 7860: 7203:British Hit Singles & Albums 7176:Jimi Hendrix's Electric Ladyland 6678: 6634: 6608: 6585: 6573: 6564:Are You Experienced (MCAD 11602) 6556: 6547:Are You Experienced (MCD 111608) 6539: 6513: 6496: 6429: 6393: 6357: 6317: 6313:– via robertchristgau.com. 6272: 6246: 6219: 6192: 6160: 6132: 6057: 6022: 5942: 5892: 5864: 5831: 5796: 5773: 5739: 5722: 5630: 5619:, p. 61: Release dates for 5610: 5582: 5550: 5534: 5482: 5458: 5176: 5144: 5092: 5072: 5056: 4989: 4958: 4942: 4836: 4812: 4726:, p. 204: impressionistic; 3362: 3349: 3340: 3331: 3308: 3262: 2147: 1965: 1960: 1955: 1950: 1945: 1927: 1922: 1917: 1912: 1907: 1877: 1872: 1867: 1862: 1857: 1827: 1822: 1817: 1812: 1807: 1789: 1784: 1779: 1774: 1769: 1751: 1746: 1741: 1736: 1731: 1713: 1708: 1703: 1698: 1693: 1621:, which were transitioning from 1572: 1373:; most rock music is written in 1311:Problems playing this file? See 1292: 1223:Problems playing this file? See 1205: 982:According to Hendrix biographer 581:Georgie Fame and the Blue Flames 8665:Canadian drug charges and trial 8564:Jimmy James and the Blue Flames 8429:Live in Paris & Ottawa 1968 7794:Bob Smeaton (Director) (2012). 7777:Bob Smeaton (Director) (2013). 7660:. No. 1145. Archived from 7328:The Rough Guide to Jimi Hendrix 7031:Virgin All-time Top 1000 Albums 6029:Italie, Hillel (May 22, 2017). 5838:Murphy, Sean (March 11, 2010). 5729:"Review: Are You Experienced". 4776: 4760: 4717: 4685: 4658: 4577: 4549: 4379: 4303: 4051: 3977: 3680: 3556: 3249: 3240: 3226: 3216: 3207: 3197: 3188: 3171: 2380:Original North American edition 2094:500 Greatest Albums of All Time 530:Jimmy James and the Blue Flames 433:500 Greatest Albums of All Time 8670:Handel & Hendrix in London 7349:500 Greatest Songs of All Time 7134:Murray, Charles Shaar (1989). 5710:"Back Catalogue: Jimi Hendrix" 4845:, p. 380: "Hey Joe" is a 3540: 2803: 2681: 2606: 2506: 2394: 2283: 2179: 2100:500 Greatest Songs of All Time 2065:, and the guitar aesthetic of 1425: 1164:; by exploiting the increased 1059:Included on the UK edition of 437:500 Greatest Songs of All Time 431:30th on its 2020 list of the " 1: 10550:Barclay (record label) albums 8401:Paris 1967/San Francisco 1968 8172:Freedom: Atlanta Pop Festival 7798:(DVD, Blu-ray). Sony Legacy. 7781:(DVD, Blu-ray). Sony Legacy. 7624:. In Brackett, Nathan (ed.). 7365:Whitaker, Matthew C. (2011). 6743:British Phonographic Industry 5872:"Review: Are You Experienced" 4789:, p. 184: "you can hear 3389: 3382:occupied the number one spot. 3326:Night of Light: Day of Dreams 3179:Curtis Knight and the Squires 2945:– backing vocals on "Hey Joe" 1939:The Rolling Stone Album Guide 1644:chart. The album remained on 587:, the Experience signed with 524:and began a residency at the 476: 330:, the Experience signed with 291:is the debut studio album by 9289:I'm Your Hoochie Coochie Man 9035:Voodoo Child (Slight Return) 8965:Burning of the Midnight Lamp 8366:Live at the Oakland Coliseum 7388:Hendrix: Are You Experienced 7325:Unterberger, Richie (2009). 7286:Jimi Hendrix: Electric Gypsy 7201:Roberts, David, ed. (2005). 5127:Hendrix & McDermott 2007 4596:University of Illinois Press 2906: 606: 404:" cover for the US release. 7: 10480:Dangerous: The Double Album 9733:The Jimi Hendrix Experience 8569:The Jimi Hendrix Experience 8415:Live at the Isle of Fehmarn 8313:The Jimi Hendrix Experience 6673:Shapiro & Glebbeek 1995 6580:Shapiro & Glebbeek 1995 6173:certified double-platinum; 6002:Shapiro & Glebbeek 1995 5517:McDermott & Kramer 1992 5159:Shapiro & Glebbeek 1995 5063:Shapiro & Glebbeek 1995 5012:Shapiro & Glebbeek 1995 4827:Shapiro & Glebbeek 1995 4708:Shapiro & Glebbeek 1995 4572:Shapiro & Glebbeek 1995 4512:McDermott & Kramer 1992 3317:Fantasy and Science Fiction 2978: 2912:The Jimi Hendrix Experience 2152:Since the first release of 2130:National Recording Registry 1637:reached number five on the 861:", which featured a manual 781: 562:the Jimi Hendrix Experience 449:National Recording Registry 293:the Jimi Hendrix Experience 214:Experience album chronology 68:the Jimi Hendrix Experience 21:Are You Experienced? (song) 10: 10606: 9756:Bridge over Troubled Water 8394:Baggy's Rehearsal Sessions 8236:The Essential Jimi Hendrix 7747:(DVD). Warner Home Video. 7609:Wolf Marshall's Guitar One 7477:Through Gypsy Eyes Hendrix 7475:Etchingham, Kathy (1999). 7371:. Vol. 1. Greenwood. 7157:The Jimi Hendrix Companion 6903:Cross, Charles R. (2005). 6880:Christgau, Robert (1998). 6816:The Jimi Hendrix Companion 6785: 5954:"Grade List: Jimi Hendrix" 5782:The Great Rock Discography 5780:Strong, Martin C. (2004). 3259:and other minority groups. 2616:Compact Disc Digital Audio 1839:The Great Rock Discography 1508: 1487:which was then popular in 1288:"Third Stone from the Sun" 1215:The intro and opening riff 1101:. Although "Hey Joe" is a 990:incorporates a variety of 742:introduced Hendrix to the 727: 32: 18: 10192: 10113:Hootie & the Blowfish 9837: 9809:Goodbye Yellow Brick Road 9608:The Music from Peter Gunn 9549: 9486: 9398: 9334: 9298: 9269: 9233: 9190: 9181:Hey Baby (New Rising Sun) 9147: 9104: 9066: 9044: 8974: 8929: 8858: 8764: 8705: 8637: 8544: 8521:An Illustrated Experience 8468: 8452: 8357: 8209: 8123:Live at the Fillmore East 8053:The Jimi Hendrix Concerts 8002: 7900: 7868: 7586:Lawrence, Sharon (2005). 7479:. Firebird Distributing. 7418:. In Roby, Steven (ed.). 7310:. Thunder's Mouth Press. 7113:Moskowitz, David (2010). 6987:Heatley, Michael (2009). 6865:. Thunder's Mouth Press. 4821:, p. 195: Hendrix's 4074:Roby & Schreiber 2010 3703:Roby & Schreiber 2010 3149: 3134: 3113: 3092: 3081: 3078: 3052: 3038: 3027: 3019: 3011: 2997: 2990: 2987: 2974: 2810: 2807: 2802: 2688: 2685: 2680: 2513: 2510: 2505: 2401: 2398: 2393: 2290: 2287: 2282: 2186: 2183: 2178: 1681: 1678: 1522:Front cover of the album 1513: 661:Land of a Thousand Dances 280: 276: 261: 257: 252: 248: 218: 213: 201: 169: 143: 112: 97: 89: 74: 61: 49: 44: 9689:Original Cast Soundtrack 9167:The Star-Spangled Banner 9028:All Along the Watchtower 8821:Third Stone from the Sun 8373:Live at Clark University 7901:Posthumous studio albums 7719:. Record Research, Inc. 7698:. Chicago Review Press. 7562:. Genesis Publications. 7422:. Chicago Review Press. 7386:Whitehill, Dave (1989). 7262:Shadwick, Keith (2003). 7069:McDermott, John (2009). 6886:Harvard University Press 3409:All Time Top 1000 Albums 3164: 2618:or CD format in 1985 by 2614:was first issued on the 2554:Third Stone from the Sun 1655:featured a new cover by 1137:while applying generous 685:Third Stone from the Sun 634:October to December 1966 591:, a new label formed by 439:": "Purple Haze" (17), " 418:All Time Top 1000 Albums 334:, a new label formed by 268:North American cover by 8692:Unfinished fourth album 8535:Jimi: All Is by My Side 8285:The Ultimate Experience 8271:Cornerstones: 1967–1970 7986:People, Hell and Angels 7713:Whitburn, Joel (1988). 7414:Barker, Steve (2012) . 7050:Levy, Joe, ed. (2005). 6924:Doggett, Peter (2004). 6854:(subscription required) 6441:Jimi Hendrix Experience 6405:Jimi Hendrix Experience 6369:Jimi Hendrix Experience 5757:Oxford University Press 4665:Walser, Robert (2013). 4623:Hal Leonard Corporation 2571:" (US edition spelling) 2556:" (US edition spelling) 2138:(1981)—and in the book 1541:Track Records released 1253:during the time of the 1040:Smithsonian Institution 528:fronting his own band, 457:Smithsonian Institution 322:and ex-Animals manager 10570:Reprise Records albums 10565:Polydor Records albums 10231:Get Rich or Die Tryin' 9770:Jesus Christ Superstar 9375:I Was Made to Love Her 9311:The Little Drummer Boy 9174:Hear My Train A Comin' 8650:Posthumous discography 8380:Morning Symphony Ideas 8327:The Singles Collection 8102:Live Isle of Wight '70 7869:Original studio albums 7635:The Hendrix Experience 7346:Wenner, Jann (2010) . 7304:Stubbs, David (2003). 7265:Jimi Hendrix: Musician 7027:Larkin, Colin (1998). 6859:Black, Johnny (1999). 6793:Aledort, Andy (1996). 6616:"Jimi Hendrix: Albums" 3284:dominant seventh chord 2980:Chart performance for 2331:3rd Stone from the Sun 1534: 1281: 1249:that was known as the 1194: 1151:overdrive and fuzz box 970: 790: 497: 78:May 12, 1967 9848:Frampton Comes Alive! 9795:The World Is a Ghetto 9761:Simon & Garfunkel 9421:Born Under a Bad Sign 9389:Sunshine of Your Love 9069:Historic Performances 8697:Death of Jimi Hendrix 8680:Electric Lady Studios 8528:Becoming Jimi Hendrix 7993:Both Sides of the Sky 7694:Roby, Steven (2012). 7507:GP staff (May 2012). 7220:Roby, Steven (2002). 7184:Bloomsbury Publishing 6064:Smith, Chris (2009). 5958:Tom Hull – on the Web 5852:on September 21, 2013 5677:Unterberger, Richie. 4797:, p. 64: "Fire". 4793:and soul in 'Fire'"; 3449:. November 18, 2006. 1977:Tom Hull – on the Web 1609:agreed to distribute 1590:Monterey Pop Festival 1521: 1280: 1193: 1121:. It begins with the 966: 807:pre-mixed and reduced 786: 723:January to April 1967 484: 23:. For the novel, see 10580:Track Records albums 10466:Hollywood's Bleeding 10371:The 20/20 Experience 9876:Saturday Night Fever 9414:Peace in Mississippi 9282:The Drifter's Escape 9081:Like a Rolling Stone 8906:Castles Made of Sand 8878:Spanish Castle Magic 8828:Are You Experienced? 8645:Original discography 8514:Room Full of Mirrors 8460:The Cry of Love Tour 7951:Nine to the Universe 7664:on September 4, 2017 7620:Mayer, John (2011). 7456:Brown, Tony (1992). 7174:Perry, John (2004). 6294:Ticknor & Fields 6148:. September 22, 2020 5915:Simon & Schuster 5903:(November 2, 2004). 5880:: 136. December 1993 5591:, pp. 180–181; 5309:, pp. 169, 171. 4588:(November 1, 1992). 3268:Musical notation by 2937:Additional personnel 2584:Are You Experienced? 2045:Charles Shaar Murray 1664:Reception and legacy 1596:for the documentary 1524:Are You Experienced? 1093:can be heard in his 1014:", and music critic 911:Are You Experienced? 879:Like a Rolling Stone 512:, the girlfriend of 26:Are You Experienced? 10508:One Thing at a Time 10178:No Strings Attached 9728:Are You Experienced 9714:More of the Monkees 9463:Things I Used to Do 9193:Hendrix in the West 8885:Wait Until Tomorrow 8849:The Wind Cries Mary 8767:Are You Experienced 8675:Fender Stratocaster 8060:Jimi Plays Monterey 8039:Hendrix in the West 7877:Are You Experienced 7820:Are You Experienced 7441:. London: Boxtree. 7226:. Billboard Books. 6945:Egan, Sean (2013). 6644:Are You Experienced 6620:Offiziellecharts.de 6453:cite AV media notes 6437:Are You Experienced 6417:cite AV media notes 6401:Are You Experienced 6381:cite AV media notes 6365:Are You Experienced 6259:Library of Congress 6171:Are You Experienced 5641:Are You Experienced 5621:Are You Experienced 5607:, pp. 180–181. 5579:, pp. 179–180. 5567:, pp. 110–115. 5519:, pp. 48, 304. 5505:Are You Experienced 5493:Are You experienced 5477:Are You Experienced 5469:Are You Experienced 5428:, pp. 172–173. 5396:, pp. 176–177. 5365:, pp. 175–176. 5321:, pp. 170–171. 4885:, pp. 108–109. 4859:Are You Experienced 4757:, pp. 182–183. 4568:Are You Experienced 4443:, pp. 159–160. 4271:, pp. 146–147. 4203:, pp. 136–137. 3959:, pp. 112–113. 3900:, pp. 106–107. 3858:, pp. 105–106. 3843:, pp. 104–105. 3370:Are You Experienced 3357:Are You Experienced 3183:Are You Experienced 3075: 3073:Are You Experienced 3071:Certifications for 2984: 2982:Are You Experienced 2799: 2759:The Wind Cries Mary 2677: 2612:Are You Experienced 2524:The Wind Cries Mary 2502: 2459:"Love or Confusion" 2390: 2357:Are You Experienced 2279: 2251:"Love or Confusion" 2175: 2154:Are You Experienced 2128:to be added to the 2126:Library of Congress 2122:Are You Experienced 2118:Are You Experienced 2055:Are You Experienced 2026:Are You Experienced 1989:Are You Experienced 1670: 1653:Are You Experienced 1635:Are You Experienced 1611:Are You Experienced 1543:Are You Experienced 1502:Are You Experienced 1483:in London, using a 1476:Are You Experienced 1456:Are You Experienced 1444:the Dave Clark Five 1432:Are You Experienced 1342:, a group from the 1263:Ritchie Unterberger 1255:Spanish Inquisition 1234:Are You Experienced 1114:Are You Experienced 1061:Are You Experienced 988:Are You Experienced 975:Ritchie Unterberger 948:Are You Experienced 855:Are You Experienced 760:The Wind Cries Mary 645:Marshall twin stack 616:De Lane Lea Studios 612:Are You Experienced 447:to be added to the 445:Library of Congress 429:Are You Experienced 409:Are You Experienced 394:The Wind Cries Mary 363:Are You Experienced 354:, CBS Studios, and 352:De Lane Lea Studios 348:Are You Experienced 288:Are You Experienced 227:Are You Experienced 45:Are You Experienced 10560:MCA Records albums 10122:Jagged Little Pill 9971:Born in the U.S.A. 9742:In-A-Gadda-Da-Vida 9626:The Sound of Music 9449:Valleys of Neptune 9399:Other compilations 9008:Come On (Part One) 8861:Axis: Bold as Love 8800:I Don't Live Today 8299:South Saturn Delta 8165:Miami Pop Festival 8081:Live at Winterland 7979:Valleys of Neptune 7972:South Saturn Delta 7944:Midnight Lightning 7884:Axis: Bold as Love 7827:(list of releases) 7637:. London: Hamlyn. 7268:. Backbeat Books. 7075:. BackBeat Books. 6993:. Voyageur Press. 6582:, pp. 524–527 6167:George-Warren 2001 5735:: 61. August 1997. 5637:George-Warren 2001 5625:George-Warren 2001 3549:, pp. 21–22; 3379:The Sound of Music 3322:Philip José Farmer 3070: 3055:Top R&B Albums 2988:Chart (1967–1968) 2979: 2834:"51st Anniversary" 2797: 2746:"51st Anniversary" 2675: 2500: 2487:I Don't Live Today 2388: 2277: 2264:I Don't Live Today 2173: 1668: 1561:In France and the 1549:Axis: Bold as Love 1535: 1471:Axis: Bold as Love 1282: 1251:diabolus in musica 1195: 1112:The UK edition of 943:Late Night Line-Up 859:I Don't Live Today 815:ribbon microphones 812:Beyerdynamic M 160 702:stereophonic sound 544:, who was leaving 534:Andrew Loog Oldham 498: 400:to create a more " 307:music as a whole. 236:Axis: Bold as Love 10535:1967 debut albums 10522: 10521: 10376:Justin Timberlake 10329:I Dreamed a Dream 10127:Alanis Morissette 10108:Cracked Rear View 9999:Slippery When Wet 9976:Bruce Springsteen 9543:number one albums 9503: 9502: 9131:Night Bird Flying 8994:Crosstown Traffic 8977:Electric Ladyland 8871:Up from the Skies 8723: 8722: 8559:Lonnie Youngblood 8358:Official bootlegs 8250:The Singles Album 8130:Live at Woodstock 7891:Electric Ladyland 7726:978-0-89820-068-3 7705:978-1-61374-322-5 7644:978-0-600-59538-0 7599:978-0-06-056301-1 7569:978-0-904351-90-3 7535:978-0-9527686-7-8 7486:978-0-7528-2725-4 7467:978-0-7119-2761-2 7460:. Omnibus Press. 7448:978-0-02-860836-5 7429:978-1-61374-322-5 7397:978-0-7119-3654-6 7378:978-0-313-37642-9 7352:. Rolling Stone. 7338:978-1-84836-002-0 7317:978-1-56025-537-6 7296:978-0-312-13062-6 7275:978-0-87930-764-6 7254:978-0-306-81910-0 7233:978-0-8230-7854-7 7212:978-1-904994-00-8 7166:978-0-7119-6635-2 7147:978-0-312-04288-2 7126:978-0-313-37592-7 7105:978-0-446-39431-4 7082:978-0-87930-938-1 7061:978-1-932958-61-4 7042:978-0-7535-0258-7 7019:978-0-7432-9769-1 7000:978-0-7603-3639-7 6979:978-0-7432-9201-6 6956:978-0-9545750-5-2 6937:978-1-84449-424-8 6916:978-0-7868-8841-2 6895:978-0-674-44318-1 6872:978-1-56025-240-5 6835:"Seattle Sampler" 6825:978-0-7119-6635-2 6806:978-0-7935-3659-7 6443:. New York City: 6371:. Great Britain: 6335:978-0-7893-2074-2 6280:Christgau, Robert 6129:, pp. 96–97. 5980:, pp. 49–50. 5928:978-0-7432-0169-8 5815:Visible Ink Press 5766:978-0-19-531373-4 5708:(December 2005). 5706:Christgau, Robert 5225:, pp. 10–11. 5201:, pp. 71–72. 4809:, pp. 90–91. 4678:978-0-8195-7421-3 4632:978-1-61780-215-7 4605:978-0-252-06275-9 4502:, pp. 44–45. 4404:, pp. 40–41. 4364:, pp. 39–40. 4227:, pp. 36–38. 4172:, pp. 35–36. 4160:, pp. 77–79. 4129:, pp. 32–35. 4100:, pp. 32–33. 4029:, pp. 28–33. 4017:, pp. 28–29. 3917:, pp. 27–28. 3816:, pp. 26–27. 3804:, pp. 24–26. 3792:, pp. 24–27. 3741:, pp. 90–91. 3665:, pp. 22–24. 3653:, pp. 67–71. 3608:, pp. 22–23. 3593:, pp. 71–72. 3553:, pp. 83–85. 3522:, pp. 82–84. 3510:, pp. 20–22. 3498:, pp. 18–21. 3486:, pp. 17–18. 3314:The magazine was 3162: 3161: 3157: 3153: 3124: 3122:sales since 1997 3103: 3101:sales since 2009 3063: 3062: 2903: 2902: 2793: 2792: 2666:Legacy Recordings 2603: 2602: 2496: 2495: 2376: 2375: 2273: 2272: 2057:with introducing 1986: 1985: 1619:FM radio stations 1344:Pacific Northwest 1298: 1210: 1158:pentatonic scales 924:mastering session 827:background vocals 522:Greenwich Village 284: 283: 253:Alternative cover 244: 243: 10597: 10515: 10501: 10494:Un Verano Sin Ti 10487: 10473: 10459: 10445: 10431: 10417: 10403: 10389: 10378: 10364: 10350: 10336: 10322: 10308: 10294: 10280: 10278:Carrie Underwood 10266: 10252: 10238: 10224: 10210: 10185: 10171: 10157: 10143: 10129: 10115: 10101: 10087: 10076: 10062: 10048: 10034: 10020: 10006: 9992: 9978: 9964: 9950: 9936: 9922: 9908: 9894: 9880: 9869: 9855: 9830: 9816: 9802: 9788: 9774: 9763: 9749: 9735: 9721: 9707: 9693: 9678: 9663: 9652: 9641: 9630: 9615: 9601: 9584: 9567: 9530: 9523: 9516: 9507: 9506: 9442:Dear Mr. Fantasy 9224:Blue Suede Shoes 8807:May This Be Love 8786:Manic Depression 8750: 8743: 8736: 8727: 8726: 8713: 8712: 8638:Related articles 8629:Monika Dannemann 8624:Kathy Etchingham 8151:Live at Monterey 8144:Live at Berkeley 8074:Band of Gypsys 2 7855: 7848: 7841: 7832: 7831: 7807: 7790: 7773: 7756: 7730: 7709: 7690: 7673: 7671: 7669: 7648: 7629: 7628:. Rolling Stone. 7616: 7603: 7582: 7573: 7554: 7539: 7520: 7503: 7490: 7471: 7452: 7433: 7401: 7382: 7361: 7342: 7331:. Rough Guides. 7321: 7300: 7279: 7258: 7237: 7216: 7197: 7170: 7151: 7130: 7109: 7086: 7065: 7046: 7034: 7023: 7004: 6983: 6971: 6960: 6941: 6920: 6899: 6876: 6855: 6852: 6850: 6848: 6840:The Miami Herald 6829: 6810: 6779: 6778: 6776: 6774: 6760: 6754: 6753: 6751: 6749: 6735: 6729: 6727: 6725: 6723: 6709: 6703: 6702: 6700: 6698: 6682: 6676: 6670: 6661: 6660: 6658: 6656: 6638: 6632: 6631: 6629: 6627: 6612: 6606: 6605: 6597: 6589: 6583: 6577: 6571: 6560: 6554: 6543: 6537: 6536: 6534: 6532: 6517: 6511: 6500: 6494: 6488: 6463: 6462: 6456: 6448: 6433: 6427: 6426: 6420: 6412: 6397: 6391: 6390: 6384: 6376: 6361: 6355: 6354:, pp. 6–11. 6349: 6340: 6339: 6321: 6315: 6314: 6312: 6310: 6276: 6270: 6269: 6267: 6265: 6253:Fineberg, Gail. 6250: 6244: 6243: 6241: 6239: 6223: 6217: 6216: 6214: 6212: 6196: 6190: 6184: 6178: 6164: 6158: 6157: 6155: 6153: 6136: 6130: 6124: 6118: 6112: 6106: 6100: 6094: 6088: 6082: 6081: 6061: 6055: 6054: 6048: 6046: 6041:on July 11, 2021 6037:. Archived from 6035:Associated Press 6026: 6020: 6014: 6005: 5999: 5993: 5987: 5981: 5975: 5969: 5968: 5966: 5964: 5946: 5940: 5939: 5937: 5935: 5913:(4th ed.). 5901:Brackett, Nathan 5896: 5890: 5889: 5887: 5885: 5868: 5862: 5861: 5859: 5857: 5848:. Archived from 5835: 5829: 5828: 5800: 5794: 5793: 5777: 5771: 5770: 5743: 5737: 5736: 5726: 5720: 5719: 5702: 5696: 5695: 5693: 5691: 5674: 5665: 5663: 5661: 5659: 5634: 5628: 5614: 5608: 5602: 5596: 5586: 5580: 5574: 5568: 5554: 5548: 5538: 5532: 5526: 5520: 5514: 5508: 5501:Unterberger 2009 5486: 5480: 5462: 5456: 5450: 5441: 5435: 5429: 5423: 5412: 5406: 5397: 5391: 5385: 5379: 5366: 5360: 5349: 5343: 5334: 5328: 5322: 5316: 5310: 5304: 5295: 5289: 5283: 5277: 5268: 5262: 5253: 5247: 5241: 5235: 5226: 5220: 5214: 5208: 5202: 5196: 5190: 5180: 5174: 5168: 5162: 5148: 5142: 5136: 5130: 5124: 5118: 5112: 5106: 5096: 5090: 5087:Unterberger 2009 5076: 5070: 5060: 5054: 5051:Unterberger 2009 5048: 5042: 5036: 5027: 5021: 5015: 5009: 5003: 4993: 4987: 4981: 4972: 4962: 4956: 4946: 4940: 4934: 4925: 4919: 4913: 4907: 4901: 4895: 4886: 4880: 4874: 4868: 4862: 4840: 4834: 4816: 4810: 4804: 4798: 4780: 4774: 4771:Unterberger 2009 4764: 4758: 4755:Unterberger 2009 4752: 4743: 4721: 4715: 4689: 4683: 4682: 4662: 4656: 4650: 4644: 4643: 4641: 4639: 4609: 4594:(3rd ed.). 4581: 4575: 4553: 4547: 4544:Unterberger 2009 4541: 4532: 4526: 4515: 4509: 4503: 4497: 4491: 4485: 4476: 4470: 4461: 4455: 4444: 4438: 4432: 4426: 4420: 4414: 4405: 4399: 4393: 4383: 4377: 4371: 4365: 4359: 4353: 4347: 4341: 4335: 4329: 4323: 4317: 4307: 4301: 4295: 4284: 4278: 4272: 4266: 4260: 4254: 4245: 4239: 4228: 4222: 4216: 4210: 4204: 4198: 4192: 4186: 4173: 4167: 4161: 4155: 4149: 4143: 4130: 4124: 4118: 4112: 4101: 4095: 4089: 4083: 4077: 4071: 4065: 4055: 4049: 4043: 4030: 4024: 4018: 4012: 4006: 4000: 3991: 3981: 3975: 3969: 3960: 3954: 3948: 3942: 3933: 3927: 3918: 3912: 3901: 3895: 3886: 3880: 3874: 3868: 3859: 3853: 3844: 3838: 3832: 3826: 3817: 3811: 3805: 3799: 3793: 3787: 3781: 3775: 3769: 3763: 3757: 3751: 3742: 3736: 3730: 3724: 3718: 3712: 3706: 3700: 3694: 3684: 3678: 3672: 3666: 3660: 3654: 3648: 3642: 3636: 3630: 3624: 3609: 3603: 3594: 3588: 3582: 3576: 3570: 3560: 3554: 3544: 3538: 3532: 3523: 3517: 3511: 3505: 3499: 3493: 3487: 3481: 3475: 3469: 3463: 3462: 3460: 3458: 3439: 3428: 3427: 3412:(3rd ed.). 3400: 3383: 3366: 3360: 3353: 3347: 3344: 3338: 3335: 3329: 3312: 3306: 3304: 3300: 3299: 3294: 3293: 3289: 3281: 3277: 3276: 3266: 3260: 3257:American Indians 3253: 3247: 3244: 3238: 3235:reduction mixing 3230: 3224: 3220: 3214: 3211: 3205: 3201: 3195: 3192: 3186: 3175: 3155: 3151: 3120: 3114:United Kingdom ( 3099: 3076: 3069: 2985: 2896: 2860:"Can You See Me" 2805: 2800: 2796: 2786: 2683: 2678: 2674: 2656: 2652: 2596: 2508: 2503: 2499: 2472:May This Be Love 2427:Manic Depression 2396: 2391: 2387: 2369: 2301:May This Be Love 2285: 2280: 2276: 2240:"Can You See Me" 2212:Manic Depression 2181: 2176: 2172: 2116:magazine listed 2071:Robert Christgau 2030:Associated Press 2016: 2009: 1970: 1969: 1968: 1964: 1963: 1959: 1958: 1954: 1953: 1949: 1948: 1932: 1931: 1930: 1926: 1925: 1921: 1920: 1916: 1915: 1911: 1910: 1882: 1881: 1880: 1876: 1875: 1871: 1870: 1866: 1865: 1861: 1860: 1832: 1831: 1830: 1826: 1825: 1821: 1820: 1816: 1815: 1811: 1810: 1794: 1793: 1792: 1788: 1787: 1783: 1782: 1778: 1777: 1773: 1772: 1756: 1755: 1754: 1750: 1749: 1745: 1744: 1740: 1739: 1735: 1734: 1718: 1717: 1716: 1712: 1711: 1707: 1706: 1702: 1701: 1697: 1696: 1671: 1667: 1650: 1594:D. A. Pennebaker 1420:twelve-bar blues 1405:Kathy Etchingham 1387: 1386: 1385: 1384: 1368: 1367: 1366: 1365: 1300: 1299: 1279: 1212: 1211: 1192: 1129:that Hendrix is 1020:psychedelic rock 996:rhythm and blues 978: 962:Music and lyrics 957: 907:May This Be Love 903:Manic Depression 846:. I worked with 842:. I worked with 797: 690:Ready Steady Go! 266: 220: 219: 161: 160: 156: 121:Psychedelic rock 85: 83: 54: 42: 41: 10605: 10604: 10600: 10599: 10598: 10596: 10595: 10594: 10525: 10524: 10523: 10518: 10504: 10490: 10476: 10462: 10448: 10434: 10420: 10406: 10392: 10381: 10367: 10353: 10339: 10325: 10311: 10297: 10283: 10269: 10255: 10241: 10227: 10217:The Eminem Show 10213: 10199: 10188: 10174: 10169:Backstreet Boys 10160: 10146: 10132: 10118: 10104: 10090: 10079: 10069:Ropin' the Wind 10065: 10051: 10037: 10023: 10009: 9995: 9990:Whitney Houston 9985:Whitney Houston 9981: 9967: 9962:Michael Jackson 9953: 9948:Michael Jackson 9939: 9925: 9911: 9897: 9883: 9872: 9858: 9844: 9833: 9819: 9805: 9791: 9777: 9766: 9752: 9738: 9724: 9710: 9696: 9681: 9677:– Original Cast 9666: 9659:West Side Story 9655: 9648:West Side Story 9644: 9640:– Original Cast 9633: 9629:– Original Cast 9618: 9604: 9600:– Original Cast 9587: 9583:– Original Cast 9570: 9565:Harry Belafonte 9556: 9545: 9534: 9504: 9499: 9482: 9394: 9341: 9330: 9301: 9294: 9265: 9229: 9217:Johnny B. Goode 9186: 9143: 9107:The Cry of Love 9100: 9071:at Monterey Pop 9070: 9062: 9040: 8970: 8935: 8925: 8854: 8770: 8760: 8754: 8724: 8719: 8701: 8633: 8599:Michael Jeffery 8546: 8540: 8470: 8464: 8448: 8443:Live in Cologne 8353: 8213: 8211: 8210:Anthologies and 8205: 8067:Johnny B. Goode 8046:More Experience 7998: 7909:The Cry of Love 7896: 7864: 7859: 7815: 7810: 7793: 7776: 7759: 7742: 7733: 7727: 7706: 7667: 7665: 7645: 7600: 7570: 7560:Classic Hendrix 7536: 7509:"Hendrix at 70" 7487: 7468: 7449: 7430: 7409: 7407:Further reading 7404: 7398: 7390:. Hal Leonard. 7379: 7339: 7318: 7297: 7276: 7255: 7234: 7213: 7194: 7167: 7148: 7127: 7106: 7083: 7062: 7043: 7020: 7001: 6980: 6957: 6938: 6917: 6896: 6873: 6853: 6846: 6844: 6826: 6807: 6799:. Hal Leonard. 6788: 6783: 6782: 6772: 6770: 6762: 6761: 6757: 6747: 6745: 6737: 6736: 6732: 6721: 6719: 6711: 6710: 6706: 6696: 6694: 6684: 6683: 6679: 6671: 6664: 6654: 6652: 6646:: Jimi Hendrix" 6640: 6639: 6635: 6625: 6623: 6614: 6613: 6609: 6595: 6593:"Top 50 Albums" 6591: 6590: 6586: 6578: 6574: 6561: 6557: 6544: 6540: 6530: 6528: 6519: 6518: 6514: 6501: 6497: 6489: 6466: 6450: 6449: 6445:Reprise Records 6439:(Album notes). 6435: 6434: 6430: 6414: 6413: 6409:Polydor Records 6403:(Album notes). 6399: 6398: 6394: 6378: 6377: 6367:(Album notes). 6363: 6362: 6358: 6350: 6343: 6336: 6322: 6318: 6308: 6306: 6304: 6277: 6273: 6263: 6261: 6251: 6247: 6237: 6235: 6232:The Independent 6224: 6220: 6210: 6208: 6198: 6197: 6193: 6185: 6181: 6169:, p. 429: 6165: 6161: 6151: 6149: 6138: 6137: 6133: 6125: 6121: 6113: 6109: 6101: 6097: 6089: 6085: 6078: 6062: 6058: 6044: 6042: 6027: 6023: 6015: 6008: 6000: 5996: 5988: 5984: 5976: 5972: 5962: 5960: 5947: 5943: 5933: 5931: 5929: 5897: 5893: 5883: 5881: 5870: 5869: 5865: 5855: 5853: 5836: 5832: 5825: 5801: 5797: 5778: 5774: 5767: 5759:. p. 249. 5755:. Vol. 4. 5744: 5740: 5728: 5727: 5723: 5703: 5699: 5689: 5687: 5675: 5668: 5657: 5655: 5635: 5631: 5615: 5611: 5603: 5599: 5587: 5583: 5575: 5571: 5559:, p. 184; 5555: 5551: 5539: 5535: 5527: 5523: 5515: 5511: 5503:, p. 144: 5491:, p. 181: 5487: 5483: 5475:, p. 174: 5463: 5459: 5451: 5444: 5436: 5432: 5424: 5415: 5407: 5400: 5392: 5388: 5380: 5369: 5361: 5352: 5344: 5337: 5329: 5325: 5317: 5313: 5305: 5298: 5290: 5286: 5278: 5271: 5263: 5256: 5248: 5244: 5236: 5229: 5221: 5217: 5209: 5205: 5197: 5193: 5181: 5177: 5169: 5165: 5157:, p. 104; 5149: 5145: 5137: 5133: 5125: 5121: 5113: 5109: 5097: 5093: 5077: 5073: 5065:, p. 169: 5061: 5057: 5049: 5045: 5037: 5030: 5022: 5018: 5010: 5006: 4994: 4990: 4982: 4975: 4963: 4959: 4947: 4943: 4935: 4928: 4920: 4916: 4908: 4904: 4896: 4889: 4881: 4877: 4869: 4865: 4841: 4837: 4817: 4813: 4805: 4801: 4781: 4777: 4765: 4761: 4753: 4746: 4722: 4718: 4690: 4686: 4679: 4663: 4659: 4651: 4647: 4637: 4635: 4633: 4625:. p. 193. 4606: 4598:. p. 633. 4582: 4578: 4566:, p. 45: " 4554: 4550: 4542: 4535: 4527: 4518: 4510: 4506: 4498: 4494: 4486: 4479: 4471: 4464: 4456: 4447: 4439: 4435: 4427: 4423: 4415: 4408: 4400: 4396: 4384: 4380: 4372: 4368: 4360: 4356: 4348: 4344: 4336: 4332: 4324: 4320: 4312:, p. 150; 4308: 4304: 4296: 4287: 4279: 4275: 4267: 4263: 4255: 4248: 4240: 4231: 4223: 4219: 4211: 4207: 4199: 4195: 4187: 4176: 4168: 4164: 4156: 4152: 4144: 4133: 4125: 4121: 4113: 4104: 4096: 4092: 4084: 4080: 4072: 4068: 4056: 4052: 4044: 4033: 4025: 4021: 4013: 4009: 4001: 3994: 3982: 3978: 3970: 3963: 3955: 3951: 3943: 3936: 3928: 3921: 3913: 3904: 3896: 3889: 3881: 3877: 3869: 3862: 3854: 3847: 3839: 3835: 3827: 3820: 3812: 3808: 3800: 3796: 3788: 3784: 3776: 3772: 3764: 3760: 3752: 3745: 3737: 3733: 3725: 3721: 3713: 3709: 3701: 3697: 3685: 3681: 3673: 3669: 3661: 3657: 3649: 3645: 3637: 3633: 3625: 3612: 3604: 3597: 3589: 3585: 3577: 3573: 3561: 3557: 3545: 3541: 3533: 3526: 3518: 3514: 3506: 3502: 3494: 3490: 3482: 3478: 3470: 3466: 3456: 3454: 3441: 3440: 3431: 3424: 3401: 3397: 3392: 3387: 3386: 3367: 3363: 3355:Track released 3354: 3350: 3345: 3341: 3336: 3332: 3313: 3309: 3302: 3297: 3296: 3291: 3290: 3287: 3279: 3274: 3273: 3267: 3263: 3254: 3250: 3245: 3241: 3231: 3227: 3221: 3217: 3212: 3208: 3202: 3198: 3193: 3189: 3176: 3172: 3167: 3154: 3135:United States ( 3119: 3098: 3086:Certified units 3068: 3030:Official Charts 3012:Germany Charts 2992: 2977: 2909: 2904: 2894: 2794: 2784: 2654: 2650: 2633:Sonic Solutions 2620:Polydor Records 2609: 2604: 2594: 2497: 2382: 2377: 2367: 2274: 2167: 2150: 2014: 2007: 1966: 1961: 1956: 1951: 1928: 1923: 1918: 1913: 1878: 1873: 1868: 1863: 1851:MusicHound Rock 1828: 1823: 1818: 1813: 1790: 1785: 1780: 1775: 1752: 1747: 1742: 1737: 1714: 1709: 1704: 1699: 1666: 1648: 1627:classical music 1607:Reprise Records 1575: 1567:Barclay Records 1528:Barclay Records 1516: 1511: 1489:Mod sub-culture 1428: 1409:Curtis Mayfield 1383: 1378: 1377: 1376: 1375: 1374: 1364: 1359: 1358: 1357: 1356: 1355: 1331:mixolydian mode 1318: 1317: 1309: 1307: 1306: 1305: 1304: 1301: 1293: 1290: 1283: 1277: 1259:religious music 1230: 1229: 1221: 1219: 1218: 1217: 1216: 1213: 1206: 1203: 1196: 1190: 1105:, and the only 1082:guitar feedback 1069:impressionistic 986:, the music on 980: 972: 964: 955: 871: 869:March and April 799: 792: 784: 767:Top of the Pops 735:Top of the Pops 730: 725: 717:Polydor Records 636: 609: 555:Michael Jeffery 479: 381:Hot R&B LPs 367:Reprise Records 356:Olympic Studios 324:Michael Jeffery 272: 270:Reprise Records 239: 230: 191: 186: 165: 158: 154: 153: 81: 79: 70: 57: 38: 31: 17: 12: 11: 5: 10603: 10593: 10592: 10587: 10582: 10577: 10572: 10567: 10562: 10557: 10552: 10547: 10542: 10537: 10520: 10519: 10517: 10516: 10502: 10488: 10474: 10460: 10446: 10432: 10429:Kendrick Lamar 10418: 10404: 10390: 10379: 10365: 10351: 10337: 10323: 10309: 10295: 10281: 10267: 10253: 10239: 10225: 10211: 10196: 10194: 10190: 10189: 10187: 10186: 10172: 10158: 10144: 10130: 10116: 10102: 10088: 10077: 10063: 10049: 10035: 10027:Don't Be Cruel 10021: 10018:George Michael 10007: 9993: 9979: 9965: 9951: 9937: 9923: 9920:REO Speedwagon 9909: 9895: 9881: 9870: 9856: 9853:Peter Frampton 9841: 9839: 9835: 9834: 9832: 9831: 9817: 9803: 9789: 9775: 9764: 9750: 9747:Iron Butterfly 9736: 9722: 9708: 9694: 9679: 9664: 9653: 9642: 9631: 9616: 9602: 9585: 9568: 9553: 9551: 9547: 9546: 9533: 9532: 9525: 9518: 9510: 9501: 9500: 9498: 9497: 9490: 9488: 9484: 9483: 9481: 9480: 9473: 9466: 9459: 9452: 9445: 9438: 9431: 9424: 9417: 9410: 9402: 9400: 9396: 9395: 9393: 9392: 9385: 9378: 9371: 9364: 9357: 9349: 9347: 9332: 9331: 9329: 9328: 9325:Auld Lang Syne 9321: 9314: 9306: 9304: 9300:...And a Happy 9296: 9295: 9293: 9292: 9285: 9277: 9275: 9267: 9266: 9264: 9263: 9260:Stepping Stone 9256: 9249: 9246:Bleeding Heart 9241: 9239: 9231: 9230: 9228: 9227: 9220: 9213: 9206: 9198: 9196: 9188: 9187: 9185: 9184: 9177: 9170: 9163: 9155: 9153: 9150:Rainbow Bridge 9145: 9144: 9142: 9141: 9134: 9127: 9120: 9112: 9110: 9102: 9101: 9099: 9098: 9091: 9084: 9076: 9074: 9064: 9063: 9061: 9060: 9052: 9050: 9047:Band of Gypsys 9042: 9041: 9039: 9038: 9031: 9024: 9018: 9011: 9004: 8997: 8990: 8982: 8980: 8972: 8971: 8969: 8968: 8961: 8954: 8947: 8939: 8937: 8927: 8926: 8924: 8923: 8916: 8913:One Rainy Wish 8909: 8902: 8895: 8888: 8881: 8874: 8866: 8864: 8856: 8855: 8853: 8852: 8845: 8838: 8831: 8824: 8817: 8810: 8803: 8796: 8789: 8782: 8774: 8772: 8762: 8761: 8753: 8752: 8745: 8738: 8730: 8721: 8720: 8718: 8717: 8706: 8703: 8702: 8700: 8699: 8694: 8689: 8682: 8677: 8672: 8667: 8662: 8657: 8652: 8647: 8641: 8639: 8635: 8634: 8632: 8631: 8626: 8621: 8616: 8611: 8606: 8601: 8596: 8591: 8586: 8581: 8579:Mitch Mitchell 8576: 8571: 8566: 8561: 8556: 8550: 8548: 8545:Related people 8542: 8541: 8539: 8538: 8531: 8524: 8517: 8510: 8503: 8496: 8489: 8482: 8479:Rainbow Bridge 8474: 8472: 8466: 8465: 8463: 8462: 8456: 8454: 8450: 8449: 8447: 8446: 8439: 8436:Live at Woburn 8432: 8425: 8422:Burning Desire 8418: 8411: 8404: 8397: 8390: 8387:Live in Ottawa 8383: 8376: 8369: 8361: 8359: 8355: 8354: 8352: 8351: 8344: 8337: 8330: 8323: 8316: 8309: 8302: 8295: 8288: 8281: 8274: 8267: 8260: 8253: 8246: 8239: 8232: 8225: 8217: 8215: 8207: 8206: 8204: 8203: 8196: 8189: 8182: 8175: 8168: 8161: 8154: 8147: 8140: 8133: 8126: 8119: 8112: 8105: 8098: 8091: 8084: 8077: 8070: 8063: 8056: 8049: 8042: 8035: 8028: 8021: 8014: 8011:Band of Gypsys 8006: 8004: 8000: 7999: 7997: 7996: 7989: 7982: 7975: 7968: 7961: 7954: 7947: 7940: 7933: 7926: 7919: 7916:Rainbow Bridge 7912: 7904: 7902: 7898: 7897: 7895: 7894: 7887: 7880: 7872: 7870: 7866: 7865: 7858: 7857: 7850: 7843: 7835: 7829: 7828: 7814: 7813:External links 7811: 7809: 7808: 7791: 7774: 7757: 7739: 7738: 7737: 7732: 7731: 7725: 7710: 7704: 7691: 7674: 7649: 7643: 7630: 7622:"Jimi Hendrix" 7617: 7604: 7598: 7583: 7579:Guitar Legends 7574: 7568: 7555: 7540: 7534: 7521: 7504: 7491: 7485: 7472: 7466: 7453: 7447: 7434: 7428: 7410: 7408: 7405: 7403: 7402: 7396: 7383: 7377: 7362: 7343: 7337: 7322: 7316: 7301: 7295: 7280: 7274: 7259: 7253: 7238: 7232: 7217: 7211: 7198: 7192: 7171: 7165: 7152: 7146: 7131: 7125: 7110: 7104: 7087: 7081: 7066: 7060: 7047: 7041: 7024: 7018: 7005: 6999: 6984: 6978: 6961: 6955: 6942: 6936: 6921: 6915: 6900: 6894: 6877: 6871: 6856: 6833:Anon. (1992). 6830: 6824: 6811: 6805: 6789: 6787: 6784: 6781: 6780: 6755: 6730: 6715:(in Italian). 6704: 6677: 6662: 6633: 6607: 6584: 6572: 6555: 6538: 6512: 6495: 6464: 6428: 6392: 6356: 6341: 6334: 6316: 6302: 6271: 6245: 6218: 6191: 6189:, p. 120. 6179: 6159: 6131: 6127:Christgau 1998 6119: 6107: 6105:, p. 189. 6095: 6091:Whitehill 1989 6083: 6076: 6056: 6021: 6019:, p. 183. 6006: 6004:, p. 169. 5994: 5992:, p. 184. 5982: 5970: 5941: 5927: 5905:"Jimi Hendrix" 5891: 5863: 5830: 5823: 5795: 5772: 5765: 5738: 5721: 5697: 5666: 5629: 5617:McDermott 2009 5609: 5597: 5593:McDermott 2009 5581: 5569: 5563:, p. 22; 5561:Moskowitz 2010 5549: 5533: 5531:, p. 109. 5521: 5509: 5481: 5457: 5455:, p. 174. 5442: 5438:McDermott 2009 5430: 5413: 5411:, p. 177. 5398: 5386: 5384:, p. 176. 5367: 5350: 5348:, p. 175. 5335: 5333:, p. 171. 5323: 5311: 5296: 5294:, p. 170. 5284: 5282:, p. 169. 5269: 5254: 5252:, p. 110. 5242: 5240:, p. 173. 5227: 5223:Moskowitz 2010 5215: 5203: 5191: 5175: 5163: 5161:, p. 170. 5153:, p. 41; 5151:McDermott 2009 5143: 5141:, p. 104. 5131: 5119: 5115:Whitehill 1989 5107: 5103:Whitehill 1989 5101:, p. 98; 5091: 5071: 5055: 5053:, p. 145. 5043: 5039:Whitehill 1989 5028: 5016: 5014:, p. 148. 5004: 4988: 4973: 4969:Moskowitz 2010 4957: 4951:, p. 12; 4941: 4926: 4914: 4912:, p. 121. 4902: 4898:Whitehill 1989 4887: 4875: 4873:, p. 108. 4863: 4851:Whitehill 1989 4835: 4823:double tracked 4811: 4799: 4775: 4759: 4744: 4716: 4684: 4677: 4657: 4645: 4631: 4613:DeRogatis, Jim 4604: 4586:Chase, Gilbert 4576: 4548: 4546:, p. 184. 4533: 4529:McDermott 2009 4516: 4504: 4500:McDermott 2009 4492: 4488:McDermott 2009 4477: 4473:McDermott 2009 4462: 4458:McDermott 2009 4445: 4433: 4429:McDermott 2009 4421: 4417:McDermott 2009 4406: 4402:McDermott 2009 4394: 4386:McDermott 2009 4378: 4374:McDermott 2009 4366: 4362:McDermott 2009 4354: 4352:, p. 153. 4342: 4338:McDermott 2009 4330: 4328:, p. 103. 4318: 4314:McDermott 2009 4302: 4300:, p. 147. 4285: 4283:, p. 146. 4273: 4261: 4259:, p. 144. 4246: 4242:McDermott 2009 4229: 4225:McDermott 2009 4217: 4215:, p. 137. 4205: 4193: 4189:McDermott 2009 4174: 4170:McDermott 2009 4162: 4150: 4146:McDermott 2009 4131: 4127:McDermott 2009 4119: 4115:McDermott 2009 4102: 4098:McDermott 2009 4090: 4088:, p. 126. 4078: 4076:, p. 184. 4066: 4062:McDermott 2009 4050: 4046:McDermott 2009 4031: 4027:McDermott 2009 4019: 4015:McDermott 2009 4007: 4005:, p. 232. 3992: 3988:McDermott 2009 3976: 3972:McDermott 2009 3961: 3949: 3947:, p. 112. 3934: 3932:, p. 109. 3919: 3915:McDermott 2009 3902: 3887: 3875: 3873:, p. 106. 3860: 3845: 3833: 3831:, p. 104. 3818: 3814:McDermott 2009 3806: 3802:McDermott 2009 3794: 3790:McDermott 2009 3782: 3778:McDermott 2009 3770: 3758: 3743: 3731: 3719: 3707: 3705:, p. 210. 3695: 3691:McDermott 2009 3679: 3667: 3663:McDermott 2009 3655: 3643: 3631: 3627:McDermott 2009 3610: 3606:McDermott 2009 3595: 3583: 3571: 3567:McDermott 2009 3555: 3547:McDermott 2009 3539: 3524: 3512: 3508:McDermott 2009 3500: 3496:McDermott 2009 3488: 3484:McDermott 2009 3476: 3464: 3429: 3422: 3416:. p. 63. 3394: 3393: 3391: 3388: 3385: 3384: 3361: 3348: 3339: 3330: 3307: 3261: 3248: 3239: 3225: 3215: 3206: 3196: 3187: 3169: 3168: 3166: 3163: 3160: 3159: 3147: 3146: 3143: 3140: 3132: 3131: 3128: 3125: 3111: 3110: 3107: 3104: 3090: 3089: 3083: 3080: 3067: 3066:Certifications 3064: 3061: 3060: 3057: 3050: 3049: 3046: 3036: 3035: 3032: 3025: 3024: 3021: 3020:Norway Charts 3017: 3016: 3013: 3009: 3008: 3005: 2995: 2994: 2989: 2976: 2973: 2972: 2971: 2968: 2962: 2957:Dave Siddle – 2955: 2946: 2943:The Breakaways 2934: 2933: 2930:Mitch Mitchell 2927: 2921: 2908: 2905: 2901: 2900: 2897: 2891: 2890: 2887: 2880: 2876: 2875: 2872: 2869: 2865: 2864: 2861: 2858: 2854: 2853: 2850: 2843: 2839: 2838: 2835: 2832: 2828: 2827: 2824: 2817: 2813: 2812: 2809: 2806: 2795: 2791: 2790: 2787: 2781: 2780: 2777: 2770: 2766: 2765: 2762: 2755: 2751: 2750: 2747: 2744: 2740: 2739: 2736: 2729: 2725: 2724: 2721: 2714: 2710: 2709: 2706: 2695: 2691: 2690: 2687: 2684: 2670: 2608: 2605: 2601: 2600: 2597: 2591: 2590: 2587: 2580: 2576: 2575: 2572: 2565: 2561: 2560: 2557: 2550: 2546: 2545: 2542: 2535: 2531: 2530: 2527: 2520: 2516: 2515: 2512: 2509: 2498: 2494: 2493: 2490: 2483: 2479: 2478: 2475: 2468: 2464: 2463: 2460: 2457: 2453: 2452: 2449: 2438: 2434: 2433: 2430: 2423: 2419: 2418: 2415: 2408: 2404: 2403: 2400: 2397: 2386: 2381: 2378: 2374: 2373: 2370: 2364: 2363: 2360: 2353: 2349: 2348: 2345: 2342: 2338: 2337: 2334: 2327: 2323: 2322: 2319: 2312: 2308: 2307: 2304: 2297: 2293: 2292: 2289: 2286: 2275: 2271: 2270: 2267: 2260: 2256: 2255: 2252: 2249: 2245: 2244: 2241: 2238: 2234: 2233: 2230: 2223: 2219: 2218: 2215: 2208: 2204: 2203: 2200: 2193: 2189: 2188: 2185: 2182: 2171: 2166: 2163: 2149: 2146: 2110:Additionally, 2108: 2107: 2103: 2097: 1984: 1983: 1980: 1972: 1971: 1942: 1934: 1933: 1904: 1896: 1895: 1892: 1884: 1883: 1854: 1846: 1845: 1842: 1834: 1833: 1804: 1796: 1795: 1766: 1758: 1757: 1728: 1720: 1719: 1690: 1684: 1683: 1680: 1676: 1675: 1665: 1662: 1623:easy listening 1586:Paul McCartney 1574: 1571: 1530:in France and 1515: 1512: 1510: 1507: 1427: 1424: 1379: 1360: 1327:Wes Montgomery 1308: 1302: 1291: 1286: 1285: 1284: 1275: 1274: 1273: 1220: 1214: 1204: 1199: 1198: 1197: 1188: 1187: 1186: 1180:bands such as 1143:audio feedback 1139:finger vibrato 965: 963: 960: 870: 867: 831:double-tracked 785: 783: 780: 729: 726: 724: 721: 657:Wilson Pickett 641:the Breakaways 635: 632: 608: 605: 577:Mitch Mitchell 518:Keith Richards 514:Rolling Stones 490:Mitch Mitchell 478: 475: 453:Reuben Jackson 282: 281: 278: 277: 274: 273: 267: 259: 258: 255: 254: 250: 249: 246: 245: 242: 241: 232: 223: 216: 215: 211: 210: 205: 199: 198: 197: 196: 180: 173: 167: 166: 164: 163: 151: 147: 145: 141: 140: 139: 138: 133: 128: 123: 116: 110: 109: 99: 95: 94: 91: 87: 86: 76: 72: 71: 66: 59: 58: 55: 47: 46: 15: 9: 6: 4: 3: 2: 10602: 10591: 10588: 10586: 10583: 10581: 10578: 10576: 10573: 10571: 10568: 10566: 10563: 10561: 10558: 10556: 10553: 10551: 10548: 10546: 10543: 10541: 10538: 10536: 10533: 10532: 10530: 10514: 10513:Morgan Wallen 10510: 10509: 10503: 10500: 10496: 10495: 10489: 10486: 10485:Morgan Wallen 10482: 10481: 10475: 10472: 10468: 10467: 10461: 10458: 10457:Billie Eilish 10454: 10453: 10447: 10444: 10440: 10439: 10433: 10430: 10426: 10425: 10419: 10416: 10412: 10411: 10405: 10402: 10398: 10397: 10391: 10387: 10386: 10380: 10377: 10373: 10372: 10366: 10363: 10359: 10358: 10352: 10349: 10345: 10344: 10338: 10335: 10331: 10330: 10324: 10321: 10317: 10316: 10310: 10307: 10303: 10302: 10296: 10293: 10289: 10288: 10282: 10279: 10275: 10274: 10268: 10265: 10261: 10260: 10254: 10251: 10247: 10246: 10240: 10237: 10233: 10232: 10226: 10223: 10219: 10218: 10212: 10209: 10205: 10204: 10198: 10197: 10195: 10191: 10184: 10180: 10179: 10173: 10170: 10166: 10165: 10159: 10156: 10152: 10151: 10145: 10142: 10138: 10137: 10131: 10128: 10124: 10123: 10117: 10114: 10110: 10109: 10103: 10100: 10096: 10095: 10089: 10085: 10084: 10083:The Bodyguard 10078: 10075: 10071: 10070: 10064: 10061: 10057: 10056: 10050: 10047: 10046:Janet Jackson 10043: 10042: 10036: 10033: 10029: 10028: 10022: 10019: 10015: 10014: 10008: 10005: 10001: 10000: 9994: 9991: 9987: 9986: 9980: 9977: 9973: 9972: 9966: 9963: 9959: 9958: 9952: 9949: 9945: 9944: 9938: 9935: 9931: 9930: 9924: 9921: 9917: 9916: 9915:Hi Infidelity 9910: 9907: 9903: 9902: 9896: 9893: 9889: 9888: 9882: 9878: 9877: 9871: 9868: 9867:Fleetwood Mac 9864: 9863: 9857: 9854: 9850: 9849: 9843: 9842: 9840: 9836: 9829: 9825: 9824: 9823:Greatest Hits 9818: 9815: 9811: 9810: 9804: 9801: 9797: 9796: 9790: 9787: 9783: 9782: 9776: 9772: 9771: 9765: 9762: 9758: 9757: 9751: 9748: 9744: 9743: 9737: 9734: 9730: 9729: 9723: 9720: 9716: 9715: 9709: 9706: 9702: 9701: 9695: 9691: 9690: 9686: 9680: 9676: 9675: 9674:Hello, Dolly! 9670: 9665: 9661: 9660: 9654: 9650: 9649: 9643: 9639: 9638: 9632: 9628: 9627: 9622: 9617: 9614: 9613:Henry Mancini 9610: 9609: 9603: 9599: 9598: 9593: 9592: 9586: 9582: 9581: 9576: 9575: 9569: 9566: 9562: 9561: 9555: 9554: 9552: 9548: 9544: 9541: 9539: 9531: 9526: 9524: 9519: 9517: 9512: 9511: 9508: 9495: 9494:List of songs 9492: 9491: 9489: 9485: 9478: 9474: 9471: 9467: 9464: 9460: 9457: 9456:Tears of Rage 9453: 9450: 9446: 9443: 9439: 9436: 9432: 9429: 9425: 9422: 9418: 9415: 9411: 9408: 9404: 9403: 9401: 9397: 9390: 9386: 9383: 9379: 9376: 9372: 9369: 9365: 9362: 9361:Killing Floor 9358: 9355: 9351: 9350: 9348: 9346: 9345: 9339: 9338: 9333: 9326: 9322: 9319: 9315: 9312: 9308: 9307: 9305: 9303: 9297: 9290: 9286: 9283: 9279: 9278: 9276: 9274: 9273: 9268: 9261: 9257: 9254: 9250: 9247: 9243: 9242: 9240: 9238: 9237: 9232: 9225: 9221: 9218: 9214: 9211: 9207: 9204: 9200: 9199: 9197: 9195: 9194: 9189: 9182: 9178: 9175: 9171: 9168: 9164: 9161: 9157: 9156: 9154: 9152: 9151: 9146: 9139: 9135: 9132: 9128: 9125: 9121: 9118: 9114: 9113: 9111: 9109: 9108: 9103: 9096: 9092: 9089: 9085: 9082: 9078: 9077: 9075: 9073: 9072: 9065: 9058: 9054: 9053: 9051: 9049: 9048: 9043: 9036: 9032: 9029: 9025: 9023: 9019: 9016: 9012: 9009: 9005: 9002: 8998: 8995: 8991: 8988: 8984: 8983: 8981: 8979: 8978: 8973: 8966: 8962: 8959: 8958:Highway Chile 8955: 8952: 8948: 8945: 8941: 8940: 8938: 8934: 8933: 8928: 8921: 8917: 8914: 8910: 8907: 8903: 8900: 8896: 8893: 8889: 8886: 8882: 8879: 8875: 8872: 8868: 8867: 8865: 8863: 8862: 8857: 8850: 8846: 8843: 8839: 8836: 8832: 8829: 8825: 8822: 8818: 8815: 8811: 8808: 8804: 8801: 8797: 8794: 8790: 8787: 8783: 8780: 8776: 8775: 8773: 8769: 8768: 8763: 8758: 8751: 8746: 8744: 8739: 8737: 8732: 8731: 8728: 8716: 8708: 8707: 8704: 8698: 8695: 8693: 8690: 8688: 8687: 8683: 8681: 8678: 8676: 8673: 8671: 8668: 8666: 8663: 8661: 8658: 8656: 8655:List of songs 8653: 8651: 8648: 8646: 8643: 8642: 8640: 8636: 8630: 8627: 8625: 8622: 8620: 8617: 8615: 8612: 8610: 8607: 8605: 8602: 8600: 8597: 8595: 8592: 8590: 8587: 8585: 8584:Chas Chandler 8582: 8580: 8577: 8575: 8572: 8570: 8567: 8565: 8562: 8560: 8557: 8555: 8554:Curtis Knight 8552: 8551: 8549: 8543: 8537: 8536: 8532: 8530: 8529: 8525: 8523: 8522: 8518: 8516: 8515: 8511: 8509: 8508: 8504: 8502: 8501: 8497: 8495: 8494: 8490: 8488: 8487: 8483: 8481: 8480: 8476: 8475: 8473: 8469:Films, books, 8467: 8461: 8458: 8457: 8455: 8453:Concert tours 8451: 8445: 8444: 8440: 8438: 8437: 8433: 8431: 8430: 8426: 8424: 8423: 8419: 8417: 8416: 8412: 8410: 8409: 8408:Hear My Music 8405: 8403: 8402: 8398: 8396: 8395: 8391: 8389: 8388: 8384: 8382: 8381: 8377: 8375: 8374: 8370: 8368: 8367: 8363: 8362: 8360: 8356: 8350: 8349: 8345: 8343: 8342: 8338: 8336: 8335: 8331: 8329: 8328: 8324: 8322: 8321: 8317: 8315: 8314: 8310: 8308: 8307: 8303: 8301: 8300: 8296: 8294: 8293: 8289: 8287: 8286: 8282: 8280: 8279: 8275: 8273: 8272: 8268: 8266: 8265: 8261: 8259: 8258: 8254: 8252: 8251: 8247: 8245: 8244: 8240: 8238: 8237: 8233: 8231: 8230: 8226: 8224: 8223: 8219: 8218: 8216: 8212:retrospective 8208: 8202: 8201: 8197: 8195: 8194: 8190: 8188: 8187: 8183: 8181: 8180: 8176: 8174: 8173: 8169: 8167: 8166: 8162: 8160: 8159: 8155: 8153: 8152: 8148: 8146: 8145: 8141: 8139: 8138: 8134: 8132: 8131: 8127: 8125: 8124: 8120: 8118: 8117: 8113: 8111: 8110: 8106: 8104: 8103: 8099: 8097: 8096: 8092: 8090: 8089: 8085: 8083: 8082: 8078: 8076: 8075: 8071: 8069: 8068: 8064: 8062: 8061: 8057: 8055: 8054: 8050: 8048: 8047: 8043: 8041: 8040: 8036: 8034: 8033: 8032:Isle of Wight 8029: 8027: 8026: 8022: 8020: 8019: 8015: 8013: 8012: 8008: 8007: 8005: 8001: 7995: 7994: 7990: 7988: 7987: 7983: 7981: 7980: 7976: 7974: 7973: 7969: 7967: 7966: 7962: 7960: 7959: 7955: 7953: 7952: 7948: 7946: 7945: 7941: 7939: 7938: 7937:Crash Landing 7934: 7932: 7931: 7927: 7925: 7924: 7920: 7918: 7917: 7913: 7911: 7910: 7906: 7905: 7903: 7899: 7893: 7892: 7888: 7886: 7885: 7881: 7879: 7878: 7874: 7873: 7871: 7867: 7863: 7856: 7851: 7849: 7844: 7842: 7837: 7836: 7833: 7826: 7822: 7821: 7817: 7816: 7805: 7801: 7797: 7792: 7788: 7784: 7780: 7775: 7771: 7767: 7763: 7758: 7754: 7750: 7746: 7741: 7740: 7736:Documentaries 7735: 7734: 7728: 7722: 7718: 7717: 7711: 7707: 7701: 7697: 7692: 7688: 7684: 7680: 7675: 7663: 7659: 7658:Rolling Stone 7655: 7650: 7646: 7640: 7636: 7631: 7627: 7623: 7618: 7614: 7610: 7605: 7601: 7595: 7591: 7590: 7584: 7580: 7575: 7571: 7565: 7561: 7556: 7552: 7548: 7547: 7541: 7537: 7531: 7527: 7522: 7518: 7514: 7513:Guitar Player 7510: 7505: 7501: 7497: 7492: 7488: 7482: 7478: 7473: 7469: 7463: 7459: 7454: 7450: 7444: 7440: 7435: 7431: 7425: 7421: 7417: 7412: 7411: 7399: 7393: 7389: 7384: 7380: 7374: 7370: 7369: 7363: 7359: 7355: 7351: 7350: 7344: 7340: 7334: 7330: 7329: 7323: 7319: 7313: 7309: 7308: 7302: 7298: 7292: 7288: 7287: 7281: 7277: 7271: 7267: 7266: 7260: 7256: 7250: 7246: 7245: 7239: 7235: 7229: 7225: 7224: 7218: 7214: 7208: 7204: 7199: 7195: 7189: 7185: 7181: 7177: 7172: 7168: 7162: 7158: 7153: 7149: 7143: 7139: 7138: 7132: 7128: 7122: 7118: 7117: 7111: 7107: 7101: 7097: 7093: 7088: 7084: 7078: 7074: 7073: 7067: 7063: 7057: 7053: 7048: 7044: 7038: 7033: 7032: 7025: 7021: 7015: 7011: 7006: 7002: 6996: 6992: 6991: 6985: 6981: 6975: 6970: 6969: 6962: 6958: 6952: 6948: 6943: 6939: 6933: 6929: 6928: 6922: 6918: 6912: 6908: 6907: 6901: 6897: 6891: 6887: 6883: 6878: 6874: 6868: 6864: 6863: 6857: 6842: 6841: 6836: 6831: 6827: 6821: 6817: 6812: 6808: 6802: 6798: 6797: 6791: 6790: 6769: 6765: 6759: 6744: 6740: 6734: 6718: 6714: 6708: 6693: 6692: 6687: 6681: 6675:, Appendix 1. 6674: 6669: 6667: 6651: 6647: 6645: 6637: 6621: 6617: 6611: 6603: 6602: 6594: 6588: 6581: 6576: 6570: 6566: 6565: 6559: 6553: 6549: 6548: 6542: 6526: 6522: 6516: 6510: 6506: 6505: 6499: 6492: 6487: 6485: 6483: 6481: 6479: 6477: 6475: 6473: 6471: 6469: 6460: 6454: 6446: 6442: 6438: 6432: 6424: 6418: 6410: 6406: 6402: 6396: 6388: 6382: 6374: 6373:Track Records 6370: 6366: 6360: 6353: 6348: 6346: 6337: 6331: 6327: 6320: 6305: 6299: 6295: 6291: 6290: 6285: 6281: 6275: 6260: 6256: 6249: 6233: 6229: 6222: 6207: 6206: 6205:Rolling Stone 6201: 6195: 6188: 6183: 6176: 6172: 6168: 6163: 6152:September 24, 6147: 6146: 6145:Rolling Stone 6141: 6135: 6128: 6123: 6117:, p. 5E. 6116: 6111: 6104: 6099: 6092: 6087: 6079: 6077:9780195373714 6073: 6069: 6068: 6060: 6052: 6040: 6036: 6032: 6025: 6018: 6013: 6011: 6003: 5998: 5991: 5986: 5979: 5974: 5959: 5955: 5951: 5945: 5930: 5924: 5920: 5916: 5912: 5911: 5906: 5902: 5899:Evans, Paul; 5895: 5879: 5878: 5873: 5867: 5851: 5847: 5846: 5841: 5834: 5826: 5820: 5816: 5812: 5811: 5806: 5799: 5791: 5787: 5783: 5776: 5768: 5762: 5758: 5754: 5753: 5748: 5747:Larkin, Colin 5742: 5734: 5733: 5725: 5717: 5716: 5711: 5707: 5701: 5686: 5685: 5680: 5673: 5671: 5654: 5653: 5648: 5642: 5638: 5633: 5626: 5622: 5618: 5613: 5606: 5601: 5594: 5590: 5585: 5578: 5573: 5566: 5565:Shadwick 2003 5562: 5558: 5553: 5546: 5545:Shadwick 2003 5542: 5537: 5530: 5529:Shadwick 2003 5525: 5518: 5513: 5506: 5502: 5498: 5494: 5490: 5485: 5478: 5474: 5470: 5466: 5461: 5454: 5449: 5447: 5440:, p. 50. 5439: 5434: 5427: 5422: 5420: 5418: 5410: 5405: 5403: 5395: 5390: 5383: 5378: 5376: 5374: 5372: 5364: 5359: 5357: 5355: 5347: 5342: 5340: 5332: 5327: 5320: 5315: 5308: 5303: 5301: 5293: 5288: 5281: 5276: 5274: 5267:, p. 49. 5266: 5261: 5259: 5251: 5246: 5239: 5234: 5232: 5224: 5219: 5213:, p. 97. 5212: 5211:Shadwick 2003 5207: 5200: 5195: 5188: 5184: 5183:Shadwick 2003 5179: 5173:, p. 14. 5172: 5167: 5160: 5156: 5155:Shadwick 2003 5152: 5147: 5140: 5139:Shadwick 2003 5135: 5129:, p. 25. 5128: 5123: 5117:, p. 76. 5116: 5111: 5104: 5100: 5099:Shadwick 2003 5095: 5088: 5084: 5083:Shadwick 2003 5080: 5075: 5068: 5064: 5059: 5052: 5047: 5040: 5035: 5033: 5026:, p. 96. 5025: 5024:Shadwick 2003 5020: 5013: 5008: 5001: 4997: 4992: 4986:, p. 67. 4985: 4980: 4978: 4970: 4966: 4961: 4955:, p. 29. 4954: 4950: 4945: 4939:, p. 93. 4938: 4937:Shadwick 2003 4933: 4931: 4924:, p. 32. 4923: 4918: 4911: 4906: 4900:, p. 86. 4899: 4894: 4892: 4884: 4879: 4872: 4867: 4860: 4856: 4852: 4848: 4844: 4843:Whitaker 2011 4839: 4832: 4828: 4824: 4820: 4815: 4808: 4807:Shadwick 2003 4803: 4796: 4792: 4788: 4784: 4779: 4772: 4768: 4763: 4756: 4751: 4749: 4741: 4738:by 10 years; 4737: 4733: 4729: 4725: 4720: 4713: 4709: 4705: 4701: 4697: 4693: 4688: 4680: 4674: 4670: 4669: 4661: 4655:, p. 13. 4654: 4653:Newsweek 1996 4649: 4634: 4628: 4624: 4620: 4619: 4614: 4607: 4601: 4597: 4593: 4592: 4587: 4580: 4573: 4569: 4565: 4561: 4557: 4552: 4545: 4540: 4538: 4531:, p. 46. 4530: 4525: 4523: 4521: 4514:, p. 57. 4513: 4508: 4501: 4496: 4490:, p. 45. 4489: 4484: 4482: 4475:, p. 44. 4474: 4469: 4467: 4460:, p. 43. 4459: 4454: 4452: 4450: 4442: 4437: 4431:, p. 42. 4430: 4425: 4419:, p. 41. 4418: 4413: 4411: 4403: 4398: 4391: 4387: 4382: 4376:, p. 40. 4375: 4370: 4363: 4358: 4351: 4346: 4340:, p. 39. 4339: 4334: 4327: 4326:Shadwick 2003 4322: 4316:, p. 39. 4315: 4311: 4306: 4299: 4294: 4292: 4290: 4282: 4277: 4270: 4265: 4258: 4253: 4251: 4244:, p. 38. 4243: 4238: 4236: 4234: 4226: 4221: 4214: 4209: 4202: 4197: 4191:, p. 36. 4190: 4185: 4183: 4181: 4179: 4171: 4166: 4159: 4154: 4148:, p. 35. 4147: 4142: 4140: 4138: 4136: 4128: 4123: 4117:, p. 33. 4116: 4111: 4109: 4107: 4099: 4094: 4087: 4082: 4075: 4070: 4063: 4059: 4054: 4048:, p. 32. 4047: 4042: 4040: 4038: 4036: 4028: 4023: 4016: 4011: 4004: 3999: 3997: 3989: 3985: 3980: 3974:, p. 28. 3973: 3968: 3966: 3958: 3953: 3946: 3941: 3939: 3931: 3926: 3924: 3916: 3911: 3909: 3907: 3899: 3894: 3892: 3885:, p. 66. 3884: 3879: 3872: 3867: 3865: 3857: 3852: 3850: 3842: 3837: 3830: 3825: 3823: 3815: 3810: 3803: 3798: 3791: 3786: 3780:, p. 26. 3779: 3774: 3768:, p. 91. 3767: 3762: 3756:, p. 89. 3755: 3750: 3748: 3740: 3735: 3729:, p. 90. 3728: 3723: 3717:, p. 75. 3716: 3711: 3704: 3699: 3692: 3688: 3683: 3677:, p. 73. 3676: 3671: 3664: 3659: 3652: 3647: 3641:, p. 72. 3640: 3635: 3629:, p. 23. 3628: 3623: 3621: 3619: 3617: 3615: 3607: 3602: 3600: 3592: 3587: 3581:, p. 71. 3580: 3575: 3568: 3564: 3559: 3552: 3551:Shadwick 2003 3548: 3543: 3537:, p. 83. 3536: 3535:Shadwick 2003 3531: 3529: 3521: 3520:Shadwick 2003 3516: 3509: 3504: 3497: 3492: 3485: 3480: 3474:, p. 51. 3473: 3468: 3452: 3448: 3444: 3438: 3436: 3434: 3425: 3423:0-7535-0493-6 3419: 3415: 3411: 3410: 3405: 3399: 3395: 3381: 3380: 3375: 3371: 3365: 3358: 3352: 3343: 3334: 3327: 3323: 3319: 3318: 3311: 3285: 3271: 3265: 3258: 3252: 3243: 3236: 3229: 3219: 3210: 3200: 3191: 3184: 3180: 3174: 3170: 3158: 3148: 3144: 3141: 3138: 3133: 3129: 3126: 3123: 3117: 3112: 3108: 3105: 3102: 3096: 3091: 3087: 3082:Certification 3077: 3074: 3058: 3056: 3051: 3047: 3045: 3043: 3037: 3033: 3031: 3026: 3022: 3018: 3014: 3010: 3006: 3004: 3003:Top 50 Albums 3002: 2996: 2986: 2983: 2969: 2966: 2963: 2960: 2956: 2954: 2950: 2949:Chas Chandler 2947: 2944: 2941: 2940: 2939: 2938: 2931: 2928: 2925: 2922: 2919: 2916: 2915: 2914: 2913: 2898: 2895:Total length: 2892: 2888: 2885: 2881: 2877: 2873: 2870: 2866: 2862: 2859: 2855: 2851: 2848: 2847:Highway Chile 2844: 2840: 2836: 2833: 2829: 2825: 2822: 2818: 2814: 2801: 2788: 2785:Total length: 2782: 2778: 2775: 2774:Highway Chile 2771: 2767: 2763: 2760: 2756: 2752: 2748: 2745: 2741: 2737: 2734: 2730: 2726: 2722: 2719: 2715: 2711: 2707: 2704: 2703:Billy Roberts 2700: 2696: 2692: 2679: 2673: 2669: 2667: 2664: 2658: 2648: 2644: 2639: 2637: 2634: 2630: 2625: 2621: 2617: 2613: 2598: 2595:Total length: 2592: 2588: 2585: 2581: 2577: 2573: 2570: 2566: 2562: 2558: 2555: 2551: 2547: 2543: 2540: 2536: 2532: 2528: 2525: 2521: 2517: 2504: 2491: 2488: 2484: 2480: 2476: 2473: 2469: 2465: 2461: 2458: 2454: 2450: 2447: 2446:Billy Roberts 2443: 2439: 2435: 2431: 2428: 2424: 2420: 2416: 2413: 2409: 2405: 2392: 2385: 2371: 2368:Total length: 2365: 2361: 2358: 2354: 2350: 2346: 2343: 2339: 2335: 2332: 2328: 2324: 2320: 2317: 2313: 2309: 2305: 2302: 2298: 2294: 2281: 2268: 2265: 2261: 2257: 2253: 2250: 2246: 2242: 2239: 2235: 2231: 2228: 2224: 2220: 2216: 2213: 2209: 2205: 2201: 2198: 2194: 2190: 2177: 2170: 2162: 2159: 2155: 2148:Track listing 2145: 2143: 2142: 2137: 2136: 2131: 2127: 2123: 2119: 2115: 2114: 2104: 2101: 2098: 2095: 2092: 2091: 2090: 2088: 2087:Rolling Stone 2084: 2082: 2078: 2077: 2072: 2068: 2064: 2060: 2056: 2052: 2051: 2046: 2041: 2040: 2035: 2031: 2027: 2022: 2019: 2013: 2012:Rolling Stone 2006: 2005: 2000: 1996: 1995: 1990: 1981: 1979: 1978: 1974: 1973: 1943: 1941: 1940: 1936: 1935: 1905: 1903: 1902: 1898: 1897: 1893: 1891: 1890: 1886: 1885: 1855: 1853: 1852: 1848: 1847: 1843: 1841: 1840: 1836: 1835: 1805: 1803: 1802: 1798: 1797: 1767: 1765: 1764: 1760: 1759: 1729: 1727: 1726: 1722: 1721: 1691: 1689: 1686: 1685: 1677: 1674:Review scores 1672: 1661: 1658: 1654: 1647: 1643: 1641: 1636: 1631: 1628: 1624: 1620: 1616: 1612: 1608: 1603: 1601: 1600: 1595: 1591: 1587: 1583: 1581: 1573:North America 1570: 1568: 1564: 1559: 1557: 1556: 1551: 1550: 1544: 1539: 1533: 1529: 1525: 1520: 1506: 1503: 1499: 1494: 1490: 1486: 1482: 1477: 1473: 1472: 1467: 1466: 1461: 1457: 1452: 1449: 1445: 1441: 1437: 1436:Bruce Fleming 1433: 1423: 1421: 1417: 1416: 1410: 1406: 1401: 1399: 1395: 1391: 1382: 1372: 1363: 1353: 1347: 1345: 1341: 1337: 1332: 1328: 1324: 1316: 1314: 1289: 1272: 1270: 1269: 1268:Rolling Stone 1264: 1260: 1256: 1252: 1248: 1243: 1239: 1235: 1228: 1226: 1202: 1201:"Purple Haze" 1185: 1183: 1182:Black Sabbath 1179: 1175: 1171: 1167: 1163: 1159: 1155: 1154:effects units 1152: 1148: 1144: 1140: 1136: 1132: 1128: 1124: 1120: 1119:Roger Daltrey 1115: 1110: 1108: 1104: 1100: 1096: 1092: 1087: 1083: 1078: 1074: 1070: 1066: 1062: 1057: 1055: 1054: 1049: 1045: 1041: 1037: 1036: 1031: 1027: 1026: 1021: 1017: 1016:Jim DeRogatis 1013: 1009: 1008:Gilbert Chase 1005: 1001: 997: 993: 989: 985: 984:Harry Shapiro 979: 976: 969: 959: 953: 949: 945: 944: 939: 935: 934: 933:Monday Monday 928: 925: 919: 916: 912: 908: 904: 900: 899: 898:Saturday Club 894: 890: 889: 882: 880: 876: 866: 864: 860: 856: 851: 849: 845: 841: 835: 832: 828: 824: 818: 816: 813: 808: 804: 798: 796: 789: 779: 776: 772: 768: 763: 761: 757: 752: 747: 745: 741: 737: 736: 720: 718: 713: 711: 707: 703: 699: 693: 692: 691: 686: 682: 676: 674: 670: 666: 662: 658: 654: 653:Killing Floor 650: 646: 642: 631: 627: 625: 621: 617: 613: 604: 602: 598: 594: 590: 586: 585:Decca Records 582: 578: 574: 571: 567: 563: 558: 556: 551: 550:Billy Roberts 547: 543: 542:Chas Chandler 539: 538:Seymour Stein 536:and producer 535: 531: 527: 523: 519: 515: 511: 507: 503: 500:By May 1966, 495: 491: 487: 483: 474: 472: 471: 466: 462: 458: 454: 450: 446: 442: 438: 434: 430: 426: 425: 424:Rolling Stone 420: 419: 414: 410: 405: 403: 399: 395: 391: 387: 382: 380: 375: 373: 368: 364: 359: 357: 353: 349: 345: 341: 337: 333: 329: 328:Decca Records 325: 321: 320:Chas Chandler 317: 313: 308: 306: 302: 298: 294: 290: 289: 279: 275: 271: 265: 260: 256: 251: 247: 238: 237: 233: 229: 228: 224: 222: 221: 217: 212: 209: 208:Chas Chandler 206: 204: 200: 194: 189: 184: 181: 179: 176: 175: 174: 172: 168: 152: 149: 148: 146: 142: 137: 134: 132: 129: 127: 124: 122: 119: 118: 117: 115: 111: 107: 104:, CBS, & 103: 100: 96: 92: 88: 77: 73: 69: 64: 60: 53: 48: 43: 40: 36: 29: 27: 22: 10506: 10492: 10478: 10464: 10450: 10443:Taylor Swift 10436: 10422: 10408: 10401:Taylor Swift 10394: 10388:– Soundtrack 10383: 10369: 10355: 10341: 10327: 10320:Taylor Swift 10313: 10299: 10285: 10271: 10259:The Massacre 10257: 10243: 10229: 10215: 10201: 10193:2001–present 10176: 10162: 10155:James Horner 10148: 10134: 10120: 10106: 10092: 10086:– Soundtrack 10081: 10074:Garth Brooks 10067: 10060:Mariah Carey 10055:Mariah Carey 10053: 10039: 10025: 10011: 9997: 9983: 9969: 9955: 9941: 9927: 9913: 9899: 9885: 9879:– Soundtrack 9874: 9860: 9846: 9821: 9807: 9793: 9779: 9773:– Soundtrack 9768: 9754: 9740: 9727: 9726: 9712: 9698: 9692:– Soundtrack 9685:Mary Poppins 9683: 9672: 9668: 9662:– Soundtrack 9657: 9651:– Soundtrack 9646: 9635: 9624: 9620: 9606: 9597:My Fair Lady 9595: 9589: 9580:My Fair Lady 9578: 9572: 9558: 9537: 9477:Mercy, Mercy 9435:It's Too Bad 9344:BBC Sessions 9342: 9335: 9318:Silent Night 9299: 9270: 9234: 9191: 9160:Dolly Dagger 9148: 9105: 9088:Rock Me Baby 9067: 9045: 9001:Voodoo Chile 8975: 8930: 8920:Bold as Love 8859: 8766: 8765: 8757:Jimi Hendrix 8684: 8619:Leon Hendrix 8614:Alan Douglas 8589:Eddie Kramer 8574:Noel Redding 8533: 8526: 8519: 8512: 8505: 8498: 8491: 8486:Jimi Hendrix 8484: 8477: 8471:and tributes 8441: 8434: 8427: 8420: 8413: 8406: 8399: 8392: 8385: 8378: 8371: 8364: 8346: 8339: 8332: 8325: 8318: 8311: 8304: 8297: 8290: 8283: 8276: 8269: 8262: 8257:Kiss the Sky 8255: 8248: 8241: 8234: 8227: 8220: 8198: 8193:Live in Maui 8191: 8184: 8177: 8170: 8163: 8156: 8149: 8142: 8135: 8128: 8121: 8116:BBC Sessions 8114: 8107: 8100: 8093: 8086: 8079: 8072: 8065: 8058: 8051: 8044: 8037: 8030: 8023: 8016: 8009: 7991: 7984: 7977: 7970: 7963: 7956: 7949: 7942: 7935: 7928: 7921: 7914: 7907: 7889: 7882: 7876: 7875: 7862:Jimi Hendrix 7818: 7795: 7778: 7761: 7745:Jimi Hendrix 7744: 7715: 7695: 7686: 7682: 7666:. Retrieved 7662:the original 7657: 7634: 7625: 7612: 7608: 7588: 7578: 7559: 7550: 7546:Guitar World 7544: 7528:. Jimpress. 7525: 7516: 7512: 7499: 7495: 7476: 7457: 7438: 7419: 7387: 7367: 7348: 7327: 7306: 7285: 7264: 7243: 7222: 7202: 7175: 7156: 7136: 7115: 7096:Warner Books 7091: 7071: 7051: 7030: 7009: 6989: 6967: 6946: 6926: 6909:. Hyperion. 6905: 6881: 6861: 6847:December 17, 6845:. Retrieved 6838: 6815: 6795: 6771:. Retrieved 6758: 6746:. Retrieved 6733: 6720:. Retrieved 6707: 6697:September 1, 6695:. Retrieved 6689: 6680: 6655:September 1, 6653:. Retrieved 6649: 6643: 6636: 6626:September 1, 6624:. Retrieved 6619: 6610: 6599: 6587: 6575: 6562: 6558: 6545: 6541: 6529:. Retrieved 6524: 6515: 6502: 6498: 6493:, Section 1. 6491:Doggett 2004 6436: 6431: 6400: 6395: 6364: 6359: 6352:Doggett 2004 6328:. Universe. 6325: 6319: 6307:. Retrieved 6287: 6274: 6262:. Retrieved 6248: 6236:. Retrieved 6231: 6221: 6209:. Retrieved 6203: 6194: 6182: 6170: 6162: 6150:. Retrieved 6143: 6134: 6122: 6110: 6098: 6093:, p. 5. 6086: 6066: 6059: 6049:– via 6043:. Retrieved 6039:the original 6024: 5997: 5985: 5973: 5961:. Retrieved 5957: 5944: 5932:. Retrieved 5909: 5894: 5882:. Retrieved 5875: 5866: 5854:. Retrieved 5850:the original 5843: 5833: 5808: 5798: 5781: 5775: 5750: 5741: 5730: 5724: 5713: 5700: 5688:. Retrieved 5682: 5656:. Retrieved 5650: 5640: 5632: 5620: 5612: 5600: 5595:, p. 46 5584: 5572: 5552: 5536: 5524: 5512: 5504: 5496: 5492: 5484: 5476: 5468: 5465:Roberts 2005 5460: 5433: 5389: 5326: 5314: 5287: 5265:Aledort 1996 5245: 5218: 5206: 5194: 5178: 5171:Aledort 1996 5166: 5146: 5134: 5122: 5110: 5094: 5074: 5058: 5046: 5041:, p. 6. 5019: 5007: 4991: 4960: 4949:Doggett 2004 4944: 4917: 4905: 4878: 4866: 4858: 4838: 4814: 4802: 4795:Heatley 2009 4778: 4767:Heatley 2009 4762: 4740:Heatley 2009 4719: 4692:Doggett 2004 4687: 4667: 4660: 4648: 4636:. Retrieved 4617: 4590: 4579: 4567: 4556:Doggett 2004 4551: 4507: 4495: 4436: 4424: 4397: 4390:Roberts 2005 4381: 4369: 4357: 4345: 4333: 4321: 4305: 4276: 4264: 4220: 4208: 4196: 4165: 4153: 4122: 4093: 4081: 4069: 4058:Heatley 2009 4053: 4022: 4010: 4003:Roberts 2005 3979: 3952: 3878: 3836: 3809: 3797: 3785: 3773: 3761: 3734: 3722: 3710: 3698: 3682: 3670: 3658: 3646: 3634: 3586: 3574: 3558: 3542: 3515: 3503: 3491: 3479: 3467: 3455:. Retrieved 3414:Virgin Books 3407: 3404:Colin Larkin 3398: 3377: 3369: 3364: 3356: 3351: 3342: 3333: 3325: 3315: 3310: 3264: 3251: 3242: 3228: 3218: 3209: 3199: 3190: 3182: 3173: 3150: 3142:5× Platinum 3121: 3100: 3072: 3041: 3000: 2981: 2965:Eddie Kramer 2936: 2935: 2924:Noel Redding 2918:Jimi Hendrix 2911: 2910: 2671: 2659: 2643:Alan Douglas 2640: 2629:Joe Gastwirt 2611: 2610: 2383: 2168: 2158:compact disc 2153: 2151: 2139: 2133: 2121: 2117: 2111: 2109: 2086: 2085: 2074: 2063:classic rock 2054: 2050:Miami Herald 2048: 2039:Guitar World 2037: 2025: 2023: 2011: 2002: 1994:Melody Maker 1992: 1988: 1987: 1975: 1937: 1899: 1887: 1849: 1837: 1799: 1761: 1723: 1652: 1645: 1639: 1634: 1614: 1610: 1604: 1599:Monterey Pop 1597: 1579: 1576: 1560: 1553: 1547: 1542: 1540: 1536: 1526:released by 1523: 1501: 1485:fisheye lens 1475: 1469: 1463: 1455: 1453: 1431: 1429: 1413: 1402: 1394:chromaticism 1380: 1361: 1352:triple meter 1348: 1340:the Ventures 1319: 1310: 1266: 1250: 1233: 1231: 1222: 1174:Memphis soul 1113: 1111: 1060: 1058: 1051: 1033: 1023: 992:music genres 987: 981: 971: 967: 947: 941: 931: 929: 920: 896: 886: 883: 872: 854: 852: 848:Led Zeppelin 836: 819: 803:Eddie Kramer 800: 795:Eddie Kramer 791: 787: 766: 764: 748: 733: 731: 714: 709: 694: 688: 677: 673:demo version 649:Howlin' Wolf 637: 628: 611: 610: 595:'s managers 573:progressions 566:Noel Redding 559: 502:Jimi Hendrix 499: 494:Noel Redding 486:Jimi Hendrix 468: 428: 422: 416: 413:Colin Larkin 408: 406: 378: 371: 362: 360: 347: 338:'s managers 309: 297:Jimi Hendrix 287: 286: 285: 234: 226: 225: 63:Studio album 39: 25: 10471:Post Malone 10334:Susan Boyle 10306:Alicia Keys 10273:Some Hearts 10245:Confessions 10208:The Beatles 10141:Spice Girls 10099:Ace of Base 10032:Bobby Brown 9887:52nd Street 9719:The Monkees 9428:Mannish Boy 9354:Day Tripper 9057:Machine Gun 8936:(UK and US) 8892:Little Wing 8835:Purple Haze 8771:(UK and US) 8660:Videography 8609:Buddy Miles 8594:Roger Mayer 8003:Live albums 7958:Voodoo Soup 7247:. Da Capo. 7159:. Omnibus. 7119:. Praeger. 6930:. Omnibus. 6818:. Omnibus. 6773:January 11, 6748:January 11, 6722:January 11, 6622:(in German) 6407:. Germany: 6187:Wenner 2010 5978:Murray 1989 5917:. pp. 5805:Graff, Gary 5497:Sgt. Pepper 5187:Stubbs 2003 5079:Altham 1996 5067:Wenner 2010 5000:Stubbs 2003 4953:Stubbs 2003 4831:Hank Marvin 4712:Stubbs 2003 4700:Larkin 1998 4638:January 23, 4564:Larkin 1998 3270:Hal Leonard 2959:engineering 2733:Purple Haze 2647:MCA Records 2607:CD releases 2412:Purple Haze 2067:heavy metal 1657:Karl Ferris 1498:King's Road 1481:Kew Gardens 1460:Karl Ferris 1440:the Hollies 1426:Album cover 1390:Elvin Jones 1178:heavy metal 1099:Hank Marvin 1077:gothic rock 1065:psychedelic 1048:James Joyce 1035:Hit Parader 1004:Chris Welch 844:the Beatles 771:Brian Jones 751:overdubbing 740:Roger Mayer 618:, CBS, and 601:Chris Stamp 597:Kit Lambert 546:the Animals 510:Linda Keith 465:James Joyce 402:psychedelic 398:Karl Ferris 386:Purple Haze 344:Chris Stamp 340:Kit Lambert 301:psychedelic 102:De Lane Lea 10529:Categories 10438:Reputation 10164:Millennium 9906:Pink Floyd 9892:Billy Joel 9828:Elton John 9814:Elton John 9786:Neil Young 9496:(sortable) 9272:Loose Ends 9253:Peter Gunn 9236:War Heroes 9095:Wild Thing 9015:Gypsy Eyes 8944:Stone Free 8932:Smash Hits 8899:If 6 Was 9 8686:Black Gold 8222:Smash Hits 8158:Winterland 8025:Experience 7930:Loose Ends 7923:War Heroes 7804:B007ZC92FA 7787:B00F031WB8 7770:B0007DBJP0 7753:B0009E3234 7668:August 24, 7592:. Harper. 7193:1441129596 7035:. Virgin. 6650:Vglista.no 6303:0899190251 6238:August 18, 6115:Anon. 1992 6051:pjstar.com 5845:PopMatters 5824:0787610372 5557:Cross 2005 5541:Cross 2005 5489:Cross 2005 5199:Black 1999 4910:Perry 2004 4736:scratching 3883:Black 1999 3390:References 3374:soundtrack 3145:5,000,000 2871:"Remember" 2821:Stone Free 2718:Stone Free 2569:Foxey Lady 2344:"Remember" 2018:Jon Landau 1889:PopMatters 1448:monochrome 1415:Smash Hits 1336:surf music 1313:media help 1225:media help 1131:bending-up 1073:scratching 1030:soul music 863:wah effect 840:the Stones 775:Bill Wyman 669:Stone Free 624:four-track 516:guitarist 477:Background 150:38:34 (UK) 82:1967-05-12 10499:Bad Bunny 9838:1976–2000 9550:1956–1975 9538:Billboard 9368:Hound Dog 9337:Radio One 9203:The Queen 9124:Ezy Ryder 8793:Red House 8779:Foxy Lady 8604:Billy Cox 8109:Woodstock 8088:Radio One 7358:641731526 7012:. Atria. 6691:Billboard 6309:March 16, 6264:March 27, 6211:March 24, 6175:Levy 2005 6103:Egan 2013 6017:Egan 2013 5990:Egan 2013 5950:Hull, Tom 5934:March 21, 5884:March 27, 5856:August 9, 5790:18807297M 5690:March 21, 5652:Billboard 5605:Egan 2013 5589:Egan 2013 5577:Egan 2013 5473:Egan 2013 5453:Egan 2013 5426:Egan 2013 5409:Egan 2013 5394:Egan 2013 5382:Egan 2013 5363:Egan 2013 5346:Egan 2013 5331:Egan 2013 5319:Egan 2013 5307:Egan 2013 5292:Egan 2013 5280:Egan 2013 5250:Egan 2013 5238:Egan 2013 4996:Egan 2013 4984:Roby 2002 4965:Levy 2005 4922:Roby 2002 4883:Egan 2013 4871:Egan 2013 4819:Egan 2013 4787:Egan 2013 4783:Egan 2013 4732:Egan 2013 4728:Egan 2013 4724:Egan 2013 4704:Roby 2002 4696:Egan 2013 4560:Egan 2013 4441:Egan 2013 4350:Egan 2013 4310:Egan 2013 4298:Egan 2013 4281:Egan 2013 4269:Egan 2013 4257:Egan 2013 4213:Egan 2013 4201:Egan 2013 4158:Roby 2002 4086:Egan 2013 3984:Egan 2013 3957:Egan 2013 3945:Egan 2013 3930:Egan 2013 3898:Egan 2013 3871:Egan 2013 3856:Egan 2013 3841:Egan 2013 3829:Egan 2013 3766:Egan 2013 3754:Egan 2013 3739:Egan 2013 3727:Egan 2013 3715:Egan 2013 3687:Egan 2013 3675:Egan 2013 3651:Egan 2013 3639:Roby 2002 3591:Roby 2002 3579:Roby 2002 3563:Egan 2013 3472:Roby 2002 3457:March 27, 3324:, titled 3042:Billboard 2993:position 2907:Personnel 2884:Red House 2641:In 1993, 2624:LP record 2227:Red House 2197:Foxy Lady 2069:. Critic 2059:acid rock 2053:credited 2034:album era 1646:Billboard 1640:Billboard 1615:Billboard 1580:Billboard 1465:Evolution 1398:vibratoed 1238:acid trip 1170:registers 1103:folk song 1091:raga rock 1012:hard rock 1000:free jazz 915:backwards 893:BBC radio 875:Bob Dylan 698:Red House 681:Foxy Lady 607:Recording 526:Cafe Wha? 441:Foxy Lady 421:in 2000. 379:Billboard 372:Billboard 131:acid rock 126:hard rock 10315:Fearless 10292:Daughtry 10287:Daughtry 10094:The Sign 10004:Bon Jovi 9957:Thriller 9943:Thriller 9901:The Wall 9540:Year-End 9302:New Year 8715:Category 8547:and acts 6531:June 21, 6282:(1981). 6234:. London 6045:July 10, 5963:July 22, 5952:(n.d.). 5749:(2006). 5732:DownBeat 5684:AllMusic 5658:June 14, 4825:vocals; 4615:(2003). 3451:Archived 3406:(2000). 3298:♯ 3292:♯ 3275:♯ 3130:100,000 2953:producer 2501:Side two 2389:Side one 2278:Side two 2174:Side one 1763:DownBeat 1688:AllMusic 1025:Newsweek 909:", and " 891:and the 888:Dee Time 782:February 706:monaural 392:", and " 318:bassist 203:Producer 195:(France) 108:, London 90:Recorded 75:Released 65: by 56:UK cover 10301:As I Am 10264:50 Cent 10236:50 Cent 9862:Rumours 9781:Harvest 9682:1965: 9637:Camelot 9560:Calypso 9470:Testify 9117:Freedom 8842:Hey Joe 8500:Hendrix 7825:Discogs 6786:Sources 6569:Discogs 6552:Discogs 6509:Discogs 5807:(ed.). 5715:Blender 3109:25,000 3093:Italy ( 3088:/sales 3079:Region 3044:Top LPs 2998:Canada 2699:Hey Joe 2636:NoNoise 2442:Hey Joe 2076:Blender 2021:that." 1725:Blender 1642:Top LPs 1630:formats 1582:Hot 100 1563:Benelux 1532:Benelux 1509:Release 1247:tritone 1166:sustain 1135:F sharp 1123:fade-in 1053:Ulysses 952:A&R 744:Octavia 728:January 620:Olympic 593:the Who 506:R&B 470:Ulysses 455:of the 427:ranked 390:Hey Joe 374:Top LPs 336:the Who 316:Animals 312:R&B 240:(1967) 231:(1967) 193:Barclay 188:Reprise 178:Polydor 106:Olympic 80: ( 28:(novel) 10505:2023: 10491:2022: 10477:2021: 10463:2020: 10449:2019: 10435:2018: 10421:2017: 10407:2016: 10393:2015: 10385:Frozen 10382:2014: 10368:2013: 10354:2012: 10340:2011: 10326:2010: 10312:2009: 10298:2008: 10284:2007: 10270:2006: 10256:2005: 10242:2004: 10228:2003: 10222:Eminem 10214:2002: 10200:2001: 10175:2000: 10161:1999: 10147:1998: 10133:1997: 10119:1996: 10105:1995: 10091:1994: 10080:1993: 10066:1992: 10052:1991: 10038:1990: 10024:1989: 10010:1988: 9996:1987: 9982:1986: 9968:1985: 9954:1984: 9940:1983: 9926:1982: 9912:1981: 9898:1980: 9884:1979: 9873:1978: 9859:1977: 9845:1976: 9820:1975: 9806:1974: 9792:1973: 9778:1972: 9767:1971: 9753:1970: 9739:1969: 9725:1968: 9711:1967: 9697:1966: 9667:1964: 9656:1963: 9645:1962: 9634:1961: 9619:1960: 9605:1959: 9588:1958: 9571:1957: 9557:1956: 9407:Gloria 8214:albums 8095:Stages 7802: 7785: 7768: 7751: 7723: 7702: 7641: 7596: 7566: 7532: 7483: 7464: 7445: 7426: 7394: 7375: 7356: 7335: 7314: 7293: 7272: 7251: 7230: 7209: 7190: 7163: 7144: 7123: 7102: 7079: 7058: 7039: 7016: 6997: 6976: 6953: 6934: 6913: 6892: 6869: 6822: 6803: 6332: 6300: 6074: 5925: 5919:374–75 5821: 5788: 5763: 4849:song; 4675: 4629: 4602: 3420: 3305:chord. 3303: 3288: 3280: 2975:Charts 2811:Length 2689:Length 2663:Sony's 2655: 2651: 2514:Length 2402:Length 2291:Length 2187:Length 2106:(2013) 2015:'s 2008:'s 1682:Rating 1679:Source 1514:Europe 1162:melody 1127:F note 1125:of an 977:, 2009 823:panned 700:". As 665:B-side 496:, 1968 144:Length 98:Studio 10415:Adele 10362:Adele 10348:Adele 10250:Usher 10183:NSYNC 10136:Spice 10013:Faith 9671:from 9669:Music 9623:from 9621:Music 9594:from 9591:Music 9577:from 9574:Music 9487:Lists 9138:Angel 8759:songs 8292:Blues 7581:(57). 7553:(12). 6596:(PDF) 4855:cover 3368:When 3165:Notes 3127:Gold 3106:Gold 2899:19:34 2808:Title 2789:20:04 2686:Title 2599:39:29 2511:Title 2399:Title 2372:38:34 2288:Title 2184:Title 2081:hooks 1999:tempo 1894:10/10 1844:10/10 1649:' 1371:waltz 1354:, or 1323:jazzy 1107:cover 1095:sitar 994:from 895:show 655:" or 589:Track 570:blues 461:blues 332:Track 183:Track 171:Label 136:blues 114:Genre 10424:Damn 10396:1989 9934:Asia 9929:Asia 8814:Fire 7800:ASIN 7783:ASIN 7766:ASIN 7749:ASIN 7721:ISBN 7700:ISBN 7689:(1). 7683:Spin 7670:2017 7639:ISBN 7594:ISBN 7564:ISBN 7530:ISBN 7519:(5). 7502:(6). 7481:ISBN 7462:ISBN 7443:ISBN 7424:ISBN 7392:ISBN 7373:ISBN 7354:OCLC 7333:ISBN 7312:ISBN 7291:ISBN 7270:ISBN 7249:ISBN 7228:ISBN 7207:ISBN 7188:ISBN 7161:ISBN 7142:ISBN 7121:ISBN 7100:ISBN 7077:ISBN 7056:ISBN 7037:ISBN 7014:ISBN 6995:ISBN 6974:ISBN 6951:ISBN 6932:ISBN 6911:ISBN 6890:ISBN 6867:ISBN 6849:2014 6820:ISBN 6801:ISBN 6775:2021 6750:2021 6724:2021 6699:2020 6657:2020 6628:2020 6533:2014 6459:link 6423:link 6387:link 6330:ISBN 6311:2019 6298:ISBN 6266:2013 6240:2021 6213:2014 6154:2020 6072:ISBN 6047:2021 5965:2020 5936:2014 5923:ISBN 5886:2013 5858:2015 5819:ISBN 5761:ISBN 5692:2014 5660:2023 4847:folk 4791:funk 4673:ISBN 4640:2014 4627:ISBN 4600:ISBN 3459:2013 3418:ISBN 3137:RIAA 3095:FIMI 2991:Peak 2889:3:50 2874:2:48 2863:2:33 2852:3:32 2837:3:15 2826:3:36 2779:3:32 2764:3:20 2749:3:15 2738:2:51 2723:3:36 2708:3:30 2589:3:55 2574:3:15 2559:6:40 2544:2:34 2539:Fire 2529:3:21 2492:3:55 2477:2:55 2462:3:15 2451:3:23 2432:3:30 2417:2:46 2362:4:02 2347:2:43 2336:6:30 2321:2:30 2316:Fire 2306:2:55 2269:3:48 2254:3:05 2243:2:35 2232:3:45 2217:3:31 2202:3:10 2113:Mojo 1625:and 1493:afro 1086:funk 1044:rock 938:BBC2 936:and 877:'s " 773:and 756:Fire 710:king 659:'s " 651:'s " 599:and 492:and 388:", " 342:and 305:rock 303:and 190:(US) 185:(UK) 162:(US) 9800:War 7823:at 7180:33⅓ 6601:RPM 6567:at 6550:at 6507:at 4857:on 3447:NPR 3376:to 3286:(no 3116:BPI 3059:10 3053:US 3039:US 3028:UK 3015:17 3007:15 3001:RPM 2879:17. 2868:16. 2857:15. 2842:14. 2831:13. 2816:12. 2804:No. 2769:17. 2754:16. 2743:15. 2728:14. 2713:13. 2701:" ( 2694:12. 2682:No. 2507:No. 2444:" ( 2395:No. 2284:No. 2180:No. 2004:NME 1242:LSD 1133:to 1056:." 1050:'s 998:to 940:'s 473:." 467:'s 415:'s 10531:: 10511:– 10497:– 10483:– 10469:– 10455:– 10441:– 10427:– 10413:– 10410:25 10399:– 10374:– 10360:– 10357:21 10346:– 10343:21 10332:– 10318:– 10304:– 10290:– 10276:– 10262:– 10248:– 10234:– 10220:– 10206:– 10181:– 10167:– 10153:– 10139:– 10125:– 10111:– 10097:– 10072:– 10058:– 10044:– 10030:– 10016:– 10002:– 9988:– 9974:– 9960:– 9946:– 9932:– 9918:– 9904:– 9890:– 9865:– 9851:– 9826:– 9812:– 9798:– 9784:– 9759:– 9745:– 9731:– 9717:– 9703:– 9687:: 9611:– 9563:– 7685:. 7681:. 7656:. 7611:. 7551:32 7549:. 7517:46 7515:. 7511:. 7498:. 7186:. 7182:. 7178:. 7098:. 7094:. 6888:. 6884:. 6837:. 6766:. 6741:. 6688:. 6665:^ 6648:. 6618:. 6598:. 6523:. 6467:^ 6455:}} 6451:{{ 6419:}} 6415:{{ 6383:}} 6379:{{ 6344:^ 6296:. 6292:. 6286:. 6257:. 6230:. 6202:. 6142:. 6033:. 6009:^ 5956:. 5921:. 5874:. 5842:. 5817:. 5813:. 5786:OL 5712:. 5681:. 5669:^ 5649:. 5643:; 5623:; 5499:; 5471:; 5445:^ 5416:^ 5401:^ 5370:^ 5353:^ 5338:^ 5299:^ 5272:^ 5257:^ 5230:^ 5031:^ 4976:^ 4929:^ 4890:^ 4747:^ 4621:. 4536:^ 4519:^ 4480:^ 4465:^ 4448:^ 4409:^ 4288:^ 4249:^ 4232:^ 4177:^ 4134:^ 4105:^ 4034:^ 3995:^ 3964:^ 3937:^ 3922:^ 3905:^ 3890:^ 3863:^ 3848:^ 3821:^ 3746:^ 3613:^ 3598:^ 3527:^ 3445:. 3432:^ 3278:m7 3139:) 3048:5 3034:2 3023:3 2951:– 2579:5. 2564:4. 2549:3. 2534:2. 2519:1. 2482:6. 2467:5. 2456:4. 2437:3. 2422:2. 2407:1. 2352:5. 2341:4. 2326:3. 2311:2. 2296:1. 2259:6. 2248:5. 2237:4. 2222:3. 2207:2. 2192:1. 2144:. 2061:, 2001:. 1982:A− 1558:. 1442:, 1422:. 1184:. 603:. 557:. 488:, 358:. 346:. 159:29 155:39 10203:1 9529:e 9522:t 9515:v 9479:" 9475:" 9472:" 9468:" 9465:" 9461:" 9458:" 9454:" 9451:" 9447:" 9444:" 9440:" 9437:" 9433:" 9430:" 9426:" 9423:" 9419:" 9416:" 9412:" 9409:" 9405:" 9391:" 9387:" 9384:" 9380:" 9377:" 9373:" 9370:" 9366:" 9363:" 9359:" 9356:" 9352:" 9340:/ 9327:" 9323:" 9320:" 9316:" 9313:" 9309:" 9291:" 9287:" 9284:" 9280:" 9262:" 9258:" 9255:" 9251:" 9248:" 9244:" 9226:" 9222:" 9219:" 9215:" 9212:" 9208:" 9205:" 9201:" 9183:" 9179:" 9176:" 9172:" 9169:" 9165:" 9162:" 9158:" 9140:" 9136:" 9133:" 9129:" 9126:" 9122:" 9119:" 9115:" 9097:" 9093:" 9090:" 9086:" 9083:" 9079:" 9059:" 9055:" 9037:" 9033:" 9030:" 9026:" 9020:" 9017:" 9013:" 9010:" 9006:" 9003:" 8999:" 8996:" 8992:" 8989:" 8985:" 8967:" 8963:" 8960:" 8956:" 8953:" 8949:" 8946:" 8942:" 8922:" 8918:" 8915:" 8911:" 8908:" 8904:" 8901:" 8897:" 8894:" 8890:" 8887:" 8883:" 8880:" 8876:" 8873:" 8869:" 8851:" 8847:" 8844:" 8840:" 8837:" 8833:" 8830:" 8826:" 8823:" 8819:" 8816:" 8812:" 8809:" 8805:" 8802:" 8798:" 8795:" 8791:" 8788:" 8784:" 8781:" 8777:" 8749:e 8742:t 8735:v 7854:e 7847:t 7840:v 7806:. 7789:. 7772:. 7755:. 7729:. 7708:. 7687:7 7672:. 7647:. 7615:. 7613:2 7602:. 7572:. 7538:. 7500:8 7489:. 7470:. 7451:. 7432:. 7400:. 7381:. 7360:. 7341:. 7320:. 7299:. 7278:. 7257:. 7236:. 7215:. 7196:. 7169:. 7150:. 7129:. 7108:. 7085:. 7064:. 7045:. 7022:. 7003:. 6982:. 6959:. 6940:. 6919:. 6898:. 6875:. 6851:. 6828:. 6809:. 6777:. 6752:. 6726:. 6701:. 6659:. 6642:" 6630:. 6535:. 6461:) 6425:) 6389:) 6338:. 6268:. 6242:. 6215:. 6156:. 6080:. 6053:. 5967:. 5938:. 5888:. 5877:Q 5860:. 5827:. 5792:. 5769:. 5718:. 5694:. 5662:. 4861:. 4833:. 4681:. 4642:. 4608:. 3461:. 3426:. 3328:. 3301:9 3237:. 3118:) 3097:) 2886:" 2882:" 2849:" 2845:" 2823:" 2819:" 2776:" 2772:" 2761:" 2757:" 2735:" 2731:" 2720:" 2716:" 2705:) 2697:" 2586:" 2582:" 2567:" 2552:" 2541:" 2537:" 2526:" 2522:" 2489:" 2485:" 2474:" 2470:" 2448:) 2440:" 2429:" 2425:" 2414:" 2410:" 2359:" 2355:" 2333:" 2329:" 2318:" 2314:" 2303:" 2299:" 2266:" 2262:" 2229:" 2225:" 2214:" 2210:" 2199:" 2195:" 1901:Q 1381:4 1362:4 1315:. 1227:. 973:— 956:' 793:— 384:" 157:: 84:) 37:. 30:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Are You Experienced

Index